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Tuesday News & Notes from Kentucky Performance Products

 

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One of the rather more confusing moments on course at Burghley on Saturday was the pulling up and subsequent elimination of Will Rawlin and Ballycoog Breaker Boy. While we absolutely agree with the new tendency to be overcautious in the protection of horses, and of our sport, it’s also always nice to get some further clarity on the situation. Will’s Instagram post doesn’t get to the bottom of why they were pulled up, but it does offer some reassurance that all’s well and we’ll see this smart horse back out after his winter holidays. Onwards!

Events Opening Today: Hitching Post Farm H.T.Waredaca Classic Three Day Event & H.T.

Events Closing Today: University of New Hampshire H.T.Jump Start H.T.Spokane Sport Horse 10th Annual Fall H.T.Stable View Oktoberfest 2/3/4* and H.T.Sundance Farm H.T.Tomora Horse TrialsCourse Brook Farm Fall H.T.ESDCTA New Jersey H.T.Old Tavern Horse TrialsFleur de Leap H.T.

News & Notes from Around the World:

Hey Bostonians, here’s a cool thing for you to get involved in! Phillip Dutton: Leap of Faith is a new documentary spanning the career of the original Aussiemerican competitor, and it’s premiering at the Boston Film Festival this month. While Phillip won’t be there himself — he’ll be joining virtually from Blenheim for the post-film panel — it’ll be a pretty fascinating film and a great way to be a part of it. You can get yourself on the list and check out the trailer right here.

The last few days have been absolutely chock-full of grim news for eventing. One of those bombshells? The news that Kazuma Tomoto, the stalwart of the Japanese eventing team, is being sent back home with no option to stay in the UK with his string of horses. Instead, he has to leave them behind, hand the reins to another rider, and go back to Japan to become a riding instructor — and none of these things reflect his own desires. You can read H&H’s news piece on the story here, and we’ll be bringing you a story on it very soon too.

Speaking of horrendous news: Andrew McConnon. Rest assured that we’re working around the clock to bring you a comprehensive story on what’s going on there, and have been doing so from the moment the first Facebook post dropped, so I won’t go into the nitty-gritty of the situation here, but in case you missed it, here’s the latest statement to be released on it, from US Eventing.

Right, let’s do something more fun now. Like, say, a roll in the hay from the Dame of Dirty Horse Books, Jilly Cooper. If you’ve not read Riders, in all its filthy and wildly problematic glory, you ought to, purely so we can discuss. If you have, you’ll be very aware of the forthcoming televisation of Rivals. And you’ll want to ask Jilly lots of questions. Some of them may pertain to butter. Here’s your chance.

Sponsor Corner: What makes some hay higher in sugar than others? If you work with a horse with metabolic issues, you know how frustrating it can be to find low sugar hay. Kentucky Performance Products has some answers that might help you in your torturous hunt for low sugar hay. Get the full scoop here.

Watch This:

I’m crying, you’re crying, Pippa Funnell’s crying for William Fox-Pitt’s retirement from the sport. It won’t be quite the same without him.

“What Happened in Paris Built Me Up”: Ros Canter Takes Decisive Burghley Victory

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

Could it be argued that today’s Defender Burghley showjumping track was built on the softer side? Absolutely – it certainly walked as a much different type of track than the enormously influential one we saw at Badminton this spring, and the word on the street is that the course designer made his final plans for it factoring in the heavy rainfall we experienced overnight and into this morning. A fair call, and the right call, considering the major challenge horses faced yesterday over Burghley’s hills and dales – but when the sun decided to make an appearance mid-morning, it did so with surprising ferocity, and the impact of all that water on the ground ultimately ended up marginal.

But could it also be argued that even with a much tougher showjumping track, or a bog of an arena to jump in, Ros Canter and Lordships Graffalo would still have triumphed. Also yes, and emphatically so. They did just that at Badminton last year, after all, and we’ve yet to find the kind of conditions that put rangy ‘Walter’ off – and as the reigning European Champion, an Olympic team gold medallist, and a Badminton champion, he was already tipped as the ultimate event horse long before his name even appeared on this entry list.

And now, frankly, it’s confirmed. It’s been a long time since we started referring to eventing as being a two-prong sport – these days, there are championship horses and championship tracks, with their own unique pathways that look quite different to those for ‘traditional’ horses over ‘traditional’ five-star tracks. For many horses, it’s one or the other. When you find a horse who can do both, and make it all look laughably easy, you know you’ve found one that’ll be talked about long after his final run.

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

For our newly-crowned Defender Burghley champions, that final run looks a very long way away indeed: despite all his extraordinary accolades, ‘Walter’ is still just twelve years old, and Ros, at 38, isn’t even a decade into her five-star career. It was here, in 2015, that she made her debut at the level, finishing 37th with Allstar B and fulfilling a lifelong dream of riding around her most local major event – an event she and her friends in the South Wold Hunt North Pony Club would come to spectate at every year, and a venue at which she, in those heady Pony Club days, would come to compete in rallies held in the back fields. She’s been back several times since, coming close to, but never cracking, the top ten. This week, she and Michele and Archie Saul’s horse of a lifetime came with one mission in mind: to finally tick the box. They did so, delivering a clear round with just 1.6 penalties, despite having a much broader margin of 7.5 penalties – a rail and time – to play with. In adding that 1.6 time penalties to their faultless cross-country round and their 22 dressage score, they not only won, but also set a new record low finishing score for the event.

“It’s just amazing, really, I think. I’ve just had a text message from my two best friends from my Pony Club days saying, ‘I can’t believe you just won the event that we came to every year together as children,’” says Ros. “And that sums it up, really – it’s something that we’ve worked on for years, and I wasn’t sure I’d ever tick the Burghley box. You know, the last few performances, they’ve been all right, but I’ve not quite made it. So just turns out you need a horse like Walter, don’t you?”

It’s Walter’s world. Photo by Hannah Cole Photography.

“I grew up coming here pretty much every year,” she continues. “And then, my riding career started in Burghley Pony Club show jumping. I moved on to the Young Event Horse classes, which I did for many years, and I actually thought [that] might be my pinnacle for a bit. And then it was my first five-star. So it’s been  quite a journey at Burghley. If I wasn’t competing, I would still come: I love the place, and I haven’t had much of a chance to kind of wander around much this week, but on Thursday morning, I wanted to go up to the dressage and just have a look at the arena and make sure I knew where I was going. And I wandered up through the trade stands before everything opened up, and I thought, ‘there’s just something magical about this place’. It’s got this kind of calm feeling about it, but it has the buzz and the excitement as well. There’s nowhere else like it.”

There’s no horse quite like Walter, either. Their 2024 was framed wholly around the Paris Olympics, which ran early enough – in late July – to allow for some time to recover and go again in this early autumn season, and as they were held as a ten-minute four-star on flat ground, Walter came home feeling particularly well in himself.

“It was just such an amazing opportunity, with Paris being quite early, to be able to bring Walter here,” says Ros. “If there was ever an event horse and an event that could match each other, I think this is it with Walter and Burghley. It definitely it was a box I felt I hadn’t really got quite right yet — I’ve had a few runs around here on a couple of different horses, the first two with Allstar B, when I hadn’t quite found my way and hadn’t quite found my system. And he was amazing, and I gained lots of experience, but I never really got the opportunity to have another go on him and show what he could do. So it was just fantastic to be able to bring a horse that I had such faith in, and to really let rip on the Burghley terrain.”

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

In that interim period between Paris and Burghley, Ros had a few lightbulb moments while sharpening up the areas in her performance that she felt could improve. Key among those? Marginal improvements to the gelding’s straightness, which led to major gains in the ring.

“With only a couple of weeks preparation, I suppose, after Paris, I was really happy with everything I achieved in a couple of weeks running up to Burghley,” she says. “I felt like I made a few key changes to the way I was riding Walter, and it made quite a big difference to the way he was going. So I came in here quite excited to be able to put that into practice and see how it made a difference to his dressage — and I was really delighted with how the week started. And then it just continued from there, really. I was quite determined to be really positive this week. I wanted to enjoy it as well. I’ve got my family here and things like that, and I wanted to be really focused when I needed to be and have a bit of downtime too. Sometimes I can get a little bit — I struggle to enjoy things, because I feel like I ought to be working harder than everybody else and thinking more than everyone else. And this week, I felt like I got the balance right.”

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

In taking this exceptional win, atop the best Burghley field we’ve seen perhaps ever, Ros also closed the book on a couple of tough ‘nearly’ moments that affected her more than she’d expected, including that contentious 15 penalties for a flag at the Olympics, and the shock loss of Luhmühlen in the final phase in June.

“It means an awful lot. And I think when I went to Luhmühlen this year [with Izilot DHI], I went from being fairly comfortably in the lead to finishing fourth, and it really struck me then that actually it did mean a lot to me,” she says. “I was bitterly disappointed with that, and I maybe hadn’t realized quite how much it all still meant to me. And so doing Paris – Paris was amazing, and I feel so grateful to have won the gold medal, but obviously it came with its ups and downs. There were lots of challenges to overcome, so whilst I was there, it wasn’t all ‘this is great’ and positive, positive. So to be able to come here, I feel like what happened at Luhmühlen, what happened in Paris, it’s just kind of built up for me to be able to learn from those things and to bring my best performance here, and then, of course, to be able to do it with Lordships Graffalo makes my job a whole lot easier.”

Tim Price and Vitali. Photo by Hannah Cole Photography.

One of the banner moments of the day was the very nearly foot perfect showjumping round delivered by Tim Price and Vitali, who lost the win here last year when tipping three rails, and who, in five previous five-stars and the Tokyo Olympics, had never had fewer rails than that on the final day.

But today, after so much patience, and so much tact, and so much commitment to a horse who wants to do everything right, it just about came off, and Tim and Vitali tipped just one rail to retain their runner-up place.

“He just was with me, and I think it’s physical and mental with him, and I know he’s got the ability,” says Tim. “So I just had him in a nice way where he was listening to me, and it’s always that [you’ve] just got to keep tweaking and fiddling and have 100 attempts, like I’ve had, to finally get somewhere close to a clear round. So I’m really happy.”

One of the most promising moments in the round came when Vitali kept his confidence after a bit of a change of plan mid-course.

“I was happy because I hooked and changed my mind a little bit down to number seven after the four stride line. And I thought, ‘shit, if I have a rail now, then we’ve got quite a lot more jumps to jump, and it’s kind of my fault that then he’ll throw his cards to one side and march out of the room’,” says Tim. “It’s so hard because he’s a trivial horse, and it’s my job just to try and ride him like a normal horse and have him behave like a normal horse. So that was my task today: have him relax, him with me, and jump each fence as it came along.”

One of the things that’s probably been the most frustrating about Vitali is his evident talent for this phase – and in one-day events, he’s a frequent clear-round flyer.

“He’s actually jumped clear rounds all year, except for Badminton. So he is actually a good jumper, which is probably a weird thing to say for a horse that’s had probably 48 rails in the last couple of years! It’s just when you switch the cross country [to the day before], and the atmosphere, I think are the two big things,” says Tim. “So it’s just been a matter of trying to have him with me and a little bit more think of dressage – like, I probably did six flying changes in there when I went in today, which is a bit weird. It’s like you’re showing off, but it’s just to check he’s on the aids, because he cocks his jaw, looks at the crowd, and then I ask for a change, and he’s like, ‘Oh yeah, I do those.’ And then he looks over there, and I do a wee change. And it just keeps him a little bit more the way that he can do what he does on the dressage. It’s just, I think, to keep him with me, and then for me to try to not ride him in some crazy, random way to the magical clear round. I just try to ride him really normal.”

And, he continues, it’s also about forgetting the disappointments of the past and trying to hope again each time.

“You’ve got to put all that to one side and just stick to trying to reinvent the wheel each time and figure out, because I believe in the horse, and he’s an athlete, he’s a great jumper. But to actually find the key to his long format show jumping issues has been a long and enduring task, and so I’m just thrilled that I think I’m on a page with him now that I think not only was great for today to keep me in the mix, but also for the future with this horse. It’s one thing putting a great score on the board in the phase A, but you need to be able to go and do what he does cross country, which maybe is shadowed by his great performances in the dressage and not-so-great performances in the show jumping. I’m looking forward to hopefully being in the mix in the future a few more times, and hopefully sitting where Ros is sitting a couple of times, maybe. But I’m just so super happy today, for him, his connections, his owner, and we’ve all tried so hard —  today was a good day that I think will go down in my books as one of my greatest days in the sport.”

Harry Meade and Cavalier Crystal. Photo by Hannah Cole Photography.

Split as it is into two halves, the final day at Burghley is often actually one that affords a bit of time to relax and process it all. Not so for Harry Meade, though, who had three horses here this week, and piloted all three of them to competitive placings yesterday, which meant that – in order to give him enough time to adequately prepare each of them – he had to jump his fifteenth-placed Superstition out of order in this morning’s session.

But what a walk in the park he made it all look: they delivered one of the three clears inside the time in that section to move the smart gelding up into an eventual twelfth place, and when he returned to pilot his two top-ten rides, Cavalier Crystal and Annaghmore Valoner, this afternoon, he did so again with the former. The latter, making her debut at five-star after winning Bramham CCI4*-L this summer, tipped just one rail, giving the two mares a swap-around in the rankings, and ultimately putting Cavalier Crystal into third place and Annaghmore Valoner into fourth.

Harry Meade and Annaghmore Valoner. Photo by Hannah Cole Photography.

“For me, it’s been a bit of a whirlwind week, just trying to stay at the moment the whole time, and give every horse the best opportunity in every phase, and do them justice,” says Harry, who was one of just two riders to finish on his dressage score today, with Cavalier Crystal. “And I hopefully did that. I think with all three horses, it was a great outcome. They’ll all go home better horses than they arrived here, and [I’m] really happy. Cavalier Crystal’s hopefully cemented her place as not just a sort of anomaly, but Annaghmore Valoner was my wildcard coming here, and for her to pull out that kind of performance was really exciting. Hopefully she’s got bigger things in her.”

There is, of course, nothing that’s an anomaly about Harry’s extraordinary efforts this week with three very different horses.

“I grew up as a little boy wanting to do the sport, and it’s really simple: I wanted to ride at the big events, and that includes Burghley. It’s been a long, long project to try and produce horses that are happy and confident and resilient and able to not just flourish, but really flourish when the conditions at their absolute worst. [Martyn Johnson, Burghley director] said it was perfect weather, and I thought it was totally imperfect weather,” he laughs. “I was hoping we were going to have really heavy rain and make everything even tougher, but to produce horses that can come to the fore around a cause like Burghley is what I’ve tried to dedicate my life doing, and in a way, I’ve got a wonderful team behind me that we’ve now got multiple horses at that level. It’s what keeps me going every day of the year, and I just really hope to one day be sitting where Ros is sitting.”

Tom Jackson and Capels Hollow Drift. Photo by Hannah Cole Photography.

Fifth place was well-earned by 2022 runners-up Tom Jackson and Capels Hollow Drift, who jumped an effective clear inside the time to move up three places in the final standings.

“I mean, I keep saying it all week, but he just delivers every single time, doesn’t he?” says Tom. “[It] probably wasn’t my most perfect round, but he just jumped his socks off in there, and just tries so hard in every single phase. I couldn’t be prouder of him. Another five-star, another top ten result with him, so what more can I ask for? He definitely deserves a holiday, and then we’ll make a plan [for what comes next] after that.”

Gaspard Maksud and Zaragoza. Photo by Hannah Cole Photography.

France’s strong initial line-up of four competitors thinned to just two yesterday, but the two still in the hunt made sure to give the tricolore its share of the glory: British-based Gaspard Maksud completed his Burghley debut with a one-rail round aboard his World and European Championships mount Zaragoza, earning them a final sixth place, and championship stalwarts Nicolas Touzaint and Absolut Gold HDC finished seventh in their own debut after adding nothing in the ring.

“I just added to come to the first fence, and I lost the power – and then that will happen. It’s totally my fault,” says Gaspard, who finished sixth with the then-nine-year-old mare at the 2022 World Championships, but hadn’t ticked the five-star box yet. They made their debut at the level at Pau last year, but a fall in the water on cross-country meant the week would be an educational one, rather than a competitive one. This week, though, they’ve made up for that abortive start – and proved themselves as fierce competitors after being left off the French Olympic team – with a very competitive first-phase score of 26.8, just 3.6 time penalties across the country yesterday, and today’s one-rail final round.

“I had a fence down, but it’s totally my fault. I’m really happy with the horse; it’s another day we are both learning, it’s a first five star completion for the both of us, and we finish on a score of 34,” says Gaspard. “I mean, we’d have signed for that before coming here! So, you know, I’m very chuffed with her. This one’s on me – I let her down [with the rail], but she was class.”

Nicolas Touzaint and Absolut Gold HDC. Photo by Hannah Cole Photography.

Nicolas Touzaint’s Absolut Gold HDC has been such a mainstay of the French team at championships in recent years, including as part of the bronze medal-winning line-ups at the Tokyo Olympics and last year’s European Championships, and so it’s almost hard to believe that the fourteen-year-old hadn’t yet done a five-star before this week. It was even harder to believe when watching his prowess across the country yesterday on Derek di Grazia’s tough track, and today, his fluid, fresh, and faultless showjumping round sealed the deal that he’s a horse who can do it all.

“This is an extraordinary horse, and everything went very well today,” says Nicolas, who’s produced the gelding from two-star up. “I know him by heart. He jumped very well outside and then in the arena, he was really focused. I had the feeling that if I didn’t make any mistakes, he wouldn’t either. Everything was with us — the horse was calm, was concentrated. I’m over the moon.”

Alex Bragg and Quindiva. Photo by Hannah Cole Photography.

Alex Bragg combines being a top-level event rider with farriery, and so it was a cruel irony that his showjumping preparation with the smart Quindiva was very nearly wholly derailed by a last-minute issue with the mare’s shoes.

“The ground in the warm-up is a bit deeper than in the ring, and I was panicking because I have these aluminum front shoes on her, and the stud holes went and we couldn’t get studs in,” he says. “So all this was going on the last few minutes before we go in. Nobody sees that in the stands, but it’s quite stressful outside, and going in knowing that your horse’s front feet are going to move when she goes to plant in the ground to take off.  I felt like I supported in the rein when I wanted to, but [was] desperately just trying to control her front end. With some horses, that will upset the jump and close the back end down — but she’s so phenomenal and she just pushed and tried. And it just shows how talented she is that even a bit under the [pressure] there, she did fantastic. She’s been great all weekend.”

“[The aluminum shoes are] something we’ve done with her at five-star because of the distance, to try and make life a little easier for her,” he continues. “So she only goes into those for this moment. The rest of the time she’s in steel shoes, because aluminum is much softer. It’s not so great for their feet to live in those, so you want them in them for a purpose, and that’s the purpose really — just because it’s less weight on the end of the leg, which you hope is going to cause less fatigue and also less risk of the leg swinging and injury. But obviously to every pro, there’s always a con, and this sometimes arises. It’s not what you want, but it happens, and it was pretty stressful. [It’s] tough for the team, because everybody’s panicking a little bit, and then you just have to make this decision — like, it is what it is, you’ve just got to go in and cover it up. It’d be so awful if you felt the horse slip and have a rail because of that, but she didn’t. She did that so we can all breathe a sigh relief and, you know, thank God for her, eh?”

The pair delivered a clear round inside the time, allowing them to finish on their first-phase score of 35.1 – the only combination other than Harry and Cavalier Crystal to do so.

“Not many people have ever done that around Burghley, so I’m so proud that we can add ourselves to that list,” says Alex, who took eighth place – an accolade that follows the pair’s third-place finish at Badminton.

Gemma Stevens and Chilli Knight. Photo by Hannah Cole Photography.

Gemma Stevens was one of our most joyous finishers on cross-country yesterday, when she whooped her way through the flags after a speedy clear aboard Bicton CCI5* winner Chilli Knight – and today, she was more quietly pleased with her final round, which saw the pair add just one rail and drop from sixth to ninth.

“I’m absolutely thrilled with the horse, not cross with him at all. He just made one mistake, annoyingly,” says Gemma, who also showjumps at top level. “He just came down too early on an oxer and actually touched it in front, which is a weird mistake for him to make, and actually unusual for him, but it is what it is — they’re horses, at the end of the day, and he galloped beautifully around across country yesterday.”

“The ground,” she continues, “was actually pretty soft in there. And actually just a little bit, I think he was just a little bit feeling the softness of the ground. He probably wouldn’t love that – jumping in that in there – but he tried his little heart out, and I’m thrilled with him. Yes, I’m gutted, for me, because it means I’ve lost out on a top five placing, but still — top ten and a sound horse, a happy horse, and his owners are really happy. We’re all really proud of the horse.”

Alice Casburn and Topspin. Photo by Hannah Cole Photography.

22-year-old Alice Casburn rounded out the top ten with her sixteen-year-old homebred Topspin, whose dam and granddam were evented by Alice’s mother, Caroline. Since partnering with the rangy gelding in her teens, Alice has logged plenty of mileage in the jumping ring – including the odd puissance class for fun – as well as in eventing, and so they can ordinarily be counted upon to deliver the goods on the final day.

And deliver they did: their clear inside the time, and their scant 1.6 time penalties yesterday, were combined with their first-phase score of 36.6 to give them their third Burghley top-ten finish, and a three-phase climb from 48th place.

“He’s absolutely incredible. I sort of came out today, and I thought, all three, clear rounds in a row, that’s a rather big ask,” laughs Alice. “And actually, he never jumps very well in the warm-up. So it’s always quite frightening for me, because every single time I jump in the warm-up and he goes, ‘tap, tap, tap, tap, tap,’ and I think, ‘oh, here we go.’ And every single time he goes in there, he absolutely lights up. He loves his job, and he was phenomenal today.”

It’s a brilliant return to form for the pair, who’ve been exceptional at this top level but had a couple of surprise 20 penalties on their form sheet earlier this year at both Burnham Market CCI4*-S and Badminton. For Alice, this year has been about re-finding their mojo.

“I think it’s different things for him and I. So for me, it was finding another goal to keep myself motivated. I said to mum, it’d be really easy to go home and say, ‘Oh, well, you know, Badminton didn’t happen, so I’ll wait till Burghley,’ but obviously Burghley is such a long way away,” says Alice. “So even if I create a goal with a younger horse, just to keep myself productive and stuff like that. And for him, I think it’s just because he came out so excited at Badminton, like he was [yesterday], and I wasn’t really used to it, and we just sort of went back to basics at home. I did a lot of show jumping, anything to sort of build confidence, really. It was never a matter of, did he love it? But, you know, I think it’s very difficult, because when he reached 16 this year, I thought, ‘Oh, is this his sign that actually it’s a little bit too much for him?’ And then I thought, ‘No, it’s not. He just got overexcited.’ And I think sometimes you can get really destructive [in your thinking], so I think it’s a matter of also, you know, looking at a record and looking at your horse and making sure that actually you’re making decisions, not just based on how you feel, but factually.”

Cosby Green and Copper Beach finished their week as the highest-placed of our US contingent, knocking just one rail in an otherwise classy round to take 16th and complete their three-phase climb from 26th.

“I’m really happy with that. It’s a bit of an improvement from last time, and he really was trying for me out there. So I’m really, really pleased with him,” says Cosby, who finished 31st at Badminton after a tough day saw them add 28 penalties in the final phase.

Of her Burghley campaign, Cosby admits that she wasn’t sure that it would actually happen.

“I wasn’t sure if I was going to be here a couple months ago, and he just proved me wrong. So I’m really happy. I think it was the Sunday of Badminton, Jonelle [Price] said we’re going to Burghley. And I was pretty convinced he was going to retire after that. So Jonelle has been having me prepare him for Burghley this whole time. And I’d say I’ve just been in denial about it, because in what world would an 18 year old do a third consecutive five-star? I thought, ‘we’ll see when we get there’. And I was preparing him, but myself mentally, I was not completely prepared to be here. But he’s been steady Eddie on the prep, and it’s gone according to plan. About a week ago, when I had my last jump on him, and I was like, ‘wow, he’s ready.’”

A new addition to their tack locker also played a role in the great result.

“This was my third time jumping him in [a hackamore] ever in having him four years,” says Cosby. “And it worked out! I wasn’t sure how it was going to go, but he seemed to like it, so I think we might do that again next time. He just wasn’t responding positively enough in the bit, and he just kind of kept coming inverted, and especially at Badminton, I kept pulling and nothing was happening. So just tried a bit of a different approach, and especially after a hard day of cross country, it worked out.”

Jennie Brannigan and FE Lifestyle. Photo by Hannah Cole Photography.

Jennie Brannigan and FE Lifestyle finished in 23rd place after tipping a frustrating two rails, while Andrew McConnon and Wakita 54 took 27th place, also knocking two in their round. Mia Farley and Phelps took four down in the ring, giving them a final placing of 32nd and plenty of insights to take away for their next campaigns.

“We know Sunday’s not his strongest day, but I’m happy with how he came out of the barn this morning, and he’s happy and healthy. So we’ve done our Burghley completion. We’ve worked really hard all week, and I’ve always wanted to come here, so it’s been an accomplishment, and to be here with some great riders is really special,” says Mia.

Mia Farley and Phelps. Photo by Hannah Cole Photography.

“I think what we took away from this weekend is that we both know that we have the will to be the best,” says Mia, who had a tricky day across the country yesterday with an uncharacteristic runout at the second of the influential Rolex Corners at 16AB. “So like, especially with the mistake yesterday, I didn’t know that I could want it even more. I had no idea. And Phelps just proved that he loves what he does, and he loves cross country. He is an amazing cross country horse. The corners were my fault. That was at fence two, because I took about six strides out to fence two and then never got him back. So yeah, I think I can take away that we just cannot wait to come back. I’ve got a whole year to manifest!”

Jesse Campbell and Cooley Lafitte. Photo by Hannah Cole Photography.

A nod, to, must go to the most popular finisher of the day, with one of the rounds of the day. That was New Zealand’s Jesse Campbell, whose spicy Cooley Lafitte began his Burghley debut this week with a tricky test that earned the pair a 41.1 and sent them nearly to the bottom of the pack. But their clear round with 15.2 time penalties gave them a serious boost yesterday, and today, they nailed down the clear inside the time to secure 21st place in an arena packed full of folks rooting harder for them than anyone else.

“It’s been a big week, with lots of learnings and I’m just delighted with my horse. He tried really hard today. He’s been fairly troublesome all week, but today made up for it, definitely,” says Jesse, who rode with the purple and white colours of his late wife, Georgie, pinned to his coat. “It’s always this sort of chicken-egg situation. You know, do you want a really good dressage score? Do you want to jump double clear? And, yeah, it is always nice to finish the week on a positive. This year’s had a lot of challenges, and getting here has been one of them, but the horses do give me a purpose.”

And so we come to the close of another brilliant Defender Burghley – a week that’s given us an exciting spread of influence while remaining refreshingly horse-friendly. We’ll have plenty more thoughts and musings to bring you on how the week played out soon – but for now, it’s goodbye from us from a suddenly rather sleepy Stamford. Go Eventing.

Our coverage of Burghley is brought to you by our incredible supporters, Kentucky Performance Products, your one-stop shop for science-backed nutritional products to keep your horse feeling their best at all times. They’ll even get on the phone with you to help you formulate a solid supplementation plan for your horse’s individual needs! We’d really appreciate your support of KPP, as they’re champions for our sport and beyond and are wonderful people to boot. Check them out here.

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Burghley Bids Adieu to Four Horses Ahead of Showjumping Finale

Nicolas Touzaint and Absolut Gold present at the Defender Burghley Horse Trials. Photo by Tilly Berendt.

The field of competitors at the Defender Burghley CCI5* has thinned from 43 to 39 after this morning’s final horse inspection, which took place after a night of heavy rain on site.

Three of those losses to the start list occurred before the inspection even began: we saw early-morning withdrawals logged by Pippa Funnell and Majas Hope, who had been sitting 31st after a cross-country round in which they’d picked up a flag penalty and 19.6 time penalties; Holly Richardson and Bally Louis, who’d been 36th after adding a 20 and 30 time penalties; and Tom McEwen and CHF Cooliser, who’d delivered one of the rounds of the day to sit 14th.

Jennie Brannigan and FE Lifestyle. Photo by Tilly Berendt.

But when the remaining 40 horses came forward to present to Christina Klingspor (SWE), serving as president, Robert Stevenson (USA) and Nick Burton (GBR), the drama wasn’t wholly behind them.

Three horses were sent to the holding box throughout the course of proceedings: US representative Jennie Brannigan’s FE Lifestyle, 19th, British five-star debutant Lizzie Baugh’s B Exclusive, 37th, and French Olympian Nicolas Touzaint’s Absolut Gold HDC, ninth overnight. Both Jennie and Nicolas would ultimately get the nod to continue their competition – but sadly, Lizzie would not.

Lizzie Baugh and B Exclusive. Photo by Tilly Berendt.

Today’s showjumping finale will be split into two halves: our first nineteen pairs will jump from 10.30 a.m. (5.30 a.m. EST), while the top twenty will take to the ring from 14.15 (9.15 a.m. EST). We’ll be back with a full report from the final phase at the end of the day, but in the meantime, keep it locked on EN for live updates and analysis from Cheg throughout each round. In the meantime, you can catch up on all yesterday’s action with our full report and live updates, and tune in to Burghley TV to get yourself front row centre for the action that’s about to start. As always: Go Eventing!

Overnight leaders Ros Canter and Lordships Graffalo go into today’s showjumping without a rail, but with time, in hand. Photo by Tilly Berendt.

The top ten going into showjumping at the 2024 Defender Burghley Horse Trials.

Our coverage of Burghley is brought to you by our incredible supporters, Kentucky Performance Products, your one-stop shop for science-backed nutritional products to keep your horse feeling their best at all times. They’ll even get on the phone with you to help you formulate a solid supplementation plan for your horse’s individual needs! We’d really appreciate your support of KPP, as they’re champions for our sport and beyond and are wonderful people to boot. Check them out here.

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The Cross Country Debrief: The Burliest of Burghleys, The Topsy-Turviest of Leaderboards

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

Collectively, there probably hasn’t been many hours of sleep logged amongst the competitors at Defender Burghley ahead of today’s cross-country day; what little that was, no doubt, was plagued with night sweats and prolonged horror stories featuring the brush arrowheads at the Leaf Pit (7ABCDE), which nearly every rider had referred to, grim-faced, as the biggest fences they’d ever seen. And big, they most certainly were: made of stiff brush, they towered over the heads of any rider foolish enough to stand on the landing side and try to peer over the top.

By any estimation, after two days spent talking to the riders, and a mizzly morning early today spent walking the lines and finding many of them down there doing the same thing, any one of us would have put money on this extraordinarily tough-looking question being the most influential of the day.

Until, of course, in fine five-star style, it wasn’t. But that, as I’ve found over so many years of reporting on this sport, is so often the way – the line that walks the hardest, and looks as though it’ll have no margin for error whatsoever, and keeps us all awake wondering what on earth we’re doing this all for, ends up being, well, a bit of a puppy dog of a thing. Is it because all the panic engenders a deeper level of respect to the approach? Is it because these rider frighteners that are actually surprisingly readable are a marker of quite remarkably canny course designing, in this case by Derek di Grazia? Or is it, probably, some alchemical combination of the two things?

I’d love to tell you we have the answer, but all we really have for you is this – the fact that, at the close of the day, just one rider out of 65 faulted at the Leaf Pit. That was a late-in-the-day rider fall for Jonelle Price, who set out of the start box meaning business on the 2022 Pau champion Grappa Nera, who twisted in the air over the first of those colossal skinny brushes and gave her pilot an unwanted flying lesson, putting paid to their bid for a leaderboard climb.

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

Sorry, sorry, did you think that this meant that the course ultimately ended up being a bit of a breeze? Let’s not be silly.

This year, Derek built us a track that was packed with intensity, and serious five-star questions, in the first quarter, and that first quarter absolutely wrought its influence. 17 of our field of competitors ultimately picked up jumping faults of some description between the start and fence 11ABC, the latter part of the Trout Hatchery water, and ten of those finished their rounds within those fences, whether through tumbles – dramatic dunkings in the Trout Hatchery water for top-ten-placed Gireg le Coz as well as Padraig McCarthy, plus that Leaf Pit whoopsy for Jonelle – or run-outs and retirements, as for, among others, France’s Luc Chateau and Lithuania’s Aistis Vitkauskas at the first pass through Defender Valley, which also caught out overnight leaders Ros Canter and Izilot DHI, who skimmed out the side of the angled brush final element after the ditch, and Ros, as she did at Badminton this spring, opted to put her hand up and, presumably, plan a reroute.

So that was our leader out of contention, as just the second round of a day packed with drama. Pathfinders Harry Meade and Superstition had logged the early clear, though with 10.8 time penalties, and then our next two starters after Ros, Matt Heath and Golden Recipe and Pippa Funnell and her 2022 Pau winner MCS Maverick, both retired on course after running into trouble at various points of the track.

