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Monday News & Notes from FutureTrack

There’s been a whole heck of a lot of eventing over the weekend — and here’s a recap of the section winners at England’s Little Downham Horse Trials, which tends to be a choice prep run for Pau’s CCI5*. Top of our list of poignant wins at the Cambridgeshire fixture? A CCI3* victory for Jesse Campbell and Speedwell, who he took on from wife Georgie after her tragic passing earlier this year. Go get ’em, our lad.

National Holiday: It’s International Podcast Day! To celebrate, here’s a recent one from our pals at Eventing Weekly — arguably our sport’s silliest pod offering.

U.S. Weekend Action:

Stable View Oktoberfest 2/3/4* & H.T. (SC): [Website] [Results]

Spokane Sport Horse 10th Annual Fall H.T. (WA): [Website] [Results]

Jump Start H.T. (KY): [Website] [Results]

Sundance Farm H.T. (WI): [Website] [Results]

Tomora H.T. (CO): [Website] [Results]

ESDCTA New Jersey H.T. (NJ): [Website] [Results]

Old Tavern H.T. (VA): [Website] [Results]

Fleur de Leap H.T. (LA): [Website] [Results]

Course Brook Farm Fall H.T. (MA): [Website] [Results]

Major International Events:

FEI Nations Cup Lignières (France): [Website] [Results]

Your Monday Reading List:

EN’s classified site, Sport Horse Nation, got a makeover! It’s still the eventers-only online marketplace you know and love, but we’ve added advanced user features and upgraded search functionality to make it easier for riders to connect with the unicorns they’re searching for. EN readers get unlimited free listings until October 10th with promo code “GoEventing” at checkout. Check it out today! [SHN]

Need a bit of escapism on this rainy Monday morning? Head to Indonesia with Gemma Redrup of Horse&Hound, who enjoyed the press trip of dreams riding native ponies in the surf of Sumba. Just don’t read the nitty gritty about costs, nestled into the end of the piece, too closely. Head to the beach here.

I unapologetically adore Jilly Cooper. Yes, some of her jokes are a little bit, well, of her generation. Sure, some of her heartthrobs are actual total shits. Yes, the whole thing is deeply silly and summarily makes fun of every layer of the British class system. And you know what? If you take it with a pinch of salt, her oeuvre is nearly-perfect fluffy reading, and Riders is practically must-read stuff for entry into the British horse scene. (“I listen to the audiobook of it every time I’m in the lorry,” confessed a male five-star rider to me recently.) The Guardian sat down with the Dame of Dirty Books to find out more about here. You know this is going to be brilliant when the 87-year-old starts off proceedings by asking her interviewer if he’s good in bed.

Okay, okay, onto some serious stuff. Are you thinking about putting on a clinic — or several! — this winter? Done right, these can be great earners and brilliant educational experiences for all the participants. But it’s not quite as simple as just picking a big name and putting a date in the diary. USEA has plenty of tips for really robust clinic-planning, and they’ll be a massive help while you flesh out those winter plans. Check them out here.

And finally, a heart warmer. I’m always a sucker for a good Century Club story, because they’re so often brilliantly multilayered and such a wonderful showcase of why we all love this sport on such an innate level. And this one, featuring two friends who joined the Club together? Well, that’s even better, because there’s something really special about the enduring power of female friendship, and especially lifelong horse-girl friendship. I dare you not to fall in love with these two women and their sweet horses.

Morning Viewing:

Lignieres Nations Cup cross-country, in full? Oh, go on then.

Tuesday News & Notes from Kentucky Performance Products

There’s a big storm heading the way of Florida this week, and once again, WEC Ocala has offered itself up as a safe haven. Here’s the info you need in case you’re likely to be affected:

“In anticipation of this week’s storm, World Equestrian Center – Ocala will open to equine evacuees and owners, beginning Wednesday, September 25 at 8am.

Please email [email protected] with your anticipated arrival date, the number of stalls needed, horse names and each horse’s required health documents. Stalls are open to horses only.

Please note that stall availability is limited.

Required health documents can be found here.”

Events Opening Today: Virginia Horse Center Eventing Fall, River Glen Fall H.T., Horse Trials at Majestic Oaks

Events Closing Today: The Event at Isaacks Ranch, Morven Park International & Fall Horse Trials, Redefined Equestrian Horse Trials, Pine Hill Fall H.T., Radnor Hunt H.T., Poplar Place Farm October H.T.

Tuesday News & Notes from Around the World:

Back to Blenheim for another debrief, this time from the CCI4*-S for eight and nine-year-olds. It was a win for Padraig McCarthy, the first Irish rider to take this class, and his eight-year-old homebred MGH Zabaione, who embarked on a good climb to best the huge field. Here’s how it played out.

Back across the pond, another fab story of a rescue living it large. Gettin’ Ziggy Wit It was saved from a cowshed and only really got the hang of his right-lead canter in the last year, but now, he’s fast becoming his people’s favourite horse. Here’s his story.

No amount of coat sprays will make up for a lack of good nutrition. But if you get the feeding thing right, you’ll have a gleaming, show-ready horse — and maybe even a spray of glorious dapples for your efforts, too. Here’s what to keep in mind.

And finally, a good listen for your morning muck-out: join Allie Knowles and Nicole Brown for a debrief on life, eventing, and everyone’s favourite ginge, Morswood.

Sponsor Corner: Are you cooling your horse off properly in hot weather? Yes, it might be fall (is it, though?) but the temperatures are still hot in many parts of the world, and knowing how your horse cools down is paramount to their health and wellness. Our friends at Kentucky Performance Products are here to help with some tips and tricks, signs of heat stress to be on the lookout for, and recommendations for hydration support for every horse. Learn more here!

Watch This: 

Join in with the ups and downs of producing a young event horse with British eventer and vlogger Ashley Harrison:

Monday News & Notes from FutureTrack

Here’s a cool opportunity for those of you in the Lexington, KY area! The University of Kentucky’s Eventing Team will be hosting a showcase at Valley View Farm consisting of a competition led by pro team members and mounted demos in an effort to fundraise for the upcoming Intercollegiate Championships at Stable View in the spring.

This Showcase will take place on October 6, and you can purchase tickets for $50 here.

US Weekend Action:

Heritage Park H.T. (Olathe, KS): [Website] [Results]

Honey Run H.T. (Ann Arbor, MI): [Website]

Meadowcreek Park Fall Social Event H.T. (Kosse, TX): [Website] [Results]

Twin Rivers Fall International (Paso Robles, CA): [Website] [Results]

Unionville H.T. (Unionville, PA): [Website] [Results]

University of New Hampshire H.T. (Durham, NH): [Website] [Volunteer] [Results]

Major International Event Results:

Blenheim Palace International H.T. (UK): [Website] [Results] [H&C+ Live Stream and On-Demand Viewing]

Your Monday Reading List:

Just in case you, like me, really need it this morning: here’s a miniature horse called Tony Smalls whose paintings can be bought in galleries and who once fathered an illegitimate child called Sugar Smalls. You’re welcome.

Blenheim’s jam-packed, beautiful event played out over the weekend, and while the main story was the almost show-stopping heavy rain that plagued the top ten’s showjumping efforts, one of the other big stories of the day was Tim Price’s first-ever win at the event. You can find out all about how he got it done in this report from our pals at Horse and Hound.

Over on H&H, there’s also news — released yesterday — of Louise Harwood’s fall at Blenheim. We’re sending all our best wishes to her for a speedy recovery.

An interesting read here from COTH on that elusive work-life balance. Can it be done? Is it possible to have it all? Are horses simply incompatible with a varied, relaxing life? Read the piece here and join the discussion.

Morning Viewing:

Why choose an OTTB? Here’s a few reasons:

“I Hope Other Swiss Girls Can Believe in Their Dreams”: Nadja Minder Aces Burghley Debut

Nadja Minder and Toblerone. Photo by Hannah Cole Photography.

A scant few years ago, you’d have been forgiven for not being able to name a single Swiss event rider. Now, though, the times are a-changing – or have been changing, really, for an Olympic cycle-and-a-half. There’s a recent Swiss five-star winner making headlines – that’s Felix Vogg, who took the Luhmühlen title in 2022 with Colero, breaking a 71-year fallow period for the nation – and a young Andrew Nicholson ride-alike who simply cannot stop winning four-stars (Robin Godel, of course). There’s the direct qualification for the Paris Games that they earned at the 2022 World Championships, a huge feat for a nation that wasn’t always guaranteed a team ticket at all; there’s the very-nearly-bronze finish that they got at that Games (they were fifth, ultimately, in a close-run showjumping finale).

It’s all adding up to be a pretty impressive resume for an up-and-coming eventing nation, but at first glance, it feels like a textbook continental approach, doesn’t it? It’s as though Switzerland, like many of the superpowers of European eventing, have found themselves at the point where two roads diverge in the wood – one toward championships and the twisty, technical four-star tracks that get them there, the other toward ‘traditional’ five-stars and the galloping terrain en route to them – and decisively chosen the former. Perhaps the very best of the Swiss, like the Germans, are only ours to enjoy when we go to European Championships, or Worlds, or Olympics, or when we hop onto that ferry across the Channel for the events unfolding on the other side of it.

Nadja Minder and Toblerone. Photo by Hannah Cole Photography.

Or… not, actually. Two Swiss competitors came forward for last week’s Defender Burghley Horse Trials, and both of them made it look as though they’d been training over British courses their entire lives.

When we talk about that divergence of the sport, which is a phenomenon that’s been ongoing for at least fifteen years now, there are certainly some spectrums involved. And on the far end of the ‘traditional’ spectrum? Burghley, a few steps along from, say, Bramham CCI4*-L and Blair CCI4*-L (may it rest in peace), where the ‘old’ style of the sport is alive and kicking and a ‘classic’ type of event horse – bold and blood, with tonnes of gallop and stamina that overrules the need for really fancy movement and a competitive first phase – reigns supreme. To prepare for it, you need access to a certain kind of developmental course; it could also be argued that a certain kind of training, rooted in the ‘old school’ of eventing, is necessary.

So what is it that allowed Lake Constance-based Felix Vogg, who finished thirteenth with Cartania, or 24-year-old Nadja Minder, from the Zürich canton, who finished twentieth with Toblerone, to lay down such decisive performances?

For Felix, he says, it’s a happy coincidence: in Cartania, he has a horse well-suited to this type of track, and so he’ll focus on the goals that fit her skillset best, be that Burghley, as this year, or Badminton, as in the past two years when she’s finished competitively.

“I’m not sure if I’ll ever have a horse like this again, because I’m not actually looking for that type of horse,” he says. “It’s a bit by accident, but for me, it gives good experience, even for the championships. Like, yes, you have totally different questions, but they’re challenging questions, and that makes it easier when you get to a championship. You’re like, ‘okay, I already saw that [question] somewhere else – and bigger!’ It really does help.”

Nadja Minder and Toblerone at Burghley’s first horse inspection. Photo by Tilly Berendt.

For Nadja, who, so early in her Senior career, has already represented Switzerland at the 2022 World Championships and the 2023 European Championships, as well as holding down the fort as travelling reserve in Paris, it’s similarly been about gaining as much experience as possible – even, or especially, if that means leaving her comfort zone in the process.

“I just want to be a complete event rider and to get better. And, you know, we have a certain level in Switzerland, but I really want to push those boundaries,” says Nadja. “And, yeah, I love it! I love eventing over here. I love how the riders do it – like, so much more chilled than in Europe. It’s just a natural thing for them.”

And, she says, her upbringing in Switzerland, where she’s primarily trained with her mother, Therese Bischof Minder, has been surprisingly nearly tailor-made to preparing for tough, terrain-heavy courses like this one.

“I didn’t have a surface [arena] growing up, and I had a lot of hilly terrain at home, and I’m used to riding on grass all the time, and I think that was really helpful. It wasn’t a complete change for me – and that’s props to my mum, because she made me ride on all surfaces since I was a little girl.”

But to make the Burghley dream come true, just under a year after making her five-star debut at Pau last October, Nadja had to leave that driving force behind for a little while. She and her top-level horses relocated to Piggy March’s Maidwell Stud in Northamptonshire in August for a six-week period, encompassing runs at the last-ever Defender Blair Horse Trials, at which she finished second to her new mentor in the CCI3*-L with Top Job’s Jalisco, before heading onward to Burghley. It’s the first time in her life she’s ever been based away from home – and away from the daily eyes-on-the-ground of her mother, her closest confidante and the person who first heard Nadja’s intentions of riding at the event.

“I was watching Burghley TV last year while we were away at a show, and I joked to her, ‘I’m going to go there next year’,” she says. “She was like, ‘mmmm…!’ I hadn’t even ridden at Pau at that moment, so it was a big idea! Then I rode at Pau and I didn’t think a lot of myself – and so in the winter I said, ‘I want to go to England to prepare for Badminton next year.’”

Nadja Minder and Toblerone. Photo by Tilly Berendt.

It was Andrew Nicholson, one of Nadja’s closest mentors and the cross-country trainer to the Swiss team since 2019, who planted the Burghley seed as more than just a half-in-jest comment.

“He said, ‘well, if you’re going to go to England for that time period, just go for Burghley.’ And I said, ‘Andrew, I’m not you!’,” she laughs. With Pau behind her, she’d completed her five-star step-up with Toblerone, the horse who she’s partnered since her Young Rider team days, but it hadn’t been without its wobbles: they’d picked up a rare 20 on the cross-country course at the first water, pushing them down to 25th place in the final rankings. She knew that Burghley would be a whole different kettle of fish, but, she reasoned, “I had a great feeling around Pau, and it was my mistake – I wasn’t too positive and attacking. I just need to make everything right for Toblerone, and then he does it – [our success] is absolutely down to him. He’s a Burghley horse; I just had to show him the way.”

Excellent prep runs at four-stars across Europe through the spring and summer cemented Nadja’s resolve: their first aim would be Paris, and thereafter, they’d look ahead to Burghley.

Nadja’s week with the seventeen-year-old Swiss Warmblood gelding, who she rides for owner Nicole Basieux, began in fine style: they posted a 31 in the first-phase, bang on their recent average at four-star, despite this being a tougher test featuring new double coefficients on two of the flying changes.

Nadja and Toblerone tackle Burghley’s cross-country course. Photo by Hannah Cole Photography.

But who comes to Burghley to think about dressage? It was all about Saturday for Nadja and her longtime partner – and when that day rolled around, they put to use everything they’d taken from their five-star debut last year, and all the mileage of those team appearances over the last couple of seasons to deliver a classy, gutsy, and attacking round that saw them come home clear and with a respectable 21.2 time penalties.

“Maybe you saw I had Andrew Nicholson and Piggy March waiting for me at the finish — it doesn’t get much better than that! I’m so spoiled,” says Nadja with a beaming smile. “Of course, they’ve been so helpful. And Andrew really made me believe that I can do it and I’m ready for it.”

Having two former Burghley champions cheering you across the finish line is a pretty special moment, but in those adrenaline-packed minutes out on course, it was just Nadja and Toblerone against the fences.

But, she grins, “everything went to plan! It took me so much courage to come here, so I wasn’t even that nervous at the beginning,  surprisingly, but it was just perfect how I planned it. I could have gone even faster, because he was, like, full [of running] in the end. So I really was able to kick up the last slope and he responded so well. I’m so, so happy — it’s an incredible feeling. This is, I think, the biggest [track] you can do, definitely stamina-wise. And he was so good!”

Nadja Minder and Toblerone. Photo by Hannah Cole Photography.

Their week finished on Sunday with a foot-perfect clear round – a double-clear Burghley debut that’s put them well on the radar of the British eventing scene, to catch the country up with a European scene that’s been sitting up and paying attention for a long time now.

“He tries very hard, but we’re not the best jumping combination, and so to jump clear here is unreal – it just means the world,” says Nadja. “It’s beyond more than my wildest dreams. I never would have thought that I’d finish my first Burghley like this, but it’s all down to Toblerone – he made it all possible for me, and I owe him everything. I grew up on a farm, and of course, we had horses, and my mum has a lot of knowledge, but I don’t have a crazy background to go for something like [a career in eventing], and from Switzerland, where eventing isn’t huge… it’s really just the absolute dream come true that I can even make it. I really believed, when I was a young girl, that I could, and I hope that some other young Swiss girls can now believe in it – that it’s possible, even without a lot of financial backing. Sometimes, one door closes, and another one opens, and somehow you fiddle your way around, and eventually, you make your dreams come true.”

