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Not Just a Soft Option: The Luhmühlen Cross-Country Day Debrief

Phoebe Locke and Ballagio Declyange pop down the new Irish bank. Photo by Tilly Berendt.

Woe betide anybody who continues to repeat the tired opinion that Luhmühlen is a ‘soft’ CCI5*. Dimensionally? No, it’s not maxed out. Length-wise? It’s unlikely you’ll ever see a nearly thirteen minute course here. Terrain? Pretty flat, actually. But it’s a course that’s greater than the sum of its parts: an academic, thinking rider’s track, with plenty of places to have drive-by and lots of places to lose valuable fistfuls of seconds.

Maybe course designer Mike Etherington-Smith felt he had a point to prove in defence of his event this year — after all, he’d admitted in a course preview for the show that he’d felt last year’s track was too soft, with its four inside the time and 51% clear rate. (The average at five-star, for what it’s worth, hovers around 56%.)

Whatever his motivation, he went to the drawing board as a man on a mission, firstly flipping the direction of the track — a move he last made in 2022 — to its more intense clockwise route (well, as much as you can consider anything clockwise or counterclockwise on a course that spirals around itself as much as this one does). He also got to work with his team of groundsmen and builders and, one presumes, a digger, finally installing the Irish bank he’s long dreamed of and argued for. And he took the already tough early combinations — the dappled Longines Water at 4 and 5ABC, the three-part angled question in the main arena at 8ABC — and made them even more acute and exacting, challenging riders on fit, fresh, strong horses to dig deep and find something like rideability somewhere in their partners.

It was those two combinations that I’d flagged early on as potentially very influential ones — but, I’ll confess, it was that water complex at 4 and 5ABC that I really thought would ultimately be the bogey of the day. It followed on from three very straightforward, not at all big fences, which were then left behind by one of the longest galloping stretches on the course. Then, horses and riders had to negotiate a steep downhill approach to a roll top at 4, before turning to a huge brush drop into the water at 5A, an angled boat in the water at 5B, and an angled brush on dry land at 5C. There’s terrain, there’s crowds, there’s tricky dappled lighting, there’s a line there that I walked several times and still couldn’t ever actually see, and it’s the first combination on course, too — surely, I reckoned, this would be the site of a lot of hands in the air and short walks back to the stables throughout the day.

So there was me, worrying about that, and then there was the European-based riders, who were worrying about the Irish bank at 20ABC, and actually, as is often the case at five-star level, we were all completely wrong about both of them. Not a single horse and rider faulted at the first water complex despite everything that made it seem so tricky, and just one competitor ran into problems at the Irish bank. The rest hunted their way through, found their line, and proved Mike right in his convictions that the complex would be a great addition to the course.

Of course, none of us were ever blind to the question in the main arena, which was made up of a wide timber oxer at 8A, followed by two angled hedges — opposing angles at that — after a 90-degree right-handed turn. Luhmühlen’s main arena combination is always influential, and the offset angles on the hedges created a perfect open door for a run-out to the left — an open door that many horses were happy to go through. It walked as one very long stride or two tight ones on a slightly curving line, and neither of them really felt like the right one, and so we knew it would cause problems — we just didn’t really expect 33% of the field to have issues there.

But that’s what happened, as horse after horse skewed out to the left of the C element, and some at the B element. At one point, we were effectively given a long judging break on course because three riders in a row opted to retire there, and by the end of the day, 15 competitors would pick up penalties at one of those two angled hedges.

Ultimately, our starting field of 46 would be whittled down throughout the day to 32 finishers — a 70% completion rate that’s about what we’ve come to expect here. But of those 32 finishers, just 20 completed without adding jumping penalties, giving Luhmühlen’s 2025 track a stiff 43.5% clear rate, nearly eight percent lower than last year and nearly 13% lower than that of Badminton, which saw 56% jump clear.

One thing did remain the same, though: once again, four riders caught the optimum time of 11:02, despite many competitors predicting that the time would be nigh-on uncatchable.

Laura Collett and London 52. Photo by Tilly Berendt.

Chief among those? A familiar face at the business end of the leaderboard in Laura Collett and London 52, who won here two years ago when finishing on their dressage score. Today, they once again added nothing to their first-phase result — a 25.4 earned yesterday afternoon — to continue their bid for a fourth five-star win out of as many starts.

“He’s sensational,” says Laura. “I genuinely have not got enough words. I’m not very good with words, so I can’t do him justice, but he’s insane. The feeling he gives is like no other, so to be in my position and sat on a horse like that is something that I just have to treasure.”

Laura Collett and London 52. Photo by Tilly Berendt.

It feels a very long time since Dan’s wobbly 2019 season, early on in his upper-level career, when he misread a fence in the water at the European Championships here and deposited Laura into the drink. These days, he’s about as reliable as a horse can be, even when the chips are down — something he proved today when he and Laura saw slightly different strides to the double of offset tables at 21AB and had to scramble their way through.

“I rode like a bit of a plonker, to be honest,” she says. “He landed a bit short, and I stupidly still tried to get the three, and it was never there. I don’t know why he landed a bit short; I don’t know what happened, it was just horrible! It wasn’t very nice. Luckily, he’s very scopey and clever with his legs. But that was definitely rider error.”

Other than that little heart-in-mouth moment, though, Laura’s round made the difficult track look like an extended schooling exercise.

“The course it rode like it walked: we said it’s going to ride like a short format from the first water, and it really did. There was nowhere you felt like you could just sit and breathe and gather your thoughts. It was bang, bang, bang — whether it’s turning and twisting through the trees or setting up for a combination. So in that respect, it was exactly as it walked,” she says. “But in everything he does — the way he gallops, the way he listens… He’s a big horse, but he’s so adjustable. He’s so nippy around these tracks, and at the end of the day, he just loves it. He’s so honest, and he looks for the flags, and he makes my job very easy.”

Laura Collett and Hester. Photo by Tilly Berendt.

‘Dan’ was one of the last horses out on the course in this morning’s five-star, and the second of Laura’s rides today: the first, the much less experienced Hester, delivered one of the earliest confidence-boosting rounds of the day as third out of the start box in this morning’s slightly less oppressive heat. It’s a first five-star clear on a third attempt for the thirteen-year-old, who visibly came into her own and grew in confidence as she ticked each fence off on course.

“I went to the stables and I said to Dan, ‘it’d be embarrassing if you let her show you up today!’,” laughs Laura. “She was phenomenal. The improvement in her in 12 months from where she was here last year was amazing. And for me, that’s what it’s all about, is building that partnership. I haven’t had her all the way through like I’ve had Dan, so it’s taken a few years, but she feels amazing. She’s like my little unicorn that I get to fly around on first and she gives me loads of confidence.”

Ros Canter and Izilot DHI. Photo by Tilly Berendt.

With Laura and Dan safely home, all eyes turned to her compatriots and closest challengers, who were following them around the track. But as they passed the middle of the course, last year’s cross-country leaders suddenly had a big question mark over their score: Ros Canter and Izilot DHI had been awarded a provisional flag penalty at the first element of the LeMieux Water at 16A, nixing their chances at trying for the win again.

It must have felt an achingly long few minutes for Ros, whose last year has felt plagued by flags — but the turnaround on the review was among the quickest we’ve seen, and soon, it was confirmed: she would retain her second place, having added just 2.8 time penalties to her dressage score of 26. That, of course, broadens the margin between her and Laura a touch, but at 3.4 penalties, it doesn’t give Laura anything more than time in hand for tomorrow’s showjumping.

Like Laura, Ros had an earlier ride on a less experienced horse in MHS Seventeen, but unlike Laura, that round didn’t go totally to plan — they picked up 20 penalties in the main arena, and a further 20 time penalties, en route to completing. When it was time to leave the start box again, on a perennially sharp-brained horse, she had to put it out of her mind as best she could and focus on riding the horse underneath her.

Then, she says, “he was fantastic — and actually, less spooky than I thought he would be, because the MHS Seventeen horse went out and he was really spooky today, and he’s not normally like that. So I was a little bit concerned that Isaac might come out at his worst. I rode him a little bit earlier this morning, and he wouldn’t go near one of the show jumps, which I was slightly concerned about.

“But when he got out there, he really settled. I think having the woods and the track really channeled at the beginning really helped him. He was a little bit looky at the first water with the people, but, I mean, he ducks and dives all over. Going into the main arena was the worst, and out again, but he knows his stuff now.”

Ros Canter and Izilot DHI. Photo by Tilly Berendt.

As regards her 2.8 time penalties, Ros is pragmatic.

“I always come back and think there’s a few places that I could have maybe got a couple of deeper spots, but you know, we’re talking the odd second,” she says.  “You look at Lordships Graffalo, and you can afford to do that and still make the time up, whereas Isaac, bless him — he doesn’t find it so easy to go for so long, which is why he dances so easily in the dressage. So there’s strengths and weaknesses in every horse, but I couldn’t fault his attitude today.”

Sam Lissington and Ricker Ridge Sooty. Photo by Shannon Brinkman.

British-based Kiwi Sam Lissington is on an extraordinary run of form, and comes into Luhmühlen off the back of a history-making 1-2-3 in the CCI4*-L at France’s Royal Jump at Berticheres. That’ll have instilled in her the kind of confidence that, when paired with experience, gumption, and a great partnership, tends to make a bit of magic.

Though they didn’t quite catch the time, Sam and Ricker Ridge Sooty GNZ‘s one second over the time ensured they’d hold onto third place going into the final phase, and leave our podium untouched for now. They’ll head into showjumping on a score of 29.3 — still just 3.9 penalties off the top spot.

“I’d like to say [the recent wins] help in that you’ve got more confidence,” she says. “Now we’ve had a number of really good results at the top level in a row, so that’s great. But equally, you’re on form, and you can either keep going on form or go downhill, so there’s a bit of pressure to maintain that. But no, I mean, I think this is going to do worlds of good for our confidence and for the rest of the season.”

With her late draw and just one horse in the class, Sam had plenty of time to watch the day unfold — and absorb the chaos of the main arena.

“I think I watched it too much, to be honest,” she admits. “It started riding really well in the morning, and then in the middle section, I feel like it fell apart a bit. So I had a lot of questions going out, and knew that I might just have to ride off feel, and that’s what I did today. I watched pretty much everything — I like to watch and then make decisions for myself, but this course was one of the ones where I was a little undecided going out the start box. I didn’t know quite what I was going to do in the main arena, but thankfully it came off.”

Kitty King and Vendredi Biats. Photo by Tilly Berendt.

Though Kitty King was one of countless riders to express serious disappointment after the harsh marking of this week’s dressage days, she and Vendredi Biats wasted no time in making their move up the leaderboard. They finished bang-on the optimum time of 11:02 and moved up from eighth to fourth place on a two-phase score of 31.2.

“It wasn’t our tidiest of rounds today,” says Kitty. “We were a bit scrappy in places, but I think that’s the makeup of the course. It’s very twisty and fast, with lots of lines, and the horses don’t really know where they’re going — so we were a bit scrappy, but he kept helping me out, and I helped him occasionally.”

She knew, though, that this wouldn’t be an easy canter around the Lüneberger Heide, not least because she’s been on the hunt for the perfect bitting set-up for the experienced sixteen-year-old gelding this season.

“We’ve just been trying to find new bits for him because his one got banned last year,” she explains. “He’s very sensitive and tricky, and this year we’ve run in a different bit at every event. We haven’t really got that kind of continuity yet, because the first few runs the bits didn’t work and had issues, so we had to keep swapping.

“For an older horse, I’ve confused him probably a bit this year. He had a good run in this bridle at Bicton, but we’re both a little bit at sea with it, although it worked quite well. And so I was really nervous going out here because sometimes when you put the bit on a second time, they don’t work at all. And he was a bit stiff and wooden in the warm-up, and I was thinking, ‘Oh gosh, I don’t know that I’m going to be able to turn!’ So I was pretty nervous going out — more than normal. You’re always anxious and nervous at a five-star, but it was even worse today because there were just so many unknowns. But he just did his job.”

This is a return to Luhmühlen for Kitty and ‘Froggy’, who finished second here to Laura Collett and London 52 in 2023.

“I think that course was quite twisty at the start, but that kind of suited him because it got him settled because he can be quite open and free, so that actually got him listening and condensed. And then we were a little bit down on our time last time, but then you had nearly a minute’s gallop home, so that was perfect for him, and that really suited him doing it that way,” she says. “Whereas this time, you knew you had to be up on time at the start, because that’s your only galloping area. So you have to set him alight a bit, which then isn’t ideal for the control towards the end. But he was very good — he’s just such a dream. I’m going to miss him so much when he has to retire.”

Cosby Green and Jos UFO de Quidam. Photo by Tilly Berendt.

British-based US rider Cosby Green had an extraordinary day on course, finishing one second over the time on her first ride, Jos UFO de Quidam, and four seconds inside the time on her second, Highly Suspicious, to finish the day in ninth and fifth place, up from 36th and 16th, respectively.

It was her latter ride, Highly Suspicious, who was most committed to giving his audience a show: he made a colossal leap over the rolltop at the first water at A, eliciting gasps and cheers at his apparent joie de vivre.

“I’ve been partners with him for almost eight years, and he’s been one of the most tricky ones,” says Cosby. “He’s really bold and keen at the beginning, so I’ve kind of figured out where I can let him kind of be brave and bold. I know as the course goes on, and the longer we go, the better it gets. So it was just about trusting him, even if he was jumping higher or a little bit strong or not where I wanted — to just kind of keep my cool. I knew he’d come into it, and that’s exactly what he did today.”

Cosby let her first ride on Jos UFO de Quidam dictate how she’d approach the tougher questions on course later in the day, including an adjustment to her plan in the main arena.

“I did the one stride on a line that I walked for two strides — he’s got a huge stride,” she says. “My first ride through there wasn’t what I wanted it to be, and he’s really genuine. [Highly Suspicious] is not so genuine. So I walked that line maybe 20 times afterwards and came up with a different plan completely into the oxer, and then I just put a bend in the line to make it really obvious to him, because I think the horses weren’t picking up on something. Jonelle [Price] did the same thing too, before me, I watched the video and was like, ‘that’s perfect.'”

Cosby Green and Highly Suspicious. Photo by Shannon Brinkman. 

Getting two horses round at a five-star is a huge moment — and getting two into the top ten at this stage is even more colossal, particularly for a young professional.

“It definitely hasn’t sunk in yet,” admits Cosby, who’s been based with the Prices for a couple of seasons now in pursuit of her goals. “I think I’ve been dreaming of this for months, of getting both clear and as close to the time as possible, that it’s almost like a bit of a box checked. Like, ‘yep, that was what we came here to do, prepped for, that’s what we wanted, job done and onto the next’. I’ll feel even more excited when it’s all said and done tomorrow, but for now, I feel pleased that we were able to show our partnerships, our ability, the fitness. It makes me feel like we’re doing the right thing. That’s it more than anything.”

There was something a little bit uncanny about watching Cosby’s first ride with Jos UFO de Quidam — because that chestnut gelding doesn’t seem at all dissimilar to another excellent chestnut who recently retired from her string, the former Buck Davidson mount Copper Beach.

“I owe everything to him still. He just gave me that confidence, and I think all of my horses this season have been so consistent with the cross country [because of that],” she says. “Lots of things to tidy up, but I’m really very lucky.”

Lara de Liedekerke-Meier and Origi. Photo by Tilly Berendt.

The first clear inside the time of the day went to Belgian Olympians Lara de Liedekerke-Meier and level debutant Origi, who — as a bouncy, compact little pocket rocket of an oversized pony looked perfectly suited to Luhmühlen’s tricky, twisty track. They came home one second inside the time to climb from 26th to seventh, but the gelding, who had been on flying form, suddenly pulled up lame after the final fence, and is unlikely to come forward to showjump tomorrow.

Last year’s champion Lara posted a reassuring statement on her social media, saying “Origi was an absolute star around a tough Luhmühlen 5* track. Flying over the last fence he landed only on one leg, twisting his fetlock in the landing which is very painful in the first moments, but he is well taken care of by the amazing vet team and is happy in the stable.”

Lea Siegl and Van Helsing P. Photo by Tilly Berendt.

Austria’s Lea Siegl was another double-handed rider in this class, and another to pilot two horses into the top ten — though that result was touch and go in the moments after her second round with level debutant Van Helsing P, who was initially awarded penalties for two refusals after a hesitation at the Irish bank. One of those refusals was quickly removed, and the second disappeared, too, moments after her round was completed, leaving her with just 11.2 time penalties to add and overnight tenth place. ‘Heli’ joins Lea’s first ride of the day, DSP Fighting Line, at the business end of the leaderboard after the diminutive chestnut, who was placed at Pau last year, added just 3.2 time penalties to climb from 15th to eighth.

Lea Siegl and DSP Fighting Line. Photo by Tilly Berendt.

“He’s such a nice, super horse and easy to ride,” says Lea of her Tokyo Olympics partner ‘Fighty’. But, she says, she rued not moving faster at the beginning of the course in order to catch the time: “I waited too much and he was a bit spooking because of all the people coming from all the sides — they weren’t standing still, they were all walking around, searching for the best place to watch. I know he can be a bit spooky there, and then I waited too much, and then some combinations were a bit maybe too slow. But he’s a smart and very short horse, so he can manage it really well. He was fine, I’m just a bit not so happy with myself that I didn’t keep the forward rhythm. But everything else felt really easy.”

The debutant Van Helsing P, she continues, “started really good, but he’s a really careful jumper and jumped a bit too much in the beginning. So in the end, he was a bit more tired than Fighty. So I lost some time in the last two minutes because he was just a bit — not like super tired, but a bit not going straight. But otherwise, it was his first five-star, and he did all the jumps and all the questions really nice. And I kept the rhythm more forward than with Fighty, so I’m happy with both horses.”

There were some major surprises and shiftarounds on the leaderboard today: seventh-placed Piggy March and Halo dropped to 24th after a runout at the Messmer Water, while ninth-placed Selina Milnes opted to retire Cooley Snapchat after issues in the main arena and at fence 12C. Tenth placed Aaron Millar dropped to 17th after adding 16.8 time penalties with KEC Deakon, and fifth-placed Gemma Stevens was very quick to pull up Jalapeno at the LeMieux Water when the mare suddenly took a bad step on landing from a fence. They say you should always look for the helpers when situations seem too bad to comprehend, and if there’s one thing I’ll take from today, it’s this: the speed in which Gemma, like Lara, too, noticed the problem and pulled up — and the quick thinking and kindness of the spectators, who dashed forward to offer up their water bottles to cool down Jalapeno while she awaited a ride back to the stables.

The top ten after cross-country in the CCI5*.

Julia Krajewski and Uelzener’s Nickel. Photo by Tilly Berendt.

In the CCI4*-S, the track — widely heralded as one of the most significant the level has seen — continued to cause plenty of problems. After the morning’s influential five-star competition, the pathfinder, Ireland’s Patrick Whelan, opted to withdraw both his rides, one of which was a catch-ride, and then, the next two riders out of the box didn’t complete the course. Though the combination in the main arena wasn’t quite the same as in the earlier class, it was still a standout fence, with four partnerships faulting here and two ending their day early in front of the grandstands.

In this class, problems were largely spread more evenly across the course, and 33 of the 40 starters would go on to complete, with just two of those 33 picking up jumping penalties along the way — a much more positive result than was perhaps expected from the union of a relatively inexperienced field and a nearly championship level track.

That positive feeling has, of course, been marred by the desperately sad loss of Maj-Jonna Ziebell’s longtime partner Chiquita 88, who was irreparably injured after a fall at fence 14C. All of us at Team EN send our deepest sympathies to Maj-Jonna and her team.

At the end of the day’s competition, Julia Krajewski remains atop the leaderboard with the exceptional eleven-year-old Uelzener’s Nickel, with whom she won Aachen and Boekelo last year and finished eleventh at the Paris Olympics. Though the gelding is still just at the beginning of his top-level career, such is his consistency that his two-phase lead seemed almost a foregone conclusion — but they didn’t actually deliver one of those four clears inside the time.

“I wanted to deliver a safe, fast round, but I didn’t go for the very last second,” says Julia, who added 2.4 time penalties. “I’m totally happy with Nickel — he always wants to do everything right. Winning a title is of course always something special, and for Nickel, it would be his first title. But after the cross-country is, of course, the jumping, and we’re now just taking super good care of him.”

Young German talent Emma Brüssau moves up from fifth to second with Dark Desire GS after a blazing round inside the time: “I simply have an unbelievable horse, and she’s so honest and always fights for me,” says Emma of the mare she’s piloted for eleven years now.

Australia’s Andrew Cooper moves from seventh to third with Sharvalley Thunder, who added just 1.6 time penalties.

The top ten after cross-country in the CCI4*-S.

Tomorrow’s final day starts bright and early at 8.00 a.m. (7.00 a.m. BST/2.00 a.nm EST) with the final horse inspection. Both classes will trot up tomorrow morning, as is customary when short-format classes are held with showjumping last, and the CCI4*-S inspection will begin following the five-star at 8.40 a.m. (7.40 a.m. BST/2.40 a.m. EST). Then, it’s onward to the showjumping, with the CCI5* once again taking the morning slot: that’ll kick off from 10.00 a.m. (9.00 a.m. BST/4.00 a.m. EST) and will last around an hour and a half all-in, while the CCI4*-S will start after the lunch break at 13.15 (12.15 BST/7.15 a.m. EST). We’ll be back tomorrow with all the news you need to know, and in-depth debriefs with the stars of the show, so keep it locked on EN, follow along on the livestream with Horse&Country TV, and as always, Go Eventing.

Longines Luhmühlen CCI5* (Germany): [Website] [Entries] [Schedule] [Timing & Scoring] [H&C+ Live Stream] [EN’s Coverage]

A Brand New Bank and Angles for Days: Take a Look at Luhmühlen’s Key Combinations

Fence 1.

Tomorrow’s cross-country course at the Longines Luhmühlen CCI5* has got everyone talking, with several riders reckoning the 11:08 optimum time will be near-on impossible to catch, even with just 28 numbered fences — and that comes down to its intensity and technicality, “like an eleven-minute CCI4*-S,” as Ros Canter aptly put it earlier today. It’s another sterling effort from long-time course designer Mike Etherington-Smith, who’s added some new features this year, including an Irish bank that’s got a few of our German friends feeling a little bit weak at the knees.

First of all, let’s get some real pet-peeve housekeeping out of the way. 

There are a few common blanket statements that I hear time and time again in the eventing world, and one of those that makes me roll my eyes so far back into my head that I can see into Australia is this: Luhmühlen is a soft five-star. 

Is there any such thing, really? No, you won’t come to Luhmühlen and find yourself gulping at the take-off side of the fences, unable to comprehend how anyone can find enough velocity or, indeed, cajones to make it to the other side. It’s not a dimensionally colossal five-star. It’s not Burghley. 

But what it does do very well is make riders think. It’s a very European, very academic track, with plenty of washing machine turnbacks and exacting angles that’ll lead to harmless — but expensive — runouts if riders or horses take their eye off the ball for even a moment. 

This year’s course switches directions from the last couple of years’ tracks – the last time we saw it run in this direction was 2022. In real-world, practical terms, that means that the always very influential Longines water complex in the woods comes up so early that it’s actually the first combination our competitors will meet, and they’ll approach it off a steep downhill run – so from very early on, we’ll expect to see a barometer of each partnership’s ‘readiness’ for this level. 

The first three fences are familiar, friendly ones: there’s the stalwart Luhmühlen flowerbox to get our competitors underway, followed by a table at 2 and a brush spread fence heading into the woods at 3. As at any event, the purpose of these early fences is straightforward: simply, they’re there to allow horses to settle into a cruising rhythm and have confidence-building experiences leaving the ground and meeting the crowds. 

After the third fence, they’ll head into the venue’s peaceful woodland for a surprisingly long gallop stretch – and that, in and of itself, presents one of this competition’s first challenges. The wooded areas on course are hemmed by very tall, slim tree trunks, which create an interesting optical illusion: because they’re so numerous and so slim, they zoom by in the riders’ peripheral vision, creating an idea of high speed that isn’t necessarily backed up by their meters per minute. If a rider doesn’t keep a close eye on their minute markers here, they could be lured into thinking they’re moving much faster than they really are, all the while losing valuable seconds that they’ll struggle to catch up later. But if they’re militant in monitoring their speed, they can make up ground that they’ll be grateful for later on. 

Here’s a look at some of the fences that could play a major role in how tomorrow’s competition plays out — and some that just look very impressive (we’re looking at you, ditch-and-brush).

Fence 4, with the Longines Water beyond.

The Longines Water at 5ABC.

Fence 7.

Fence 8A, which is followed by the B and C elements on a 90 degree right-handed turn.

Fences 8B and C.

Fence 9.

Fence 10AB.

Fences 11 and 12AB.

Fence 12AB and 13.

Here’s a little breather to meet Sam Lissington’s dog.

One of Luhmühlen’s deceptive wooded gallop tracks.

Up the mound to fence 14A…

…and down over the drop (14B) to two angled brushes at 14CD.

Here’s a look at that drop from the side.

The far water at 16ABC.

Fences 18AB.

The brand new Irish bank at 20ABC.

The BC elements of the Irish bank complex at 20.

Fence 21AB.

The corner complex at 23AB.

The coffin at 25AB.

The ditch-and-brush at 26.

Fence 27AB.

The finale at fence 28.

Longines Luhmühlen CCI5* (Germany): [Website] [Entries] [Schedule] [Timing & Scoring] [H&C+ Live Stream] [EN’s Coverage]

Friday at Luhmühlen: An Existential Crisis and a Laura Collett Lead (Again!)

Yesterday’s first dressage day at the Longines Luhmühlen Horse Trials was notable mostly for its harsh judging, with nobody across either the CCI4*-S or the feature CCI5* breaking into the 20s (and plenty, to their dismay, flirting – or entering into a committed relationship with – the 40s). 

Today was more of the same, which in a funny sort of way is a good thing: the only thing more demoralising than judges who love the 6.5 button is judges who suddenly see the appeal of the 8 and 9 buttons on Friday afternoon, leaving everyone with an early draw languishing somewhere in the bottom half of the pack despite the actual merits of their performances. 

Just one test in this morning’s CCI4*-S broke us out of our deep existential slump. That was the effort of last year’s Aachen and Boekelo champions (and German Olympic team members) Julia Krajewski and Uelzener’s Nickel. Her 25.3 is the only sub-30 in the whole class, and puts her some 5-and-change points in the lead – a distance that can only really be summed up by this text that my friend got from her cheating ex-boyfriend after he abortively tried to FaceTime her ten times in a row last night:

Julia Krajewski to the rest of the field, everyone CCed in. (Name redacted to protect the deeply silly.)

Julia and Nickel will head into tomorrow’s cross-country effectively in their own separate class, though a super effort from New Zealand’s Clarke Johnstone and Rocket Man (30.5 and second overnight) came close to challenging her several times through the course of his test. 

Her eleven-year-old stable star, Julia tells us, is only getting better and better. 

“He felt he’s gotten quite a lot stronger since last year. Again, like every year, I think, ‘okay, maybe that’s the limit’. And the next time, he comes out and is 10% better,” she says. “Last year I couldn’t work him in dressage three days in a row because he would feel too weak in his back. And this year it’s possible to do more work without him getting tired in the top line. I think that’s a really good sign that you finally get the horse stronger, because he’s the most willing horse – he always tries to do well – and maybe he would try more than he could physically actually hold up to.”

Julia Krajewski and Uelzener’s Nickel. Photo by Tilly Berendt.

“That’s why I’m really trying to protect him a bit and not go with his mind, but rather try to go with his body,” she continues. “Because the reason he’s done so much is because he’s got such a good mind, but he’s still a little bit weak-ish, body-wise. It’s why I’m not pushing too much. But I’m just so proud of him – he goes in and he just delivers, and then it’s about tiny things. I think I could have done a bit more here, a bit more there, but overall, if you know you can go into a dressage arena and produce something between very good and very, very good, what more can you ask for?”

Julia with Nickel and Bernd Heicke. Photo by Tilly Berendt.

The eagle-eyed among you will have noticed the change in Nickel’s name – formerly Nickel 21, he’s now Uelzener’s Nickel, which has prompted some murmurings about whether he might have been sold. But while Julia is delighted to welcome supporter’s Uelzener to her team – and it really does take a huge team of supporters to make competing at the top levels work out – she still rides the gelding for Prof. Bernd Heicke, who secured him for her after the Paris Olympics, when he was put on the market. And for Julia and Bernd alike, this is a special week: at 90 years old, the longtime supporter of Germany’s up-and-coming eventing riders has never yet been able to support his horse at a show, and today, it was plainly apparent that he was having the nicest day of anyone at Luhmühlen. 

Laura Collett and London 52. Photo by Tilly Berendt.

This afternoon’s CCI5* dressage saw slightly more competitors break the 30 barrier, but none would rival Julia’s morning effort – not even the extraordinarily reliable Laura Collett and London 52, who produced a typically smart, expressive test but could only coax a 25.4 out of the ground jury. 

Only,” I hear you sigh. And hey: I’m with you on this. I once burst into tears because I got a 29. It never happened for me again. But for Laura and the sixteen-year-old ‘Dan’, it feels like a rather significant departure from the sub-20 scores they’ve received at the Paris Olympics, the 2022 World Championships, and very nearly right here at Luhmühlen, when they finished on their 20.3 dressage score to win in 2023. 

When you’re working with such hard-to-impress judges, though, it’s all relative – and that 25.4 is still enough to put the pair firmly into the lead going into tomorrow’s cross-country. 

“Look, he’s an absolute dream to ride, and he knows what he’s doing now, so it’s all about trusting the process and not getting too caught up in working too much,” says Laura. “I rode him this morning and he was very, very fresh, but I just trusted that he’s old enough to know what he’s doing now.”

He was, she admits, “on edge in there” – an extra bit of buzz and pizzazz that no doubt came from the ring announcers Beatlesmania-style introduction of the pair, which elicited enormous cheers of welcome from the crowd and had a gaggle of tiny German girls nearly in tears as they squeaked out wishes of good luck at their hero. 

For many horses, that would have been game over, but even though Laura felt the Holsteiner absorb the energy, she was grinning as she made her entrance at A – because, she says, “it was quite an atmosphere, but he loves an atmosphere.” 

While we didn’t see, perhaps, the very pinnacle of the pair’s expressiveness in the ring, it was inarguably the performance of the day, and thrusts Laura right back into prime position as she aims to regain her title. If she can, it’ll mean that Dan continues a remarkable streak that has seen him win every five-star he’s started: Pau in 2020, Badminton in 2022, and, of course, their last go at the level here two years ago.

But does Laura still feel the pressure, even with such an enviable record behind her?

“I’d love to say no, but yeah,” she says. “I came into this year saying that after last year, with the pressure [of the Olympics] that I just wanted to enjoy him and enjoy having him around and not having the pressure. But the closer we got to here, I was definitely feeling it, mainly just because I didn’t want to let him down. He deserves to win every event he goes to, so it’s my job to allow him to do that.”

“Obviously in Paris, he was perfect, so comparing it to perfection [is hard], but he still felt pretty good to me,” continues Laura, who only schools the gelding on the flat once a month in a dressage lesson these days. “Even when he’s on edge now, he remembers to listen and I know I can trust him – a few years ago, he wouldn’t have coped with being that on edge. It was a fine line. But now he knows to go in and do his job, so it makes my life a lot easier and I can just sit back and enjoy the ride.”

Laura also sits 13th going into cross-country with yesterday’s ride Hester, with whom she scored a 33.9. 

Ros Canter and Izilot DHI. Photo by Tilly Berendt.

Also double-handed in this class is Ros Canter, who piloted last year’s dressage leader Izilot DHI to second place overnight and a score of 26. 

Like Laura and Dan, Ros explains that she now feels more able to trust the process – and her horse – in the ring, something that’s particularly notable with the historically spooky and sharp ‘Isaac’. 

“I feel like we’re much more secure with each other; he’s twelve years old now, and we’ve been together a long time, and so I think he’s trusting me a bit more – and I’m certainly trusting him a lot more,” she says. “I know his quirks inside out now, and I don’t let them bother me anymore, so I think it’s always about building that relationship.”

The numbers on the board aside – Isaac, too, is not a stranger to sub-20 scores in friendlier climes – Ros was pleased with the work she got from the gelding. But, she says, getting it right with him isn’t always something she can work out entirely by feel. 

“I think the work was on a par for him, but he’s got quite a tricky neck to gauge, so I always have to rely on people watching me to tell me how it feels,” she says. “Sometimes he feels elastic and sometimes he doesn’t, and so [I don’t always know] until I go back and watch it. I knew the neck was good because they told me it was good! Sometimes it doesn’t feel that good – I’d love to have him a little bit lower and a little bit rounder, but when you have him in the place where you’d have another horse, he always looks overbent. So with him, I have to just have him a little bit more up and out than I maybe feel comfortable with.”

There were, Ros feels, some tiny marginal gains she could have eked out in the ring for a smattering of extra marks. 

“I think I could always get more elasticity in the canter, and that’s kind of his weakness. He’s very comfortable in trot, and that’s quite unusual for the eventers – most horses do their best work in canter, and he’s more comfortable in trot. He’s much more elastic that way. So I think it’s just always getting that little bit more elasticity in the canter. At the moment, when I get that at home, it’s incredible, but sometimes I make a few mistakes, so today I kept it a bit safer in there.”

Ros’s first horse, the less experienced MHS Seventeen, sits twelfth on 33.5, making the match race between her and her teammate Laura a multilayered one this week. 

Malin Hansen-Hotopp and Carlitos Quidditch K. Photo by Tilly Berendt.

Third place at this early stage goes to one of the most popular competitors of the day, and the first in the ring in today’s five-star competition. That was Germany’s Malin Hansen-Hotopp and Carlitos Quidditch K, who are tackling their second five-star start after finishing fourth at Kentucky last spring. 