It would have been easy, then, to assume that the tone was set for the day, until the next two riders, Ireland’s Susie Berry on Irene Leva and British rider Aaron Millar on Friendship VDL, both navigated their five-star debutants to classy, steady clears on 20-odd time penalties.

So what was it to be, really? Ultimately, with the crystal clarity of hindsight, a day of classic Burghley action, basically. We look at this – the biggest, boldest of five-stars – as being a true eventing challenge, in which dressage plays its part but doesn’t play the whole part, and in which heroic efforts can pull deserving horses and riders thirty, forty, or fifty places up the leaderboard and give them a fighting chance of a competitive finish, and that’s exactly what today did.

The problems, when they came – and boy, did they come – were dispersed far and wide across the course, with Defender Valley at 5 giving it plenty of welly and the achingly wide Rolex Corners at 16AB offering up no shortage of sway, too, with their tough related distance. And two-thirds of the way through the day, that meant that of the dressage top-ten who’d left the start box – five, at that point – not a single one had completed.

Let’s, before we go any further, run through who those were, because their absence from the competition going forward is just as key as the addition of those who took their spots. We’ve discussed Ros, who might not come as a wild surprise, as she’d been nearly as vocal this week as she was at Badminton about potentially pulling up quirky, spooky Izilot DHI. But Emily King and Valmy Biats, fourth after dressage and hotly tipped for a first five-star win, called it a day on course too, having picked up a drive-by at the second angled hedge at 11BC, which caught out plenty through the day. They retired after that; a less dramatic finish than that of fifth-placed Oliver Townend and Cooley Rosalent, this year’s Kentucky winners, who had a slightly wiggly (though clear) jump through the final skinny brush at the Maltings at 15ABC, and then had the wheels fall of the bus entirely at the Rolex corners at 16AB. After jumping the first corner, the mare stumbled slightly after the first stride, and from that moment, it felt like a foregone conclusion: the line was lost, the angle was too severe, and though Oliver got his elbows out and tried to direct the mare’s considerable athletic ability between the flags, there was nothing that could be done. The clever mare picked up and quickly saw the fruitlessness of it all, put back down again, and collapsed the frangible fence while skirting her way around the side of it, sending Oliver tumbling into the wreckage but staying upright herself.

France’s Gireg le Coz and Aisprit de la Loge, seventh overnight, got their aforementioned dunking at the Trout Hatchery after a big jump in and a peck on landing, and Badminton winners Caroline Powell and Greenacres Special Cavalier, eighth after dressage, retired at the first of the Rolex Corners after a frustrating run-out marred a til-then excellent round.

Phew. Okay. Did we mention that four of those falls, inclusive of a tumble for Hannah Sue Hollberg late in the course from Capitol H I M after leaving a leg at the Dairy Mound at 23ABC, came back-to-back without breaks?

For all the moments that left us gasping and – in the case of Burghley Radio interviewer Ben Way, accidentally punching everyone in close proximity in the boobs – though, there were so many truly exceptional bits of derring-do and some seriously thrilling moments of guts and gumption that pulled many of our seemingly out-of-the-hunt pairs right back into things today.

We’ll get into those shortly, but first: a moment for our overnight leaders, who certainly weren’t out of the hunt after dressage, but gave us one of the most fluid showcases of cross-country navigation we’ve ever seen as one of the last pairs to leave the startbox today.

That, of course, was Ros Canter, who swaps one leading horse for another and now helms the competition on her Badminton winner and European Champion Lordships Graffalo (Grafenstolz – Cornish Queen, by Rock King). It’s no small feat to tackle the Burghley course even in the freshest of headspaces, but doing so with a chance to win the whole thing, and just hours after a very early finish on your other competitive ride, is an extraordinary show of compartmentalisation.

But, says Ros, who made the whole thing look a bit like a schooling exercise en route to finishing one second inside the time, “I watched Tom Jackson, I watched Harry Meade, I watched a few of the really good ones and then I pulled myself away and had a bit of cereal and paced a bit — paced a lot.”

Then, she got to work forgetting about her morning in exchange for focusing on her afternoon, and her extraordinarily reliable longtime partner making his Burghley debut.

“I think we always thought Burghley might be another great event for him, and I’m just relieved. I’m quite relieved, to be honest,” she laughs. “I’ve been around Burghley a few times — not loads, but a few times — and I didn’t feel like I’d really cracked it until this afternoon, so when this morning went kind of fairly categorically wrong very early, it’s been a long wait, to be honest.”

When they left the box, though, nothing about their ride looked like it might have come after hours of waiting and, probably, worrying. They were so balanced and considered throughout that it would have been easy to start worrying, from the ground, that they might be a touch too slow – but Walter’s capacious natural gallop stride is deceptive, and as they came to the Dairy Mound in the latter part of the course, they were the fastest of the day at that stage.

“Sometimes I feel like I’m taking too many waits, but because he’s just got such a scopey stride and he just gets his head down, doesn’t he? He’s made to gallop,” smiles Ros.

The pair retain their first-phase score of 22 overnight, giving them a 3.5 penalty margin – not a rail, but some time – in hand over second-placed Tim Price and Vitali, our last pair on course today and last year’s two-phase leaders.

Tim Price and Vitali Photo by Hannah Cole Photography.

They didn’t quite manage the clear inside the time – their smooth ride saw them add 3.2 time penalties – but for Tim, too, it was a reassuring way to end the day after a slightly tricker earlier round on the relatively inexperienced Viscount Viktor, who picked up a run-out, a missed flag, and a broken safety device across the course.

“He’s too good, isn’t he?” grins Tim, who followed an interesting path set by Tom McEwen at the Leaf Pit, choosing the steep left-handed approach up to the bank rather than the more smoothly sloping ‘ordinary’ route.

For Tim, the highlight of the round was the talented gelding’s continued improvement in this phase.

“He felt better than last year; fitter, I think. It was just a really fun experience. The thing that’s always happening, even though there’s always highs and lows, is he’s gaining experience, and he’s really gotten the whole package. He really used to nap going into the start box. The whole thing is really building the arsenal of what he understands.”

“It’s not his first time around these big tracks, but this was definitely the best he’s felt,” he continues. “He was galloping and moving, still jumping. And he’s a real privilege to ride around there, because he can go fast across the ground, but then you can balance him up at the end. At the double corners [16ab], which have been causing a lot of trouble, I jumped in there on four strides all day, and it probably was, but then I got scared and fiddled a fifth stride. But you can just do that with him, and that’s at six or seven minutes. So you know, to be able to do that is impressive, for what he’s capable of.”

There haven’t been any doubts about Vitali’s ability to perform in the first two phases; he’s had five previous five-star runs, and in all of them, he’s been well-placed in the first phase – including setting the dressage record here last year with an 18.7 – and quick and capable in the second. It’s the third that’s the issue: in four of those runs, he’s had three rails, and in his last, at Badminton this spring, he had five.

But who’s dwelling on the past? They delivered a smart clear in their prep run in the British Open Championship at Hartpury last month, and all Tim wants to do is look ahead.

“I just feel like he’s come here in very good form, and it’s just nice to go out tomorrow and have a jump and hopefully do a good job, and that’s a good campaign,” he says. “Really, that’s what it’s about, and I know he’s often been in a winning position. But I’m really trying to compile three decent phases in him, and if that’s a good result, then that’s secondary to what I’m trying to achieve with this horse.”

Harry Meade and Annaghmore Valoner. Photo by Hannah Cole Photography.

Ros and Tim are joined on the podium by the busiest man of the week, Harry Meade, who piloted three horses around the track for clear, competitive rounds: the pathfinder of the day, Superstition (Satisfaction FRH – unknown, by Cordalame), added 10.8 time penalties for overnight 15th, despite only having run once in the past year, and he sits third and fifth, respectively, with final ride Annaghmore Valoner (Coroner – Annaghmore Lady Valier, by Black Walter) and second ride Crystal Cavalier (Jack of Diamonds – Cavalier Iris, by Cavalier Royale), both of whom added nothing to their first-phase scores, though Annaghmore Valoner was initially awarded 15 penalties for a late flag that the ground jury opted to remove without any appeal.

“I had five entered and probably left my two strongest cross country horses at home,” laughs Harry, who’ll take those two – Away Cruising and Et Hop du Matz – to Maryland next month.

Of third-placed Bramham CCI4*-L winner Annaghmore Valoner, who he inherited from Australia’s Sam Griffiths in early 2023, he says: “She’s a lovely horse. It’s her first five-star, and I’ve had to hold her hand so far around the two four-stars she’s done and build her confidence because she’s been a little unsure. She was a bonus [entry], so I thought I’d just crack on and not waste time, and she was comfortably inside.”

‘Comfortably’ is something of an understatement – though the mare always looked smooth as silk and totally comfortable within her cruising speed, she crossed the finish line as by far the fastest of the day, with thirteen seconds in hand.

“I tried to give her a quiet ride at speed,” says Harry. “I tried to set out really fast and steeplechase every straightforward fence, including fence one, but really hold her hand and give her confidence. She wouldn’t be that resilient – she’d get upset very easily even if she saw something in the crowd or caught a fence or something, she could just panic in her breathing. But she was wonderful from beginning to end. She grew and grew. She feels like she’s really come of age now. She was wonderfully professional and easily inside the time, and could have been even quicker.”

Harry Meade and Cavalier Crystal. Photo by Hannah Cole Photography.

Riding three horses on a day like today – and three very different horses, at that – is a major mental game, but Harry took a measured approach to the task at hand.

“I sort of had a plan at the beginning of the day for each horse. I was quite happy going out first, and I would have been quite happy going out second and third,” he says. “I think they all went as planned, and they’re all different horses. I just tried to ride each one with a bit of sympathy, and giving them time. It’s not a sprint round somewhere like here. Superstition was amazing — really game, foot perfect everywhere. Cavalier Crystal was just on fire. And she’s a horse who, 18 months ago, I didn’t think she’d be a five-star horse, and she just was absolutely wonderful.”

Nothing, though, would happen without the village of extraordinary support he has around him, he continues.

“I think it is a real team effort for us. I’m pretty hopeless at a lot of things, but one thing we can do is produce confident, happy, resilient, five-star horses from young horses. It’s not how you produce them in the month leading up to this, it’s 10, 15 years. It’s a process which not everyone buys into, but I personally believe it’s about giving them that long term, slow confidence, and then when you get somewhere like this, they’re absolutely bulletproof.”

And, at the end of the day, it helps that Harry himself finds it, well, just plain fun.

“I just enjoy doing this,” he grins. “If there was no crowd here, if it wasn’t a competition, I’d love to come out here on my own and just have a good crack round a course like that. It’s what I do, it’s what we as a team do. And, you know, to get three bites of the cherry is even more fun. And long may that last — one day, I’ll miss being at these events.”

Gaspard Maksud and Zaragoza. Photo by Hannah Cole Photography.

Like Harry on Annaghmore Valoner, British-based Frenchman Gaspard Maksud was initially awarded 15 penalties for a flag with Zaragoza (Cevin Z – Saracen’s Pride, by Saracen Hill xx), but after he dismounted at the finish and cooled his horse off, he went to appeal it – and before he even made it to the ground jury, he got news that they’d decided to remove it. That propelled him straight up the leaderboard thanks to the scant 3.6 time penalties he’d accrued, giving him a temporary lead that ultimately became overnight fourth.

The speedy round perhaps didn’t have the same polish as those of the leaders – there were some decidedly agricultural moments and some gutsy decisions made, but Gaspard took to heart plenty of sage advice from Andrew Nicholson, with whom he used to be based before setting up on his own a few years ago.

“I walked with Andrew, and there were a few things I was discussing with other people, a few routes, and I was never going to go straight through on the Leaf Pit, but everybody jumped it well. So I said, ‘you know what? Just let’s do that’,” says Gaspard. “She just keeps on giving. I put her in a rhythm, and once we jumped over those corners, I told her to move on a little bit more. And to be fair, she kept on galloping strongly into the end. So I’m very pleased with her.”

It’s easy to forget that gritty ‘Zoe’ is just eleven – in 2022, she and Gaspard were sixth in the World Championships, and there’s plenty more to come from the exciting mare.

“Give me another year or two, and I’m sure she could get that time,” says Gaspard. “But basically, it’s our first five-star completion, because we fell off in the water at Pau. So the sure thing I really wanted to make sure we stay on the four legs. She was very good; she tried hard for me and she was still feeling very well at the end.”

Gemma Stevens and Chilli Knight. Photo by Hannah Cole Photography.

The finish line was so often a place of gleeful celebration today, but nobody celebrated quite as ebulliently as Gemma Stevens, who punched the air and screamed like a frisky housewife front row centre at a Bon Jovi concert as she sailed through the timers with her 2021 Bicton five-star champion, Chilli Knight (Chilli Morning – Kings Gem, by Rock King). And rightly so, too: they had a blinder of a round, adding just 2.4 time penalties and putting the frustrations of Badminton this spring, where they’d have won but for a flag, well behind them. That puts them into sixth overnight, well up from first-phase eighteenth.

“I cannot tell you how nervous I was!” she says. “I felt horrendous today, because I just so badly wanted to do well. And yes, I did feel like we had a little bit of a point to prove after Badminton. It’s such a shame I lost a little bit of time but the jumping today, he was just incredible.”

The time, she says, came down to a couple of factors: “You could say I was just a little out of practice. The last few years I haven’t had the rides at that level and coming back to it, it’s scary. But now I’ve got some amazing ones coming through so hopefully I’ll be back. I’m really annoyed that we had a few time [penalties], but he did lose a shoe, so after Capability’s Cutting, I could feel him slipping the whole way down that hill for that big fence at the bottom there. So I was like, ‘Oh God, we’ve got to be careful we don’t fall down.’ And, yeah, just like, round the corners there, just after the water and stuff, I just had to be careful. But what an amazing little horse.”

The son of Badminton winner Chilli Morning is, says Gemma, “just a fantastic little horse. He’s such a trier. What he maybe lacks in scope, he makes far up for in heart and grit and determination. Coming to the Dairy Mounds, because I feel like that’s the last really difficult one, I was like, ‘Come on, little man, come on.’ And when I jumped that, I was like, ‘Come on, now we can get home!’”

Monica Spencer and Artist. Photo by Hannah Cole Photography.

After so many tough rides through the Rolex Corners at 16AB, which looked as though they may have been the one less-than-perfect placement choice on Derek’s course, it was a joy to watch US-based Kiwi Monica Spencer and her gritty Thoroughbred Artist (Guillotine – Maxamore, by Satin Blush) sail down the line as though it was a straightforward question. That fluidity and partnership was the keystone of their round, and saw them gain a flurry of speed in the final run of the track to cross the line with 8.4 time penalties and take overnight seventh place, dropping just two places from fifth in their Burghley debut.

“It felt like a lot of big jumps and a lot of galloping, and I didn’t imagine feeling so, like, desperate to go fast,” says Monica. “But he was great. He just answered every question I asked of him — I just probably took a bit too much time in some places. It’s pretty awesome to build a partnership with a horse over many years; I think we’ve been together nine years now, and he’s only 13, but I feel like he gets better every year, so I don’t think he’s reached his peak yet.”

After dismounting and taking stock of her horse, Monica wasn’t quite able to process the magnitude of what had just happened, even with two seventh-place five-star finishes, at Kentucky and Maryland, under her belt already.

“I don’t know if it’s settled in yet, but yeah, I’m rapt. I mean, this morning, the course felt like a huge, huge challenge, and I was almost wondering how I was going to get through all those flags. But now that I’ve done it, I guess, there’s just more self-belief – and I’m just thanking my lucky  stars that I’ve got a horse like him.”

Tom Jackson and Capels Hollow Drift. Photo by Hannah Cole Photography.

One of the horses on everyone’s radar today – along with Austin O’Connor’s Colorado Blue (Jaguar Mail – Rock Me Baby, by Rock King), who was almost marginally too keen for 4.8 time penalties and overnight twelfth – was Capels Hollow Drift (Shannodale Sarco St. Ghyvan – Lucky Crest, by Lucky Gift xx), with whom Tom Jackson finished second here in 2022. Today, though, they looked the next level up even from that banner performance, and their 5.6 time penalties moves them from 13th to eighth.

“That was one of the best rides I’ve had,” says Tom. “He stayed traveling for me the whole way. This is his fifth five-star, and he just delivers every single time. Whatever you ask of him, he just delivers. Here is definitely tougher to ride, the terrain just adds a whole new level to it but I’m really happy with the way he picked up and finished really strongly.”

At thirteen, ‘Walshy’ has amassed a wealth of experience – along with that Burghley finish, he’s also twice been fifth at Badminton, and sixteenth on his debut there, cementing him as one of the great cross-country athletes of our sport.

“It’s such a privileged position to be with him now, with how experienced he is and how good he’s been for his whole career, that actually some of the time, as crazy as it sounds, through the combinations, you just feel like you’re going through the motions. He’s so with you and on it. And as long as you get him vaguely in the right place, he’s going to do everything to do the right thing.”

With that in mind, “I just really wanted him to come here and enjoy it. He’s had a really tough last year, and even the spring with the wet weather and going into Badminton at the beginning of last year, I said, ‘his ground is not wet ground’. He hates it. And he came out with sort of average time penalties for most horses. We thought, ‘oh, maybe it’s not too bad’. And then hated it again at the Europeans [last year] in terms of the ground. He always wants to do his job and jump, and he’ll never stop trying to do that, but just in terms of traveling at the speed you need to at these things, [he found it harder]. But today, he absolutely loved it.”

Nicolas Touzaint and Absolut Gold HDC. Photo by Hannah Cole Photography.

It was a day of two halves for the French, whose first two competitors – Gireg le Coz and Luc Chateau – didn’t complete, but whose second two are in the top ten overnight. The last of them to go was Olympian and national stalwart Nicolas Touzaint, who piloted his experienced team ride, but five-star debutant, Absolut Gold HDC (Grafenstolz – Belle Meralaise xx, by Verglas xx) to 8.8 time penalties. That’s enough to see them retain ninth place overnight.

“I was lucky to go on late on the course, so I had time to see how it went. And the thing is, I have the best horse I could ever have,” says 2008 Badminton champion Nicolas, who is also making his own Burghley debut this week. “He’s 14 years old, but he’s never ran [a course] as difficult as this, so I didn’t know what to expect. I just listened to my horse. We form a really super partnership, so I believe in him, and he believes in me. Now that I know him a little better on these long distances, we’re going to grow on that, and I think he can be more and more performant with the time. Now we have a good bond, and now I know he can do it. He knows we can do it together.”

Alex Bragg and Quindiva. Photo by Hannah Cole Photography.

Alex Bragg rounds out the top ten with Badminton podium finisher Quindiva (Quintender – Ruby Roller, by High Roller), who gave us our first clear round inside the time of the four today and climbed 32 places after dressage.

“This is a jumping track, and a jumping horse,” he grins. “That was a brilliant ride, and I was going for the time and I was just about on it every minute. She just kept going, going, going. I nearly stopped to have a beer because I thought it was so easy! She just kept delivering.”

Alex was full of praise for the game, elegant mare, who’s had an exceptional season proving her mettle at this level – and is one of the best showjumpers in the field for tomorrow’s competition.

“We all know that she’s a great jumping mare. She’s been super genuine, and she’s really taken to this sport now,” says Alex. “It’s taken time to build that confidence, but honestly, when you leave that start box, she’s just like a demon. She grows horns, and there is nothing — I mean, nothing — that’s going to stop her. And I’m just the lucky person to be sat on board steering. You have to work with that much scope. She can always jump herself into trouble, so you have to take a breath and not let the adrenaline take over too much. And remember, those drops after the fences are punishing if you come in too big. You can imagine she lands so far out. But she just kept galloping. I just haven’t got enough words to describe how pleased and how thrilled I am with the horse, and how happy I am for all of the team and the owners that stick by you when there are some days which are not so great.”

Quindiva finished fifteenth here last year with 14.4 time penalties, and picked up 7.6 at Badminton this spring en route to third place, and today, Alex felt she’d gained enough experience to really go for the time.

“Last year here, she finished with so much fuel in the tank and then Badminton again, I just felt like I was always protecting her,” he says. “And I felt if I was just brave enough to let her go a little bit at the beginning, then we had a really good chance of finishing inside the time anywhere. I mean, she’s fast, she’s neat. She does spend a lot of time in the air, but we train a lot on the technicality stuff, and you mustn’t underestimate — when you say the mare’s polite, it’s all about discipline and training. And we work so hard with our team on all the technical side, with my show jumping coach, Jeremy Scott –everything is down to being disciplined, straight and accurate, and then the horses can do their job, and it looks neat. So if you stick to those rules, honestly, it makes the job so much easier for them and then so much easier for us. The thing is, as well, this is only her second season at this level. How exciting!”

A bevy of very good cross-country pairs follow closely behind Alex after big climbs today – Alice Casburn and her homebred Topspin (Zento – Capriati xx, by El Conquistador xx) are eleventh, up from 48th, after finishing four seconds over the time, and Austin O’Connor and Colorado Blue (Jaguar Mail – Rock Me Baby, by Rock King) climbed from 37th to twelfth with their 4.8 penalties.

Cosby Green and Copper Beach. Photo by Hannah Cole Photography.

In sixteenth place overnight is the best-placed of the four US combinations, Cosby Green and the eighteen-year-old former Buck Davidson ride Copper Beach (Radolin – Cloverballen), who looked a picture on course to add 12.8 time penalties and climb ten places.

“It’s such a relief,” says Cosby, who’s in her second season based in the UK with Tim and Jonelle Price, and has previously completed Pau and Badminton before her Burghley debut this week. “You hope to finish through the flags but you never really know, so to be safe and especially clear, I can’t have wanted anything else. I’m very emotional. I just wanted to know my plan — I know I’ve walked it so many times and I knew it, so I actually had a lot of calm over me. It was nice to just get out there, and he was beyond my expectations amazing. [It rode] exactly to plan, which I was really surprised. There was no surprises out there, and I knew the plan inside and out, and we were able to execute it.”

‘Sean’, in his customary fashion, bowled along with his ginger tail windmilling around – a trademark of the sweet, stalwart competitor.

“The tail got us all the way home over those jumps, I’m pretty sure!” laughs Cosby.  “He’s got a twinkle in his eyes still, and he’s such a good old man. I’m really impressed with him.”

At eighteen, Sean is the oldest horse in the field – but Cosby, with help from her mentors, who’ve each had horses still competing at five-star at nineteen, has adjusted how she works with him to keep him feeling in his prime.

“I’ve learned that less is more, and that kind of trusting that the horse knows what he’s doing with his eyes closed,” she says. “And just being able to have enough confidence in myself to trust that he is trained, he knows his job, and it’s all about maintaining and improving in slight little ways, and body fitness and physio and all that kind of stuff.”

Jennie Brannigan and FE Lifestyle. Photo by Hannah Cole Photography.

One of the few riders to express excitement about riding Derek’s beefy course was Jennie Brannigan, but as she sagely pointed out, “you’d be excited, too, if you were sitting on a horse like this!” And true to form, her out-and-out cross-country machine FE Lifestyle (Leo von Faelz – Berina A, by Brandenburger), who is owned by Jennie’s longtime supporters Tim and Nina Gardner, attacked every inch of the course, leaving just some time on the table to take home 15.2 time penalties and climb from 40th to 19th.

“I was told to lick a stamp and send it, and that’s what I did,” grins Jennie, who finished twelfth with the gelding here last year after a tie-up scare the Monday before the competition. “He’s a beautiful horse, and it was really nice to come back with him in 100% health, because I was like, ‘Oh, that was a lot harder last year’ when he wasn’t quite right. So that was really wonderful. You could see why I was like, ‘Oh, I’m excited to ride him tomorrow’ because he’s just a brilliant cross country horse. I  mean, he’s definitely the best one I’ve ever had.”

Andrew McConnon and Wakita 54. Photo by Hannah Cole Photography.

Andrew McConnon made the trip over for his Burghley debut knowing that the first phase would be something to just quietly work his way through with Wakita 54 (Plot Blue – Werusa, by Padinus), because Saturday, he was sure, would be the day she’d shine. And shine she did: though he took some places steadier with the inexperienced eleven-year-old, they finished with a respectable 19.6 time penalties to move up from 57th to 29th.

“I’m very excited, and very happy with my mare,” says Andrew, who opted to take two long options – one at the Leaf Pit, where several riders made the same call. “I was 50/50 yesterday. Before riding, I was going to go direct. She was beautifully patient off the bank, which she can be a little gung-ho. So actually, I decided to go long there, and then the double of corners. I know that’s been the tricky fence, and I had a great shot in. Really nice jump. Second stride, she just pecked a little bit, and I knew that’s what was putting people on the second sjump. So I rerouted to the long option at B, and then she flew around the rest of the way. A bit slow and happy!”

“You never know on cross country,” he continues. “I mean, there’s always going to be things that don’t go to plan. I’m really proud of the decisions I made in the moment off of the Leaf Pit and then in between the two corners. I want to be competitive deep down, but I really love and trust my mare, and I knew that I was going to put her in a bad position to that second corner. So I’m thrilled that I went long. I’d of course like to go quicker, because I know she can, but I’m really happy. I’ve had her since a five year old, and I’ve been the only one to compete her. So I’ve produced her. I’m the only one that has to answer to time penalties, so I was happy to go a little slow.”

Mia Farley and Phelps. Photo by Hannah Cole Photography.

The time is always a tough catch at Burghley, but one pair with a great chance of catching it were Mia Farley and her full Thoroughbred Phelps (Tiznow – Boom Town Gal, by Cactus Ridge), who’ve gone inside the time at both their previous five-star starts in the US. They began their trip around the track looking absolutely on the money to do so again – despite a couple of serious long ones at fences two and three – but like so many of their fellow competitors, they had a skim-by at the second of the Rolex Corners, which allowed absolutely no margin for error. Theirs wasn’t, arguably, a real error, even: Mia opted to try a tighter inside line and a four-stride approach, and in the final stride, the line simply wasn’t there. With that behind them, she slowed the pace and let Phelps cruise home, taking 23.6 time penalties with their 20 jumping penalties but ultimately climbing two places to 34th.

“I didn’t have the best shot in and I really should have gone the long route,” muses Mia. “ButI thought it was fun after like minute four when I had a little more brakes! He’s very enthusiastic out there. He wants to do it, he loves what he does. I think we just need to control the love for the sport a little bit next time! I think I learned a lot about the track here, and him too, this was really just a fitness run for him so I’m excited to come back and be better. The terrain’s crazy. It was the busiest beginning of the course I’ve ever had, but the terrain is the biggest thing.”

Our fourth US pair, Hannah Sue Hollberg and Capitol H I M, unfortunately didn’t complete the course after an enormously frustrating late mistake at the Dairy Mound, where ‘Chito’ left a leg and popped Hannah Sue straight out the side door. There was much to like about their earlier efforts, though, and we hope to see them back on this side of the pond soon.

Tomorrow sees us take 43 horses and riders into the final horse inspection at 9.00 a.m. BST/4.00 a.m. EST and then, hopefully, onward to the showjumping. That’s down from 65 starters, giving us a 66.2% completion rate with 32 clears, for a 49.2% clear rate.

We’ve seen horses finishing in brilliant form all day long, and the ground conditions here are among the best we’ve seen at any event, so we have high hopes for tomorrow morning – and we’ll be back bright and early to bring you all the news and updates from the inspection, and then from showjumping, which begins with the first group at 10.30 a.m. (5.30 a.m. EST), and follows on with the top twenty from 14.15 (9.15 a.m. EST). Until then: Go Eventing!

Our coverage of Burghley is brought to you by our incredible supporters, Kentucky Performance Products, your one-stop shop for science-backed nutritional products to keep your horse feeling their best at all times. They’ll even get on the phone with you to help you formulate a solid supplementation plan for your horse’s individual needs! We’d really appreciate your support of KPP, as they’re champions for our sport and beyond and are wonderful people to boot. Check them out here.

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La Vie En Ros: Canter Takes 1-2 at Burghley After Dressage

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

And so we come to the conclusion of the first phase at the 2024 Defender Burghley Horse Trials – one in which, so far, it’s really just Ros Canter’s world, and the rest of us are just living in it.

The diminutive Olympian (and European Champion, and former World Champion, and two-time five-star winner, and all the rest…) began her week in fine style yesterday, putting a 19.8 on the board as second in the ring with Pau champion Izilot DHI. In doing so, she set a standard that couldn’t be beaten and delivered Burghley’s second best-ever dressage result in the process.

This afternoon, there were two horses up to bat who, we though, might stand the slightest of chances of usurping Izilot’s lead. One of them? Tim Price and Vitali, who set the Burghley dressage record last year when delivering an incredible 18.7. The other? Ros’s second ride, her Badminton-winning European Champion – and Paris team gold medallist – Lordships Graffalo.

Look, we already spoiled this one for you: no one beat her. But at the end of the day, it’s Ros who is Ros’s closest challenger, thanks to a five-star personal best effort from Lordships Graffalo, with whom she posted a 22 – a mere tenth of a penalty better than their prior PB, obtained at Badminton in 2023, when they won, and 1.4 penalties better than their score at the Paris Olympics.

“I was delighted with Paris, but I knew we could do better, to be honest,” admits Ros. “So the last couple of weeks, after we had a bit of a break, we’ve been kind of trying to work out what it was I was struggling with and things like that. And really, [we] just had a light bulb moment about seven days ago on straightness. [We] got straight, and the whole thing got so much easier. It’s funny, that!”

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

Ros and twelve-year-old British-bred gelding ‘Walter’ (Grafenstolz – Cornish Queen, by Rock King) are known for their prowess in this phase (along with, well, both the others, too), but still, Ros confesses, “I’m pleased to get that out of the way! I’m pleased that [with] Paris and the atmosphere and everything he was still dead relaxed today. We had a good plan; I didn’t do too much with him this morning and he felt great – really great.”

“I was hoping for [a score like that], but I do find him slightly trickier,” she continues. “I talk about Izilot being tricky spookiness-wise, but actually, Walter’s just a little bit trickier in that he gets a bit stressed with work and pressure and things like that, [so you] have to be a little bit more careful and tactful with him. So I always feel like it’s slightly more of a question mark, whether I pull off the day. But then actually, when I get on him, and I get working, I realize what a dude he is — he actually just loves it, doesn’t he? He absolutely loves the people and being in an environment like that.”

Ros will now go into tomorrow’s cross country with 2.1 penalties in hand over herself – or five seconds, in real-world terms – while Lordships Graffalo has a margin of just 0.3 between him and third-placed Tim Price and Vitali, which doesn’t even give them a second to spare.

Tim Price and Vitali. Photo by Hannah Cole Photography.

“I can’t quibble with a 22.3, can I?” says Tim, pragmatic after not quite smashing the lofty heights of last year with the fourteen-year-old gelding. “He was really, really good, and I actually found him – it was more conventional, this time. You know, everyone sees what goes on in the ring, but last year, he was really funny out here [in the warm-up], and this was just nice and normal. I could just be a bit more conventional with our preparation and when we went in, he just did what he does so well, which is a nice flowing test. To pick a few holes here and there is doable. I can think of little bits and bobs, but he tried really hard, and he was really good fun.”

Coming into the ring as the last combination of the day, and with last year’s record fresh in everyone’s mind, was a uniquely pressurising situation, Tim says.

“He’s a really good dressage horse, so you just put a bit of pressure on yourself to do what the horse is capable of. So I had a little bit of that playing in the background, and all day to sit and wait for my test,” he says. “But what is pressure, really? It depends what you do with it. You do an 18 one year, so you’re like, ‘well, how do I go a little bit better?’ Because that’s what we do with all our horses across all levels – you just want to improve and push a bit. I watched last year’s test, actually, to see how I could improve upon it – but it’s all just words now, in the end, isn’t it? He was great; he went in and was rideable and happy doing his job, and I think I did a good job, too.”

Other than that outlier of a test from Ros in the lead, much of our top ten is now tightly packed scores-wise (and, in fact, a single 20 penalties covers the entire top 55, which sets the stage for no end of excitement tomorrow). The best of this morning’s session, Emily King and Valmy Biats, now sit fourth on their 24.1, 1.8 penalties, or just a hair over four seconds, behind Tim and Vitali, while Oliver Townend and Cooley Rosalent in fifth are just 0.3 penalties behind them.

Monica Spencer and Artist. Photo by Hannah Cole Photography.

Sixth place after dressage goes the way of US-based Kiwi Monica Spencer and her charismatic Thoroughbred Artist, who delivered a sparkling 24.4 – despite a frustrating error of course in this new test.

“I was having so much fun out there, I went the wrong way!” she laments. “So I’m disappointed with myself, but thrilled with the horse.”

This isn’t the pair’s first time flirting with scores this low: they posted a 24 at Adelaide in 2023 on their CCI5* debut, and the year prior, put a 25.6 up at the World Championships in Pratoni, which uses a five-star test. Their more recent five-star tests, at Maryland last year and Kentucky this spring, have seen them drift into the high-20s and very low-30s, respectively, but on both occasions, they’ve finished seventh after efficient cross-country rounds and two-rail showjumping finales.