We’ll raise a glass – or a Toblerone – to that.

Read more of EN’s coverage of Defender Burghley here.

Tuesday News & Notes from Kentucky Performance Products

This week, the eventing world looks to England once again, as the Blenheim Palace International Horse Trials gets underway with its jam-packed CCI4*-L feature class, as well as the prestigious CCI4*-S for eight- and nine-year-olds, which has a seriously strong track record of crowning horses who end up being five-star winners within a couple of years. (Case in point? Last year’s winner was Cooley Rosalent, ridden by Oliver Townend, who went on to win Kentucky this spring.) We, alas, won’t be doing our usual full-stack reporting from the event this year, but we WILL be bringing you a packed end-of-week report with all the stories you need to know, and our pals at Horse&Country TV will be live-streaming the whole shebang, so make sure to tune in there so you don’t miss a moment of the action. In the meantime, you can whet your appetite with a browse through the smoking hot entry lists. Roll on the last Big B of the year!

Events Opening Today: The Eventing Championships at Galway Downs, Tryon International & H.T. Fall, Rocking Horse Fall H.T., Texas Rose Horse Park H.T.

Events Closing Today: Ocala Fall Horse Trials, The Maryland Horse Trials at Loch Moy Farm, Woodside Fall International, Apple Knoll Farm H.T., Miami Valley H.T. at Twin Towers, WindRidge Farm Fall H.T.

News & Notes from Around the World:

Yesterday, we marked the start of Adopt a Less-Adoptable Pet Week — and today we’ve got a feel-good story to follow it up. This is the tale of sweet Willow, a Tennessee Walking Horse who was seized as part of an eight-horse neglect case in Maryland. She was low on the body condition scale, and only ever going to be suitable for very light riding, which ruled her out for most potential adoptees — but not for someone who would value a kind, steady horse to give pony rides to children. Through Days End Farm Horse Rescue’s ‘EquiDopt’ programme, she learned the ropes of being a super nanny, and finally, landed on her feet with a family of her own. Check out her story for the warm and fuzzies, and to add another great rescue to your list of charities to support, shout about, and, perhaps, adopt from. 

It’s a rough time to be a fan of equestrian sports. I don’t know many people who don’t feel demoralised by the stories of abuse and profiteering coming out thick and fast — I’ve spoken to fans of the sport who struggle to tune in to follow it anymore, and fellow media folks who question whether they’re doing more harm than good to horses by continuing to come out and do their jobs reporting on competitions. For many riders, too, it’s all provoked a period of deep introspection and soul-searching. And so I think we’ll see lots more op-eds like this one, coming to terms with the heart of the matter: that we all have to put our horses first, ahead of our ambitions, and even when that’s a damn hard thing to do.

Speaking of sport, and the horses within it (aren’t we always, though?) — if you didn’t stick around for the lunchtime and end-of-day demos at Burghley, you missed a trick. They were ALL very cool — Ireland’s Abi Lyle performed her Paris freestyle at one, which, like, yes queen, we love you — and in another, William Fox-Pitt rode clones of two of his greatest horses of all time. Those were Tamarillo and Chilli Morning, both five-star winners in their own rights, and their clones look set to be serious talents, too. Check out the full recap for some interesting insights into nature versus nurture, how these two smart chaps are similar to their forebears, and the unique ways they differ.

And finally, the USEA has named the participants for the Winter EA21 National Camps. You can check out the list of selected riders and alternates here.

Sponsor Corner: What makes some hay higher in sugar than others? If you work with a horse with metabolic issues, you know how frustrating it can be to find low sugar hay. Kentucky Performance Products has some answers that might help you in your torturous hunt for low sugar hay. Get the full scoop here.

Watch This:

Honestly, at this point I’m only sharing this because I find Kendall’s choice of riding gloves so funny.

Monday News & Notes from FutureTrack

It’s mad, isn’t it, to think that next month will deliver us our final two five-stars of the 2024 season, and after that, it’s time for full-on nesting mode. Actually, that last bit’s not that hard for me to believe — the temperatures here in the UK dropped drastically over the last week or so, and I’ve already switched on the hibernation side of my brain. I’ve built a rug box for my horse’s laundered and repaired winter wardrobe to live in; I’ve made a bottomless bucket of beef bourguignon that my partner and I had been dipping into throughout each day with great hunks of crusty sourdough and French butter; I’ve dug out the winter duvets; I’ve lit all the candles; I’ve shirked my responsibilities and dimmed the lights and read endless Elena Ferrante novels and I am not sorry. I’m always sad to see the season end but man, every year I feel like I get better at embracing the once-dreaded off-season. Nowadays, I’m all for the cozy life and recharging my batteries ahead of the busy season to come — and it really does come around fast, every time. So claw yourself back a day off soon and make yourself something hot and comforting to eat on the sofa in your pajamas. Life’s too short not to.

National Holiday: Forget about the day — it’s Adopt a Less-Adoptable Pet Week! Is your barn dog or cat missing a leg, or an eye, or is he or she in his twilight years? Did you adopt them out of years spent in the shelter? Do you have a rescue horse who had a safe landing with you that they may not otherwise have found? I love these kinds of stories — and yes, my form of procrastination is watching senior citizen dogs find their happy ever after — so please share your sweet friends with me in the comments and let’s get this week off to a nice start, shall we?

U.S. Weekend Action:

The Fork at Tryon (NC): [Website] [Results]

Aspen Farms H.T. (WA): [Website] [Results]

The Event at Skyline (UT): [Website] [Results]

Flying Cross Farm H.T. (KY): [Website] [Results]

Otter Creek Fall H.T. (WI): [Website] [Results]

Marlborough H.T. (MD): [Website] [Results]

GMHA September H.T. (VT): [Website] [Results]

UK Weekend Results:

Cornbury House International (Finstock, Oxon.): [Website] [Results]

Chillington Hall Regional and Youth Championships (Wolverhampton, Staffs.): [Results]

Penrith H.T. (Penrith, Cumbria): [Results]

Your Monday Reading List:

Making your eventing debut soon, and feeling a little bit overwhelmed by all those officials? Don’t stress — they’re there to help you, not to catch you out. But something I’ve always found a really helpful way to feel more comfortable with everything and everyone is understanding what they’re actually trying to do. (This is actually another reason why volunteering is great — because you see the whole event from that side!) This handy primer to each of the major players at the show, and what their job entails, will fill you in on all the above, plus help you to find the person you need for whichever box you’ve got to tick, whether that’s paying your outstanding entry fee, getting another bag of shavings for your horse’s stall, letting someone know your horse has lost a shoe in the warm-up and needs a time adjustment… these folks can help with it all!

Who among us ISN’T a bit in love with Monica Spencer’s Artist? He’s a seriously cool dude AND an OTTB, which is enough to get me committed for life, frankly. You can learn lots more about this big character on the five-star circuit in this Behind The Stall Door deep-dive. Bring apples and carrots, chopped up real small.

Okay, so we all have to perfect lateral movements so we can get those big scores in our dressage tests. But what’s the actual point of them? What impact do they have on our broader training system if we commit to doing them well? And are they worth learning, even if you never plan to compete? Head over to Horse Nation for the big reveal. Spoiler alert: lateral work goooood.

Some Mondays, you just need a little dose of abject silliness to get you through the morning muck-out. Today, we can offer you… a very big dose of abject silliness, so consume at your own risk. This is, of course, the Eventerland stories of the Paris Olympics, brought to you by Irish eventer and EquiRatings co-founder Sam Watson and his odd, delightful mind. Go well, friends.

Morning Viewing:

Get Ros Canter’s analysis of her winning cross-country round at Burghley, which is full of some fascinating insights — like every fence on course feeling like, and having to be ridden a bit like, a drop fence. Tune in:

Tuesday News & Notes from Kentucky Performance Products

 

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A post shared by WILL RAWLIN (@willrawlin)

One of the rather more confusing moments on course at Burghley on Saturday was the pulling up and subsequent elimination of Will Rawlin and Ballycoog Breaker Boy. While we absolutely agree with the new tendency to be overcautious in the protection of horses, and of our sport, it’s also always nice to get some further clarity on the situation. Will’s Instagram post doesn’t get to the bottom of why they were pulled up, but it does offer some reassurance that all’s well and we’ll see this smart horse back out after his winter holidays. Onwards!

Events Opening Today: Hitching Post Farm H.T., Waredaca Classic Three Day Event & H.T.

Events Closing Today: University of New Hampshire H.T., Jump Start H.T., Spokane Sport Horse 10th Annual Fall H.T., Stable View Oktoberfest 2/3/4* and H.T., Sundance Farm H.T., Tomora Horse Trials, Course Brook Farm Fall H.T., ESDCTA New Jersey H.T., Old Tavern Horse Trials, Fleur de Leap H.T.

News & Notes from Around the World:

Hey Bostonians, here’s a cool thing for you to get involved in! Phillip Dutton: Leap of Faith is a new documentary spanning the career of the original Aussiemerican competitor, and it’s premiering at the Boston Film Festival this month. While Phillip won’t be there himself — he’ll be joining virtually from Blenheim for the post-film panel — it’ll be a pretty fascinating film and a great way to be a part of it. You can get yourself on the list and check out the trailer right here.

The last few days have been absolutely chock-full of grim news for eventing. One of those bombshells? The news that Kazuma Tomoto, the stalwart of the Japanese eventing team, is being sent back home with no option to stay in the UK with his string of horses. Instead, he has to leave them behind, hand the reins to another rider, and go back to Japan to become a riding instructor — and none of these things reflect his own desires. You can read H&H’s news piece on the story here, and we’ll be bringing you a story on it very soon too.

Speaking of horrendous news: Andrew McConnon. Rest assured that we’re working around the clock to bring you a comprehensive story on what’s going on there, and have been doing so from the moment the first Facebook post dropped, so I won’t go into the nitty-gritty of the situation here, but in case you missed it, here’s the latest statement to be released on it, from US Eventing.

Right, let’s do something more fun now. Like, say, a roll in the hay from the Dame of Dirty Horse Books, Jilly Cooper. If you’ve not read Riders, in all its filthy and wildly problematic glory, you ought to, purely so we can discuss. If you have, you’ll be very aware of the forthcoming televisation of Rivals. And you’ll want to ask Jilly lots of questions. Some of them may pertain to butter. Here’s your chance.

Sponsor Corner: What makes some hay higher in sugar than others? If you work with a horse with metabolic issues, you know how frustrating it can be to find low sugar hay. Kentucky Performance Products has some answers that might help you in your torturous hunt for low sugar hay. Get the full scoop here.

Watch This:

I’m crying, you’re crying, Pippa Funnell’s crying for William Fox-Pitt’s retirement from the sport. It won’t be quite the same without him.

“What Happened in Paris Built Me Up”: Ros Canter Takes Decisive Burghley Victory

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

Could it be argued that today’s Defender Burghley showjumping track was built on the softer side? Absolutely – it certainly walked as a much different type of track than the enormously influential one we saw at Badminton this spring, and the word on the street is that the course designer made his final plans for it factoring in the heavy rainfall we experienced overnight and into this morning. A fair call, and the right call, considering the major challenge horses faced yesterday over Burghley’s hills and dales – but when the sun decided to make an appearance mid-morning, it did so with surprising ferocity, and the impact of all that water on the ground ultimately ended up marginal.

But could it also be argued that even with a much tougher showjumping track, or a bog of an arena to jump in, Ros Canter and Lordships Graffalo would still have triumphed. Also yes, and emphatically so. They did just that at Badminton last year, after all, and we’ve yet to find the kind of conditions that put rangy ‘Walter’ off – and as the reigning European Champion, an Olympic team gold medallist, and a Badminton champion, he was already tipped as the ultimate event horse long before his name even appeared on this entry list.

And now, frankly, it’s confirmed. It’s been a long time since we started referring to eventing as being a two-prong sport – these days, there are championship horses and championship tracks, with their own unique pathways that look quite different to those for ‘traditional’ horses over ‘traditional’ five-star tracks. For many horses, it’s one or the other. When you find a horse who can do both, and make it all look laughably easy, you know you’ve found one that’ll be talked about long after his final run.

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

For our newly-crowned Defender Burghley champions, that final run looks a very long way away indeed: despite all his extraordinary accolades, ‘Walter’ is still just twelve years old, and Ros, at 38, isn’t even a decade into her five-star career. It was here, in 2015, that she made her debut at the level, finishing 37th with Allstar B and fulfilling a lifelong dream of riding around her most local major event – an event she and her friends in the South Wold Hunt North Pony Club would come to spectate at every year, and a venue at which she, in those heady Pony Club days, would come to compete in rallies held in the back fields. She’s been back several times since, coming close to, but never cracking, the top ten. This week, she and Michele and Archie Saul’s horse of a lifetime came with one mission in mind: to finally tick the box. They did so, delivering a clear round with just 1.6 penalties, despite having a much broader margin of 7.5 penalties – a rail and time – to play with. In adding that 1.6 time penalties to their faultless cross-country round and their 22 dressage score, they not only won, but also set a new record low finishing score for the event.

“It’s just amazing, really, I think. I’ve just had a text message from my two best friends from my Pony Club days saying, ‘I can’t believe you just won the event that we came to every year together as children,’” says Ros. “And that sums it up, really – it’s something that we’ve worked on for years, and I wasn’t sure I’d ever tick the Burghley box. You know, the last few performances, they’ve been all right, but I’ve not quite made it. So just turns out you need a horse like Walter, don’t you?”

It’s Walter’s world. Photo by Hannah Cole Photography.

“I grew up coming here pretty much every year,” she continues. “And then, my riding career started in Burghley Pony Club show jumping. I moved on to the Young Event Horse classes, which I did for many years, and I actually thought [that] might be my pinnacle for a bit. And then it was my first five-star. So it’s been  quite a journey at Burghley. If I wasn’t competing, I would still come: I love the place, and I haven’t had much of a chance to kind of wander around much this week, but on Thursday morning, I wanted to go up to the dressage and just have a look at the arena and make sure I knew where I was going. And I wandered up through the trade stands before everything opened up, and I thought, ‘there’s just something magical about this place’. It’s got this kind of calm feeling about it, but it has the buzz and the excitement as well. There’s nowhere else like it.”

There’s no horse quite like Walter, either. Their 2024 was framed wholly around the Paris Olympics, which ran early enough – in late July – to allow for some time to recover and go again in this early autumn season, and as they were held as a ten-minute four-star on flat ground, Walter came home feeling particularly well in himself.

“It was just such an amazing opportunity, with Paris being quite early, to be able to bring Walter here,” says Ros. “If there was ever an event horse and an event that could match each other, I think this is it with Walter and Burghley. It definitely it was a box I felt I hadn’t really got quite right yet — I’ve had a few runs around here on a couple of different horses, the first two with Allstar B, when I hadn’t quite found my way and hadn’t quite found my system. And he was amazing, and I gained lots of experience, but I never really got the opportunity to have another go on him and show what he could do. So it was just fantastic to be able to bring a horse that I had such faith in, and to really let rip on the Burghley terrain.”

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

In that interim period between Paris and Burghley, Ros had a few lightbulb moments while sharpening up the areas in her performance that she felt could improve. Key among those? Marginal improvements to the gelding’s straightness, which led to major gains in the ring.

“With only a couple of weeks preparation, I suppose, after Paris, I was really happy with everything I achieved in a couple of weeks running up to Burghley,” she says. “I felt like I made a few key changes to the way I was riding Walter, and it made quite a big difference to the way he was going. So I came in here quite excited to be able to put that into practice and see how it made a difference to his dressage — and I was really delighted with how the week started. And then it just continued from there, really. I was quite determined to be really positive this week. I wanted to enjoy it as well. I’ve got my family here and things like that, and I wanted to be really focused when I needed to be and have a bit of downtime too. Sometimes I can get a little bit — I struggle to enjoy things, because I feel like I ought to be working harder than everybody else and thinking more than everyone else. And this week, I felt like I got the balance right.”