“I just have this horse for five-star, and he’s thirteen now,” says Malin of her decision to contest this class, rather than the German National Championship CCI4*-S, en route to a bid for Europeans selection. “I was like, ‘the press is right – the Germans always ride at the Europeans or the Worlds, and they don’t ride five-star’. And then I thought, ‘he’s a five-star horse, and I want to ride that.’ I don’t know if I’ll ever get another horse like this again, and so for me, it was important to ride the five-star here, because I’ve never done it before. And if it’s a good enough result, then it’s good enough for [the Europeans]; if not, I’ll go to Maryland or to Kentucky or Badminton next year.”

They’re certainly off to a fine start: they put a 28.9 on the board to give us our first sub-30 in the competition. 

“He was just awesome,” beams Malin. “I think he always needs a little bit of a crowd to be ‘on’, and now that he’s older I can really prepare something out of that so he’s just a bit more scopey [in his movement]. It was easy today to just leave him a little bit in front – he was perfect. He came in and was like ‘ooooooh!’ and I knew that if I just stayed cool and rode him, and kept my hands up in front so he could get up, that it would be a perfect feeling.”

Sam Lissington and Ricker Ridge Sooty. Photo by Tilly Berendt.

Sitting equal third with Malin is New Zealand’s Sam Lissington, who comes to Luhmühlen off the back of a history making 1-2-3 in the CCI4*-L at Royal Jump in France. This week, she rides the fourteen-year-old Ricker Ridge Sooty GNZ, with whom she finished twelfth at Pau last year on his debut at the level. 

Their score today sees them add just a tenth of a penalty to the score they received on that occasion. 

“He’s just so obedient and so easy to ride – like, you come out here and you don’t have a lot to do in the prep because he knows his job so well, and I know him so well,” says Sam. “So it’s more just making sure we’re both sharp enough, which is tricky finding that balance, isn’t it? You want them rideable enough, but then quick enough to be on your aids for the changes, particularly at that tricky point at A, so that was the thing that I was constantly playing with. I want him relaxed and easy and rideable, but not too rideable that I miss a change.”

Over and over again today, all of us on site kept having the same conversation: is scoring like this actually good for the sport? One rider I spoke with this afternoon made an interesting point about the scoring in sports like figure skating: something that keeps it buzzy and exciting and compelling for spectators is that when true greatness happens, nobody’s afraid to hand out a 10, and that means that aiming for perfection is actually achievable, whereas in our sport, we see a score of 20 as something of a pinnacle. But, the rider continued, a 20 is only an 8 – and an 8, in individual marking terms, is only ‘good’. Is ‘good’ the best we can offer our competitors and our spectators? 

Sam – who wasn’t the aforementioned rider, for what it’s worth, agreed that the harsh and oftentimes inconsistent scores across the judges is “disheartening. I know I’ve watched some other tests that I think didn’t get the scores they probably deserved, and I think that’s tough on the riders. It’s tough on the owners, and it’s tough on the event as well.”

Gemma Stevens and Jalapeno. Photo by Tilly Berendt.

Fifth-placed Gemma Stevens was one rider who was hit hard by the numbers on the board. She and the very experienced – and often low-20s scoring – Jalapeno produced a very likable test, but the broad smile of pride in her horse disappeared from her face when she heard the announcement of her 29.4. 

“It was honestly the best test she’s ever done,” says Gemma. “I’m thrilled with her, but I don’t know what we’re supposed to do. It’s her best work, and she’s earned 22s before. Her changes were on the button; she was soft over her back, up in the frame, her transitions were amazing. She didn’t make a mistake. She’s normally in the low 20s, and I don’t know what they’re trying to achieve [with the low marking]. What are they looking for in a horse?”

Piggy March and Halo. Photo by Tilly Berendt.

Her compatriot – and her lorrymate this week – Piggy March delivered her test just a few rides later with the smart little stallion Halo, and was similarly baffled to receive a 29.9, which slots her into seventh place overnight behind Austria’s Lea Siegl and Van Helsing P, on a 29.8. 

“I’ve got no idea how they’re marking. I’ve seen Gemma’s work all morning and it’s been very, very smart, so it’s quite demotivating,” she says. “It’s nice when the judges see something good and give it a mark – there should be an 8 if something’s good. I know [the scores] will stay close this week, and that’s fine, but I’ve said it before: what are you training towards? What’s the standard? It inspires riders [if they understand the standard]. I’ve spoken to ground juries before to try to understand it, but I suppose dressage is marmite – they either like it or they don’t, but at this level, [the inconsistency between judges] isn’t good enough.”

With Halo, though, she was delighted: “I’ve got a cute little horse,” she says with a smile, “and I’m really interested to try and learn from the week. I’m really proud of him today; he felt cute, his brain was with me, and he tried really, really hard. There’s little bits where he’s certainly not the finished article, and in two years time, I think he’ll be another horse again – he’s definitely a championship horse. But he’s a little bit long, so he can trot very nicely, but he can push away with his hind leg out behind, so it’s about getting the hind leg under him and also not getting him too high [in the neck]. He’s so trainable, I can put the neck wherever I want to put the neck, and I think in the past I’ve sometimes had it too high, so we’re finding the balance.”

Kitty King and Vendredi Biats. Photo by Tilly Berendt.

Kitty King and Vendredi Biats were awarded a similarly confusing 31.2 to sit eighth overnight, ahead of day one leaders Selina Milnes and Cooley Snapchat and yesterday’s runners-up Aaron Millar and KEC Deakon. 

Cosby Green and Highly Suspicious. Photo by Tilly Berendt.

Cosby Green leads the way for the small but mighty North American contingent after a smart test with her second ride, the fifteen-year-old Highly Suspicious. They sit sixteenth on a 34.6, while her first ride, Jos UFO de Quidam, is 36th on a 39, and I promise you I will actually get a debrief with Cosby herself into one of these reports this week! I’m not ignoring you, Cosby, girl, you just need to stop doing tests right before Laura Collett, okay? 

Mike Winter and El Mundo. Photo by Tilly Berendt.

Canada’s Mike Winter trended in the top ten for much of his test but ultimately stacked up just outside the top twenty in 22nd on 34.9 with El Mundo. 

“In places I could have executed a little bit better, but he was there for me to give him the correct aids,” says Mike. “I think he was always on side the whole way; at the Olympics, he was a tiny bit tight going in, and maybe I was a bit tight going in as well, but I felt relaxed today and like we were in harmony.”

The experience of Paris and its enormous atmosphere was a useful education for the now-sixteen-year-old, he says.

“I think the more times he gets in front of bigger crowds, instead of shrinking into himself or maybe me doing the same, we start sort of puffing our chests out and trying to show off a little bit. This wouldn’t be, historically, my strongest phase. I’ve not had horses as talented as this one in this phase, and probably it’s about learning to make the most of a horse that I think essentially finds this phase easy. I love riding him – I love riding all horses, that’s why we do this, but he’s special.”

Allison Springer and No May Moon. Photo by Tilly Berendt.

Allison Springer and No May Moon sit 25th on a 35.6 in the little mare’s five-star debut – a score that sits smack in the middle of the range of scores she’s tended to deliver at four-star, but Allison admits she’d hoped for something lower today. 

“I didn’t realise I’d entered the arena late,” she laments of her costly early mistake. “And then I made an error in the medium canter, so I left some things on the table – but she did not. She did everything I asked her to do, and I’m super pleased with her. We’re nowhere near where we will be one day in the dressage arena, but I think she loves to compete, and she’s just top. I love her. She was quite spooky to begin with, but then she didn’t get more flustered when the crowd clapped – she just got to work, and that’s all you can ask for.”

Allison had actually intended for Kentucky to be the mare’s five-star debut, but a broken hand put her off games for long enough that qualifications became an issue, and they ultimately ran the CCI4*-S there instead, finishing fifth and securing the MER they needed to step up. 

“I thought I’d do Kentucky five-star, and when they told me I wasn’t qualified, I didn’t want to chase for the qualification and add to her schedule,” she says. “I never really think about the next thing until I know she’s really ready and feels good, and actually, it was good for her to do the four-star there, because it’s a tough course. She felt so great there that we thought, ‘well, we might as well strike while the iron’s hot!’ I feel good about trying this on her – it’s a twisty course where you need a dirt bike of a horse.” 

Tomorrow’s cross-country will start quite bruisingly early at 8.45 a.m. local time (7.45 a.m. BST/2.45 a.m. EST), and this time, it’s the CCI5* that kicks off proceedings. First out of the box will be Britain’s Aimee Penny and PSH Encore (38th on a 39.4), while the CCI4*-S will start with Ireland’s Patrick Whelan and Altitu (37th on 41.2) at 13.20 local time/12.20 BST/7.20 a.m. EST. As always, you can watch all the action on Horse&Country TV, and keep it locked onto EN for all the details of the day’s juiciest stories. Until then, you can find me at the beer tent, turning myself into a 90% pilsner cocktail. Auf wiedersehen!

The top ten after dressage in the CCI5*.

The top ten after dressage in the CCI4*-S.

Longines Luhmühlen CCI5* (Germany): [Website] [Entries] [Schedule] [Timing & Scoring] [H&C+ Live Stream] [EN’s Coverage]

Day One at Longines Luhmühlen: The 6.5 Reigns Supreme

The eventing overlords giveth, and the eventing overlords taketh away: such is the feeling on day one of the Longines Luhmühlen Horse Trials, anyway, where we were given so much – blazing sunshine, a sterling entry list, a free bar that stayed open late into the night yesterday, and Bruce Springsteen soundtracks every time an American rider so much as looked at the main arena. Delightful! 

But then there was the day of sport itself. Across this morning’s CCI4*-S and this afternoon’s CCI5*, the ground juries were just… well, this:

We’ve seen 45 tests across the classes over the course of the day, and not a single one of them has broken the sub-30 barrier. The 40 barrier, though? Oh, we’re well acquainted at this point. 

So is it excessively harsh judging, or is it a surprisingly poor standard of dressage? The truth, as it tends to, lies somewhere in the middle: no, we didn’t see any knock-your-socks-off, weep-over-the-extended-trot magic moments today, but we did see a lot of very pleasant, perfectly likeable efforts in the ring. Generally, I tend to think that if a score hits the 40s, one of two things has happened – there’s either been a disastrous mistake at some point, or the work throughout the test has been consistently marred by issues in the contact, the connection, the harmony. Today, though, I’d find myself watching a test that was, by any standards, fine – not a 25, but a low-to-mid-30s all day long, and then I’d glance at the scoreboard and see that it was trending on a 42. So whatever it is that the judges want, they’ve not yet seen it. 

Of course, while tough marking can be demoralising in the moment, it’s at the end of the day – and even more so, at the end of the phase – that it can really be contextualised. A 31 on another day in another competition might mean that a horse and rider are miles off the pace early on; here, it would be the leading score. If the standard of scoring remains the same throughout tomorrow’s competition, then fine – it’s all relative, and while everyone might be wincing their way to a personal worst, they could still be just seconds away from taking the top spot. If it changes, and we see 20s being thrown at tomorrow’s competitors willy-nilly, that’s a very different kettle of fish.

Does this mean we need to sit on our hands and hope that Laura Collett and London 52 will somehow get a 32 tomorrow? Not at all, of course. This week’s draw has ensured that all our double-handed riders bring forward their top horses tomorrow, and many of our very competitive single-horse riders have also been put into the Friday mix, so it’s likely that we will see an uptick in the marking, and then it becomes a game of nuance, analysis, and arguing with each other in the judging breaks while we pull up Rechenstelle and make judging discrepancies into trump cards. 

Laura Collett’s not-at-all impending 33 and all of our friendship-ruining arguments about dressage feel a bit like tomorrow’s problem, though. Today, we’ve finished the day with a leaderboard, even if nobody quite likes the numbers on it, and that means we’ve also finished the day with leaders. 

Selina Milnes and Cooley Snapchat. Photo by Tilly Berendt.

Sitting pretty in first place overnight is – can you believe it? – a British combination, who heads up a very near clean-sweep of the top ten for eventing’s most dominant nation. That’s Selina Milnes and the eleven-year-old Cooley Snapchat, who put a 31.5 on the board to move into prime position near the close of competition. That 31.5 isn’t actually wildly off the pace of the rangy gelding’s normal scores – at four-star, he’s often, though not always, a high-20s horse, and while we saw him put a 27.1 on the board in his five-star debut at Pau, he popped into the low-30s a couple of times at the level below last season. 

But the work that the 2023 Bramham CCI4*-S winner produced today, Selina feels, perhaps warranted a slightly more generous number on the board. Her first indicator of her score was the final tally given by Katrin Eichinger-Kniely, the president of the ground jury, who awarded her a 35.2, significantly higher than the 29.1 given by the judge at M and 30.3 given by the judge at E.

Selina Milnes and Cooley Snapchat. Photo by Tilly Berendt.

“That’s what I was disappointed with – C is marked first, and I thought, ‘oh no’ – but obviously the other two liked it,” she continues. “I actually thought I’d get into the 20s. He didn’t really do too much wrong – [Team GB Performance Manager] Dickie [Waygood] said his quarters were slightly to the right on my first centre line, but other than that, I thought he was on the button and really good.”

Time and time again, we saw fresh, fit horses bubble over in the busy atmosphere of the ring – but that proved to be a help, rather than a hindrance, for Cooley Snapchat.

“He’s a super horse, and he always stays really relaxed so you can ride him in there,” says Selina. “He actually needs a little bit of buzz to spark him up a bit. He was really good; I don’t think he missed a beat today.”

Aaron Millar and KEC Deakon. Photo by Tilly Berendt.

Compatriot Aaron Millar made a big effort to break that sub-30 barrier, and trended around 28 for the first half of his test – but an uptick in 6.5s and a couple of 5s in the canter work meant that he had to settle for a 31.6 with the 15-year-old Chacoa son KEC Deakon

After his test, he rued the marks he felt he’d left on the table by slightly overshooting his horse’s preparation today. 

“He was good, but I slightly overworked him – he doesn’t need much before he goes in, and that meant that he just dropped a bit in the poll,” laments Aaron. “Normally, his trot work would be better. I only gave him 25 minutes of work down here, but I’d worked him this morning. When he came down here [to the collecting ring], that was probably his best work.”

But, he explains, “he had a year off last year [with injury], so he hasn’t been in this atmosphere for a bit, and it’s probably better to have him a bit underpowered, perhaps, rather than squealing and bucking! He’s a performer, and he goes in there and he wants to do a good job, which is a massive help.”

Aaron hopes that a Badminton run could be in the horse’s not-too-distant future – but for now, Luhmühlen’s flatter, uniquely technical and twisty track is exactly what he needs en route to that goal.

“I think it’s a good test. There’s a lot of combinations where you’re going to have to think quick about where you’re going, where you’re turning – there’s a lot of acute angles and things. So it’s going to keep us working and keep us thinking.”

Ros Canter and MHS Seventeen. Photo by Tilly Berendt.

Third place is held overnight by Ros Canter and the first of her two rides, the twelve-year-old five-star sophomore MHS Seventeen, who put a 33.5 on the board. 

“I’m over the moon with him, actually. He’s a horse that really hates to be by himself, so going into the main arena has historically been quite a difficult experience with him,” she says. “He tends to get quite tense and whinnies.”

Ros and her team, she continues, “have worked quite hard to develop a system in the run-up to an event, and while we’re here, and I’m just so pleased that the system worked. He came out happy and relaxed, and he went in happy and relaxed.”

“He’s come out quite a few times since he’s been here, but never for too long – he’s come out, done a bit of work, and then gone back [to the stables],” she explains. “And the same today: he’s come out a few times, but never to where he gets tired or frustrated. What we’ve been doing is actually practicing the trot work of the test over and over again. Yesterday, he probably went through it twelve times, and today we went through it three times, and I haven’t done anything with him that he wouldn’t be experiencing in the test this week.” 

The aim of that approach, she says, is “not to confuse him. He gets better and better when he knows what he’s doing, and he gains in confidence.”

Ros Canter and MHS Seventeen. Photo by Tilly Berendt.

One of her efforts en route to that confidence was doing the guinea pig test at Bramham last week – a test that, she says, “wasn’t productive on the day, but was extremely useful in that I learned about what I need to do coming here. It’s always just trying to work out his brain: he knows all this stuff now, and he’s well-trained, but he goes in there and sometimes he completely loses concentration and my aids are at the back of his mind, not the forefront. Today, he was definitely listening to me.”

But, like so many other riders, she admits: “I think it was a bit harshly-marked, to be honest – I was delighted with [the test], but that’s the way it goes when you’re at the beginning.”

Fourth place is held by Laura Collett and the first of her own two rides, Hester, on a score of 33.9, while fifth place goes the way of Austrian Olympians Lea Siegl and DSP Fighting Line, who posted a 34.4. Franky Reid-Warrilow and Guilty Pleasure (34.6) Tom Rowland and Quintilius (34.6) and Wills Oakden and Keep It Cooley (34.7) add to the British flags on the board in sixth, seventh, and eighth places, respectively, while young Swiss talent Nadja Minder sits ninth on a 34.7 with Toblerone. The top ten is rounded out by last year’s winner, Belgium’s Lara de Liedekerke-Meier, who piloted an initially explosive and subsequently very expressive Origi, her Paris Olympics partner, to a surprisingly harshly-marked 36.5. 

Cosby Green and Jos UFO de Quidam. Photo by Tilly Berendt.

British-based Cosby Green leads the way for the small but exciting North American contingent at this stage, sitting fifteenth overnight on a 39 with the seventeen-year-old Jos UFO de Quidam, while Jenny Caras and Sommersby were rather terrorised in their test by a flock of birds, who zoomed into the arena en masse to investigate some droppings and then flew up into the horse’s face. Jenny did a tactful job of keeping the thirteen-year-old debutant as contained as she could, but had to settle for a 40.1 to take eighteenth overnight. 

Mia Farley and Invictus. Photo by Tilly Berendt.

Over in the CCI4*-S class, Germany’s Nina Schultes leads the way with the veteran Grand Prix iWest on a score of 30.6, followed by fellow countrymen Emma Brüssau and Dark Desire GS on 34.1 and Antonia Baumgart and Ris de Talm on 34.5. USEF European Development Tour participants Mia Farley and Invictus sit fifth overnight on 34.9. 

“He felt very secure in his work, and mature in his frame and everything, so I was happy with his consistency in that test,” says Mia. “I think he will be a mid 20s horse eventually, but right now we’re up and down with the scores. With him as a nine year old doing this level, it’s just all about having him feel confident in the work and showing him what he’s capable of.”

Tomorrow takes us into day two of dressage, which once again begins with the CCI4*-S class from 9.15 a.m. local time/8.15 a.m. BST/3.15 a.m. EST with Nicolai Aldinger and Palm Beach first in the ring. The CCI5* will commence from 13.15 local time/12.15 BST/7.15 a.m. EST, starting with German team partnership Malin Hansen-Hotopp and Carlitos Quidditch K. We’ll be bringing you a full report of the day’s activities at the close of play. Until then: go reacquaint yourself with the numbers 8, 9, and 10. We’ve missed them. 

The top ten in the CCI5* after day on at Luhmühlen.

The top ten in the CCI4*-S after day one of dressage. 

Longines Luhmühlen CCI5* (Germany): [Website] [Entries] [Schedule] [Timing & Scoring] [H&C+ Live Stream] [EN’s Coverage]

One Held; All Pass Longines Luhmühlen First Horse Inspection

Moroccan five-star first-timers and Olympians Noor Slaoui and Cashman. Photo by Tilly Berendt.

There’s nothing, in our humble opinion, more restorative for the soul than a mid-season trip to the Longines Luhmühlen Horse Trials. It’s arguably the friendliest event in the world (upon arrival today, we were duly greeted by a medic-slash-photographer who was solemnly filling IV bags full of Pimms for us to slurp from); it’s certainly one of the most beautiful, with its constant threat of heather, its fairytale cottages, and its signs, dotted around the local village, bellowing at you to stop to buy some SPARGEL! Have some SPARGEL! Seriously, don’t skip the SPARGEL! (That’s asparagus, for what it’s worth, and no, we will not.) 

Laura Collett and Hester. Photo by Tilly Berendt.

It doesn’t have the weight of prestige and history that can make Badminton feel like a sombre and serious affair; it doesn’t have the end-of-season steam-blowing vibe of Burghley. It’s just… summer camp. A glorious, jolly, oftentimes quite silly summer camp, all built around a not-at-all-silly competition. We love it so much that we can forgive them for consistently making the regrettable decision to host the trot-ups in the shadow of the grandstand, when the rest of the venue is so breathtakingly pretty and underutilised on Wednesday afternoon. It’s fine! We all make mistakes! This one is inconsequential! 

And so, into the shadows we went. As did 47 horses and riders, representing 14 nations, who presented themselves in front of the ground jury of Katrin Eichinger-Kniely (AUT), Ernst Topp (GER), and Merel Schurink (NED) this afternoon for a socially late (5.00 p.m.! Can you believe it! I cannot) first horse inspection. 

An hour or so later, all 47 would make the long climb up the hill to the stables, having been accepted into the 2025 Longines Luhmühlen CCI5*. 

Wills Oakden’s Keep It Cooley, demonstrating the expression of deep zen and joy we all wear at Luhmühlen. Photo by Tilly Berendt.

The course of the inspection didn’t run wholly smoothly, though. Spirits were high across the board, with several competitors doing an impressive job of flying their horse kites – last year’s winner Lara de Liedekerke-Meier foremost among them with her frisky first-timer Origi – and two riders, as a result, had to trot their horses a second time in the hopes of giving the ground jury a glimpse of something other than a tail-to-the-sky canter. Those two, Ireland’s Alice Copithorne and Fort Arthur Little Dolly and Great Britain’s Grace Cooper and Cedarmount Cavalier, were then accepted into the competition, while one horse and rider pair – Ireland’s Declan Cullen and the splashy skewbald Seavaghan Ash – were sent to the holding box. Happily, they were then accepted to continue upon re-presentation.

Declan Cullen and Seavaghan Ash. Photo by Tilly Berendt.

Tomorrow takes us into the first day of dressage, which is split between the feature CCI5* and the perennially tough CCI4*-S, the latter of which incorporates the German National Championship. It’s that class that’ll lead the way in the main arena, beginning at 9.15 a.m. local time (8.15 a.m. BST/3.15 a.m. EST). After the lunch break, we’ll head into the CCI5* dressage from 13.15 local time (12.15 p.m. BST/7.15 a.m. EST). 

The morning’s CCI4*-S will see sole US competitors Mia Farley and Invictus come forward at 11.15 a.m. local time (10.15 a.m. BST/5.15 a.m. EST), while the afternoon’s CCI5* tests are packed full of highlights, including an early draw for British-based American Cosby Green and Jos UFO de Quidam (13.15 local/12.15 BST/7.15 a.m. EST); Laura Collett and Hester (13.30/12.30 BST/7.30 a.m. EST); Austria’s Lea Siegl and her Olympic partner DSP Fighting Line (13.37/12.37 BST/7.37 a.m. EST); Ros Canter and the up-and-comer MHS Seventeen (13.45/12.45 BST/7.45 a.m. EST); reigning champion Lara de Liedekerke-Meier and her debutant Origi (14.22/13.22 BST/8.22 a.m. EST); US representatives Jenny Caras and five-star first-timer Sommersby (15.22/14.22 BST/9.22 a.m. EST); and Badminton rerouters Jesse Campbell and Cooley Lafitte (15.37/14.37 BST/9.37 a.m. EST). You can browse through the times in full for the four-star here, and for the five-star here. 

Hold on tight: Lara de Liedekerke-Meier and Origi zoom their way through the trot-up. Photo by Tilly Berendt.

All of this week’s action will be broadcast via Horse&Country TV, and we’ll be bringing you live coverage, too, thanks to Cheg and her brilliant up-to-the-minute updates. And, as always, you can find the full breakdown of all the most important stories of the day at the close of each day’s action, so keep it locked on EN for everything you need to know from Germany’s crown jewel event. In the meantime: SPARGEL.

Longines Luhmühlen CCI5* (Germany): [Website] [Entries] [Schedule] [Timing & Scoring] [H&C+ Live Stream] [EN’s Coverage]

“It’s All Worth It In The End”: It’s Bubby’s Bramham, and We’re Just Along for the Ride

Before the finale of the Defender Bramham CCI4*-L even began today, the field of competitors had already thinned: from 43 competitors at the end of yesterday’s tough cross-country day, we downsized to just 40 to showjump in the main arena at lunchtime. One of those was an overnight withdrawal; France’s Camille Lejeune opted not to present Dio du Leou, with whom he’d sat 26th overnight following a clear round with 10.8 time penalties. The other two, Matt Heath and Benedict Radau (27th after a clear with 3.2 time penalties) and Thomas Hawke and Lonestar (33rd after adding 8.4 time penalties and activating a frangible device), were both sent to the holding box and didn’t return for reinspection. 

So, three fewer horses and riders in the mix, but no less pressure on two-phase leader Bubby Upton, who had jumped an extraordinary clear with the CCI4*-L debutant Its Cooley Time yesterday, making the world’s toughest four-star look a bit like a Novice. They’d added nothing to their dressage score of 24.4, but so tight were the margins on the leaderboard that they had just a few seconds in hand for their showjumping round, and certainly nothing close to a rail. 

As their turn approached, it became very clear that zero-score rounds were going to be even harder to achieve today than they had been yesterday: just nine of the 39 before her had managed it, while yesterday’s cross-country challenge yielded a surprising seventeen clears inside the time, a number slightly at odd with its influence and intensity. 

But when Caroline Harris and Cooley Mosstown, third overnight, managed to deliver a foot-perfect round, it was game on. They sat exactly four penalties behind former Bramham winner Izzy Taylor and SBH Big Wall, who would have took precedence in a tiebreak situation, but needed to go clear to keep the thumbscrews to Bubby. 

Unfortunately for Izzy and her rangy eleven-year-old, it wasn’t to be: three rails later, and 1.2 time penalties to boot, they left the ring having forfeited second place – and, in fact, a place in the top ten – and Bubby found herself with a rail and change to play with. 

Bubby Upton and Its Cooley Time. Photo by Tilly Berendt.

She wouldn’t need it. From the moment the ten-year-old Its Cooley Time entered the ring, it was very clear that he knew exactly what the task at hand required him, and he was prepared to deliver – and Bubby, always icy cool under pressure, knew it was up to her to give him the freedom to do it in his way. Just a couple of short minutes after she entered the lions’ den, Bubby emerged from the arena the 2025 Bramham Champion – a title she adds to the Under-25 accolade she scooped here just two years ago with Magic Roundabout. 

“He’s sheer class, and the way he jumped today is pretty special when you’ve seen him go cross-country,” says Bubby of her newly-minted champion. “He goes so low and as aerodynamic as possible [in that phase], but then he showjumps like a jumper, and it fills you with so much confidence as a rider, being sat on a horse of his calibre.”

Bubby Upton and Its Cooley Time. Photo by Tilly Berendt.

This isn’t just a debut at CCI4*-L for the historically sharp and quirky son of Quality Time TN – it’s also just his second long-format event ever. That run, which scooped him second place in the Hartpury CCI3*-L, came two seasons ago, and so Bubby had come into this week with a few niggling doubts about how ‘Finn’ might find this challenge – but those worries were also paired with a huge amount of belief in the talented horse. For his part, he let her know from day one that he was ready for whatever was to come.

“He definitely knew it was a big week ahead – he’s kind of been buzzing all week,” laughs Bubby, who led from pillar to post with Finn to finish on their dressage score of 24.4. “Every time it’s been a case of putting his head in the game, he’s done that. He went above and beyond – the way he went in and focused on the dressage was just incredible. Cross country, he could have gone round again, and it wasn’t an easy track, but he made it feel so easy, and was full of running at the end. And then today in the show jumping, he was absolutely wired in the warm up, and he came into the ring chomping on the bit and ready for the challenge, but then when you begin, and you jump the first fence, the feeling is… it’s quite extraordinary. It’s pretty impossible to describe the feeling that he gives me, but he’s in a league of his own, to be honest. I’m just so excited to see what’s to come, considering it’s his first time at the level, and he’s only done three four-star shorts.”

“I owe him so much,” she continues. “He’s obviously very new to this level – it’s his first time – but he’s already such a star. I just feel so lucky to be the one that gets to ride him and have days like this on him.”

Bubby is well-established as a fierce five-star competitor in her own right, but much of her recent success has come after a horrendous spinal injury that forced her to relearn to walk just eighteen months ago. Further complicating matters was that it was a second broken back for the 26-year-old – the first had come from a green rotational fall with a much younger Its Cooley Time. 

Bubby Upton and Its Cooley Time. Photo by Tilly Berendt.

The journey – from that crashing fall to now, but also from consistently tricky young horse to now – makes this week’s result even more special, she says. 

“It took a while to come back from it in terms of confidence with him, but in the last few years, he’s just grown up beyond measure. I’m very proud of the horse that he is now, because [all of us on our team] have seen him as a naughty, obnoxious youngster that we couldn’t get in and out of the yard, and we know what we’ve been through to get here. So it means a lot to us.”

Now, she tells us, she’d “love him to step up to five-star, and obviously I would love to make my senior [team] debut [at the European Championships]. I’ve come close a couple of times, and been unlucky with accidents and stuff – one of which being his!” 

There’s very clearly an awful lot ahead of Bubby and the exciting, classy ten-year-old – but for now, she’s also allowing herself the chance to sit in the moment.

“This is one of the ‘Big Bs’ and I never thought, coming here, that he was going to win it. I’d just hoped he’d be competitive. Growing up, I’ve seen legends win this class, and so it really feels special to win it, particularly having won the under-25 championships here as well. It’s amazing to have done the double, and in the way he did it as well – he was really dominant all week and just faultless. He’s all class, and I’m so glad that he got the win he deserved.”

She pauses, smiles, and continues.

“It’s all worth it in the end. Horses with his talent and his class, yes, they test you at times because they’re uber intelligent, and they take patience and trying to understand them and work with them, but it all pays off in the end. I’d say the future is pretty bright with him in my string.”

Caroline Harris and Cooley Mosstown. Photo by Tilly Berendt.

Caroline Harris, too, ends the week delighted with a young up-and-comer in her string in the nine-year-old Cooley Mosstown, who completed a weeklong climb from sixth to second place, finishing on his dressage score of 30.2. The nine-year-old, like Bubby’s Finn, was making his CCI4*-L debut over this topmost of courses, and adds this sterling result to a CV that already includes third place in last year’s Blenheim eight- and nine-year-old championship and fourth in the Seven-Year-Old World Championships in 2023, which was his last long-format run. 

“I’m seriously proud of him,” she says. “He’s a very good jumper, but I find him easier to jump on the last day when he’s a little bit tired, because he just loses that little bit of tension. But he was not going to touch a fence today, I don’t think.”

Cooley Mosstown represents a very exciting ‘second string’ to stablemate D.Day, who won Pau CCI5* last season and finished fifth in yesterday’s CCI4*-S here.

“It’s really exciting,” says Caroline. “He’s only nine, and we came here just to do his first four long. We didn’t have high expectations; I just wanted him to finish confident and happy. But he’s gone above and beyond for us. He deserves the result – he’s a phenomenal horse in all three phases. The dressage will only get better as he gets stronger and sees more of these atmospheres.”

Now, Caroline hopes to aim for a return to Blenheim’s eight- and nine-year-old class – this time, she hopes, to catch the win – and then, at the end of the year, another CCI4*-L run in the Nations Cup finale at Boekelo. 

Tom Jackson and Hawk Eye. Photo by Tilly Berendt.

Double-handed Tom Jackson enjoyed an excellent day in the office, finishing eighth on United 36, who tipped one pole to slip down from fourth, and third with Hawk Eye, who jumped a classy clear to finish on his 32.7 dressage score and complete his trajectory from first-phase 13th place. 

“He’s quite a new ride for me, but he’s reasonably experienced – this is his third time here,” says Tom, who made his international debut with the thirteen-year-old gelding at Thoresby in March, running steadily in the CCI4*-S for 23rd place. 

Prior to that, he’d been with Kristina Hall-Jackson, who finished eighteenth with him in the short-format class here in 2023 and started, though didn’t finish, the CCI4*-L last year. Before that, he was in the string of Nicola Wilson, with whom he finished fourth in the eight- and nine-year-old CCI4*-S at Blenheim on his debut in 2021. 

“I’m delighted with him. I’ve been working quite hard to have him as adjustable as I can, because he can get a bit keen and strong,” says Tom. “Yesterday, he didn’t skip a beat, and he really felt like he was with me, so I was super pleased with that, and then today he followed it up with a lovely clear. This is just our fourth event together, so hopefully it keeps going like this!”

If it does?

“He’s five-star qualified,” says Tom with a grin, “so maybe we’ll look at another Big B in the autumn.”

Daniel Alderson and Blarney Monbeg Pepper. Photo by Tilly Berendt.

Daniel Alderson, who’s originally a Bramham local but has been based in Ireland for nearly a decade, took fourth place with Blarney Monbeg Pepper after adding just 0.4 time penalties for finishing a second over the time allowed today. That single second stopped the pair from finishing on their dressage score – a 32.6 that had seen them sit twelfth after the first phase – but Daniel’s unlikely to be dwelling on it. This is a first Bramham for both rider and horse, and a third CCI4*-L start for the ten-year-old mare, with whom he finished 4th on her debut at Kilguilkey a year ago. 

Kylie Roddy and SRS Kan Do. Photo by Tilly Berendt.

The top five is rounded out by Kylie Roddy and SRS Kan Do, who made good on their reroute from Badminton, where Kylie was jumped out of the tack early on in the track. This week, they began in a surprisingly off-the-pace 22nd place on their score of 34.1, but climbed to the top ten off the back of their clear inside the time yesterday. Today, a lost shoe moments before their round did little to slow their roll – they cantered into the main arena a few minutes later, having swapped start times with Holly Richardson and Ballyneety Silver Service, with all four shoes firmly in situ and delivered a classy clear round to move up again. 

“She’ll have to share her winnings with the farrier,” quipped John Kyle over the tannoy, as the much-loved rider trotted out of the ring beaming.