Monica Spencer and Artist. Photo by Hannah Cole Photography.

“He’s a real trier, and his best attribute is how trainable he is. So he just keeps getting better and better,” says Monica. “I’ve done Maryland and I’ve done Kentucky, and was seventh at both of those, so I’m looking to improve on that here. And everyone keeps telling me I’ve got a Burghley horse, so it’s time to find out.”

France’s Gireg le Coz, who produced a 25.3 this morning with Aisprit de la Loge, sits seventh going into cross-country, and Badminton winners Caroline Powell and Greenacres Special Cavalier move into eighth on their 25.4, while this afternoon saw France’s very good day in the office continue with two new entries into the top ten.

Nicolas Touzaint and Absolut Gold HDC. Photo by Hannah Cole Photography.

Nicolas Touzaint, who was part of the silver medal-winning team in Paris with Diabolo Menthe, began his Burghley debut with Absolut Gold HDC on the horse’s international personal best across all levels. Or, his equal personal best, anyway – the pair also scored a 26.1 in the CCI3*-S at Arville this year, which has markedly fewer flying changes (none. It has none.).

“I’m very, very happy with the horse – I know that he can do the very best, but I don’t always get it out of him. Today, we did it,” says Nicolas.

Nicolas Touzaint and Absolut Gold HDC. Photo by Hannah Cole Photography.

Nicolas, who is the only Frenchman ever to win Badminton, which he did in 2008, has long dreamed of coming back to Britain’s other Big B, and to do so with Absolut Gold, a horse who has partnered him to team medals and individual placings at the Tokyo Olympics and the 2023 European Championships, is a particular treat.

“I’ve never ridden here at Burghley, so I’m really excited about it,” he smiles.

His compatriot Gaspard Maksud sits just 0.7 penalties behind him on a 26.8 and overnight ninth place with Zaragoza, with whom he finished sixth at the 2022 World Championships.

For British-based Gaspard, who was left off the Paris team over concerns about his horse’s first-phase performance, delivering a best-ever five-star score, and one of the eleven-year-old mare’s best international performances ever, was an enormously emotional moment.

Gaspard Maksud and Zaragoza. Photo by Hannah Cole Photography.

“When you’ve been told your dressage isn’t good enough, you want to make a point to build at a big one and show [it, like] ‘you know what? Look at her,’” he says. “After Luhmühlen, and being told she was a bit too quiet… but she’s a hot horse — she can’t be ridden in that way all the time, otherwise she would explode. So she was very prepped for [Paris] and [now] she was prepped for Burghley, to be able to do, on the day, the test she needs to do to be competitive. And when you put it up in a big one like this, it’s always quite emotional.”

In the test itself, Gaspard says, ‘Zoe’ “did everything I asked. She got a bit hot after, but I tried to be brave and just to manage [her] at the end. She just keeps giving. She knows the atmosphere, she knows why she’s here, and she wants to do her best. I know on a good day we could be like just [under?] 27. You never know what can happen, but I knew about 27, 28 would be a very good result, [and] so with a 26.8, I couldn’t be happier. We’re going to enjoy today — tomorrow’s another day.”

Gaspard, who began the week as a two-horse rider, will now just ride Zoe tomorrow – he’s withdrawn early ride Kan-Do 2, who’s been sold. That takes away his chance to learn about the course ahead of his competitive ride later in the day, but it does give him lots of time to watch, learn, and adapt his plans accordingly.

Andrew McConnon and Wakita 54. Photo by Hannah Cole Photography.

The last of our strong US contingent, Andrew McConnon, was all smiles after his test with Wakita 54, who he knew wasn’t coming to her Burghley debut to try to lead this phase. But what makes her tricky on the flat – they earned a 40.4 for overnight 57th place after some green wobbles in the walk and canter work – is exactly the collection of qualities he hopes will help her shine tomorrow.

“She’s a great horse,” he smiles. “She wouldn’t find the dressage to be the easiest, so I was pleased with her. She went in there, she was really happy and stayed with me the whole time. She’s funny — she’s really, really quiet, and anyone can hack her. But when she gets going, she’s pretty difficult to ride. She wants to have her way, which is great. So as long as I kind of go with it little bit of a loose rein and stay out of her way, then she’s pretty happy. I’d say [the last] two years, she’s really come even more on side, become a little softer. She’s 11 this year, and I think given another year or two, I can get her a bit softer over her top line, softer over her back.”

“The [rideability] is a little bit easier on cross country: I can give her a little bit longer of a rein – the judges don’t want me to go around in a stretchy circle the whole test!  – and I kind of leave her down and alone, and then kind of balance her up when I need to,” he continues. “But as long as I kind of remotely guide her to the fences and then stay out of the way, she normally has the rest. So I’ll want to support her, not leave her to do it on her own, because this is a big track, but you know, we’ll give it our best shot.”

Andrew, who was previously based in the UK with William Fox-Pitt, has long held a dream of competing at Burghley – a dream he’s realising this week for the first time.

“I visited in 2011 for the first time, and then 2016 and 2017 to watch, but never to ride. It’s been a goal forever, but more specifically when I was over here with William [Fox Pitt].  Burghley has always been my favorite event anywhere, and so I wanted to come back, and my mare, she’s bold and strong and willing, so it should be a good track for her. I just hope that we’ve done the preparation to give her a good run.”

We’ve currently got a hefty field of 65 starters – pending any overnight withdrawals – for tomorrow’s trip around Derek di Grazia’s cross-country track, which begins at 11.00 a.m. BST/6.00 a.m. EST. And the verdict on it? We’ll be bringing you insights directly from the mouths of the riders soon, but for now, suffice it to say that nearly all of them have told us that they’ve never seen fences as big as the arrowheads in the Leaf Pit. It’s an awe-inspiringly big, bold track, with a huge amount of intensity in the first quarter of the course, and tomorrow’s going to make for some pretty thrilling viewing. For now, you can take a look at the rider times for tomorrow here, and have a ‘walk’ around the course via the CrossCountry App here. You’ll be able to watch all the action on Burghley TV, where there’s also a comprehensive course preview video, and, of course, you can join us right here on EN for live updates and a bumper end-of-day report full of insights and analysis.

Until then: Go Eventing!

Our coverage of Burghley is brought to you by our incredible supporters, Kentucky Performance Products, your one-stop shop for science-backed nutritional products to keep your horse feeling their best at all times. They’ll even get on the phone with you to help you formulate a solid supplementation plan for your horse’s individual needs! We’d really appreciate your support of KPP, as they’re champions for our sport and beyond and are wonderful people to boot. Check them out here.

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Friday Morning at Defender Burghley: Emily King Helms a Day of Personal Bests

Emily King and Valmy Biats. Photo by Hannah Cole Photography.

There are two easy ways to put the pressure on a seriously fit event horse in the dressage ring at the Defender Burghley Horse Trials – you can present them with a boisterous, determined wind, as we saw throughout yesterday’s competition, or, as in today’s, you can swap that wind for some beaming sunshine and, instead, fill the stands to the rafters with enthusiastic eventing fans. Even just driving in to the estate this morning felt like cross-country day; standstill traffic wended its way back through pretty little Stamford town, and once parked up and in, all those tens of thousands of spectators – if not more – have filled the place, taking up their spots in the stands or sprawling like festivalgoers across the grass to follow the competition on the big screens dotted here, there, and everywhere.

It feels, in short, like a day in which everyone is aware of just how lucky they are to be here, and accordingly, they’re going to enjoy every last moment of it. That’s a delightful sort of atmosphere to exist in, unless, of course, you’re half a tonne of race-fit party animal, being asked very nicely to dance a bit more like prima ballerina Anna Pavlova, than, say, Australian break-dancer Raygun.

Those who managed it, though, were well rewarded by the ground jury, helmed by President  Christina Klingspor (SWE), along with Robert Stevenson (USA) and Nick Burton (GBR). And the very best of the morning’s efforts so far? Our very first duo in the ring, Emily King and her two-time Grantham Cup winner, Valmy Biats. They didn’t just nail the brief and navigate the new CCI5* C test sweetly – they also earned themselves a five-star personal best, which is also Emily’s career PB at this level, of 24.1, putting them straight into second place though not threatening Ros Canter’s lead on a 19.8. 

“He was awesome —  really listening and with me,” says Emily of the fifteen-year-old Selle Français gelding (Orlando – Hadj A). “He felt the same from the warm-up to when I went in, and it’s always so much easier when they’re like that!”

When Valmy’s not like that, Emily continues, “he doesn’t really particularly light up, he just goes quite strong and on a mission, so I just have to, like, reset his balance, because he comes down, he halts, and then it feels like he wants to go out the startbox. Today, though, he didn’t go too hot, and I’m really pleased with how he navigated it.”

Emily King and Valmy Biats. Photo by Hannah Cole Photography.

Valmy’s one tiny ‘on a mission’ moment came at the second halt, which saw the pair overshoot the marker at C slightly, and then drop off the contact marginally in the reinback, breaking up their string of 7.5s and 8s with 6.5s. But Emily made some tactful rebalancing steps in the walk, and ultimately, delivered arguably some of the best walk pirouettes we’ve seen so far in the next movements.

“He’s a really good boy with his pirouettes,” she says. “I tried not to shorten his walk for the medium walk, but just shorten his frame, and I could feel him going quite delicate. And I was like, ‘I’ll just keep the frame a bit longer and keep him walking’. It was probably not technically how everything should be, but I wanted to just keep him moving. What’s nice is that I think most of us know that at this level, the ones that are producing good tests are established with the movements. And so even though it’s a new test, it’s nearly, for the hot ones, [better] – it keeps him guessing, a little bit, where [every movement] would be. I think [these horse] know the other five-star tests so well that actually, having the movements in that different order can help you get them just waiting and listening.”

From then on out, the test continued in a similar vein: their extended canter nabbed them a 9, as did the canter half-pass, and they picked up 8s for the changes, too, giving the big crowd – and Emily herself – plenty to celebrate after the final halt and salute.

Oliver Townend and Cooley Rosalent. Photo by Hannah Cole Photography.

It looked, for a while, as though Oliver Townend might manage to squeak ahead of Emily, though, when he came into the ring with the ten-year-old Cooley Rosalent (Valent – Roselier), with whom he won Kentucky this spring. But though they started strong, earning plenty of 8s for the most developed trot-work we’ve yet seen from the mare, and a 10 for their second halt, some minor greenness played into the canter work, giving them 4s across the board for the first, double-marked flying change. Three tidy ones followed, and their final centreline was decisive – and ultimately, it was enough to put a 24.4 on the board for provisional third place at the halfway point of day two.

“She’s only a 10 year old, and she’s had an exciting life so far. The last two times she was in a big arena was Kentucky and perhaps Blenheim and Maryland,and so going into an atmosphere like that, she’s getting to know the crowd and the job, and you never know which way they’re going to react,” says Oliver.

Though ‘Rosie’ is still just ten, and thus one of the youngest in this field, she’s also already a five-star winner, as well as a third-place finisher at Maryland in 2023, and so reigning titleholder Oliver comes to Burghley with a mix of both expectation and future-proofing in mind.

“I’m always here to try and do my job, and hope that she does hers, but I’m here to continue her education and look after her, and hopefully end up with a big result at the end of it,” he says.

Bringing such an exciting young talent back to his favourite event is a particular milestone for Oliver.

“It’s probably as big as eventing gets. If I wanted to [show the sport] to somebody that was non-horsey, I’d want them to come here and say to them, ‘this is what eventing is’. This is the biggest horse trials in the world and the hardest to win, and that’s why it’s so important to all the riders.”

Gireg le Coz and Aisprit de la Loge. Photo by Hannah Cole Photography.

Fourth place is now the domain of Gireg le Coz and Aisprit de la Loge (Quppydam des Horts – Dollar du Murier), who put a five-star personal best of 25.3 on the board after a test full of highlights, particularly in the canter work, which was uphill, fluid, and showed all their combined experience and confidence.

“It’s my best test, so I’m very happy — he’s been very good recently,” says Gireg, who was travelling reserve for the French team at the Paris Olympics this summer. “I didn’t run up the Olympics, so I want to go well here — I have ambitions for the week, and I think it’s a great start. He felt really confident and very good.”

That Paris preparation has meant that the summer season has had a few stutter-steps as far as fitness work goes, but there’s no denying that the fourteen-year-old Aisprit de la Loge is looking at his peak as he begins his fourth five-star.

“I got him ready for the Olympics, and so then I wanted to give him a little break and start to make him fit again for Burghley, which I hope I did well – but Paris was a great experience, and I hope next time I’ll be in the team.”

Caroline Powell and Greenacres Special Cavalier. Photo by Hannah Cole Photography.

The new-look top five is completed by Badminton champions Caroline Powell and Greenacres Special Cavalier (Cavalier Royale – Touchdown), who were also travelling reserves at Paris, but have since had a super start to their autumn campaign, taking the win in Blair Castle’s mountainous CCI4*-S a couple of weeks ago. Today, they began their Burghley with their five-star personal best, a smart 25.4 that puts them nearly three penalties ahead of sixth-placed Pippa Funnell and MCS Maverick.

“She’s pretty cool at the moment, isn’t she? She’s an out-and-out professional — she just goes in and she does the job,” says Caroline with a smile. “And, you know, we’ve been really lucky. We’ve had [help from] Tracie Robinson, and from Gareth [Hughes] with the New Zealand team, so there’s been a lot of work that’s gone into it, and she remembers, she loves it, she adores it. She knows, now, what the crowds are here for, and she’s pretty sure they’re all there for her!”

Hannah Sue Hollberg and Capitol H I M. Photo by Hannah Cole Photography.

The rest of the top ten is made up of yesterday’s riders – Pippa and MCS Maverick in sixth, Tom Jackson and Capels Hollow Drift in seventh, Felix Vogg and Cartania in eighth, Max Warburton and Deerpaircs Revelry in ninth, and Tim Price and Viscount Viktor in tenth. The US contingent, though, came very close to slotting one of their own in this morning: Hannah Sue Hollberg and seventeen-year-old Capitol H I M (Con Air 7 – Heraldik) sit provisionally eleventh on their own personal best of 30.7, having just missed out on a spot in the top ten when they went off-course after the first flying change.

“He was going so well, and he did that first change so well, and I was like, ‘this is going so grea! …I have no idea where to go!’” laughs Hannah Sue. “That hasn’t happened to me in, like, twenty years. I’ve never completely forgotten where I was supposed to go, and just never gotten it back like that. I was like, ‘I’m going to have to go to the judge and ask where to go!’ Hopefully tomorrow will go smoothly, now that I’ve made a big mistake!”

At seventeen, big, rangy Chito is truly coming into his own on the flat – a positive shift that Hannah Sue says largely comes down to not schooling dressage too much.

“I really just kind of take it a test at a time, and really just try to get better and better and get him stronger. Like, he wants to be a bit low naturally, so I’m just trying to get the strength behind and not ask too much ever. I don’t do a ton of dressage work with him – like, I do flat work and strength work and work on my riding, and then I go to shows and practice in the ring, and it gets better and better.”

“I like my horses to enjoy their jobs, and want to do it for me. And I’m just not ever going to be the type that’s going to put their head on their chest and kick them around. I just want him to be happy and love doing it, so I try not to make it miserable. It’s miserable for me to do [dressage] too much, too! If I feel that way, I’m not the one carrying me around, so I can’t imagine it being that easy. But I do think he loves [his job]. He really understands what he’s supposed to do, and that’s the best part of my job, I think, when they’re like, ‘oh, this is important, I’ll try really hard.’

Cosby Green and Copper Beach. Photo by Hannah Cole Photography.

Cosby Green, who’s in her second season based with Tim and Jonelle Price, begins her Burghley debut with a 31.6 aboard eighteen-year-old stalwart Copper Beach (Radolin – unknown), who she took on from former pilot Buck Davidson in 2020. That’s enough to put them provisionally in sixteenth place as they head into the meat of their third five-star together.

“I thought it was his best test today, and to be 18 and to give that result was amazing,” beams Cosby, who credits Tim and Jonelle’s expertise in keeping older horses fit and happy with helping her get the best from ‘Sean’. “After Badminton, he just came through amazing. He was ready for more. And, I mean, he just keeps getting better. The program I’m in is proven to be successful with older horses, so I’m sticking with it, believing it, and he’s just on amazing form. So I’m really happy!”

We’re heading into the final two groups of dressage shortly – so keep it locked on EN for another full report from this afternoon’s action after it concludes, and in the meantime, you can join Cheg for insightful analysis from each ride as it happens here. Go Eventing!

The top ten at the Friday lunch break at Burghley.

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“It’s Surreal”: Max Warburton Tops the Post-Lunch Bunch on Day One of Burghley

Max Warburton and Deerpairc Revelry: best of the post-lunch competitors  at Burghley. Photo by Hannah Cole Photography.

We spoke too much, yesterday, about Burghley and its late-summer golden sunlight, didn’t we? We were cursed, apparently, for breaking the first rule of journalism: that is, never write about the weather, you boring bugger. Unfortunately, this means we’ll be forced to write about it again right now, if only to say that today was cold – obnoxiously so – and very, very windy. But hey – the wind, surely, is relevant. Wind, after all, makes even the most civilised of horses do extraordinarily silly things. And event horses can be described as many things, but rarely, if ever, ‘civilised’.

But even with the bluster, we still saw some super efforts from across our afternoon lineup. Not super enough to usurp morning leaders Ros Canter and Izilot DHI, mind you, but they got a 19.9, so what can you do, really?

In fact, our entire top four – Ros, Pippa Funnell, nearly ten marks behind her, Tom Jackson, a fraction of a penalty behind her, and Swiss Olympian Felix Vogg – remain in situ at the end of the day.

Best of the afternoon bunch was one of our Burghley first-timers, Max Warburton, who rode out of the ring on his rangy ten-year-old Deerpairc Revelry with a rather starstruck grin after being awarded a competitive 28.9 – a score that sees him just over half a penalty from second place at this halfway point of the first phase.

“I couldn’t ask for any more, to be honest. He’s only a young horse; he’s only 10, and it’s a bit of a big ask to go in that atmosphere, but he was super, so rideable, and I’m absolutely delighted,” says 26-year-old Max.

Max Warburton and Deerpairc Revelry. Photo by Hannah Cole Photography.

This is a five-star debut for Deerpairc Revelry – who’s out of the same mare as Will Faudree’s Pfun, if you’re into breeding fun facts – but not his first moment in the spotlight. The Irish Sport Horse gelding (Hermes de Reve – Celerina, by Dobel’s Cento) was runner-up with Max in the tough CCI4*-L at Bramham in June, finishing just behind fellow Burghley competitors Harry Meade and Annaghmore Valoner. Today, though, they bettered their Bramham score by nearly three penalties, despite – or perhaps because of – the additional, and double-marked, flying changes.

“He’s always found [the changes] easy, he’s just been a little bit almost forward thinking,” says Max, who delivered tidy efforts across his test. “He almost goes before your aid, and you get in a bit of a muddle. But we just spent a long time trying to work on that, and then they’ve come off; I’m just delighted.”

Making it this far is already a huge milestone for Max, who competes alongside his girlfriend, Irish Olympian Susie Berry, this week.

“It’s very surreal,” he admits. “You dream about this sort of thing as a kid — even just following someone like Tim Price into the ring is surreal.”

Tim Price and Viscount Viktor. Photo by Hannah Cole Photography.

Tim Price slots into sixth place overnight on the first of his two rides, ten-year-old Viscount Viktor (Viscount 22 – Noble Beauty, by Nobre), on a 29.5. If you’re keeping track, you’ll have clocked that just 1.2 penalties, or three seconds on cross-country, currently spans places two through six. Cozy!

This is Viktor’s third five-star, and a welcome return to form in this phase – he earned a 28 at Pau last season, but then put up a hugely uncharacteristic 38.4 at Luhmühlen this summer. High twenties scores, though, are just the beginning for the young horse says Tim, who rates him as one of his stars of the future.

“He’s going to be a really special horse on the flat. Although he’s had two five-star starts before, his mind has sort of been everywhere. He’s starting to now just come into the moment a bit more with me, and I think this is probably more the starting point of what he’s going to be able to produce in the future. So I’m happy to squeak into the 20s, but I know that he’s going to be much more capable in the future.”

Harry Meade and Cavalier Crystal. Photo by Hannah Cole Photography.

Busy bee Harry Meade now has two horses in the top eight: this morning’s pathfinder, Superstition, moves down to overnight eighth place on his 32.1, while this afternoon’s ride, Cavalier Crystal, takes seventh place on a 31.3. We were robbed, though, of the chance to debrief with Harry on the mare’s third-ever five-star test, because the spicy little unit needed to be piloted back to the stables. See? Event horses.

Ian Cassells and Master Point. Photo by Hannah Cole Photography.

Ireland’s Ian Cassells isn’t making his five-star debut – he did Pau last year and Luhmühlen this year, both with Master Point, his ride this week – but it is his first Burghley, and his walks of the course this week mark the first time he’s ever seen the colossal fences here up close.

But, he reasons, “I actually  would have said Pau and Luhmühlen wouldn’t have suited [my horse] as much. The twisty turny-ness there is strong. But I think as a rider, it’s a little bit easier to start with [those] two. I think the two of us have got a little bit more experience, and I think we’re done all the prep and are ready for Burghley.”

Ian and the eleven-year-old Irish Sport Horse (Pointilliste – Chikari, by Kings Master) began their week on a smart score of 32.4, slotting themselves into ninth place overnight in the process.

“I think it’s a very solid first phase,” he says. “I might have liked a little bit lower [of a score], but as a whole, [there were] no real mistakes. He’s really gone into the big crowd and kept his cool, and really allowed me to ride him in there, so I’m really pleased with him.”

The gelding’s weaker points on the flat are exactly what he hopes might be his strengths come Saturday, when the pair will tackle the biggest track of their careers.

“He’s by a Thoroughbred called Pointilliste, which would be a Giants Causeway horse, so he’s a real old-fashioned Thoroughbred. So he’s little bit on the forehand on the flat, but hopefully that’ll help me now come Saturday, [because he’s got a] big stride and stays all day.”

Nicole Mills and Fearless W. Photo by Hannah Cole Photography.

The top ten is rounded out by five-star debutant Nicole Mills and Fearless W, who produced one of their best-ever tests this morning for a 32.6.

“I’m delighted with him,” says Nicole, who’s based just two miles down the road and admits that, as a 41-year-old five-star debutant, she’d started to believe that the move-up may never happen. “He doesn’t find the dressage particularly easy. He does do his changes beautifully, and I’ll mess one of them up, which is a bit annoying, but he’s a good boy, because he likes an atmosphere and all that. Because I’m local there’s so many people clapping, and I’m like, ‘Oh God, don’t do it till we’re finished!’ But yeah, he was good boy. I’m very proud of him.”

Two of our stacked line-up of US imports got their week off to a good start today, and both sit in the top fifteen provisionally at this stage of the competition.

Mia Farley and Phelps. Photo by Hannah Cole Photography.

Mia Farley and Phelps take hold of thirteenth place on a 33.7, which sits right in the realm of their two previous five-star scores – a 33.8 at Kentucky this spring, and 32.9 at Maryland last year, where they finished fifth.

“I’m pleased with that! He went in there, and he was such a professional and even walked for a little bit,” laughs Mia. “I think he wanted to graze the whole time, but he got it at the end. There’s a lot going on in there, and I was actually thinking that it’s a little bit loud, but, I mean, it’s very special to just ride around the ring in there.”

A nice test in exchange for a nice snack? Great deal. Photo by Hannah Cole Photography.

Also special? The $1 nearly-an-ex-racehorse-but-not-quite, who she rides for coach David O’Connor, and with whom she’s had the biggest moments of her fledgling riding career.

“Just like I always joke, he’s kind of someone that you sit on the couch with and just talk,” she says of Phelps. “He’s so special. And he’s kind of… he’s a human, pretty much. He’s just nice to be around.”

And, she continues, “it’s very comforting to have a horse to go around a big track on that you know really well. We never had five star in mind for him, but we’ve been producing him since he was four, and now we’re here, so we’ll see. [His five-star debut] was special, because we didn’t really know if he’d fight for it or not — we kind of knew, but we just had to see what happened. And he proved that he is a fighter and he loves what he does.”

Making the call to come to Burghley after two clears inside the time in two five-star runs was a no-brainer for Mia – but what’s been more tumultuous has been actually getting here. She utilised some creative fundraising schemes, including selling Team Phelps jackets, to raise the $30,000 or so needed to make the trip, and that’s made for a pretty unconventional lead-up.

“It’s been an emotional roller coaster,” she says with a laugh. “I wasn’t committed to coming here until, like, three weeks ago. Obviously, we did all the prep and everything, but I just wasn’t sure if I’d fundraise enough. And then I talked to Jennie [Brannigan], and she was like, ‘you’re going!’ so then we did a couple more things, and we made it work. But my mental space… I think I’m putting a lot of pressure on myself because everyone’s helped me get here so, there’s been a lot of, like, calming jazz music playing!”

Jennie Brannigan and FE Lifestyle. Photo by Hannah Cole Photography.

Jennie Brannigan, for her part, has also made the trip over, but her own lead-up has been less stressful than Mia’s – and less stressful than her own twelve months ago, too. Last year, FE Lifestyle tied up on the Monday before the event, and she wasn’t sure she’d even be able to run him – but this year, he’s had a great preparation and travelled over early to ensure he’d manage the transatlantic trip well.

He and Jennie begin their week on a score of 34.7, which puts them into equal fifteenth place with Francis Whittington and DHI Purple Rain overnight. A lower score was precluded by some tension in the canter work, which proved expensive.

“With the weather and whatnot, I was a bit worried, because he’s pretty hot in the dressage,” she confessed. “Last year, he was a bit more subdued in the arena. But I’m pleased with him — he just gets wound up in the canter, but I’m thinking we’ll run and jump better this time, since he’s in 100% health. I thought the walk and trot was great, and we held it together the best we can.”

Jennie was one of a very small number of riders to profess to looking forward to the challenge of Saturday’s cross-country: “but if you’re on a horse like this, you would,” she grins. “I’m excited for Saturday. I didn’t even know if I was going to run on the morning of [last year], so that was really, really challenging. And so my goal this year was to obviously bring him over early, make sure he stayed in good form, and I think he’s fit. He came over great, and we’re just happy that he’s in great form, and I can go out and attack the cross country, because I didn’t really get to do that last year. Bless him, he was amazing to jump around like he did, but I’m excited to go out there with 100%.”

US horses: evidently hungry for some good English grass. Photo by Hannah Cole Photography.

Coming back to the hallowed grounds of Burghley was priority number one for Jennie and her exceptional cross-country partner.

“I love it. It’s the hardest event in the world, but I love it. I wouldn’t want to be on any other horse. I just think it’s the hardest event in the world, and everyone knows it’s the best event. So to me, this is what eventing is about. This is eventing; this is the sport. And this is why, as a kid I wanted to do it. I wouldn’t want to be anywhere else competing at any other show this year. This is it for me. Everyone knows it: big bad Burghley.”

Tomorrow’s dressage begins at 9.30 a.m local time/4.30 a.m. EST with Emily King and Valmy Biats first in the arena. For those following our US competitors, you can catch them at the below times:

  • 37 a.m. BST/4.37 a.m EST: Cosby Green and Copper Beach
  • 02 a.m. BST/6.02 a.m. EST: Hannah Sue Hollberg and Capitol H I M
  • 30 BST/9.30 a.m. EST: Andrew McConnon and Wakita 54

The full list of times can be found here, and today’s results, in full, can be found here. If you’d like to catch up on all the rest of today’s action, you can browse back through Cheg’s live coverage of today’s competition, which will return tomorrow for lots of insightful analysis and useful intel. You can also get the full scoop on every horse and rider in the field in our jam-packed form guide, and get all the details on how to watch the competition live — and much more! — in our Ultimate Guide. Until next time: Go Eventing.

The top ten at the end of day one of dressage at the Defender Burghley Horse Trials.

Our coverage of Burghley is brought to you by our incredible supporters, Kentucky Performance Products, your one-stop shop for science-backed nutritional products to keep your horse feeling their best at all times. They’ll even get on the phone with you to help you formulate a solid supplementation plan for your horse’s individual needs! We’d really appreciate your support of KPP, as they’re champions for our sport and beyond and are wonderful people to boot. Check them out here.

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A Sub-20 For Breakfast: The Defender Burghley Thursday Morning Debrief

Ros Canter and Izilot DHI. Photo by Hannah Cole Photography.

It’s a truth universally acknowledged that a ground jury on a Thursday morning must be in want of a few marks – must, surely, be stiff and ungenerous, lending a natural benefit to those riders lucky enough to be given a Friday afternoon draw, once everyone’s loosened up a bit and begun to flirt with the ‘9’ button.

Or is it? That commonly-held belief certainly didn’t appear to have much effect on Ros Canter and her 2023 Pau champion Izilot DHI (Zavall VDL – Un, by Cavalier) who, as just the second combination in the ring this morning, earned themselves Defender Burghley’s second best-ever score. They now sit firmly atop the leaderboard on a 19.8 that’s just about guaranteed to stay in prime position overnight, and will be seriously tough to beat tomorrow. But while it’s tempting to predict that Ros and the eleven-year-old KWPN gelding will head into Saturday’s cross-country in the lead, tomorrow, we’ll see the horse and rider who hold the Burghley record – that’s Tim Price and Vitali, who posted an incredible 18.7 here last year.

Whatever happens tomorrow, though, Ros is delighted with how her week has started with the notoriously quirky Isaac.

“I’m absolutely [thrilled],” she says, a beaming smile writ large across her face. “I’ve been practicing, since Luhmühlen, having him a little bit more in self-carriage and lighter. He’s obviously always been quite spooky, and so I’ve [often] kind of gone for the safety option of having him very secure, and that doesn’t show him at his best. So since Luhmühlen, I’ve been really trying to let him dance like he can — and I think we’re nearly there. Like, there’s more to come, definitely.”

It was one of the most secure, confident tests we’ve ever seen from the talented gelding, whose tendency to a fright has often made life just a bit trickier: last year at Pau, he delivered a smart 24.3 en route to eventual victory, but that test came after a dramatic overreaction to a cameraman, which prevented Ros from being able to ride around much of the outside of the arena before entering at A.

Ros Canter and Izilot DHI. Photo by Hannah Cole Photography.

Getting to the bottom of Isaac has been, and continues to be, a long process, and one that requires patience, tact, and lateral thinking.

“He actually is a calm horse — he’s just plain spooky, but he’s not actually hot-headed. He’s actually placid by nature, and he wants to be quiet, but he’s just got a really sharp flight instinct. So if he does spook, it tends to be very clear for everyone to see. Today, he had the odd peek, but nothing too violent,” explains Ros, who has adjusted how she trains Isaac throughout the course of this year in order to embolden him. At the start of the year, that meant no schooling at home: instead, he’d hack out, and if Ros wanted to practice flatwork, she’d travel him to different venues to give him exposure to new environments. Now, in the back end of the year, she’s begun to reintroduce working at home more.

“It’s changed a bit; I’m still not schooling him as much as I was, but I am now working him a bit, and it’s definitely paid off,” she says. Another major factor? At this time of year, he’s able to live out full time, which helps to settle his brain.

“He’s just always such a challenge in the spring, and when he’s still having to come in at night and things like that. As soon as we can, like, basically, in May, all our horses live out full time. They sometimes come in for one night for a competition if we’re leaving it two in the morning, but if not, if we can grab them in the dark, we do and just pop them on and go. He just loves the sun on his back out in the field, it completely changes his personality and his demeanor. So my life is easier at the moment!”

And when life gets easier with Isaac, Ros explains, he rewards all that patience and sympathetic training with an unrivalled feeling.

“He’s the most elastic horse I’ve ever ridden,” she says. “You only have to kind of clench your tummy muscles and tighten your backside, and he can kind of almost be a dressage horse. It’s an amazing feeling.”

Ros Canter and Izilot DHI. Photo by Hannah Cole Photography.

There’s still plenty of time to go – and another dressage test tomorrow, this time with Badminton champion Lordships Graffalo – before Saturday’s cross-country, but Ros, who retired at Badminton this spring when Isaac became overwhelmed by the huge atmosphere on cross-country, and then rerouted to Luhmühlen to lead the first two phases, is already thinking ahead about her plan of action.

“It looks pretty intense at the start to me, and I think certainly for Izilot DHI, you know, the narrow passageways into the main arena [at 4AB], that’s the kind of thing that would unsettle him. So if I can get him kind of out of Defender Valley [5ABC], the Leaf Pit [7ABCDE], back through Defender Valley [8AB], I think he’ll settle. I’ve got every faith in his jumping ability.”

Pippa Funnell and MCS Maverick. Photo by Hannah Cole Photography.