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

In taking this exceptional win, atop the best Burghley field we’ve seen perhaps ever, Ros also closed the book on a couple of tough ‘nearly’ moments that affected her more than she’d expected, including that contentious 15 penalties for a flag at the Olympics, and the shock loss of Luhmühlen in the final phase in June.

“It means an awful lot. And I think when I went to Luhmühlen this year [with Izilot DHI], I went from being fairly comfortably in the lead to finishing fourth, and it really struck me then that actually it did mean a lot to me,” she says. “I was bitterly disappointed with that, and I maybe hadn’t realized quite how much it all still meant to me. And so doing Paris – Paris was amazing, and I feel so grateful to have won the gold medal, but obviously it came with its ups and downs. There were lots of challenges to overcome, so whilst I was there, it wasn’t all ‘this is great’ and positive, positive. So to be able to come here, I feel like what happened at Luhmühlen, what happened in Paris, it’s just kind of built up for me to be able to learn from those things and to bring my best performance here, and then, of course, to be able to do it with Lordships Graffalo makes my job a whole lot easier.”

Tim Price and Vitali. Photo by Hannah Cole Photography.

One of the banner moments of the day was the very nearly foot perfect showjumping round delivered by Tim Price and Vitali, who lost the win here last year when tipping three rails, and who, in five previous five-stars and the Tokyo Olympics, had never had fewer rails than that on the final day.

But today, after so much patience, and so much tact, and so much commitment to a horse who wants to do everything right, it just about came off, and Tim and Vitali tipped just one rail to retain their runner-up place.

“He just was with me, and I think it’s physical and mental with him, and I know he’s got the ability,” says Tim. “So I just had him in a nice way where he was listening to me, and it’s always that [you’ve] just got to keep tweaking and fiddling and have 100 attempts, like I’ve had, to finally get somewhere close to a clear round. So I’m really happy.”

One of the most promising moments in the round came when Vitali kept his confidence after a bit of a change of plan mid-course.

“I was happy because I hooked and changed my mind a little bit down to number seven after the four stride line. And I thought, ‘shit, if I have a rail now, then we’ve got quite a lot more jumps to jump, and it’s kind of my fault that then he’ll throw his cards to one side and march out of the room’,” says Tim. “It’s so hard because he’s a trivial horse, and it’s my job just to try and ride him like a normal horse and have him behave like a normal horse. So that was my task today: have him relax, him with me, and jump each fence as it came along.”

One of the things that’s probably been the most frustrating about Vitali is his evident talent for this phase – and in one-day events, he’s a frequent clear-round flyer.

“He’s actually jumped clear rounds all year, except for Badminton. So he is actually a good jumper, which is probably a weird thing to say for a horse that’s had probably 48 rails in the last couple of years! It’s just when you switch the cross country [to the day before], and the atmosphere, I think are the two big things,” says Tim. “So it’s just been a matter of trying to have him with me and a little bit more think of dressage – like, I probably did six flying changes in there when I went in today, which is a bit weird. It’s like you’re showing off, but it’s just to check he’s on the aids, because he cocks his jaw, looks at the crowd, and then I ask for a change, and he’s like, ‘Oh yeah, I do those.’ And then he looks over there, and I do a wee change. And it just keeps him a little bit more the way that he can do what he does on the dressage. It’s just, I think, to keep him with me, and then for me to try to not ride him in some crazy, random way to the magical clear round. I just try to ride him really normal.”

And, he continues, it’s also about forgetting the disappointments of the past and trying to hope again each time.

“You’ve got to put all that to one side and just stick to trying to reinvent the wheel each time and figure out, because I believe in the horse, and he’s an athlete, he’s a great jumper. But to actually find the key to his long format show jumping issues has been a long and enduring task, and so I’m just thrilled that I think I’m on a page with him now that I think not only was great for today to keep me in the mix, but also for the future with this horse. It’s one thing putting a great score on the board in the phase A, but you need to be able to go and do what he does cross country, which maybe is shadowed by his great performances in the dressage and not-so-great performances in the show jumping. I’m looking forward to hopefully being in the mix in the future a few more times, and hopefully sitting where Ros is sitting a couple of times, maybe. But I’m just so super happy today, for him, his connections, his owner, and we’ve all tried so hard —  today was a good day that I think will go down in my books as one of my greatest days in the sport.”

Harry Meade and Cavalier Crystal. Photo by Hannah Cole Photography.

Split as it is into two halves, the final day at Burghley is often actually one that affords a bit of time to relax and process it all. Not so for Harry Meade, though, who had three horses here this week, and piloted all three of them to competitive placings yesterday, which meant that – in order to give him enough time to adequately prepare each of them – he had to jump his fifteenth-placed Superstition out of order in this morning’s session.

But what a walk in the park he made it all look: they delivered one of the three clears inside the time in that section to move the smart gelding up into an eventual twelfth place, and when he returned to pilot his two top-ten rides, Cavalier Crystal and Annaghmore Valoner, this afternoon, he did so again with the former. The latter, making her debut at five-star after winning Bramham CCI4*-L this summer, tipped just one rail, giving the two mares a swap-around in the rankings, and ultimately putting Cavalier Crystal into third place and Annaghmore Valoner into fourth.

Harry Meade and Annaghmore Valoner. Photo by Hannah Cole Photography.

“For me, it’s been a bit of a whirlwind week, just trying to stay at the moment the whole time, and give every horse the best opportunity in every phase, and do them justice,” says Harry, who was one of just two riders to finish on his dressage score today, with Cavalier Crystal. “And I hopefully did that. I think with all three horses, it was a great outcome. They’ll all go home better horses than they arrived here, and [I’m] really happy. Cavalier Crystal’s hopefully cemented her place as not just a sort of anomaly, but Annaghmore Valoner was my wildcard coming here, and for her to pull out that kind of performance was really exciting. Hopefully she’s got bigger things in her.”

There is, of course, nothing that’s an anomaly about Harry’s extraordinary efforts this week with three very different horses.

“I grew up as a little boy wanting to do the sport, and it’s really simple: I wanted to ride at the big events, and that includes Burghley. It’s been a long, long project to try and produce horses that are happy and confident and resilient and able to not just flourish, but really flourish when the conditions at their absolute worst. [Martyn Johnson, Burghley director] said it was perfect weather, and I thought it was totally imperfect weather,” he laughs. “I was hoping we were going to have really heavy rain and make everything even tougher, but to produce horses that can come to the fore around a cause like Burghley is what I’ve tried to dedicate my life doing, and in a way, I’ve got a wonderful team behind me that we’ve now got multiple horses at that level. It’s what keeps me going every day of the year, and I just really hope to one day be sitting where Ros is sitting.”

Tom Jackson and Capels Hollow Drift. Photo by Hannah Cole Photography.

Fifth place was well-earned by 2022 runners-up Tom Jackson and Capels Hollow Drift, who jumped an effective clear inside the time to move up three places in the final standings.

“I mean, I keep saying it all week, but he just delivers every single time, doesn’t he?” says Tom. “[It] probably wasn’t my most perfect round, but he just jumped his socks off in there, and just tries so hard in every single phase. I couldn’t be prouder of him. Another five-star, another top ten result with him, so what more can I ask for? He definitely deserves a holiday, and then we’ll make a plan [for what comes next] after that.”

Gaspard Maksud and Zaragoza. Photo by Hannah Cole Photography.

France’s strong initial line-up of four competitors thinned to just two yesterday, but the two still in the hunt made sure to give the tricolore its share of the glory: British-based Gaspard Maksud completed his Burghley debut with a one-rail round aboard his World and European Championships mount Zaragoza, earning them a final sixth place, and championship stalwarts Nicolas Touzaint and Absolut Gold HDC finished seventh in their own debut after adding nothing in the ring.

“I just added to come to the first fence, and I lost the power – and then that will happen. It’s totally my fault,” says Gaspard, who finished sixth with the then-nine-year-old mare at the 2022 World Championships, but hadn’t ticked the five-star box yet. They made their debut at the level at Pau last year, but a fall in the water on cross-country meant the week would be an educational one, rather than a competitive one. This week, though, they’ve made up for that abortive start – and proved themselves as fierce competitors after being left off the French Olympic team – with a very competitive first-phase score of 26.8, just 3.6 time penalties across the country yesterday, and today’s one-rail final round.

“I had a fence down, but it’s totally my fault. I’m really happy with the horse; it’s another day we are both learning, it’s a first five star completion for the both of us, and we finish on a score of 34,” says Gaspard. “I mean, we’d have signed for that before coming here! So, you know, I’m very chuffed with her. This one’s on me – I let her down [with the rail], but she was class.”

Nicolas Touzaint and Absolut Gold HDC. Photo by Hannah Cole Photography.

Nicolas Touzaint’s Absolut Gold HDC has been such a mainstay of the French team at championships in recent years, including as part of the bronze medal-winning line-ups at the Tokyo Olympics and last year’s European Championships, and so it’s almost hard to believe that the fourteen-year-old hadn’t yet done a five-star before this week. It was even harder to believe when watching his prowess across the country yesterday on Derek di Grazia’s tough track, and today, his fluid, fresh, and faultless showjumping round sealed the deal that he’s a horse who can do it all.

“This is an extraordinary horse, and everything went very well today,” says Nicolas, who’s produced the gelding from two-star up. “I know him by heart. He jumped very well outside and then in the arena, he was really focused. I had the feeling that if I didn’t make any mistakes, he wouldn’t either. Everything was with us — the horse was calm, was concentrated. I’m over the moon.”

Alex Bragg and Quindiva. Photo by Hannah Cole Photography.

Alex Bragg combines being a top-level event rider with farriery, and so it was a cruel irony that his showjumping preparation with the smart Quindiva was very nearly wholly derailed by a last-minute issue with the mare’s shoes.

“The ground in the warm-up is a bit deeper than in the ring, and I was panicking because I have these aluminum front shoes on her, and the stud holes went and we couldn’t get studs in,” he says. “So all this was going on the last few minutes before we go in. Nobody sees that in the stands, but it’s quite stressful outside, and going in knowing that your horse’s front feet are going to move when she goes to plant in the ground to take off.  I felt like I supported in the rein when I wanted to, but [was] desperately just trying to control her front end. With some horses, that will upset the jump and close the back end down — but she’s so phenomenal and she just pushed and tried. And it just shows how talented she is that even a bit under the [pressure] there, she did fantastic. She’s been great all weekend.”

“[The aluminum shoes are] something we’ve done with her at five-star because of the distance, to try and make life a little easier for her,” he continues. “So she only goes into those for this moment. The rest of the time she’s in steel shoes, because aluminum is much softer. It’s not so great for their feet to live in those, so you want them in them for a purpose, and that’s the purpose really — just because it’s less weight on the end of the leg, which you hope is going to cause less fatigue and also less risk of the leg swinging and injury. But obviously to every pro, there’s always a con, and this sometimes arises. It’s not what you want, but it happens, and it was pretty stressful. [It’s] tough for the team, because everybody’s panicking a little bit, and then you just have to make this decision — like, it is what it is, you’ve just got to go in and cover it up. It’d be so awful if you felt the horse slip and have a rail because of that, but she didn’t. She did that so we can all breathe a sigh relief and, you know, thank God for her, eh?”

The pair delivered a clear round inside the time, allowing them to finish on their first-phase score of 35.1 – the only combination other than Harry and Cavalier Crystal to do so.

“Not many people have ever done that around Burghley, so I’m so proud that we can add ourselves to that list,” says Alex, who took eighth place – an accolade that follows the pair’s third-place finish at Badminton.

Gemma Stevens and Chilli Knight. Photo by Hannah Cole Photography.

Gemma Stevens was one of our most joyous finishers on cross-country yesterday, when she whooped her way through the flags after a speedy clear aboard Bicton CCI5* winner Chilli Knight – and today, she was more quietly pleased with her final round, which saw the pair add just one rail and drop from sixth to ninth.

“I’m absolutely thrilled with the horse, not cross with him at all. He just made one mistake, annoyingly,” says Gemma, who also showjumps at top level. “He just came down too early on an oxer and actually touched it in front, which is a weird mistake for him to make, and actually unusual for him, but it is what it is — they’re horses, at the end of the day, and he galloped beautifully around across country yesterday.”

“The ground,” she continues, “was actually pretty soft in there. And actually just a little bit, I think he was just a little bit feeling the softness of the ground. He probably wouldn’t love that – jumping in that in there – but he tried his little heart out, and I’m thrilled with him. Yes, I’m gutted, for me, because it means I’ve lost out on a top five placing, but still — top ten and a sound horse, a happy horse, and his owners are really happy. We’re all really proud of the horse.”

Alice Casburn and Topspin. Photo by Hannah Cole Photography.

22-year-old Alice Casburn rounded out the top ten with her sixteen-year-old homebred Topspin, whose dam and granddam were evented by Alice’s mother, Caroline. Since partnering with the rangy gelding in her teens, Alice has logged plenty of mileage in the jumping ring – including the odd puissance class for fun – as well as in eventing, and so they can ordinarily be counted upon to deliver the goods on the final day.

And deliver they did: their clear inside the time, and their scant 1.6 time penalties yesterday, were combined with their first-phase score of 36.6 to give them their third Burghley top-ten finish, and a three-phase climb from 48th place.

“He’s absolutely incredible. I sort of came out today, and I thought, all three, clear rounds in a row, that’s a rather big ask,” laughs Alice. “And actually, he never jumps very well in the warm-up. So it’s always quite frightening for me, because every single time I jump in the warm-up and he goes, ‘tap, tap, tap, tap, tap,’ and I think, ‘oh, here we go.’ And every single time he goes in there, he absolutely lights up. He loves his job, and he was phenomenal today.”

It’s a brilliant return to form for the pair, who’ve been exceptional at this top level but had a couple of surprise 20 penalties on their form sheet earlier this year at both Burnham Market CCI4*-S and Badminton. For Alice, this year has been about re-finding their mojo.

“I think it’s different things for him and I. So for me, it was finding another goal to keep myself motivated. I said to mum, it’d be really easy to go home and say, ‘Oh, well, you know, Badminton didn’t happen, so I’ll wait till Burghley,’ but obviously Burghley is such a long way away,” says Alice. “So even if I create a goal with a younger horse, just to keep myself productive and stuff like that. And for him, I think it’s just because he came out so excited at Badminton, like he was [yesterday], and I wasn’t really used to it, and we just sort of went back to basics at home. I did a lot of show jumping, anything to sort of build confidence, really. It was never a matter of, did he love it? But, you know, I think it’s very difficult, because when he reached 16 this year, I thought, ‘Oh, is this his sign that actually it’s a little bit too much for him?’ And then I thought, ‘No, it’s not. He just got overexcited.’ And I think sometimes you can get really destructive [in your thinking], so I think it’s a matter of also, you know, looking at a record and looking at your horse and making sure that actually you’re making decisions, not just based on how you feel, but factually.”

Cosby Green and Copper Beach finished their week as the highest-placed of our US contingent, knocking just one rail in an otherwise classy round to take 16th and complete their three-phase climb from 26th.

“I’m really happy with that. It’s a bit of an improvement from last time, and he really was trying for me out there. So I’m really, really pleased with him,” says Cosby, who finished 31st at Badminton after a tough day saw them add 28 penalties in the final phase.

Of her Burghley campaign, Cosby admits that she wasn’t sure that it would actually happen.

“I wasn’t sure if I was going to be here a couple months ago, and he just proved me wrong. So I’m really happy. I think it was the Sunday of Badminton, Jonelle [Price] said we’re going to Burghley. And I was pretty convinced he was going to retire after that. So Jonelle has been having me prepare him for Burghley this whole time. And I’d say I’ve just been in denial about it, because in what world would an 18 year old do a third consecutive five-star? I thought, ‘we’ll see when we get there’. And I was preparing him, but myself mentally, I was not completely prepared to be here. But he’s been steady Eddie on the prep, and it’s gone according to plan. About a week ago, when I had my last jump on him, and I was like, ‘wow, he’s ready.’”