Hers wasn’t the only impressive week-long climb: Hayden Hankey and Fools In Love hauled themselves up from a first-phase 26th to eventual sixth when finishing, like Daniel Alderson, just 0.4 up from their dressage score, and seventh place went to Ireland’s Padraig McCarthy and Pomp N Circumstance, who added nothing to their 35.1 dressage score to move up from initial 28th. Sweden’s Louise Romeike gave herself a scenic tour of the leaderboard with the charismatic Caspian 15, starting in fourth place on a 27.4 and then dropping to 17th when adding 8.4 time penalties yesterday. Their classy clear today secured the Olympic partnership ninth place, behind Tom Jackson and United 36, and ahead of Sam Ecroyd and Boleybawn Lecrae, who tipped one rail but were able to retain the tenth place they’d held overnight. 

That’s it for us from Defender Bramham this year, but don’t go far – we’ll have plenty more stories coming out of Bromont today, plus the crazy train keeps on rolling over the week to come as we head to Germany for the Longines Luhmühlen CCI5*. Grab your passport, jump in the proverbial passenger seat, and let’s Go Eventing!

The final top ten in the 2025 Defender Bramham CCI4*-L.

 

Defender Bramham links: Website | Ride Times and Scores | Cross-Country Course | Live-Stream | EN’s Coverage

“He’s an Absolute Weapon”: The Bramham Cross-Country Day Debrief

Eight-and-a-bit solid hours of cross-country was always going to feel like a spectacularly long day, but early on in today’s competition at the Defender Bramham International, it started to feel as though it might be interminable. Just half an hour or so into the first class of the day, the CCI4*-L, we’d seen our trailblazers – Ireland’s Padraig McCarthy and Lady Ophelia – go clear and inside the time, as did second out Harry Meade and Jet Fighter, but we’d also seen two falls, a hold on course, and a 20 penalty round. This could easily have foretold a rough day of sport for Bramham’s competitors and brand-new course designer Andy Heffernan alike – but at the end of it, despite plenty of the sort of plot twists this famously big, tough four-star is known for, the general feeling in camp is a positive one. 

Bubby Upton and Its Cooley Time. Photo by Tilly Berendt.

Nobody, of course, is feeling quite so positive as Bubby Upton, who retained her first-phase lead with Its Cooley Time after easily catching the time in the precocious ten-year-old’s CCI4*-L debut. 

“He was unbelievable,” says Bubby. “I mean, honestly, he kind of made it feel like a BE100. He just stepped round and it’s just my job to steer him a little bit. He is phenomenal – will I ever ride a horse as class as him again? Who knows, but he’s got it all, and he proved that again today, so fingers crossed I can get him the win that he deserves.” 

For Bubby, who won the Under-25 CCI4*-L here two years ago with Magic Roundabout, Its Cooley Time is coming of age at exactly the point in her career when she’s ready to make the most of him – thanks, in part, to the experience she’s built up with all the horses who came before him, even if he sits apart from them in some significant ways.

“He’s so different to any horse that I’ve ever had before,” says Bubby. “He’s unbelievably sharp and spooky. [Five-star mount] Cola was very spooky as a young horse as well, so that’s kind of helped me a little bit with him. All the horses that I’ve been lucky enough to ride, like Clever Louis and Jefferson, those right sensitive types, have really helped me with him, particularly in the dressage.”

Bubby Upton and Its Cooley Time. Photo by 1st Class Images.

But on cross-country, she continues, “there’s no comparison between him and my other horses. He goes in a very unique way: he’s so low and kind of fights a bit with his head. And I’ve just had to learn, over the years, to ignore that he doesn’t go like my other horses, who go a bit softer and rounder and it potentially looks a bit smoother. It never feels as smooth as my other horses, but I’ve learned that that’s just the way he goes. That’s the way he operates, and I’ve just got to not try and mould him into how my other horses go.”

“All my horses are so different, which I love because it means that my job every day is to unlock the best of them, but they’ve all got different keys to their locks. But that’s what I love about it, and I guess that’s, for me, the analytics, and where I kind of really implement my brain and try to get the best out of them, as opposed to just one rule for all and one system.”

Bubby Upton and mum Rachael look after Its Cooley Time after his leading round. Photo by Tilly Berendt.

With any step up to a new level, there’s always a question mark or two – and even Bubby, who rates this horse as the best she’s ever had, was surprised by how much quality she found in him today. 

“Last night I was thinking, had he done enough gallop work?” says Bubby. “You never know – the only long-format he’s done is Hartpury [CCI3*-L], but I had to remind myself that that’s hilly and tough too. He’s done very minimal gallop work coming here, and he’s just naturally so fit, so I guess his stamina and his speed didn’t surprise me, because he’s shown it before, but it did kind of cement that he does have it all. He does the short tracks and he’s so quick and nimble, and then he goes and gallops around one of the biggest tracks there is. It makes me think that maybe I do have a Burghley horse after all, when I thought he might be more of a Badminton and Championship horse. He’s got a monstrous stride; the open distances out there even felt short on him. He’s just an absolute weapon.”

Izzy Taylor and SBH Big Wall. Photo by Tilly Berendt.

Izzy Taylor and the eleven-year-old SBH Big Wall also came home clear and quick, though with 0.8 time penalties for adding two seconds to the 10:03 optimum time – but the retirement of overnight runners-up Sarah Bullimore and Corimiro, who had some green mistakes on course, opened the door for them to step into second place. In third place, Caroline Harris and Cooley Mosstown put forward one of the 17 clears inside the time in the class to make their mark on the podium ahead of tomorrow’s finale.

Caroline Harris and Cooley Mosstown. Photo by Tilly Berendt.

“He’s only nine, and it was quite a risk to bring him here, because he’s not done a long-format since [the Young Horse World Championships at] Le Lion as a seven year old,” says Caroline. “I wanted to give him an easier year last year because he’d been so good there, and so I was a little bit stressed about whether he could gallop the distance and cope with the hills. But he was just brilliant; he dug so deep.” 

Caroline tells us that she always knew the gelding would be a Bramham horse: “he loves big ditchy courses,” she says with a smile. “He’s really good with that sort of thing. Even heading towards home, when he’s getting tired, he just kept jumping and staying on the line.”

Tom Jackson and Hawk Eye. Photo by Tilly Berendt.

Great Britain’s Tom Jackson delivered a duo of clears inside the time with United 36 and the former Nicola Wilson ride Hawk Eye to sit fourth and sixth overnight, respectively, while Irish-based Brit Daniel Alderson also caught the time with Blarney Monbeg Pepper to take provisional fifth place. 

Yasmin Ingham and Gypsie du Loir. Photo by Tilly Berendt.

When two-phase leaders Sebastien Cavaillon and Elipso de la Vigne galloped across the finish line in the CCI4*-S, it looked, for more than a moment, as though they’d secured the win: the time in this class, after all, was proving a touch tougher to catch than in the CCI4*-L, and they’d added just 1.6 time penalties, leaving just the tiniest margin of opportunity to get ahead of them. 

But leave the margin they did, and Yasmin Ingham wasn’t about to ignore that golden opportunity. 

“Sebastien very kindly left the door open for me, and so I thought, ‘I’m not going to let this one slide!’ So off we went, and we meant business from the beginning,” she says of the nine-year-old Gypsie du Loir, who was able to catch the optimum time to secure the win. “She’s super fast, and she’s a pleasure to ride cross country – she’s really brave and bold, so it suited her, this track.”

Gypsie du Loir, who will be aimed at a return to Blenheim’s eight- and nine-year-old CCI4*-S this September, followed by a CCI4*-L debut at Boekelo, began her week with a 27.9 in the dressage, and then added nothing throughout today’s jumping phases en route to victory. 

It was this morning’s jumping, though, that particularly impressed Yasmin, who’s long rated the French-bred mare as a real star of the future.

“I think for her, the show jumping is always a little bit of her weak phase. So for her to jump clear around, and then with Sebastien picking up a couple of seconds over, I just thought, ‘this could be an opportunity here, and it would be rude not to give it a go’. She deserved it.”

Astier Nicolas and Alertamalib’or. Photo by Tilly Berendt.

On the other end of the spectrum, France’s Astier Nicolas piloted a very experienced campaigner in Alertamalib’or, his 2022 World Championships mount, around the track today, putting in a bid for the win but ultimately settling for second by a tenth of a penalty. 

The pair did all they could: they added nothing to their first-phase score of 28 across today’s two jumping phases, and so all Astier could do was wait and watch to see how Yas, a few rounds later, would fare. 

When she, too, finished on her dressage score, he had to concede the title – but this run is about the bigger picture this season. 

“I’m keeping my win for later on, hopefully,” grins Astier, who, like his fellow countrymen, is using Bramham as a preparation for this autumn’s European Championships, to be held on English soil at Blenheim. 

The plan, so far, is paying off for the fifteen-year-old, who’s Astier’s first choice for selection while Babylon de Gamma is off games. 

“He felt very powerful, very big in his stride – I was almost overwhelmed, but in a good way, and it’s a good sign that he’s feeling great,” says Astier. “I’ve got one more run to do with him now, theoretically, and then hopefully we can get selected – in the meantime, it’s all about just managing him and keeping him as well as he is.”

Sebastien Cavaillon and Elipso de la Vigne. Photo by Tilly Berendt.

Two-phase leader Sebastien Cavaillon might rue the loss of the victory, but he, too, is comforted by the longer-term aim of team selection with Elipso de la Vigne, with whom he finished four seconds over the time to add 1.6 penalties. 

“It was a very good course for him, and I hoped to go inside the time – but unfortunately at four minutes and fifty seconds, my watch stopped working,” he laments. “At the last loop I saw that, and I said, ‘okay, let’s go’ – but I was four seconds over. I could have had two seconds [and still won], but no, it was four… so that’s a little bit of a shame. But he was very cool, and he feels very well in all three phases for the next one.”

US representatives Tiana Coudray and Coeur de l’Esprit Z finished on their dressage score of 28.7 to take fourth place, and 2024 Pau CCI5* winners Caroline Harris and D.Day rounded out the top five when finishing on their own dressage score of 29.7.

Tom Woodward is crowned the Under-25 National Champion. Photo by Tilly Berendt.

23-year-old Tom Woodward made good on his reroute from Badminton with Low Moor Lucky, adding just 0.8 time penalties to his first-phase score of 28.1 to take eleventh in the overall CCI4*-S and win the new-look under-25 class – formerly held as a separate CCI4*-L class here – by nearly eight penalties. 

“Relief, I think, is the biggest emotion,” says Tom, referring to the redemption arc of this reroute. He and ‘Lucky’ have led this subsection from pillar to post, once again delivering a very competitive starting score – at Badminton, they’d gone into cross-country in the top ten – but this time, sealing the deal in the pivotal phase. 

“I feel quite emotional about this whole weekend, really, because we actually came here thinking maybe we’d retire after this weekend,” he says of the eighteen-year-old gelding, who was bred here in Yorkshire. 

“I’ve always said I wanted him to finish on his terms – and that’s not to say that he will retire; we’ll have to see how he comes out of today. He’s looking as happy as I think I’ve ever seen him, and even these last couple of weeks, he’s gone up another gear, and that’s a great feeling to have when he’s 18 years old. He keeps getting better, so we’ll see what’s next for him. I don’t want to decide today – we’ll just enjoy this for now. He’s a very special horse, and this means a lot to us. To have him come from Badminton, off the back of it not going to plan, and for him to nail all three phases is a great feeling. I owe everything to that horse, really.”

Tom also finished third in the under-25 section with Shannondale Varsity, who added a rail and a time penalty in the showjumping, but nothing across the country, to his first-phase score of 37.4 – a phase that Tom says is still a work in progress. Second place in this section went to Anya Strilkowski and K, who added 3.2 time penalties in today’s cross-country and 1.2 showjumping time penalties to their dressage score of 35.7. A special mention must go, too, to California’s Molly Duda, who added 4.8 time penalties to her 35.4 dressage score with Disco Traveller to finish 18th in the CCI4*-S, one placing ahead of Tom and Shannondale Varsity – but this year’s new format for the under-25 class means that only British riders are eligible to contest the championship, and so the 19 year old wasn’t afforded her moment on the podium. 

For new course designer Andy Heffernan, it’s been a long and occasionally tense day – but one that he’s taking as a positive debut to build upon in the years to come. 

“It’s my first time here on my own, and I was a bit nervous this morning,” admits Andy, whose nerves weren’t much settled by the first half an hour of competition. “The first two [competitors] almost made it look too easy, and then the next four made it look too difficult. And I thought, ‘oh God, here we go’. But actually, it panned out – it was pretty good!”

One thing that he didn’t expect was the ease with which the clock was beaten: 10 pairs made the time in the CCI4*-S, and 17 did so in the CCI4*-L. 

“I was surprised how easy the time was. But like some of the riders said to me – they loved it because it was forward and it was flowing, and then the ground was fantastic. So I guess if you get forward and flowing and the ground is fantastic, then you’re also going to get horses inside the time.”

Taking over from the legendary Ian Stark was always going to be a tall order, but, Andy says, he’s had nothing but support from his predecessor and the team around him. 

“Ian’s been very cool – he sort of left me to it completely,” he explains. “I came up with a plan, and then we walked around when there was nothing out, and he approved my plan, so that was nice. The next time we came, he looked at what I’d put out, and actually, every time, he’s been pretty happy.

“I was a bit concerned, I suppose, about being, you know, too brave – I want to keep it like Bramham, but also, I didn’t want to go over the top, as you can imagine. So that was probably something that was in the back of my mind. But I felt quite confident in that I’ve got Ian, who was happy, and I’ve also got probably the two best TDs in the world, who were both very supportive. So I felt very comfortable – although nobody’s really changed what I did, I felt like if I was going to do something that was over the top, or vice versa, I had people, good people, around me who were going to point me in the right direction. I think the systems work pretty well, and I think we got quite a good balance.

“To design at this level is a dream for me, and to do it so early in my career as a designer is great – but yeah, it’s daunting,” he concludes “But if I’m really honest, I think to design at this level, or to ride at this level, you’ve got to be maybe slightly arrogant. You know, if you started thinking [negatively] it would have a negative effect on your design.”

There was another happy touch to Andy’s day: the victory of Yasmin Ingham, who he regularly helps to coach. 

“I did say to her in the collecting ring, ‘it would be very cool if you won my first Bramham!’,” he laughs. 

Tomorrow’s CCI4*-L finale at the 2025 Defender Bramham International will begin at 9.00 a.m. BST/4.00 a.m. EST with the horse inspection, and then we’ll head into the showjumping from 12.00 BST/7.00 a.m. EST. We’ll be bringing you all the news, plus you can stream the action as it happens on Horse & Country TV. 

Defender Bramham links: Website | Ride Times and Scores | Cross-Country Course | Live-Stream | EN’s Coverage

Long Game Pays Off For Bubby Upton’s “Very Naughty” Bramham Dressage Leader

Bubby Upton and Its Cooley Time. Photo by 1st Class Images.

Thursday’s CCI4*-L leaders at the Defender Bramham International made a strong bid to stay at the top of the leaderboard with their score of 24.6 – but today, Sarah Bullimore and her homebred Corimiro would be pipped at the post, just barely, by another British combination in Bubby Upton and Its Cooley Time, who put up a smart 24.4 to lead at the end of the first phase. 

Bubby, who won the under-25 CCI4*-L here in 2023 with Magic Roundabout, hasn’t finished outside the top ten with Its Cooley Time in nearly two years, but while the ten-year-old steps up to CCI4*-L looking like the consummate competitor, Bubby tells us that he’s not always been the most straightforward horse to ride. 

“I actually spoke to Ros [Canter] a lot about him, because I think he’s so similar to Izilot DHI,” she says, referencing Ros’s famously sharp and spooky five-star winner. “Luckily, though, he’s grown out of it a bit quicker than Izilot!”

“He’s an incredible horse, and the one trait he’s never lacked is talent, but it’s taken a long, long time to get his head in the game,” she says. “He was unbelievably sharp as a youngster, and I’m so pleased that basically since he was a seven year old, he’s come good.”

Bubby Upton and Its Cooley Time. Photo by Hannah Cole Photography.

The son of Quality Time TN led the dressage at the British Seven-Year-Old Championships in 2022, ultimately finishing seventh, but Bubby opted not to aim him for the Young Horse World Championships at Le Lion d’Angers, in fear that the huge atmosphere there would overwhelm his sharp brain at too young an age. 

“Osberton was the first time I thought, ‘we’re actually getting somewhere,’” she says. “Mentally, the focus, too, on cross-country kind of came from that point onward, but I always took him very steady, because I didn’t want to expose him to too much atmosphere too soon. He was the kind of horse who I felt would just go the other way, and I didn’t want to undo all the time and patience that we’d given him and go ten steps back.”

It’s clear that now, a little older and a little wiser, he’s ready to repay that kindness – and today’s result feels like the start of a redemptive arc after a lost opportunity last season. 

“He was the favourite to win the eight- and nine-year-old class at Blenheim [in September], but he got a skin infection that took way longer than we’d hoped to clear up,” laments Bubby. “He was meant to do Boekelo [CCIO4*-L] as well [in October].”

So: a longer, slower start than planned. But, she continues, “he’s a horse who’s just forced me to improve and adapt as a rider more than any other horse. He goes in a completely different way to any of my other horses. I always describe him as a freak of nature, because when you watch him go cross-country you think, ‘god, that horse goes so low, how does he leave any poles up?’ And then you watch him showjump and you think, ‘that horse goes so high – he’s a freak and couldn’t go cross-country!’ So he’s got it all, he really has. It’s just taken time and patience; at home, he’s so badly behaved and naughty, and he spooks at the same thing every single day, but you just have to ignore it, because now he also knows the job and he goes in there and he delivers.” 

Of tomorrow’s famously enormous cross-country track, now newly designed by Andy Heffernan after the retirement of Ian Stark last year, Bubby’s full of nothing but praise. 

“I think Andy’s done an incredible job – major hats off to him, as following Ian is no mean feat,” she says. “He’s put his own twist on it as well – like, he’s used parts of the ground and places where we’ve never had combinations before. For example, coming home, [when I walked] I got to the top of the hill after the last water and was a bit disappointed there wasn’t a combination there, and then got to the top of the next hill and said, ‘Ah, here we go!’ He’s been arguably even more clever and tough on us, because we’ve had to climb two more hills and then have another combination. So I think it’ll be a real test of stamina, and, as always here, bravery – combined with accuracy and technicality. I’m really excited for the challenge.”

Izzy Taylor and SBH Big Wall. Photo by Tilly Berendt.

Izzy Taylor and the rangy ten-year-old SBH Big Wall – a son of Puissance, you’ll perhaps be unsurprised to hear – will go into cross-country in third place after a smart test for 25.4, one of his best-ever scores at the level. 

“I think my highlight was his attitude,” says Izzy, who won this class in 2022 with Monkeying Around, and who comes here with this horse off the back of a second-place finish in the CCI4*-S at Belsay last month. “I’ve always loved this horse, and I’ve had him since he was a four-year-old, which makes it very special. It makes the job easier, too, because we really know each other so well – the good bits and the bad bits.”

In his test, she explains, “he stayed really rideable the whole way through; he had a little spook, but that’s just in his character, so it’s part and parcel of it. He loves his job – he gets in there and says, ‘hey, can you look at me now?’”

In his third season at four-star, precocious SBH Big Wall is ready to step into his prime – and, says Izzy, she always suspected he’d pull all the pieces of the puzzle together. 

“It’s his brain. He was a very ugly duckling – to be polite! – and the looks have improved with age, but he’s always had a great brain,” she says. “He very much wants to do right. He gets annoyed with himself – and sometimes with me! – when it’s not quite what I want, but that’s such a rare occasion. He’s just very chill and loves his job. You can teach a horse to love his job, but when he loves it from the word go, that’s a lot easier.

Sweden’s Louise Romeike and Caspian 15, who were longtime leaders yesterday and then settled for second overnight, go into cross-country in fourth place on 27.4, while 22-year-old Barnie Brotherton and DHI King Nelson round out the top five on 29.4. 

New entrants to the top ten today included Caroline Harris and Cooley Mosstown, sixth on 30.2, and Tom Jackson and United 36, seventh on 31.1. We caught up with Caroline after her competitive CCI4*-S test on Pau champion D.Day, so keep reading for some of her thoughts on the day. 

Eighth place is the provisional domain of Daisy Berkeley (neé Dick) and her Blenheim CCI4*-L runner-up Diese du Figuier, who posted a 31.4, while Aimee Penny and Freshman HH put a 31.9 up for ninth. The top ten at this early stage is rounded out by Japan’s Toshiyuki Tanaka and the former Chris Burton and Bubby Upton ride Jefferson JRA on 32. 

The top ten going into tomorrow’s cross-country in Bramham’s CCI4*-L.

Nobody could catch day one leaders Sebastien Cavaillon and Elipso de la Vigne of France, who retain the overnight lead on a score of 26.9 as they head into tomorrow morning’s showjumping and then the afternoon’s cross-country in the CCI4*-S class – but some smart partnerships came very close.

Chief among them, and a pair that drew plenty of spectator interest, was Piggy March and new ride MCS Maverick, who won the CCI4*-L here two years ago with Pippa Funnell aboard. It was on Pippa’s suggestion that ‘Eric’ make his way into Piggy’s string, into which he was secured by a group of owners cheerily dubbed ‘The Maidwell Mavericks’. 

Now, they find themselves in second place going into tomorrow’s finale on a score of 27.5 – but, Piggy admits, she considered not even bothering with the test today. 

Piggy March and MCS Maverick. Photo by Tilly Berendt.

“To be honest, I’ve been absolutely shitting myself all morning,” she deadpans. “He’s hated doing the arena familiarisation – hated it. Last time he was here he won the long-format with Pip, so he did a lap of honour, and he’s just been fairly terrified going in there. I’ve had some hot ones before, but I’ve never had one where it feels like his eyes and his brain are spinning at seven o’clock at night with no atmosphere and a load of his mates walking around with him. I actually had to get off – I’ve never got off one in an arena familiarisation before.”

“You normally think you can just walk around in there and have a chat with someone,” she continues, “so I was a bit like, ‘fuck, this is going to be a nightmare.’ So I did ring Mrs Funnell this morning, and I was like, ‘do I need to put you on the loudspeaker, Pipsy, and you can just whisper the stuff you used to whisper to him?!’ I just thought, ‘is this even going to happen?’”

Rather than over-the-phone seances, though, Piggy opted to repeat the long, slow, tactful routines that Pippa used with the gelding. That is, lots and lots and lots of time spent outside the stable, walking and grazing, and being allowed to stretch himself out on the lunge and take everything in, because, as she says, “he’s a lovely horse who’s been produced by the best rider in the world, but he’s clearly very sensitive and he gets wound up by an occasion very easily.” 

Producing a test in this ring was also such a key part of her longer-term plan to get to know the horse, and so she didn’t want to give up and give in just yet. 

“There’s nowhere that’s quite as atmospheric as in there – probably not even Badminton and definitely not Burghley, because the audience isn’t as close as they are here. And I really wanted to see him at his worst, which I’ve definitely seen over the last 24 hours,” she laughs. “I don’t care about winning a ribbon here, but I do want to take him to Burghley in the autumn, and so this week is about figuring a lot of things out, and one of those is how to deal with all this. So I wanted to go in there today and really ride him, and ask him for more, and see what he gave me.” 

Most of what that ended up being was surprisingly calm, pleasant work, but the minor mistakes – some near-jog steps in the walk, and a too-early change – were great chances for Piggy to put a bit of gentle pressure on and see how Eric would respond. 

“It was a great training exercise. I was determined not to back off with my leg in the walk, even if it meant we had a hurried walk – I wanted him to walk on and let me ride him,” she says. “And when he threw in a change too early, if it was Burghley or a Championship I’d have had to take it and keep riding, but today I’m training, and so I wanted to bring him back, let him know I hadn’t asked for that, and ride it again, and he took that on board so well.” 

Yasmin Ingham and Gypsie du Loir. Photo by Tilly Berendt.

World Champion Yasmin Ingham holds third place overnight with the exciting nine-year-old up-and-comer Gypsie du Loir, with whom she posted a 27.9. 

“I’m really pleased with that – she’s such a talented young horse, and I’m really excited about her for the future,” says Yas, who has already won at CCI3*-S and CCI3*-L with the mare. “We’re working on establishing her in the more difficult movements at the four-star level, so the changes, the half-passes – I’m delighted with that, actually. She’s got beautiful paces and a great presence in the arena, and she’s a pleasure to work with, so I feel very lucky to be riding her.”

Gypsie du Loir, who, like Yas’s top horse Banzai du Loir, was bred by Pierre Gouye is “actually surprisingly quite sharp,” says the rider. “She’s quite blood, so she does take a bit of work before the dressage. I think it’s just about getting her confidence now with these movements, and I really do believe that in a couple of years’ time she’s going to be a force to be reckoned with.”

The pair come to this event off the back of a top-ten finish in the very terrain-heavy, tough CCI4*-S at Bicton, which was the mare’s second run at the level, and Yas added her voice to the many in praise of Andy Heffernan’s debut designing effort that they’ll jump tomorrow.

“I’ve not been here for a few years, and Andy’s now taken over as designer – but it looks fantastic, and I have huge confidence in him. He trains me a lot at home, so I feel very lucky that I’ve had his help, and he’s produced a brilliant course that I can’t wait to tackle.”

Astier Nicolas and Alertamalib’or. Photo by Hannah Cole Photography.

France’s Astier Nicolas will sit fifth going into tomorrow’s jumping phases with the hugely experienced Alertamalib’or, with whom he posted a 28.1 before the lunch break. The fifteen-year-old Anglo Arab, who was the 2017 Seven-Year-Old World Champion, and represented France at the 2022 World Championships, is among a smart lineup of French horses entered here with, potentially, a European Championships bid ahead of them later on this year. 

“This is the second event of the season for him, and the French delegation all came here so we can ride three phases on grass, and over a course of this style, with the aim of the Blenheim Europeans,” he says. “So far, so good – he was really with me and gave me a good feeling. It was pretty consistent; he’s not a great, flashy mover, so that wouldn’t show as a highlight, but the feeling he gave me was pretty nice.”

Alertamalib’or is, Astier says with a grin, “a human – he’s very arrogant! But it’s funny – all the weak sides you don’t like in humans, when an animal has it, you think they’re very clever and you’re much more sympathetic to it. It’s all about him; he’s very expressive, and he loves contact with humans. He’s like a pet.”

Tiana Coudray and Coeur de l’Esprit Z. Photo by Hannah Cole Photography. 

US Olympian Tiana Coudray slots into sixth place, behind under-25 leaders Tom Woodward and Low Moor Lucky in fifth, at the culmination of the first phase with Coeur de l’Esprit Z

They put an impressive 28.7 on the board – a four mark improvement at the level, and the gelding’s first time hitting the sub-30s at four-star. But was the Wiltshire-based rider expecting the gelding to throw down such a significant personal best today?

“Not at all!” laughs Tiana. “I mean, he’s a mega horse, and he’s so flashy, and we have big hopes for him, but he’s still weak in his body and he’s sensitive in mind, so it’s all time with him.” 

She’s had the ride on ‘Eyeballs’, as he’s known at home (that’s thanks to his perpetually rather startled appearance; he looks, at any given moment, as though he’s just achieved sentience) since he was a five-year-old, and though she rates him as a real star of the future, producing him has been a labour of love and patience.

“He’s so sensitive in his mind that it’s been two steps forward, one step back – life is just difficult for him, but he does show up, and he does try, and he really wants to be a good boy. He’s such a classy animal, so you’re happy to keep plugging away,” she explains. “He’s an immature ten-year-old, but he’s a championship horse through and through. Of course, when you have one of those, the phone never stops ringing [with potential buyers], so I have to be realistic, but I also have to dream.” 

The son of Connor 48 made the step up to CCI4*-S just under a year ago, closing his season out with a steady, sensible run in the eight- and nine-year-old class at Blenheim – where, Tiana says,  “He was flashy and he was promising, but he was weak, and that takes time to develop.”

Like that Blenheim outing, Tiana’s approach to Bramham is all about the future, not about trying to make any major waves this week. And so, in keeping with that mindset, she’s planning to give the young horse the ride he needs, not the ride the leaderboard might demand.

“It looks really beefy out there [on the course], but you don’t come to Bramham expecting any different. He’s quick, he’s nippy, he’s careful, and he’s scopy, so any issues would come down to immaturity and greenness. I’ve never known anything as quick as him, but I also have to be careful about pushing the button too early, because at the moment, the mind doesn’t go as quickly as the body does,” she says. “[This week] isn’t about Bramham 2025 – it’s about what he might do down the road. So we’ll see! Hopefully we’ll have a decent crack at it, but we might just keep it two gears down from what he can do.”

Caroline Harris and D. Day. Photo by Tilly Berendt.

Caroline Harris and her 2024 Pau winner D.Day made an early bid for a placing this morning when they delivered a smart, sensible test for a 29.7 – good enough to see them sit seventh going into tomorrow’s finale. 

The fact that the test was so sensible was a highlight and a relief for Caroline, who found the eleven-year-old gelding “quite wild” at last month’s Belsay International. 

“To be honest, I think it was the galloping around [in the prizegiving at Pau] – now, he thinks he’s amazing, and so he went into the main arena there and thought it was time to gallop around again,” she laughs. “He wasn’t awful, he was just excited to be there; today, though, he was much more relaxed.”

That newfound self-belief has been the biggest change that Caroline has seen in the petite gelding since his career-defining victory, which the pair achieved in unprecedented slop in France in October.

“He’s come out quite arrogant [this season], whereas before he was so timid and like, ‘oh god, I’m not sure about this!’,” she says. “He’s not the most naturally confident horse, but it’s definitely given him the self-belief and arrogance to go, ‘actually, I’m alright.’”

With a five-star win under his belt at the end of his ten-year-old year, it wouldn’t, perhaps, have been a surprise to see Caroline aim D. Day at Badminton this spring. But she was determined not to get ahead of herself, and to continue the young gelding’s long-term production sensibly. 

“I was very adamant that I didn’t want to go to Badminton, because I knew it wasn’t the right thing for him,” she says. “He’s a super little horse, but I think both of us just need another year [of experience]. I’m very green at five-star, and he’s not the most naturally brave. When he’s going well he’s amazing, and I’d only want to go to Badminton knowing he felt on fire. So this year, I’m gunning for Aachen [CCIO4*-S in July], because I really think it would suit him if we were to be selected. Otherwise, I want to bring him to weeks like this where can get more exposure to bigger tracks and atmosphere and just learn more.”

Eighth place is held overnight by Emily King and Jackpot on a score of 30, while Alex Hua Tian holds ninth and tenth places with Chicko (30.1) and Poseidons Admiral (30.6), respectively. 

Tomorrow’s jam-packed day will see the CCI4*-L head into cross-country from 9.00 a.m. BST (4.00 a.m. EST), while the CCI4*-S will showjump in the main arena from 8.30 a.m. BST/3.30 a.m. EST and head out onto Andy Heffernan’s terrain-y, bold, and beefy cross-country track from 12.40 p.m. BST/7.40 a.m. EST. The action will be broadcast in its entirety on Horse & Country TV, and you can get a close look at all the challenges presented on course thanks to the Cross Country App. As always, we’ll bring you a mammoth report with all the info you need to know tomorrow evening – until then, Go Eventing!

Defender Bramham links: Website | Ride Times and Scores | Cross-Country Course | Live-Stream | EN’s Coverage



“I Think An Awful Lot of Him”: Homebred Takes Bramham Day One Lead

Sarah Bullimore and Coromiro. Photo by Tilly Berendt.

After all the fun and games of yesterday’s first horse inspection at the Defender Bramham International Horse Trials, perhaps we could all have been forgiven for thinking the event’s officials would be in a rather jolly mood. Banter! Wisecracks! 8s and 9s just because sometimes it’s nice to be nice!

Alas. Instead, across both the feature CCI4*-L and the CCI4*-S class, incorporating the new-look under-25 championship, we’ve seen high standards and hard-to-please judges, which isn’t a bad thing, but it’s hardly bucket hats at the palace, is it?

What those exacting standards did mean, though, is that when a really great test came along, you truly enjoyed the moment — even if, as one of my media colleagues sagely remarked, “I don’t know why we even bother with dressage here — it doesn’t mean anything.” She’s referring, of course, to Bramham’s status as the beefiest behemoth of the four-star scene, where the leaderboard often tumble-dries itself beyond recognition over the weekend in pursuit of greatness-in-the-making. But here we are, still doing the dancing bit, and sue us: we quite enjoy it.

We reckon Great Britain’s Sarah Bullimore also quite enjoyed it today. Not only did she get a bit of a lie-in — she was last to ride in the CCI4*-L today — but she also merrily pranced her way straight to the top of the leaderboard with the nine-year-old Corimiro on a score of 24.6.

The pair’s performance was hardly unexpected. Though the gelding, who she rides for husband Brett and co-owners Bruce Saint and Christopher and Susan Gillespie, only stepped up to four-star a year ago, he’s been a runaway success, posting a 27 in his CCI4*-L debut at Boekelo last October and a 24.4 in his most recent outing in the inaugural CCI4*-S at Belsay two weeks ago.

“I mean, I’d have like a 21, but I’m happy with that,” grins Sarah. “He’s still only nine, and he was hot to trot yesterday — he knows what these events are all about now, and so he was quite wired.”

But, she continues, “he’s a hot horse, but hot in a nice way — he’s got such a good brain, and he just wants to get on with it and do the right thing. So he went in there and he was almost quiet; I actually had to say, ‘come on, let’s get going!’ Yesterday, in the arena familiarisation, he just wanted to walk up to the side and see the crowd. He loves to look and stare, and the busier it is, the more he relaxes, which is a bit random! At home, when it’s quiet, he’s looking out every window to see if something’s going on or if he’s missing anything, and then when it’s busy, he’s like, ‘great, I know it’s busy, that’s fine — I’ll just go to sleep!'”

Corimiro’s sparky streak comes from his dam, Sarah’s former team mount Lilly Corinne, who’s become a prolific mother via embryo transfers since her retirement from the sport, and is expecting two more full siblings to Corimiro due this week. But unlike his maternal half-brother Corouet, with whom Sarah won individual bronze at the 2021 European Championships, he’s sired by the stallion Amiro — and whether it’s his father’s influence or just something in his own makeup, Sarah’s found him a much more malleable horse to produce than his tricky, talented older brother with his penchant for heartbreaking.