Second place is held at the lunchbreak by two-time Burghley champion Pippa Funnell, who had the unenviable task of following up Ros’s ride. And look, we’re not going to pretend that she, or anyone else, came even close to threatening Ros’s reign of supremacy, but the eleven-year-old MCS Maverick (Mill Law – Aroma) acquitted himself well in the arena to earn a respectable 28.3.

“It’s a good start, and a huge relief because, as everyone knows, it’s a little tricky with him,” says Pippa of her 2023 Bramham champion, who she’s been riding for just eighteen months and who is a hot, often challenging little horse. “But he was great, really great. The walk didn’t suit him, but he managed to walk, so that was good. We had one little jog, but I thought the pirouettes were going to be really tough, and theywere tough, but we sort of got better than ones and twos, so that was good. But the really exciting thing about the horse is, when he gets in the white boards, he’s starting to breathe more, which is all positive.”

“I’m sure,” she continues, “that there are going to be a lot of better tests, but at least I’m going out there still to be competitive, whereas I’m not sure how excited I’d have been about getting out there if I wasn’t in touch. So I’m pleased with him. There’s a lot of mental games that goes on with that horse at home, but the work he’s doing at home, I would say he’s nearly one of the best, most talented ones I’ve had on the flat.”

Pippa, too, has two horses this week, with stalwart Majas Hope to come tomorrow – “The one thing we have on our side is experience — we have a combined age of 73,” she laughs. She’s also busy coaching and mentoring some of her fellow competitors; taking part in book signings for her Tilly’s Pony Tales series; and appearing on Pony Club chat shows among her colourful schedule of obligations. It’s all another week in the office for the much-loved familiar face – but now, following the retirement from competition of several of her closest friends and longtime competitors, she admits it’s starting to feel just a little bit different.

“I’ve struggled a bit with the fact that two of my best friends, Tina [Cook] and William [Fox-Pitt] aren’t doing it anymore,” she says. “I know they’re both here, but it’s not the same – they’re not sitting in my lorry crapping themselves with me! They’ve got smug expressions on their faces, and it’s just me, now. I miss them, but I do still love riding the horses, so who knows? I have to say, [retirement] does play on my brain a bit, but the important thing is knowing the horses, which I do, well, and I know myself well, too. The nerves get worse and worse, so it’s mentally quite tough. All my career, I’ve thought about getting the horses right for it, and now, I’m thinking, ‘am I up to it?’ I don’t want to let them down.”

Tom Jackson and Capels Hollow Drift. Photo by Hannah Cole Photography.

One of Pippa’s proteges is close behind her in provisional third place, on a very close score of 28.6. That’s Tom Jackson and Capels Hollow Drift (Shannodale Sarco St. Ghyvan – Lucky Crest, by Lucky Gift xx), who were runners-up here in 2022 on a very similar starting score of 28.9.

“I think he’s done four five stars, and he’s done three 28s now, so it seems like we’re not improving,” laughs Tom. “But I think there was a lot more to like there. It’s just, you know, we always want a bit more, don’t we?”

Just one tricky change – now double-marked in this new CCI5* C test – precluded the pair from earning a higher mark. But despite that, it’s a joy to see how talented ‘Walshy’ has progressed physically – now, as a thirteen-year-old, he’s a picture of elegant muscle and flowing edges, and a very different type than the quite Irish young horse he once was.

“To look at him as a six, seven, eight year old, you wouldn’t have thought he’s necessarily a dressage horse, so he has to work a little bit harder to get that real picture, but it’s all coming together really nicely,” says Tom, who’s also placed fifth at Badminton both this and last year with the gelding. “He’s just a consistent performer, and I think that’s one of his strongest qualities. All l the way through his career, he’s just been super consistent. So hopefully he can finish as close or on 28.6, and we can be there or thereabouts on Sunday.”

Felix Vogg and Cartania. Photo by Hannah Cole Photography.

Switzerland’s Felix Vogg is riding an exciting wave following a top-ten finish at the Olympics with young Dao de l’Ocean, and today, he begins his Burghley campaign with Cartania in provisional fourth place, having put a 28.8 on the board.

You won’t find many event riders who’d celebrate that new double coefficient on the flying changes, but Felix, who trains on the flat with Bettina Hoy, was delighted by their inclusion, particularly on this mare, for whom they’re something of a party trick.

“Usually it’s one of my favorite things to do in a test,” he grins. “I see it as well a bit, as an exercise to loosen a horse and so on. And usually, if you start early enough, every horse has a flying change in the field, so they should do it as well under a rider.”

Cartania (Cartani – C Tenda, by Clinton) delivered very smart, tidy changes in her test, but lost fractional marks for some conservative work, which was something of a surprise to Felix after a few spicy days of settling in.

“She’s always a bit difficult the first few days when she arrives in show, but she showed some progress in the last days now, and got a bit sticky, I don’t know how you call it in English, in there, and didn’t really want to attack it. But I was really pleased with her.”

Harry Meade and Superstition. Photo by Hannah Cole Photography.

Today’s pathfinders, Harry Meade and Superstition (Satisfaction FRH – unknown, by Cordalame), round out the top five with a 32.1, a smart enough start for the gelding, who’s thrice placed at US five-stars but can be reactive in the ring.

“He gets a little bit over-awed with a crowd, usually,” explains Harry. “When I came out at the end,  he just froze after the end of the test. But I’m very happy with him. He’s a lovely little athletic horse, and I deliberately came up ten minutes before my test, did a very short warm up, and went in.”

That conservative approach is the thread running through ‘Slinky’s’ week: “I actually only brought him here yesterday. He did a light gallop at home, and then came up in time for the horse inspection, and then this was the first time he’s been ridden here. So I’m just very much trying to just keep it normal for him, not sort of over-pressurizing him with a big occasion.”

Harry, who initially had five entries here and was able to choose three, had some amount of sway over his drawn order as a result of his glut of horses, and going early without much atmosphere was definitely a perk for Superstition.

“It’s understanding each horse and trying to give them what they need individually. There’s always pros and cons going first. It’s not specific to these judges. It’s all judging, quite often, there’s a little bit of a trend to soften throughout the course of the competition. But you know, if I had to ride one first, I’m glad that the draw worked out that he had the quiet atmosphere,” he says.

We’re now heading into the afternoon’s session of dressage – join us soon for a full report from the latter half of today’s competition, and in the meantime, you can join Cheg for a live play-by-play and analysis over on our live updates thread. Go Eventing!

The top ten at the lunch break on Thursday’s dressage.

Our coverage of Burghley is brought to you by our incredible supporters, Kentucky Performance Products, your one-stop shop for science-backed nutritional products to keep your horse feeling their best at all times. They’ll even get on the phone with you to help you formulate a solid supplementation plan for your horse’s individual needs! We’d really appreciate your support of KPP, as they’re champions for our sport and beyond and are wonderful people to boot. Check them out here.

Defender Burghley: [Website] [Entries] [Timing & Scoring] [Burghley TV] [Tickets] [Cross Country Preview] [EN’s Coverage]

Defender Burghley Field Thinned By One at First Horse Inspection

Burghley pathfinders Harry Meade and Superstition. Photo by Tilly Berendt.

Nothing feels quite as back-to-school — in a nice way, not in an ‘I really hope I don’t cry in calculus this year’ way — than the Defender Burghley Horse Trials. Nearly always blessed with a bit of late-summer sunshine and a bold, diverse field of entries, it comes at that glorious cusp of the seasons that feels gilded. Gilded by that almost-autumnal light; gilded by the turning of the leaves; gilded, metaphorically speaking, by the rich history of the place and all its myriad stories, both micro and macro, that have played out at the event over six decades, and on the estate over six centuries.

France’s Gaspard Maksud and Kan-Do 2 make one of today’s great shows of purple-and-white styling — a sweet nod, no doubt, to much-missed Georgie Campbell. Photo by Tilly Berendt.

But even though that’s some hefty significance to bear, the other thing that always feels so notable about Burghley is the general air of relaxation. That feels like an odd way to put it, doesn’t it — it’s a five-star, after all, and not just any five-star, but the most dimensionally colossal one in the calendar, with a ditch you can park a, well, Defender in. But we’re in the final gasps of the 2024 season, which ends at the closing of October, and so all of us — riders, grooms, owners, supporters, members of the media, and spectators alike — are well bedded in. We’ve seen one another week in and week out. We’ve got no rust left to knock off. We’re aware, though in denial about it, that soon, we’ll all be battening down the hatches and pulling out the winter woollies, convening when we can at hunt balls and charity balls and end-of-season parties, but otherwise, back in our boxes until spring. So it always feels, here, like we’re enjoying it for exactly what it is. And that’s nice! We like that!

That’s not to say, though, that the week is without its tensions. They still come thick and fast, and this evening’s first horse inspection gave us our first taste of what the British quite charmingly (?) call ‘squeaky bum time’.

67 horses and their riders presented to a Ground Jury consisting of Paris judge Christina Klingspor (SWE), serving as president, Robert Stevenson (USA) and Nick Burton (GBR) — but at the end of the day, it’ll be 66 who’ll continue on to the competition. Three horses were sent to the holding box, where a quite remarkably thorough job was done of their examination by the vet, and while two of them — Switzerland’s Nadja Minder and Toblerone, and US representatives Andrew McConnon and Wakita 54 — re-presented and were accepted into the competition, one, British fan favourites Tom Crisp and his seventeen-year-old homebred Liberty and Glory, decided to withdraw.

Tom Crisp and Liberty and Glory. Photo by Tilly Berendt.

“It’s not going to be our Burghley this year. L&G was not her usual quirky self and simply just feels a bit off. Or in our case a suspected bruised foot. It was an easy decision not to represent, you can’t tackle a track like this without feeling 100% and she would undoubtedly give it her all,” writes Tom on his social media pages. “Huge thanks to everyone for their understanding and support[.] Gutted but also grateful and honoured to have achieved some wonderful results with this remarkable little mare around this track. She owes us nothing, and can come home for lots of pampering and a bit of R&R.”

Tom McEwen and CHF Cooliser, and also a serious bit of hat. Photo by Tilly Berendt.

British footwear behemoth Fairfax & Favor once again awarded best-dressed prizes to two competitors: Tom McEwen, who’ll pilot Vicky Bates and David Myers’ fourteen-year-old CHF Cooliser (Womanizer x Ramiro B) took one of them, while Bella Innes Ker, who’ll ride the twelve-year-old Highway II (Baltic VDL x Voltaire Pref), who she co-owns with Benjamin Chan and Milly Soames, won the other.

Bella Innes Ker and Highway II. Photo by Tilly Berendt.

Tomorrow sees the first half of the entries take to the dressage ring, starting with a guinea pig test from Kitty King and her 2018 Six-Year-Old World Champion Cristal Fontaine, which will serve to get the judges’ eyes in and objectives aligned ahead of the real deal — and will give Cristal Fontaine the chance to practice his ringcraft ahead of a planned trip to Boekelo next month. The first competitors in the ring will be Great Britain’s Harry Meade and the first of his three rides, Superstition, who’ll be entering at A at 9.30 a.m. local time/4.30 a.m. EST. He’ll be followed into the ring by last year’s Pau winners, Ros Canter and Izilot DHI, which should give you some idea of the incredible quality of this year’s entries.

Mia Farley and Phelps. Photo by Tilly Berendt.

If you’re tuning in specifically to support the strong US field of entries, and want to manage your sleeping/live-streaming life-balance, you’ll be able to see them in action at the following times:

14.07 BST/9.07 a.m. EST: Jennie Brannigan and FE Lifestyle

15.34 BST/10.34 a.m. EST: Mia Farley and Phelps

The full starting times for tomorrow can be found here, and Friday’s line-up can be perused here.

There’s just one place to get the live-stream for this week’s competition, and that’s Burghley TV, so if you see anyone on Facebook promising you access to a stream at any other link, even if it looks like it might be a Burghley profile, don’t click it – instead, head direct to the source and get your subscription sorted for a one-off payment of £20 (that’s about $25). That’ll give you each day’s live-stream, plus magazine highlights programmes, the full course preview, and access to jam-packed archives going back decades, too. You’ll be able to use the service for one year from sign-up, and truly, it is the gold standard of event streaming subscription packages, so whether you’re blocking out time to watch it all as it happens or catching it on-demand later, you’ll find you get plenty of bang for your buck here. You can also tune into Burghley Radio for free here. We’ll be bringing you wall to wall coverage of the competition here at EN, too, with plenty of supplementary content and in-depth reports, too, starting in tomorrow’s lunch-break. Until then, you can head over to our Ultimate Guide for a quick and easy round-up of all the info and links you need, plus all our coverage.

Go Eventing!

Our coverage of Burghley is brought to you by our incredible supporters, Kentucky Performance Products, your one-stop shop for science-backed nutritional products to keep your horse feeling their best at all times. They’ll even get on the phone with you to help you formulate a solid supplementation plan for your horse’s individual needs! We’d really appreciate your support of KPP, as they’re champions for our sport and beyond and are wonderful people to boot. Check them out here.

Defender Burghley: [Website] [Entries] [Timing & Scoring] [Burghley TV] [Tickets] [Cross Country Preview] [EN’s Coverage]

Tuesday News & Notes from Kentucky Performance Products

Feeling the post-Paris blues still? Then you’ll be delighted to hear that you don’t have to – because today, the Paralympic dressage gets underway in Versailles, and it’s very bit as exciting as the Olympic competition was, and often much more emotional. You can catch up on the need-to-know info from the FEI in this informative guide, and get to know two key competitors in this piece from the Olympic hub. The FEI’s own hub, with medal recaps and handy info, is available here, and you can stream the competition on the Paralympics YouTube channel – here’s a link with more info for viewers regardless of country.

Events Opening Today: Hagyard Midsouth Three-Day EventMaryland 5 Star at Fair HillWindermere Run H.T.

Events Closing Today: Unionville International H.T.Twin Rivers Fall InternationalMeadowcreek Park H.T – Fall Social EventUniversity of New Hampshire H.T.Heritage Park H.T.Honey Run H.T.

News & Notes from Around the World:

The Paralympics are well underway, and there’s already high drama in Versailles. Gold-medal contenders Tobias Thorning Jørgensen and Jolene, who took the gold in Tokyo, have sadly withdrawn from the competition after the mare was diagnosed with travel sickness. This is a huge shake-up for the competition: the pair have several years of being undefeated at senior Championships under their belts. Here’s the full story.

A little closer to home (for most of you guys, anyway – Paris is definitely closer for me!), let’s look ahead to the YEH Championships. Or, more specifically, to one lovely young Thoroughbred, who’s being aimed for the finals and enjoying his early education en route. Meet him here and find out how that progression has been planned.

Age classes are great and all, but you also never need to put a timeline on success. That was proven in fine style by Roisin O’Rahilly, who, at 81 years old, became the Beginner Novice Master Amateur at the AECs. Riding her delightful Happy Times, the Century Ride award-winner led from pillar to post to secure the title on her first trip to the AECs, and her first competition at the hallowed Kentucky Horse Park. Check out her story here and remind yourself: it’s never too late to do exactly the things you dream of the most.

I’m sharing this for a really specific point made within it, which I wholeheartedly agree with. The author, looking back on when she was a horse-mad college student hoping to become an equestrian journalist, recalls a sage bit of advice, which is that no one in the industry will take her seriously unless she, too, knows what it’s like to feed the horses in sub-zero temperatures. And so she embarks on a quest to gain as much hands-on experience and knowledge as possible of the industry she wants to write about – which is, alongside reading prolifically, the first piece of advice I give to all aspiring journalists who message me. Get out there, get your hands dirty, and learn this world on an intrinsic level – and in the evenings and in your free time, get so hungry for words that you give yourself over to your bookshelves, so that evocative, expansive, inimitable sentences also become intrinsic. You can read the rest of the piece here, and maybe one of these days I’ll organise my thoughts enough to write out something like sage advice.

Sponsor Corner: What makes some hay higher in sugar than others? If you work with a horse with metabolic issues, you know how frustrating it can be to find low sugar hay. Kentucky Performance Products has some answers that might help you in your torturous hunt for low sugar hay. Get the full scoop here.

Watch This:

Relive the winning cross-country round of Wills Oakden and Keep It Cooley, who took the CCI4*-L at the last-ever Blair Castle in Scotland last month:

Monday News & Notes from FutureTrack

Happy Monday, ENers, and happy Burghley week! The leaves are starting to turn, the morning air has the faintest crisp note cutting through that latent warm air, the shelves in the supermarkets are packed to the gills with back-to-school supplies and slogans, and, back as always to herald in the eve of autumn is the world’s biggest CCI5*. And what a week we have ahead of us: there’s one of the event’s best-ever entry lists, even despite the Olympics this summer, a brilliant new course by Derek di Grazia, which we’ll be unpacking for you soon, and a weeklong forecast very nearly packed to the rafters with sunshine. Bliss!

We can’t wait to touch down on this holy ground, but in the meantime, we’ve got so much goodness to bring your way. A beefy form guide? Check. Some hugely committed team picks? Check. A course preview? Check. At-a-glance guides to the field? Check, check, check, baby! And then we’ll be diving wholeheartedly into the action from Wednesday, bringing you more inside intel than you can shake a stick at each and every day, and then, once it’s all wrapped up and we have our Burghley 2024 champion crowned, we won’t feel guilty at all about heading home for a duvet day to rewatch it all on Burghley TV, tucked up in a knitted blanket and eating pumpkin soup. There’s something about the first couple of weeks of autumn, and the weeks leading into it, that make me feel very Gilmore Girls, and so, by extension, Burghley is also our most Gilmore Girls event. Derek di Grazia? SUCH a Rory.

National Holiday: It’s Labor Day! This important holiday doesn’t just mark the beginning of the end of summer, it’s also a celebration of labor unions and all the hard work they’ve done to create safer, fairer, more equitable working environments. But we still have a lot of work to do, especially in the still-largely-unregulated equestrian industry. We recommend checking out super organisations such as the International Grooms Association, British Grooms Association, and the USEA Grooms Program to find out more about how industry workers can be better protected and represented.

US Weekend Action:

USEA American Eventing Championships: [Website] [Results] [Official Photographer]

Equestrians’ Institute H.T.: [Website] [Results]

Seneca Valley Pony Club H.T.: [Website] [Results]

Bucks County Horse Park H.T.: [Website] [Results]

Your Monday Reading List:

There are so many incredible stories coming out of the AECs from throughout the final leaderboards. One I loved? The tale of the plucky Hickory Lane Equestrian Team, who rallied together to regroup after a surprise tornado swept through their stables, tearing down their indoor arena in the process and destroying many of their jumps. Rather than being sidelined by the disaster, though, they got creative, riding in the fields and on the cross-country course, which, actually, probably did them the world of good – I’m a huge advocate for schooling on terrain, because it make it so natural to be surefooted when you’re then riding at speed across it. Meet the team in this lovely story and find out how they made it work, and how they got on in Kentucky.

Another great set of characters from the AECs here! Jocelyn, a rather magnificent Clydesdale cross, wasn’t ever even meant to go eventing, but a bit of happenstance led to her having her first outing, which then escalated into a run at the AECs in the Starter division. I was at the final-ever Defender Blair Castle International the other week and one of my favourite moments was watching the ridden Clydesdale class, so you better believe I’m hatching a plan to storm around a course on a ginormous feathered steed as soon as I possibly can, now. I’d take a catch-ride on Jocelyn if it was offered.

Is your stabled horse stressed out because of boredom? So many of us fill our horses’ stables with the essential comforts they need – plentiful water, hearty hard feeds and forage, fresh bedding – but neglect to provide enrichment, which is just as important. This interesting piece shares both the effects and causes of boredom, and how you can set your horse’s stall up to keep him occupied and engaged even when he has to be inside. It’s an effort that’s well worth making, and actually, creating enrichment opportunities is really good fun – and there’s a lot that can be learned from the zookeeping world here, too. A friend of mine used to be a groom and then became a zookeeper specialising in hoof stock, and some of the ideas she was able to bring to her animals’ enclosures were fascinating. Dive on in to the piece here.

Okay, so you know from scanning social media comments that you definitely don’t want your horse to be behind the vertical. But do you know why? The mechanics of how this common problem affects your horse’s body, and the incorrect emphasis it puts on various structures, is well worth being clued in on, because knowing about it will help you to counteract it and ride effectively and correctly. Then, you’ll find your horse becomes more uphill, more balanced, and more supple and connected, making flatwork a breeze — while also keeping him or her happy and comfortable. Win, win, win!

Morning Viewing: 

The first ride on a young horse is a momentous milestone – here’s an insight into how it happens.

Tuesday News & Notes from Kentucky Performance Products

How cool is this? Justine Dutton-Barnard’s former four-star eventer, Huck Finn, partnered Justine to some of her greatest successes in the sport, including riding on the British team at Nations Cup level, is still going strong at the age of 23, cruising around the lower levels with his devoted kiddo, Sienna. They enjoyed their eventing debut together last week, finishing a very impressive second in the Starter division. What a treat for them both to have one another!

Events Opening Today: The Event at Isaacks RanchMorven Park International & Fall Horse TrialsPine Hill Fall H.T.Radnor Hunt H.T.Poplar Place Farm October H.T.

Events Closing Today: The Fork at TryonAspen Farm H.T.The Event at SkylineFlying Cross Farm H.T.Otter Creek Fall H.T.Marlborough H.T., GMHA September H.T.The Vista Fall YEH/NEH Qualifier

News and Notes from Around the World:

Forgive us, father, for we’re about to go AECs mad. Confession time: I lived in the US for a decade or so, until I came back to the UK when I was nineteen, and to this day, the AECs is one event I’d love to compete at. I know, I know! I’m surrounded by the best of British and European events! There are so many iconic competitions beginning with ‘B’ I could daydream about! But I remember seeing the unbelievable prize hauls, the very cool courses, and the sheer fun of the AECs writ large every summer and that, my friends, is what I want. So you better believe I’m living vicariously through today’s daily round-up from US Eventing, because it’s got all the info I need to follow along from afar.

While I wait for the US to wake up, though, I’ll get myself in the mood with a good podcast, and I recommend you join me. The latest episode of the US Eventing Podcast has some of the primary bods and brains behind the organisation of the event at the mic, as they discuss the biggest-ever running of this very, very cool competition. Give it a listen here.

If you’re competing this week, whether at the AECs or elsewhere, you’ll want to make sure you’re looking your best and most professional in the ring. Dressage riders are generally much better at that sort of thing than us grubby eventing types, so it makes sense to get advice from one of them, rather than one of us. Canadian dressage rider Hannah Beaulieu shares her tips for top rider turnout in this piece.

William Fox-Pitt is about eight feet tall, but the Burghley fences still look big next to him. He walked the course with Horse & Hound for an in-depth analysis session, which will be coming soon in an issue of the magazine, and they’ve released some sneak peeks of the big man in action on Derek di Grazia’s very cool course. Keep it locked on EN, too, because we’ve got plenty of insights coming this week for you as well!

Speaking of Horse & Hound, they’ve just quite an exciting job role open up. They’re looking for a new showing editor to work part-time, three days a week from home, with occasional trips into the office and, we reckon, lots of opportunities to travel around the UK to cover the world of showing. We know that sometimes, the showing editor gets roped in to help with major five-stars, too, so if you’re a British-based wordsy type with a love for both disciplines, consider popping your application in before the September 9 deadline.

 

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Sponsor Corner: What makes some hay higher in sugar than others? If you work with a horse with metabolic issues, you know how frustrating it can be to find low sugar hay. Kentucky Performance Products has some answers that might help you in your torturous hunt for low sugar hay. Get the full scoop here.

Watch This:

Ever fancied producing your own young horse from the ground up? We reckon this vlog series showing the whole process — warts and all! — will give you both inspiration and education to help you prepare.

Monday News & Notes from FutureTrack

Saying goodbye is hard to do, and even harder when you know it’s the final time. Scotland’s emblematic event, the Defender Blair Castle International, is no more following its culmination yesterday, as the estate will now be used for regenerative farming, and Scotland’s premier event will be a new fixture at Scone Palace from next summer. But what a thrill for the final hurrah to end up with a win for Wills Oakden, who is one of Scotland’s few top-level professionals, and who has now won the 2*, 3*, and 4* in consecutive years on the same horse, Keep It Cooley. A fitting farewell to a wonderful event — and a big thank you to the team of organisers and volunteers who’ve made this such a special part of the eventing world for so long.

US Weekend Action:

Bouckaert Equestrian H.T. International (Fairburn, GA): [Website] [Results]

Shepherd Ranch Pony Club H.T. II (Santa Ynez, CA): [Website] [Results]

Town Hill Farm H.T. (Lakeville, CT): [Website[Results]

UK International Results:

Blair Castle International (Perthshire, Scotland): [Website] [Results]

European International Round-Up:

FEI Junior and Young Rider European Championships (Strzegom, Poland): [Results]

Lisgarvan House International (County Carlow, Ireland): [Website] [Results]

Your Monday Reading List:

That win for Wills Oakden at Blair couldn’t have been a more fitting finale. Horse & Hound caught up with him to find out more about the exciting nine-year-old Keep It Cooley and unpack his thoughts on what comes next following the sad loss of this much-loved event.

This is an interesting investigative piece on Alicia Dickinson, who has been alleged to be — though denies being — the whistleblower in the Charlotte Dujardin scandal. Just to be very clear here, I don’t subscribe to the notion that a dodgy alleged whistleblower means that the severity of the scandal itself is diminished — I think if there’s something to whistleblow, that’s a big problem in its own right and the focus on it shouldn’t be sidetracked. But the separate story that’s now unfolding about the seemingly dodgy business practices around Dickinson is interesting and worth following through — if only to bring more awareness to some of the less savoury consumer models that exist in our largely unregulated industry.

What is your understanding of ‘good hands’? If it’s perfectly still, totally quiet hands, then you might be missing a crucial piece of the puzzle. This piece on COTH makes for great reading and will help you level up your rides this week.

Morning Viewing: 

Catch up on all the Young Rider cross-country action from the European Championships here.

Tuesday News & Notes from Kentucky Performance Products

 

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Tuesday’s always a key day each week for US-based eventers — because that’s the day that event entries around the country open and close. As always, we’ll be running you through today’s fixture deadlines before we dive into the round-up of links and articles, but I wanted to make a special mention to one event that’s closing entries today. That’s CDCTA Fall H.T. in Berryville, VA, which has taken on board lots of competitor feedback and implemented some really exciting, very welcome changes to their horse trials, including a new layout, with relocated showjumping and dressage arenas, lots more space to warm up, and some very cool new tracks, too.

That’s just the tip of the iceberg, though. New at CDCTA Fall is the CDCTA Team Challenge, open to groups of four riders and held by level, so you can compete at Modified/Training, Novice, Beginner Novice, or Starter/Intro. There’ll be great prizes on offer, and ceremonies following each division, and best of all, there are no additional fees for entering a team — you just need to corral your barn pals and eventing buddies and pop Coree Reuter-McNamara at [email protected] with any of your questions. Coree will also be able to slot you into a team if you don’t have quite enough people, or if you’re coming to the event solo and still want to get involved. This feels like an AMAZING way to make new friends on the circuit, frankly.

CDCTA is also putting on an Instructor Incentive Program, and the trainer with the most students competing at CDCTA Fall will earn themselves a free entry for next spring’s event. Here’s a quick look at the rules:

  • competitors must declare their instructor
  • can only declare one instructor per horse show
  • every rider/horse combination that starts the event will earn 1 point for the instructor
  • must email Stephanie with instructor at [email protected] with your entry in order for it to count
  • the instructor who brings the most students will win entry to the next show
  • entry is non-transferable and must be used by the instructor
  • riders must start dressage in order for the instructor point to count

Happy entering! Here’s a look at the rest of those key openings and closings today.

Events Opening Today: Middle Tennessee Pony Club H.T.Miami Valley H.T. at Twin TowersApple Knoll Farm H.T.The Maryland Horse Trials at Loch Moy FarmOcala Fall Horse Trials

Events Closing Today: USEA MDHT YEH QualifierCDCTA Fall H.T.Five Points H.T.Flora Lea Fall H.T.

Tuesday News & Notes from Around the World:

44 combinations will tackle the Advanced class at the 2024 American Eventing Championships. Take your first look at the field of entries, and start picking your favourite for the win, with this quick run-down from US Eventing. Who’s the busiest rider in the class? Which horse is the oldest? All that and more, inside.

Speaking of the AECs, I’ll tell you something for nothing: I’ve always been so envious of the plethora of amazing prizes that winners get. This year’s no exception — there’s $100,000 in prize money up for grabs and so many different physical prizes that the article listing them all feels a bit like an epic poem. Saddles, riding gear, boots, supplements, treats — you name it, you can probably walk away from the AECs with it. Check out the full haul here.

Run this one through your translator (and try to ignore the fact that they used a header photo of Lara de Liedekerke-Meier) — this is a lovely interview with Belgian stalwart Karin Donckers, who became the National Champion once again over the weekend at Arville, riding her longtime partner Fletcha van’t Verahof, who’s still thriving at nineteen years old. There’s some great insights into Paris in here, too, like why Karin went with Fletcha’s younger brother, Leipheimer, instead of the big man himself, and what might be next on the horizon. Give it a read here.

It’s nearly Paralympics time, and if you tune in for the dressage, you might be confused to see a second horse in the arena. That’s what’s called a ‘friendly horse’, and it’s an essential role in this remarkable competition. Find out more about their duties in this interesting piece from H&H.

And finally, modern pentathlon has said its goodbye to the showjumping phase at the Olympics. Paris was its last hurrah — and arguably yielded better pictures of the sport than Tokyo — but what’s the legacy left by its existence in the sport, and how did the Olympics actually work for horses and riders? If you read one thing today, it’s well worth making it this fascinating dive into the thorny topic. 

Nicolas Touzaint and Absolut Gold HDC. Photo by Tilly Berendt.

Sponsor Corner: Entries for Defender Burghley are starting to pour in! Now up to 77 entries, the growing field features fan favorites like Ros Canter and Lordships Graffalo, Austin O’Connor and Colorado Blue, and Cooley Rosalent, ridden by Oliver Townend. Interested in supporting Mia Farley and her intrepid OTTB Phelps on their journey to Burghley? Buy a Phelps jacket here.

Eventing Nation’s coverage of Burghley is brought to you by Kentucky Performance Products. For over 25 years Kentucky Performance Products has been committed to producing high-quality, research-proven supplements. Shop their range of proven supplements here.

Watch This:

Nothing to see here, just two legends of the sport enjoying some quality BFF time together.

Monday News & Notes from FutureTrack

 

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Travelling reserves and ‘fifth men’ have the hardest jobs at the Olympics, and you won’t convince me otherwise — and 23-year-old Calvin Böckmann spent time in each role for Germany in Paris, first as the fifth and then stepping into the TR role when Julia Krajewski was subbed in for Sandra Auffarth. And so, in the aftermath of those weeks of waiting in the wings, working tirelessly to ensure a perfect performance that may or may not even happen, it’s amazing to see him take the win in the ferociously competitive CCI4*-S at Arville, where he bested approximately eight gazillion entrants to ride to victory with his Paris mount, The Phantom of the Opera. We’ll be bringing you lots more with this brilliant rising star soon — not least because we hear he has something rather exciting planned for the autumn season! Here’s to brilliant results and just rewards for all our unsung Olympians.

National Holiday: It’s National Potato Day. Don’t even get me started on an ode to horse show cheesy chips, because you won’t stop me. 

U.S. Weekend Action:

Applewood Farm YEH & Mini Event (Califon, NJ): [Website]

Bromont CCI-S Horse Trials (Bromont, Quebec): [Website] [Results]

Caber Farm H.T. (Onalaska, WA): [Website] [Results]

Full Gallop Farm August HT (Aiken, SC): [Website] [Results]

Genesee Valley Riding & Driving Club H.T. (Pending USEF Approval) (Geneseo, NY): [Website] [Entries] [Ride  [Results]

Hunter’s Run H.T. (Metamora, MI): [Website[Results]

Ocala Summer H.T. II (Ocala, FL): [Website] [Results]

The Event at Archer (Cheyenne, WY): [Website] [Results]

Waredaca Farm H.T. (Laytonsville, MD): [Website] [Results]

UK International Events:

Frickley Park International and Regional Championships (South Yorkshire): [Info] [Results]

European International Events:

FEI Nations Cup (Arville, Belgium): [Website] [Results]

Your Monday Reading List:

We’ve been overdue an update on the Eric Lamaze scam of the century (allegedly), and here it is: further confirmation that he is, indeed, a very, very naughty boy (again, allegedly, which I think is something we have to say to protect ourselves legally, or something). Read the latest here and scratch your Anna Delvey itch.

Never heard of craniosacral therapy? It could help your horse feel his very best. Here’s an interesting insight into how it works, what it can do, and how you can incorporate it into your own daily routine with your horse. Give it a go.

I’m always amazed and inspired by people who transform tremendous grief into something that helps people. That’s exactly what Suffolk’s Christine Nicholls is doing in honour of her late son Ollie, who passed away at the age of 27 from a brain tumour. She’s putting on The Ollie Nicholls Memorial Show on September 8, which will hold a wide array of classes and raise money for The Brain Tumour Charity. You can find out more, learn how to take part, and support the show here.