A new addition to their tack locker also played a role in the great result.

“This was my third time jumping him in [a hackamore] ever in having him four years,” says Cosby. “And it worked out! I wasn’t sure how it was going to go, but he seemed to like it, so I think we might do that again next time. He just wasn’t responding positively enough in the bit, and he just kind of kept coming inverted, and especially at Badminton, I kept pulling and nothing was happening. So just tried a bit of a different approach, and especially after a hard day of cross country, it worked out.”

Jennie Brannigan and FE Lifestyle. Photo by Hannah Cole Photography.

Jennie Brannigan and FE Lifestyle finished in 23rd place after tipping a frustrating two rails, while Andrew McConnon and Wakita 54 took 27th place, also knocking two in their round. Mia Farley and Phelps took four down in the ring, giving them a final placing of 32nd and plenty of insights to take away for their next campaigns.

“We know Sunday’s not his strongest day, but I’m happy with how he came out of the barn this morning, and he’s happy and healthy. So we’ve done our Burghley completion. We’ve worked really hard all week, and I’ve always wanted to come here, so it’s been an accomplishment, and to be here with some great riders is really special,” says Mia.

Mia Farley and Phelps. Photo by Hannah Cole Photography.

“I think what we took away from this weekend is that we both know that we have the will to be the best,” says Mia, who had a tricky day across the country yesterday with an uncharacteristic runout at the second of the influential Rolex Corners at 16AB. “So like, especially with the mistake yesterday, I didn’t know that I could want it even more. I had no idea. And Phelps just proved that he loves what he does, and he loves cross country. He is an amazing cross country horse. The corners were my fault. That was at fence two, because I took about six strides out to fence two and then never got him back. So yeah, I think I can take away that we just cannot wait to come back. I’ve got a whole year to manifest!”

Jesse Campbell and Cooley Lafitte. Photo by Hannah Cole Photography.

A nod, to, must go to the most popular finisher of the day, with one of the rounds of the day. That was New Zealand’s Jesse Campbell, whose spicy Cooley Lafitte began his Burghley debut this week with a tricky test that earned the pair a 41.1 and sent them nearly to the bottom of the pack. But their clear round with 15.2 time penalties gave them a serious boost yesterday, and today, they nailed down the clear inside the time to secure 21st place in an arena packed full of folks rooting harder for them than anyone else.

“It’s been a big week, with lots of learnings and I’m just delighted with my horse. He tried really hard today. He’s been fairly troublesome all week, but today made up for it, definitely,” says Jesse, who rode with the purple and white colours of his late wife, Georgie, pinned to his coat. “It’s always this sort of chicken-egg situation. You know, do you want a really good dressage score? Do you want to jump double clear? And, yeah, it is always nice to finish the week on a positive. This year’s had a lot of challenges, and getting here has been one of them, but the horses do give me a purpose.”

And so we come to the close of another brilliant Defender Burghley – a week that’s given us an exciting spread of influence while remaining refreshingly horse-friendly. We’ll have plenty more thoughts and musings to bring you on how the week played out soon – but for now, it’s goodbye from us from a suddenly rather sleepy Stamford. Go Eventing.

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Burghley Bids Adieu to Four Horses Ahead of Showjumping Finale

Nicolas Touzaint and Absolut Gold present at the Defender Burghley Horse Trials. Photo by Tilly Berendt.

The field of competitors at the Defender Burghley CCI5* has thinned from 43 to 39 after this morning’s final horse inspection, which took place after a night of heavy rain on site.

Three of those losses to the start list occurred before the inspection even began: we saw early-morning withdrawals logged by Pippa Funnell and Majas Hope, who had been sitting 31st after a cross-country round in which they’d picked up a flag penalty and 19.6 time penalties; Holly Richardson and Bally Louis, who’d been 36th after adding a 20 and 30 time penalties; and Tom McEwen and CHF Cooliser, who’d delivered one of the rounds of the day to sit 14th.

Jennie Brannigan and FE Lifestyle. Photo by Tilly Berendt.

But when the remaining 40 horses came forward to present to Christina Klingspor (SWE), serving as president, Robert Stevenson (USA) and Nick Burton (GBR), the drama wasn’t wholly behind them.

Three horses were sent to the holding box throughout the course of proceedings: US representative Jennie Brannigan’s FE Lifestyle, 19th, British five-star debutant Lizzie Baugh’s B Exclusive, 37th, and French Olympian Nicolas Touzaint’s Absolut Gold HDC, ninth overnight. Both Jennie and Nicolas would ultimately get the nod to continue their competition – but sadly, Lizzie would not.

Lizzie Baugh and B Exclusive. Photo by Tilly Berendt.

Today’s showjumping finale will be split into two halves: our first nineteen pairs will jump from 10.30 a.m. (5.30 a.m. EST), while the top twenty will take to the ring from 14.15 (9.15 a.m. EST). We’ll be back with a full report from the final phase at the end of the day, but in the meantime, keep it locked on EN for live updates and analysis from Cheg throughout each round. In the meantime, you can catch up on all yesterday’s action with our full report and live updates, and tune in to Burghley TV to get yourself front row centre for the action that’s about to start. As always: Go Eventing!

Overnight leaders Ros Canter and Lordships Graffalo go into today’s showjumping without a rail, but with time, in hand. Photo by Tilly Berendt.

The top ten going into showjumping at the 2024 Defender Burghley Horse Trials.

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The Cross Country Debrief: The Burliest of Burghleys, The Topsy-Turviest of Leaderboards

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

Collectively, there probably hasn’t been many hours of sleep logged amongst the competitors at Defender Burghley ahead of today’s cross-country day; what little that was, no doubt, was plagued with night sweats and prolonged horror stories featuring the brush arrowheads at the Leaf Pit (7ABCDE), which nearly every rider had referred to, grim-faced, as the biggest fences they’d ever seen. And big, they most certainly were: made of stiff brush, they towered over the heads of any rider foolish enough to stand on the landing side and try to peer over the top.

By any estimation, after two days spent talking to the riders, and a mizzly morning early today spent walking the lines and finding many of them down there doing the same thing, any one of us would have put money on this extraordinarily tough-looking question being the most influential of the day.

Until, of course, in fine five-star style, it wasn’t. But that, as I’ve found over so many years of reporting on this sport, is so often the way – the line that walks the hardest, and looks as though it’ll have no margin for error whatsoever, and keeps us all awake wondering what on earth we’re doing this all for, ends up being, well, a bit of a puppy dog of a thing. Is it because all the panic engenders a deeper level of respect to the approach? Is it because these rider frighteners that are actually surprisingly readable are a marker of quite remarkably canny course designing, in this case by Derek di Grazia? Or is it, probably, some alchemical combination of the two things?

I’d love to tell you we have the answer, but all we really have for you is this – the fact that, at the close of the day, just one rider out of 65 faulted at the Leaf Pit. That was a late-in-the-day rider fall for Jonelle Price, who set out of the start box meaning business on the 2022 Pau champion Grappa Nera, who twisted in the air over the first of those colossal skinny brushes and gave her pilot an unwanted flying lesson, putting paid to their bid for a leaderboard climb.

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

Sorry, sorry, did you think that this meant that the course ultimately ended up being a bit of a breeze? Let’s not be silly.

This year, Derek built us a track that was packed with intensity, and serious five-star questions, in the first quarter, and that first quarter absolutely wrought its influence. 17 of our field of competitors ultimately picked up jumping faults of some description between the start and fence 11ABC, the latter part of the Trout Hatchery water, and ten of those finished their rounds within those fences, whether through tumbles – dramatic dunkings in the Trout Hatchery water for top-ten-placed Gireg le Coz as well as Padraig McCarthy, plus that Leaf Pit whoopsy for Jonelle – or run-outs and retirements, as for, among others, France’s Luc Chateau and Lithuania’s Aistis Vitkauskas at the first pass through Defender Valley, which also caught out overnight leaders Ros Canter and Izilot DHI, who skimmed out the side of the angled brush final element after the ditch, and Ros, as she did at Badminton this spring, opted to put her hand up and, presumably, plan a reroute.

So that was our leader out of contention, as just the second round of a day packed with drama. Pathfinders Harry Meade and Superstition had logged the early clear, though with 10.8 time penalties, and then our next two starters after Ros, Matt Heath and Golden Recipe and Pippa Funnell and her 2022 Pau winner MCS Maverick, both retired on course after running into trouble at various points of the track.

It would have been easy, then, to assume that the tone was set for the day, until the next two riders, Ireland’s Susie Berry on Irene Leva and British rider Aaron Millar on Friendship VDL, both navigated their five-star debutants to classy, steady clears on 20-odd time penalties.

So what was it to be, really? Ultimately, with the crystal clarity of hindsight, a day of classic Burghley action, basically. We look at this – the biggest, boldest of five-stars – as being a true eventing challenge, in which dressage plays its part but doesn’t play the whole part, and in which heroic efforts can pull deserving horses and riders thirty, forty, or fifty places up the leaderboard and give them a fighting chance of a competitive finish, and that’s exactly what today did.

The problems, when they came – and boy, did they come – were dispersed far and wide across the course, with Defender Valley at 5 giving it plenty of welly and the achingly wide Rolex Corners at 16AB offering up no shortage of sway, too, with their tough related distance. And two-thirds of the way through the day, that meant that of the dressage top-ten who’d left the start box – five, at that point – not a single one had completed.

Let’s, before we go any further, run through who those were, because their absence from the competition going forward is just as key as the addition of those who took their spots. We’ve discussed Ros, who might not come as a wild surprise, as she’d been nearly as vocal this week as she was at Badminton about potentially pulling up quirky, spooky Izilot DHI. But Emily King and Valmy Biats, fourth after dressage and hotly tipped for a first five-star win, called it a day on course too, having picked up a drive-by at the second angled hedge at 11BC, which caught out plenty through the day. They retired after that; a less dramatic finish than that of fifth-placed Oliver Townend and Cooley Rosalent, this year’s Kentucky winners, who had a slightly wiggly (though clear) jump through the final skinny brush at the Maltings at 15ABC, and then had the wheels fall of the bus entirely at the Rolex corners at 16AB. After jumping the first corner, the mare stumbled slightly after the first stride, and from that moment, it felt like a foregone conclusion: the line was lost, the angle was too severe, and though Oliver got his elbows out and tried to direct the mare’s considerable athletic ability between the flags, there was nothing that could be done. The clever mare picked up and quickly saw the fruitlessness of it all, put back down again, and collapsed the frangible fence while skirting her way around the side of it, sending Oliver tumbling into the wreckage but staying upright herself.

France’s Gireg le Coz and Aisprit de la Loge, seventh overnight, got their aforementioned dunking at the Trout Hatchery after a big jump in and a peck on landing, and Badminton winners Caroline Powell and Greenacres Special Cavalier, eighth after dressage, retired at the first of the Rolex Corners after a frustrating run-out marred a til-then excellent round.

Phew. Okay. Did we mention that four of those falls, inclusive of a tumble for Hannah Sue Hollberg late in the course from Capitol H I M after leaving a leg at the Dairy Mound at 23ABC, came back-to-back without breaks?

For all the moments that left us gasping and – in the case of Burghley Radio interviewer Ben Way, accidentally punching everyone in close proximity in the boobs – though, there were so many truly exceptional bits of derring-do and some seriously thrilling moments of guts and gumption that pulled many of our seemingly out-of-the-hunt pairs right back into things today.

We’ll get into those shortly, but first: a moment for our overnight leaders, who certainly weren’t out of the hunt after dressage, but gave us one of the most fluid showcases of cross-country navigation we’ve ever seen as one of the last pairs to leave the startbox today.

That, of course, was Ros Canter, who swaps one leading horse for another and now helms the competition on her Badminton winner and European Champion Lordships Graffalo (Grafenstolz – Cornish Queen, by Rock King). It’s no small feat to tackle the Burghley course even in the freshest of headspaces, but doing so with a chance to win the whole thing, and just hours after a very early finish on your other competitive ride, is an extraordinary show of compartmentalisation.

But, says Ros, who made the whole thing look a bit like a schooling exercise en route to finishing one second inside the time, “I watched Tom Jackson, I watched Harry Meade, I watched a few of the really good ones and then I pulled myself away and had a bit of cereal and paced a bit — paced a lot.”

Then, she got to work forgetting about her morning in exchange for focusing on her afternoon, and her extraordinarily reliable longtime partner making his Burghley debut.

“I think we always thought Burghley might be another great event for him, and I’m just relieved. I’m quite relieved, to be honest,” she laughs. “I’ve been around Burghley a few times — not loads, but a few times — and I didn’t feel like I’d really cracked it until this afternoon, so when this morning went kind of fairly categorically wrong very early, it’s been a long wait, to be honest.”

When they left the box, though, nothing about their ride looked like it might have come after hours of waiting and, probably, worrying. They were so balanced and considered throughout that it would have been easy to start worrying, from the ground, that they might be a touch too slow – but Walter’s capacious natural gallop stride is deceptive, and as they came to the Dairy Mound in the latter part of the course, they were the fastest of the day at that stage.

“Sometimes I feel like I’m taking too many waits, but because he’s just got such a scopey stride and he just gets his head down, doesn’t he? He’s made to gallop,” smiles Ros.

The pair retain their first-phase score of 22 overnight, giving them a 3.5 penalty margin – not a rail, but some time – in hand over second-placed Tim Price and Vitali, our last pair on course today and last year’s two-phase leaders.

Tim Price and Vitali Photo by Hannah Cole Photography.

They didn’t quite manage the clear inside the time – their smooth ride saw them add 3.2 time penalties – but for Tim, too, it was a reassuring way to end the day after a slightly tricker earlier round on the relatively inexperienced Viscount Viktor, who picked up a run-out, a missed flag, and a broken safety device across the course.

“He’s too good, isn’t he?” grins Tim, who followed an interesting path set by Tom McEwen at the Leaf Pit, choosing the steep left-handed approach up to the bank rather than the more smoothly sloping ‘ordinary’ route.

For Tim, the highlight of the round was the talented gelding’s continued improvement in this phase.

“He felt better than last year; fitter, I think. It was just a really fun experience. The thing that’s always happening, even though there’s always highs and lows, is he’s gaining experience, and he’s really gotten the whole package. He really used to nap going into the start box. The whole thing is really building the arsenal of what he understands.”

“It’s not his first time around these big tracks, but this was definitely the best he’s felt,” he continues. “He was galloping and moving, still jumping. And he’s a real privilege to ride around there, because he can go fast across the ground, but then you can balance him up at the end. At the double corners [16ab], which have been causing a lot of trouble, I jumped in there on four strides all day, and it probably was, but then I got scared and fiddled a fifth stride. But you can just do that with him, and that’s at six or seven minutes. So you know, to be able to do that is impressive, for what he’s capable of.”

There haven’t been any doubts about Vitali’s ability to perform in the first two phases; he’s had five previous five-star runs, and in all of them, he’s been well-placed in the first phase – including setting the dressage record here last year with an 18.7 – and quick and capable in the second. It’s the third that’s the issue: in four of those runs, he’s had three rails, and in his last, at Badminton this spring, he had five.

But who’s dwelling on the past? They delivered a smart clear in their prep run in the British Open Championship at Hartpury last month, and all Tim wants to do is look ahead.

“I just feel like he’s come here in very good form, and it’s just nice to go out tomorrow and have a jump and hopefully do a good job, and that’s a good campaign,” he says. “Really, that’s what it’s about, and I know he’s often been in a winning position. But I’m really trying to compile three decent phases in him, and if that’s a good result, then that’s secondary to what I’m trying to achieve with this horse.”

Harry Meade and Annaghmore Valoner. Photo by Hannah Cole Photography.

Ros and Tim are joined on the podium by the busiest man of the week, Harry Meade, who piloted three horses around the track for clear, competitive rounds: the pathfinder of the day, Superstition (Satisfaction FRH – unknown, by Cordalame), added 10.8 time penalties for overnight 15th, despite only having run once in the past year, and he sits third and fifth, respectively, with final ride Annaghmore Valoner (Coroner – Annaghmore Lady Valier, by Black Walter) and second ride Crystal Cavalier (Jack of Diamonds – Cavalier Iris, by Cavalier Royale), both of whom added nothing to their first-phase scores, though Annaghmore Valoner was initially awarded 15 penalties for a late flag that the ground jury opted to remove without any appeal.