“He’s just a lovely horse, and I’m very, very lucky to have him — he means an awful lot to me,” says Sarah. “[All of Lilly’s offspring] are dominant horses, but he’s far, far easier and more trainable than Corouet. That would be Corouet’s Balou du Rouet lines, though! [Coromiro’s] a pleasure to train because he wants to do the right thing and stay onside, whereas Corouet can think he knows best and sometimes would rather I just get off and let him do it on his own.”

Whereas Corouet is pint-sized with an oversized ego, Coromiro is a much bigger stamp of a horse who’s not quite aware of his own power — and Sarah is quietly hoping to keep it that way.

“He’s a big, strong boy, and he doesn’t need to learn that he’s big and strong and could actually get away with me,” she laughs. This Saturday’s dimensionally beefy, terrain-heavy track, though, should be one that suits this stage of his education perfectly, and keeps him well on side — particularly as new course designer Andy Heffernan, who takes over this year from Ian Stark, has made some very minor softening tweaks to some of the perennially tricky questions here.

“I think he’s done a brilliant job,” says Sarah. “He’s not softened it in a way that it’s not a true Bramham, but he’s just made a couple of things a little bit kinder. I’m really looking forward to getting out there.”

Louise Romeike and Caspian 15. Photo by Tilly Berendt.

Sweden’s Louise Romeike is also well-mounted on an incredibly exciting young horse in Caspian 15, who sits in second on a 27.4 after an impressive test just before the lunch break. Caspian has two years on Corimiro, and as a ten-year-old competed at last summer’s Olympics, where he finished 24th, but it’s just this year that he’s learned to channel his talent and exuberance into sub-30 scores at this level. In fact, today’s is just his second: he posted a 25 in the first phase of the CCI4*-S at Marbach last month, which he handily won, but was more consistently in the low-to-mid 30s over the last two seasons, and put a 37.7 on the board in Paris.

The key to getting the best of him, Louise says, has simply been time.

“I think every show got a bit better last year. Actually, his last show [of 2024] was the Olympics, and that was the most difficult one, so he didn’t show the progress that was there — but over the winter, I did so much dressage training, with all of my dressage trainers, everyone helping, and it’s so much better. The way we were training him was always the right way, but he’s just a little babyish still, and he can make himself a little bit small sometimes, like a little guy. But he stays with me now, and he got stronger, so he can carry himself much better, too.”

This is just Louise’s second visit to Bramham; she last competed here ten years ago with two horses, finishing just outside the top twenty with one and withdrawing before cross-country with the other. That she makes her return here this spring is no accident; the Swedish A team, who have long been working to climb up to the big leagues at championship level, are here in force this week, gaining mileage and experience over a hilly, tough, very British track ahead of the European Championships at Blenheim later on this year.

“I’m really happy to be here again, and now it’s all about the cross-country — that’s why we’re here,” says Louise, beaming atop the cherubic gelding, who, she says, “is just a wonderful horse.”

Barnie Brotherton and DHI King Nelson. Photo by Tilly Berendt.

22-year-old Barnie Brotherton and his ten-year-old DHI King Nelson have been firmly in the spotlight over the last couple of weeks, thanks to an excellent turn in their winning British senior team debut at the Bicton leg of the FEI Nations Cup series. Though they didn’t quite catch the 28.2 they posted there in today’s test, their very respectable 29.4 is still good enough for third place overnight, and it represents their second-best four-star test — prior to Bicton, they’d never broken the sub-30 barrier.

Still, though, Barnie was disappointed to feel that he’d left some marks on the table in his CCI4*-L debut today.

“I know he’s capable of more, and so am I, but we’ll take it,” he says pragmatically. “I was pleased that he got both changes, because that’s been quite tricky for him in the past, but there’s always room for improvement everywhere, and I’d just like a little bit more relaxation. But he’s only ten, and there’s so much more to come.”

Coming here off the back of that excellent Bicton means that Barnie’s aware of more eyes on him as he tackles his job — but, he says, “I guess you’re always being watched when you’re competing! When I’m on the horse I feel quite zoned in and I tend to forget about everything else.”

Daniel Alderson and Blarney Monbeg Pepper sit fourth overnight on a 32.6, followed by Tom Jackson and new ride Hawk Eye, formerly produced by Nicola Wilson, who slot into fifth on 32.7.

“I’m very happy,” says Daniel, who has been based in Ireland for the better part of a decade but is originally from just down the road.  “Dressage is her weakest phase, and she actually doesn’t really like it, to be honest, so for her to go in there and behave and listen to me, I was very happy with that. This is a local big event for me, so I’ve always wanted to compete here, and I feel very lucky to be here. Hopefully we can give it a good go.”

The top ten at the end of day one of dressage at the Defender Bramham International.

Sebastien Cavaillon and Elipso de la Vigne. Photo by Hannah Cole Photography.

The CCI4*-S is led overnight by France’s Sebastien Cavaillon, who posted a 26.9 with Elipso de la Vigne. Like Louise and the Swedes in the CCI4*-L, Sebastien and his compatriots are using Bramham as a stepping stone to Blenheim, but largely focusing their attentions on this class instead of the long format one.

Making the decision to come to the UK to prepare is a loaded one these days, Sebastien explains, and you need to be sure of a return on your investment, either in winnings or in experience.

“Honestly, it’s very expensive now with Brexit — it’s just horrible with the paperwork and the money. I think it’s very hard for French people to come to England now. But our chef d’equipe said we needed to come to England to prepare for Blenheim, and it is a good test,” he concedes. “This horse has run many times at long format leading up to the Olympics, and so now it’s not needed for him to run another long format, and he can do a short format instead.”

Elipso de la Vigne, who was bred at the same stud as Japanese Olympic horse Vinci de la Vigne, is “a lovely horse, and he’s really good in all three phases — he’s very careful and really listens,” says Sebastien, who was named as a reserve for the French Olympic team with the eleven-year-old last year. “The canter is amazing; the flying changes, amazing. It’s easy when you ride a horse like this. The difficulty is for me: I need to be better for him.”

Their long-term Blenheim preparation was bolstered by a trip to Royal Jump at Berticheres last week, where Badminton course designer Eric Winter was in charge of the course, “so it was another taste of an English track,” says Sebastien — though, he laughs, with the appointment of Andy Heffernan as course designer here, “we’ve come to England to ride a Dutch track!”

Tom Woodward and Low Moor Lucky. Photo by Hannah Cole Photography.

This year, the coveted under-25 title isn’t being contested at CCI4*-L level — instead, it’s been changed to a CCI4*-S, and rather than being held as a completely separate class, its contestants have been shuffled in with the broader short-format class here. That means that current leaders Tom Woodward and Low Moor Lucky can also proudly count themselves as overnight runners-up in the whole section on their score of 28.1.

They’ll have been expecting a competitive score: though Tom is just at the start of his professional career, he and the 18-year-old gelding have already earned themselves a solid reputation as first-phase performers. Indeed, just last month in their CCI5* debut at Badminton they put an impressive 27.9 on the board, earning themselves sixth place going into cross-country.

That they’ve ended up here instead, though, comes down to an early runout at the Agria Corners before the Lake Complex, after which Tom reapproached, achieved a neat and tidy jump, and then decided to put his hand up and call it a day. It might not have been plan A, but every day, he says, is a chance to learn and grow as a rider.

“It was obviously a bit of a roller coaster of emotions,” says Tom. “I think it’s great, obviously, to be exposed to that sort of atmosphere and get a little bit more recognition from people who didn’t know who we were, which is obviously fantastic going forward. And, of course, getting the reassurance that you can perform under that pressure, because until you go and do it, it’s a bit unknown as to how you’ll feel. I felt really relaxed all week at Badminton, and I’ve thought about the cross country day over and over for the last three weeks. Next time I’d try and rev myself up a bit more, I don’t know — it’s just a really big learning curve and [an insight into] how you might do things differently. We’ve learned a lot about the horse as well — I’ve had him for seven years, and he’s 18 now, but I’m still learning about him every time we come out.”

One thing that hasn’t changed at all in that Badminton learning experience is Lucky’s approach to the first phase: he remains a very cool character.

“I didn’t even do the familiarisation last night because I wanted him to come in here and [get a bit of a buzz], and even with that, he just goes in and trots around,” laughs Tom. “I’m like, ‘come on, Lucky, give me something, give us a little bit more!’ He knows his job now, so just — without being mean about him — he sort of does the bare minimum, because he’s so within his capabilities in the work. He knows what he needs to do, he goes and he does it, and he goes [to the stable] and he’ll probably have a sleep now.

“He’s pretty hot in this phase now, so it’s just a case of going in and just trying to enjoy him. And especially with his age, we don’t know how many more big runs we’ll get, so I just try and enjoy each one as they come.”

Alex Hua Tian and Chicko. Photo by Hannah Cole Photography.

Also rerouting from Badminton is third-placed Alex Hua Tian and Chicko, who put a 30.1 on the board. Their Badminton campaign ended early for slightly different reasons: an awkward jump over the triple bar on course dislocated Alex’s shoulder and threw him onto the gelding’s neck, where he began a long, slow, grim campaign to get himself back into the saddle and attempt to manhandle the joint back into place.

“I have quite unstable shoulders, and I’ve had the right one operated on [over the winter],” he says. “He had a relatively good rub on the rail going into the Hollow, and then just basically hit the roof over the big open oxer and just paddled a bit and twisted a bit to the back rail. My left shoulder popped out. As the shoulder pops out, your core just switches off like a light switch. So then I did a bit of clinging on, and we ended up in the ditch with me sitting in front of the saddle. But then I couldn’t push myself back into the saddle from there, and it was only as he climbed out of the ditch, that I ended up back in the saddle.”

“So,” he continues, “we jumped a couple more, with my shoulder still popped out at the time. It wasn’t sore, but then turning left to the table it was getting weaker, and turning left to the corner, I was like, ‘I’m not sure I’m up for this anymore’.”

Now, he says, he’ll run here this weekend and then Alex will decide with owner Kate Willis whether to aim for a trip to the Nations Cup finale at Boekelo in October, or a return to Pau’s CCI5* that month, where they finished fourth last year. Most of all, though, he confesses, “my hope is to go back to Badminton again. I don’t know whether Kate can cope or not! But I felt he was having a great ride around. I learned a lot about him at Badminton. Four stars are so in his comfort zone, and so is a five star — he just needs a little bit extra positivity and poke to get across those big, wide ones, and he just needs me to be a bit behind him. I think we would have had a great ride, so I’m quite keen to get back again.”

Tomorrow will see both classes conclude their first phase — and we’ll be bringing you all the news you need to know at the end of the day. Keep it locked on EN, and Go Eventing.

The top ten after day one in Bramham’s CCI4*-S.

Defender Bramham links: Website | Ride Times and Scores | Cross-Country Course | Live-Stream | EN’s Coverage

One Horse Out; Several Minds Apparently Lost Completely at Bramham First Horse Inspection

Louise Romeike and Caspian 15 — and the formidable beauty of Bramham House. Photo by Tilly Berendt.

For those of us who live in, um, the ‘business end’ of the United Kingdom, it’s no hop, skip, and a jump to get to the Defender Bramham Horse Trials, which is tucked — as much as a palatial estate can be tucked — into West Yorkshire. That’s up in the top bit, if you’re American and reading this. For me, from just south of London, it’s five hours on our great (?) nation’s least inspiring motorways, which also stacks up to about seven Costa Coffee drive-throughs, three frantic wee breaks, eight podcast episodes, and one (1) roadside sex shop called, inexplicably, Pulse & Cocktails, which leers at you from the side of the M1 and lets you know that you’re nearly at the event, and also that they have some latex arseless chaps on sale for a really good price at the moment, if you happen to be a rider in need of some more working attire for the week.

But all of that fades into insignificance when you finally arrive — somehow needing a wee again, damn it — in the grounds of the estate. Bramham, which has been around since the late 1600s, give or take, and thus has probably seen worse and weirder things than latex arseless chaps, is one of those crown jewels of the now heading-towards-defunct British aristocracy scene. You know the kind: hundreds and hundreds of acres of rolling hills and tree-lined avenues, maintained enough to flourish but with that light hand that doesn’t push anything to overmanicured; a golden limestone behemoth of a manor house, all classical columns and archways, twinkling away at the centre of it all, somehow reflecting sunlight even when it’s raining. And, this week, the biggest, toughest, and perhaps most prestigious CCI4*-L in the world, turning it all into a playground for the clinically deranged and the sort of people who like to cheer on the clinically deranged.

Austin O’Connor and Ventura Rock. Photo by Tilly Berendt.

This afternoon saw that CCI4*-L feature class get underway in (slightly mad) style. 54 horses and riders presented to the ground jury of Christian Steiner (AUT), Nikki Herbert (GBR), and James Rooney (IRL), though fairly swiftly, that number diminished by one. That was Austin O’Connor‘s Ventura Rock, one of two intended rides in the class this week, who was an early hold and, ultimately, was withdrawn without re-presenting.

Emma Hyslop-Webb and Jeweetwel. Photo by Tilly Berendt.

Two further horses were sent to the holding box during the inspection: British-based US rider Rowan Laird made the long walk over with Sceilig Concordio, as did Great Britain’s Emma Hyslop-Webb and Jeweetwel, but both were happily accepted into the competition upon representation.

Rowan Laird and Sceilig Concordio. Photo by Tilly Berendt.

Anyway, whatever, horses schmorses; let’s talk about CLOTHES.

It became clear quite quickly that something was up at this first horse inspection. Our first handful of riders turned up looking, well, normal: suits, jackets, nice dresses, some fairly mad green trousers for newly-minted World Number One Harry Meade, but frankly, he always has mad trousers. But then the normally staid Tom McEwen appeared looking like a divorced dad heading for a midlife crisis in Benidorm, with a short-sleeved floral-print shirt and a — ugh, I can barely even bring myself to write it — bucket hat, and we all privately thought that maybe he’d just been allowed to choose his own clothes today and that was maybe a shame but also nice for him, I guess.

He wasn’t alone, though. There wasn’t many of them: five, or six, perhaps, but there was enough: bucket hats, flower crowns, wellies and shorts, a general air of breakfast beers and puking in rhythm to a Sam Fender song in a field with 100,000 of one’s closest friends.

“There seems to be a memo that we haven’t been given,” said announcer John Kyle.

Same, Kylie Roddy. Same. Photo by Tilly Berendt.

Indeed. Apparently, what had happened was this: someone on the Bramham team, finding themselves plagued by a sudden burst of inspiration, sent out a mass message to the riders yesterday, cheerily letting them know that the theme for this year’s trot-up was to be ‘Festival Vibes’, presumably in honour of the Leeds Festival that’s held here every summer, allowing the north’s teenagers to learn about alcohol poisoning and hand stuff. A lovely idea! Except, of course, for the fact that trot-ups never have themes (despite my best attempts to turn the Pau trot-up into a Halloween one) and all the riders were already on site, weeping into their Holland Cooper boxes.

Tom Crisp and Lachain Jack. Photo by Tilly Berendt.

The handful that did manage it, though, displayed some creative thinking and raided their lorries, which leaves many of us with some questions about why Best-Dressed Man winner Tom Crisp has a flower crown in his eventing kit and where Tom McEwen reckons he’s going to wear that shirt.

Daisy Berkeley and Diese du Figuier. Photo by Tilly Berendt.

Best-Dressed Woman Daisy Berkeley looked as though she’d waited her whole career for this moment, so I’m not sure if she was dressing to the theme or had always actually planned to look like a Band-Aid in Almost Famous, but either way, I dig it and so did the HiHo Silver judging panel, and that’s really all that matters, I think.

Gaspard Maksud opts in for furry representation at the Bramham first horse inspection. Photo by Tilly Berendt.

Then, of course, there was British-based Frenchman Gaspard Maksud, who seems to have a beleaguered beret maker locked in his basement, because today he debuted a fox-eared hat that’s actually probably also available to buy at the sex shop on the M1, now that I think about it. Again, probably not aiming for the ‘theme’, here: Gaspard’s previous insane hat efforts have included a golf course on his head.

His fellow countryman, Camille Lejeune, also sported a delightful accessory: pinned haphazardly to his chest was a jolly pink rosette, proudly proclaiming that ‘IT IS MY BIRTHDAY’. Nabbed, presumably, from the children’s birthday card section of the nearest Tesco Express.

Camille Lejeune: EET EEZ HEEZ BIRTHDAY! Photo by Tilly Berendt.

And so, in conclusion: fashion! Horses! A slew of strange decisions! What a note on which to start this year’s renewal of the event.

Tomorrow, we’ll head into the dressage bit, which might actually feel like something of a let-down after all this excitement, but we’ll do our best for you. The CCI4*-L will begin at 10:30 a.m. (5.30 a.m. EST) with Ireland’s Padraig McCarthy and Lady Ophelia first up to bat, while the CCI4*-S starts at 9.30 a.m. (4.30 a.m. EST) with Great Britain’s Michael Owen and Monbeg Gold Dust trailblazing. The prestigious under-25 class, formerly held as a separate CCI4*-L class, still exists, though in a new iteration: it’s now running as part of the CCI4*-S, with competitors mixed into the overall timetable, and separate prizes to be awarded.

“Actually, mate, we’re dressing like we vote the other way today.” — Philip Surl to Matt Heath, maybe. Photo by Tilly Berendt.

Unfortunately, there isn’t any livestream for the next two days, but Horse&Country TV will be broadcasting all the showjumping and cross-country action over the weekend — so keep it locked onto EN for all the news you need from this year’s Defender Bramham Horse Trials. Until tomorrow: Go Eventing! Or go to Leeds Festival, if you’re into that. Chappell Roan’s headlining it.

Defender Bramham links: Website | Ride Times and Scores | Cross-Country Course | Live-Stream | EN’s Coverage

“This Was For Caroline”: Ros Canter Records Historic Badminton Victory

Sunday at Badminton always feels like three different days of three very different lengths, all rolled into one: there’s the morning’s long, slow final horse inspection, which is a full-scale, high-tension competitive endeavour in its own right; a couple of hours later (and approximately four coffees) the first session of competitors, which offers up an opportunity to see what’s been built and how it’s riding over the course of an hour; and then, a couple of hours after that, the final session, in which the top twenty come forward, everything moves at approximately 470 miles per hour, we’re all quite constantly trying to do eighteen different things, including watching, interviewing, and overreacting all at the same time, and then, 87 gasps and 38 or so little standing leg kicks to help horses jump better and 219 poles, give or take, and at least one instance of accidentally yelling a very bad word very loudly when someone tries to eat a jump rather than actually jump over it, it’s all done. We have a winner. A maelstrom of hugging, an orgy of emotion, and then something like calm while the prizegiving unfolds (for another sixteen hours, roughly), and we don’t know what to do with it at all. 

And look: that’s just from a media perspective. If it all sounds a bit mad and manic, just consider for a moment that it’s probably not even 5% of the complexity of thought and emotion and versatility that the riders in the top places have to conjure up. It’s no surprise at all that some can’t keep every plate in the air all at once on the day. And it’s even more extraordinary when someone can. 

When someone can keep doing it, over, and over, and over again, it becomes something greater. It becomes something like a generational talent; something you know will be spoken about long after the moment ends; long after we’re all old and decrepit and no longer writing these stories. 

Rosalind Canter and Lordships Graffalo. Photo by Cealy Tetley.

That’s what it feels like to watch Ros Canter and Lordships Graffalo, who just keep showing up, doing the work, and getting things done time, and time, and time again. Sometimes, of course, the conditions aren’t ideal, as when they won Badminton two years ago when it was basically a swimming gala. Sometimes the unexpected can happen, as when they were awarded a contentious flag penalty at Paris in 2025. Sometimes life gets in the way. But they keep on rolling on, and now, they’ve added a second Badminton title to their 2023 crown, their 2024 Burghley victory, their 2023 European Championships title, their World Championships fourth place, their Olympic team gold medal… look, trust us, we can keep going. All this, and only thirteen years old: it often feels like the broader media landscape of our sport tries to position fischerChipmunk FRH as the next La Biosthetique Sam, but is Walter actually his heir apparent?

Let’s rewind a touch, though, and unpack how it all happened. There was this morning’s final horse inspection, at which overnight leaders Oliver Townend and Cooley Rosalent were held, as was Oliver’s second ride, Ballaghmor Class, who was sitting in ninth place. Ballaghmor Class didn’t return; Rosie did, and so we headed into showjumping with Oliver holding a three-point lead – not a rail, but no shortage of time, in hand. 

In the morning’s showjumping session, 33 horses and riders laid down their trips, with just two of them jumping clear – a 6% clear rate. Last year, the designers here had built a particularly square, up-to-height track, and that, combined with the tricky ground, earned them some pushback – but it’s great to see that they stuck to their guns and once again built a true five-star showjumping track, which is an area in which the European five-stars ordinarily cover themselves in more glory. Great, of course, from where we stood – but a daunting prospect, no doubt, for the riders who had to tackle it. 

First up to bat in the afternoon session was seventh-placed Harry Meade and Cavalier Crystal, jumping out of order. The pair made easy work of the course, adding nothing to their scorecard and ensuring they would finish on their 33.8 dressage score and retain or better their seventh place. Three rails fell in the next round, for France’s Gaspard Maksud and Zaragoza; then one for Germany’s Jérôme Robiné and Black Ice. There would be a further five rounds beyond theirs before we saw another clear, which came for Tom McEwen and JL Dublin, giving them a smart finish to an up-and-down week. And then, again, rails, rails, rails – another eight rounds’ worth. 

Coming in in overnight fourth place, Ireland’s Austin O’Connor set the stadium alight with an exceptional clear with Colorado Blue – never a sure thing for the gelding, whose star is at its brightest on cross-country day – and then he had the agonising job of waiting to see if it would be enough to move him into a podium place. 

It would: the next round, from third-placed Gemma Stevens and Chilli Knight, was a surprise and a heartbreaker, and five rails tumbled for the pair despite Gemma’s wealth of experience in pure showjumping. 

And then there were two. First came Ros, who didn’t, perhaps, have the round of her life – there were some gasps and maybes along the way – but the job was done, safely, efficiently, and properly, to finish on her 25.3 dressage score. An extraordinary hush fell as Oliver Townend entered the ring with his two-phase leader Cooley Rosalent, who had jumped a clear round to win Kentucky the prior spring, but has a mixed bag of results in this phase. Fence one, which faced the members tent and had fallen over and over again throughout the day, stayed up. Likewise fence two, and three, and four – and on and on the pair travelled and skipped around the track, while Ros waited quietly in the collecting ring. Eight, nine clear – and then at ten, an oxer, a little tippety-tap and the tell-tale thud of a title lost in a split second. Once again, Oliver would have to settle for being the bridesmaid. Once again, Ros would be the bride. 

Rosalind Canter and Lordships Graffalo. Photo by Cealy Tetley.

“He’s just the most amazing horse,” says Ros, who becomes the first rider to regain, rather than retain, the Badminton title on the same horse. “He just relishes it. He absolutely loves it in there – he loves anywhere, though, where there’s people watching him. I think most horses, as they get older, they know the crowd, and they almost get trickier because the anticipation is always there. But with Walter, he relaxes in that environment in a nice, bubbly way, and he just thoroughly enjoys himself.”

Ros had closely studied the patterns of the morning’s rounds, and made a plan of action after noticing the issues many riders were having with the first fence.

“I felt that some in the morning session, because they got down there and then the bell went, they maybe didn’t quite get a chance to get it up the gears and get the canter positive before the start,” she says. “So I really made sure that I got down there quickly and then had enough time to get my canter going, because Walter would sit pretty in a fairly average canter if allowed to. So I just had to remind myself what canter I needed to get and let him do his job.”

Walter’s joy in this environment, and the depth of his partnership with Ros, meant that she could rely on him to help her out when she didn’t feel wholly herself. 

“I was quite nervous today. It’s been a long old day without Caroline, because she was always keeping me busy. So I was stuck by myself quite a lot, overthinking and questioning my life choices of trying to be an event rider. I think I worked him up a bit, but he helped me out.”

This is her first Badminton without her longtime friend, trainer, co-owner, and confidante Caroline Moore, who was an enormous and influential presence in the eventing community as a coach, but much more than that for Ros. Now, she’s had to face one of the biggest challenges of her career while also grappling with mourning her friend, who passed away in March following a long battle with cancer.

“Even when she wasn’t with me, over at the Olympics and stuff like that, she was on the end of the phone, she was texting me, and all those things,” says Ros. “And this – it’s really what it would have meant to her as well, because she might not have achieved such great things when she was riding, but she put her life and soul into her career and was so selfless with everything she gave. Me winning was… she just loved it so much. So I think — I hope – she’s looking down with a smile on her face.”

All around her, though, people stepped up to try to help her fill that gap.

“[British team trainer] Chris Bartle was always there anyway. So he’s always been a fantastic support,” she says. “A couple of weeks ago, he said, ‘you know, if you want me to step in and just watch videos and things, just send them over.’  He’s always got my back anyway.”

And, she continues, “Nick Turner, who’s a great friend of Caroline, and who’s very involved now with the Performance Mentoring Programme [the subsidised training programme Caroline started] with me — I went for a jump with him on the way to Badminton. I actually used Nick just before I went to Burghley last year, because Caroline wasn’t well enough to help me. I just rang him literally the day before sort of having a panic – he’s an hour down the road – we stopped off, just had a few fences, and then he was there as well today. So between the two of them, they got me sorted.”

At the end of the day, though, “this was for Caroline, really. She was huge because she just was selfless in her, you know, attention to detail and everything that she gave to me. Not only was she the best trainer and mentor, but she was the most wonderful friend as well, and I have so many special memories of everything we did together. She was by my side my whole career, and it’s the first time I’d done anything like this without her, so I’m just so pleased that I managed to make her proud.”

Rosalind Canter and Lordships Graffalo. Photo by Cealy Tetley.

For owners Michele and Archie Saul, and breeder Pennie Wallace of the Lordships Stud, it’s also a huge moment and another wonderful reward for many years of work and support. And for Ros, it’s another chance for the horse she so reveres to get the flowers he richly deserves. But this whole funny old game never just comes down to big-day performances: at the end of it all, it’s always about the love of the horse, and Walter gives her and the team of people around him plenty of reason to adore him.

“It’s not just what he gives on this stage, it’s the character he is at home as well,” she says. “He’s just fantastic. He enjoys his life, he knows what he wants, and he tells us what he wants, and in between, he’s pretty chill and happy, but like, he licks you to death — he’s like a puppy in the stable. He knows he’s the best and he’s full of self-importance, but at the same time he’s just completely wonderful. I love him.”

 

Oliver Townend and Cooley Rosalent. Photo by Cealy Tetley.

For most riders, being second at Badminton might sound like a dream come true – but perhaps less so when it happens over and over again. That’s been much the case for Oliver Townend, who has won the title once before, back in 2009, and certainly hasn’t had any trouble capturing major victories at plenty of other five-stars in the years since. 

But Cooley Rosalent, at just eleven years old and already a winner at the level in her own right, looks to be one of those horses who’s just biding her time, with another huge week to come in the seasons ahead. 

 

“She’s unbelievable,” says Oliver. “She’s been first, second, and third at five-star level now, and hopefully, it’s only the start. She improves every time, she learns something every time, and I learn something every time. I couldn’t be happier with her. We’ve got two incredible horses at each end of their career, and I’m just the luckiest rider in the world to have both of them.”

Oliver led after the first phase with the mare on a score of 21.1, and led after the second phase, too, though he added 1.2 time penalties when opting for the long route at Huntsman’s Close. Then, of course, there’s today’s rail – but, he says, “I wouldn’t do anything different. I thought her performance was as good as any horse’s performance this week, really, in terms of the way she did things. She’ll come on for the run — and I really believe she will come on for the run. She’s had a good experience again, she’s just coming eleven, and she’s unreal, isn’t she?

“I thought she jumped a very good round — probably a better round than when she won Kentucky, really,” he continues. “She touched one fence, and that’s this place a little bit for me as well, you know – this is the fifth second place I’ve had here, and only won it once, so it takes a bit of winning, this one. But she can go around any course in the world. She can be competitive in any class in the world. She’s blood enough for Burghley, she moves good enough, and jumps well enough for a championship horse. So she’s — ability-wise — got everything.”

 

Austin O’Connor and Colorado Blue. Photo by Cealy Tetley.

For Austin O’Connor and Colorado Blue, it must feel a bit like deja-vu: they’ve previously wound up on the podium here at Badminton once before, back in 2023, when Ros took the win with Walter and second place went to Oliver and Ballaghmor Class. This year, though, he proved that ‘Salty’ doesn’t need difficult ground conditions and a sloggy cross-country day in order to shine – the 2023 Maryland winner can do that anywhere, and in any circumstances.

“I think he’s probably one of the best horses eventing in the world, to be quite honest,” says Austin, who added just 0.4 time penalties today to his first-phase score of 30.8. “I think you’re probably looking at three of them [on this podium] – they’re not flashes in the pan. They’re unbelievable, consistent horses. My lad is a bit older than these two, but he doesn’t know that. Just like me!”

Their round today wasn’t just one of the best of the day – it was arguably the best of the horse’s career.

“It’s a magic feeling, and it’s a great privilege to be riding at Badminton,” he says. “It’s a great privilege to be on the podium — to jump a clear round. But it’s not simple in there. There’s a lot of pressure. So I guess there’s just so much relief, as much as anything. But the most pleasing aspect for me was how the horse actually jumped. I mean, I think he’s never jumped a round like that in his life.”

Austin O’Connor and Colorado Blue. Photo by Cealy Tetley.

Austin and Salty’s first-phase score, too, represents a personal best in this phase, and though it still gives him a job to do in climbing up the leaderboard on cross-country day, the pair’s consistency in doing so is pure vintage eventing. 

“It’s amazing, isn’t it, to be sat up with these guys on the Sunday evening,” “It’s a very, very special result. The horse is in great form, and we’ve had an unbelievable week. Sadly, if I was in a different era and these two weren’t around, I’d have won two Badmintons! But there we go. Probably history will tell you that I’m competing with probably two of the best event horses there’s ever been, so I can’t really grumble.”

Still, he laughs, “Somebody said, ‘Where are you going in the autumn?’ I said, ‘Wherever these two aren’t going!’”

 

Harry Meade and Cavalier Crystal. Photo by Cealy Tetley.

Harry Meade’s afternoon-starting clear with Cavalier Crystal scored him fourth place, up from seventh, while Superstition dropped two rails – and one in quite dramatic fashion – to drop one spot from fifth to a final sixth. 

“Cavalier Crystal was just magic,” says Harry, who is now firmly on track to become World Number One at the end of the month, pending the next few weeks’ global events. “I think that was as nice a round as I’ve ever felt any horse perform at a three-day event. She’s just – she’s magic.”

Today’s course played into the mare’s strengths: Harry’s had to work hard to teach her to lengthen her stride for cross-country, and she’s always been more naturally inclined to increase the tempo of her footfall instead, which was exactly what the distances in the ring required today.

“It was a big track and I think it was clever, because the time is quite tight,” he says. “But actually, Cavalier Crystal was, I think, seven seconds inside the time. And I think the key thing is, you couldn’t take an inside line anywhere. All you could do was come in a quickened rhythm, but you couldn’t allow the stride length to go longer, because all of the related distances were on orthodox to slightly compressed distances. Therefore, you had to make up the time with the timing of the footfall, not opening up the stride.”

Harry Meade and Superstition. Photo by Cealy Tetley.

Of Superstition, who opted to go through, rather than over, one of the fences, he says: “he still jumped really well. We had one quite dramatic heart in the mouth moment. That would have been a long way to come to not finish a three-day event, but luckily, he stayed on his feet.”

 

Emily King and Valmy Biats. Photo by Cealy Tetley.

Sandwiched between Harry’s two horses on the final leaderboard is Emily King, who finishes in the top five for the second year in a row with Valmy Biats, despite tipping a rail. The pair began their week in this position but slipped out of the top ten when adding 7.2 time penalties yesterday, and Emily was delighted to complete the climb back up, even with that mistake.

“Sack me!” she laughs. “He jumped really big over the oxer before fence four, and my eye picked up five to the water tray, and then I knew in my head that that was too wild. So I basically didn’t land and set up straight away. I think that big jump threw me off, and I nearly got drawn in on the one less. He’s a really strong, bold horse, and wouldn’t be a horse that is easily adjustable at the last minute, which I asked him to do and then we just got close. But I mean, he jumped exceptionally. He felt like it was just a normal day at a normal show.”

 

Christoph Wahler and D’Accord FRH. Photo by Cealy Tetley.

Germany’s Christoph Wahler had two frustrating rails with D’Accord FRH, which just dropped him one place to seventh thanks to the strength of their performances over this week – they were one of just six pairs to finish inside the optimum time yesterday after beginning their week on a 32.2, which makes the outsized thirteen-year-old an exciting heir to the throne vacated by former top horse Carjatan S, a mainstay of the German team.  

 

Bubby Upton and Cola. Photo by Cealy Tetley.

Bubby Upton secured eighth place with Cola III, but also had two rails down – though such was the influence of today’s showjumping course that they actually still climbed four places from overnight twelfth. 

“It was completely my fault,” she says. “He jumped fantastically, and I just got a very forward shot to the MARS oxer at four, and it was a short six, so I just couldn’t get him back in time. So in hindsight, I should have just been brave and gone on the five and taken a stride out, and that was completely my fault. And then coming into the final line, again, I was just a couple of inches too far off the oxer, and with him, there isn’t room for a couple of inches’ error. I’m obviously disappointed to have let him down, but it doesn’t detract from how amazing he was once again, and hopefully one day we’ll get all three phases.”

 

Tom McEwen and JL Dublin. Photo by Cealy Tetley.