There are few things I love more than spunky Connie crosses. Margo Goldfarb’s Ridgetop Pirate Blue is a perfect example. This king of ping will head to the AECs ready to take over the world, and Margo, who’s balancing grad school with her eventing ambitions, is no slouch either. Meet them in this piece from US Eventing.

Morning Viewing: 

Okay, we’ve convinced you now, haven’t we? Catch up on all that Arville CCIO4*-S cross-country action here!

Paris, In The Past Tense: Dispatches from Three Weeks in the City of Light (Part One)

Me and EN’s Sally Spickard in Paris – the culmination of an awful lot of work and dreaming.

I’ve been home from the Paris Olympics for just over a week now, and I’ll admit that that week has felt a bit like I’ve been sleepwalking. But now, with the dust settling and the image of Tom Cruise’s little legs sailing through the Stade de France nearly washed out of my prefrontal cortex, I think I’m ready to start delving into the Olympics that was — for better and for worse. This’ll be a two-parter, because I have too many thoughts and too many opinions, and for that, I am not sorry.

On getting my moment

This was my first crack at an Olympics, and one that’s felt so long in the making. In 2012, I managed to get a single cheap-seat ticket to see the eventing finale, for which I caught a 5am train so I could watch every second of the horse inspection, and at which I felt a special thrill of pride because I was, at the time, working a few days a week for Marietta Fox-Pitt, mother of competitor William. In 2016, I was working a summer job for an equestrian PR company at the very start of my media career, and watched every second of the live stream while reading and re-reading the Olympic rule 40 so that I could ensure that we didn’t misstep in any of our clients’ campaigns. (This is something, by the way, that all PRs really need to be doing, because man, some of them really flirted with getting their athletes disqualified over the course of the Games this year.) In 2021, I provided remote coverage to support our on-site reporter in Tokyo. And this time, I got my moment, both as a photographer and as a journalist.

If you follow me on Instagram, you’ve already had to sit through me waxing lyrical about everything that this Games meant to me, so you’ll probably want to skip to the next section for less navel-gazing and a bit more actual recap. But I’ll start here again because – I don’t know, really. Perhaps because I’m having a main character moment; perhaps because this has been something I’ve worked towards for so long that I know I have to afford myself the time and the space to sit with it, and all that it means.

 

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I didn’t necessarily have a conventional, nor an easy, upbringing. But throughout my childhood, and then into my teens, and finally into early adulthood, one thing kept my feet on the ground and my focus on the future: the Olympics. Inexplicably the Olympics, really, because I was the only person in my family who was keen on horses and so I fed the dream myself from the pages of old books and issues of Horse & Pony magazine; with posters of Mary King and VHS tapes of decades-old Games footage.

There was so much that was out my control around me, so much that caused me pain, but dreaming of the Olympics staved off the hopelessness and gave me something to work towards all the time. Did I believe, when I was younger with my head in the clouds, that that would ultimately result in me competing at the Olympics? Totally! Did I go through a tough and odd and tricky adjustment process in my early twenties when I realised that trying to ride full-time didn’t make me happy and that my path towards the Olympic end-goal was actually a bit different? Absolutely. Would I trade any of it? Not a moment.

The Olympics – or what they represented to me – got me to leave home for the first time just after my seventeenth birthday, to move 800 miles away and work for a former Olympian. They got me to move, with just enough money for a one-way ticket, back to the UK when I was nineteen, to balance pursuing an education with working on yards in the sport’s mecca. They kept me focused, kept me moving, kept me believing that any circumstances can be changed if you dream and you work. And in its own way, Paris – the other world I’d always escape to in my brain – did the same thing for me.

When I took a brief break from Olympic dreaming ten years ago, I got a job as an au pair and moved there for a while, to write and create and explore. It was only after Paris that I realised that the mixing of the two worlds – the Olympic dreaming and the writing and creating – were where I’d find the path I was meant to tread.

When it was announced, back in 2015, that Paris was bidding to host the 2024 Games, I made a promise to myself: I would be there, not as a spectator, but as a member of the media. I was still, in 2015, a freelance groom, still trying, and failing, to land pitches with editors who had no reason to open my emails; still wondering if maybe I was barking up the wrong tree and wasn’t ever going to be good enough to get a foot in the door.

But I made that promise. And I’ve kept that promise. The Olympics isn’t about me, obviously. But in a funny sort of way, maybe it is – because maybe the whole point of it is that it’s about all of us, and the way its thread weaves through the unique tapestry of each of our lives.

And so I made a plan to head down to Paris five days earlier than I’d initially planned, to rent myself a sweet little AirBNB in the north of the city, and to give myself an early start at getting into the bubble. There was plenty of tricky stuff going on in my life outside of Paris, and so, I thought, the greatest service I could do myself was to be wholly selfish and really live my Paris 2024 dreams. Days and days of me, and Paris, and a stack of books and a film camera and a chance to reconnect with my own ideas and my own headspace. It’s the best thing I could ever have possibly done, except now I think I want to move back to Paris.

Equestrian media challenge, level: Olympic

Getting accredited as a journalist or a photographer for the Olympics is nearly as hard as getting selected to compete at them, and the process starts years in advance and involves jumping through a few bajillion hoops along the way. Even once you’ve got the coveted accreditation, the challenges are far from over: as a photographer, it’s much harder to break even on the trip, because you’re so limited in how you can sell your images, and everything is a whole heck of a lot more expensive – getting a coffee on site ran me nearly eight Euros per cup, and a sandwich and a cold drink at lunch was nearly twenty every day. Having a car, so we didn’t have to rely on several hours of commuting via public transport each day? A cool thousand dollars (but so, so worth it). Two rooms in the media hotel? At least a few thousand. In a Holiday Inn Express that charged you extra to park. None of it’s cheap, and none of it’s easy – not least the work itself.

The logistical challenges start early: yes, there’s that interminable accreditation process, but that’s actually kind of fun in an anxiety-inducing  sort of way, because at that point, the novelty value of paperwork hasn’t worn off. As you get closer to departure, though, and you’ve filled out eight million forms and read and re-read the Photographers’ Undertaking contract two hundred times to ensure you don’t end up in Olympic Jail, and you’ve inventoried and weighed every bit of camera equipment you’re bringing with you so you can pay an eye-watering amount for a customs carnet that allows you to bring your work stuff to France and back again without being charged import duties on it, you do start to wish you had a personal assistant to do all this stuff for you.

And then there’s what that carnet faff adds to your actual journey time: I live just under two hours from the ferry port, so would ordinarily leave the house three hours before departure time. With a carnet stop-off half an hour from the port, which takes any amount of time from ‘an annoying forty minutes’ to ‘just shy of forty years’, depending on your luck, and then another carnet stop-off on the France side, somehow, getting from my house to Paris took me the better part of thirteen hours. It is, I cannot stress this enough, not that far away. But, I told myself at the time, I am on a noble and exciting quest, and I will Instagram it all. While wearing a very serious Cool Runnings t-shirt.

I was feeling very Olympic that day, it’s true.

I’m glad that the Paris Olympics came to me at this point in my career, with eight years of experience under my belt – because I needed to use every bit of it. While I didn’t spend any time in the mixed zone, where media representatives get their post-ride interviews with riders, that had its challenges, too – no riders would come, then lots all at once, or the TV or mainstream media would take so long that by the time they trickled down to specialist press, there was an overlap of competitors or they’d all run out of steam. Sally fought the good fight for us in there, gathering quotes that we could both use to produce long-form analysis pieces later on, while I battled with the unique challenge of shooting the Games.

I’d thought that shooting an Olympics might actually be easier – the photo points would be top-notch, the backgrounds and branding would be clean and considered, allowing for the kind of iconic images you always see at other venues, with an athlete and the rings and nothing much else. But equestrian sport brings with it a level of clutter that you just don’t really get in any other sport.

The arena was full of stuff, and, in any jumping phase, of people, who moved around constantly and didn’t seem to gravitate towards any fixed spot, so if you were lucky enough to find an angle that gave you a clean shot of any fence, you might find it totally blocked by someone at exactly the moment you needed to get the photo of it. The beautiful Paris branding was obscured by a white fence around the perimeter, so getting a shot of the Olympic rings was nearly impossible, and the beautiful backdrop of the Chateau de Versailles had the bright sun directly behind it throughout much of the day.

Remote cameras became one of the most reliable ways to secure a shot – even though remotes are notoriously the most unreliable tool a photographer can use. The Olympics represented my second time ever using them, and they saved my bacon a few times. Here’s Louise Romeike and Caspian 15 of Sweden in the team showjumping round. Photo by Tilly Berendt.

All of us, I think, found it incredibly hard to create clean, creative, exciting imagery as we struggled away in the heat; that feeling was compounded on cross-country day, when we got out on course and simply couldn’t move through the sea of people.

I’m used to being able to move quickly in and out of arenas, to getting action shots and then chase down emotional candids, to slipping into well-placed photo pens to get a full view of entire complexes on cross-country – in Paris, all of that went right out of the window and much of it became a survival game. There was no getting-in-and-out quickly; there was no time or space or room for complacency, either, and you had to constantly reevaluate what your goal shots for the day would be.

And more remotes! This time, I opted to set my camera between the wings on this oxer in the individual final. The pop of red on Boyd Martin’s showcoat makes this shot of him and Fedarman B one of my favourites of that run of remote snaps. Photo by Tilly Berendt.

I didn’t take my favourite photos of my career, as I’d hoped to, but I learned a huge amount and I had the challenge gun put to my head, and, for the most part, I think I managed to dodge the bullet of failure. I think everything this season will feel easier in comparison, but I also think that if I don’t now push myself to the next level, and set myself bigger challenges off the back of the Games, then I’ll have missed a real trick. The Olympics certainly forces us all to use everything we’ve learned along the way, even when it’s really, really tough to do so. And even when there’s always, always some random man in your way.

On getting their moment

I wasn’t on site in Tokyo – instead, I provided remote support from the UK for EN editor Sally Spickard, which felt, probably, much the same as actually being there. The time differences meant that I worked odd hours in solitude, often putting in 18 to 20 hours per day on live updates, web stories, previews, and multi-sport round-ups, and that unique FOMO and disconnect that I felt from my little bedroom south of London actually probably wasn’t eased much by being in Tokyo in the depths of the COVID pandemic.

There would be no hugging friends after they smashed their personal best in the ring; there would be no grabbing dinner with colleagues at the end of the day to debrief on what had played out in the ring. And most notably, there would be no swell of support from an enthusiastic audience to bring those winning moments to life.

A sea of (very loud) supporters at Paris 2024.

Now, three years later, Paris felt like the total opposite of that. I knew that it would be an extraordinary atmosphere – my years of experience of reporting on events in France has shown me that no nation in the world has so much enthusiasm for equestrian sport, and I’ve routinely seen spectators burst into spontaneous, noisy tears at the sight of one of their riding idols.

But even I wasn’t prepared for just how much buoyant, brilliant commotion the French could cause. It sounded as though the grandstands might collapse every time a French competitor rode into the ring, because the 16,000 or so spectators would stamp their feet and clap their hands and roar with an intensity I’ve never witnessed before. On cross-country day, you could close your eyes and guess with absolute accuracy where on course you might find a rider, but especially a French one. And when anyone went well, or won a medal, the support was extraordinary and expansive and almost overwhelmingly emotional to witness.

Kazuma Tomoto, right, is the embodiment of joy on the Paris podium. Photos by Tilly Berendt.

Throughout it all, I was so, so happy that so many of Tokyo’s competitors were there to be able to finally, really get their moment of glory. You could see what it meant to the likes of Laura Collett and Tom McEwen, who had won team gold in Tokyo in front of nobody, most of all; when Germany’s Jessica von Bredow-Werndl defended her Olympic individual dressage title, too, though, it palpably hit her on the podium.

The Japanese team, who had such a tricky Tokyo but were buoyed by a fourth-place finish for Kazuma Tomoto, were as jolly as it’s possible to be when winning bronze in Paris – they joked and laughed and fooled around on the podium, while Kazu, whose wife and young child are still at home in Tokyo, much-missed every day as he trains in the UK, simply smiled and shook his head in disbelief, looking first at his medal, and then up to the sky, scrunching his nose as joy and overwhelm played out across his face.

If you look up the word “finally” in the dictionary, I feel certain you’ll see him there, getting the moment he, and so many of his competitors, were owed. I’m glad for them; I’m glad for us, in the media, getting the real deal experience again; and I’m glad for fans of the sport, who will have been a part of something they’ll never forget in Versailles.

On exposure, for better or for worse

One of the greatest things about the Olympics, whether you’re taking part in the Games in any capacity or following along from afar, is the all-encompassing expansiveness of it. Its moments, macro and micro, are writ large across social media, be that because they’re turned into memes – we all know a little bit more about pole-vaulting thanks to one Frenchman and his, um, particular set of skills – or form the basis of intensive debates, as in the women’s boxing, or become an inspiring rallying point for us all to find some unity in enjoying, such as Simone Biles’ remarkable comeback to the peak of gymnastics.

It’s nearly impossible not to get swept up in it all – not to find yourself forming strong opinions on a sport you’d never watched before turning it on on some random Wednesday afternoon. I’ve thought more about the appeals rule in gymnastics in the last few days than I ever have in my life (which isn’t hard, because I can tell you with some certainty that I’ve never thought about the appeals rule in gymnastics prior to the last few days). I have friends who’ve committed to starting, or returning to, a sport purely because watching it on TV during the Games lit a fire within them. I have other friends who now want to follow along with their newfound sport outside of the Olympics; who’ll be another number boosting a livestream and another ticket sold in a stadium.

What’s the point of all this, though? The point is that the unique exposure of the Olympics is both our most valuable asset and, potentially, our biggest hurdle. And whichever way that skews comes down entirely to us, the equestrian industry as a whole.

A friend of mine, also covering the Paris Games, wryly referred to them as the ‘Welfare Olympics’ midway through our stint, and I think that’s a fair moniker. Just days before the Olympics started, the equestrian world became the main character in the worst possible way thanks to that video of Charlotte Dujardin, which doubled the fervour of the ongoing debate about whether sport involving animals should be part of the Olympics at all – a debate that’s bigger than all of us.

The mainstream media largely focused their on-the-ground attention and rider-questioning on the eventing dressage; whether that was down to some confusion between the disciplines, or simply because eventing was the first chance they’d get to access Olympic equestrians, I don’t know, but in those early days at the very start of the Games, there was only one question on the table: is equestrian sport abusive? I, and several of my media compatriots, had calls and emails come in from a variety of radio and TV outlets looking for insider intel; I opted to jump onto a live interview with the BBC to shed some context into how our industry works, the common goal so many of us are working for, and the importance of putting the horse first at all times, but throughout, I was so aware that it may well be too late to make any meaningful impact.

The fact of the matter is this: our industry is not perfect, and the more we try to fight back against social license, or nay-say the accusations that are levied at us from outside our bubble, the worse we’ll make this for ourselves.

I won’t win many friends by pointing out the truth, which is that we could all stand do to a bit of housekeeping, and really take stock of every last one of our horsemanship practices. Are we really always putting our horses first? It’s human nature to push through momentary discomfort when there’s a bigger positive outcome on the other side of it, but is it fair to demand our horses do the same, when we have no way of communicating to them why, or what might be gained from it? Do they gain anything from it, if the bigger positive outcome is, say, successfully learning a flying change or making the time on a cross-country course?

There’s a huge amount of tradition deeply embedded into our sport, and some of that tradition is simply outdated notions of how things should be done. Until we start to get really, really honest with ourselves, and face some hard truths and some harder paths towards change, our sport, across the disciplines, will continue to lose public favour. And then, we will lose it.

Instead, I’d love to see us collectively get better at shouldering criticism; to not get distracted by very secondary concerns, like why or when a person should whistle-blow, but instead to focus on why there was something to whistle-blow about in the first place.

Human nature, too, means we’re prone to deflection. We don’t see ourselves as the bad guys; we see the justification for our behaviour, and it can blind us to the broader reality. It’s so crucial that we don’t drink our own Kool-Aid, though, if we want to keep our world afloat. Many years ago, I worked a season as a hunt groom for a hunt that was besieged by saboteurs.

Every time there was an accusation levied by those saboteurs that the hunt might not be laying trails, but instead, illegally hunting live quarry, the hunt – as a collective entity and via its powers-that-be – expressed vocal shock and outrage that they could ever be accused of something so baseless and so rooted in a lack of understanding of how hunting works. At the same time, throughout the season, they were doing exactly what they were accused of. But the reflex to deny and deflect had become so well-used that it was almost as though they believed their own defence.

I’ve seen versions of this play out in so many different ways across the industry for years, and it’s this that will be the final nail in the coffin for us if we don’t hold ourselves accountable.

The next time an accusation is levied against our industry – whether that’s a claim of endemic abuse, or observations on underdeveloped withers, or something else entirely – we need to pause before we snap back. We need to sit with it before we accuse the accuser of not having the knowledge to understand the industry. We need, in short, to check ourselves before we wreck ourselves. Because if we do, we’ll discover that there’s actually an awful lot that we can do to change our fates and fortunes, and our horses’ lives, for the better.

Dressage got its moment in the sun again, thanks in no small part to Snoop Dogg. Photo by Tilly Berendt.

To bring this back to something relevant to Paris, the other side of the coin is that we seldom, if ever, have the opportunity for positive press that we have during the Games. Thank the lord above, truly, for the appointment of Snoop Dogg as NBC’s correspondent for the Games this year; not only did he bring a delightful favourite-bonkers-uncle vibe to the whole thing, with a genuine enthusiasm and positivity in all his roles, he also made it seem possible to actually like dressage. And that might sound like an incredibly dismissive thing to say – I can assure you, I had a little cry over a couple of the Freestyles, I’m not knocking dressage here – but if we step outside of our own bubble, the public really does view dressage as one of those ‘sorry, but why?’ sort of sports. Like breaking, but with even less potential for humour.

But in comes Snoop, living his best life in a tail coat and half chaps over sneakers (genius; love it. No notes from me) and a helmet over a durag, and he showed us that you can laugh at and with the things you love, and sometimes that’s the purest expression of love that there is. And then, too, he showed us that you can be visibly moved by sport, and you don’t need to play it cool – you can just feel a lot of feelings about a horse dancing. And that, whether you’re into his music or not, is the greatest endorsement the sport has had, well, ever.

It’s also one of the strongest arguments we’ve got for doing the hard work to keep equestrian sport in the Games. If we lose the Olympics, we lose a huge amount of funding – each nation allocates a certain amount of funding on a four-year cycle across its various sports, dependent on performance criteria, and if a sport isn’t in the Olympics, its spot on that recipient list goes, too. For some context, that figure boiled down to just shy of £15 million from UK Sport funding for the British equestrian efforts in this cycle. And so, it’s fair enough to say that if we lose the Olympics, and thus lose the funding, we probably lose the sport, too.

But even if we did find a way to some monetary security, losing the Games would also dry up a huge part of our ability to access new audiences, to engender new enthusiasm. It’s not impossible to be a successful spectator sport sans Olympics – Formula One manages it well – but it does represent the loss of a huge opportunity for positive exposure. We need to decide what that’s worth to us.

On leading with stories

For a long time now, I’ve stood by my firm belief that the best way to market equestrian sport to a broader audience is to lead with its characters. No one has ever gotten into a sport because of its rules; I’ve had the offside rule explained to me multiple times by various enthusiastic men (who aren’t very good at chatting women up), and not one of those explanations has made me think, ‘well, this is fascinating; I’d love to go home and stick on the football and watch this rule in action!’ Similarly, no format changes or simplifications or tweaks are going to bring in new viewers, because that’s simply not how people work. The Olympics, though, proves the power of character-led presentation over, and over, and over again.

Can you tell me the rules of shooting? No? Can you picture the chap who won the silver in that sport? Probably. Do you know how gymnastics floor routines are scored? No? Did you cry for Simone Biles after having watched her Netflix documentary on her mental health struggles over the previous Olympic cycle? Do you really love pommel horse or do you just love Stephen Nedoroscik and his Rubik’s cubes? Have you ever tuned into women’s rugby before or do you just see in Ilona Maher something that speaks to you, someone who represents a type of strong, fierce, so often less-heralded femininity that you, a woman who can carry three grain sacks at once, can relate to?

Morocco’s Noor Slaoui – one of the great characters of this year’s Olympics. Photo by Tilly Berendt.

Likewise, unless someone’s already an enthusiast, they’re not tuning in to equestrian sport at the Games because they’ve always wanted to see a 10 given for a flying change (and honestly, if they are, then they may well be setting themselves up for disappointment). They’ll tune in for a couple of reasons: it happens to be one of the options that pops up, and so we’ve got a few minutes to try to keep their interest, or they’re tuning in to see what all the controversy’s been about, so we’ve got a few minutes to show them our best selves, or they’ve seen someone or something on social media and they’d like to follow that person or that story.

Maybe they’re a woman from an Arab country and they feel emboldened by Morocco’s Noor Slaoui, who was eventing’s first-ever Arab competitor and grew up riding mules in the Casablanca mountains; maybe they’re stuck in bed following an injury and feeling down in the dumps about it, but watching Australia’s Shane Rose bounce back after a laundry list of damages done this spring helps them to see the light at the end of the tunnel.

Maybe they’re a new mum, struggling with the loss of identity that so often comes after having a baby, and seeing women like Ros Canter and Jonelle Price continuing to chase down their dreams after having children makes them realise that they can, and will, find themselves again.

There are so many maybes, and so many stories, and so many fascinating people and fascinating horses and extraordinary threads, and it’s those that we need to lead with, always. The commitment to following the rest of the sport will come after that – first, we need to reach people on a human level.

Tuesday News & Notes from Kentucky Performance Products

Happy 25th birthday to Happy Times, Sam Griffiths’ stalwart five-star partner and London Olympics ride. This sweet boy’s living the dream in his happy retirement, and enjoyed a visit from some of his favourite people to celebrate his big day. We love that he still knows his own angles.

Events Opening Today: Jump Start H.T.Stable View Oktoberfest 2/3/4* and H.T.Sundance Farm H.T.Tomora Horse TrialsCourse Brook Farm Fall H.T.ESDCTA New Jersey H.T.Old Tavern Horse Trials

Events Closing Today: USEA AEC, $60,000 Adequan Advanced Final, and ATC FinalsEquestrians’ Institute H.T.Seneca Valley PC H.T.Bucks County Horse Park H.T.Silverwood Farm Fall H.T.

Tuesday News & Notes from Around the World:

Paris is behind us, but LA28 will come along faster than we think. As I pointed out to EN editor Sally while we were in France, it won’t actually be long at all before we have to start getting our accreditation paperwork in – I reckon we’ll be getting those ducks in a row well before we even get to the 2026 World Championships. And over on the West Coast, the planning is very definitely underway – and some of it’s pretty ambitious. Mayor Karen Bass has expressed her intention to make the 2028 Games car-free – a wild statement to anyone who’s ever been to traffic-heavy Los Angeles. Here’s how, and why, she’s hoping to get the job done.

 

Olympic fever has felt at an all-time high this year. And that’s totally quantifiable by the viewer numbers – NBC has reported viewing times that are higher than all previous Games, summer and winter, combined. But why? Here’s a deeper analysis. 

Post-Paris, we’ve all got to look after each other. And that’s even more important for athletes – even, or perhaps especially, if they won a medal. The post-Olympics blues are a very real thing, and understandably so: you spend years of your life focusing so hard on one thing, and when that thing is behind you, it leaves you lost in space. Here’s some interesting reading on the phenomenon, and solid reason to give your favourite Olympian a show of support today.

Hartpury didn’t just host a plethora of international classes over the weekend – it also newly hosted the relocated British Championship classes. Yesterday, we took a look at who scooped the biggest prize, the British Open Championship – today, we’re catching up on the news from the Retraining of Racehorses class and the Corinthian Cup for amateur riders, thanks to our pals at Horse & Hound.

An interesting one for those of you interested in equine behaviour: a group of researchers have discovered that horses do actually have the ability to think strategically and plan ahead, if they’re made aware of both the rules of the challenge and the rewards or consequences on the table. This adds an interesting new layer to how we go about training – if we hit a hurdle, is it simply because we haven’t communicated expectations clearly enough?

Jenny Caras is having a great season in the UK. While Paris was commanding all our attention, she headed north to Burgham and duly won the CCI3*-S with Sommerby, who was using the run as a bit of confidence-boosting education before stepping back up to four-star after a little summer holiday. Jenny shared some interesting insights into working with the talented, occasionally tricky, gelding with US Eventing. Give it a read.

Here’s a good morning listen for you. After a Paris Olympics made up of ups and downs and triumphs and trials, it’s time to take stock of what it all means, and what comes next for Team USA. Nicole Brown sat down with chef d’equipe Bobby Costello to discuss exactly that in the latest episode of the US Eventing Podcast. Check it out here.

 

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Sponsor Corner: Did you know that late summer is peak season for West Nile Virus? And no, you don’t have to live on the Nile for your horse to be at risk. Equine veterinarians at Colorado State University’s James L. Voss Veterinary Teaching Hospital say two important methods will help protect horses against West Nile Virus infection: reduce exposure to mosquitoes and vaccinate against the virus. Are you taking measures to protect your horse? Learn how here.

Watch This:

We all fancy Christian Kukuk, and that’s fine.

‘We Don’t Have to be Afraid’: The Inexorable Rise of Developing Nations in Paris

Lara de Liedekerke-Meier and Origi. Photo by Tilly Berendt.

One of the predictions that EN editor Sally and I made when we first walked Pierre le Goupil’s Paris Olympics track was that this, almost certainly, was going to be a week in which the “Big Six” eventing nations – the Brits, the Germans, the US, the Aussies, the Kiwis, and France – would finally have their reign of domination threatened by a slew of smaller nations.

That idea didn’t come from a vacuum. Instead, it was the coming-together of a few different threads: more immediately, as we had boots on the Versailles grass, it was a reflection on a 2022 World Championships, which was similarly built at “championship level” – that is, a five-star dressage and showjumping, and a consolidated CCI4*-L cross-country, with more jumping efforts over a shorter distance.

In Pratoni, we saw that slightly lower level of track catch out experienced five-star horses, who had little to back them off; that was most apparent in the team performance of the Brits, who were odds-on by a country mile to win, but didn’t even step onto the podium (though they did, notably, have an individual champion in Yas Ingham, who wasn’t riding for the team, and a very-near podium finish for team riders Ros Canter and Lordships Graffalo).

The course at Versailles didn’t necessarily feel similar; its use of terrain, for one thing, was very different, and it had a lot of flat, turning, wooded areas in comparison to the long pulls of Pratoni’s volcanic hills. But like that World Championships, it walked as a clever but not dimensionally stand-out sort of course, and we began to wonder – could this be the most influential thing about it? And would it, ultimately, best suit horses that had been specifically targeted at Championship pathways via technical four-star courses – a very European approach – rather than those that had run well around Badminton and Burghley?

That was one of the threads. The other, which we’d been following for a long time, was the continued progression of a small handful of the “developing” eventing nations.

Ryuzo Kitajima leads the Japanese portion of the victory lap, quite enthusiastically, on foot. Photo by Tilly Berendt.

 There was Japan, who had sprung into contention between the Rio and Tokyo Olympics, with the allocation of a huge amount of funding from the Japan Racing Association (a spate of big-ticket horse purchases on the run-up to Tokyo saw the JRA spending, allegedly, €1.25 million apiece on a selection of already well-known campaigners) and the relocation of several talented riders from their home nation to the UK to train under some of the sport’s most experienced coaches.

There were also discipline reallocations: Kazuma Tomoto was a top-level showjumper, but was told just after Rio that the country had enough riders in that discipline ahead of their Tokyo campaign, but needed more eventers. Could he switch? Would he be willing to leave his wife and their young child at home in Tokyo for years to base himself abroad and focus fully on becoming a medal contender?

Over the course of the last seven years ago, he and his fellow UK- and European-based Japanese riders have been making themselves a force to be reckoned with as individuals, and team success was sure to follow at some point. It didn’t, alas, come off on their home soil in 2021, though Kazu himself came achingly close to the podium with his fourth place finish. They managed to secure support for the next Olympic cycle, but when they initially failed to qualify as a nation in last year’s Asian and Oceania qualifier at Millstreet, nor at the World Championships the year prior, much of it fell away again.

Theirs is the redemption story of this Games, and one we’ll be diving into in much more detail soon: they were awarded a retroactive qualification after China lost their team space at the end of last season, and spent the next few months battling to get the wheels back on the bus and their heads in the right place after a tough, demoralising year. They rallied, they fought, they resecured support and funding and some new horses, too, and they trained, constantly and consistently.

This season, their results crept up and up and up, culminating in a superb finish for all four riders at the selection trial at Bramham CCI4*-S. And in Paris, they once again faced a setback and then got the job done: after the withdrawal of Ryuzo Kitajima and Cekatinka at the final horse inspection, they slipped from bronze position to fifth, but then clawed their way back up with three clear showjumping rounds that overcame that 20-penalty substitution fee to become bronze medallists. Theirs is the second medal ever won by Japan in any discipline, and the first in eventing – the previous came at the 1932 LA Olympics, where Baron Takeishi Nishi was the Olympic champion in showjumping.

Their system can be distilled to this: advantageous matches and total immersion over a period spanning the better part of a decade. They’ve taken on excellent horses, paired them with riders showing great promise, and then thrust those riders into established European systems operating at the top level, and over time, the confluence of all those elements has created a squad of athletes well-accustomed to competing against, and triumphing in the company of, the very best in the world. That total immersion will have played no small part in each rider’s ability to maintain their own focus and programme in those wild hinterlands between not qualifying for, and ultimately qualifying for, the Paris Games.

Japan feels like a necessary jumping-off point when we talk about the success of developing nations at this year’s Olympics, but it’s also important to point out that they’ve sat on the cusp of being major players for a long time: in Tokyo, their aim to win a medal wasn’t an outlandish one, even if it didn’t come off in the end. They certainly had more setbacks to overcome this time, but they also had several years’ more mileage competing at the top levels in good company, and that longevity and dogged commitment to their now well-established systems is what allowed them to make this result happen. And what a result it is; just twelve years ago in London, none of Japan’s riders completed the cross-country, though Yoshi Oiwa made history when leading after the dressage. Now, they can follow through.

Felix Vogg and Dao de l’Ocean. Photo by Tilly Berendt.

Beyond them, though, we’ve seen a remarkable week of competition for several nations that truly do fit the “developing” bracket. Switzerland has been on an upward track for the last five years or so, and it’s one that can be traced back to their appointment of Andrew Nicholson as cross-country coach en route to Tokyo. There’s always been talent in spades in the country, but something shifted drastically when Nicholson stepped into his role: they learned how to progress forward from their habit of riding slowly, carefully, and defensively at team competitions, in the hope of simply completing, and instead take calculated risks and ride positively and, as such, competitively.

At Tokyo, the Swiss finished tenth of 15 teams, in part because of the non-completion of cross-country of Robin Godel and Jet Set. But the performances were demonstrably on the up and up: both Mélody Johner and Toubleu de Rueire and Felix Vogg and Colero finished in the top 20, giving both the team itself and its observers the feeling that a competitive placing at the global level was well within reach.

Just weeks later, the Swiss team at the 2021 FEI European Eventing Championships at Avenches finished fourth of thirteen nations on home turf. They were just one penalty from bronze. Their 2022 season began well, too; they were victorious, both as a team and individually for Robin Godel, at the first Nations Cup leg of the year, which was also the test event for the World Championships at Pratoni.

And when that rolled around in September, they didn’t finish on the podium, but they did accomplish something huge: they finished seventh of the sixteen teams, earning themselves direct qualification for the Paris Olympics. En route to Tokyo, they’d qualified in the last possible opportunity, using accumulated Nations Cup series points to scrape into the roster. Now, they were secure in the first round of qualifications.

Switzerland’s Mélody Johner and Toubleu de Rueire cross the pontoon in front of the Chateau de Versailles on a thrilling day of cross-country at the Paris Olympics. Photo by Tilly Berendt.

Last year’s tough European Championships at Haras du Pin gave Switzerland the chance to test its mettle over a course designed by Paris designer Pierre Le Goupil, and team manager Dominik Berger opted to send a line-up that was very nearly the same one we’d ultimately see at the Games. Felix Vogg, who’d become Switzerland’s first five-star winner in over fifty years in 2022, helmed the team with Colero (he’d do the same at Paris, though with young gun Dao de l’Ocean); Mélody Johner and her evergreen Toubleu de Rueire once again occupied a banker role, delivering a reliable clear; Robin Godel and Grandeur de Lully CH put another smart three-phase performance on the board, even if underperforming slightly on the flat; and eventual Paris travelling reserves Nadja Minder and Toblerone jumped a classy double clear. The team finished fifth.