“I had five entered and probably left my two strongest cross country horses at home,” laughs Harry, who’ll take those two – Away Cruising and Et Hop du Matz – to Maryland next month.

Of third-placed Bramham CCI4*-L winner Annaghmore Valoner, who he inherited from Australia’s Sam Griffiths in early 2023, he says: “She’s a lovely horse. It’s her first five-star, and I’ve had to hold her hand so far around the two four-stars she’s done and build her confidence because she’s been a little unsure. She was a bonus [entry], so I thought I’d just crack on and not waste time, and she was comfortably inside.”

‘Comfortably’ is something of an understatement – though the mare always looked smooth as silk and totally comfortable within her cruising speed, she crossed the finish line as by far the fastest of the day, with thirteen seconds in hand.

“I tried to give her a quiet ride at speed,” says Harry. “I tried to set out really fast and steeplechase every straightforward fence, including fence one, but really hold her hand and give her confidence. She wouldn’t be that resilient – she’d get upset very easily even if she saw something in the crowd or caught a fence or something, she could just panic in her breathing. But she was wonderful from beginning to end. She grew and grew. She feels like she’s really come of age now. She was wonderfully professional and easily inside the time, and could have been even quicker.”

Harry Meade and Cavalier Crystal. Photo by Hannah Cole Photography.

Riding three horses on a day like today – and three very different horses, at that – is a major mental game, but Harry took a measured approach to the task at hand.

“I sort of had a plan at the beginning of the day for each horse. I was quite happy going out first, and I would have been quite happy going out second and third,” he says. “I think they all went as planned, and they’re all different horses. I just tried to ride each one with a bit of sympathy, and giving them time. It’s not a sprint round somewhere like here. Superstition was amazing — really game, foot perfect everywhere. Cavalier Crystal was just on fire. And she’s a horse who, 18 months ago, I didn’t think she’d be a five-star horse, and she just was absolutely wonderful.”

Nothing, though, would happen without the village of extraordinary support he has around him, he continues.

“I think it is a real team effort for us. I’m pretty hopeless at a lot of things, but one thing we can do is produce confident, happy, resilient, five-star horses from young horses. It’s not how you produce them in the month leading up to this, it’s 10, 15 years. It’s a process which not everyone buys into, but I personally believe it’s about giving them that long term, slow confidence, and then when you get somewhere like this, they’re absolutely bulletproof.”

And, at the end of the day, it helps that Harry himself finds it, well, just plain fun.

“I just enjoy doing this,” he grins. “If there was no crowd here, if it wasn’t a competition, I’d love to come out here on my own and just have a good crack round a course like that. It’s what I do, it’s what we as a team do. And, you know, to get three bites of the cherry is even more fun. And long may that last — one day, I’ll miss being at these events.”

Gaspard Maksud and Zaragoza. Photo by Hannah Cole Photography.

Like Harry on Annaghmore Valoner, British-based Frenchman Gaspard Maksud was initially awarded 15 penalties for a flag with Zaragoza (Cevin Z – Saracen’s Pride, by Saracen Hill xx), but after he dismounted at the finish and cooled his horse off, he went to appeal it – and before he even made it to the ground jury, he got news that they’d decided to remove it. That propelled him straight up the leaderboard thanks to the scant 3.6 time penalties he’d accrued, giving him a temporary lead that ultimately became overnight fourth.

The speedy round perhaps didn’t have the same polish as those of the leaders – there were some decidedly agricultural moments and some gutsy decisions made, but Gaspard took to heart plenty of sage advice from Andrew Nicholson, with whom he used to be based before setting up on his own a few years ago.

“I walked with Andrew, and there were a few things I was discussing with other people, a few routes, and I was never going to go straight through on the Leaf Pit, but everybody jumped it well. So I said, ‘you know what? Just let’s do that’,” says Gaspard. “She just keeps on giving. I put her in a rhythm, and once we jumped over those corners, I told her to move on a little bit more. And to be fair, she kept on galloping strongly into the end. So I’m very pleased with her.”

It’s easy to forget that gritty ‘Zoe’ is just eleven – in 2022, she and Gaspard were sixth in the World Championships, and there’s plenty more to come from the exciting mare.

“Give me another year or two, and I’m sure she could get that time,” says Gaspard. “But basically, it’s our first five-star completion, because we fell off in the water at Pau. So the sure thing I really wanted to make sure we stay on the four legs. She was very good; she tried hard for me and she was still feeling very well at the end.”

Gemma Stevens and Chilli Knight. Photo by Hannah Cole Photography.

The finish line was so often a place of gleeful celebration today, but nobody celebrated quite as ebulliently as Gemma Stevens, who punched the air and screamed like a frisky housewife front row centre at a Bon Jovi concert as she sailed through the timers with her 2021 Bicton five-star champion, Chilli Knight (Chilli Morning – Kings Gem, by Rock King). And rightly so, too: they had a blinder of a round, adding just 2.4 time penalties and putting the frustrations of Badminton this spring, where they’d have won but for a flag, well behind them. That puts them into sixth overnight, well up from first-phase eighteenth.

“I cannot tell you how nervous I was!” she says. “I felt horrendous today, because I just so badly wanted to do well. And yes, I did feel like we had a little bit of a point to prove after Badminton. It’s such a shame I lost a little bit of time but the jumping today, he was just incredible.”

The time, she says, came down to a couple of factors: “You could say I was just a little out of practice. The last few years I haven’t had the rides at that level and coming back to it, it’s scary. But now I’ve got some amazing ones coming through so hopefully I’ll be back. I’m really annoyed that we had a few time [penalties], but he did lose a shoe, so after Capability’s Cutting, I could feel him slipping the whole way down that hill for that big fence at the bottom there. So I was like, ‘Oh God, we’ve got to be careful we don’t fall down.’ And, yeah, just like, round the corners there, just after the water and stuff, I just had to be careful. But what an amazing little horse.”

The son of Badminton winner Chilli Morning is, says Gemma, “just a fantastic little horse. He’s such a trier. What he maybe lacks in scope, he makes far up for in heart and grit and determination. Coming to the Dairy Mounds, because I feel like that’s the last really difficult one, I was like, ‘Come on, little man, come on.’ And when I jumped that, I was like, ‘Come on, now we can get home!’”

Monica Spencer and Artist. Photo by Hannah Cole Photography.

After so many tough rides through the Rolex Corners at 16AB, which looked as though they may have been the one less-than-perfect placement choice on Derek’s course, it was a joy to watch US-based Kiwi Monica Spencer and her gritty Thoroughbred Artist (Guillotine – Maxamore, by Satin Blush) sail down the line as though it was a straightforward question. That fluidity and partnership was the keystone of their round, and saw them gain a flurry of speed in the final run of the track to cross the line with 8.4 time penalties and take overnight seventh place, dropping just two places from fifth in their Burghley debut.

“It felt like a lot of big jumps and a lot of galloping, and I didn’t imagine feeling so, like, desperate to go fast,” says Monica. “But he was great. He just answered every question I asked of him — I just probably took a bit too much time in some places. It’s pretty awesome to build a partnership with a horse over many years; I think we’ve been together nine years now, and he’s only 13, but I feel like he gets better every year, so I don’t think he’s reached his peak yet.”

After dismounting and taking stock of her horse, Monica wasn’t quite able to process the magnitude of what had just happened, even with two seventh-place five-star finishes, at Kentucky and Maryland, under her belt already.

“I don’t know if it’s settled in yet, but yeah, I’m rapt. I mean, this morning, the course felt like a huge, huge challenge, and I was almost wondering how I was going to get through all those flags. But now that I’ve done it, I guess, there’s just more self-belief – and I’m just thanking my lucky  stars that I’ve got a horse like him.”

Tom Jackson and Capels Hollow Drift. Photo by Hannah Cole Photography.

One of the horses on everyone’s radar today – along with Austin O’Connor’s Colorado Blue (Jaguar Mail – Rock Me Baby, by Rock King), who was almost marginally too keen for 4.8 time penalties and overnight twelfth – was Capels Hollow Drift (Shannodale Sarco St. Ghyvan – Lucky Crest, by Lucky Gift xx), with whom Tom Jackson finished second here in 2022. Today, though, they looked the next level up even from that banner performance, and their 5.6 time penalties moves them from 13th to eighth.

“That was one of the best rides I’ve had,” says Tom. “He stayed traveling for me the whole way. This is his fifth five-star, and he just delivers every single time. Whatever you ask of him, he just delivers. Here is definitely tougher to ride, the terrain just adds a whole new level to it but I’m really happy with the way he picked up and finished really strongly.”

At thirteen, ‘Walshy’ has amassed a wealth of experience – along with that Burghley finish, he’s also twice been fifth at Badminton, and sixteenth on his debut there, cementing him as one of the great cross-country athletes of our sport.

“It’s such a privileged position to be with him now, with how experienced he is and how good he’s been for his whole career, that actually some of the time, as crazy as it sounds, through the combinations, you just feel like you’re going through the motions. He’s so with you and on it. And as long as you get him vaguely in the right place, he’s going to do everything to do the right thing.”

With that in mind, “I just really wanted him to come here and enjoy it. He’s had a really tough last year, and even the spring with the wet weather and going into Badminton at the beginning of last year, I said, ‘his ground is not wet ground’. He hates it. And he came out with sort of average time penalties for most horses. We thought, ‘oh, maybe it’s not too bad’. And then hated it again at the Europeans [last year] in terms of the ground. He always wants to do his job and jump, and he’ll never stop trying to do that, but just in terms of traveling at the speed you need to at these things, [he found it harder]. But today, he absolutely loved it.”

Nicolas Touzaint and Absolut Gold HDC. Photo by Hannah Cole Photography.

It was a day of two halves for the French, whose first two competitors – Gireg le Coz and Luc Chateau – didn’t complete, but whose second two are in the top ten overnight. The last of them to go was Olympian and national stalwart Nicolas Touzaint, who piloted his experienced team ride, but five-star debutant, Absolut Gold HDC (Grafenstolz – Belle Meralaise xx, by Verglas xx) to 8.8 time penalties. That’s enough to see them retain ninth place overnight.

“I was lucky to go on late on the course, so I had time to see how it went. And the thing is, I have the best horse I could ever have,” says 2008 Badminton champion Nicolas, who is also making his own Burghley debut this week. “He’s 14 years old, but he’s never ran [a course] as difficult as this, so I didn’t know what to expect. I just listened to my horse. We form a really super partnership, so I believe in him, and he believes in me. Now that I know him a little better on these long distances, we’re going to grow on that, and I think he can be more and more performant with the time. Now we have a good bond, and now I know he can do it. He knows we can do it together.”

Alex Bragg and Quindiva. Photo by Hannah Cole Photography.

Alex Bragg rounds out the top ten with Badminton podium finisher Quindiva (Quintender – Ruby Roller, by High Roller), who gave us our first clear round inside the time of the four today and climbed 32 places after dressage.

“This is a jumping track, and a jumping horse,” he grins. “That was a brilliant ride, and I was going for the time and I was just about on it every minute. She just kept going, going, going. I nearly stopped to have a beer because I thought it was so easy! She just kept delivering.”

Alex was full of praise for the game, elegant mare, who’s had an exceptional season proving her mettle at this level – and is one of the best showjumpers in the field for tomorrow’s competition.

“We all know that she’s a great jumping mare. She’s been super genuine, and she’s really taken to this sport now,” says Alex. “It’s taken time to build that confidence, but honestly, when you leave that start box, she’s just like a demon. She grows horns, and there is nothing — I mean, nothing — that’s going to stop her. And I’m just the lucky person to be sat on board steering. You have to work with that much scope. She can always jump herself into trouble, so you have to take a breath and not let the adrenaline take over too much. And remember, those drops after the fences are punishing if you come in too big. You can imagine she lands so far out. But she just kept galloping. I just haven’t got enough words to describe how pleased and how thrilled I am with the horse, and how happy I am for all of the team and the owners that stick by you when there are some days which are not so great.”

Quindiva finished fifteenth here last year with 14.4 time penalties, and picked up 7.6 at Badminton this spring en route to third place, and today, Alex felt she’d gained enough experience to really go for the time.

“Last year here, she finished with so much fuel in the tank and then Badminton again, I just felt like I was always protecting her,” he says. “And I felt if I was just brave enough to let her go a little bit at the beginning, then we had a really good chance of finishing inside the time anywhere. I mean, she’s fast, she’s neat. She does spend a lot of time in the air, but we train a lot on the technicality stuff, and you mustn’t underestimate — when you say the mare’s polite, it’s all about discipline and training. And we work so hard with our team on all the technical side, with my show jumping coach, Jeremy Scott –everything is down to being disciplined, straight and accurate, and then the horses can do their job, and it looks neat. So if you stick to those rules, honestly, it makes the job so much easier for them and then so much easier for us. The thing is, as well, this is only her second season at this level. How exciting!”

A bevy of very good cross-country pairs follow closely behind Alex after big climbs today – Alice Casburn and her homebred Topspin (Zento – Capriati xx, by El Conquistador xx) are eleventh, up from 48th, after finishing four seconds over the time, and Austin O’Connor and Colorado Blue (Jaguar Mail – Rock Me Baby, by Rock King) climbed from 37th to twelfth with their 4.8 penalties.

Cosby Green and Copper Beach. Photo by Hannah Cole Photography.

In sixteenth place overnight is the best-placed of the four US combinations, Cosby Green and the eighteen-year-old former Buck Davidson ride Copper Beach (Radolin – Cloverballen), who looked a picture on course to add 12.8 time penalties and climb ten places.

“It’s such a relief,” says Cosby, who’s in her second season based in the UK with Tim and Jonelle Price, and has previously completed Pau and Badminton before her Burghley debut this week. “You hope to finish through the flags but you never really know, so to be safe and especially clear, I can’t have wanted anything else. I’m very emotional. I just wanted to know my plan — I know I’ve walked it so many times and I knew it, so I actually had a lot of calm over me. It was nice to just get out there, and he was beyond my expectations amazing. [It rode] exactly to plan, which I was really surprised. There was no surprises out there, and I knew the plan inside and out, and we were able to execute it.”

‘Sean’, in his customary fashion, bowled along with his ginger tail windmilling around – a trademark of the sweet, stalwart competitor.

“The tail got us all the way home over those jumps, I’m pretty sure!” laughs Cosby.  “He’s got a twinkle in his eyes still, and he’s such a good old man. I’m really impressed with him.”

At eighteen, Sean is the oldest horse in the field – but Cosby, with help from her mentors, who’ve each had horses still competing at five-star at nineteen, has adjusted how she works with him to keep him feeling in his prime.

“I’ve learned that less is more, and that kind of trusting that the horse knows what he’s doing with his eyes closed,” she says. “And just being able to have enough confidence in myself to trust that he is trained, he knows his job, and it’s all about maintaining and improving in slight little ways, and body fitness and physio and all that kind of stuff.”

Jennie Brannigan and FE Lifestyle. Photo by Hannah Cole Photography.

One of the few riders to express excitement about riding Derek’s beefy course was Jennie Brannigan, but as she sagely pointed out, “you’d be excited, too, if you were sitting on a horse like this!” And true to form, her out-and-out cross-country machine FE Lifestyle (Leo von Faelz – Berina A, by Brandenburger), who is owned by Jennie’s longtime supporters Tim and Nina Gardner, attacked every inch of the course, leaving just some time on the table to take home 15.2 time penalties and climb from 40th to 19th.

“I was told to lick a stamp and send it, and that’s what I did,” grins Jennie, who finished twelfth with the gelding here last year after a tie-up scare the Monday before the competition. “He’s a beautiful horse, and it was really nice to come back with him in 100% health, because I was like, ‘Oh, that was a lot harder last year’ when he wasn’t quite right. So that was really wonderful. You could see why I was like, ‘Oh, I’m excited to ride him tomorrow’ because he’s just a brilliant cross country horse. I  mean, he’s definitely the best one I’ve ever had.”