Tom McEwen’s classy clear with JL Dublin helped them climb from sixteenth up to ninth on the same finishing score as Bubby and Cola – though their 11 penalties for taking out the corner at Huntsman’s yesterday, and their 10.8 cross-country time penalties, meant that the tie-break didn’t go in their favour. Still, after a turbulent day in the office yesterday, and a week that began with a second-place position after dressage, it’s a reassuring finish – though, perhaps, a week that’s proven the very talented gelding’s strengths might be best suited to championship pathways and foreign five-stars. 

 

Tim Price and Vitali. Photo by Cealy Tetley.

Tim Price rounds out the top ten on Vitali, who we’d hoped might have come good in this phase when not fighting for the win – but alas, it was a classic three-railer for the gelding, who still managed to climb three places today. 

An excellent clear in the morning pushed US representatives Tiana Coudray and Cancaras Girl from 52nd place to 44th, while Grace Taylor and Game Changer moved from 37th to 30th even with two rails. Grace, for her part, has a different kind of progression on the brain after her father, British team selector Nigel Taylor, presented her horse for her – in a besuited, slightly lame (himself, not the horse) and cheerful sort of way: “I think I need to put him on a bit of a fitness programme if he’s going to do some trot-ups for me,” she says wryly. “I said to him, ‘Nigel, I think we’re going to have to take you swimming.’ So I’ve got him a gym membership, and he’s going to come with me. The pool isn’t very deep, so he’d do well to drown in it.” 

What more sport can you want, really, from Badminton? For us – for now – it’s over and out. Thanks for joining us for the journey, and keep it locked on EN for lots more from the week that was over the next couple of days. Until then: Go Eventing.

The final top ten at the 2025 MARS Badminton Horse Trials.

MARS Badminton Horse Trials: [Website] [Timing & Scoring] [Live Stream] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

Top Ten Reshaped At Badminton Final Horse Inspection

Oliver Townend and Cooley Rosalent. Photo by Tilly Berendt.

Yesterday was a very good day in the office for Oliver Townend, who retained his first-phase lead with eleven-year-old Cooley Rosalent, adding just 1.2 time penalties, and also retained his ninth place position with eighteen-year-old Ballaghmor Class, who added 4.8 time penalties on Eric Winter’s long, influential course.

This morning, though? That’s probably one he’d rather forget. He was sent to the holding box with both his rides, and while Cooley Rosalent would go on to be accepted after further examination, he opted instead to withdraw elder statesman ‘Thomas’ from the holding box and the rest of the competition. That decision now moves Emily King and Valmy Biats into the provisional top ten after their clear round with 7.2 time penalties yesterday.

Georgie Goss and Feloupe. Photo by Tilly Berendt.

Oliver wasn’t the only rider to face the scrutiny of the ground jury, made up of president Xavier le Sauce, Nick Burton, and Robert Stevenson. A further five horses were held through the course of the morning: Will Rawlin‘s Ballycoog Breaker Boy (19th overnight), Georgie Goss‘s Feloupe (36th), Jack Pinkney‘s Rehy Revelation (39th), Grace Taylor‘s Game Changer (37th), and Ian Cassells‘s Master Point (10th — and now 9th). The biggest cheer of the lot came for the acceptance of Game Changer, who was gamely presented by a very unsound, besuited Nigel Taylor, British team selector, historic playboy of the sport, and father of Grace. I’ll avoid getting told off by him for this by also noting that he had a touch of Michael Caine about him (if a bit less surefooted).

Nigel Taylor and Game Changer. Photo by Tilly Berendt.

All were accepted upon re-presentation, though our field still looks rather smaller than it did last night following a spate of overnight withdrawals. Those came from Nicky Hill and MGH Bingo Boy (28th after a 12.8 time penalty clear yesterday), Yasmin Ingham and Rehy DJ (14th overnight with a 9.6 time penalty round), Belgium’s Senne Vervaecke and Google van Alsingen (41st with a steady clear), Harry Mutch and Shanbeg Cooley (44th after picking up 20 penalties and time), and Lizzie Baugh and B Exclusive (43rd with 32 time penalties). That takes our list of 60 finishers down to 54 competitors for today’s finale, which will begin with the first showjumping group at 11.30 a.m. BST/6.30 a.m. EST. After a parade of the morning competitors, the top twenty will jump from 14.45 p.m. BST/9.45 a.m. EST.

We’ll be back with live updates, additional stories, and a full report later on today — and you can follow all the action on the livestream, too, via ClipMyHorse.TV. Go Eventing.

The top ten following cross-country at Badminton.

MARS Badminton Horse Trials: [Website] [Timing & Scoring] [Live Stream] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

“I Always Do What My Daddy Tells Me”: Oliver Townend Bests Badminton Cross Country Day

Oliver Townend and Cooley Rosalent. Photo by Cealy Tetley.

There’s been plenty of discussion in the lead-up to today’s cross country challenge at the MARS Badminton Horse Trials about how different it all feels: for the first time in a few years, the sun has been shining, the ground is dry and verging on firm, and the course itself is bigger, more galloping, and less technical than in the past couple of iterations, too. Would that make it less exciting, less demanding, and less influential? Would we see half the field sail home inside the time? 

Of course we wouldn’t: at the end of the day, our 79 starters have been whittled down to 60 completions, 44 of whom had clear rounds, and six of whom came home inside the 11:40 optimum time. Among those who picked up issues were some heavy-hitters, too – overnight runners-up Tom McEwen and JL Dublin dropped to sixteenth place after a tough round that had some classy moments but, in the latter stages, just didn’t travel, and they added 10.8 time penalties and a further 11 for activating the MIM clip at the first corner of Huntsman’s Close. Five-star debutant pair Tom Woodward and Low Moor Lucky, who had so impressed with a first phase performance that had them sitting sixth, retired early after a run-out at the second of the Agria Corners at 6 and 7, and Switzerland’s Felix Vogg, who was twelfth with the previously successful Cartania, was eliminated when the mare came to the upright gate at 29 with a bit too much petrol left in the tank and pecked on landing. Both were uninjured in the fall. 

Fourteenth-placed Kylie Roddy was also dashed from the line-up early in the course when SRS Kan Do scrambled to make the distance over the wide haywain at the Savills Staircase at 4ABC, catapulting his rider out of the tack, and thirteenth-placed Sam Lissington retired Lord Seekonig late on course after some trouble at the Mayston Equestrian Sunken Road. In less dramatic fashion, Fiona Kashel logged a smart completion with the seventeen-year-old Creevagh Silver de Haar but vacated her space in the top ten by adding 24 time penalties to drop to 26th place. 

Oliver Townend and Ballaghmor Class. Photo by Cealy Tetley.

But those who found their way around the long, tough track found themselves having a very good day of sport – and one that sees our leader unchanged at the end of the day. Oliver Townend will go into tomorrow’s finale fighting for the Badminton title, which has closely eluded his grasp since he took it in 2009. 

Oliver’s first ride, on the eighteen-year-old Ballaghmor Class, was the earliest barometer of how the track might measure up. He came forward as just the second of 79 starters, following a confidence-boosting but steadier clear from pathfinders Kirsty Chabert and Classic VI, and while he didn’t quite manage to catch the 11:40 optimum time, he came reasonably close – the pair came home twelve seconds over, picking up 4.8 time penalties. 

From the sidelines, the round didn’t, perhaps, look like a vintage Ballaghmor Class attacking round – but, says Oliver, “I think he’s as good as ever. There were a couple of places today that weren’t quite impressive enough for him. The more impressive and the bigger the fence, the more beautiful he is to ride to it. If he sees a fence that he doesn’t think much of, he’ll just run me straight through the distance — so I had to correct him a few times. But when it’s a big, old-fashioned Badminton fence, like the corner down the bottom, like the double of hedges with the ditch – well, then he’s a six-star horse, isn’t he?”

With four five-star wins under the gelding’s belt already, it’s hard to imagine the day when he won’t shore up as part of these major events – “he’s getting spottier and spottier, so we’re going to restart him as a chestnut in two years,” jokes Oliver – but in the eleven-year-old Cooley Rosalent, it looks as though he’s got an heir waiting to take his throne at the top of the sport. 

Oliver Townend and Cooley Rosalent. Photo by Cealy Tetley.

This week, she’s certainly shifting him out of it: just as Ballaghmor Class retains the ninth place spot he held after dressage, she finishes the day still atop the leaderboard, following a late-in-the-day clear round with just 1.2 time penalties. 

That lead wasn’t always a sure thing, though. Immediately following her return home, she and Oliver were awarded 15 penalties for a missed flag at the B element of Huntsman’s Close, which came up late in the course this year and caused plenty of problems throughout the day. 

“These professional horses, they know easy way and the quick way, and they know exactly where home is,” says Oliver, whose penalties were rescinded by the close of the competition. “So when you’re telling them that you’re wanting to go quick, and then you get a right-handed corner that’s drifting off towards home, they’re happy to make it quicker for you. It was only my foot that didn’t jump the fence. I came back, and somebody showed me the video, and she jumped it in front and she jumped it behind.”

Huntsman’s Close, incidentally, was the one place on course where Oliver changed his initial plan: “I actually had a phone call from my dad – very rare! –  just before I got on. He said it had gone very dark in there and two had crashed into the corner. He thought that to gallop to the oxer [the long approach was an oxer to a corner, rather than a corner to a corner] was the sensible thing to do if I was anywhere near the time. So I was galloping up to it thinking, ‘Do I? Don’t I?’ And, well, can you imagine what my dad would say if I went to the corner and ran into it? You can’t imagine! I always do what my daddy tells me.”

His overall approach to riding the track also differed slightly to his earlier, much more seasoned ride.

“She’s still relatively baby,” he says. “She’s eleven, which is young enough at the level. And she’s still a little bit nervy in the bit. She’s a very sensitive mare – she’s pretty much the opposite of Ballaghmor Class. So you have to mind her a little bit. And she’s very shy with the people, so the first cross country jump I jumped in the warm-up towards the people — she was very nervy of it. But she felt to me, as the course went on and the stronger the questions became, the more she started to warm into it and enjoy it. By the time we jumped through the lake, I thought, ‘okay, we’re away now.’”

At the conclusion of it, he continues, “I couldn’t be happier with her. It was her first proper, proper test since Kentucky [in 2024, which she won]. I know she went to Burghley [last autumn, where she fell], but I had a broken collarbone and we didn’t quite have her where we wanted her. But now she’s done it again.”

It wasn’t just his two horses that Oliver was delighted with – Eric Winter’s course, too, earned his vocal praise.

“I thought it was Eric’s best course so far – I think he’s probably getting the hang of it at this stage,” he says with a grin. “And then he comes up and says, ‘I’m going to change it next year.’ I’m like, ‘oh, it was quite good this year!’ I thought it was a very clever, brilliantly flowing course that showed off the top-class horses and riders. And the mistakes that happened weren’t horrible mistakes or frightening mistakes. It was mostly the kind of mistakes where somebody puts their hand up and walks home, and the horses and the riders all looked alright. I think that’s what we all want in this sport now.”

What he’d like less of, though, is something that ended up being at the forefront of our minds for much of the day. 

“I think it’s a shame that we have to do quite so much talking about flags—it’s quite boring, isn’t it?” he says. 

Ros Canter and Lordships Graffalo. Photo by Cealy Tetley.

That flags ended up such a talking point wasn’t just down to the fact that a flag penalty called the overnight lead into question – it also happened to 2023 champions Ros Canter and Lordships Graffalo, who picked up their penalty at exactly the same fence as Oliver and Rosie, and also ultimately had it taken off. They sailed home eleven seconds inside the time, but throughout the long wait for a decision, Ros had to wait in a tricky limbo, rather than embracing the elation of what was arguably one of the best five-star cross country rounds we’ve ever been treated to. 

Her joy in her horse, though, was never in limbo. 

“It’s a privilege to sit on him, really. He just absolutely loves it, and he makes my life easy, because he lowers and he gallops, but when he sees a fence, he looks up, and he comes up into a great balance,” she says. “So I’m able to take my preparation for a jump quite late, and the moment I get low, he gets low, and off he goes. And he just seems to never tire. I wouldn’t class myself as a naturally fast rider. But on Walter, everything feels quite easy.”

Even, she continues, a track as bold and unflinching as this one.

“Every time I get here and walk the course on Wednesday, I think it looks jumpable. Then by Saturday, 10 minutes before I get on, it feels quite unjumpable. But I wouldn’t want to be on any other horse. Each jump is there to be jumped — it’s putting them all together under the pressure of wanting to go fast that makes Badminton a great challenge.”

‘Walter’, normally a very relaxed type, certainly knew what was to come this morning. 

“He was actually shaking in the stables before I got on him — it’s the first time he’s ever done that – kind of staring into space a little bit, and he certainly felt well on it at the start,” says Ros. 

Now, at thirteen and with an Olympic Games, two five-star wins, a European Championship title, a World Championships placing, and plenty more mileage behind him, Ros has the full extent of his extraordinary capabilities to play with.

“He just knows his job so well. He reads things so well; he’s just super clever with his feet. I think that’s what makes him outstanding. He loves it out there, but stays composed and calm at the same time. He’s got a turn of foot, but he’s also so rideable. I think that’s the thing: you sit up, and he comes back to you, and he comes back in a balance, so you never feel like you’re fighting backwards to go forwards. In that way, he’s always energy-saving.”

Their classy, extraordinarily efficient clear moves them up from overnight fourth place to second, and while Ros might be slightly ruing the two tricky flying changes that have kept them out of the top spot thus far, she’s not lagging far behind: she’ll head into the final phase tomorrow just 3 penalties behind Oliver, giving him time in hand but not a rail – as long as she and Walter continue their own pattern of never having a pole at this level.

Gemma Stevens and Chilli Knight. Photo by Cealy Tetley.

Gemma Stevens began the day with two horses in the top ten, but ends it with just one in the competition after opting to retire Jalapeno, third after dressage, following a surprise run-out at the second of the keyhole corners at 7. 

“Jala is a funny old lady, and if it’s not her day, it’s not her day,” she says. “And I can tell you something now, if she doesn’t want to do something, she’s not going to do it. You definitely can’t make her. She actually started brilliantly, and I was spot on at the first [corner], and she just said, ‘no, not my day’. So I brought her around and jumped it, gave her a pat, and walked her home, because there’s always another day.”

Taking his stablemate’s spot on the leaderboard is paternal half-brother Chilli Knight, whose earlier round was the first clear inside the time of the day. ‘Alfie’ romped home bang on the optimum time, propelling himself and his elated rider from tenth place to third. 

“I’m not going to lie — that was cool!” she says with a laugh. “Last year, I had no bloomin’ control. This year, I’ve changed the bit. I had a fantastic ride at Burghley in this bit, and I was just so much more confident. Don’t get me wrong, he still throws his head around when I say ‘whoa.’ He’s like, ‘Don’t make me whoa, bugger off!’ But I’m like, ‘No, you need to whoa, because there’s a jump.’ And now he knows that if I’m woahing, there’s a reason for it — so he does have a small amount of respect!”

Alfie has always been a classic cross country horse – his victory in the terrain-heavy, tough ‘pop-up’ CCI5* at Bicton during the pandemic is the proof in the pudding – and with that in mind, Gemma set out on course with one clear goal in mind.

“My absolute aim was this: fast, clear, and inside the time,” he says. “He’s just a fantastic little horse. He’s so genuine. If he sees a jump with flags on it, he’ll take me to it. He’s the biggest trier you could ever imagine, and I’m unbelievably proud of him today. He’s come out of it smiling his little head off.”

It was only at the tricky Huntsman’s Close that Gemma ever considered taking an alternative route – last year, a flag penalty there cost her and Alfie the win – but ultimately, she made an in-the-moment decision to go straight.

“He jumped Huntsman’s unreal — he just literally turned and popped it. I looked at my watch and figured I probably had three or four seconds to spare — not six or seven — and I was like, ‘No, we’re going straight. Come on, boy.’ He was literally looking for his flags today, and so I said to myself, ‘Man up. Go straight.’”

Austin O’Connor and Colorado Blue. Photo by Cealy Tetley.

There are a couple of things that I always think of as markers of a proper five-star: one is, of course, when cross country proves influential enough to allow for colossal leaderboard climbs. The other is when even the most informed of takes and opinions end up being catapulted out of the water. Just last week, I came up to Badminton to cruise around the course with Eric Winter; along the way, we ended up having the inevitable discussion about who we thought could win. 

“It won’t be a year for the horses like Colorado Blue,” he mused. “They almost need that really tough year like the last couple to really climb.”

I roundly agreed. And now Colorado Blue, and his rider, Ireland’s Austin O’Connor, are in fourth place, having sailed up the leaderboard from twentieth after dressage with one of their characteristic blazing clears inside the time. 

But it’s not just Austin and Salty’s typically excellent second-phase performance that’s got them to this stage: they also produced a personal best in the dressage, posting a starting score of 30.8 that they’re determined to stay on. 

“Coming here, he’s on the form of his life. He’s stronger, more mature, and I’m just very, very lucky to have him,” says Austin, who never felt any complacency about this year’s challenge compared to the previous, wetter years. 

“I mean, it’s Badminton. There was a lot of rubbish talk beforehand about it being a bit softer, but I wasn’t listening to too much of that. Eric Winter is a clever designer, and it was tough, and it was Badminton.”

The 2023 Maryland champions came home seven seconds inside the time, and find themselves a hair’s breadth away from their Badminton success of that year, which saw them finish third after another remarkable round.

“He’s blood, but he’s also got an amazing heart – he’s got a heart the size of Badminton. That’s what makes him a real star,” says Austin. “As I always say, it’s a lot easier when you’re sitting on a horse like Colorado Blue. Thank God he’s still loving it as much now as he ever has.”

Harry Meade and Superstition. Photo by Cealy Tetley.

Harry Meade, too, executed smart climbs up the leaderboard with both of his horses, who each sit in the top ten following two clears inside the time. In case you’re losing track, that’s two horses clear inside the time at Burghley last year, two horses clear inside the time at Kentucky last month, and now this – an astonishing record that demonstrates that the rider is truly on the form of his life. 

The best-placed of his rides is the former Lucy Jackson mount Superstition, who climbed from 23rd to 5th place after his exceptional performance. That round comes after a rather unique preparation: the sixteen-year-old gelding hadn’t jumped a cross country fence in a month before he left the startbox today, and he hasn’t competed at all since Burghley last autumn. 

That, Harry explains, is no accident – instead, it was part of a master plan to manage the horse’s headspace and limit his exposure to the stresses of a competitive environment.

“I reckoned I could do all the prep he needed at home and on the gallops,” he says. “I think a lot of people assumed I’d entered and was never planning on running him because he hadn’t been entered anywhere, but he felt great today.”

While many people believe that running horses competitively offers a fitness edge that can’t be replicated with gallop sets, Harry disagrees. 

“I don’t include their runs in any way as part of their fitness work,” he explains. “A run replaces a gallop, but if that event was cancelled the day before and they ended up working on the gallops at home instead, I reckon that would do more rather than less for them than if they ran [at the event]. I also keep a log of every single bit of fastwork every horse that’s been on my yard that’s gone to a CCI4*-L or a CCI5* has ever done, going back to 2001. So I have a pretty good record of what they need to do, what they don’t need to do, what’s been perhaps an unnecessary amount, where they’ve been fit enough by doing less.”

His warm-up was similarly simple but measured: “I literally jumped two show jumps — about 90 centimeters — outside beforehand. The main thing was just to keep him relaxed, and then try to go like a scalded cat. But at the same time, I always say cross country isn’t a sprint. It’s about keeping them in that efficient, relaxed breathing. You let them recover, let them breathe — never get into them too much, or you empty them.”

En route around the course, he says, he discovered something he hadn’t expected. 

“I was surprised by how big the course rode overall. The back rails were a long way away the whole way around, and that distorted their jump – it got them jumping in a way that horse might not normally jump. That, then, had an impact on the fences that weren’t that [big], because it had changed their jump. I know Burghley has a reputation for being big and square, but I actually noticed it more so here.”

Though Harry’s performances at these major events is swift and efficient, at one-day events, he takes a much slower, steadier approach.

“A lot of people don’t understand and what I do and think I’m stupid – they can’t understand why you’d canter gently around one-day events,” he says. “To put it in context, I do a lot with the horses in terms of slow, steady runs through the grades. So they have a very in-depth fluency, and I don’t mean fluency in terms of rhythm – I mean it in terms of being fluent in the language of cross country, so that by the time they get here, they don’t really need the prep runs that much.”

Harry Meade and Cavalier Crystal. Photo by Cealy Tetley.

In romping home easily with his second ride, Cavalier Crystal, he roundly proved his point – and moved up from 33rd place to seventh. 

But, he says, he can’t take all the credit for his string of consistently quick horses. 

“I think the common denominator is the team work at home. To produce a number of horses and have them all really fit — it takes a really great team of people. We know how to get horses fit, but they’re absolutely devoted to the horses. My aim is just to do the horses justice when we get here.”

While this is Cavalier Crystal’s first Badminton, it’s certainly not her first rodeo: she also logged a clear inside the time at Burghley last year, and earned herself her second consecutive third-place finish at the event in doing so. Getting her to this peak, though, has been a progression, rather than an inevitability, says Harry.

“She’s a funny horse — I never thought she’d be a five-star horse. When she was at Novice, and then when she stepped up to Intermediate, she was a good jumper but she never felt that scopey – she felt limited. She’s definitely not limited now! The other thing was that when you wanted to move her up to a fence, when you saw a good, galloping stride, she’d take a quicker turnover of footfall, so she’d get there faster but she’d still be off of the fence. She wouldn’t lengthen the stride. That’s something she’s learned through running in a relaxed, slow way, to actually not quicken the turnover of footfall but to lengthen the stride and learn to move up and stand off her fences.”

Christoph Wahler and D’Accord FRH. Photo by Cealy Tetley.

Germany’s Christoph Wahler also rode a Badminton debutant – though not five-star debutant – in the oversized D’Accord FRH, with whom he finished ninth at Kentucky last spring. 

Today, though, felt “quite hard! Last year in Kentucky, he made everything feel so easy. Today, we had to work from fence one — I just never really got the rhythm quite right. He was so fast, though, and he was helping me out everywhere. He’s bold, he goes – and I’m happy to be back home inside the time.”

That increased difficulty, Christoph says, was dimensional.

“I think it’s the size of the fences. From fence two — that very big table — he actually got a bit careful. The feeling was that he got more and more careful, so I had to really ride for the fences, whereas usually I can just keep him in his rhythm and he steps over them, because he’s such a big horse. But then towards the end, when they start to tire, they also get a bit less careful — and then it gets a bit easier.”

This is Christoph’s return to Badminton after his debut in 2022, when he very nearly caught the time with his Paris Olympics ride, Carjatan S.

“It’s incredible — it’s so cool. I’ve been here twice now, and every time I’ve come up here, I’ve enjoyed it so much, because the people are screaming, the atmosphere is amazing — it’s just such a great place to be.”

Tim Price and Vitali. Photo by Cealy Tetley.

Tim Price found surprisingly himself off the pace after the first phase with the experienced Vitali, and while he was able to climb from sixteenth to eighth today, he returned home still feeling as though he’d left something on the table. The pair closed out the day with 3.6 time penalties to add to the 30.6 on their scorecard. 

“He’s a fast horse, and he ran for me – after Huntsman’s Close he had his head low and his ears back and he galloped,” he says. “But the time’s tight, and I don’t know – it was a fun ride to take him around, but I guess his ground speed just wasn’t as fast as it can be. I don’t know why, but that’s fine; it was still a good, fast round and I’m really happy. It was tidy, it was clean, and it was right on the job.”

Ian Cassells and Master Point. Photo by Cealy Tetley.

Ireland’s Ian Cassells and Master Point, too, added 3.6 time penalties in their fastest five-star round to date, and now round out the top ten after climbing from eighteenth post-dressage.

“I’m really happy with him,” he says. “He’s a very blood horse with a massive stride, and in the combinations, he can get a little bit hollow and it’s hard to keep him round. He’s really quick and tries to be a bit catlike, so I have to be very aware of my body position. Even at the corners at 6 and 7, I really had to use the curve — the water was still quite tight for him, I thought — but he stayed straight and honest.”

Their round wasn’t without a bit of excitement: “At the log-ditch-log [the KBIS Chasm at 15ABCD] he jumped in quite big and left his stifles, which gave me a bit of a whoopsy moment. But he was never going to falter from the line. I’m really proud of him.”

Waiting in the wings just outside the top ten is eleventh-placed Emily King, who was thrilled with another classy clear from Valmy Biats, though dropped from overnight fifth with 7.2 time penalties to add. Just behind her is Bubby Upton and Cola III, who delivered a solid performance for 6 time penalties and a climb from sixteenth to twelfth, and in thirteenth, Badminton debutants Katie Magee and Treworra, up from 23rd with 5.2 time penalties. 

It was a mixed day in the office for the US and US-adjacent representatives: Grace Taylor and Game Changer climbed ten places to 37th after a clear round with 24 time penalties, while Tiana Coudray and Cancaras Girl were having an absolute peach of a round until the tail end of the course, when they picked up a frustrating 20 penalties at the final element of the Quarry. They also added 34 time penalties to drop from 37th to 52nd. Ocala-based Kiwi Joe Meyer opted to retire Harbin on course before Huntsman’s Close after two issues earlier on course.

Tomorrow’s finale will kick off at 8.30 a.m. (3.30 a.m. EST – ew, sorry) with the final horse inspection in front of Badminton House, and then we’ll head into the first showjumping group at 11.30 a.m. BST/6.30 a.m. EST. After a parade of the morning competitors, the top twenty will jump from 14.45 p.m. BST/9.45 a.m. EST. With just three rails spanning the top ten, it’s looking like a proper day of sport to come. As always, it’ll be live-streamed on ClipMyHorse.tv, and we’ll be running live updates and full stories, too. 

In the meantime, get some sleep, ice those legs, hydrate up, and get ready to Go Eventing one last time (this week, anyway!). 

The top ten following cross country at Badminton.

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“I Thought, ‘This’ll Be A Long Six Minutes!'”: Townend Leads Badminton Dressage With Cooley Rosalent

Oliver Townend and Cooley Rosalent. Photo by Cealy Tetley.

Tom McEwen made a valiant effort at clinging onto his dressage lead with JL Dublin, but after holding it for 24 hours, he was elbowed out of the top spot by late contenders Oliver Townend and Cooley Rosalent, who delivered a smart, consistent test to put a 21.1 on the board.

This week marks ‘Rosie’s’ sixth five-star start, and she’s already a winner at the level two, having taken the title at Kentucky last spring – but despite all this mileage, she’s still just eleven years old and, Oliver explains, greener than most give her credit for.  

“She’s still relatively babyish. I know she had success in Kentucky, but she’s still green with the crowds, and a bit shy,” he says. “One of her last memories [of an atmosphere] is galloping around with me and the crowd all clapping at Kentucky, so this is a big atmosphere and a big day for her. She went in there and really brightened up with the crowds: she spooked when someone let a chair go, and then again when the ring steward took his hat off. I thought, ‘Oh Christ, here we go. It’s going to be a long six and a half minutes!’”

“But once she got in there,” he continues, “she started to breathe and relax. She came to hand quickly — which is what good horses do. You’re always relieved when they do it in the moment.”

Still, though, he was relieved to come to the end of the test, through which he aimed to nurture the young mare and build her confidence.

 “Honestly, finishing and getting out of there with that mark on the scoreboard was the best part,” he says. “It could have gone either way. I took a risk coming out of the first corner — I just let go — and she did go the right direction. It would’ve been very easy for her to stick her head up and goggle around, and that probably would’ve ended the test. But I liked how she came to hand more than anything.”

Oliver Townend and Cooley Rosalent. Photo by Cealy Tetley.

A year on from her five-star win, and two years on from her debut at the level, Rosie is, he says, “a different league. I was dealing with a stringy baby before! If we can keep her like this for the rest of her career, great. If she improves from here — then she’ll be a very, very good one.”

Tomorrow’s cross-country challenge sees Oliver start his day on the evergreen Ballaghmor Class, who sits ninth overnight on a 29.3 – and after many long hours of waiting, he’ll return to the startbox with a different plan of action for Rosie.

 “They’re completely opposite types. She’s very easy to add [strides] with — very nippy,” he says. “She can add strides where there are normally none. Sometimes I’ve got to be brave and make things happen, and other times I rely on her to come back to me quickly. But she’s very good, and there’s a lot of gallop in her pedigree.”

That gallop comes through her damline – her mother was a National Hunt horse, and won the Scottish Borders National at Kelso. 

“She’s just a natural athlete,” says Oliver. “Her pedigree’s second to none, and her father was a 1.50m horse. Somehow, the magic’s happened in the breeding, and it’s worked out about as well as it possibly could.”

Gemma Stevens and Jalapeno. Photo by Cealy Tetley.

Day one leaders Tom McEwen and JL Dublin now sit second going into cross-country, just 1.3 penalties – or three seconds and a whisper – behind the leaders. This afternoon also gave us a new face on the podium in Gemma Stevens, whose second ride of the week, the stalwart Jalapeno, partnered her to an excellent 24.7 and third place provisionally. 

 “I’m absolutely thrilled,” says a beaming – and slightly teary-eyed – Gemma. “It hasn’t been an easy preparation with her. She’s definitely been quite on edge, which is slightly new territory for me — normally, she’s very relaxed, almost lazy. But the last few days, she’s been seriously hot to trot. I had to ride her a little tentatively, but honestly, she was still amazing, and she pulled off a serious, serious test.”

The key to eking the best out out of the former Karin Donckers ride, with whom Gemma finished sixth with here in 2023, has been making sure her schedule is tailored to what she enjoys most. 

 “We’re always just trying to keep her fit, sound, and happy — she’s 17 now, and she’s a proper woman,” laughs Gemma. “She knows exactly what she wants out of life, and most of the time, it’s not really to work that hard! So we have to persuade her constantly and keep her happy. She’s quite a cantankerous old girl, so we do lots of different things to keep her interested.”

That includes “lots of turnout during the day, water treadmill sessions, hacking, trotting up hills — things like that. Not too much time in the school, because it really irritates her. But she’s so well-trained that I can just pick her up when I need to. She honestly only goes in the school once a week, because otherwise, I annoy her! She’s a funny old stick — but wow, can she do it when she puts her mind to it!”

Gemma’s excellent test today means that she goes into cross-country with two horses in the top ten: yesterday’s ride, Chilli Knight, sits in tenth on 29.5. 

 “I honestly can’t believe it — I’m chuffed to bits,” she says. “I never thought ‘Alfie’ would be this high up, even with the cross-country still to go. He’s right there, waiting and ready to count.”

Both horses are by the stallion Chilli Morning, as are many of the horses in Gemma stables – but despite some physical similarities they, like Oliver’s two matching horses, will require different plans and rides tomorrow.

 “They’re very similar types, but completely different ways of going. Jalapeno will probably tell me after three minutes that she’s tired — which she’s not — so I’ll be working hard from minute three! But that’s fine. Luckily, I’ve been in the gym! Alfie will want to gallop right to the end. He’ll jump the last fence and still want to gallop around the whole arena. I’m really looking forward to it. I’m also terrified! But if you’re not terrified of Badminton, well…!”

 

Fiona Kashel and Creevagh Silver de Haar. Photo by Cealy Tetley.

Ros Canter and Lordships Graffalo hold fourth place overnight on 25.3, followed by Emily King and Valmy Biats in fifth on 27.3 and Tom Woodward and Low Moor Lucky, sixth after the first phase in their five-star debut on 27.9.

We’ve got an all-British top ten going into cross-country, thanks in part to the efforts of Surrey-based Fiona Kashel, who rode the test of a lifetime with Creevagh Silver de Haar to produce a five-star personal best of 28.4. They’ll head into the next phase in provisional eighth place, closely followed by Yasmin Ingham and Rehy DJ on 29.1 and Oliver and Ballaghmor Class on 29.3. 

“I’m overwhelmed! I’m so proud of him,” says Fiona of the seventeen-year-old gelding. “He’s not the biggest mover, he’s not the biggest jumper, but he just tries his heart out. We’ve got a really special relationship — he owes me nothing, and I love him.”

The pair has a long partnership, but although Fiona bought him as quite a young horse, she didn’t have him earmarked as a top-level horse. 

“I couldn’t keep any show jumps up on him as a seven-year-old, and I couldn’t stay on him either — he kept leaving legs,” she says. “I actually tried to sell him, but he wouldn’t pass a vet. I sold him a lot of times, and he failed every single vetting — despite being the soundest horse I’ve ever had! So I kept going with him, and he’s just kept answering every question. Honestly, the last two years, he’s felt better than ever. He’s really like a fine wine.”

Fiona was one of the many riders waitlisted for this year’s competition, and she found out just a handful of days ago that she’d been accepted.

 “This time last week, I wasn’t even in — they only rang me Saturday afternoon to say I was off the waitlist,” she says. “So it’s been a bit of an emotional roller coaster to get here. But he’s been on great form this year; he’s jumped some dressage over the winter, and he’s had some really good spring runs, so I’m really excited.”

Despite being waitlisted, Fiona kept working towards the Badminton goal – so much so that she enlisted her dressage trainer, Damian Hallam, to coach her through the test every two weeks this spring. 

That was a tactic that could have proved disastrous, but might have actually ultimately given them an edge – but not in the way that Fiona had planned for. 

“I don’t know if I should admit this, but… I actually learned the wrong test,” she says. “I’m blaming my mother, who does all my scheduling! In January, I texted her, ‘What’s the Badminton test?’ She replied, ‘2024 B,’ so I’ve been having lessons on 2024 B every two weeks.

“Then, on Friday night — when I still wasn’t in — I saw a video of Kirsty Chabert doing a run-through of her test on Facebook, and I thought, ‘That’s not the test I’ve been doing.’ I checked the schedule — it was 2025 C! But I figured, ‘it doesn’t matter, because I’m not in.’”

Then, she continues, came that fateful phone call on Saturday.

“So Damian drove two hours from the New Forest on Monday night to help me run through the correct test. I’d been at Bovington on Sunday, and the horse had galloped Saturday, so that was the only window. Damian didn’t even know the test himself yet, so I’m just pleased I didn’t go wrong. I think my mum’s pleased I didn’t go wrong, too!”