Now, they’re fifth place finishers again, this time at the Olympics, beating Big Six nations including Australia, Germany, the USA, and New Zealand. They came into the final phase in bronze medal position; though rails ultimately dropped them out of it, their finishing score saw them just three poles off of the podium. For context, there was three poles between gold and silver, and another three between silver and bronze, so those margins aren’t to be quibbled with.

Switzerland came good at Paris thanks to that concentrated four years of exactly the right kind of focused training – and their achievement, and that step-by-step, piece-by-piece, absolutely undeniable upward climb becomes more remarkable when it’s put into a broader Olympic context. At Paris, they were fifth; at Tokyo, they were tenth; before then, you have to go all the way back to Atlanta in 1996 to find them even fielding a team at a Games. On that occasion, too, they finished tenth. The country’s only Olympic medals came in 1960, where they took team silver and individual bronze; now, as they look ahead to LA, they can do so with a long-term plan in mind to add to that list of hardware.

Team Belgium celebrates a stellar test from pathfinder Karin Donckers. Photo by Tilly Berendt.

The greatest fairytale of the week, though, is that of team Belgium. Longtime readers of EN won’t be surprised by this finish; we’ve spent plenty of airtime on the Belgians over the last few years, predicting an upward trajectory that felt sure to come. And come it did, on the biggest stage of them all: the all-female trio of Lara de Liedekerke-Meier, Karin Donckers, and Tine Magnus finished fourth, less than two rails from the bronze position, having flitted on and off the podium throughout that hugely influential final phase. In doing so, they became the highest-placed all-female team in Olympic eventing history; they also proved just how effective the system they’ve been developing over the last four years really is.

Let’s rewind a bit. The last time we saw Belgium field a team at the Olympics was at London 2012, where the finished tenth; back in those days, there wasn’t really much of a system at all, and certainly not a throng of supporting trainers around the team. Instead, each rider was in charge of working with their own horses, with their own trainers, and then bringing their results to the world stage and hoping it all came together in something like cohesion. Often, it didn’t; as a result, Belgium has just one Olympic eventing medal to their name – a team bronze in Antwerp in 1920.

But since the appointment of Kai Steffen Meier four years ago, there’s been a total overhaul. Gone is the wilderness non-system of ‘old’ Belgium; instead, the former top-level competitor for Germany has brought the best of his home nation’s much more regimented approach into how the Belgian system operates. Now, there’s a fleet of support professionals – coaches for each phase, a small army of people dedicated to keeping horses in top condition and riders firing on all cylinders, too.

The team now trains together, though it’s been an adjustment process to convince them all to leave home and travel to camp to do so – but after two initial years of settling in and bedding down, we’ve begun to see the fruits of Kai’s labours over the last two seasons. And when that trajectory began, it moved really, really fast.

Belgium went from a country that scrambled and faltered and fell out of contention at championships to one that could perform well enough to qualify directly for the Games, as they did at the European Championships last year, and then, to one that could reasonably be expected to put in a medal-contention performance. In the meantime, they scored their first-ever five-star win, thanks to team leader Lara de Liedekerke-Meier, at Luhmühlen in June, and they began, so compellingly and so clearly, to believe in themselves. The force of that self-belief has been extraordinary.

And now? Now, they can reasonably be expected to take a medal at next year’s European Championships, if they go ahead, and in the longer term, they should absolutely be aiming for success at the 2026 World Championships and the 2028 Olympics.

Lara de Liedekerke-Meier and Origi. Photo by Tilly Berendt.

“When I went out of the arena, I thought someone died,” laughs Lara, moments after her showjumping round in the team decider at Paris. She’d just had an uncharacteristic rail with young star Origi; that, added to a rail apiece for Karin Donckers and Tine Magnus, had pushed them into fourth place from the bronze medal position they’d had a light grasp on in the latter stages of the competition.

“They all looked so disappointed, and I was like, ‘I mean, just to remind you, we just finished fourth at the Olympic Games!’ When, ten days ago at our media day, I said ‘we’re going to go for top five,’ they all looked at me like, ‘yeah, yeah, yeah, this one, she’s still on her cloud nine!’” she continues with a grin. “And for sure, they’re all disappointed because all these horses are super jumpers. But fourth, I mean, come on! We were so close! Sometimes it just works out this way. Fourth, I mean, we have to be happy with that. I think it’s going to give so much more vision of eventing in Belgium worldwide.”

Tine Magnus and Dia van het Lichterveld Z. Photo by Tilly Berendt.

That, she continues, is hugely important – both Belgium becoming more visible as an eventing nation to the wider world, and the vision of its continued success becoming more widespread to the riders within it.

“We’re a little country, and we overtook Switzerland, which is also a small nation – so the smallest nations were the closest,” she muses. “But I know I’m really, really happy, and I think all three of us did a really good job. I think I picked up the best horse I could to bring the three of us here and that was a wonderful result, even though I’m disappointed in my rail.”

One person shred Lara’s high expectations for a competitive finish in Paris – her husband, and chef d’equipe, Kai Steffen Meier.

“I think Kai wanted a medal. But I don’t think he said it like that, because obviously it would sound a bit arrogant!” says Lara. “But it’s always, when you come to the Olympic Games, either you’re really an amateur who just wanted to go or you dream of a medal, so we shouldn’t be afraid to say that we were dreaming about a medal. Were we close? Yes. Did we have luck [on cross-country]? A little bit. But that’s why we do this sport in general, because sport is not about just being a robot and just executing what you have to do. He just asked us to do our best and to perform the best we could as individuals, and then bring everything we can into the team. I think that’s what we did.”

With Paris behind them – Lara went on to finish 13th individually with the expressive ten-year-old Origi, while Belgian stalwart Karin Donckers was 16th with Leipheimer van’t Verahof in her seventh Olympics, and high-flying chicory-farmer-slash-eventer Tine Magnus was a top thirty finisher with her impressive Dia van het Lichterveld Z, also a ten-year-old. That’s two horses who’ll be 14 and just reaching their peak at LA, and one who will be seventeen, but is a full brother of Fletcha van’t Verahof, who continued to shine at championships with Karin when he was older than that. It’s an incredibly promising foundation, and one that Lara says needs to act as the building blocks for creating strength in depth over the next four years.

Karin Donckers and Leipheimer van’t Verahof. Photo by Tilly Berendt.

“I think Karin won’t give up, which is good because she’s sharp and she keeps me on my toes. I hope we’ll bring more upcoming riders to fight for this in LA because it’s like in England – the more there are, the better you have to be. And there is more in Belgium, just sometimes they don’t know [they’re capable]. The lack of professionalism is not letting them know that they’re good enough. So I’m confident that we can make it. Obviously, if we will repeat that [result] again, it will already be good enough. But we don’t have to be afraid. We can ride and we want to go in and grab those results.”

A nod, too, must go to sixth-place finishers Sweden, who are finally translating their consistency at Nations Cups to championship prowess. Their strengths – fast, consistent, reliable cross-country horses and riders, and good-jumping partnerships – were well-evidenced in Paris, and they’d actually have finished ahead of the Swiss had Sofia Sjöborg and Bryjamolga van het Marienshof Z, the first to come home inside the time, not been awarded a contentious 15 penalties for a flag at 21ABCD, where so many were awarded penalties, launched appeals, and were roundly dismissed.

Frida Andersen and Box Leo. Photo by Tilly Berendt.

The only thing standing in Sweden’s way now is the first phase, and that’s something they’ve long been aware of. It’s no easy feat to be part of the Swedish system; though it’s very well-led by chef d’equipe Fred Bergendorff, it also has to function across a number of borders, because its riders are based in Sweden, in Germany, in the UK, and scattered, essentially, across the continent. Individual systems become hugely important; team-wide weaknesses are, then, harder to address. But if each of these talented riders can find a way to shore up their systems and their training in the first phase, Sweden’s moment to play for a podium finish will come around, and it’ll come around fast.

While the Netherlands finished tenth as a team and feel a couple of steps behind their neighbours in Belgium, where finding their groove is concerned, they proved just how much talent they have at home in the Low Country while in Paris. That was crystallised by an excellent showing from Janneke Boonzaaijer, who finished on her dressage score of 31.9 to take ninth place with longtime partner ACSI Champ de Tailleur. That makes her the first Dutch rider ever to make the time at the Olympics, and the first ever to finish on their dressage score.

It’s a timely reminder to her compatriots in orange that, despite difficulties securing ownership and funding in the small nation, they do have what it takes, and it can happen. Time will tell if that will have an effect on the riders and their system – and, indeed, their self-belief – but we’ve watched it happen so powerfully with other nations that perhaps the Netherlands’ star will be the next to rise.

Whatever may happen in LA’s final standings, Paris left all of us with an important lesson to take away: no matter how small a nation is, its riders, its teams, its chefs and trainers, must never, ever be afraid. To innovate, to change their tactics, to reimagine how structures can work, and above all, to dream.

Monday News & Notes from FutureTrack

Früher als erwartet
wird SAP Asha P aus gesundheitlichen Gründen ihre 2. Karriere als Zuchtstute beginnen.
Asha ist ein…

Posted by Ingrid Klimke on Sunday, August 11, 2024

We’re sad to hear the news that Ingrid Klimke’s 2018 Seven-Year-Old World Champion, SAP Asha P, will not be returning to competition after a considerable effort from the team around her to engineer her comeback. The now-13-year-old had no shortage of four-star victories under her belt when she was sidelined at the end of 2020, and her return to the sport, which happened last year, was hotly anticipated. She ran several times at three-star last year to knock the rust off, and stepped back up to four-star this season, taking third place in the CCI4*-L at Sopot, Poland, in May. Now, though, she will hang up her horseshoes and become a broodmare in her retirement.

“Earlier than expected, SAP Asha P will begin her second career as a broodmare for health reasons,” writes Ingrid in a post on her social media. “Asha is an absolutely exceptional horse that I could always rely on. We are very grateful that we were able to experience such special moments with her! Together with the co-owner, Dr. Andreas Lauber, we have decided that Asha will go back to her breeders Andrea and Lutz Pietscher. She will stay with her 32-year-old grandmother and other relatives in the herd. Carmen and I brought Asha back to her old home on the large and lush pastures of the Pietscher couple with a very good feeling! It was nice for us to see how Asha felt very comfortable right away. We will miss her very much!”

Have a very happy retirement, Asha!

National Holiday: It’s National Middle Child Day, which I guess is a little bit like having a National Michelle From Destiny’s Child Day. (Just kidding; I’m engaged to a middle child. You’re all lovely, but also, I recommend therapy.)

U.S. Weekend Action:

Fair Hill International Morning Viewing: H.T. (Elkton, MD) [Website] [Results]

GMHA Festival of Eventing August H.T. (South Woodstock, VT) [Website] [Results]

Masterson Equestrian Trust YEH/NEH Qualifier (Lexington, KY) [Website] [Results]

Otter Creek Summer H.T. (Wheeler, WI) [Website] [Results]

WindRidge Farm Summer H.T. (Mooresboro, NC) [Website] [Results]

Woodside Summer H.T (Woodside, CA) [Website] [Results]

UK International Events:

Hartpury International Incorporating the British Championships (Gloucestershire) [Website] [Results] [Live Stream]

Your Monday Reading List:

I’m writing this as I watch the Paris 2024 closing ceremony, and let me tell you, I am not even a little bit ready to say goodbye to the Games. I’ve loved every bit of it: logging 30,000 step days around Paros, melting away in the Versailles sandpit, drinking good, cheap wine and eating confit de canard and, of course, tuning into whatever other sport happens to be on and getting really, really into it. Looking through amazing photographs from the last couple of weeks definitely helps ease the blues a bit, though, and some of the images picked out by The Athletic are truly exceptional. Dive on in.

The British Open Championships came to an exciting conclusion today at Hartpury. And the winner? Not a Brit at all, but the reigning champions from 2021, when the class was last held in full at Gatcombe. Find out who, and how, in this report from Horse&Hound.

Over on the Mongolian steppe, the Mongol Derby is in full swing. At this, the nearly-halfway-point, the world’s most bonkers horse race is really heating up: we’ve got a breakaway leader, some surprise stops, a Starlink that’s baffling the locals, and much more. Catch up on the madness here.

Getting your young horse ready for his first-ever ride? That’s so exciting – and also understandably nerve-wracking, because you want to make sure he has a really positive, confidence-boosting experience. Never fear: this guide to the pivotal leg-over moment will give you plenty of tips to get it done right. Happy riding!

Morning Viewing:

Burghley’s just around the bend – but what’s Derek got in store for this year’s track?

Tuesday News & Notes from Kentucky Performance Products

Happy Tuesday, folks – although honestly, this is the first time in a long time that I’ve had any concept of what day of the week it is, and even that’s only because EN editor Sally asked me at dinner the other night if I was still good to take Tuesday News & Notes today. ‘Huh, I really thought tomorrow was a Thursday,’ I thought to myself, for the forty-eighth time since I got to Paris.

Something odd happens to your concept of time, here, and your concept of the days, because every day is a whirlwind of twelve or fifteen or eighteen hours of work and hustle and as there aren’t any rest days in between – a new anomaly that’s been brought in this Games for us equestrian folks, and which I do not support – there’s never a moment to recalibrate and work out where you are in relation to the days to come. Instead, you navigate your way through with a vague understanding of what comes next – ‘I have to wake up at 5 tomorrow for a horse inspection’ or ‘I need to make sure I get in at 9 to set my remote cameras for an 11 start’ or ‘we’ve all been here for five hours, maybe the coffee stand will open soon and I can pay an extortionate eight euros for a thimble of caffeine’. 

Which is not to say I’m complaining – being in Paris is the most extraordinary experience, and the most tightly-sealed bubble I’ve ever been in in my life. There is nothing beyond Paris for me right now. I can think only about our sport, in both immediate and broader-reaching terms, and I can think about the city itself, and beyond that? I would reserve a bit of brain space for fearing how much of a backlog of other stuff I’ll have to tackle when I get home in a few days, but I simply cannot, because that stuff doesn’t exist to me. La vie en Olympic time, baby.

There’s been something slightly jarring, because of all this, about seeing the Instagram posts and stories from our eventers, who returned home and got straight back to the grind, as you absolutely have to do. But my brain cannot compute – it’s scrolling through these things and going, ‘there’s life outside this very small pocket of France? Are you sure? What do you mean, someone’s taking their five-year-olds to a training show? Is Snoop Dogg even THERE?’ I really hope that on the flip side of all this, all of us sharing the post-Paris comedown together will make it easier to manage. Otherwise this might make for a rough landing! But over the next couple of weeks, I’ll be keeping part of my brain firmly in the bubble as Sally and I work through a tonne of post-Paris pieces – analysis, reflections, image galleries, and much, much more, so we can all fend off the post-Olympic blues for as long as possible. And in the meantime? There’s King Kazu, proudly putting his hard-won bronze medal on all the horses who helped him on the long road to winning it. We do not deserve this man.

Events Opening Today: Unionville International H.T.Meadowcreek Park H.T – Fall Social EventHeritage Park H.T.Honey Run H.T.

Events Closing Today: Full Gallop Farm August HTShepherd Ranch Pony Club H.T. IITown Hill Farm H.T.Bouckaert Equestrian H.T. International

Tuesday News & Notes from Around the World:

When it comes to laying down a quick, capable, competitive cross-country round, show-day success begins well before you head to the warm-up. Your course walk, or walks, are one of the most important parts of your day, because it’s there that you’ll make plans, suss out economical routes, customise your ride to your horse’s strengths and compensating for his weaknesses, and create safe, educational opportunities, too. But that only happens if you walk it properly, rather than just zooming around with a pal, taking photos on your phone and occasionally walking out your strides while your mind’s on the burger van. Course designer and coach Cathy Weischhoff’s got some great tips to make sure you make the most of it.

Beyond the performances in the main arena at Versailles, there’s a whole village of people making them happen. At the forefront of those backstage but totally essential cast members? The grooms, of course! Horse Sport caught up with the grooms looking after Canada’s show jumpers to find out more about their week in Paris. Check it out here.

Another mainstream media article on the Charlotte Dujardin scandal – but this one’s by someone who knows our sport incredibly well. Pippa Cuckson, former deputy editor of Horse & Hound, has spent decades in the horse world, putting her head above the parapet and becoming a mouthpiece for difficult truths. Her involvement now in working through our current storm with the media is an interesting and, I think, ultimately positive one – she’s not going to sugarcoat anything and she’ll point out hard truths that few people want to hear, but ultimately, facing them and changing the sport for the better is the only way out of all this. Read her piece here.

 

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Sponsor Corner: We’ve all been there. You go to say hi to your horse and… drool. All over the floor, all over your shoes, and hopefully not all over you. Clover slobbers are a seasonal issue that occurs in horses who are kept on clover pasture. But is it just unsightly or will grazing too much clover actually hurt your horse? According to Kentucky Performance Products, clover slobbers come with increased risk for dehydration, colic, and more. Read more here.

Watch This:

Ze Terminator Returns: A Redemption Olympics for All Comers

Michael Jung and Chipmunk FRH. Photo by Tilly Berendt.

After a tough first session of showjumping – nearly three-quarters of the class had at least one rail in the team final and individual qualifier – there was a palpable feeling of tension in the air as we approached the individual final at Versailles.

Just 25 riders would come forward to battle for the podium, carrying whatever penalties they’d picked up in that first round; very few headed into the fight with a clean slate. The leaderboard had seen plenty of changes already: Michael Jung retained his lead with Chipmunk FRH (Contendro I – Havanna, by Heraldik), though with a fence to his name; dressage leaders Laura Collett and London 52 (Landos – Vernante, by Quinar), too, had lowered a pole en route to finalising the British team’s gold medal. Australia’s Chris Burton had, to no one’s surprise, managed a clear – though even the eventer-turned-showjumper, who’s made a return to his original sport this year solely to focus on Paris, picked up a time penalty with Shadow Man (Fidjy of Colors – Favorite van de Keezerswinning, by WInningmood van de Arenberg).

That meant that there was a single rail covering the top four, which was rounded out by first-round clear-rounders Tom McEwen and JL Dublin (Diarado – Zarinna, by Canto), and the rest of the class weren’t far behind, either – and so everybody knew that if the second round was built as big, as technical, and as relentless as the first, hearts could be broken, or seemingly unlikely dreams could be achieved.

Michael Jung and Chipmunk FRH. Photo by Tilly Berendt.

It must be an odd sort of feeling, having that in mind as you ride down the long chute into a packed stadium: you know that in a matter of less than two minutes, you’ll either feel as though you’re on top of the world or you’ll feel as though it’s stopped turning. Your fate is in your hands, your horse’s hooves, and the curious whims of the jump cups, which were set around the course in various levels of shallowness and cruelly fickle in throughout so much of the day. You can be so, so close to something you’ve wanted your whole life, and also so, so close to watching it slip through your fingers.

But then, something unexpected happened. A clear round, and then another, and then another – and then more, and more, and more as the crowd roared them home. Perhaps it was the cumulative effect of having had what was effectively a warm-up round; perhaps it came down to the caliber of horses and riders in this upper echelon of the class. Or, perhaps, this second course was just built to be friendlier and more accommodating, anticipating equine tiredness after three intensive days of competition – and, perhaps, the fact that every horse came out looking so fresh and well and ready to jump is a testament to just how well-prepared they’d been for this competition. That’s a gold medal for the sport, after a 2024 season that’s been peppered with so many losses.

Kazuma Tomoto and Vince de la Vigne. Photo by Tilly Berendt.

But it’s not just the sport that won today. At the close of the competition, 68% of the final 25 managed a clear round, and 60% of the field added no penalties at all – including much of the top ten. Switzerland’s Felix Vogg and Dao de l’Ocean (Kannan – Heddy, by Heraldik) tipped a rail, dropping them a couple of places down from their earlier sixth place; Japan’s Yoshiaki Oiwa and MGH Grafton Street (O.B.O.S. Quality 004 – unknown), fresh off winning that extraordinary bronze medal just an hour or so earlier, did too, which similarly toppled them a couple of places down from fifth. His teammate, Kazuma Tomoto, though, jumped a faultless round with Vinci de la Vigne (Esterel des Bois SF – Korrigane de Vigne SF, by Duc du Hutrel), despite a roaring heckler in the crowd who waited until he was approaching the first fence to start bellowing – something he repeated midway through Yoshi’s round.

That allowed Kazu to close out his competition on a score of 27.4, which meant that he was less than a rail off of the podium. Tom McEwen and JL Dublin, who’d jumped clear in the team final, somehow looked even better in their second round, and retained their score of 25.8 – and then the pressure was truly on for the prospective podium.

Provisionally third-placed Laura Collett and London 52 had had a rail down in round one, despite ranking as one of the best showjumping pairs in the class; their uncharacteristic two total rails at the Tokyo Olympics, which cost them an individual medal then, can’t have been far from the rider’s mind. But then she, too, got the job done, adding neither rails nor time to put a fine point on the end of a week that’s seen her set a new Olympic dressage record and take her second Olympic team gold.

Chris Burton and Shadow Man. Photo by Tilly Berendt.

Chris Burton, in silver medal position, had already had one clear with Shadow Man – but if they were to have one this time, they’d slip straight off the podium. Could they keep their heads and rely on a partnership that only dates back a matter of months?

They could. They, too, added nothing to their cumulative score of 22.4, and so it was that two-phase leaders Michael Jung and Chipmunk came into the Versailles stadium, which crackled and thrummed with thousands of racing heartbeats, with just a single time penalty in hand.

They’d been here before. At the 2022 World Championships in Pratoni, they led coming into the final phase; they did the same again at Luhmühlen’s CCI4*-S a few weeks ago. On both occasions, when it really counted, they had rails and lost their grasp on glory, despite ordinarily being incredibly consistent showjumpers.

And then there’s their championship form as a partnership: other than a Europeans individual silver back at the start of their partnership in 2019, their campaigns on the world stage have been plagued with bad luck, including a fall at last year’s European Championships and, so memorably and so contentiously, a late-falling MIM corner at the Tokyo Olympics, both of which cost them gold medals.

But this, perhaps, could be described as the redemption Olympics.

Janneke Boonzaaijer and ASCI Champ de Tailleur. Photo by Tilly Berendt.

We’ve seen Japan rally back after a demoralising Tokyo as a team and an initial lack of qualification for Paris, which affected their funding and support – and now they’re Olympic medallists. We’ve seen the likes of Lara de Liedekerke-Meier, who had to withdraw following dressage in her Olympic debut three years ago, heralding the start of a couple of seasons of relentless disappointment, lead the Belgian team to a remarkable podium finish and flirt with the outskirts of the top ten herself. We’ve seen the Netherlands’ Janneke Boonzaaijer, who was eliminated at Tokyo for jumping the wrong fence in a combination, return to become the first Dutch rider ever to make the time at an Olympics – and then she finished on her dressage score and took ninth place, to boot.

Stephane Landois and Chaman Dumontceau. Photo by Tilly Berendt.

We’ve seen two horses formerly ridden by women whose lives were tragically cut short finish in the top fifteen in honour of their much-missed friends, in Boyd Martin and Fedarman B (10th) and France’s Stephane Landois and Chaman Dumontceau (14th).

And so it was only right that Michi’s turn for redemption had to come around, too – which is exactly what it did. He and Chipmunk put their earlier rail behind them and jumped an easy clear, securing the individual gold and making Michi, who was Olympic champion at London in 2012 and at Rio in 2016, the first-ever three-time individual eventing gold medallist. Michael Jung, it appears, is back.

But did he ever dare to dream that this might happen again?

Michael Jung and Chipmunk FRH. Photo by Tilly Berendt.

“I tried to stay really focused and concentrate through the whole week,” he says. “I’m not thinking to the ceremony! So I try also to say to myself, ‘it’s just a normal show’. It’s not always easy – with so many spectators and on such an important show.”

But, he continues, “I think it’s quite important that the horses feel that nothing is really special, and to have a really nice process. It worked really well; in the end, I had a not-perfect round from myself, but he helped me, especially in the last combination.”

Once he crossed the finish line and heard the roar of support from the crowd, he admits that he had to see it for himself to believe it. Then, in a rare moment of vulnerability, he began to weep.

“I needed to look at the board a few times [to see] it’s if it’s really true and to realize it all,” he grins. “I think I need to I need a moment to realize all of it, and what it means – but it’s a very special moment for me.”

Throughout the week, Michi has been waxing lyrical about how, even with his extraordinary experience, being in the thick of an Olympics still feels brand new every time. But how do his three experiences of winning the biggest prize of them all compare to one another?

Michael Jung and Chipmunk FRH. Photo by Tilly Berendt.

“I think, for every athlete, it’s a dream to go to the Olympic Games, and of course I can remember [the thrill of winning], but today, it’s just this one – this one is amazing,” he says. “It’s unbelievable. Another dream come true – and I’m so happy and thankful for Chipmunk. He’s an amazing horse, and it’s so fantastic to have him. To have this success again, there’s no words for that. It’s unbelievable.”

Michi’s win means that the individual Olympic title stays in Germany – in 2021, it was won by teammate Julia Krajewski, who produced the gelding to the top levels before losing the ride – which is some consolation for a tough week for the team, which saw them finish fourteenth of sixteen teams.

“[This victory] is very important, of course, for Germany,” he says. “It helps us a lot.”

Also helped by the competition here, he continues, is the sport.

“I think, for the whole eventing sport, we had a fantastic sport this week. Out there in the park, that was amazing yesterday,  and the dressage and the jumping today. It was fantastic for the eventing sport and the whole world,” he grins.

Chris Burton and Shadow Man. Photo by Tilly Berendt.

Chris Burton was once known as the fastest man in eventing, and then, suddenly, he wasn’t in eventing at all anymore, having walked away from the sport to pursue showjumping instead. But at the tail end of last year, he began thinking seriously about a return, just for a little while, and just to try to make it to Paris – something he was also aiming for in the jumping ring. He didn’t make it onto the Australian team in that sport, though he got close – but from the moment he first climbed aboard Ben Hobday’s five-star partner Shadow Man, who he took ownership of on a limited-length contract, he knew he was onto something special.

Now, the pair are the individual Olympic silver medallists on only their second-ever long-format outing as a partnership – and this marks a return to the sport for ‘Fidgy,’ too, whose last event before this season was Badminton in 2022. And so to earn a 22 in the first phase, and then add just 0.4 for tipping the clock in today’s first round, isn’t a shabby outing at all, really.

“I was delighted with [Shadow Man],” says Burto. “But it was annoying — when I came out [from my first round], I didn’t know I’d had that time fault, so that sort of ruined things for me a little bit. But isn’t he a lovely animal? And what a lucky person I am to be here in Paris, having so much fun here. The atmosphere at the Olympics is indescribable, isn’t it? You wish you could bottle it.”

Burto credited his long-time owners with playing a crucial part in his return, as well as his family, and Ben Hobday, who is expected to take the horse back at the close of his campaign with Burto.

Chris Burton and Shadow Man. Photo by Tilly Berendt.

“I just can’t thank Kate and Geoffrey Guy at Chedington Equestrian enough, because without them I wouldn’t be here — and my wife who, eventually said yes [to my plan]. Without her, I wouldn’t be here either — and Ben Hobday, thanks for the horse, mate!” he grins. “He’s a ripper. The horse is unbelievable – he’s big and he’s got a lot of scope. What an amazing animal to go in and also try hard to be really careful like he is. A real treat.”

The electric atmosphere in the ring turned out to be a benefit to the sensitive gelding.

“We all saw him get a bit lit up in the dressage with the crowd, whereas today he did a little bit, but then he just put his nervous energy to good use and went higher — so that was fun,” says Burto, who tried twice, he explains, to buy the horse from Ben, so sure was he of his potential to be a medallist on the world stage.

Chris Burton and Shadow Man. Photo by Tilly Berendt.

“It was all this horse. I thought, what sort of horse you could get on the team with? I suspected that he was a very good horse, but I was so delighted to get to know him and learn that he’s more than a very good horse. He’s just such a delight. Someone asked the other day, ‘How long did it take you to get to know him?’ I just picked up the reins and that was it. Off we went.”

Though it’s easy to imagine that this extraordinary return to the sport, and to his form of old, might tempt him to stick around for a while longer, Burto, who has long been based in the UK, has other plans.

“Actually, my wife and I are going back to Australia,” he says. “We’ve been able to go back there and build up a nice little yard. But maybe one day Michi or Laura will ring me up and say, ‘I’ve got a nice horse for you’ and then I might want to come back!”

Laura Collett and London 52. Photo by Tilly Berendt.

Like Michi, Laura Collett has been on the hunt for championship redemption, and today, she got it. She’s had an enviable run of form with London 52 – they won Pau’s CCI5* on the horse’s debut, and have won Luhmühlen and Badminton on their two starts at the level since.

But at championships, they, too, have been plagued by bad luck. She fell while in medal contention at the gelding’s first European Championships in 2019; in 2021 at Tokyo, they took a team gold but lost an individual medal due to a hugely uncharacteristic two rails. At the 2022 World Championships in Pratoni, they had their first run-out in three years; at last year’s European Championships they once again took team gold, but picked up 15 penalties for a missed flag in the process.

Today, though, they put it right, taking individual bronze as well as another team gold for their collection.

“Things haven’t really going to plan really at any of my senior appearances, and Tokyo I really thought I should have would have won an individual medal, but things didn’t go as planned,” she says. “Luckily, I’ve learned from my mistakes. We had a great plan coming here that we weren’t going to make the same mistakes we made in Tokyo, and the plan paid off. I’m just so lucky to have been given a second chance — not many people get to go to one Games and try and win a medal. I was lucky enough to go to two, so I’m just very relieved.”

Laura Collett and London 52. Photo by Tilly Berendt.

Though there must be some small sting to not taking the individual title, which she looked in position to do as first-phase leader on a record-setting 17.5, Laura’s purely in celebration mode.

“The best man won – Michael is the big master. He’s raised the sport to 10 different levels and he’s missed out on so many championships on that horse, and I wanted him to win just as much as I wanted myself to win,” she says. “I had an amazing time in Tokyo. but no one was there sharing it with me, and now my best friends are here (and) my mum, so it’s going to be a big party tonight – and plenty of parties when we get home, too.”

“Honestly,” she continues, “I can’t really believe it. That horse is phenomenal, and I owe everything to him.”

Tom McEwen and JL Dublin. Photo by Tilly Berendt.

Laura’s teammate, Tom McEwen, took fourth place with the former Nicola Wilson ride JL Dublin, narrowly missing out on adding another individual medal to the silver he won with Toledo de Kerser in Tokyo, while Japan’s Kazuma Tomoto and his Tokyo fourth-place finisher Vinci de la Vigne closed the deal on fifth place by finishing on their dressage score of 27.4.

Tim Price and Falco. Photo by Tilly Berendt.

Tim Price put a turbulent week for the Kiwis – they finished eighth, ultimately, of sixteen teams – behind him to jump a duo of clears today and take sixth with his World Championships double-bronze medallist, Falco, while Japan made a second feature in the top ten, thanks to a one-rail round for Yoshiaki Oiwa and Pippa Funnell’s 2019 Burghley winner, MGH Grafton Street, who finished seventh.

Felix Vogg and Dao de L’Ocean. Photo by Tilly Berendt.

Eighth went the way of Felix Vogg, who took a rail in each round with Dao de l’Ocean while helming the upward-rising Swiss team, who finished fifth after starting the day in bronze medal position – a bitter disappointment, no doubt, but still an incredible long-term trajectory for the nation is it continues its climb from being a ‘developing’ nation to one that can hold its own in the brightest of company.

Ninth place went to Janneke Boonzaaijer and ACSI Champs de Tailleur (Quidam de Revel – Vera, by Oberon du Moulin), who made history for the Netherlands with their excellent starting and finishing score of 31.9. We’ll be bringing you a full story about Janneke, and the Dutch effort, in the aftermath of the Games.

Yoshiaki Oiwa and MGH Grafton Street. Photo by Tilly Berendt.

The U.S. rounded out the top ten thanks to a superb duo of clears from Boyd Martin and the Annie Goodwin Syndicate’s Fedarman B (Eurocommerce Washington – Paulien B, by Fedor), and further into the top twenty-five, there was a spate of results that bodes extremely well for nations on the rise (more on the U.S. below).

Sweden, who finished sixth as a team earlier today and would have been bronze medallists but for a flag penalty, took twelfth place, thanks to Frida Andersen and Box Leo (Jaguar Mail – Box Qutie, by Quite Easy), who finished on their dressage score of 33.3, and 24th by way of Louise Romeike and the expressive Caspian 15 (L.B. Crumble – O-Heraldika, by Heraldik), who tipped a rail in the first round but jumped clear in the second.

Frida Andersen and Box Leo. Photo by Tilly Berendt.

It’s incredibly promising and hugely heartening for Sweden, a nation that is, perhaps, developmentally a step or two behind the likes of Switzerland, whose clear upward trajectory stretches back over the last Olympic cycle, and Belgium, whose own upward trajectory has happened over just the last two years, but has been so undeniable. They, too, very nearly had a grasp on bronze today, but a rail apiece in the first round saw them settle for fourth in their first team since London 2012.