Andrew McConnon and Wakita 54. Photo by Hannah Cole Photography.

Andrew McConnon made the trip over for his Burghley debut knowing that the first phase would be something to just quietly work his way through with Wakita 54 (Plot Blue – Werusa, by Padinus), because Saturday, he was sure, would be the day she’d shine. And shine she did: though he took some places steadier with the inexperienced eleven-year-old, they finished with a respectable 19.6 time penalties to move up from 57th to 29th.

“I’m very excited, and very happy with my mare,” says Andrew, who opted to take two long options – one at the Leaf Pit, where several riders made the same call. “I was 50/50 yesterday. Before riding, I was going to go direct. She was beautifully patient off the bank, which she can be a little gung-ho. So actually, I decided to go long there, and then the double of corners. I know that’s been the tricky fence, and I had a great shot in. Really nice jump. Second stride, she just pecked a little bit, and I knew that’s what was putting people on the second sjump. So I rerouted to the long option at B, and then she flew around the rest of the way. A bit slow and happy!”

“You never know on cross country,” he continues. “I mean, there’s always going to be things that don’t go to plan. I’m really proud of the decisions I made in the moment off of the Leaf Pit and then in between the two corners. I want to be competitive deep down, but I really love and trust my mare, and I knew that I was going to put her in a bad position to that second corner. So I’m thrilled that I went long. I’d of course like to go quicker, because I know she can, but I’m really happy. I’ve had her since a five year old, and I’ve been the only one to compete her. So I’ve produced her. I’m the only one that has to answer to time penalties, so I was happy to go a little slow.”

Mia Farley and Phelps. Photo by Hannah Cole Photography.

The time is always a tough catch at Burghley, but one pair with a great chance of catching it were Mia Farley and her full Thoroughbred Phelps (Tiznow – Boom Town Gal, by Cactus Ridge), who’ve gone inside the time at both their previous five-star starts in the US. They began their trip around the track looking absolutely on the money to do so again – despite a couple of serious long ones at fences two and three – but like so many of their fellow competitors, they had a skim-by at the second of the Rolex Corners, which allowed absolutely no margin for error. Theirs wasn’t, arguably, a real error, even: Mia opted to try a tighter inside line and a four-stride approach, and in the final stride, the line simply wasn’t there. With that behind them, she slowed the pace and let Phelps cruise home, taking 23.6 time penalties with their 20 jumping penalties but ultimately climbing two places to 34th.

“I didn’t have the best shot in and I really should have gone the long route,” muses Mia. “ButI thought it was fun after like minute four when I had a little more brakes! He’s very enthusiastic out there. He wants to do it, he loves what he does. I think we just need to control the love for the sport a little bit next time! I think I learned a lot about the track here, and him too, this was really just a fitness run for him so I’m excited to come back and be better. The terrain’s crazy. It was the busiest beginning of the course I’ve ever had, but the terrain is the biggest thing.”

Our fourth US pair, Hannah Sue Hollberg and Capitol H I M, unfortunately didn’t complete the course after an enormously frustrating late mistake at the Dairy Mound, where ‘Chito’ left a leg and popped Hannah Sue straight out the side door. There was much to like about their earlier efforts, though, and we hope to see them back on this side of the pond soon.

Tomorrow sees us take 43 horses and riders into the final horse inspection at 9.00 a.m. BST/4.00 a.m. EST and then, hopefully, onward to the showjumping. That’s down from 65 starters, giving us a 66.2% completion rate with 32 clears, for a 49.2% clear rate.

We’ve seen horses finishing in brilliant form all day long, and the ground conditions here are among the best we’ve seen at any event, so we have high hopes for tomorrow morning – and we’ll be back bright and early to bring you all the news and updates from the inspection, and then from showjumping, which begins with the first group at 10.30 a.m. (5.30 a.m. EST), and follows on with the top twenty from 14.15 (9.15 a.m. EST). Until then: Go Eventing!

Our coverage of Burghley is brought to you by our incredible supporters, Kentucky Performance Products, your one-stop shop for science-backed nutritional products to keep your horse feeling their best at all times. They’ll even get on the phone with you to help you formulate a solid supplementation plan for your horse’s individual needs! We’d really appreciate your support of KPP, as they’re champions for our sport and beyond and are wonderful people to boot. Check them out here.

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La Vie En Ros: Canter Takes 1-2 at Burghley After Dressage

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

And so we come to the conclusion of the first phase at the 2024 Defender Burghley Horse Trials – one in which, so far, it’s really just Ros Canter’s world, and the rest of us are just living in it.

The diminutive Olympian (and European Champion, and former World Champion, and two-time five-star winner, and all the rest…) began her week in fine style yesterday, putting a 19.8 on the board as second in the ring with Pau champion Izilot DHI. In doing so, she set a standard that couldn’t be beaten and delivered Burghley’s second best-ever dressage result in the process.

This afternoon, there were two horses up to bat who, we though, might stand the slightest of chances of usurping Izilot’s lead. One of them? Tim Price and Vitali, who set the Burghley dressage record last year when delivering an incredible 18.7. The other? Ros’s second ride, her Badminton-winning European Champion – and Paris team gold medallist – Lordships Graffalo.

Look, we already spoiled this one for you: no one beat her. But at the end of the day, it’s Ros who is Ros’s closest challenger, thanks to a five-star personal best effort from Lordships Graffalo, with whom she posted a 22 – a mere tenth of a penalty better than their prior PB, obtained at Badminton in 2023, when they won, and 1.4 penalties better than their score at the Paris Olympics.

“I was delighted with Paris, but I knew we could do better, to be honest,” admits Ros. “So the last couple of weeks, after we had a bit of a break, we’ve been kind of trying to work out what it was I was struggling with and things like that. And really, [we] just had a light bulb moment about seven days ago on straightness. [We] got straight, and the whole thing got so much easier. It’s funny, that!”

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

Ros and twelve-year-old British-bred gelding ‘Walter’ (Grafenstolz – Cornish Queen, by Rock King) are known for their prowess in this phase (along with, well, both the others, too), but still, Ros confesses, “I’m pleased to get that out of the way! I’m pleased that [with] Paris and the atmosphere and everything he was still dead relaxed today. We had a good plan; I didn’t do too much with him this morning and he felt great – really great.”

“I was hoping for [a score like that], but I do find him slightly trickier,” she continues. “I talk about Izilot being tricky spookiness-wise, but actually, Walter’s just a little bit trickier in that he gets a bit stressed with work and pressure and things like that, [so you] have to be a little bit more careful and tactful with him. So I always feel like it’s slightly more of a question mark, whether I pull off the day. But then actually, when I get on him, and I get working, I realize what a dude he is — he actually just loves it, doesn’t he? He absolutely loves the people and being in an environment like that.”

Ros will now go into tomorrow’s cross country with 2.1 penalties in hand over herself – or five seconds, in real-world terms – while Lordships Graffalo has a margin of just 0.3 between him and third-placed Tim Price and Vitali, which doesn’t even give them a second to spare.

Tim Price and Vitali. Photo by Hannah Cole Photography.

“I can’t quibble with a 22.3, can I?” says Tim, pragmatic after not quite smashing the lofty heights of last year with the fourteen-year-old gelding. “He was really, really good, and I actually found him – it was more conventional, this time. You know, everyone sees what goes on in the ring, but last year, he was really funny out here [in the warm-up], and this was just nice and normal. I could just be a bit more conventional with our preparation and when we went in, he just did what he does so well, which is a nice flowing test. To pick a few holes here and there is doable. I can think of little bits and bobs, but he tried really hard, and he was really good fun.”

Coming into the ring as the last combination of the day, and with last year’s record fresh in everyone’s mind, was a uniquely pressurising situation, Tim says.

“He’s a really good dressage horse, so you just put a bit of pressure on yourself to do what the horse is capable of. So I had a little bit of that playing in the background, and all day to sit and wait for my test,” he says. “But what is pressure, really? It depends what you do with it. You do an 18 one year, so you’re like, ‘well, how do I go a little bit better?’ Because that’s what we do with all our horses across all levels – you just want to improve and push a bit. I watched last year’s test, actually, to see how I could improve upon it – but it’s all just words now, in the end, isn’t it? He was great; he went in and was rideable and happy doing his job, and I think I did a good job, too.”

Other than that outlier of a test from Ros in the lead, much of our top ten is now tightly packed scores-wise (and, in fact, a single 20 penalties covers the entire top 55, which sets the stage for no end of excitement tomorrow). The best of this morning’s session, Emily King and Valmy Biats, now sit fourth on their 24.1, 1.8 penalties, or just a hair over four seconds, behind Tim and Vitali, while Oliver Townend and Cooley Rosalent in fifth are just 0.3 penalties behind them.

Monica Spencer and Artist. Photo by Hannah Cole Photography.

Sixth place after dressage goes the way of US-based Kiwi Monica Spencer and her charismatic Thoroughbred Artist, who delivered a sparkling 24.4 – despite a frustrating error of course in this new test.

“I was having so much fun out there, I went the wrong way!” she laments. “So I’m disappointed with myself, but thrilled with the horse.”

This isn’t the pair’s first time flirting with scores this low: they posted a 24 at Adelaide in 2023 on their CCI5* debut, and the year prior, put a 25.6 up at the World Championships in Pratoni, which uses a five-star test. Their more recent five-star tests, at Maryland last year and Kentucky this spring, have seen them drift into the high-20s and very low-30s, respectively, but on both occasions, they’ve finished seventh after efficient cross-country rounds and two-rail showjumping finales.

Monica Spencer and Artist. Photo by Hannah Cole Photography.

“He’s a real trier, and his best attribute is how trainable he is. So he just keeps getting better and better,” says Monica. “I’ve done Maryland and I’ve done Kentucky, and was seventh at both of those, so I’m looking to improve on that here. And everyone keeps telling me I’ve got a Burghley horse, so it’s time to find out.”

France’s Gireg le Coz, who produced a 25.3 this morning with Aisprit de la Loge, sits seventh going into cross-country, and Badminton winners Caroline Powell and Greenacres Special Cavalier move into eighth on their 25.4, while this afternoon saw France’s very good day in the office continue with two new entries into the top ten.

Nicolas Touzaint and Absolut Gold HDC. Photo by Hannah Cole Photography.

Nicolas Touzaint, who was part of the silver medal-winning team in Paris with Diabolo Menthe, began his Burghley debut with Absolut Gold HDC on the horse’s international personal best across all levels. Or, his equal personal best, anyway – the pair also scored a 26.1 in the CCI3*-S at Arville this year, which has markedly fewer flying changes (none. It has none.).

“I’m very, very happy with the horse – I know that he can do the very best, but I don’t always get it out of him. Today, we did it,” says Nicolas.

Nicolas Touzaint and Absolut Gold HDC. Photo by Hannah Cole Photography.

Nicolas, who is the only Frenchman ever to win Badminton, which he did in 2008, has long dreamed of coming back to Britain’s other Big B, and to do so with Absolut Gold, a horse who has partnered him to team medals and individual placings at the Tokyo Olympics and the 2023 European Championships, is a particular treat.

“I’ve never ridden here at Burghley, so I’m really excited about it,” he smiles.

His compatriot Gaspard Maksud sits just 0.7 penalties behind him on a 26.8 and overnight ninth place with Zaragoza, with whom he finished sixth at the 2022 World Championships.

For British-based Gaspard, who was left off the Paris team over concerns about his horse’s first-phase performance, delivering a best-ever five-star score, and one of the eleven-year-old mare’s best international performances ever, was an enormously emotional moment.

Gaspard Maksud and Zaragoza. Photo by Hannah Cole Photography.

“When you’ve been told your dressage isn’t good enough, you want to make a point to build at a big one and show [it, like] ‘you know what? Look at her,’” he says. “After Luhmühlen, and being told she was a bit too quiet… but she’s a hot horse — she can’t be ridden in that way all the time, otherwise she would explode. So she was very prepped for [Paris] and [now] she was prepped for Burghley, to be able to do, on the day, the test she needs to do to be competitive. And when you put it up in a big one like this, it’s always quite emotional.”

In the test itself, Gaspard says, ‘Zoe’ “did everything I asked. She got a bit hot after, but I tried to be brave and just to manage [her] at the end. She just keeps giving. She knows the atmosphere, she knows why she’s here, and she wants to do her best. I know on a good day we could be like just [under?] 27. You never know what can happen, but I knew about 27, 28 would be a very good result, [and] so with a 26.8, I couldn’t be happier. We’re going to enjoy today — tomorrow’s another day.”

Gaspard, who began the week as a two-horse rider, will now just ride Zoe tomorrow – he’s withdrawn early ride Kan-Do 2, who’s been sold. That takes away his chance to learn about the course ahead of his competitive ride later in the day, but it does give him lots of time to watch, learn, and adapt his plans accordingly.

Andrew McConnon and Wakita 54. Photo by Hannah Cole Photography.

The last of our strong US contingent, Andrew McConnon, was all smiles after his test with Wakita 54, who he knew wasn’t coming to her Burghley debut to try to lead this phase. But what makes her tricky on the flat – they earned a 40.4 for overnight 57th place after some green wobbles in the walk and canter work – is exactly the collection of qualities he hopes will help her shine tomorrow.

“She’s a great horse,” he smiles. “She wouldn’t find the dressage to be the easiest, so I was pleased with her. She went in there, she was really happy and stayed with me the whole time. She’s funny — she’s really, really quiet, and anyone can hack her. But when she gets going, she’s pretty difficult to ride. She wants to have her way, which is great. So as long as I kind of go with it little bit of a loose rein and stay out of her way, then she’s pretty happy. I’d say [the last] two years, she’s really come even more on side, become a little softer. She’s 11 this year, and I think given another year or two, I can get her a bit softer over her top line, softer over her back.”

“The [rideability] is a little bit easier on cross country: I can give her a little bit longer of a rein – the judges don’t want me to go around in a stretchy circle the whole test!  – and I kind of leave her down and alone, and then kind of balance her up when I need to,” he continues. “But as long as I kind of remotely guide her to the fences and then stay out of the way, she normally has the rest. So I’ll want to support her, not leave her to do it on her own, because this is a big track, but you know, we’ll give it our best shot.”

Andrew, who was previously based in the UK with William Fox-Pitt, has long held a dream of competing at Burghley – a dream he’s realising this week for the first time.

“I visited in 2011 for the first time, and then 2016 and 2017 to watch, but never to ride. It’s been a goal forever, but more specifically when I was over here with William [Fox Pitt].  Burghley has always been my favorite event anywhere, and so I wanted to come back, and my mare, she’s bold and strong and willing, so it should be a good track for her. I just hope that we’ve done the preparation to give her a good run.”

We’ve currently got a hefty field of 65 starters – pending any overnight withdrawals – for tomorrow’s trip around Derek di Grazia’s cross-country track, which begins at 11.00 a.m. BST/6.00 a.m. EST. And the verdict on it? We’ll be bringing you insights directly from the mouths of the riders soon, but for now, suffice it to say that nearly all of them have told us that they’ve never seen fences as big as the arrowheads in the Leaf Pit. It’s an awe-inspiringly big, bold track, with a huge amount of intensity in the first quarter of the course, and tomorrow’s going to make for some pretty thrilling viewing. For now, you can take a look at the rider times for tomorrow here, and have a ‘walk’ around the course via the CrossCountry App here. You’ll be able to watch all the action on Burghley TV, where there’s also a comprehensive course preview video, and, of course, you can join us right here on EN for live updates and a bumper end-of-day report full of insights and analysis.

Until then: Go Eventing!

Our coverage of Burghley is brought to you by our incredible supporters, Kentucky Performance Products, your one-stop shop for science-backed nutritional products to keep your horse feeling their best at all times. They’ll even get on the phone with you to help you formulate a solid supplementation plan for your horse’s individual needs! We’d really appreciate your support of KPP, as they’re champions for our sport and beyond and are wonderful people to boot. Check them out here.