And the feeling of not just getting the job done, but getting the job done like that?

 “Amazing,” she grins. “To do it here at Badminton, in front of everyone — especially since we’re quite local — it’s so special. It’s nice to finally be able to say I can ride! It’s taken quite a while, but I can do it. He just keeps getting better and better.”

So that’s one box ticked – but what of tomorrow?

 “I hate going cross country,” she says with a laugh – and a grimace. “If I never went cross country again, I think I’d be very happy. I quite like it once I’ve finished — but that’s about it! The jumps are just big for him, and he’s not the biggest jumper. It’s a big, bold, scopey course. He’s seventeen now, and I’ve just said to myself, ‘I’ll take one fence at a time.’ If he’s going well, I’ll keep going. If it’s too much for him, I’ll pull up. I’m just going to enjoy the experience.”

Tim Price and Vitali. Photo by Cealy Tetley.

One horse and rider combination that we’d all expected to see at the business end of the leaderboard failed to disrupt the top bods in a surprise twist at the very end of the day’s sport. That was New Zealand’s Tim Price and Vitali, who set the Burghley dressage record score in 2023 with an 18.7, and who are consistent performers in this phase. But today, the fifteen-year-old gelding fell victim to tension in the ring: he tried to canter, rather than trot, out of his first halt, and while the extended trot started as one of the best, boldest, and most expressive we’ve seen this week, it lost rhythm and impact in the middle when the horse very nearly broke into canter. From then on out, it was a back-and-forth affair: a handful of 7.5s and 8s, and then another tricky moment, tact, and smatterings of lower marks. They left the ring on a 30.6 – a disappointing mark for Tim, but one that still keeps him close enough to the hunt in equal sixteenth place at this stage. 

“He’s been so good all week, and he was going beautifully in the collecting ring,” rues Tim. “He did relax a little bit as he went through, but I needed another ten minutes after the seven minutes of actual test time – he’s just getting so fit. He’s got it all there, if he would just breathe and let me sit on him normally.”

Tim has come so close to winning five-stars on a number of occasions with Vitali, whose biggest struggle, historically, has been in the final phase. It would be just like the sport, he acknowledges, if Vitali now goes on to jump clear on the final day for the first time. 

“I was looking forward to really fighting for a different position tomorrow. But you know how this game goes: you’ve got to go and do all three phases and do them well. It may be just one of these weird weekends where I was nowhere near the lead, and end up with a good result. You just don’t know. It’s a mysterious old game, but he’s very well, and that’s the main thing. He’s healthy and fit and I’m looking forward to tomorrow.”

Tomorrow’s cross-country phase begins at 11.30 a.m. BST/6.30 a.m. EST, and will see 80 horses and riders head out of the startbox – down by one so far, following the withdrawal of Jesse Campbell and Cooley Lafitte, who had a tricky start to their week in the dressage ring to sit 77th at the end of this phase. 

Eric Winter’s course is widely considered to be a more flowing, less technical one than we’ve seen over the last few years, and with fast ground, it would be easy to assume it’ll be a less influential phase than usual – but at 11:40, it’s a serious stamina challenge, and there’s no shortage of colossal questions out there. That time, too, may well prove to be tighter than anticipated: we caught up with Ireland’s Sam Watson after his dressage test earlier, who shared that when he wheeled the course, it came in at 11:55. You can take a look at the challenge that’s been set with our course preview here, and stay tuned for more from the riders on how they feel and what they’ll plan to watch, re-walk, and do out there tomorrow. 

In the meantime, you can recap all of today’s action over on Cheg’s live blog, check out all our coverage and bonus stories so far here, watch it all back on ClipMyHorse.TV, and keep it locked on EN for more from between the boards here at the 2025 MARS Badminton Horse Trials. Go Eventing!

The top ten at the close of dressage at Badminton.

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EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.



Friday Morning at Badminton: Ros Canter Makes Close Bid

Ros Canter and Lordship’s Graffalo. Photo by Cealy Tetley.

No one has been able to surpass day one frontrunners, Tom McEwen and JL Dublin, on the MARS Badminton Horse Trials leaderboard so far, and at this sunny midpoint of the Friday’s dressage, their 22.4 remains the benchmark for the competition. Closest to the mark so far, though, is 2023 Badminton champions Ros Canter and Lordships Graffalo, who sit a reasonably snug second on 25.3. 

In many ways, the thirteen-year-old British-bred gelding is looking the best he’s ever had – his early trot work earned nearly unanimous 8s and the odd 9, and he received another 9 for his mid-test halt prior to the reinback. We saw a 10 hit the board, too, from Xavier le Sauce at C for the right-handed trot half-pass, and the trending scores looked well set to surpass Tom and ‘Dubs’ – until the flying changes. 

In this test, the slightly bitty CCI5* Test C, the first and final of the four flying changes are double-weighted in the scoring – and in the first, Ros and ‘Walter’ scored expensive fours across the board for a rather hoppy change, and in the last, they scored the same again for a slightly stilted effort. Redemptively – or, perhaps more accurately, frustratingly – the middle two changes on the serpentine (the ones, notably, without double-weighting) were much smoother, earning, at the low end, a 6.5, and at the high end, a pair of 8s. 

“The changes have always been something he’s struggled with a bit, and I probably just didn’t help him quite enough in those moments,” says Ros. “I thought he was a bit more established than he was — so that’s my fault, and my hands in the air for that one. But he was amazing, overall.”

Ros Canter and Lordship’s Graffalo. Photo by Cealy Tetley.

Ros, though, has never been one to cry over spilt milk or slightly skewiff changes, and she was as taken with Walter’s good work as all of us watching him had been. 

“I was really pleased with it, actually. I thought his work reflected what he’s doing at home — he’s getting stronger all the time, and I was delighted. I got a little bit distracted at the beginning when he started sneezing, which isn’t always a good sign! But he settled quickly and was great.”

While some horses go into Badminton’s atmospheric ring and shrink, ‘Walter’ has never been a horse to shy away from the spotlight. The small issues with his changes, then, weren’t the result of tension – rather, says Ros, it’s a symptom of trying not to school them too much beforehand.

“I think the changes are just a hard movement for me to practice with him,” she explains. “Once he knows they’re coming, he almost drops the contact, and I can’t ride him up into it properly. So maybe that’s just something I need to manage better.”

Ros Canter and Lordship’s Graffalo. Photo by Cealy Tetley.

After his Burghley win of last season, Ros has given Walter the same routine that we’ve seen her use often with her experienced horses – she’s dialled his workload right back and let him have maximum ‘horse’ time.

“He had a proper holiday, and quite a long time off to get fluffy and enjoy himself,” she smiles. “He came back into work at the end of December and had a good month of just hacking and taking it easy. He didn’t start doing anything too exciting until February. [Then,] I try not to overtrain — my natural instinct is to be the enemy and train too much — but I’ve worked to keep things balanced and give him the time he needs. He knows his job now; he’s a total professional. There was a very hairy picture of him on social media at one point where he looked pretty chubby! But it’s amazing — once he knows Badminton is on the cards, he strips himself up. He knows how to get himself ready.”

Georgie Goss and Feloupe. Photo by Cealy Tetley.

Ros’s test puts yesterday’s runners-up, Emily King and Valmy Biats, into provisional third place on their 27.3, while debutant pair Tom Woodward and Low Moore Lucky now sit in fourth on their 27.9. In fact, you have to skim down to eighth place to find our next new entrant to the top ten – and that’s the British-based Irish representative pair of Georgie Goss and Feloupe. They posted a 29.6, one mark better than their test here last year on the mare’s five-star debut.

“I’m absolutely delighted – she was amazing,” says Georgie. “I just made one error in the third change, which was so frustrating, because the changes are usually one of her good bits. But I’m over the moon — she was so good. To still score in the sub-30s, even with that mistake, is fab, isn’t it? I’m really pleased.”

That their score is exactly one mark better this year feels, in a funny sort of way, slightly redemptive: “Last year she got a 30.6, but I entered the arena one second too late and got an error of course. I would have been in the 20s then, so I really wanted to get into the 20s this year,” explains Georgie.

Georgie has had the ride on the now-fifteen year old for five years, and though they had a slow start together, she’s always been excited about the potential she felt in her.

“When I got her, she’d done a short four-star but hadn’t had a great experience — I think she’d lost her confidence,” she says. “So our first year together was mostly at Novice, just rebuilding her. She’s one of those inward worriers — she’s very placid and quiet, and anyone can handle her — but she’s also incredibly sensitive, and she really wants to please. She’s always like, ‘Well, Mum, did I get it right?’”

“I love her,” she continues with a grin. “She’s very elegant, and she tries so hard. She’s not built brilliantly — she’s quite downhill, and with her big paces, she can hang on the forehand a bit. But she really tried in there today. I’ve been working with Ian [Woodhead], and he’s the master — so I was really pleased.”

Felix Vogg and Cartania. Photo by Cealy Tetley.

 

Just a hair’s breadth behind Georgie and ‘Lulu’ is Swiss Olympian and five-star winner Felix Vogg and the fourteen-year-old Cartania, who posted a 29.7 for provisional ninth place ahead of Kylie Roddie and SRS Kan Do (tenth on 30.1). 

“I think it was pretty good for her,” says Felix, who was a rare rider to come out of the ring pleasantly surprised at the number on the board – one that represents the mare’s second-best test at this level.

“I wasn’t super happy with how it felt in the ring — at times it seemed like she wasn’t really going forward enough. But they told me it didn’t look like that from the outside, which is good! It always feels different than it looks on the scoreboard, doesn’t it? But yeah, I’ll take that.”

Cartania has finished in the top fifteen here in each of the last two renewals of Badminton – but those were both years notable for their boggy, tough conditions, and this weekend’s challenge is a much faster, top-of-the-ground sort of affair. That, says Felix, is something that he’s been quietly mulling over.

“She’s okay on [firmer ground], but it’s not so easy to get her back in front of the jumps on quicker ground,” says Felix. “It’s easier for her to get going, but maybe that makes it harder for me! We’ll see. She’s very good at cross country, but on this kind of going, she can maybe run a bit too fast. I know that sounds a bit like a stupid complainer kind of thing — a bit of a worry — but that’s the only thing I can think of that might challenge us tomorrow.”

This year’s course is also widely regarded as being much more flowing than the last few years’ tracks have been – which, in conjunction with the quicker ground, could potentially see the cross-country hold less overall influence in the final results.

“I hope it’s difficult enough. I like when the courses are more challenging. I think that’s good for the sport. Most people seem to think the same,” he muses.

The US saw its second representative in the ring this morning in British-born and -raised Grace Taylor, the daughter of US Olympian Ann Sutton and British team selector Nigel Taylor. She and Game Changer trended well throughout almost the entirety of their test and looked set to replicate the impressive 28.9 they posted at Burghley in 2023 – but a late mistake cost them dearly, and they walked away with a 35.4 and provisional 35th place. 

That mistake? A beautifully performed but strides-early final flying change, which earned them double-weighted 1s across the board and also impacted their previous movement, the canter half-pass into counter-canter, for which they received 4s for not showing any strides of counter-canter.

Nevertheless, says Grace, “I’m really pleased with him. He tried really hard—he was a very good boy!”

The flying changes were a highlight of Grace’s test, despite that final premature delivery, and that’s something that she’s been hard at work on behind the scenes. 

“We’ve been working on everything, but definitely just making sure the changes are mine and not when he decides to throw them in,” she says. “That last change was definitely his change. We did it well, but it was just a little early. Overall, we’ve just been focusing on making the work more secure and consistent — so that the Burghley result two years ago wasn’t a one-off. We want that level of performance to be something we can deliver consistently.”

We’re heading back to the boards now for the latter half of today’s competition, and with some heavy-hitters to come, there’s much that could yet change. Follow along with all the action on Cheg’s live updates or via the livestream on ClipMyHorse.TV, and join us back here after the close of competition for a full report on the key stories of the day. Go Eventing. 

The top ten at the Friday lunch break at Badminton.

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

It’s Called Fashun, Look It Up: The 2025 Badminton Golden Chinch Awards

At the Defender Kentucky Three-Day Event a couple of weeks ago, something terrible happened: I ran out of time to be recreationally mean on the internet.

First it was Wednesday, which is prime Being Mean To People On The Internet Day, and perhaps I Wednesday-ed a bit too close to the sun, because then it was all over and I had not done a Golden Chinch round-up.

Then it was Thursday, and the weather was very hot, and I preferred the idea of riding the air-conditioned elevator in the officials’ building up and down instead of sitting in the blazing sunshine and doing actual work.

Then it was Friday, and the weather was very wet, and I preferred the idea of riding the very dry elevator in the officials’ building up and down and maybe doing a little cry instead of sitting out in the rain and doing actual work.

“You know,” said EN editor Sally, “it would be great if we could have those Golden Chinch Awards sometime.”

“Sally,” I said, both soothingly and patronisingly. “Sally, Sally, Sally. You will get them. But I cannot rush the process. I have to sit with the fashion; I have to let the clothes speak to me. Style is an art form, and I am its maestro. I am the prophet; the messenger. What I have to say will define a seasons’ worth of sartorial choices for horse lovers around the world. You mustn’t put pressure on scripture. You must let it run its own race.”

Lost in my own genius, I absentmindedly scratched an itch at the back of my neck. Ah. My shirt was on inside out.

And then, dear reader, it was Saturday, and everyone I’d started writing about had a Not Very Good Day Actually, and I thought, ‘is Matt Brown really going to find a photoshopped picture of his head on Bruce Lee’s body funny right now? No, I guess he’s probably not going to find that even a little bit funny right now.’ And I gave up.

Anyway, look, I failed you. I failed Sally. I failed myself. I failed all those riders who probably wanted to have an excuse to get me deported. And now, this week, at Badminton? I mean, it’s not Wednesday. It’s not even really Thursday anymore. But after spending the whole morning wondering if perhaps I was the person failing the hardest at doing Badminton, we then had a two-minute silence in honour of the 80th anniversary of VE Day. The mixed zone ground to a halt; the collecting ring fell to a hush, but for the occasional faint snort of a horse; the colossally buzzy grandstand was suddenly so achingly quiet that it was like the plug had been pulled on the whole world. We all crept into the recesses of our thoughts, bristling and marvelling at the extraordinary cruelty of war and the relentless courage of the ordinary people who fight against it. We thought about the scale of the loss of life; about the doomed cycle that humanity seems to repeat over and over and over again — bloodshed in exchange for imaginary borders; destruction in exchange for power. And then, in the rider’s tent, some woman’s phone rang incredibly loudly: once, twice, three times, before it finally stopped. ‘Great,’ thought I, ‘she’s declined the call.’

And then:

“SHHHHHHHHHHH!!!!! WE’RE ON A MINUTE’S SILENCE!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I’LL CALL YOU BACK!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!” she bellowed, so loudly that folks at the site of Germany’s surrender to the Allies in 1945 (Luhmühlen, actually, for what it’s worth) no doubt heard her loud and clear.

So honestly, all things considered, I think I’m probably alright getting this out at kind of a weird time on Thursday night.

Without further ado, then: your Badminton Golden Chinch Awards, in which I lambast some of eventing’s best-looking and finest-dressed people. A task I am highly qualified to do.

The Golden Chinch for Saving Britain’s School Children

Gemma Stevens and Chilli Knight. Photo by Tilly Berendt.

Gemma Stevens comes to this year’s Badminton trot up as the plucky heroine in a heartwarming new blockbuster that nevertheless showcases the brutality of the British state school system’s chronic underfunding. Just a few years out of her teacher training degree, she’s gained plaudits and accolades for her inspiring approach to turning under-fives at a Gloucestershire boarding school into maestros at the recorder, but following a scandal involving her mispronunciation of the word ‘gravadlax’ at a parent-teacher bruncheon, she finds herself back on the job market. And then: the chance to try for the role of headmistress at a school somewhere that’s only ever referred to as ‘endz’ throughout the movie. She’s too young! She’s not experienced enough! She cares far too much about the nutritional value of school lunches! One of the students snuck out while she was in the job interview and keyed a willy into her car door and now she’s crying! They don’t even have a lacrosse team here! But somehow — somehow — she triumphs, and by the end of the film, literacy rates have skyrocketed, the Tory government has been deposed and the school can afford chairs for its classrooms again, and everyone is really, really good at playing ‘My Heart Will Go On’ on the recorder. Oooh, Matron. 

The Golden Chinch for Soft-Boi Toxic Masculinity 

Sam Watson and Ballyneety Rocketman. Photo by Tilly Berendt.

Ladies, we’ve all been on a date with this man, haven’t we? (Not Sam Watson, I want to be very clear. Not Sam. But the general essence and flavour of man that Sam, who is happily married and whom none of us have dated, is giving off here.) He has a butchered Audre Lorde quote on his Bumble profile (“I actually believe that none of us are free while any woman is unfree, even when her shackles are very different than our own, listen up men!!!” he oozes, saccharine and absolutely aware that no men are seeing his profile.) You do a cursory stalk of his social media and discover that he writes kind of shit poetry about his “suffering”, but he’s hot, so you put your rose-tinted glasses on and let those red flags just look like, well, flags.

On your first date, he brings you a bouquet of wildflowers (“I’ve brought you some seeds, too,” he says. “They’re a bee-friendly mix.”) and a bell hooks book (“I’ve taken the liberty of underlining some favourite passages for you. Perhaps we can discuss them on date two.”). On date two, you do not discuss them, because he takes you to a jazz cave in a cellar, buys you one (1) glass of gone-off Malbec, and then tries to sandpaper your back molars clean with his tastebuds. You go back to his place, regrettably, and discover that he doesn’t even have a bedframe, his bookshelf just has one sad copy of Fight Club on it, and his laptop is open to a Google search for ‘how to impress women millennial feminist’. He ghosts you two days later and then when you accidentally rematch with him six months down the line, it’s clear he has no recollection of ever having met you. Unfortunately, you still have the rash to remember him by. 

The Golden Chinch for Disruption at Casa Amor

Will Rawlin and Ballycoog Breaker Boy. Photo by Tilly Berendt.

Tonight, a hot new bombshell enters the villa, bringing drama and excitement to a group of horny, dehydrated, and probably kind of psychologically beaten-down Islanders. Will he find love in Casa Amor, or will he go be on the next flight back to (sorry, let me check my notes here) …Hungerford?

I actually heard a rumour once that Will Rawlin was scouted for Love Island, and I guess I could probably text him and ask him if that’s true, but instead I’m going to publish it on the internet and hope that that Google AI nightmare folds it into his neat little summary paragraph whenever anyone looks him up. He can then join the exalted pantheon of event riders who’ve gone on television dating shows — a pantheon that currently only includes 5* rider Sam Ecroyd who, long before coupling up with Emily King, once appeared on an episode of Take Me Out and talked at length about showering in his socks, and yoghurt.

If I’m honest, I’m mostly just patiently waiting for someone in our extended eventing family to have a go on Naked Attraction.

The Golden Chinch for Providing Friendly and Reliable Funeral Services at a Great (?) Price

Felix Vogg and Cartania. Photo by Tilly Berendt.

“We can gild it for you, you know,” says Felix Vogg — quiet, faintly sinister; his lips lifting into a slight smile on one side of his mouth; his pheromones mixed with the smell of formaldehyde —  as he shows you his expansive coffin emporium. “It’s only an extra £5000. But if they were really a ‘loved one’, what’s money, anyway? Did you even love them, really?

As you leave, much poorer than you arrived, he slips a business card into your pocket. It has no text on it — just a QR code with a little skull in the middle. It’s kind of sticky.

“I can also DJ the wake, if you want,” he says. “I’ve got some real deep-cut Avicii. Snapchat me.”

The Golden Chinch for Channelling an Apex Predator

Gaspard Maksud and Zaragoza. Photo by Tilly Berendt.

Reliably, someone at every five-star trot-up brings a little bit of top-of-the-food-chain energy to proceedings. Usually, it’s a big cat thing: a leopard-print trouser; a fur collar that looks a bit like a lion’s mane; whatever.

Never, though, have I seen someone do Polar Bear That’s Three-Quarters of the Way Through Devouring an Aging Golfer, and now that I have seen it, I think it’s actually a crying shame that it’s not more prevalent. Gaspard Maksud’s last golf-inspired trot-up outfit, which featured a landscaped beret made to look like a golf course, didn’t start a new trend (regrettably, if you ask me) but I think this could.

The Golden Chinch for Being a Man in Lederhosen Who Also Comes With Two Bonus Men in Lederhosen, Which is a Great Bargain, Actually

Harald Ambros and Vitorio du Montet. Photo by Tilly Berendt.

I would really like to imagine that they’re all lined up to sing ‘So Long, Farewell, Auf Wiedersehen, Adieu’ to the ground jury. Luckily for Harald Ambros, it didn’t need to be ‘How Do You Solve a Problem Like the Hold Box?’

The Golden Chinch for Reliably and Constantly Making Me Lowkey Crash Out

Alice Casburn and Topspin. Photo by Tilly Berendt.

Alice Casburn was born in… god, I can’t even say it. She was born in two thousand and two. She has never had to worry about the Millennium Bug. She’s never coexisted with Enron. Shrek came out before she was born. I’m not even sure she was conceived yet when Shrek came out. (Okay, I’ve just checked: she’s a January baby, so she had definitely been conceived at that point. Alice, I’m sorry that I made you think about your conception.) In 2001 I was trying to figure out how to hold a seance because I thought I was Kurt Cobain reincarnated and I wanted to talk to him (who was also me), and this tiny human Alice Casburn was like, an actual embryo. Alice Casburn is too young to have worn out a VHS tape of Practical Magic from watching it too many times, which is wild to me because she’s dressed exactly like Nicole Kidman in Practical Magic right around that bit where she starts banging on about the moon and her special rock. Speaking of Nicole Kidman, Alice Casburn was born after her divorce from Tom Cruise. Alice Casburn is so young that she never got to fancy prime Leonardo diCaprio in real time. Alice Casburn is so young that Leonardo DiCaprio would still date her.

DuJour means seatbelts! DuJour means crash positions! DuJour means Alice Casburn is too young to understand these references! I’m going to go moisturise. And cry. 

(As always: I’m joking. About all of it. Please don’t cancel me; I haven’t got anywhere else to go.)

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

“He’s Ecstatic to Perform”: Tom McEwen Triumphant on Day One of Badminton

Tom McEwen and JL Dublin top the day one leaderboard at Badminton. Photo by Cealy Tetley.

If the story of Thursday morning was how tough it was to get any marks at all out of the ground jury, then the story of the afternoon is surely how expansive of a lead one man was able to secure.

Morning leader Oliver Townend will have known that his 29.3 with Ballaghmor Class wouldn’t have kept him in front at the end of the day, and he’ll have known, too, that Tokyo Olympics teammate Tom McEwen would be the prime candidate to knock him out of it. 

That’s exactly what happened, and by some margin – though Tom’s test with his two-time Kentucky runner-up JL Dublin wasn’t without its surprises. The pair broke in the extended trot, earning them 3s and 4s from the ground jury, but such was the strength of the rest of their work that they still walked away with a 22.4 and the overnight lead, which they hold on a margin of 4.9 penalties. (A curious note about today’s judging, thanks to EquiRatings: this morning’s session saw combinations averaging scores 2.9 penalties worse than their 6RA, or Six Run Average, while this afternoon’s saw them average just 0.2 penalties worse.)

“It’s a shame that our highlight piece, the medium trot, broke. I let him get too long, and I went a little bit too much, too early – but you know what, he was absolutely awesome,” says Tom. “To relax and show all that power and rhythm and still come out in the extended walk as he did and do those pirouettes; he pulled together a super, super test. People aren’t doing bad tests out there [and still aren’t getting the marks], but he got a mark that he really, really deserved, even with that mistake.

“He put on a heck of a performance today,” he continues. “The ground in there is is pretty perfect, but what you can’t see from the outside is those small undulations. We’ve probably all been on the surface all winter, and actually probably now all spring, because it’s been so firm. None of us have really been on the grass that much. So it’s all those little bits of practicing — but Dubs was awesome. His changes were brilliant. His walk was excellent. His last walk was brilliant. It’s just that one mistake, and sure, you can do the ifs, buts and maybes, but how do you know? Maybe that mistake sort of woke both of us up and we made us think ‘maybe we need to go and get a few more marks!'”

Tom McEwen and JL Dublin. Photo by Cealy Tetley.

‘Dubs’ was double-entered for both Badminton and Kentucky, and while US-based fans will have been disappointed not to see him try for the title for a third time, this slightly later spring goal allowed for an easy lead-up for the gelding. Rather than overextend him and compete him for the sake of competing him, Tom opted instead to turn the gelding away for a long winter holiday with retired stablemate Toledo de Kerser and then compete him only sparsely this spring.

Tom McEwen and JL Dublin. Photo by Cealy Tetley.

“He’s an unbelievably talented horse, as we all know, but we’ve really been saving him,” says Tom. “He’s actually been wanting to come out [to an event]; we’ve been teasing him by taking him out jumping, and he’s like, ‘but this is just jumping!’ We took him to dressage on Sunday to go run through a test, and he’s like, ‘this isn’t the real deal.’ So he’s come here and he’s just been on it all week. He’s ecstatic to perform, and I was delighted to have an afternoon dressage with him, because the worst thing for him would have been if it was empty in the morning. If it was completely busy in there, he’d have gone up another level again. He’s a showman and he loves his job.”

Their test today marks their best-yet score at this level, though Tom admits that he’s “not much of a stats man — you can get too clued up on stats, but the thing is that the judges change every time. He’s been putting on performance after performance after performance, so I was really hoping to be up there. The judges aren’t giving out marks, and they’ve been quite consistent all day in using the range of marks and not throwing them away. I’ve done as much as I can today, and I’m very pleased with that!”

Emily King and Valmy Biats. Photo by Cealy Tetley.

Emily King sits in a smart second place overnight with the sixteen-year-old Valmy Biats, who posted a 27.3 after a pleasing test with some tiny bobbles in the walk work. 

“I’m so pleased with him – he went in there and he definitely held his breath a bit, so even though you’re not meant to talk to them I was like” – she drops her voice to a conspiratorial whisper – “‘good boy, Val, you’re okay!’ and giving him a scratch on his wither to try to chill him out a bit.”

Getting the French-bred gelding to find his inner zen in this phase has long been a focal point of Emily’s training with him. This spring, she’s been ticking the boxes by adopting a Wim Hof-esque immersion method: if she can put him in situations that dial up his tension, she can work on honing her methods of bringing him back to her.

“He’s a funny horse; he’s not a scatty, hot, excitable horse, it’s just quite internal – he just tries so hard and goes in and holds his breath,” she says. “I’ve been taking to lots of different places this spring to try to get him to do that, in a way, so I can then try to get him to breathe and let him know it’s alright. I’ve been trying to get him really chilled so I can get my leg on him and he’ll let me ride him, because sometimes, he’s so sensitive and full of power that if I touch my leg on him he’ll go nought to sixty. So I’ve been trying to imitate that, and it’s definitely helped.”

Today, that work paid off – mostly. 

“He trotted in and saw the cross-country fence, and I was like, ‘Val, come on, don’t start with that!’ I could feel his heart going, and I was thinking, ‘don’t try to go out of the start box now!’,” she laughs. “He felt amazing in there but just went a little bit tight, so I just had to adapt to how he was in certain places in the arena. But the fact that he did a 27, that’s because he stayed so with me in the ‘crunch’ moments, so I was very proud of him.”

Emily and ‘Val’ return to Badminton after finishing fourth here last year – a welcome end to a string of bad luck the otherwise successful five-star competitor had suffered at this fixture.

“I’m certainly less like, ‘oh, god, I’m here again; I’d better try not to mess it up again’,” she laughs. “I’ve managed one completion and I’m like, ‘wahoo!’ That definitely settles your mind, subconsciously. And I know him so well; I’ve had him for a good few years now, and I don’t know how many five-star starts we’ve had, but it’s a good few of all different types. [At this point] you just know them, and you can sort of go through the course in your head and preempt what they’re going to feel like, which I think helps a bit.”

Tom Woodward and Low Moor Lucky. Photo by Cealy Tetley.

23-year-old Tom Woodward is making not just his Badminton debut, but his five-star debut this week — and what a start he’s had with the excellent Low Moor Lucky. The pair sit in third place overnight on a 27.9 — better, even, than all but one of their four-star scores.

“It’s pretty surreal,” says an elated Tom. “We’re local, and so I used to come here every year to watch as a kid. We’d stay in the old campsite as a family, and I used to look at the jumps out there on course and think, ‘cor, how would you ever do that?’ I was probably thirteen when I decided I wanted to try and do it, and I’ve just been so incredibly lucky to have him as a partner, because he’s just immense. I can’t thank the horse enough – he’s put me on the map and allowed me to pursue a career in the sport.”

The steadily-building atmosphere in the arena might have caused some horses to back off, but for Tom and ‘Lucky’, it was a boon — particularly after the rider opted to change his warm-up plan.

“He’s actually quite a lazy horse; I normally never ride him more than once before his test, and that one ride is normally only 25 minutes,” he says. “But he was quite wild last night, and so I thought I’d do a bit with him this morning. And then [I warmed up for my test] and he was backwards! I felt like a Pony Clubber trying to move him along. I thought, ‘oh, no – maybe I’ve overcooked him.’ But he loves the crowd, he loves the atmosphere; it lifts him. It just gives him that bit more quality. And he’s never seen a crowd like that!”

While Lucky obviously thrives in the hustle and bustle of competition life, he wasn’t always an obvious champion.

“He was actually only broken in as a nine year old, and he’s called Lucky because he was given one final chance,” says Tom. “He was pretty feral, but you wouldn’t know it now – he’s Mr Cool. But he only did his first event in the September of his ten-year-old year, and I got him as an eleven year old. We did our BE100s [US Training level] and worked our way up until now. So he’s eighteen, but he’s fairly low mileage – we’ll get through this week and see what else he wants to do. If he decides one five-star is enough, then that’s fine by me – he doesn’t owe me anything.”

Lucky has been Tom’s partner through all his career milestones so far:  “I did my first-ever two-star on him back in 2019 and then we went on to do the under-18 championships, and we’ve just cracked on from there. We never bought him thinking he’d do this – we just bought him for me to learn from, and he just kept going.”

Their score means that Tom tops the list of Badminton debutants’ dressage scores in the last decade (thanks again to EquiRatings for this little tidbit!) – but did he ever expect he’d be able to make such an exciting start to his first go at the level?

“Quietly, yes,” he says with a grin. “But I didn’t tell anyone! I mean, he did a 25 last year at Blenheim, and I’ve always known how capable he is. But because we’ve learned together, I’ve been very green, and I’ve sort of felt like it’s taken me two years to actually catch up with his capabilities on the flat.” 

A period of time off for the gelding last spring ended up helping them a long in this capacity, quite unexpectedly. 

“I was fortunate enough to have two other four-star horses in my string, and I learned so much from them [in that time],” explains Tom. “They wouldn’t be as capable as he is on the flat, but I had the time to learn my craft at that level, and actually, when I got back on him, it was like going around on train tracks. If I give him the right instructions, he just does it, and he gives an amazing feel. So I quietly hoped today, and thankfully, it came off – with big thanks to my dressage trainer, Lisa White, who’s made a massive difference to us.”

Yasmin Ingham and Rehy DJ. Photo by Cealy Tetley.

It doesn’t feel as though World Champion and five-time top-ten five-star finisher Yasmin Ingham ought to be a Badminton debutante, but that she is – and while being such a high-profile first-timer must come with its own unique pressures, she kept her cool in the buzzy atmosphere of the ring to produce a 29.1 with the experienced Rehy DJ. That puts them in provisional fourth place overnight, ahead of morning leaders Oliver Townend and Ballaghmor Class, now fifth on their 29.3. 

“He’s probably not naturally the most big-moving horse, but when he’s accurate and he does things correctly, then that’s when he’s rewarded with the mark. So I’m really pleased that the judges did reward him where he was good today,”  says Yas of ‘Piglet’, who has placed in the top ten in three of his four five-star starts. 

None of them, though, have had quite the same close-quarters buzz that Badminton’s arena offers.

“It’s such an atmosphere in there! I’ve never been here before, and it’s just electric, to be honest,” says Yas. “I’m delighted with him and how he coped, because he would react to noise and things, and obviously going in behind Tom [McEwen] was probably not ideal for me – there was quite a lot of clapping and things, and I was pleased with how he coped with that.”

Will Rawlin and Ballycoog Breaker Boy. Photo by Cealy Tetley.

Will Rawlin slots into ninth place overnight, behind Gemma Stevens and Chilli Knight (sixth), Kylie Roddy and SRS Kan Do (seventh), and Bubby Upton and Cola III (eighth), with Ballycoog Breaker Boy, with whom he scored a 30.6. That represents a nearly six-mark improvement over their test last year, when they finished 24th. 

“I just wanted to go out there and do what I know the horse and myself can do, and we did that,” says Will. “I’ve had very good training sessions with Tracie [Robinson] over the last couple of days. There were a few bits in there [that could be improved] – he got a bit tense in the walk, and there’s a lot of walk in that test. I was thinking, ‘oh god, just stay relaxed, come on!’ He tensed up, which he didn’t last year, so that’s maybe something to think about for the future – I might put some padded ears on him or something just to dull the atmosphere, because there definitely was a lot of it today.”

Despite those moments of tension, though, he says: “I was absolutely thrilled with him; he was really rideable. He’s a big, long horse, and I do find it difficult sometimes to get him connected and engaged in a test, but I feel like we got that today.”

Gaspard Maksud and Zaragoza. Photo by Cealy Tetley.

British-based Frenchman Gaspard Maksud rounds out the top ten overnight with Zaragoza, with whom he finished sixth at the 2022 World Championships and the same at Burghley last year.

“I’m delighted with her,” he says. “I know she can do a bit better than that, but it’s a big atmosphere, and [the crowd reacting to] Tom [Woodward] before just wound my horse up a little bit, but that’s okay! She was good; she was very serious in her work, and it’s a mistake-free test, with a couple of little things I can tune up to get it better.”

Joe Meyer and Harbin. Photo by Cealy Tetley.