Lara de Liedekerke-Meier and Origi. Photo by Tilly Berendt.

Two of their own, though, were able to pin down top twenty finishes individually. The best of them was Lara de Liedekerke-Meier, still riding the wave of an ongoing high that has seen her turn her remarkable work ethic into undeniable results for the last year. She came to Paris off the back of becoming Belgium’s first-ever five-star winner in June; now, she’s a thirteenth-place finisher individually with ten-year-old Origi (Indoctro – Espada Wonderland, by Darco), while stalwart Karin Donckers took 16th with Leipheimer van’t Verahof (Vigo d Arsouilles STX – Southern Queen xx, by South Gale xx) in her seventh Olympics.

The North American Update

Boyd Martin and Fedarman B. Photo by Tilly Berendt.

It certainly wasn’t the weekend the U.S. was aiming for, finishing in seventh place as a team with a score of 133.7. It would have been the goal to build on the country’s silver medal finish in Pratoni in 2022, but a series of small errors would keep the team from competing heavily.

For his part, chef d’equipe Bobby Costello remains positive. “I hope it doesn’t sound like I’m being overly “Pollyanna”, but I really truly believe that there were more positives this weekend, and there are still signs that we are here competing with the rest of the world.”

The Olympic format, with its lack of dropped score (the only competition that currently runs with this structure), is challenging as it’s difficult to “practice” for. Bobby acknowledges this. “I don’t think we can be obsessed about it for every competition, but we really do have to think about the things that we can definitely pinpoint and concentrate on and improve, that will make us more successful in a competition like this. I’m heartened when I look at the quality of the riders that we have here. They all have a very deep bench of horses coming along. When I’m looking to the future, I get a little bit worried about the deep bench of athletes, honestly, so that will be one of the things that I really concentrate on. There’s still a little bit of that gap between the developing and the Elite. We can really knuckle down and look into the next four years and map a blueprint of what it’s going to take, every day, every week, every month, every year to make sure that the improvements keep going.”

Boyd Martin and Fedarman B. Photo by Tilly Berendt.

To be sure, several cycles ago, we would have been over the moon with this performance. When the result is staring you in the face, it’s easy to see what could have been, but it is key to look at the body of work for the U.S., which has its own unique set of challenges in terms of ability to compete on the world stage.

“It’s heartbreaking to be honest — I’ve felt like I’ve been so close, so many times,” says Boyd Martin, who was the highest placed of the U.S. in 10th place with Fedarman B on a final score of 32.1. “This is my fourth Olympics; my career is probably in the second half now. At the beginning of our week, we felt doomed a bit after the kerfuffle with Will’s horse, and I thought everyone tried hard. This is a tough sport. It’s a game of inches; it’s sort of a bit deflating. You have all these dreams of wearing a medal, and it’s not gonna happen this weekend.”

Liz Halliday and Cooley Nutcracker. Photo by Tilly Berendt.

“Obviously it’s not the [team] result we wanted,” says Liz Halliday, who finished 19th individually in her Olympic debut with The Nutcracker Syndicate’s Nutcracker (Tolan R – Ballyshan Cleopatra, by Cobra) on a score of 40.0. “I got drafted in so late, it was kind of crazy — but I think for all of us it was still a wonderful experience to be here. We’re very grateful, very lucky, to be in this position. I think it’s just made us hungrier for the future. I think we have very good horses in the U.S. — we have three very good horses here. Now we just have to polish up a few more things, because I think we’re in a place now where we have the horsepower — we have the riders, and I think it will come.”

Caroline Pamukcu and HSH Blake. Photo by Tilly Berendt.

Caroline Pamukcu has been vocal about her belief in the U.S. system, through which she has come up the ranks from her Young Rider days to, now, this Olympic debut with Sherrie Martin and Mollie Hoff’s HSH Blake (Tolan R – Doughiska Lass, by Kannan), but it’s a bittersweet feeling to complete with a result she knows she could have and should have bested. One’s own worst critic is too often the self.

“You know, it’s unbelievable what my Federation has done for me, and I’m so proud to represent my country, but just keep trusting in the process they have planned out for me, and keep working and work even harder than ever,” she said. “Every year I have horses to plan, how to get them to peak, and it just keeps giving us more and more practice till the next Olympics.”

With Los Angeles hosting the 2028 Olympics — and presuming eventing is eventually approved, as it has not been confirmed as of yet — the U.S. will automatically secure a berth without needing to qualify a team in another way. The Aachen World Championships in 2026 also loom large, and this next cycle gives the U.S. an opportunity to focus, without the added pressure of Olympic qualification, on building and improving.

“We just have to stay focused and positive,” Bobby said. “But not be patting on ourselves on the back for being seventh. We can be better. We need to be better than that, but we also can’t get discouraged either.”

Jessica Phoenix and Freedom GS. Photo by Tilly Berendt.

Canada finished their weekend in 11th place on a score of 174.00, with Jessica Phoenix and Freedom GS posting the sole clear round in the team final. Karl Slezak and Hot Bobo were the top-placed Canadian pair, and Mike Winter and El Mundo also put in a solid performance as members of the team. It’s very much still a time of development for Canada, who has really come on with more talent to pull from for championship experience and deftly coached by chef d’equipe Rebecca Howard this weekend.

Over and Out (for now, at least)

Laura Collett and London 52. Photo by Tilly Berendt.

With that, we wrap up an intense weekend of Olympic coverage, and what an honor it’s been to bring these stories to you each and every day. We aren’t done yet! We’ll have more content coming your way in the coming days and weeks, including some additional features on stories we couldn’t quite get to during competition, Reporter’s Notebooks from Tilly Berendt and Sally Spickard, analysis and insight into the inexorable rise of developing nations, and much, much more.

The weekend was truly incomparable in many ways, not the least of which was witnessing the sheer amount of fan engagement with and support of our sport.

We’ll leave you with some photos taken by Lisa Barry (who’s been #supergroom for Jessie Phoenix this week) and Robert Kellerhouse, who will be busy with his team and partners preparing Galway Downs to host the LA 2028 equestrian sports. It’s a true, global eventing nation that we’re proud to be a part of, and we feel fortunate to have experienced what has been a once-in-a-lifetime weekend of sport. Thank you for coming on the ride with us.Go Eventing.

Sally Spickard contributed to this report. 

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A Shake-Up at the Chateau: The Paris Olympics Cross-Country Day Report

Switzerland’s Mélody Johner and Toubleu de Rueire cross the pontoon in front of the Chateau de Versailles on a thrilling day of cross-country at the Paris Olympics. Photo by Tilly Berendt.

Update: Since the writing of this report, it’s been confirmed that Britain’s appeal to remove Ros Canter’s 15 penalties has been unsuccessful. You can see the results in full here.

We knew, well ahead of time, that the atmosphere at Versailles for the Paris Olympics would be something beyond words on cross-country day – after all, France is arguably the country that loves eventing, and its home riders, more vocally than any in the world. There’s not many places that you’d see groups of teenage girls bursting into a busy flurry of snotty tears because Astier Nicolas galloped past them on cross-country (which we’ve witnessed at Pau, not just once) or adults hurling small children out of the way so they can hoik their iPhones across the roping and get a video that they’ll… never watch again? Watch every night before they go to sleep for the rest of time? It’s unclear. But what is clear is that they love eventing, and today’s cross-country day was always going to be their magnum opus, their piece de resistance, their Mecca.

And thus unfolded the most deafeningly loud cross-country day we’ve ever had the privilege of reporting on. It began with a general level of overarching madness that sat on the moderate to extreme end of the spectrum; it ended with full-on, balls-to-the-wall, red-faced and wild-eyed insanity.

Nicolas Touzaint and Diabolo Menthe. Photo by Tilly Berendt.

Nearly four hours in, we at EN, and our colleagues on the course and in the mixed zone with us, felt fairly well ready to drop from the fast-paced intensity of it all. But not the French, who were just getting started, nor the strong contingent of British supporters, who’d shown up wearing Union Jacks from top to tail, and brought their own faintly horrifying Charles and Camilla (if Camilla was styled by Ginger Spice, that is).

Somewhere in the distance, a small child shrieked “allez! ALLEZ! ALLEZ!” with such ferocity that we couldn’t initially worked out whether the screaming had stopped because she’d finally ruptured a vocal cord, or whether she’d somehow opened a portal to hell and been swallowed up by her demon brethren. People weren’t just shouting: people’s eyeballs were straining out of their skulls and veins were protruding from their foreheads as they fought to be the very loudest, very French-est French person of them all.

The fervor didn’t just stop with the fans, who’d packed into the Versailles estate by the tens of thousands. It also extended to France’s home riders, who triumphed as a trio over Pierre le Goupil’s influential track, logging three quick clears in spite of – or perhaps helped along by – the roars of approval, which began when they were specks on the horizon and only increased in intensity as they approached and tackled each fence. You could log their movement around the parkland just by listening to how the collective roar shapeshifted and relocated; when team pathfinder Karim Laghouag returned home clear and inside the time with Triton Fontaine, despite a very near disaster at the tricky drop-to-ditch-to-brush combo at 16ABCD, you could also log his movements by his interview style. Here’s a snippet from our transcription app for some clarity on the matter, and how he felt about it all:

That clear round, and the two very swift ones to follow from his teammates, Stephane Landois and Nicolas Touzaint, have propelled France one spot up into silver medal position overnight on a two-phase team score of 87.2 – and at the time of writing, that means that they’re just a whisper away from taking over the gold medal position, still held by Great Britain at the end of the day, though not without a hitch in the plan.

The Brits could, in theory, still finish their day on a score of 67.5, which would see them head into the final day of competition with 19.7 penalties, or four rails and nine seconds in hand. But for now, they hold onto a team score of 82.5, which gives them just one rail and one second in hand.

The reason for that variable margin? A flag, deemed to have been missed by team anchors Ros Canter and Lordships Graffalo, initially reported to have been at the combination at 16ABCD, and then revised to within those reports to have been at the final element of 21ABC. At the moment, we’re awaiting updates from the appeals process – we’ve seen at least one other flag ruling appealed and removed very quickly earlier in the day, for New Zealand’s Clarke Johnstone and Menlo Park, but this one, which has such significance for the team, and for Ros as an individual, is taking its sweet time. If it stays in place, the Brits have that shortened margin, and Ros will go into the final day in 24th place; if it’s taken away, they have a much more favourable margin and Ros moves up to fifth place and remains on her dressage score of 23.4.

It is, perhaps, the most significant drama of the day at this moment in time – but the rest of the day certainly hasn’t been short on surprises. Germany, second as a team after dressage, is now 14th out of 16 after their second pair, the hugely consistent Christoph Wahler and Carjatan S, were eliminated at the ditch element of fence 16ABCD, which came after a significant drop and wasn’t well-read by several horses in the field. Though Carjatan made a game effort to pop it neatly, his back legs slid off the lip of the ditch and he stumbled, depositing Christoph in a perfect-form forward somersault onto the ground. Despite a clear with just 4.8 time penalties for pathfinders Julia Krajewski and Nickel 21, and a clear inside the time for Michael Jung and fischerChipmunk FRH, the three-to-a-team format here at the Olympics renders them wholly out of the hunt for a team medal.

Similarly affected is the Australian team, who logged 2.8 time penalties via their pathfinders, Shane Rose and Virgil, and a clear inside the time for anchors Chris Burton and Shadow Man, but lost Kevin McNab and Don Quidam, who pulled up mid-course after Kevin felt the horse take a misstep. It’s since been announced by the Australian federation that the gelding sustained a soft tissue injury, from which he’s expected to fully recover. Australia are now 15th of 16 teams.

Alex Hua Tian and Jilsonne van Bareelhof. Photo by Tilly Berendt.

New Zealand, previously fourth, slipped to sixth when their first rider, Jonelle Price, picked up 20 penalties with Hiarado; similarly experienced four-time Olympian Alex Hua Tian and Jilsonne van Bareelhof, who were third after dressage, fell foul of the flag rule and dropped to 32nd as a result. And for the USA, who had been sixth after dressage, 20 penalties for Caroline Pamukcu and HSH Blake means they’ll have to work their way up from eighth, having already moved up one placing since the close of play due to a substitution announcement from Ireland. The Irish, sitting ninth after taking on those 20 substition penalties, will slot Aoife Clarke and Freelance in for Sarah Ennis and Action Lady M, who completed with just 3.2 time penalties today. The Irish federation announced this afternoon that the mare has picked up an injury on course.

They battled enormous atmosphere, changes of light, traitorous flags, and the colossal weight of pressure on the world stage – not to mention a Pierre le Goupil track that walked as much less challenging than it ultimately ended up being – but ultimately, so many constituent parts of the field of competitors also logged huge victories today. Take team Japan, for example, who now sit in bronze medal position after outriding all their Tokyo demons today; or upward rising Switzerland and Belgium, who are fourth and fifth, respectively, after excellent rounds for all their riders. And the Netherlands, too, has much to celebrate: they might sit tenth as a team, but for the first time in Olympic history, they had a rider clear and inside the time, thanks to Janneke Boonzaaijer and ACSI Champ de Tailleur.

Janneke Boonzaaijer and Champ de Tailleur. Photo by Tilly Berendt.

63 combinations started today – China’s Huadong Sun withdrew Lady Chin Van’t Moerven Z this morning, thinning our field by one – and 56 ultimately completed, giving us an 87.5% completion rate, and 41 of them, or 64%, jumped clear. An impressive ten combinations went clear inside the time; a further two – Ros and Lordships Graffalo, and Swedish pathfinders Sofia Sjoborg and Bryjamolga van het Marienshof Z – were inside the time but had flag penalties.

Michael Jung and fischerChipmunk FRH. Photo by Tilly Berendt.

Atop the pack at the end of the day? Well, you might think that breaking an Olympic record with a score of just 17.5, and then adding just 0.8 time penalties across the country, would be quite enough to hold onto gold, but first-phase leaders Laura Collett and London 52 will have to settle for a very close overnight second instead.

Those two seconds of time left the door open just enough for Germany’s Michael Jung and fischerChipmunk FRH to overtake them when they sailed their way to a clear inside the time in the final hour of competition. That leaves them on their dressage score of 17.8, giving them a one-second buffer – but nothing even close to a rail in hand – going into tomorrow’s final phase.

“Today there was quite a lot of moments to enjoy,” says Michi, who put his Tokyo MIM-clip penalty firmly in the past with today’s excellent round. “Chipmunk made it very easy for me — every time, the jump was easy. He was listening so well and connected to me, and he was so powerful galloping. I checked the time and said, ‘Okay, we have more time on the next fence. Slow down, slow down.’ It was an unbelievable feeling.”

Michi confesses that even he – a four-time Olympian and the most successful eventer of all time – felt a bit of stage fright heading down to the collecting ring from the stables today.

“So many people are here watching the course — it’s fantastic. Especially in the warmup – there’s many people. I was a bit scared at first, but they are quiet [there], so it’s a very good place to warm up the horses. Outside they are very loud and everywhere on the course, but in the end, you see more when you look on television than when you’re on the course.”

Today’s 5300m course, which had a 9:02 optimum time, was on the shorter side for a four-star long, and didn’t have much in the way of terrain – but one of the major surprises of the day was how many horses appeared to tire in the final stages.

Michael Jung and Chipmunk FRH. Photo by Tilly Berendt.

Chipmunk wasn’t one of them, despite a slow start to his season thanks to Europe’s ongoing deluge of rain.

“[For Chipmunk’s fitness, he does] a bit of everything. He is a bigger horse — he needs for sure endurance and muscles, and I started a bit later into the season, with a smaller show,” he says. “The focus was absolutely the Olympic Games this year, so I was — with the conditions and everything — a bit quiet in the beginning of the season. But he’s a horse with so much talent. In the dressage, in the jumping. He’s so brave in the cross country. He makes everything, for the rider, a bit easier.”

Now, two-time Olympic individual champion Michi’s looking ahead to tomorrow’s showjumping phase – a phase which has seen him miss out on some major wins with this horse, including individual gold at the 2022 World Championships and the CCI4*-S at Luhmühlen this summer. He’s determined, though, not to spend too much time worrying about what could come tomorrow.

“If you are in front, it’s fantastic, for sure. At the moment it’s time to enjoy – it’s a dream,” he says. “Today, just today; tomorrow, it’s a new day. I try to really focus — I try to go step by step through the day, not thinking to prize giving or something after. I just concentrate to the vet check, to the first jumping, to the second jumping, step by step. And I have a great feeling. He’s super fit in the finish, is not a little tired. He’s looking like he can go again, so this is very good for tomorrow.”

Laura Collett and London 52. Photo by Tilly Berendt.

Snapping at his heels is one of the very best showjumping partnerships in the field, though a pair who have their own Tokyo demons to overcome in that phase. Laura Collett and London 52 had a hugely uncharacteristic two rails down there; this year, though, the three-time five-star champions are taking that as a learning experience to propel them to greater heights.

“He’s a very good jumper, but anything can happen, as we saw in Tokyo,” she says. “Being in an Olympic stadium is a completely different experience to anything that [the horses] have ever seen before. He was very spooky in Tokyo and there were no crowds, so I’m just hoping he likes the crowds — hopefully he’ll show off tomorrow like he has done for the last few days.”

In the meantime, she won’t get much sleep.

 “I was buzzing after yesterday, and then the thought of today — it definitely wasn’t very many hours sleep. I’ll sleep for a week when I get home,” she laughs.

That lack of sleep came down to “a lot of head scratching, to be honest” about which routes she’d take in some of the key combinations on course. She ultimately opted to go the ever-so-slightly longer route at 16ABCD, where so many horses misread the ditch, which may have added her marginal time penalties, but also kept her and ‘Dan’ well in the hunt when others had faltered.

“I was always very much wanting to jump left off the drop — I just felt like the ditch was a bit of a nothing ditch and there were too many unknown circumstances for how they would read it and jump it — and with only two strides to the triple brush, I just thought that was an unnecessary risk,” she says. “I think we saw that with quite a few of the first ones that went — they didn’t really make a mistake, but they didn’t understand the question. For me, that was always plan A, and I stuck to it and it rode really nicely.”

An early lost front shoe also meant she had to ride conservatively in some of the twistier parts of the track.

“[The time] is quite tight. There are a couple of places where you can really let them gallop, but there’s an awful lot of twists and turns,” she says. “He lost a shoe and we were slipping all over the place, so I had to be quite careful on those turns and really kill the speed a bit to get around the trees without doing anything stupid.”

 Where fitness was concerned, though, Dan certainly didn’t struggle, thanks, in part, to a system well honed over the last five seasons at the top levels of the sport.

“He doesn’t have very much blood, so he’s had to build it up over the years and learn to go that extra distance,” she says. “We’ve learned over the years that it’s actually the runs that get him fit. He finds going up a gallop very, very easy. He’s run quite a few times – he’s done four four-star shorts this year — so we use the runs to really get him extra fit. It’s good because then he doesn’t get too keen like he did at the at the Worlds in Pratoni, where he got to thinking he knows everything. Today he was perfect.”

In the aftermath of her round, she says, she “can’t really believe it, to be honest. I’m just relieved that it’s over and I haven’t let anyone down. London is just my horse of a lifetime. He’s just incredible; he’s just so talented. I think for me, knowing what he was like as a young horse and knowing how much he’s had to trust me and believe in me — he’s not an actual cross country horse, and then he goes around a course like that on railway tracks — it just shows what years of partnership you can build up. You can make him believe in you, and I have full faith in him now, – and then you can go and enjoy yourself out there.”

Chris Burton and Shadow Man. Photo by Tilly Berendt.

Australia’s Chris Burton continued his sterling comeback to eventing after several seasons focusing on pure showjumping by delivering a speedy clear inside the time with Shadow Man, retaining their first-phase score of 22 and the bronze medal position overnight.

This is just the seventh FEI run for the pair since they joined forces over the winter, the second long-format run – and the first time Chris has really let the handbrake off in a long format with him, too. For that reason, and because Shadow Man hadn’t evented since the spring of 2022 when Chris took him on, there was something of a question mark hanging over them going into today’s competition. There isn’t anymore.

“You always worry — it’s hard, and then you worry that they get a bit tired and you hope you have them ready and fit enough, but the crowd really sort of picks them up,” muses Chris, who expressed that he has ‘mixed emotions’ after an excellent individual result, but a tough day for his team.

Chris Burton and Shadow Man. Photo by Tilly Berendt.

“Shane [Rose] rode a lovely round this morning and did his job as the pathfinder, and he was outstanding. [But] I’m so sad for Kevin and his beautiful horse. I always want to ride well, but you have in your mind that you have to put up a good score for the team. I wasn’t always thinking, ‘I’ll go slow and clear’ — I was always thinking, ‘I’ll go clear inside the time.’”

The performance also proved to Chris that he hadn’t lost his grasp on riding quick clears in his time out of the discipline.

“I wasn’t out of the sport,” he points out. “I’m still riding jumps; it’s fundamentally all the same. I will tell you, there was a few times this year I woke up a bit nervous thinking, ‘Oh you know what, this might be stupid’. But I’ve always loved jumping — and jumping the Grand Prixes like I’ve been able to do this year actually helped me. I’m lucky enough — thanks to the Australian High Performance program — to train with Nelson Pessoa, so we work together with the jumping and we work together with the cross country. First show I came back to, he rang and said, ‘You think it makes you better?’ I said, ‘I think it does; I feel like I’m riding well,’ and he said, ‘I think so too.’ Eventing is its own sport; show jumping is its own sport. They’re different animals, and it’s a different game. I’m not going to compare them [except to say] – these animals are beautiful, and look what they’re out there doing.”

Felix Vogg and Dao de l’Ocean. Photo by Tilly Berendt.

Switzerland’s got plenty to celebrate in camp tonight: the team, which has been on such an upward trajectory over the last five seasons or so, sits fourth in the overnight rankings, while their anchor rider, Felix Vogg, is also individually fourth after a determined clear sans time with Dao de l’Ocean that belied the horse’s relative inexperience – he’s done just one CCI4*-L prior to this, and began his campaign this week, too, with one of his best-ever dressage tests.

“Yesterday he just gave his best again — he’s so clever,” says Felix, who explains that the round really came to fruition when he figured out that he needed to let the gelding make his own decisions.

“I tried to disturb him at the beginning of it, but I had a couple of bad jumps. He made the best out of it — and after a while, after like [fence] 12 or 13, I just said, ‘Look, whatever you do, do it. I’m just a passenger.’ I showed him the way, but the rest he did. He just did what he should do.”

Felix’s round came in the final team rotation near the end of the day, when plenty of trouble had already unfolded. But he was blissfully unaware of much of it.

“I cannot answer who fell or struggled. I saw a couple of struggles at the beginning, and then I went into the lorry and slept a bit,” he says. “The course was, in part, difficult because we didn’t have a test event, and it’s not a usual event where we go often, so the first riders found out a little bit how it’s going and how to the ground is and how fast you can ride. That was the only information we had, and that’s what made it really difficult. The track was really intense — the time was really tight, so it made all of it a little bit tough in this way. Then you had a lot of combinations in between really fast, so there was no time to mess around and think about it.”

Yoshiaki Oiwa and MGH Grafton Street. Photo by Tilly Berendt.

Yoshiaki Oiwa and Pippa Funnell’s 2019 Burghley champion MGH Grafton Street lead a provisional third-place charge for Japan after crossing the finish line three seconds inside the time – and giving a great show of partnership despite only half a season, and a few runs, together.

In getting ‘Squirrel’ prepared for today’s challenge, he had plenty of help from the gelding’s former rider, with whom he’s now based.

“[Pippa] gave me a lot of advice, so many things — make sure my balance is back, not pointing down. It is a little thing, but this is very helpful — just to remind me a lot. I think Pippa is always with me as [MGH Grafton Street’s] ex-rider, and she is giving me all the advice — where is the button, and he’s like this, this, this. All the instruction I get from her all the time makes it possible for me to do this,” says Yoshi, who has had an impressive, if short, string of results with the historically tricky horse.

Tom McEwen and JL Dublin cross the finish line with one of the rounds of the day behind them. Photo by Tilly Berendt.

Tom McEwen and JL Dublin climbed from eleventh to sixth after delivering a clear inside the time in the British team pathfinder position. Far from being put off by the hugely vocal spectators on course, they relished every moment of the chaos.

“[It’s an] amazing crowd, all the way around the course,” he says. “It’s absolutely wild — not just at the fences, it’s in between the fences, in every single area. The horses love it even more – there’s nothing irritating about it, and even more people would be better! It’s amazing; they’re cheering for you before, over, and after the fence, and it’s just a lovely start, and the horses really pick up.”

He was full of praise, too, for Pierre’s track, after a tough previous experience battling the designer’s efforts saw him fall at last year’s European Championships.

“It’s a fantastic Olympic course. It allows you to be really open and free to begin with, and then requires the riders to think where you need to close up,” he says. “Actually, it’s been such a great course that I changed my mind on some of the elements, just as we were about to start, from how they were jumping. It was great, and for me — I call it the leaf pit — the two drops where there’s an option [at 16ABCD], that’s a big question.”

Their round was masterful, but it wasn’t perfect:  I had a huge slip just on the flat coming out of a combination after a lovely ride through there. You’ve got to stay with them; you’ve got to stay connected and give them all the confidence.”

Now, the Tokyo individual silver medallist is within breathing distance of the individual podium once again.

“The job isn’t done, and I’m very lucky my horse is a European champion in his own right with Nicola [Wilson] – he’s a phenomenal horse, and I’ve done enough five-stars on him now to have a lot of experience.”

Stephane Landois and Chaman Dumontceau. Photo by Tilly Berendt.

The cheers for each of the three French riders were deafening – but the loudest of all went to debutant Stephane Landois, who crossed the finish line with 2.8 time penalties aboard Chaman Dumontceau.

“For Thaïs, and for France,” said the announcer with palpable emotion, referring to Chaman’s former owner and rider, who lost her life in a cross-country accident while competing him in 2019. She was just 22 years old.

Representing Thais must add an awful lot of pressure to the already extraordinary weight of riding for France at a home Olympics – but if Stephane was ever going to falter, which he never looked close to doing, he’d have been picked up and carried home by the ferocity of his countrymen’s support. Step by step by step, though, he simply delivered.

“I stayed concentrated through the whole course, and went to my plan — the plan that was given to the whole team — and I did exactly what I needed to do,” he says. “There is so much atmosphere and the crowd is so loud that actually I couldn’t even hear my watch properly, which goes off every minute to give the time frame. I didn’t even have a moment to look at it to know exactly where it was — I just kept going and stayed concentrating on the course.”

Kazuma Tomoto and Vince de la Vigne. Photo by Tilly Berendt.

Kazuma Tomoto, who was fourth in Tokyo with Vinci de la Vigne, added nothing to his first-phase score of 27.4 to climb ten places from eighteenth to eighth.

“He was amazing. I’m really, really pleased, and I’m proud of him,” says Kazu of his experienced partner, who was formerly ridden by France’s Astier Nicolas. “He knows everything: what he needs to, do what I want him to do, he’s absolutely a professional horse — especially in the big event, big atmosphere. At home, he’s a lazy boy, but in a big atmosphere, he’s like, ‘Come on, it’s my time’, so he was fantastic today.”

Tokyo was a disappointing experience for Japan as a team – but now, in bronze medal position and on superb form, Kazu’s focusing on taking his first step onto an Olympic podium after having been so achingly close as an individual three years ago.

“We have very good show jumpers, three of them. We are really, really hungry to get a medal and bring it back home, so we will try our best,” he says.

Tim Price and Falco. Photo by Tilly Berendt.

Tim Price and Falco boosted a tricky day for team New Zealand by cruising around the track to climb from twelfth to ninth – though he rued his 2 time penalties after finishing his round.

“He was really good – just very focused, and he traveled beautifully, and had plenty of gallop at the end,” says Tim of his World Championships double bronze medallist. “It’s a little bit regretful to have the time faults on one hand, but there’s so many things to take care of to make sure you don’t have a silly moment, and that you jump cleanly and through all those pesky flags, which we did. I’ve had a couple of occasions where I’ve gone for it and then at the end I’ve regretted it a little bit. I didn’t want that to happen again. I wanted a bit of finesse available for the last couple of combinations, and I had that ,and had a really good final water and the one up and down the hill. And then when I galloped, he bloody motored down home. I think I probably made up 10 seconds, but I couldn’t make up 14 seconds. But he’s pulled up super, with a big smile on his face, and ready for tomorrow.”

Like Tom, Tim was full of praise for Pierre’s efforts.

“It felt like an Olympic track. [Pierre]’s done such a good job – I’m going to buy him a drink when I see him next, because it’s not easy to deliver the perfect kind of course. But in terms of being French – when I think French, I think twisty-turny, with lots of acute angles with a really searching distance. He had that a couple of places, that we had to arrive on the right distance to make the job easy. But that’s of the level, I think. The people that didn’t do that got a bit unstuck somewhere along the way, but in a safe way, so I think it was a great course all around.”

Tim and teammate Clarke, twelfth overnight, were able to keep cool heads after Jonelle’s run-out early in the day, thanks in part to prior frank conversation about Olympic fates and fortunes – both good and bad.

“We straightaway chatted [about Jonelle’s runout], the three of us and [team trainers] Jock [Paget] and Sam [Griffiths] — and it was a time to remain very staunch,” he says. “Last night over dinner, we talked about Olympics gone by where there’s been a 20 [penalty rider] put on the podium, on a couple of occasions over the last couple of Olympics. So it’s about being informed and reformed as a team and maintaining that through the whole thing. The mindset was the same really. We did think maybe we need to push a little bit harder.”

Karim Laghouag and Triton Fontaine. Photo by Tilly Berendt.

National treasure Karim Laghouag rounds out the top ten with Triton Fontaine, and in the end, he did say more than just a guttural roar after his clear inside the time.

“I was pretty sure about the course; it was always the number 16 obstacle that I was a bit wary of because of the drop,” he says, referring to the spot on course where he so nearly had an early finish when his horse stumbled in the ditch. “I was apprehensive in the beginning before coming up to it. It was always the one that I was wary of coming into the course. Once we got there, I was like, ‘You’re Triton — you do your thing, you’re Pegasus, so you get us over there and then we’ll keep going.’ But as I just said, it’s a sport for the two of us, so I let him do his thing and then we went on together to finish the course.”

“[The crowd] gives me goosebumps; it’s just amazing to be here,” he continues. “Even 30 seconds before coming into the course — before starting to gallop — I could hear the crowd calling my name. That really was just amazing; that is the most incredible feeling.”

Karim Laghouag and Triton Fontaine. Photo by Tilly Berendt.

This is another partnership that’s been forged through time, understanding – and friendship.

“It’s been seven years that we’ve been together. Already within the first six months of riding together, we won our first four-star. I just knew that this was going to be a partnership that was going to go a long way, and I could then already get into the five-star level and compete with this horse,” he says with a smile. “There was a little bit of Triton that just held back a bit before we got to that point — that’s probably why it took so long to get there — but once we did, then it’s been a perfect partnership. I don’t actually ride him a lot in big competition — it’s really doing a lot of preparation work with him. I take him to the beach quite a lot as well, to run him along the beach. There’s an area in France called Rouen where we go. It’s a lot of physical preparation together that we do, rather than being in big competitions all the time.”

The North American Update

The U.S. delivered strong performances today, but for an unfortunate error from pathfinders Caroline Pamukcu and HSH Blake (Tolan R – Doughiska Lass, by Kannan), in which they were assessed 20 penalties for a runout at fence 16C. Subsequently, Liz Halliday and Nutcracker (Tolan R – Ballyshan Cleopatra, by Cobra) as well as Boyd Martin and Fedarman B (Eurocommerce Washington – Paulien B, by Fedor) secured clear rounds with small amounts of time to put the U.S. onto a team score of 128.5. The withdrawal of Ireland’s Sarah Ennis and Action Lady M due to an injury sustained on cross country (and the subsequent addition of 20 penalties for Ireland to substitute in reserve rider Aoife Clark for the final phase) means the U.S. will move up one spot, from ninth to eighth, in the team rankings, though at the time of publication the team rankings had not yet been updated to reflect this.

Caroline Martin and HSH Blake. Photo by Tilly Berendt.

“[Blake]’s a phenomenal athlete,” Caroline commented. “The course was riding like a dream, and then we came to that bank and he fell in the ditch. When you fall into a ditch like that you only have a few options for what to do. The biggest thing is that I’m fighting for the team. I’m riding for the team. If I were individual, I’d fight and try to jump the skinny, but we’re on a team, so I did the best option I could.”

Caroline is currently in 47th individually on a score of 62.4.

Liz Halliday was over the moon with the performance of Nutcracker, who finished just off the podium in his CCI5* debut at Kentucky this spring and really stepped up to the plate in the biggest competition of his career to date. Liz thought this horse would be among her strongest contenders for Paris at the outset of this year, having really matured and gained strength over the last season, and he proved that he was fully prepared for the task at hand today.