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Friday Morning at Defender Burghley: Emily King Helms a Day of Personal Bests

Emily King and Valmy Biats. Photo by Hannah Cole Photography.

There are two easy ways to put the pressure on a seriously fit event horse in the dressage ring at the Defender Burghley Horse Trials – you can present them with a boisterous, determined wind, as we saw throughout yesterday’s competition, or, as in today’s, you can swap that wind for some beaming sunshine and, instead, fill the stands to the rafters with enthusiastic eventing fans. Even just driving in to the estate this morning felt like cross-country day; standstill traffic wended its way back through pretty little Stamford town, and once parked up and in, all those tens of thousands of spectators – if not more – have filled the place, taking up their spots in the stands or sprawling like festivalgoers across the grass to follow the competition on the big screens dotted here, there, and everywhere.

It feels, in short, like a day in which everyone is aware of just how lucky they are to be here, and accordingly, they’re going to enjoy every last moment of it. That’s a delightful sort of atmosphere to exist in, unless, of course, you’re half a tonne of race-fit party animal, being asked very nicely to dance a bit more like prima ballerina Anna Pavlova, than, say, Australian break-dancer Raygun.

Those who managed it, though, were well rewarded by the ground jury, helmed by President  Christina Klingspor (SWE), along with Robert Stevenson (USA) and Nick Burton (GBR). And the very best of the morning’s efforts so far? Our very first duo in the ring, Emily King and her two-time Grantham Cup winner, Valmy Biats. They didn’t just nail the brief and navigate the new CCI5* C test sweetly – they also earned themselves a five-star personal best, which is also Emily’s career PB at this level, of 24.1, putting them straight into second place though not threatening Ros Canter’s lead on a 19.8. 

“He was awesome —  really listening and with me,” says Emily of the fifteen-year-old Selle Français gelding (Orlando – Hadj A). “He felt the same from the warm-up to when I went in, and it’s always so much easier when they’re like that!”

When Valmy’s not like that, Emily continues, “he doesn’t really particularly light up, he just goes quite strong and on a mission, so I just have to, like, reset his balance, because he comes down, he halts, and then it feels like he wants to go out the startbox. Today, though, he didn’t go too hot, and I’m really pleased with how he navigated it.”

Emily King and Valmy Biats. Photo by Hannah Cole Photography.

Valmy’s one tiny ‘on a mission’ moment came at the second halt, which saw the pair overshoot the marker at C slightly, and then drop off the contact marginally in the reinback, breaking up their string of 7.5s and 8s with 6.5s. But Emily made some tactful rebalancing steps in the walk, and ultimately, delivered arguably some of the best walk pirouettes we’ve seen so far in the next movements.

“He’s a really good boy with his pirouettes,” she says. “I tried not to shorten his walk for the medium walk, but just shorten his frame, and I could feel him going quite delicate. And I was like, ‘I’ll just keep the frame a bit longer and keep him walking’. It was probably not technically how everything should be, but I wanted to just keep him moving. What’s nice is that I think most of us know that at this level, the ones that are producing good tests are established with the movements. And so even though it’s a new test, it’s nearly, for the hot ones, [better] – it keeps him guessing, a little bit, where [every movement] would be. I think [these horse] know the other five-star tests so well that actually, having the movements in that different order can help you get them just waiting and listening.”

From then on out, the test continued in a similar vein: their extended canter nabbed them a 9, as did the canter half-pass, and they picked up 8s for the changes, too, giving the big crowd – and Emily herself – plenty to celebrate after the final halt and salute.

Oliver Townend and Cooley Rosalent. Photo by Hannah Cole Photography.

It looked, for a while, as though Oliver Townend might manage to squeak ahead of Emily, though, when he came into the ring with the ten-year-old Cooley Rosalent (Valent – Roselier), with whom he won Kentucky this spring. But though they started strong, earning plenty of 8s for the most developed trot-work we’ve yet seen from the mare, and a 10 for their second halt, some minor greenness played into the canter work, giving them 4s across the board for the first, double-marked flying change. Three tidy ones followed, and their final centreline was decisive – and ultimately, it was enough to put a 24.4 on the board for provisional third place at the halfway point of day two.

“She’s only a 10 year old, and she’s had an exciting life so far. The last two times she was in a big arena was Kentucky and perhaps Blenheim and Maryland,and so going into an atmosphere like that, she’s getting to know the crowd and the job, and you never know which way they’re going to react,” says Oliver.

Though ‘Rosie’ is still just ten, and thus one of the youngest in this field, she’s also already a five-star winner, as well as a third-place finisher at Maryland in 2023, and so reigning titleholder Oliver comes to Burghley with a mix of both expectation and future-proofing in mind.

“I’m always here to try and do my job, and hope that she does hers, but I’m here to continue her education and look after her, and hopefully end up with a big result at the end of it,” he says.

Bringing such an exciting young talent back to his favourite event is a particular milestone for Oliver.

“It’s probably as big as eventing gets. If I wanted to [show the sport] to somebody that was non-horsey, I’d want them to come here and say to them, ‘this is what eventing is’. This is the biggest horse trials in the world and the hardest to win, and that’s why it’s so important to all the riders.”

Gireg le Coz and Aisprit de la Loge. Photo by Hannah Cole Photography.

Fourth place is now the domain of Gireg le Coz and Aisprit de la Loge (Quppydam des Horts – Dollar du Murier), who put a five-star personal best of 25.3 on the board after a test full of highlights, particularly in the canter work, which was uphill, fluid, and showed all their combined experience and confidence.

“It’s my best test, so I’m very happy — he’s been very good recently,” says Gireg, who was travelling reserve for the French team at the Paris Olympics this summer. “I didn’t run up the Olympics, so I want to go well here — I have ambitions for the week, and I think it’s a great start. He felt really confident and very good.”

That Paris preparation has meant that the summer season has had a few stutter-steps as far as fitness work goes, but there’s no denying that the fourteen-year-old Aisprit de la Loge is looking at his peak as he begins his fourth five-star.

“I got him ready for the Olympics, and so then I wanted to give him a little break and start to make him fit again for Burghley, which I hope I did well – but Paris was a great experience, and I hope next time I’ll be in the team.”

Caroline Powell and Greenacres Special Cavalier. Photo by Hannah Cole Photography.

The new-look top five is completed by Badminton champions Caroline Powell and Greenacres Special Cavalier (Cavalier Royale – Touchdown), who were also travelling reserves at Paris, but have since had a super start to their autumn campaign, taking the win in Blair Castle’s mountainous CCI4*-S a couple of weeks ago. Today, they began their Burghley with their five-star personal best, a smart 25.4 that puts them nearly three penalties ahead of sixth-placed Pippa Funnell and MCS Maverick.

“She’s pretty cool at the moment, isn’t she? She’s an out-and-out professional — she just goes in and she does the job,” says Caroline with a smile. “And, you know, we’ve been really lucky. We’ve had [help from] Tracie Robinson, and from Gareth [Hughes] with the New Zealand team, so there’s been a lot of work that’s gone into it, and she remembers, she loves it, she adores it. She knows, now, what the crowds are here for, and she’s pretty sure they’re all there for her!”

Hannah Sue Hollberg and Capitol H I M. Photo by Hannah Cole Photography.

The rest of the top ten is made up of yesterday’s riders – Pippa and MCS Maverick in sixth, Tom Jackson and Capels Hollow Drift in seventh, Felix Vogg and Cartania in eighth, Max Warburton and Deerpaircs Revelry in ninth, and Tim Price and Viscount Viktor in tenth. The US contingent, though, came very close to slotting one of their own in this morning: Hannah Sue Hollberg and seventeen-year-old Capitol H I M (Con Air 7 – Heraldik) sit provisionally eleventh on their own personal best of 30.7, having just missed out on a spot in the top ten when they went off-course after the first flying change.

“He was going so well, and he did that first change so well, and I was like, ‘this is going so grea! …I have no idea where to go!’” laughs Hannah Sue. “That hasn’t happened to me in, like, twenty years. I’ve never completely forgotten where I was supposed to go, and just never gotten it back like that. I was like, ‘I’m going to have to go to the judge and ask where to go!’ Hopefully tomorrow will go smoothly, now that I’ve made a big mistake!”

At seventeen, big, rangy Chito is truly coming into his own on the flat – a positive shift that Hannah Sue says largely comes down to not schooling dressage too much.

“I really just kind of take it a test at a time, and really just try to get better and better and get him stronger. Like, he wants to be a bit low naturally, so I’m just trying to get the strength behind and not ask too much ever. I don’t do a ton of dressage work with him – like, I do flat work and strength work and work on my riding, and then I go to shows and practice in the ring, and it gets better and better.”

“I like my horses to enjoy their jobs, and want to do it for me. And I’m just not ever going to be the type that’s going to put their head on their chest and kick them around. I just want him to be happy and love doing it, so I try not to make it miserable. It’s miserable for me to do [dressage] too much, too! If I feel that way, I’m not the one carrying me around, so I can’t imagine it being that easy. But I do think he loves [his job]. He really understands what he’s supposed to do, and that’s the best part of my job, I think, when they’re like, ‘oh, this is important, I’ll try really hard.’

Cosby Green and Copper Beach. Photo by Hannah Cole Photography.

Cosby Green, who’s in her second season based with Tim and Jonelle Price, begins her Burghley debut with a 31.6 aboard eighteen-year-old stalwart Copper Beach (Radolin – unknown), who she took on from former pilot Buck Davidson in 2020. That’s enough to put them provisionally in sixteenth place as they head into the meat of their third five-star together.

“I thought it was his best test today, and to be 18 and to give that result was amazing,” beams Cosby, who credits Tim and Jonelle’s expertise in keeping older horses fit and happy with helping her get the best from ‘Sean’. “After Badminton, he just came through amazing. He was ready for more. And, I mean, he just keeps getting better. The program I’m in is proven to be successful with older horses, so I’m sticking with it, believing it, and he’s just on amazing form. So I’m really happy!”

We’re heading into the final two groups of dressage shortly – so keep it locked on EN for another full report from this afternoon’s action after it concludes, and in the meantime, you can join Cheg for insightful analysis from each ride as it happens here. Go Eventing!

The top ten at the Friday lunch break at Burghley.

Our coverage of Burghley is brought to you by our incredible supporters, Kentucky Performance Products, your one-stop shop for science-backed nutritional products to keep your horse feeling their best at all times. They’ll even get on the phone with you to help you formulate a solid supplementation plan for your horse’s individual needs! We’d really appreciate your support of KPP, as they’re champions for our sport and beyond and are wonderful people to boot. Check them out here.

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“It’s Surreal”: Max Warburton Tops the Post-Lunch Bunch on Day One of Burghley

Max Warburton and Deerpairc Revelry: best of the post-lunch competitors  at Burghley. Photo by Hannah Cole Photography.

We spoke too much, yesterday, about Burghley and its late-summer golden sunlight, didn’t we? We were cursed, apparently, for breaking the first rule of journalism: that is, never write about the weather, you boring bugger. Unfortunately, this means we’ll be forced to write about it again right now, if only to say that today was cold – obnoxiously so – and very, very windy. But hey – the wind, surely, is relevant. Wind, after all, makes even the most civilised of horses do extraordinarily silly things. And event horses can be described as many things, but rarely, if ever, ‘civilised’.

But even with the bluster, we still saw some super efforts from across our afternoon lineup. Not super enough to usurp morning leaders Ros Canter and Izilot DHI, mind you, but they got a 19.9, so what can you do, really?

In fact, our entire top four – Ros, Pippa Funnell, nearly ten marks behind her, Tom Jackson, a fraction of a penalty behind her, and Swiss Olympian Felix Vogg – remain in situ at the end of the day.

Best of the afternoon bunch was one of our Burghley first-timers, Max Warburton, who rode out of the ring on his rangy ten-year-old Deerpairc Revelry with a rather starstruck grin after being awarded a competitive 28.9 – a score that sees him just over half a penalty from second place at this halfway point of the first phase.

“I couldn’t ask for any more, to be honest. He’s only a young horse; he’s only 10, and it’s a bit of a big ask to go in that atmosphere, but he was super, so rideable, and I’m absolutely delighted,” says 26-year-old Max.

Max Warburton and Deerpairc Revelry. Photo by Hannah Cole Photography.

This is a five-star debut for Deerpairc Revelry – who’s out of the same mare as Will Faudree’s Pfun, if you’re into breeding fun facts – but not his first moment in the spotlight. The Irish Sport Horse gelding (Hermes de Reve – Celerina, by Dobel’s Cento) was runner-up with Max in the tough CCI4*-L at Bramham in June, finishing just behind fellow Burghley competitors Harry Meade and Annaghmore Valoner. Today, though, they bettered their Bramham score by nearly three penalties, despite – or perhaps because of – the additional, and double-marked, flying changes.

“He’s always found [the changes] easy, he’s just been a little bit almost forward thinking,” says Max, who delivered tidy efforts across his test. “He almost goes before your aid, and you get in a bit of a muddle. But we just spent a long time trying to work on that, and then they’ve come off; I’m just delighted.”

Making it this far is already a huge milestone for Max, who competes alongside his girlfriend, Irish Olympian Susie Berry, this week.

“It’s very surreal,” he admits. “You dream about this sort of thing as a kid — even just following someone like Tim Price into the ring is surreal.”

Tim Price and Viscount Viktor. Photo by Hannah Cole Photography.

Tim Price slots into sixth place overnight on the first of his two rides, ten-year-old Viscount Viktor (Viscount 22 – Noble Beauty, by Nobre), on a 29.5. If you’re keeping track, you’ll have clocked that just 1.2 penalties, or three seconds on cross-country, currently spans places two through six. Cozy!

This is Viktor’s third five-star, and a welcome return to form in this phase – he earned a 28 at Pau last season, but then put up a hugely uncharacteristic 38.4 at Luhmühlen this summer. High twenties scores, though, are just the beginning for the young horse says Tim, who rates him as one of his stars of the future.

“He’s going to be a really special horse on the flat. Although he’s had two five-star starts before, his mind has sort of been everywhere. He’s starting to now just come into the moment a bit more with me, and I think this is probably more the starting point of what he’s going to be able to produce in the future. So I’m happy to squeak into the 20s, but I know that he’s going to be much more capable in the future.”

Harry Meade and Cavalier Crystal. Photo by Hannah Cole Photography.

Busy bee Harry Meade now has two horses in the top eight: this morning’s pathfinder, Superstition, moves down to overnight eighth place on his 32.1, while this afternoon’s ride, Cavalier Crystal, takes seventh place on a 31.3. We were robbed, though, of the chance to debrief with Harry on the mare’s third-ever five-star test, because the spicy little unit needed to be piloted back to the stables. See? Event horses.

Ian Cassells and Master Point. Photo by Hannah Cole Photography.

Ireland’s Ian Cassells isn’t making his five-star debut – he did Pau last year and Luhmühlen this year, both with Master Point, his ride this week – but it is his first Burghley, and his walks of the course this week mark the first time he’s ever seen the colossal fences here up close.

But, he reasons, “I actually  would have said Pau and Luhmühlen wouldn’t have suited [my horse] as much. The twisty turny-ness there is strong. But I think as a rider, it’s a little bit easier to start with [those] two. I think the two of us have got a little bit more experience, and I think we’re done all the prep and are ready for Burghley.”

Ian and the eleven-year-old Irish Sport Horse (Pointilliste – Chikari, by Kings Master) began their week on a smart score of 32.4, slotting themselves into ninth place overnight in the process.

“I think it’s a very solid first phase,” he says. “I might have liked a little bit lower [of a score], but as a whole, [there were] no real mistakes. He’s really gone into the big crowd and kept his cool, and really allowed me to ride him in there, so I’m really pleased with him.”

The gelding’s weaker points on the flat are exactly what he hopes might be his strengths come Saturday, when the pair will tackle the biggest track of their careers.

“He’s by a Thoroughbred called Pointilliste, which would be a Giants Causeway horse, so he’s a real old-fashioned Thoroughbred. So he’s little bit on the forehand on the flat, but hopefully that’ll help me now come Saturday, [because he’s got a] big stride and stays all day.”

Nicole Mills and Fearless W. Photo by Hannah Cole Photography.