The first of our US representatives, Tiana Coudray and Cancaras Girl, sit equal nineteenth overnight on a score of 34, while Ocala-based Kiwi Joe Meyer starts his first Badminton in 15 years in provisional 35th place on a 40.4 with the little ex-racehorse Harbin.

“It’d be nice to get a few more marks, because I thought he actually did really well for him,” says Joe. “He’s a hot, fizzy horse, and so the walk has always been hard for us, but he’s just got better and better. He’s a real goer.”

Tomorrow sees the first phase continue on apace with a further 41 horse and rider combinations to come. The action kicks off again at 9.00 a.m. BST/4.00 a.m. EST with Wills Oakden and A Class Cooley first in the ring, and plenty of exciting talent to follow. Highlights include 2023 champions Ros Canter and Lordships Graffalo, due in the ring at 9.28 a.m. BST/4.28 a.m. EST; the return of Oliver Townend with 2024 Kentucky champion Cooley Rosalent at 15.28 BST/10.28 a.m. EST; and Burghley dressage record-holders Tim Price and Vitali closing out the day at 16.17 BST/11.17 a.m. EST. You can check out the times in full here, and catch up on all today’s finer points in Cheg’s live updates archive here. Until next time: Go Eventing!

The top ten at the end of day one at Badminton.

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

Thursday Morning at Badminton: Townend Takes Lead on Tough-Judging Day

Oliver Townend and Ballaghmor Class. Photo by Cealy Tetley.

Thursday morning at the MARS Badminton Horse Trials often feels, for those of us in the mixed media zone, anyway, like a bit of a warm-up: we’re not firing on all cylinders quite yet, the scoring’s perhaps not wildly exciting, and by the time we get to the lunch break, we’ve often forgotten much of what was said in the very first conversations of the day. 

Unless, of course, the second rider you speak to comes marching into the interview area, proclaiming that his (very, very) shiny new riding hat is “a solar panel for a sex machine!”

So thanks for that, I guess, Oliver Townend. You did wake us up, certainly. 

It wasn’t just fashion statements and statements about fashion, though: Oliver also produced the test that would go on to hold the lead into the lunch break with the stalwart Ballaghmor Class. Though they’re typically low-to-mid-20s scorers – or as low as 20.8 here in 2018 – they began their week on a 29.3, on paper their worst-ever five-star score for a generally correct, pleasant, and flowing test. But that’s been typical of the judging here today: the ground jury of Xavier le Sauce, Robert Stevenson, and Nick Burton hasn’t been throwing marks at any competitor, but nor do they need to. The numbers across the board might look conservative – or stingy, even – but the judging itself is consistent and so far, their work is producing a tightly-packed leaderboard that’ll put the weight back onto this weekend’s cross-country, on which the fast ground might otherwise have made it less influential. 

“It doesn’t matter [if they’re scoring conservatively] if they stay the same – as long as we just get consistent judging, it’ll be good,” says Oliver. “There’s plenty on the cross-country to sort us out — 11 minutes 40 is a long way!”

More importantly, he says, “I’m happy with the horse. There’s a couple of things that could have been better, but he’s getting quite clever: he’s wild at the trot up and wild everywhere, and then he goes in and says, ‘I’ve done enough now!’ So he got a little bit lazy, a little bit quiet maybe, but I’m still happy enough.”

Moreover, the four-time five-star winner – who has never finished outside the top five in ten runs at the level, and has been second here twice – remains the horse of a lifetime for Oliver, regardless of the numbers on the board.

“He’s unreal. I know it’s the same for everyone, but if you could produce the work that he’s doing at home, he’s somehow getting better and better and still improving,” he says of the eighteen-year-old. “So it just shows, if you stay doing the same things as you’ve done all their lives, and they don’t have a change in the system… He feels better than ever and he looks better than ever.”

Gemma Stevens and Chilli Knight. Photo by Cealy Tetley.

“He is what he is – you’re never going to make a London 52 or a Lordships Graffalo out of him,” says Gemma Stevens matter-of-factly about Chilli Knight, before breaking into a broad grin: “but he did his best shuffling ever in there today!”

She and her 2021 Bicton CCI5* champion go into the lunch break as one of just two pairs to slip under the 30 barrier so far – a commendable effort that puts them into second place provisionally on 29.5. 

“It’s an absolute dream to get sub-30,” she beams. “When I heard my first few scores [from the judges’ boxes], I thought, ‘well, there’s no chance – I’m going to be on a 38!’ But we rode every single blade of grass out there and he tried his heart out.” 

Gemma Stevens and Chilli Knight. Photo by Cealy Tetley.

The great villain of the day so far has been an oddly-placed camera, low down and brightly-housed at the A end of the arena, and while Chilli Knight didn’t have as extreme a reaction to it as several horses have today, he certainly noticed it. 

“I’m not going to lie – the camera is really stupid!” says Gemma. “I’m going to say that right out loud – Badminton, you need to move the camera. We said that last night [at the riders’ briefing], and they wouldn’t move it. He was spooking at it, and luckily the test doesn’t always go past it – but it’s annoying! Next year, please, we don’t need the camera.”

Kylie Roddy and SRS Kan Do. Photo by Cealy Tetley.

Kylie Roddy might be the smiliest rider in eventing, but, she admits, she’s spent the off-season “miserable – but smiley inside,” she laughs. The cause of that misery? An eye-wateringly intense diet and fitness regime, which saw her spend November to March on a scant 800 calories a day [Editor’s note – please don’t do this without professional guidance, folks] before steadily and sensibly ramping her calorie intake up at the start of the season. 

“And I’ve been been going to the gym, and doing a lot of strength and conditioning work – but it’s all for the greater good, because George finds the whole job a bit easier now,” she says. “It’s all for the welfare of the horse, and we’re always trying to do what’s best for him.”

George – or SRS Kan Do – certainly repaid the favour today with a smart effort that puts the pair into an early third place on 30.1, nearly four penalties better than last year.

“I’m beyond thrilled,” says Kylie. “The first phase is always the one we get the most stressed about, and last year, I didn’t have a good first day, but we worked really hard this winter.”

That work, she continues, involved working over “about 100 raised sleepers [thick wooden planks] a day”, in a bid not just to improve his strength and fitness, but also to finally engineer a spring peak for the gelding, who has been so consistent at five-star but historically unlucky here.

“It’s of those real funny things, isn’t it? I just keep looking at Badminton and thinking, ‘if I turn up enough, hopefully the results are going to change!’” she laughs. “I don’t actually think it’s anything to do with Badminton or George, but he’s just always been an autumn campaigner; his best results have always been in the Autumn.”

So, she explains, “I didn’t give him long off this winter, and I actually kept him in work to see whether it’s actually a body conditioning type of thing rather than a seasonal thing. So I did my winter work a bit differently this winter, and we changed a few things at home that have made him a bit stronger. He works over the raised sleepers a lot, and so he’s worked smarter, not harder, hopefully for all the right reasons. The other thing is that I didn’t run him too close to Badminton, because in the spring, you’re always try to get the runs in, but he actually runs a bit better when he’s fresher, so he last ran at Thoresby [in March]. I went to Kelsall, but I didn’t run cross country, in a bid to do what I do in the autumn, even though we’re in the spring.”

Today, that freshness paid off. 

“He’s such a level horse to ride, but he was quite frisky in the stable this morning – he was trying to nibble us, and he wanted to buck in the stable. So from this morning, I thought ‘game on!’ Most horses, [the atmosphere] sends them over the edge, but with him, it gives him that added extra, which is really lovely.”

But, she laughs, there was still a touch of the old George in there, at least in the collecting ring.

“He’s a really funny horse. The changes are established but his first two changes, when you warm him up, are always incorrect. But it’s like he goes, “oh, I go from that to that… okay, I’ve got it!’ It’s like he’s piecing it all together, and then he’s got it. So I always get the first two out of the way, and I say to [dressage trainer Ian] Woodhead, ‘close your eyes, first change incoming!’ But we know that’s him, so we get them done, and then we know that after that, he’s pretty good in his changes.”

Pretty good indeed: the pair never dipped lower than a 6 in the four flying changes in their test today. 

Bubby Upton and Cola III. Photo by Cealy Tetley.

Twelve months ago, we saw 26-year-old Bubby Upton take the day one lead here aboard her longtime partner Cola III in a remarkable comeback from a badly broken back sustained the previous August. Through the long months between August and May, Bubby had to relearn to walk before she could even think about getting back on a horse, but no matter how unlikely it seemed, the thought of Badminton on the horizon remained a powerful motivator in her rehabilitation. 

Now, a year on, she’s still on the road to recovery, but this time, she was able to tackle her test with significantly less pain after another major operation at the tail end of last year.

“I landed from Maryland [CCI5*, where the pair finished fifth], and then the next day, I was straight under the knife,” she says. “To be honest with you, it was a lot tougher than I had anticipated: I thought I would just bounce back and be absolutely fine, but mentally, going straight back to square one… Obviously I didn’t have to learn to walk again and things like that, but I had zero strength, zero muscles left in me, and so it was quite demoralising, having built up everything and worked so hard to then have to literally rebuild again. It took a lot longer than we thought. It wasn’t really until February that I was strong and that we could manage to get on top of the pain.”

“But,” she continues, “it’s a lot better now, and I’m forever grateful to my incredible surgeon who has, time and time again, done amazing things for my back. Hopefully now we can manage it a bit better moving forwards. I’m back to riding  nine horses a day now, which is so nice, and the pain is less than the pain was when I was riding three or four last year. So we’re in a really good place, and I just feel so lucky to be still doing what I love and to be on track.”

Also a continuing work in progress is long-backed but game Cola’s flatwork. While their 30.2 today didn’t eclipse the 27.3 they earned last year on paper, Bubby was thrilled with the quality of work the fifteen-year-old produced in the ring. 

“I’ve never been one to focus on [the marks]. I’m thrilled with how our system keeps working and how he went – I couldn’t be more thrilled with him,” she says. “He’s become really consistent at this level now. Badminton last year was probably the first time we’ve got him into the right frame and place, and then he repeated that at Maryland and throughout the season as well. And now, he’s come out this year feeling very fit and well. He’s just amazing. Every time I go in there, he’s  the same horse, and he just loves it. So it’s a real honour to be back here on him.”

The progression is one that she credits her dressage trainer, Amy Woodhead, with directing them towards.

“Similar to last year, we’ve just been really working on the quality of the counter. He’s a long, strung-out horse, and for a long time, when we were focused on Young Riders and medaling there, getting the quality of canter wasn’t a priority,” she says. “It was  – wrongly so in hindsight – about getting the marks and winning the medals at the end of the day. I would love to go back in time and have Amy training me with him as a young horse, because now at 15, he’s getting better and better. But I would have loved to have had that when he was 10, 11, 12, at the start of my career at 4 and 5* on him.”

Alex Hua Tian and Chicko. Photo by Cealy Tetley.

For Alex Hua Tian, today marks the start of a welcome return to Badminton after a nine year hiatus – and while he rued the last-minute withdrawal of his intended second ride, the perpetually low-scoring Jilsonne van Bareelhof, his remaining ride Chicko put in a solid test to sit him well in the hunt at this early stage. Their 31.6 puts them in fifth place at the lunchbreak. 

“I’m very happy with him – he’s 15 now, and he’s spent his life at 4* and he’s ready for his crack at  Badminton,” says Alex, who finished fourth at Pau with the former Polly Stockton ride last year. “That was his first time at 5*, and I thought, actually, that he did a better test today than he did at Pau. But it’s Badminton – you don’t come here expecting to be given anything.”

In terms of the cross-country challenge to come, this weekend’s long, dimensionally impressive course also represents a step up from Pau, but it’s a step up that Alex is confident he’ll tackle with relish. 

“I think it’ll be a big week for him, but he’s got a lot of heart, so hopefully it’ll go well,” he says. In any case, he continues, the Irish Sport Horse will enjoy the journey, as he always does. 

“He is – it’s very hard to say it without sounding disparaging, because I’m not – he is just genuinely no fuss. He’s just very, very easy. You could very happily salute, get off, pull the saddle off, and he’ll just graze in the middle of the field,” says Alex. “He would have been very happy as a Pony Club pony or coming to Badminton – he just loves his job. All he wants to do is please, and he’s just one of those rare horses – it’s just, turn left, jump a fence, turn right, jump a fence. There’s nothing else really in it!”

This afternoon’s dressage gets underway momentarily, with Japan’s Ryuzo Kitajima and Feroza Nieuwmoed first up to bat at 14.15 BST/9.15 a.m. EST. You can watch along via ClipMyHorse.TV, and we’ll be running live updates and insights over on Cheg’s feed throughout the competition, too. Plus, there’s lots more long-form content to come from us here in the thick of it, so keep it locked on EN, and Go Eventing!

The top ten after Thursday morning’s session at the MARS Badminton Horse Trials.

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

Philosophy Walks, Building for Sunshine, and Hefty Ditches: Inside Eric Winter’s PhD-Level Badminton Course

“That’s always my thing, here,” muses course designer Eric Winter as we cruise around the Badminton Estate, gilded and glorious in the spring sunshine. “It was my thing when I worked at Blenheim, too: that I cannot believe I’ve found a job where I get paid to go drive around and work in these places.”

This will be Eric’s ninth year at the helm of the MARS Badminton Horse Trials, and – thanks to two years of cancellations in the hinterlands of the pandemic – his seventh course to be unveiled at the Gloucestershire mainstay. Badminton is, of course, striking even in the worst of conditions, but this year, after two seasons of relentless rain, it looks and feels better than it ever has. 

As we set out in Eric’s car – “we can actually drive around the course now without worrying about it,” he grins – the man behind the most anticipated course of the season isn’t blind to the magic of the place. 

“The weather means that all the trees are in bloom at the same time, which I don’t think I’ve ever seen before,” he tells me, gesturing to the abundance of growth on the treeline. It’s a jewellery box of gold and emeralds, and in merry little clusters around some of the sport’s most formidable fences, carpets of bluebells have sprung up. We pause mid-combination to watch a bird of prey circling lazily in an unfalteringly blue sky. I think, not for the first time, that being an eventing journalist isn’t actually all the dissimilar to being an overemotional weather girl on the evening news: whatever the forecast spells determines how I feel about the whole world. Right now, even with so much to worry about within the sport and beyond it, where so much feels like it’s falling to pieces, it’s startlingly easy, here, to just breathe it in and feel a little bit more hopeful.

But that’s me, walking the course a week out from the event, when the tradestands are in situ but empty, the grandstands are upright but occupied by nothing but Badminton’s centuries of ghosts, and the course is occupied only by us, press officer Becky Elvin, a handful of groundsmen and builders, and an army of Portaloos, not yet too frightening to contemplate using. In a few days’ time, when this same ground is being well-trodden by the 80-odd competitors who’ll have to tackle the course come Saturday, the mood might be a bit less Enya-in-paradise, and the Portaloos might be a touch worse for wear. 

It won’t be the ground that worries them – despite much discourse among fans about how hard it could be after a very dry spring, Eric’s team has been watering for five weeks straight, and while it’s still what might be referred to as ‘fast’ ground, it’s also got a healthy grass cover on it, which adds some additional give to the going. 

Instead, they might find themselves struck by the early intensity of the course itself, which, this year, sees them head to the Lake early on and throws them very nearly straight into full-up five-star complexity. 

This direction, Eric explains, is a real stamina question: from the last loop in front of the House all the way home, it’s a long, steady pull uphill, and even in fast conditions like the ones we’ll see this week, that means that riders will need to constantly calculate and calibrate the fitness and energy levels they and their partner have to play with. It feels, at first glance, like the kind of course that won’t necessarily pull a winner from miles down the leaderboard, as we can see happen in very wet, relentlessly sloggy years — but equally, this is a particularly long track that doesn’t really let up all the way around. And with an optimum time of nearly twelve minutes? We’ll definitely still see some exceptional gallopers overcome a tricky first-phase performance.

The feel and length of this year’s track might feel perfectly suited to a dry, top-of-the-ground spring, but actually, Eric doesn’t design for the long-range forecast at all, he tells me. It can’t: his preparations begin too early, while the event is still actually underway.

“I’m a big believer in designing for dry weather and then tweaking the course back if necessary, rather than designing for the wet and then having a dry year and everyone gets the time,” he says. And so, to start with, he continues: “I’ll walk the course on the Sunday of the event, and I walk it in the opposite direction so I can get a bit of a feel of where I can go and what I can do. Then I’ll walk away from it completely.”

He returns to the canvas in August, after a long summer of coaching and squirrelling away inspiration.

“That’s when I start to get it nailed down in my head where the route’s going to go, and we get it roughly drawn up. In November, I do a walk with my technical delegate, and that’s what I like to call a ‘philosophy walk’ — we walk around each part and I tell them, ‘well, this could be two corners, or it might be three,’ and we discuss the difference between the two potential questions, and the impact.”

Depending on how wet the winter has been, Eric’s team of builders, helmed by James Willis, has the fences out in the estate from the end of February. March is for ‘tweaking angles and fiddling with lines’, and April and early May are for nailing down the visuals, touching up the paintwork, laying out the intricate wood carvings made by builder Peter Macgregor, and making sure that the brush is thick, healthy, and at the right height. The latter job is a last-minute one in sunny years like this: any early-laid brush will wither up by the time the event runs, and so even into this week, some fences will be getting makeovers.

The result? A beautiful course that fits the aesthetic framework of the parkland it fits in: no gimmicks, no overtly fancy fences, “and no yellow submarines!” grimaces Eric, recalling a fence on course at Malmo one year. Each iteration of Badminton aims to crown the best in the sport, but with an important caveat: can the team marry modern innovation and tradition, helping Britain’s first three-day event wear its 75-year history with pride, while also embracing the changes that the sport has undergone?

Join us for a walk around this year’s course — and for full visuals, and insights from Sir Mark Todd, head over to the CrossCountry App’s virtual walk here.

Fence 1 – Spillers Starter 

As always, the startbox and the first fence are situated in the main arena, which means that each competitor will get to head out on course with a grandstand full of people cheering them on. This first effort is the same as it always is: compact, straightforward, and festively floral. A speedbump to get the confidence up. 

Fence 2 – Bloomfields Horseboxes Keeper’s Table 

Once out of the arena, there’s a downhill run to the first ditch line on course, the first enormous effort, and the first of the day’s deformable fences – a 1.60m wide, 1.20m tall table spanning the ditch below. 

There are twelve frangible fences in total on this year’s course – the most, Eric tells me, of any five-star.

Fence 3 – Totworth Court Brush

The next ‘warm-up’ fence at 3 is straightforward and friendly in and of itself, but when Eric boots me out of his BMW to get my feet into the grass on the approach, I quickly find the real heart of the matter: here, he’s got a patch of ground that’s almost erratic in its terrain changes. One step up, one step down, a camber here, another there, heading the other way – so this simple brush fence won’t be a run-and-jump effort, but rather, the first chance for riders to make adjustments and think about footwork.

“That, to me, shifts them off their pace early in the course, and lets them know they’re at Badminton,” says Eric. “If I was [building this question] for a four-star, I’d want to give them more time to get into a rhythm before shifting them. But with this, I want to move them off their balance a little bit at the start, so the riders have to think, put their leg on, and be a bit more dynamic.”

It’s also the first time riders will have a choice to make: they can opt for the left- or right-handed brush here.

The Savills Staircase.

Fence 4ABC – Savills Staircase

The duo of steps, and its hefty third element, returns after sitting out the 2024 event, and this year, the final fence is a wide, colourful haywain. Those two steps will require a fresh horse to sit back and listen, rather than leaping into space, but that makes this question quite a helpful set-up for much of what’s to come, and an archway of strawbales before the drops will funnel them to the question and channel their focus away from the crowds that always gather here. 

This combination is the only question between the first and second minute markers, and so this is a good opportunity for competitors to get up on the clock early on. 

The Countryside Alliance Parallel.

Fence 5 – Countryside Alliance Parallel

Just meters past the second minute marker is an airy silver birch oxer, set under two trees. A couple of strides past the fence, and set off to the left, is another tree – and this one acts as a very useful early barometer. 

“This will be the first time that you start to see whether they’re in contention or not, because the quick ones will go straight through and stay on the inside of the tree, while the others will come around the turn and get a bit straighter to it, and go behind the tree.”

The light, too, will play a part here: on a very sunny day, as it is while we walk the course, there’s a dramatic shift into the shadows under the trees, while an overcast day will make the visibility better on the approach. 

Fence 6 and 7 – Agria Corners

Whether minute two to three is a quick or steadier one will depend, largely, on the decision that each rider makes at this separately-numbered double of corners, which were inspired by those at Maryland’s CCI5* and feature very similar open owlholes on top. They can be tackled as a double or, because they’re separately numbered, can be completely separate: after jumping the first, riders can opt to circle around the back of the second and turn back to it without picking up penalties. 

While the addition of the brush won’t have any sort of significant impact on how competitors tackle these corners, it does serve another important purpose: it makes the fences look more imposing and impressive for spectators. That, says Eric, is a balance that’s crucial to strike – how can he build something that’s horse-friendly while also putting a stop to the complaints of the folks who believe eventing ‘isn’t what it used to be’? 

“We’ve had these corners in the park before, and when they’re in the middle of the water, they have a presence to them, but when they’re just standing on their own, they get lost a little bit – they can feel like a portable fence in the parkland,” he says. “I wanted to give them some more weight and some more presence, and after I went to Maryland last year, I got the idea. There’s an element of [course design] that’s equestrian, and there’s an element of this level that should be about entertaining the public, and that’s something I think about a lot. I want the guy who comes here with his wife, the guy who knows nothing about horses, to be able to walk around and think, ‘even I can appreciate that this is something great.’”

Gemma Stevens and Jalapeno jump the Waterfall at Badminton in 2023. Photo by Nico Morgan Media.

Fence 8 – World Horse Welfare Waterfall

After the corners, competitors will hook a right to gallop alongside the length of the Lake – and in doing so, they’ll pop over the now-familiar profile of this waterfall table, which has been a mainstay of the Badminton course since 2019. The Lake is easily the busiest area on course, and this fence will give horses a chance to get an eyeful of the crowds before they have to face them properly at the next combination. 

Fence 9 and 10ABC – MARS Lake

The key question here, this year, is focus: it’ll feel like those endless crowds are nearly next to the fences, and with bars and pavilions just behind them, the ambient noise levels will be at their peak at this combination. 

The straight route features two rolltops, the second of which drops down into the water. Then, there’s a deep, 1.40m skinny in the water, and then another on dry land after a short, steep ascent out of the lake. 

For horses who’ll need some more time to adjust to the intensity of their surroundings, there’s a long route that’ll add the better part of ten seconds to the clock but which takes them along the fenceline and turns them away from the crowds to jump. 

“The first year I was Assistant Technical Delegate here, [former course designer and director] Hugh Thomas said to me, ‘I’ve been designing this water for twenty years, and I’m clean out of ideas!’ There was me and someone else working, and he said, ‘you youngsters crack on – anything you want to do, as long as it doesn’t involve dragons or butterflies or turtles in the water, you can do,” laughs Eric. “This year, I think I’ve gone a bit retro with it – this is quite like something Hugh did years ago. Or at least the rolltops are – then it becomes very modern when they move on to the skinnies and have to find a line and work their way through it.”

The Savills Staircase and Agria Corners, he explains, “are perhaps fractionally softer, because I wanted them to be a chance for the horses to meet the crowds for the first time before they come to the Lake.” 

This, of course, is a proper five-star question – but once they’re past it, they’ve got a long gallop ahead of them, and three-and-a-half intense early minutes behind them. 

They will, Eric says, “feel that they’re really in business as they gallop away.”

Fence 11AB – Guide Dogs Cord Pile 

Though this is numbered as though it’s two fences, it doesn’t have to be: riders can choose to jump one eye-wateringly huge cordwood pile, which is among the biggest fences on course, or two slightly smaller ones. They’ll hit the fourth minute marker shortly after landing – maybe. More likely, they’ll realise they need to use the long gallop to twelve to catch up on some of the time they lost at the Lake. 

The INEOS Grenadier Sunken Road.

Fence 12AB – INEOS Grenadier Sunken Road

With a long lead-up to this fence, there are decisions to make about the approach – how early to set up, when to make the turn – and wrong ones could steal a lot of time or, in the case of a horse who runs through the bridle, cause a lapse in communication as horse and rider bicker about what adjustments are needed. That makes the run-up to the fence as important as the fence itself, which is a 1.18m deformable rail and a 1.20m deformable rail, with a significant hollow between them. Anything other than a tidy jump in will likely activate a MIM clip and earn competitors 11 expensive penalties. 

Fence 13 – Strides Copse Rails

There’s another chance here to gain a second or two back as our competitors gallop across a field and then jump out of it over a wide but straightforward oxer.

The direct route through the MARS Sustainability Bay.

Fence 14AB – MARS Sustainability Bay 

Then, after another sprint up to the furthest point on course, they’ll need to be back in communication mode, because this second water complex requires trust and cooperation between both horse and rider. They’ll jump over a brush fence into the pond, then over a nearly perpendicular brush in the water – one that doesn’t become visible until they’re in the air over the A element. 

“This is actually stolen, a bit, from Pierre le Goupil’s water fence at the Paris Olympics: it was a log into the water near the end of the course, and they had to jump in off the edge and turn to a brush in the centre. I wanted the same thing, with it straight up the middle, but when I tried that, it looked super unjumpable, so I’ve put a bit of an angle in.”

Here, Eric reckons, riders will likely want to spend a bit more time setting up for the B element, getting to it in four strides – “you don’t want to knife in too much,” he warns. It’ll be a linework exercise that briefly slows them down, but it also provides options: there’s both a left-handed and a right-handed A element, and the B can be jumped in either direction, so competitors will be able to factor in their horse’s stronger rein and use that to help them make lighter work of it. The left-handed option might make the B more angled, but it also allows more time for set-up and, if needed, space to plan for more of a turn and a direct approach, while the right-handed option is a touch more in front of the horses, but with a smaller margin for error. 

The view from element B of the KBIS Chasm.

Fence 15ABCD – KBIS Chasm

After tackling Sustainability Bay, there’s a short sprint down to the next combination, which sees the return of the cavernous ditch that made up part of a sprawling ditch-and-brush fly fence last year. This year, it represents another slower section of the course. The direct route is a log, the ditch, and another, skinnier, log out; the alternate route curves off to the left after the ditch and leaves more space before offering up two logs as the C and D elements. 

“I’ve tried, this year, to make the slow routes much more flowing,” says Eric. “I noticed that Derek did the same thing at Kentucky – the slow routes weren’t that much longer, and they felt much more like part of the course, and this should be the same. I think the slow routes aren’t much slower, but they’re also nearly as strong as the direct routes – the point is to let people choose what suits their horse. Here, if they know their horse might be a bit spooky at the ditch, they don’t have to chase down to the log right after it – they don’t have to land and get after the horse. Instead, they can give them a little bit more time and space if they need it.”

Fence 16 – Lime Tree Tables

There’s a welcome mental breather here as competitors choose one of two deformable tables to pop, before heading down to the Vicarage ditchline section of the course. 

Eric Winter demonstrates the scale of the direct option at the Holland Cooper Corners.

Fence 17 and 18 – Holland Cooper Corners

This year, one of the most notable things about the Vicarage ditchline is that it doesn’t actually feature the Vicarage Vee, one of the sport’s most famous – and formidable – single fences, nor does it include the ‘ease-in’ Vicarage Vee we’ve seen in recent iterations or, even, the steadfast KBIS Bridge we’ve so often seen spanning it. 

Instead, this year, something else that’ll really test shoulder integrity some six-and-a-half minutes around the track: a colossal corner, towering over a maximum-width 3m ditch.

“It asks the same sort of question as the Vicarage Vee,” says Eric, “but it’s probably bigger.” 

The approach, though, gives horses plenty of time to have a look at what’s in front of them, while for those who don’t fancy making like Katy Perry and going into orbit for a handful of seconds, there’s a genuine long-route here. That’ll see them jump the ditch on its own, then circle back around to another wooden corner on flat ground – and that’s the reason for the curious numbering, which means that they can circle back to the corner at 18 without being penalised. In any case, this is another of those fences that Eric puts firmly into the fan-service category: a jump that requires respect and good riding, but looks more frightening to spectators standing at ditch-level than it actually is.

Fence 19ABC – LeMieux Eyelash Brushes 

Last year, the LeMieux Eyelash Brushes proved one of the most influential questions on course – and this year, Eric reckons they’ll play just as much of a role in shifting the leaderboard around, even with a slightly altered question. 

“There’s more space this between the fences this time,” he concedes, “but the line is less in front of you.” 

This year’s question features an angled brush to a wide, water-filled ditch, and then another angled ditch further away as the C element – or there’s another C element option to the right, which will a handful of seconds to the clock. 

Fence 20 – Pedigree Kennel

This single fence – a table that’s a regular on the course – will be a welcome sight as we come to the end of this very slow section of the course. 

The Mayston Equestrian Sunken Road.

Fence 21AB – Mayston Equestrian Sunken Road

The final part of this slow and intense section is another sunken road question, though this one is less down and up and more down and down and down and up. The A element is a not at all insignificant 2m drop fence that’ll freewheel competitors down a hill – then, once they’re on the flat ground at the bottom, they’ll have a split second to pick one of four skinnies to pop out of the hollow and jump over. The more left they head, the quicker the route will be.

Fence 22 – Wiltshire Brewers Brush

After enjoying a lung-filling gallop, competitors will meet this big but uncomplicated table fence, topped with brush. 

The Project Pony Brush Buckets.

Fence 23AB – Project Pony Brush Buckets

Minutes eight to nine are also pretty intense: the eighth minute marker hits just after fence 22, and its first question is this deceptively big duo of brush bucket fences in front of Badminton House. They sit on opposite sides of a large circle, and there’s an unjumpable element – a gazebo – that can be skimmed behind or nipped in front of, depending on how competitive a rider is aiming to be. The inside line here is no joke, but at this stage on the course, horses should be at their most rideable and maneuverable. 

Fence 24 – Chatham Eyelet 

This last swing through Badminton’s lake sees horses splash in and pop out over an owlhole fence. On landing, they’ll get one final glimpse of the House to remind them that they’re nearly home, and then they’ll dash on into the home stretch, with its last few major questions.

Fence 25 – Back British Farming Hay Rack

This is just a simple single fence, but the combination that follows it is always one of Badminton’s most tricky, so if riders feel they’re lacking in any adjustability at this point, this fence offers them a chance to finetune the gear changes before they head into the bluebell woods of…

Equidry Huntsman’s Close.

Fence 26AB – Equidry Huntsman’s Close

Whether it’s early on course, and faced by fresh, not-yet-focused horses and their riders, or whether it’s late and fatigue is a factor, Huntsman’s is never a walk in the park. This year, Eric has placed the first of its two open corners so that there’s no ‘easy’ approach; instead, riders will need to factor in the trees and ride a decisive, creative line to see them through. 

“When you’re coming home and the course is in this direction, this is really the last opportunity you get to do something difficult,” says Eric. “But equally, it’s always these places that give you a little bit of dread, because when they’ve run through these areas for as many years as they have, you think, ‘what the hell am I going to do this time?!’ But then somehow or another, at some stage, a little inspiration hits you and you think, ‘oh, that’d be really cool!’”

Fence 27AB – Antech Brush Mounds 

Though this is yet another combination fence, it shouldn’t be a taxing one: the two 1.45m brush mounds are designed to be horse-friendly, with very readable profiles and larching over the top like National Hunt fences. It’s an uncomplicated two-stride line, but riders will need to be conscious of how much petrol their horses have left in the tank at this late stage on the course. 

The HorseQuest Quarry.

Fence 28ABC – HorseQuest Quarry

There’s two lines to choose from at the pretty Quarry, and each has three efforts: a skinny, up a slope to a stone wall, and then another skinny if going direct, or a skinny, a skinny, and a wall if going indirect, which will add six or so seconds.

Fence 29 and 30 – Joules Double Gates 

These two white, MIM-clipped gates will offer an all-too-easy 11 penalties risk if riders don’t take the time to set up a tidy jump, but if ridden well, shouldn’t cause too many issues – and they’re separately numbered and not even remotely close to one another, so there’s plenty of time to reset and rebalance between them.

Fence 31 – Pheasant Log

This small – relatively, anyway – log is the final push en route to the arena and the last fence, but it mustn’t be underestimated: a couple of very good horses and riders have ended their day prematurely here in previous years. 

Fence 32 – MARS M 

The final fence is once again the colourful, jolly MARS M in the main arena – but this year, almost entirely by circumstance, it’s a frangible fence.

“People didn’t want it left in the ring for the showjumping like it was before, but we realised we couldn’t fit it under the archway once it was built – so we had to rebuild it, and we thought, ‘well, if we’re rebuilding it anyway, we might as well make it deformable,’” says Eric. 

And so, some 6847 metres later, over a course that Eric reckons will stack up somewhere near an 11:45 optimum time, we come to the end of this year’s Badminton course. While the top-of-the-ground going means that we’ll likely see more competitors make the time in previous years, there’s plenty of influence ready to be exerted here. 

For Eric, as always, this year’s course isn’t just about the week ahead.

“The most exciting thing about getting Badminton as a course designer isn’t just the job opportunity,” he explains. “It’s actually the fact that you get to influence horsemanship and training right the way down to the lower levels, to the Pony Club kid that’s just starting out. I did a walk with some Pony Club kids the other day — there was an eight-year-old called Molly, who’s jumping 80 centimetres, and her nine-year-old sister Stephanie, who’s jumped 95 centimetres, and we’re walking around chatting about everything. You get to have an influence on them, and on their coaches, while talking to them about things like the lines, the way horses use terrain, and the importance of getting out of the arena and riding in fields. That’s the thing I love most: it all comes back to fundamental training, and in that way, you hope you can make cross-country better across the levels.”

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

Reigning Champion Withdrawn from Badminton

Caroline Powell and Greenacres Special Cavalier at Badminton in 2024. Photo by Nico Morgan Media.