“He’s kind of a freak of a horse — he’s just so powerful and he’s relentless; he can gallop forever,” Liz said. “He was plenty fit for Kentucky, so I just did a similar gallop plan without overdoing it — because I was a little concerned about him being too fit, if I’m honest. He had tons of running left [today]. I’m a little annoyed I wasn’t a bit quicker, but I know I rode smart too, and that was also important today. He had plenty of running left and is fresh as anything right now. The girls are struggling to hold on him — which is also how you want to be, you want to finish the Games with a horse who’s fresh and happy.”

Liz Halliday and Nutcracker. Photo by Tilly Berendt.

It’s been a mixed bag of emotions for Liz, who of course was slotted into the team competition at the midnight hour earlier this week. Realizing two-thirds of the Olympic dream today was an emotional experience for her. “I’ve dreamed of coming to this Olympics for a long time — and then when I was so close, but not quite there, and then suddenly I was there… It’s going to settle in more when I’m gone, and to recognize it. Just to walk around and be standing at a cross country jump and see the Palace of Versailles and recognize that we’re actually on those grounds, it’s something I will never experience again in my life. It’s a moment that I will cherish.”

Liz is currently in 22nd individually with a two-phase score of 34.0.

Boyd Martin and Fedarman B. Photo by Tilly Berendt.

Boyd Martin was the last out for the U.S. and is now the top-placed for the country on a score of 32.1, sitting in 17th individually with Fedarman B.

“He is an absolute legend,” Boyd said of “Bruno”. “He just was brilliant every step of the way. I couldn’t have asked for anything more today. He gave me his heart and soul and got a little tired over the last three fences, but he just dug deep and kept going. Very, very pleased with him.”

On a day that featured somewhat slippery going on some of the turns due to yesterday’s day-long downpours, Boyd said he was grateful to be sat atop a “mountain goat” of a horse. “I was lucky, I got a few tips on which turns were the worst [from the other riders], and he’s surefooted as a mountain goat, old Bruno. So I didn’t actually have crazy studs in, and you know I protected him a bit through the sharp turns, which cost me a bit of time but, it would be a bugger to slip over, too.”

While the U.S. is lower in the team rankings that they would have liked, the influence of tomorrow’s show jumping phase should not be discounted (anyone remember a little show in Pratoni a couple years ago?). All of the U.S. horses have strong show jumping records, with just a handful of rails between them in recent competition. In particular, Fedarman B has never had a pole down in international competition. Both Liz and Boyd benefit from the tutelage of Peter Wylde, while Caroline Pamukcu has gotten mentorship from several riders, not the least being show jumping extraordinaire Anne Kursinski.

“I was obviously really looking forward to being in a much better position because we have very, very good jumpers,” U.S. chef d’equipe Bobby Costello said. “They all have shown time and time again, that they can jump clear rounds, and I expect that to happen tomorrow. It’s just a bummer that we’re not in a place right now it looks like we can use that to our advantage, but absolutely, anything can happen. Anything can happen overnight. Anything can happen. Just freak things happen, as we saw today, all the time. So we certainly are not going to you know crawl in a hole. We’re just going to come out tomorrow with a fresh mindset for the day and just finish up as strongly and in the best place that we possibly can.”

Mike Winter and El Mundo. Photo by Tilly Berendt.

Canada also had a somewhat mixed bag of results, delivering two clear rounds from Mike Winter and El Mundo (Numero Uno – Calvaro’s Bria Z, by Calvaro Z) as well as Karl Slezak and Hot Bobo (Arkansas VDL – Taneys Leader xx, by Supreme Leader xx), while anchor rider Jessie Phoenix picked up an unfortunate 20 penalties at fence 7B with Freedom GS (Humble GS – Friedel GS, by Fidertanz). Canada will take a team score of 158.0 and 11th in the standings forward to Monday’s finale.

Jessie Phoenix and Freedom GS. Photo by Tilly Berendt.

“[Freedom GS] was a little bit within herself,” Jessie said. “She came up that bank and jumped beautifully out over the skinny, and I just didn’t have quite enough room to get her going forward and ahead of my leg again. She jumped up the next bank and just literally never saw the birch railing. Was it really a refusal? No, because she didn’t see it — everything she sees, she jumps. On a day like today, it’s just terrible timing because you feel like you’ve like your entire team and country down. Anyhow, after that we regrouped and she was pure class. I am so excited for this horse’s future. She just galloped around there with such speed and confidence and just got better and better as she went on. I’m really looking forward to show jumping her tomorrow.”

Karl Slezak and Hot Bobo. Photo by Tilly Berendt.

Karl Slezak is the top-placed Canadian, bringing home Hot Bobo with just 4.8 time penalties to go into 27th individually on a 40.6.

“She was phenomenal,” an elated Karl said after his ride. “She just came out of the box on fire. And we were way up ahead on her minutes at minute two. So I had to back off a little bit. She was just cruising around, never had to kick her once. So, I mean, when she comes out of the box like that, I just know we’re gonna get around. And then yeah, just took that last long route at the end there just to make sure we didn’t have a pin at the corner. And so we had a little bit of time, but I was super thrilled.”

“I just love her so much,” Karl continued. “She loves this ride. I’ve been saving her a little bit this season. She’s just got to put the pedal down and go. She loves it. She eats it up.”

Ian Stark and Pierre Le Goupil’s Thoughts on Cross Country

We caught up with both U.S. cross country advisor Ian Stark as well as our designer in residence here at Versailles, Pierre Le Goupil, to find out their thoughts and reactions to the day.

“I think it was interesting really,” Ian reflected. “As the day started, the ground was a bit slippery and wet. It dried out as the day went on and I think the going — the footing — got better for the later competitors. I thought it was a really good track, I thought Pierre le Goupil designed a great track, it looked magnificent.”

Ian as well as Pierre echoed the thoughts we all had after the first handful of riders made the course look like a walk in the park.

“For a while, I thought it was going to just be a bit of a gallop round,” Ian said. “But you know, as always, the pressure on at an Olympics can cause its own problems. So there was trouble spread well out. The ditch after the big drop caused more influence than I thought it would do. But the horses didn’t really read it [the ditch]. Some of them jumped it beautifully, and others just ran through it. Most got away with it.”

“At the beginning of the course of the day, I was staying by the control center and everybody was going very well,” Pierre agreed. “Too well, I say to myself, ‘Oh, that’s gonna be too easy.’ The time has been obviously influential. My feeling is that they were all riding pretty well. And so that was very impressive. It didn’t look too dirty, like the time was tough. It’s difficult. Horses were jumping well.”

“You don’t have a crystal ball,” Pierre continued. “The problem is making things too easy, doesn’t make it safer. I will say that, it was not a very big course, it was not an enormous course. It was a course to give a chance to everybody. I think it has worked. There were plenty of little locations to make little mistakes.”

Nicolas Touzaint and Diabolo Menthe. Photo by Tilly Berendt.

And there is also the fact that on an Olympic venue, the designer generally has no historical data to draw from in terms of how the ground responds or how the track rides.

“The challenge here is that nothing happened here before and nothing will ever happen here again. For a century,” Pierre elaborated. “So, you have no return. I mean, when you organize on a regular basis at a venue, even if it’s only for one year, it’s really a different job. Because you’re always thinking about the next experience when you’re watching the horses. You prepare already the next course you’re going to design here and if not improve, you take lessons and you can refine your project and change it for the better. And get new ideas. Here is different. It’s one shot and there was no feedback from previous experiences.”

In general, today was a phenomenal display of sport and horsemanship, and at a time when equestrian sports are under a greater microscope than ever before, it was heartening to see the immense attention to welfare and horse (and rider) safety on cross country today. We do this, at the end of the day, out of love for the horse. From the throngs of spectators, to the keen horses, to the determined riders, we saw this in spades today. And may we never lose sight of this guiding moral, always seeking to improve our sport and the lives of our horses.

Go Eventing.

The individual top ten following cross-country.

The team top ten following cross-country.

Sally Spickard contributed to this report.

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Laura Collett Breaks the Olympic Dressage Record Amid Full Paris Leaderboard Shift

Laura Collett and London 52. Photo by Tilly Berendt.

Perhaps this was always going to be the way of things, with 64 tests crammed into one day – but when the morning dressage leader at the Olympics is someone like Great Britain’s Tom McEwen and JL Dublin, and they’re sitting on a score of 25.8, you start to convince yourself that perhaps only a few competitors will be able to best them in the afternoon.

But there was something in the water over that lunch break, evidently, even though Paris is operating an almost entirely dry venue here. (Well, we say dry – it’s certainly alcohol-free, though after a full day battling the elements, we’re not sure anyone can really use the word dry with a straight face.) In the early afternoon, we saw the ground jury of Christina Klingspor, Xavier le Sauce, and Robert Stevenson enter a period of next-level joie de vivre, and suddenly, records were being smashed, leaderboards were being overturned in rapid succession, and enough excellent scores were being thrown around that we’ve ended the day with a sterling 22 competitors coming in under the 30 barrier – and a top ten that features absolutely none of our morning riders.

Tom’s not far off the pace, though, and a gold medal still feels well within his grasp: he and ‘Dubs’ now sit eleventh on that 25.8, and have contributed to the best post-dressage team score ever recorded at a Games. The Brits go into tomorrow’s cross-country on an aggregate score of 66.7, smashing the previous record of 68.6, held by the Australians since the 2008 Beijing Games.

Laura Collett and London 52. Photo by Tilly Berendt.

But the rider who had the biggest part to play in that overnight success for her nation also finds herself so close to individual gold that she can taste it. Laura Collett and London 52 are certainly no stranger to extraordinarily competitive first-phase marks – nor, even, to scores that dip below the 20 barrier. And today, in her 389th career international test, the Tokyo team gold medallist and her three-time five-star winning partner truly put the pedal to the metal to deliver Laura’s best-ever score – a 17.5 that also sets a new Olympic record by nearly two points.

“I loved every second of it,” beams Laura, whose incredible finish was met with a sea of Union Jack flags from the strong British support front in the stands. “That horse is unbelievable. What he’s done throughout my whole career is amazing, and he just keeps on delivering. So I’m just very grateful to him. I had the time of my life, to be honest. From the moment I entered the arena, he had his ears pricked and loved it, and so did I.”

Laura Collett and London 52. Photo by Tilly Berendt.

On this, the beginning of their second Olympic adventure, Laura’s taking everything she’s learned over the years with ‘Dan’ to try to coax his very best out of him – going back to Tokyo in 2021, where they were individually ninth after an uncharacteristic couple of rails, and further, too, to his early years at the top levels peppered with genuine, though achingly high-profile, teething moments.

But time, and patience, and learning from both the great days and the tough ones, has been the making of the now very nearly infallible partnership.

“It takes years and years of hard work [to develop a relationship], and he’s a horse that’s actually very shy,” she explains. “It’s taken him quite a long time to understand cross-country, mainly because he’s a very shy horse. In 2019, we had a roller coaster year, and at the end of the year, he won a four-star long and went into a prize giving, and that, for me, was the turning point. He really believed in himself; he had full trust in me, and I can feel it on top of him.”

In today’s consistent downpour, Laura had to rely on that trust in the fishbowl of the main arena, where the stands were full of people utilising any method possible to try to stay dry.

“He doesn’t like umbrellas and things like that, so it’s about reassuring him every step of the way and making him believe, because then you can go and do a performance like he did there,” she says. “You never really think you’re going to do it, but everything’s been gearing towards this. It’s been three years in the making, since the moment we stood on the podium in Tokyo. We thought there, he’s still young enough to aim for Paris, and I’ve been very lucky that everything’s gone to plan in the lead up. He’s just a horse that luckily gets better and better with age.”

Laura Collett and London 52. Photo by Tilly Berendt.

Laura’s continued remarkable reign of domination in the sport isn’t just impressive because of ‘Dan’s’ wobbly 2019 season; it’s also a testament to the force of her will, which saw her battle back from a nearly catastrophic injury eleven years ago that left her in a coma and took the vision, irreversibly, from one of her eyes. Her motivation then was much the same as it is now: to keep moving towards the next goal, the next step, the next dream, whether that dream is learning how to see a stride again or hunting out an individual gold medal.

“I look back it only to see how lucky I am and just to be here, let alone be literally here. It’s in the past and we try not to dwell on the past, but I know full well that I was very lucky to walk away from that and be able to carry on doing the job that I love. It’s my life, and I love these horses and love working with them day in and day out, and being able to come perform on a stage like this with a horse like London 52… I’m very, very lucky,” she says. “To be honest, I don’t think about [my impaired eyesight]. There’s no other option than to carry on. It’s amazing how quickly my body adapted, and depth perception was very difficult to begin with, but the only thing I wanted to get to do was get back on and ride horses. You have to find a way, and for me it’s normal now to only have one [working] eye. I might be better if I had two, but we’ll never know!”

Michael Jung and fischerChipmunk FRH. Photo by Tilly Berendt.

You’d be forgiven for thinking that a 17.5 would lend a commanding lead and perhaps a fair chunk of time in hand in tomorrow’s cross-country phase, but no such luck: sitting second overnight is Herr Gold Medal himself, Germany’s Michael Jung, who delivered a 17.8 to slot in just three-tenths of a penalty behind Laura and helms the German team into second place, too.

This is a personal best at four- and five-star for the sixteen-year-old gelding (Contendro I x Havanna, by Heraldik), but, remarkably, not an all-time international personal best – that came earlier this year in a CCI3*-S at Radolfzell, where the pair put a 17.3 on the board. We’ve heard of aiming to make your bank account balance match your phone number, but inching towards making your dressage score match your horse’s height is a whole new set of niche goals, frankly.

“It was an amazing feeling to gallop into the stadium — it was a goosebump feeling, but at the same time a really great feeling, because Chipmunk was so well concentrated and so good with me, so well listening,” says Michi. “It was so nice to ride every second — and directly before I started the dressage, I knew I could take all the risks and I could try everything.”

Michael Jung and fischerChipmunk FRH. Photo by Tilly Berendt.

Like Laura and Dan, Michi and Chip are tackling their second Olympics together – they finished eighth at Tokyo after a contentious safety device activation. Now, five years into their partnership after Michi took the ride over from teammate Julia Krajewski, he’s ready to throw all his own considerable experience (Michi’s won three Olympic golds already, in case you’d forgotten that reign of domination) at the job at hand – and the years of learning he’s done to unpack the inner workings of his horse, too.

“At every competition, everything I did was experience and learning, trying to get a better partnership with him together and get information, and everything was training for this competition,” says Michi. “I think everybody had the same idea because the Olympic Games are such a special competition and everyone is really, really well prepared.”

Alex Hua Tian hears his score as he leaves the arena with Jilsonne van Bareelhof. Photo by Tilly Berendt.

China’s Alex Hua Tian and Jilsonne van Bareelhof didn’t match their four-star personal best today, but for a first crack at a five-star test, they certainly acquitted themselves admirably. They sit in equal bronze medal position going into cross-country on a score of 22, the same score as Australia’s returning eventer Chris Burton and Shadow Man.

“He’s good in this space, but you never know going into arena like that — especially with a horse like ‘Chocs’,” says Alex, who tells EN that his horse’s stable name was chosen because he’s ‘big, brown, indulgent chocolate.’ “He’s very extravagant, and he knows it, and he’s very arrogant; he loves the attention. I think for him, he was always going to trot in there and think, ‘Oh, I finally found a venue of similar majesty to myself!’ That was either going to go this way, which thankfully it did, or it was going to go the other way, and he was going to get over the top about it. He’s done a 21 at four-star, so he can do a really good test – it’s mainly whether he walks, basically!”

Alex Hua Tian and Jilsonne van Bareelhof. Photo by Tilly Berendt.

Now-four-time-Olympian Alex has primarily targeted Chocs at CCI4*-S format, with his last long-format run coming in March of 2023 at Montelibretti’s CCI4*-L – and that, he explains, is largely a management decision.

“He’s jumped around a lot of four-shorts, but he’s a horse that I always liken to a human athlete that’s at Olympic level — weightlifting, marathon running, and gymnastics — one body cannot have that much talent and that much range,” says Alex. “Chocs is the most talented horse I’ve ever sat on in my life. There are other very talented horses that have been more consistent, or more successful than him over years, but if you look at him in each phase, he just goes extra — and I think because of that, through his career he’s picked up little bits and pieces on his way to big events, and so he’s quite often not made it. Last year, he was our first choice for the Asian Games, and picked up a little injury in the month beforehand, and that would be his story.”

But if the gelding isn’t historically easy to manage, he does, at least, have the great benefit of having been built up, trained, and strengthened in order to hit his peak this weekend.

“For me, this has always been his goal and his target. We’ve saved him for seven years to come here, and tomorrow we unleash the beast and see what happens!”

Chris Burton and Shadow Man. Photo by Tilly Berendt.

Unleashing the beast is no doubt exactly what Burto, historically dubbed ‘the fastest event rider in the world’, has in mind with his new partner, the former Ben Hobday ride Shadow Man. The fourteen-year-old Belgian Warmblood (Fidjy of Colors x Favorite van de Keezerswinning, by Winningmood) joined his string just before the mid-winter Olympic transfer deadline, and marked Burto’s return to eventing after swapping to pure showjumping for several seasons – and getting himself shortlisted for the Australian showjumping team here, to boot.

Today’s 22 was the horse’s career-best international score – and the key to it, it appears, was riding the wave of the colossal buzz in the ring after the previous rider, Michael Jung, laid down a game-changing score.

“Shadow Man was on his toes,” laughs Burto. “He’s a very relaxed horse, and he got really excited because some guy went before me that the crowd liked to cheer for, but then I was just delighted with him — he went back to work, showing what a lovely gentleman he is and showing how well-schooled he is. That was a real treat for me, and it’s always a buzz to be at the Olympics. He’s a pretty cool guy — if they are a good nature, they’re a good nature.”

Taking on the gelding, who Ben rode up to five-star, was a no-brainer for his return to the sport, he says.

“I said to my vet when we went up to Ben’s to ride him and vet him — in the same day! — I said, ‘I feel like I know him already,’” he explains. “We were made for each other the day we were both born. This horse came over the tables, like: ‘Would this be a suitable one for that client that someone was speaking about the other day, for a Championships?’ I said, ‘No,’ and walked straight in and saw my wife, and said, ‘How do you feel about going eventing again?’ She said ‘No, absolutely not. No way.’ I rang our High Performance Manager, Chris Webb, and thanks to the support of Geoffrey Guy at Chedington Equestrian, I was able to secure the ride on Shadow Man for the season, and it’s been a delight. I’ve loved it – I really enjoy eventing him.”

The strength of the partnership has been a massive boon in his return to eventing, but ultimately, says Burto, “riding doesn’t change, does it? Riding horses is riding horses. I was away from [eventing] for a while, and I was delighted when I got back to it. Your skill set doesn’t leave you. I got very nervous at Aachen actually, because I thought, ‘What if I ruin my career and what if I’m old and I can’t go fast anymore?’ But that was nice to see that it doesn’t leave you. I am old, though.”

Felix Vogg and Dao de l’Ocean. Photo by Tilly Berendt.

This is a truly international top ten – which is particularly nice to see in the flag-collecting atmosphere of an Olympics – and at this point in the competition, we’ve got nine different nations within the top ten. One of those is Switzerland, whose ongoing upward trajectory is led by five-star winner Felix Vogg, who rides the relatively inexperienced Dao de l’Ocean this week. Today, the eleven-year-old gelding (Kannan x Heddy, by Heraldik) posted a best-ever international result – yes, another one – to sit fifth overnight.

“He gives me so much confidence, because I know when I do it right, he’s doing it right, and I give him some confidence, I think,” says Felix, who has had the Olympics in sight for this horse, rather than his more experienced team horses Colero or Cartania, since last season.

So far, that call is paying off.

“It was pretty awesome. I think I could have done some stuff a little bit better, but it’s always like this,” says Felix. “I think what we had outside, I got 90% inside, and that’s all I could ask him. I know he’s not as far as other horses here, maybe like Chipmunk or London, a horse like that — he still needs the strength and everything — but I’m happy to think about the future now.”

Ros Canter and Lordships Graffalo. Photo by Tilly Berendt.

After those huge tests from Laura and Michi, there was plenty of buzz throughout the stands about what British team anchor – and reigning European Champion – Ros Canter might throw down with Lordships Graffalo. The pair posted a 21.3 at last year’s European Championships en route to the win, and there was plenty of speculation that they could dip into the teens for the first time today – but no such luck.

Their test, though, was smart, polished, and cadence, with just one slightly laboured flying change and a late halt dropping their marks down slightly. They ended up on a final score of 23.4, good enough to clinch overnight sixth place.

“Mark-wise, I had no expectations,” says Ros. “I kept in my own little bubble, really, apart from watching my guys and a couple this morning. I’ve very much tried to stay process-driven today.”

With a competitive start in the bag, she says, “I’m over the moon with him. We all forget that ‘Walter’s’ actually only twelve years old; that, yes, he’s won Badminton and the Europeans and everything else, but he is still a green horse. I still very much feel like we’re only scratching the surface, particularly in a test like that, which is significantly harder than the tests we normally see. I’m absolutely delighted that he got all four changes and everything, because he’s still not fully matured yet, and I do think there’s much more to come from him. We halted a bit late and it had a bit of an effect, unfortunately, on the two movements. But these things happen with horses, and the rest of it, he was spot on.”

Ros Canter and Lordships Graffalo. Photo by Tilly Berendt.

The imposing grandstands towering overhead – and the vocal British cheering sections scattered around them – worked in favour of the British-bred gelding (Birkhof’s Grafenstolz x Cornish Queen, by Rock King).

“He absolutely loves attention. So, yes, he lifted, but only ever so slightly; he just seems to kind of revel in it, and he’s so self-confident and so self-assured that I think he thought he was well up for being there,” laughs Ros. “He was quite happy. I think when I finished him patted him, he had a little scratch, and then looked up and thought, ‘Yeah, I’m all right.’”

While she may have been able to avoid the pressure of trying to mark-match today, Ros has certainly felt the effects of expectation in the longer term as she’s approached an Olympics at which she’s a hot favourite to win.

“Oh yes, I’ve had plenty of wobbles — but actually, the closer it’s got, the better I felt,” she says. “Everybody knows me so well; we’re so grateful to the National Lottery for all the funding we get and the staff that we have around us — Ian Woodhead, Chris Bartle, Richard Waygood — they know me inside out, they know what the wobbles mean. Ian was delighted that I snapped at him yesterday, apparently, because apparently that means that I’m getting towards being on my A game. So I’ve had a few wobbles, but once I got on today, I felt very clear minded.”

Over the last few seasons, Ros has taken more and more of the pressure off her top horses at home, and Walter, like Pau winner Izilot DHI, spends more time hacking than he does schooling. But nailing a test like today’s does still take mileage in the ring running through the movements, and Ros has a secret weapon in her pocket where that’s concerned.

“I’m very lucky I’ve got my old five-star horse Zenshera at home — he’s 20 years old now, so he’s always in work, but often only light work. The last month, he’s been working hard as well, helping me to practice the test and make sure I know it inside out. He’s absolutely amazing, and to be quite honest, I think he would have stood in for Walter if we needed him this week, he thought he was about ready to go!”

Overnight seventh place goes the way of Olympic debutant Stephane Landois, who is the best of the home nation at this stage of the competition, and whose 24.4 with Chaman Dumontceau was arguably the most poignant moment of the day. He took the ride on after the tragic death of the gelding’s former owner and rider, Thaïs Meheust, who lost her life at the age of 22 in 2019 while contesting the French seven-year-old national championship with the horse.

Since then, they’ve been part of the bronze-medal-winning French team at the European Championships last year on their Senior Championship debut, won Chatsworth’s tough CCI4*-S last spring, and now, made Thaïs’ dream come true by representing her, and their country, at the Paris Olympics – a competition she had dreamed of for so long.

Stephane Landois and Chaman Dumontceau ride for Thaïs. Photo by Tilly Berendt.

Stephane Landois and Chaman Dumontceau. Photo by Tilly Berendt.

As they finished their test, Stephane bowed his head down to Chaman’s gleaming grey neck, held him in a tight embrace for a moment, and then looked up, somewhere beyond the low-hanging cloud cover, and blew a kiss into the sky as the crowd roared for him, for his horse, for France, and for their much-missed Thaïs.

“I am very, very happy with my ride. There’s a lot of emotion in this place, so coming here has been really quite special — all of us are feeling it,” says Stephane, who guides his team into overnight bronze medal position with his result. “There’s really an emotion that we’re all feeling as we come into the arena. I was really emotional, but proud that there’s a crowd out there that really appreciate the sport and appreciate everybody that comes in. I’m just full of emotion for it, and actually, [the significance of this selection with this horse] has probably given me more strength to come out and to perform well, knowing the history of all of this and the ride.”

Yoshiaki Oiwa and MGH Grafton Street. Photo by Tilly Berendt.

Japan’s Yoshiaki Oiwa is very familiar with the business end of Olympic leaderboards – he made history in 2012 by leading the first phase at the Olympics and making the first steps towards putting Japan on the map as an eventing nation. These days, they’re much closer to superstar status – they currently sit fifth of sixteen as a team – and Yoshi’s still here, making it all happen for himself and his country. He sits eighth overnight on a score of 25.5 with MGH Grafton Street, the former ride of Pippa Funnell, with whom he won Burghley in 2019.

“He knew that today, it was the time, you have to show something, so I’m very happy with this,” says Yoshi, who has just four FEI runs under his belt with the sixteen-year-old (OBOS Quality 004 x unknown dam). “It’s a very new partnership, actually. My first competition with him was this year — February or March — so only a few months. It was challenging for us, but it went well, so I’m very, very pleased.”

Yoshiaki Oiwa celebrates his test. Photo by Tilly Berendt.

While ‘Squirrel’ has historically been a mercurial ride, the ability for the pair to build a solid partnership so fast has come down to a couple of factors – Yoshi’s experience, of course, but also the help of Pippa, whose condition for the sale was that the horse would have to stay on her yard, where Yoshi, too, is now based after years in Germany at the yard of Dirk Schrade.

“I went to the previous rider’s place, so the system, everything is the same. She is kind of a legend, Pippa Funnell — so she is the coach for me now, and so his routine is the same as before,” says Yoshi. “Basically, all the team members have been based in Europe for a long time now. We don’t have big shows in Japan, so we all have to come to Europe or another country. This is something that makes it difficult for us to make it. But we all came to Europe long enough now, and everybody is a very experienced rider now. So we hope we can do something here.”

Clarke Johnstone and Menlo Park. Photo by Tilly Berendt.

New Zealand’s Clarke Johnstone and his 2022 World Championships ride Menlo Park (Berlin x Faerie Queen, by Rock King) put a 25.7 on the board, bettering their four-star personal best of 27 and guiding the Kiwi team into overnight fourth, to boot.

“He’s been training so well. He’s so with me, he feels amazing in his body, he’s fit but calm, and I’ve been thinking he could do a test like that — to actually do it, I’m just so, so proud of him,” says Clarke. “He’s been to the World Championships, but that was nothing like this. I bravely decided not to pre-ride him this morning, because that’s normally what I would do to get the best out of him — he’s really solid, he always walks — and after I watched the first few go, I thought, ‘Well, that looks very electric in there. Maybe I should pre-ride it.’”

Clarke Johnstone and Menlo Park. Photo by Tilly Berendt.

But, he says, “we decided to stick with what we’ve been doing, which has been steadily getting the scores lower and lower over the last couple of years – and he was just so with me. He did have a little look at the gate stewards when I went about to go into the ring, and I thought, ‘Don’t let me down, Jacko.’ He pulled it back, and he was just a delight to ride in there, really on the aids, and just giving me everything.”

That puts him into equal ninth place with Italy’s Giovanni Ugolotti, who has been on an undeniable upward trajectory with the elegant – if slightly inelegantly named – Swirly Temptress. Though this is her first test at the five-star level, their 25.5 bests their form across her four-star career, too, and gave Italy much to celebrate after a heartbreaking morning following Emiliano Portale’s elimination after his ride, Future, bit his tongue in one of the half-passes.

The individual top ten at the culmination of the first phase at Paris 2024.

The North American Update

The U.S. riders delivered solid tests today, though certainly some points were left on the board. A collective three-rider score of 88.9 sees them slot into sixth place in team competition, sitting just 7.7 penalties off the podium and 22.2 penalties behind Great Britain in current gold position. Despite any marks left in the dressage ring today, we all well know by now that those could well be long forgotten when the dust and leftover mud from today’s rain settles after cross country.

Liz Halliday and Nutcracker. Photo by Tilly Berendt.

Latecomer Liz Halliday, who was added to the team after Will Coleman’s withdrawal of Diabolo, secured the top standing for the Americans with The Nutcracker Syndicate’s Nutcracker on a score of 28.0 as the second pair to go for the team. You can read more from Liz’s ride, as well as our pathfinder Caroline Pamukcu, in our midday report here. After starting the day within the top 10, the Liz will be the top-placed in 19th individually, followed by Caroline in 25th and Boyd Martin in 26th.

Boyd Martin and Fedarman B. Photo by Tilly Berendt.

Boyd was the sole U.S. rider of the afternoon rotations, securing a 30.5 to sit just behind Caroline Pamukcu and HSH Blake in 19th overnight. After enjoying a trending score hovering in the mid-70s percentage during the trot work, Boyd lost ground with two mistakes in the four flying changes that feature in the test. Boyd admits he’s “probably done 20,000 flying changes” in practice, but has historically struggled with the left to right change on this horse.

“We’ve been getting it really good at home and in training, but just when the atmosphere is a bit electric out there,” Boyd said. “He’s got a bit of anxiety, and I think I’ve mistimed my aids a little bit. The same thing happened a Pau. He does get a little bit more electric in the flying changes and it’s a shame. I felt like I gave my all, and it would have been awesome to have four great changes, but it wasn’t to be today. I felt like we still came out of it with a respectable score. But today wasn’t our day in the flying change department. Other than the flying change, I think it was our best work ever.”

Caroline Pamukcu and HSH Blake. Photo by Tilly Berendt.

“Overall our horses did some very fine work, but it was very competitive and I think it showed that we just weren’t going to be in the top tier today, but I’m still very proud of our athletes and horses,” U.S. chef d’equipe Bobby Costello commented. “The amount of work that they’ve put in this year has been immense and all of these horses will just keep getting better and they will have to be because the world is getting better as well.”

The riders will follow the same rotation they did today on cross country. Bobby explained a bit about the strategy behind the U.S. running order. “I believe that the first two slots in the running order could be very much interchangeable between Caroline and Liz. I think Caroline actually quite likes not to have too much information in her head going out there, so I think that would be a great slot for her, and Liz you could honestly put anywhere and she’s going to perform. I don’t think it was ever a question that Boyd would be our anchor rider with all of his experience of being in that position.”

Mike Winter and El Mundo. Photo by Tilly Berendt.

Canada currently sits in 14th position as a team on a collective score of 106.4, with Mike Winter and Jonathan Nelson, Emma Winter and his own El Mundo (Numero Uno – Calvaro’s Bria Z, by Calvaro Z) currently the top-placed of the team in 42nd on a score of 35.2. Jessica Phoenix and Freedom GS are in 43rd on a score of 35.4 and Karl Slezak and Hot Bobo sit in 46th on a 35.8.

Jessica Phoenix and Freedom GS. Photo by Tilly Berendt.

“I was so proud of the composure that she had going into that ring,” Jessie said of the 14-year-old Freedom GS (Humble GS – Friedel GS, by Fidertanz), who is owned by longtime supporter Charlotte Schickedanz. “It’s her first time doing a test at the five star level, and it is by far the biggest atmosphere she’s ever felt. And I was over the moon with how much composure she showed in there, and honestly, how much brilliance she showed in the movements that she’s really solid in. Her future looks bright. She’s one of the most straightforward, competitive thinking mares I’ve ever ridden. Like she fights to do the right thing, and sometimes she just doesn’t have the strength to be able to carry through the movement yet. But like she has the heart, she’s 100% in it, and she’s mentally fighting for you.”

Karl Slezak and Hot Bobo. Photo by Tilly Berendt.

“I was pleased with [Hot Bobo], she was such a good girl — she held it together,” Karl Slezak said of his test with Hot Bobo (Arkansas VDL – Taneys Leader xx, by Supreme Leader xx). “We all know that she can get a bit spooky in the dressage ring, and I thought that she held it together really, really well… Just a little tension [in the flying changes], and specifically the left lead to right lead.”

In terms of the cross country, we’ll have more from the U.S. riders and beyond in Cheg’s Cross Country Riders React column coming later. We’ll be back tomorrow with another Companion Guide to cross country, as well as much more from Paris. In the meantime, you can check out the cross-country ride times in full here and have a walk around the course with us in our full preview here. Cross-country will begin at 10.30 a.m. CET (9.30 a.m. BST/4.30 a.m. EST) with Germany’s Julia Krajewski and Nickel 21 (15th on a 26.9) pathfinding. This is a tightly packed field with 22 horses and riders sitting sub-30, so we’ll be expecting a huge amount of movement across the leaderboard throughout the day.

Stay tuned, and Go Eventing.

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