The competition hadn’t yet begun at the 2025 MARS Badminton Horse Trials this morning when a major change was wrought upon the leaderboard: New Zealand’s Caroline Powell, who won last year’s iteration with Greenacres Special Cavalier, opted to withdraw the mare from contention ahead of her early-draw dressage test.

“We’re devastated to have to withdraw Cav ahead of Dressage today,” writes Caroline in a post on her social media channels. “Following her final piece of work before the start of the competition, she’s not feeling quite right and having discussed this with her owners, we’ve taken the difficult decision to save her for another day.

“Naturally we were so excited to be defending our title, but Cav’s welfare is our first priority and we are enormously grateful to everyone who has helped and supported us on our journey to Badminton.“

Caroline remains in the competition with her second ride, High Time, who will come forward for his dressage test in tomorrow afternoon’s session.

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

Badminton Field Thins By Three at First Horse Inspection

This year’s field at the MARS Badminton Horse Trials is, by any metric, about as good as it gets: there’s former champions, almost too many five-star winners to shake a stick at, flags upon flags upon flags (national ones, not the mean 15-penalty ones that make us do too much math), and a colossal entry list — even after this afternoon’s first horse inspection played its part.

Tom Rowland and Dreamliner. Photo by Tilly Berendt.

85 horses were presented to the ground jury helmed by President Xavier le Sauce (FRA) and completed by Nick Burton (GBR) and Robert Stevenson (USA), and for a little while, it looked as though perhaps it would all be a rather sunny walk (and rear, and spin, and piss off in the other direction) in the park. Until, of course, it wasn’t.

One competitor was asked to trot a second time, and then accepted — that was Great Britain’s Tom Rowland, whose partner Dreamliner was one of several very fresh horses to take to the trot strip this afternoon. Though he mostly kept it together while trotting away from the ground jury, his return didn’t feature much trot at all — but the four or so steps of the gait that he offered up in his next speedy journey towards them was enough to get the nod.

Ben Hobday and Shadow Man. Photo by Tilly Berendt.

After that, though, things got a bit less straightforward. Four horses were sent to the holding box for further examination by the veterinarian, and only one of them would go on to be accepted into the competition. The first to the hold was Shadow Man, the ride of Great Britain’s Ben Hobday, whose return to this event was hotly anticipated after the gelding’s silver medal at the Paris Olympics under interim rider Chris Burton. Ben ultimately opted to withdraw from the holding box without re-presenting.

Luc Château and Viens du Mont. Photo by Tilly Berendt.

France’s Luc Château and Viens du Mont, Great Britain’s Georgia Bartlett and Spano de Nazca, and US representatives Grace Taylor and Gamechanger were also sent to the holding box, and while all three did opt to re-present after examination, only Grace and Gamechanger were successful in gaining admission to the competition proper.

Grace Taylor and Game Changer. Photo by Tilly Berendt.

Georgia Bartlett and Spano de Nazca. Photo by Tilly Berendt.

As always, jewellery stalwart HiHo Silver was in charge of handing out the Best Dressed Awards (though not the Golden Chinch Awards, which will be coming your way soon). The recipient of the ladies’ prize was 2023 Badminton champion Ros Canter, who wore a bedazzled denim jacket belonging to Caroline Moore, her longtime trainer, co-owner, and great friend. Caroline sadly passed away following a long battle with cancer on the 7th of March, and the sweet gesture from Ros gave her a chance to bring her closest supporter with her on her Badminton journey with Lordships Graffalo this year.

Ros Canter and Lordships Graffalo. Photo by Tilly Berendt.

The other prize recipient was Japan’s Ryuzo Kitajima, who sported a traditional Hakama while presenting his Tokyo Olympic mount, Feroza Nieuwmoed.

Ryuzo Kitajima and Feroza Nieuwmoed. Photo by Tilly Berendt.

Now, we head into the first phase with a slightly diminished field of 82 horse-and-rider combinations, and we’ll see the first batch of 41 get underway from 9.00 a.m. tomorrow (4.00 a.m. EST), with Kirsty Chabert and Classic VI getting us underway. From the off, this’ll be a packed session: Classic and Kirsty, in their own right, have twice finished in the top ten at this level, and second to go will be the reigning Badminton champions, New Zealand’s Caroline Powell and Greenacres Special Cavalier (9.07 BST/4.07 a.m. EST). Third up to bat is Oliver Townend with his four-time five-star champion, Ballaghmor Class (9.14 BST/4.14 a.m. EST), who’s a hot contender to add Badminton to that illustrious resume. Later on in the first morning group is Gemma Stevens and her 2021 pop-up five-star winner Chilli Knight (9.35 BST/4.35 a.m. EST), while the highlights of the post-tea-break session include China’s Alex Hua Tian and Chicko (10.37 BST/5.37 a.m. EST), who placed at Pau last season, and comeback queen Bubby Upton and Cola, who were tenth here last year (10.58 BST/5.58 a.m. EST).

Before the lunch break, we could see a very competitive test from Germany’s Jérôme Robiné and Black Ice (12.17 BST/7.17 a.m. EST), who posted a 22.8 in the CCI4*-L at Blenheim last season, and after it, we’ll see the Badminton debut of Luhmühlen champion Hooney d’Arville, ridden by Belgian Olympian Lara de Liedekerke-Meier (14.22 BST/9.22 a.m. EST). Tom McEwen and JL Dublin make their first moves in the final session of the day (15.45 BST/10.45 a.m. EST), followed by Badminton debutante and World Champion Yasmin Ingham, who rides the experienced Rehy DJ (15.52 BST/10.52 a.m. EST). Emily King and Valmy Biats will look to better their fourth-place finish of last year, starting with their dressage test at 16.13 BST/11.13 a.m. EST. You can check out the rest of the times in full here.

As always, we’ll be bringing you wall-to-wall coverage all day long, with two jam-packed reports, live blogs from Cheg, and plenty of additional stories and content from Catherine Austen, who we’re delighted to welcome to Team EN this week. If you want to watch along, the competition will be live-streamed in its entirety via ClipMyHorse.TV, with a subscription package at £21.99 — or, if listening along while you pretend to focus on your job is more your speed, Radio Badminton offers excellent colour commentary and programming all day long.

Until then: Go Eventing!

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

Tom McEwen Triumphant in Nearly Entirely Frangible Grantham Cup CCI4*-S

Since the inaugural Eventing Spring Carnival, which launched in 2022 in the north of England and took up Belton’s mantel as the international season opener, it’s been an event that’s had its work cut out for it in a major way. There’s been plenty of positives; from the word go, for example, its CCI4*-S courses, designed by event director Stuart Buntine, were heralded as being a more suitable, technical, and up-to-height challenge ahead of the spring’s five-stars. 

But as William Shakespeare once wrote (maybe), the course of true eventing never did run smooth. Over the last couple of years, Thoresby’s primary obstacle hasn’t been its particularly fiendish bank complex, its perennially tricky water complex, or even the unenviable task of getting an old-guard regional audience to migrate from a former venue to a new one. Instead, it’s been something largely out of the organising team’s control: the weather. 

And oh, boy, has it weathered in the UK over the last few years. In March of 2023, the first day of dressage was so unceasingly sodden that by the second, much of the riders yet to compete had withdrawn, leaving us with half-hour stints between each test and a warm-up arena that looked like a scene from The Neverending Story. In the owners’ and members’ tent, one emergency meeting was conducted after another in an attempt to address concerns from riders, their owners, and stakeholders: would the event continue to run? How could it? How could it not? To run, many suggested, would be reckless and irresponsible; to cancel, many others said, would be equally bad as it would force riders to take underprepared horses to even bigger events. Emotions raged on in that unique way that they tend to in the bubble of an event with no phone signal; everybody thought they were the right-est, and the arguments got more and more binary, with some even suggesting that the organisers’ bid to replace an early-season parkland event with an early-season parkland event boiled down to nothing more than arrogance.

The event ultimately ran, though with only about half its original entry list, and when the weekend came, it brought the sun with it – sun that gave the ground a bit of its life back and allowed those who chose to run to benefit from that decision. 

In 2024, the memory of the previous year’s anguish collided with a long-range weather forecast that no doubt had Stuart dreaming of an early retirement and a return to his native Australia. Once again, endless weeks of rain in the lead-up; the enormity of the extra work that goes into preparing and maintaining ground so that it doesn’t succumb to the waterlogging; the indirect remarks and concerns and complaints; the worries, too, of course, that the decision to forge on could be the wrong one. And then, once again, a weekend of reprieve; a success. 

This year – finally, mercifully – has been different so far. Two-and-a-bit years of relentless rain has met its end and in its place, a March with scarcely a drop of the wet stuff has given British Eventing the sort of season opener that we all sort of forgot we’d ever enjoyed.

So while Thoresby’s weekend has been, as always, sunny and springlike, it’s still felt like a very different event. Even after hundreds of horses have travelled across the cross country courses, the ground is still grassy and fresh; in the walled garden where the international dressage classes took place, the site of the warm-up looks like an actual warm-up, not a swamp full of sadness, repressed childhood trauma, and little white Arabian horses. 

All in all, a recipe for a more relaxed Stuart, right? Well, yes and no: he’s certainly had the air of an un-beseiged man this weekend, and one who’s been able to just get on with his plans without any hindrance. But then again, even on the best of days, being a course designer’s hardly a relaxing occupation; this year, too, Stuart and his team have courted potential controversy by creating a course that’s nearly entirely frangible. Would riders embrace this new era in the sport, or combine their voices to make it very clear that a step like this – with all its potential for 11 penalty activations – was a step too far? Beyond the emotive response, too, would a course full of frangible fences encourage more hesitant riding, and therefore, in a roundabout way, make cross-country even less safe?

Tom McEwen and JL Dublin. Photo by Tilly Berendt.

“To be honest, I didn’t really ride differently, no,” says Tom McEwen, who won the feature CCI4*-S section, the Lycetts Grantham Cup, with his Kentucky runner-up JL Dublin. “Okay, of course you’ve got to think that everything’s pinned and clipped and XYZ, but, you know, a table’s a table – we don’t aim to hit any of these fences [when they aren’t clipped] anyway. So for me, realistically, it changes nothing [about my riding]; I still come down to the tables on a nice rhythm and treat the uprights no different to normal. You want to come in in balance, and you never aim to have an incident, but these safety devices are there for you if you do. It’s brilliant.”

Tom’s sentiment is the one we heard echoed time and time again from competitors across the two four-star sections – even those, like Gemma Stevens, who missed out on a higher placing because of an activation. 

“It’s frustrating, because of course it is – but I do think the safer fences are brilliant,” she says. “Bring it on!”

Tom’s win in the Grantham Cup came after a fierce battle between the entry list’s biggest spectator sweeteners: in the first phase, the top three places were occupied by the three combinations that represented Great Britain at last summer’s Olympics, and by the slimmest of margins, too. Ros Canter and her reigning European champion (and Badminton and Burghley winner) Lordships Graffalo led the way on a 24.3; Laura Collett and her own three-time five-star winner London 52 sat second on 24.4., and Tom and the former Nicola Wilson ride ‘Dubs’ were third on a 24.5. 

It stayed tight beyond the Olympic team, too: Gemma Stevens and the experienced Jalapeno III went into yesterday’s jumping phases in fourth on a 24.6, while 2023 and 2024 Grantham Cup winners Emily King and Valmy Biats closed out the top five on a score of 26. All five would showjump clear on Saturday morning, and even a singular time penalty for Emily didn’t reshape those business-end positions on the leaderboard. 

By the end of cross-country, even with a tight time, three class-wide MIM activations, and four further jumping penalties awarded across the 49 starters, the same five names would remain in the class’s top five – but this time, at least, they’d all had a bit of a shuffle. A very slightly steadier round for Ros and Lordships Graffalo saw them add 5.2 time penalties to slip from first to a final fourth place; 5.6 time penalties secured reigning champions Emily and Valmy fifth place; 0.8 time penalties for crossing the line two seconds over the optimum time earned Laura and London 52 third place; while Tom and Dubs, two seconds inside the time, stole the win ahead of Gemma and ‘Jala’, who also added nothing to their dressage score to finish a tenth of a penalty behind them.

“He feels bloody good,” laughs Tom of 14-year-old son of Diarado, JL Dublin. “He’s been very fresh all day, which has been lovely. And it’s the same with the dressage – he came out and he was so well behaved early in the morning riding, and then we went into the test and he squealed as we came down the long side. So I had to bail out of my first centre line, which is always, at this time of year, exactly what you want. This [early run] isn’t about having everything completely and exactly where you want it – you want to see them excited and happy to be out.”

Tom McEwen and owner Deirdre Johnston. Photo by Tilly Berendt.

The faster-than-usual ground meant that Tom then opted for a pipe-opening run rather than a conservative one.

“He was like a man possessed before showjumping, and the same for cross-country! I didn’t really know if I was going to have a quick run or slow run, but I knew I wanted to use this for prep. But there was only one way Dubs was going today, which was quick. So I thought, ‘let him rock and roll!’ He really utilised his huge long stride everywhere and everything was so free flowing, and the course really sort of played into that.”

The course, he continues, “was really well-dressed, and that really helped the profile for the horses, which for me is more important than anything else. The horses could really pick everything up well.”

Despite this being one of the season’s biggest four-star entries every year, with the better part of 100 or more entries across both four-star sections in each iteration, 2025 actually marks Tom’s debut in the Thoresby CCI4*-S. 

“I’ve entered it a few times, and then it’s rained and I’ve gone home,” he smiles. “But it’s really, really nice. I was very much on the bandwagon to go back to [Dutch season-opener] Kronenberg this year before it cancelled, so this was actually a second option. Fortunately, we’ve been super lucky with the weather.”

Coming here instead has another bonus: all three surfaces are on grass, whereas dressage and showjumping at Kronenberg are held on a surface. Getting some practice in on old parkland turf is a key part of the spring prep for ‘Dubs’, who has an entry apiece at Kentucky and Badminton, but is being aimed for the latter event after twice finishing second at Kentucky. 

“It’s great to come to a big show like this because for the last couple of seasons I’ve predominantly done everything on a surface, going to Kentucky or Championships,” he says. “Obviously Badminton is very much on grass, so it’s great to come and jump on the grass.”

All being well, he says, his other double-entered ride, Brookfield Quality, will head Stateside – so US readers with a penchant for Mr McEwen will still have plenty to cheer about in the Rolex Arena next month. 

Gemma Stevens and Jalapeno. Photo by Tilly Berendt.

It felt like every time we turned around, Gemma Stevens was zooming by on another big, rangy orange horse with white socks, a white face, and a merrily deranged look in its eyes. 

“It’s quite cool to have three full brothers here,” she grins, referring to the young Chilli King and his Bicton five-star-winning big brother, Chilli Knight, who finished second in the other CCI4*-S, for horses with fewer FEI points, and sixth in this section, respectively. In today’s CCI3*-S she rode the third of the brothers, Chilli’s Jester, though withdrew him before cross-country. Each of the boys, she says, doesn’t just look alike – they all have the same fundamental functions, too.

I couldn’t even pull Alfie [Chilli Knight] up,” she laughs. “I was like, ‘are we actually going to slow down at all; are we going to go round the warm-up three times before you stop?!’ Chilli King is just the same as Alfie – he’s such a machine and will gallop all day and all night just like him. They’re all really different, but they’ve all got that gallop – they’ve just got so much blood and so much want to gallop, and the work ethic is just unbelievable.”

17-year-old former Karin Donckers ride Jalapeno, on the other hand, is quite a different ride: “she’s the complete opposite to Alfie – we were in walk very quickly after we crossed the finish, and I end up puffing more than she does! She was mega, but she’d quite like to go round at a Novice speed, so I just have to kick her on a bit. She was like, ‘Christ, Mama, we’re going fast today!’ and I was like, ‘come on, you can gallop, you actually can move!’ She’s not so keen on going really fast just because she is quite laid-back – she’s not going to put herself through it if she doesn’t have to and I’m like, ‘today you need to move, because it’s time!’”

This will be a final run ahead of intended Badminton starts for both Jalapeno and Chilli Knight – “they don’t need to do any more,” says Gemma of her two experienced campaigners, both of whom will be vying for top ten finishes or better at the Gloucestershire fixture.

It was a busy week in the office for Gemma, who very nearly won the second CCI4*-S section with Flash Cooley, but had to settle for fifth place after a MIM activation: “He was super, he just for some reason, I have no idea why, misread the first corner coming out of the water and had the pin. He stormed round the rest of the course, and I’m really pleased with him.” 

Laura Collett and London 52. Photo by Tilly Berendt.

Laura Collett, who cruised to a third place finish in the Grantham Cup class with horse-of-a-lifetime London 52 also took the win the other CCI4*-S with another kind of horse-of-a-lifetime in Dacapo, by which we mostly mean that he’s just so weird that we can’t imagine she’ll ever find another quite like him. We also don’t suppose she’s that upset about that fact.

“He loved it out there – I nearly couldn’t hold him, actually,” she says with a smile. “We all know he does what he feels like; luckily, he was very happy and having a jolly time today, so I had a jolly time, too. He’s quite the character, and he’s never going to change – if anything, he gets worse as he gets older! But what’s good is that you know from the first fence whether you’re going to have a good day or a bad one.”

Much more straightforward – these days, anyway – is the veteran campaigner London 52, who, Laura explains, came to Thoresby as a box-ticking fitness run ahead of a later planned five-star start at Luhmühlen in June.

“He was absolutely feral in the showjumping, so I was a bit concerned he might be feral for cross-country, too, but he was actually very good,” says Laura. “I just wanted to give him a nice run, and the ground was literally perfect with one area that was a tiny bit tacky, so I could just let him travel. Because he’s going to Luhmühlen, he’s not at peak fitness yet, so this is a good run to help get him there – he’s not one you can run slowly; he needs to be woken up.”

Like Gemma, Laura had a MIM activation on one of her rides, the Badminton-bound Bling, who finished nineteenth in the second CCI4*-S section. But she, too, agreed with her fellow competitors that the odd pin penalty is a price she’s willing to pay to minimise the risk of a serious accident for herself or another rider. 

“I had a pin on Bling, and I didn’t feel like she really did anything wrong or made a mistake. But that’s just the way it’s going to go. One day it will be that it does save a fall, and we’ll be grateful for them. So if it saves a life, it’s worth it, and I think they’ve done an amazing job on the courses here,” she says. 

Hayden Hankey took third place in the second CCI4*S with the “tough, arrogant” Fools In Love, followed by Emilie Chandler and Ifnotwhynot in fourth. 

Kirsty and Vere Phillips. Photo by Tilly Berendt.

The Polly Phillips Memorial Prize, awarded as part of the feature class, is one of the coveted mainstays of Thoresby – and its prior iteration at Belton House. It’s given in honour of its namesake, Polly, who lost her life in a tragic accident at Thirlestane Castle Horse Trials in 1999. Following her passing, her husband, Vere, took up eventing her top horse, Coral Cove, and also set up the Memorial Prize in her name to champion the highest-placed rider in the Grantham Cup class who hasn’t yet represented Great Britain in a Senior Championship. 

This year, it was awarded not to fifth-placed Emily King, who won it the last two years and is, by anyone’s reckoning, still eligible, but to seventh-placed Kirsty Chabert.

Kirsty’s strong finish came with the classy, but often tempestuous, Classic VI, with whom she added just 2.4 seconds to her first-phase score of 32. Now, the mare will head to Badminton – potentially via Ballindenisk, as she particularly enjoys running there – as will the diminutive Opposition Heraldik Girl, with whom Kirsty had an uncharacteristic mistake, knocking the MIM on the wide corner coming out of the water complex. 

“I think that mistake is the best thing I could’ve had to wake me up, actually, because sometimes you need the reminder that even if they’re a machine, you’ve still got to occasionally give a kick and keep thinking forward. [Opposition Heraldik Girl] is the ultimate event horse in every possible way, but I just went out a little bit backward, and found a couple of gears after that,” she says. 

With Classic VI, or Betty, she explains, “It was pretty fun. It’s actually a really quick course – I thought I was flat to the board and I was still just outside the time, and she’s quick round corners. It was a really great course, and after my mistake earlier, I came out of the startbox meaning business.”

Kirsty Chabert and Classic VI. Photo by Tilly Berendt.

“It’s the biggest compliment you can get, when the riders are happy to set out and set sail,” says Stuart. “You sort of do wonder why on earth you do this bloody job, sometimes. But then I sat there this morning, and I was watching the first horses showjump, and the sun was out, and there was a backdrop of the house, and I just had sort of three or four of the best horses in the world jumping. And you think to yourself, ‘this is why I do it’. So it may take two or three years of bloody crap, and then you get a few moments like that, and it makes it all worthwhile.”

He was pleasantly surprised, too, to find that the response to his nearly entirely frangible course was overwhelmingly positive. 

“I was a bit concerned that riders would say ‘oh, we don’t want that’, because when I was in Lausanne, months ago, for the eventing forum they were saying ‘we don’t want 100% frangible courses’. And I’m sitting thinking, ‘Oh, dear, that’s exactly what I’m doing!’” he says. “So we’ve sort of kept it a bit quieter, although I wrote to all the riders last week and said, ‘when you walk, just be aware that what you think is not frangible is frangible’. And we discussed it at the riders’ meeting last night, and actually, they all clapped. I thought, ‘Well, that’s good, because I think they’re actually on side’.”

It might be a slightly different look to the sport than, say, the old long-format that we phased out two decades ago, or the rough and tumble ‘golden era’ of the sport. But this weekend’s competition showed that the new era doesn’t have to reinvent the wheel of what we all know and love. 

Next up? 

“Well, we’ll just never stop trying to move the dial and push the boundaries a bit further and make it safer,” says Stuart sagely. 

The Eventing Spring Carnival at Thoresby: Website | Live Scores | Live Stream | EN’s Coverage

“The More People that Push Barriers, the Better”: New Era of Frangible Fences Debuts at Thoresby

Stuart Buntine shows the adjustment window on one of his new frangible fences.

“You wouldn’t necessarily look at this and think it’s frangible, would you?” asks Stuart Buntine, director of event organisation company BEDE Events. He’s gesturing to a wide, particularly solid-looking table, which will be placed out on course for next week’s Thoresby Spring Carnival of Eventing, BEDE’s crown jewel event. And he’s not wrong – though frangible tables are a relatively new addition to eventing’s stable of safety technology, they’re generally recognisable by their visible mechanisms and those distinctive red MIM clips that make the whole thing function. 

Here, though, is a table that looks, well, like a table – and it’s not until you get much closer, and perhaps down onto your knees in the grass, that you’ll spot a little window through which you can see (and, more importantly, access) the MIM. That window is crucial: it’ll allow fence judges, who’ve been briefed on how exactly to wiggle a MIM to work out if a hard knock has weakened it, to do exactly that between horses, avoiding – as much as is possible, anyway – the ‘soft knocks’ and preventable activations that keep some competitors on the fence about this kind of technology. 

So that’s phase one of Stuart’s plan: the aesthetics of safety. 

“I would love to get back to traditional cross-country fences,” he confesses. “There’s some stuff I did with Mats last year that I’d love to do with natural rails, bent rails, twisted rails. We’ve nearly got them approved now. It always comes back to this: if you can build a fence, can you make it frangible? [Our ethos is] let’s try, and then we know if we can use it as a frangible or not.”

Mats – tall, smiley, and Swedish – is Mats Björnetun, the man behind the MIMS. He founded MIM Construction AB in 1986 with the automotive industry in mind; for years, he and his team created innovative products to keep people safer behind the wheel of a car. But eventing was never far from his mind, thanks to a keen interest in the sport that saw him join organising committees in his home country throughout the 90s. 

Bringing safety technology, his area of expertise, to eventing, his area of interest, was a slow process, though, and it wasn’t until 2013 that the MIM clip was approved for use by the FEI, adding an extra dimension of risk-avoidance to the extant frangible pin, which had been in use on post-and-rail fences since 2002. Where frangible pins break only under vertical force, MIM clips can be activated from either vertical or horizontal impact. Both ultimately aim to do the same thing: in each use case, the deformable part of the fence will collapse under significant force, which allows for a disruption to the trajectory of a horse’s fall, allowing them to get a front leg out in front of them and stabilise themselves or, at the very least, twist in mid-air into a less injurious tumble. Either option is significantly more desirable than a true rotational fall, in which an unimpeded trajectory sees a horse’s momentum channeled into flipping it in mid-air so that it lands directly on its back, often with the rider directly beneath it and taking the full brunt of the fall. 

In true rotational falls, much existing safety technology doesn’t stand a chance. Air jackets, which can provide crucial additional shock absorption in many types of falls, are reliant on a split-second moment in which the rider is separated from the saddle, which pulls the activation cord and inflates the vest. In a true rotational fall, the rider doesn’t leave the saddle at all, and is left with minimal physical defenses from the impact of 500+ kilograms of horse, plus the cruelty of inertia. The statistics around rotational falls make for grim reading: in most rider fatalities, this type of fall trajectory is the culprit, and in 1999, British Eventing’s annus horribilis, four of the five riders who lost their lives did so as the result of a rotational. But, more hearteningly, in the twelve years since the introduction of MIM technology, the number of rotational falls is in decline: in 2011, two years pre-MIM, 0.2% of starters suffered a rotational fall. In 2022, that figure went down to 0.07%, effectively making it three times less likely that a rider would have one. 

The work is, of course, not even close to done, and life-changing accidents are still all-too common in eventing. While MIM clips are an increasingly common site on upper-level courses now – most airy oxers and corners will have them, with the latter sporting more sensitive yellow MIMs, introduced in 2017 – there’s still a wide swathe of fence types that aren’t collapsible. 

But after the introduction of the collapsible table, which we’ve seen in action at both the Land Rover Kentucky Three-Day Event and the MARS Badminton Horse Trials, an awful lot more innovation started to look possible. As Stuart introduces us to his new fence designs, all of which will be used at Thoresby, there’s at least one moment in which the obviousness of it all smacks us in the face: of course we could make this collapsible. Why didn’t we just try?

The underside of the hanging log fence.

His new-design fences, cooked up after plenty of time in the workshop with Mats, include a solid arrowhead, a roll-top, a sheep-feeder and, perhaps most poignantly, a hanging log, which looks formidable and untouched, but if you crawl underneath it, you’ll see that it’s completely hollowed out. 

“It’s a quick job for a sawmill to do, once they’ve worked it out,” says Stuart. Effectively, the hollowing removes 50% of the log’s weight, making the physics of the horse vs fence dilemma work much more in the horse’s favour. Then, like any frangible fence, it’ll lower – the magic number, Mats tells us, is just a 20cm deformation in order to positively alter a horse’s trajectory – and, with any luck, save a life. 

Its addition to the roster of MIM-equipped fences is poignant because among our small group of event organisers and journalists are Jo Williams and Debbie Strang, sister and mother, respectively, of the late Georgie Campbell. It was just in May of last year that Georgie tragically lost her life in a cross-country accident at Bicton Horse Trials, jumping just this kind of fence: a sturdy hanging log into the water, over which she and her horse had a slow rotational. The fence wasn’t frangible; at the time, no fences of this type were or ever had been, and much of the ‘old guard’ response to whether it should have been came down to a singular idea, and one that has, perhaps, been the rope around modern eventing’s neck: that just isn’t something that’s done. 

Now, though, it is. By October, a frangible trakehner design had been created, tested, and approved, and was in use at the Aspen Cooling Osberton International Horse Trials, another BEDE event under Stuart’s leadership and utilising his course design skills. This kind of innovation and refusal to stick to what’s always been done is something that Georgie’s family has taken an active interest in supporting. 

“In the aftermath of Georgie’s death, we started looking at how we could create a foundation in her name,” says Jo, who now helms the fledgling Georgie Campbell Foundation. “Initially, we started looking at how we could support people starting eventing businesses, and that was probably the comfortable thing to look into in those early days. Probably, we’d parked the safety question because it was a bit too painful to go there, but it’s evolved over time, and it makes a lot of sense for us to align Georgie’s story and that personal element with a push towards increased frangibles and reduced rotational falls.” 

Now, as the Foundation submits its Charity Commission application and prepares to evolve from its embryonic early stages, supporting safety technology initiatives is very much part of its model. That’s no small feat: for now, Jo explains, she’s navigating the complexities of the sport’s global and national governing bodies and having conversations with other families in similar positions, including the Meheust family, whose daughter, Thaïs, died in 2019 at the age of 22. The Ride for Thaïs charity now focuses solely on fundraising for safety technology.

In researching the loose ends in safety innovation, Jo has stumbled upon a lack of cohesion between groups and countries that, if addressed, could allow for greater combined efforts to improve safety statistics across the sport.

“I personally think there’s lots of great things going on across the world in this space, but maybe they’re not as joined up as they could be at the moment,” she says. “The University of Kentucky has done a whole study in the US; there are different things going on in different countries. But it feels to me that we need to pull together so that the investment in those things can be shared globally.”

“Something I’ve definitely seen in my professional life,” she continues, “is that what gets measured, gets done. And how compelling it is to have a goal. So for me, it feels like it needs all that detail, and kind of a roadmap, or a baseline to flesh out around where we are right now. How many fences have frangibles? Where do we want to get to? What does success look like? Which types of fences, which types of events – we want to reach out to the GCF audience to ask for funds, but we want to be really clear about where that money is going, and how it could help.”

For now, it’s clear that much of that kind of forward thinking is happening in two workshops – one in Sweden, and one in the UK. Over on Scandinavian shores, Mats comes up with his own ideas, which he can then show to Stuart, who either moves ahead with them or decides to go in a different direction. Equally, he’s used to picking up the phone to his friend and co-conspirator, who rings him with thoughts and ideas – a back-and-forth of ‘what ifs’ and prototypes. It was that back-and-forth that led to the development of what Stuart calls ‘the parallelogram’ – “that might not actually be the correct word,” he says with the grin of someone who may have skipped a high school geometry class or two to ride horses – a MIM-driven foldable structure that allows these new, more complex designs to safely deploy. 

The parallelogram before being deployed…

…and after.

Then, with the parallelogram perfected, course builders Will Seely and Chris Eaton were able to get on with building their own prototypes, bringing ideas from across the board to life and discovering what works and what might need to wait for the next innovative design. 

“We said, ‘how can we do something different?’,” says Chris. “Stuart wanted to make a bit of a triple brush, but without the brush, and he said, ‘can we do that?’ He came to me and said, ‘right, I’ve been thinking about this overnight,’ and he got a Christmas card he’d been about to throw away, and he chopped one corner, chopped another corner, and said, ‘this is it – this is what I want.’ I was like… ‘yeah, right!’ He showed me how he wanted it to fall, and I thought, ‘not quite, Stuart!’ Will was away that weekend, and he came back to find the card on the Monday, and we both said, ‘this won’t work for XYZ reasons.’”

The collapsible arrowhead proved a challenge — but a conquerable one.

But when they came back to the parallelogram as a chassis, and figured out how to make the weights work out, there it was: a functional fence that looked as solid as Stuart had hoped, but still successfully deformed upon impact.

One of the biggest challenges, beyond accommodating the more traditional aesthetics, was ensuring that the system of having a chassis underneath and the bulk of the fence on top didn’t create an open space into which a horse’s leg could slide. But ultimately, says Chris, adding in additional panels and getting the balance right “just came down to moving forwards and back until you hit the sweet spot where you can do it. Now that we’ve figured out how to do all these different designs, we can cut the build time down from a day and a half to getting in in the morning and having it done by two in the afternoon.”

In the above video, Chris and Will demonstrate the activation and rebuild of a frangible table. Please note that these fences were not secured into the ground as they will be when used in competition — this set-up was purely for demonstrative purposes.

Thoresby, which runs international classes from CCI2*-S to CCI4*-S, and national classes from Novice to Advanced, will have frangible-heavy courses across the board next week – and Stuart is aware that that won’t necessarily be something that every competitor is happy about. 

But, he says, “if we can make the sport safer, why would we not?”

Thoresby’s courses will also feature plenty of more familiar frangibles, such as this wishing well fence.

He will, he expects, learn plenty from watching his new fences in action, and plans to review footage of each of them in the aftermath of the event. He’s aware, too, of some of the associated risks – like, for example, what might happen in the event a horse banks a frangible table, which we saw happen without incident at Badminton in 2023, but which could, in theory, create a fall where one may not otherwise have happened. Ultimately, though, he stands by his primary ethos: that the push for a safer sport must be continual and ongoing, and must never stagnate.

““I had a conversation with a course designer the other day and I said, ‘my head’s in a noose – if I get it wrong, I’ll take the flack.’ But I’m prepared to do it, because I think we’ve got to move the discussion on. We will get better. All the time, I’m talking to Mats, saying ‘yes, but… let’s push back on what’s accepted today – can we challenge that to get it better?’ You’re never going to eliminate risk. Whatever we do, when we gallop a horse across country, there’s always risk. We’ve got to reduce rotational falls, because that is where the big risk is. The question is, every time we build a fence: can we do something here? What can we do?”

“If I can compare it with anything, it’s a car airbag in the steering wheel,” says Mats. “It saves three lives; it kills one. But that’s a 300% net effect, and we have to look at the net effect. It comes down to figures in the end. Can we stand with the figures? Because then we can stand with the whole project.”

Where there are frangibles, there’s also, inevitably, the question of the 11 penalties awarded for an activation – penalties that are not currently appealable, though many riders would prefer to see a more subjective view taken on them in the case of soft activations. For now, though, Stuart’s view is that scoring decisions have to reflect the limitations of developing nations – and if 11 penalties is the price to pay for the avoidance of a life-changing accident, then all things considered, we’ll all make do and adapt. 

“The big thing to remember is that here in Britain, yes, we have a standard that we run to. But out in Bangladesh, for example – how do you make sure you have all the videos [at events with fewer resources]? So it’s been discussed a lot, and we always keep coming back to this: if it goes, it goes, and it’s 11 penalties. That’s ultimately where we are right now. The big question is, are we better to ask the riders to just take a little pull and take [a frangible fence] a little more carefully, or not?”

Where we are right now, though, might not be where we are in twelve months, or twenty-four, or thirty-six. And that, concludes Stuart, is no bad thing.

“This is a step on the road. It’s very much not the end result. But the more people that push barriers and expand upon ideas, the better.”