The top ten is rounded out by five-star debutant Nicole Mills and Fearless W, who produced one of their best-ever tests this morning for a 32.6.

“I’m delighted with him,” says Nicole, who’s based just two miles down the road and admits that, as a 41-year-old five-star debutant, she’d started to believe that the move-up may never happen. “He doesn’t find the dressage particularly easy. He does do his changes beautifully, and I’ll mess one of them up, which is a bit annoying, but he’s a good boy, because he likes an atmosphere and all that. Because I’m local there’s so many people clapping, and I’m like, ‘Oh God, don’t do it till we’re finished!’ But yeah, he was good boy. I’m very proud of him.”

Two of our stacked line-up of US imports got their week off to a good start today, and both sit in the top fifteen provisionally at this stage of the competition.

Mia Farley and Phelps. Photo by Hannah Cole Photography.

Mia Farley and Phelps take hold of thirteenth place on a 33.7, which sits right in the realm of their two previous five-star scores – a 33.8 at Kentucky this spring, and 32.9 at Maryland last year, where they finished fifth.

“I’m pleased with that! He went in there, and he was such a professional and even walked for a little bit,” laughs Mia. “I think he wanted to graze the whole time, but he got it at the end. There’s a lot going on in there, and I was actually thinking that it’s a little bit loud, but, I mean, it’s very special to just ride around the ring in there.”

A nice test in exchange for a nice snack? Great deal. Photo by Hannah Cole Photography.

Also special? The $1 nearly-an-ex-racehorse-but-not-quite, who she rides for coach David O’Connor, and with whom she’s had the biggest moments of her fledgling riding career.

“Just like I always joke, he’s kind of someone that you sit on the couch with and just talk,” she says of Phelps. “He’s so special. And he’s kind of… he’s a human, pretty much. He’s just nice to be around.”

And, she continues, “it’s very comforting to have a horse to go around a big track on that you know really well. We never had five star in mind for him, but we’ve been producing him since he was four, and now we’re here, so we’ll see. [His five-star debut] was special, because we didn’t really know if he’d fight for it or not — we kind of knew, but we just had to see what happened. And he proved that he is a fighter and he loves what he does.”

Making the call to come to Burghley after two clears inside the time in two five-star runs was a no-brainer for Mia – but what’s been more tumultuous has been actually getting here. She utilised some creative fundraising schemes, including selling Team Phelps jackets, to raise the $30,000 or so needed to make the trip, and that’s made for a pretty unconventional lead-up.

“It’s been an emotional roller coaster,” she says with a laugh. “I wasn’t committed to coming here until, like, three weeks ago. Obviously, we did all the prep and everything, but I just wasn’t sure if I’d fundraise enough. And then I talked to Jennie [Brannigan], and she was like, ‘you’re going!’ so then we did a couple more things, and we made it work. But my mental space… I think I’m putting a lot of pressure on myself because everyone’s helped me get here so, there’s been a lot of, like, calming jazz music playing!”

Jennie Brannigan and FE Lifestyle. Photo by Hannah Cole Photography.

Jennie Brannigan, for her part, has also made the trip over, but her own lead-up has been less stressful than Mia’s – and less stressful than her own twelve months ago, too. Last year, FE Lifestyle tied up on the Monday before the event, and she wasn’t sure she’d even be able to run him – but this year, he’s had a great preparation and travelled over early to ensure he’d manage the transatlantic trip well.

He and Jennie begin their week on a score of 34.7, which puts them into equal fifteenth place with Francis Whittington and DHI Purple Rain overnight. A lower score was precluded by some tension in the canter work, which proved expensive.

“With the weather and whatnot, I was a bit worried, because he’s pretty hot in the dressage,” she confessed. “Last year, he was a bit more subdued in the arena. But I’m pleased with him — he just gets wound up in the canter, but I’m thinking we’ll run and jump better this time, since he’s in 100% health. I thought the walk and trot was great, and we held it together the best we can.”

Jennie was one of a very small number of riders to profess to looking forward to the challenge of Saturday’s cross-country: “but if you’re on a horse like this, you would,” she grins. “I’m excited for Saturday. I didn’t even know if I was going to run on the morning of [last year], so that was really, really challenging. And so my goal this year was to obviously bring him over early, make sure he stayed in good form, and I think he’s fit. He came over great, and we’re just happy that he’s in great form, and I can go out and attack the cross country, because I didn’t really get to do that last year. Bless him, he was amazing to jump around like he did, but I’m excited to go out there with 100%.”

US horses: evidently hungry for some good English grass. Photo by Hannah Cole Photography.

Coming back to the hallowed grounds of Burghley was priority number one for Jennie and her exceptional cross-country partner.

“I love it. It’s the hardest event in the world, but I love it. I wouldn’t want to be on any other horse. I just think it’s the hardest event in the world, and everyone knows it’s the best event. So to me, this is what eventing is about. This is eventing; this is the sport. And this is why, as a kid I wanted to do it. I wouldn’t want to be anywhere else competing at any other show this year. This is it for me. Everyone knows it: big bad Burghley.”

Tomorrow’s dressage begins at 9.30 a.m local time/4.30 a.m. EST with Emily King and Valmy Biats first in the arena. For those following our US competitors, you can catch them at the below times:

  • 37 a.m. BST/4.37 a.m EST: Cosby Green and Copper Beach
  • 02 a.m. BST/6.02 a.m. EST: Hannah Sue Hollberg and Capitol H I M
  • 30 BST/9.30 a.m. EST: Andrew McConnon and Wakita 54

The full list of times can be found here, and today’s results, in full, can be found here. If you’d like to catch up on all the rest of today’s action, you can browse back through Cheg’s live coverage of today’s competition, which will return tomorrow for lots of insightful analysis and useful intel. You can also get the full scoop on every horse and rider in the field in our jam-packed form guide, and get all the details on how to watch the competition live — and much more! — in our Ultimate Guide. Until next time: Go Eventing.

The top ten at the end of day one of dressage at the Defender Burghley Horse Trials.

Our coverage of Burghley is brought to you by our incredible supporters, Kentucky Performance Products, your one-stop shop for science-backed nutritional products to keep your horse feeling their best at all times. They’ll even get on the phone with you to help you formulate a solid supplementation plan for your horse’s individual needs! We’d really appreciate your support of KPP, as they’re champions for our sport and beyond and are wonderful people to boot. Check them out here.

Defender Burghley: [Website] [Entries] [Timing & Scoring] [Burghley TV] [Tickets] [Cross Country Preview] [EN’s Coverage]

A Sub-20 For Breakfast: The Defender Burghley Thursday Morning Debrief

Ros Canter and Izilot DHI. Photo by Hannah Cole Photography.

It’s a truth universally acknowledged that a ground jury on a Thursday morning must be in want of a few marks – must, surely, be stiff and ungenerous, lending a natural benefit to those riders lucky enough to be given a Friday afternoon draw, once everyone’s loosened up a bit and begun to flirt with the ‘9’ button.

Or is it? That commonly-held belief certainly didn’t appear to have much effect on Ros Canter and her 2023 Pau champion Izilot DHI (Zavall VDL – Un, by Cavalier) who, as just the second combination in the ring this morning, earned themselves Defender Burghley’s second best-ever score. They now sit firmly atop the leaderboard on a 19.8 that’s just about guaranteed to stay in prime position overnight, and will be seriously tough to beat tomorrow. But while it’s tempting to predict that Ros and the eleven-year-old KWPN gelding will head into Saturday’s cross-country in the lead, tomorrow, we’ll see the horse and rider who hold the Burghley record – that’s Tim Price and Vitali, who posted an incredible 18.7 here last year.

Whatever happens tomorrow, though, Ros is delighted with how her week has started with the notoriously quirky Isaac.

“I’m absolutely [thrilled],” she says, a beaming smile writ large across her face. “I’ve been practicing, since Luhmühlen, having him a little bit more in self-carriage and lighter. He’s obviously always been quite spooky, and so I’ve [often] kind of gone for the safety option of having him very secure, and that doesn’t show him at his best. So since Luhmühlen, I’ve been really trying to let him dance like he can — and I think we’re nearly there. Like, there’s more to come, definitely.”

It was one of the most secure, confident tests we’ve ever seen from the talented gelding, whose tendency to a fright has often made life just a bit trickier: last year at Pau, he delivered a smart 24.3 en route to eventual victory, but that test came after a dramatic overreaction to a cameraman, which prevented Ros from being able to ride around much of the outside of the arena before entering at A.

Ros Canter and Izilot DHI. Photo by Hannah Cole Photography.

Getting to the bottom of Isaac has been, and continues to be, a long process, and one that requires patience, tact, and lateral thinking.

“He actually is a calm horse — he’s just plain spooky, but he’s not actually hot-headed. He’s actually placid by nature, and he wants to be quiet, but he’s just got a really sharp flight instinct. So if he does spook, it tends to be very clear for everyone to see. Today, he had the odd peek, but nothing too violent,” explains Ros, who has adjusted how she trains Isaac throughout the course of this year in order to embolden him. At the start of the year, that meant no schooling at home: instead, he’d hack out, and if Ros wanted to practice flatwork, she’d travel him to different venues to give him exposure to new environments. Now, in the back end of the year, she’s begun to reintroduce working at home more.

“It’s changed a bit; I’m still not schooling him as much as I was, but I am now working him a bit, and it’s definitely paid off,” she says. Another major factor? At this time of year, he’s able to live out full time, which helps to settle his brain.

“He’s just always such a challenge in the spring, and when he’s still having to come in at night and things like that. As soon as we can, like, basically, in May, all our horses live out full time. They sometimes come in for one night for a competition if we’re leaving it two in the morning, but if not, if we can grab them in the dark, we do and just pop them on and go. He just loves the sun on his back out in the field, it completely changes his personality and his demeanor. So my life is easier at the moment!”

And when life gets easier with Isaac, Ros explains, he rewards all that patience and sympathetic training with an unrivalled feeling.

“He’s the most elastic horse I’ve ever ridden,” she says. “You only have to kind of clench your tummy muscles and tighten your backside, and he can kind of almost be a dressage horse. It’s an amazing feeling.”

Ros Canter and Izilot DHI. Photo by Hannah Cole Photography.

There’s still plenty of time to go – and another dressage test tomorrow, this time with Badminton champion Lordships Graffalo – before Saturday’s cross-country, but Ros, who retired at Badminton this spring when Isaac became overwhelmed by the huge atmosphere on cross-country, and then rerouted to Luhmühlen to lead the first two phases, is already thinking ahead about her plan of action.

“It looks pretty intense at the start to me, and I think certainly for Izilot DHI, you know, the narrow passageways into the main arena [at 4AB], that’s the kind of thing that would unsettle him. So if I can get him kind of out of Defender Valley [5ABC], the Leaf Pit [7ABCDE], back through Defender Valley [8AB], I think he’ll settle. I’ve got every faith in his jumping ability.”

Pippa Funnell and MCS Maverick. Photo by Hannah Cole Photography.

Second place is held at the lunchbreak by two-time Burghley champion Pippa Funnell, who had the unenviable task of following up Ros’s ride. And look, we’re not going to pretend that she, or anyone else, came even close to threatening Ros’s reign of supremacy, but the eleven-year-old MCS Maverick (Mill Law – Aroma) acquitted himself well in the arena to earn a respectable 28.3.

“It’s a good start, and a huge relief because, as everyone knows, it’s a little tricky with him,” says Pippa of her 2023 Bramham champion, who she’s been riding for just eighteen months and who is a hot, often challenging little horse. “But he was great, really great. The walk didn’t suit him, but he managed to walk, so that was good. We had one little jog, but I thought the pirouettes were going to be really tough, and theywere tough, but we sort of got better than ones and twos, so that was good. But the really exciting thing about the horse is, when he gets in the white boards, he’s starting to breathe more, which is all positive.”

“I’m sure,” she continues, “that there are going to be a lot of better tests, but at least I’m going out there still to be competitive, whereas I’m not sure how excited I’d have been about getting out there if I wasn’t in touch. So I’m pleased with him. There’s a lot of mental games that goes on with that horse at home, but the work he’s doing at home, I would say he’s nearly one of the best, most talented ones I’ve had on the flat.”

Pippa, too, has two horses this week, with stalwart Majas Hope to come tomorrow – “The one thing we have on our side is experience — we have a combined age of 73,” she laughs. She’s also busy coaching and mentoring some of her fellow competitors; taking part in book signings for her Tilly’s Pony Tales series; and appearing on Pony Club chat shows among her colourful schedule of obligations. It’s all another week in the office for the much-loved familiar face – but now, following the retirement from competition of several of her closest friends and longtime competitors, she admits it’s starting to feel just a little bit different.

“I’ve struggled a bit with the fact that two of my best friends, Tina [Cook] and William [Fox-Pitt] aren’t doing it anymore,” she says. “I know they’re both here, but it’s not the same – they’re not sitting in my lorry crapping themselves with me! They’ve got smug expressions on their faces, and it’s just me, now. I miss them, but I do still love riding the horses, so who knows? I have to say, [retirement] does play on my brain a bit, but the important thing is knowing the horses, which I do, well, and I know myself well, too. The nerves get worse and worse, so it’s mentally quite tough. All my career, I’ve thought about getting the horses right for it, and now, I’m thinking, ‘am I up to it?’ I don’t want to let them down.”

Tom Jackson and Capels Hollow Drift. Photo by Hannah Cole Photography.

One of Pippa’s proteges is close behind her in provisional third place, on a very close score of 28.6. That’s Tom Jackson and Capels Hollow Drift (Shannodale Sarco St. Ghyvan – Lucky Crest, by Lucky Gift xx), who were runners-up here in 2022 on a very similar starting score of 28.9.

“I think he’s done four five stars, and he’s done three 28s now, so it seems like we’re not improving,” laughs Tom. “But I think there was a lot more to like there. It’s just, you know, we always want a bit more, don’t we?”

Just one tricky change – now double-marked in this new CCI5* C test – precluded the pair from earning a higher mark. But despite that, it’s a joy to see how talented ‘Walshy’ has progressed physically – now, as a thirteen-year-old, he’s a picture of elegant muscle and flowing edges, and a very different type than the quite Irish young horse he once was.

“To look at him as a six, seven, eight year old, you wouldn’t have thought he’s necessarily a dressage horse, so he has to work a little bit harder to get that real picture, but it’s all coming together really nicely,” says Tom, who’s also placed fifth at Badminton both this and last year with the gelding. “He’s just a consistent performer, and I think that’s one of his strongest qualities. All l the way through his career, he’s just been super consistent. So hopefully he can finish as close or on 28.6, and we can be there or thereabouts on Sunday.”

Felix Vogg and Cartania. Photo by Hannah Cole Photography.

Switzerland’s Felix Vogg is riding an exciting wave following a top-ten finish at the Olympics with young Dao de l’Ocean, and today, he begins his Burghley campaign with Cartania in provisional fourth place, having put a 28.8 on the board.

You won’t find many event riders who’d celebrate that new double coefficient on the flying changes, but Felix, who trains on the flat with Bettina Hoy, was delighted by their inclusion, particularly on this mare, for whom they’re something of a party trick.

“Usually it’s one of my favorite things to do in a test,” he grins. “I see it as well a bit, as an exercise to loosen a horse and so on. And usually, if you start early enough, every horse has a flying change in the field, so they should do it as well under a rider.”

Cartania (Cartani – C Tenda, by Clinton) delivered very smart, tidy changes in her test, but lost fractional marks for some conservative work, which was something of a surprise to Felix after a few spicy days of settling in.

“She’s always a bit difficult the first few days when she arrives in show, but she showed some progress in the last days now, and got a bit sticky, I don’t know how you call it in English, in there, and didn’t really want to attack it. But I was really pleased with her.”

Harry Meade and Superstition. Photo by Hannah Cole Photography.

Today’s pathfinders, Harry Meade and Superstition (Satisfaction FRH – unknown, by Cordalame), round out the top five with a 32.1, a smart enough start for the gelding, who’s thrice placed at US five-stars but can be reactive in the ring.

“He gets a little bit over-awed with a crowd, usually,” explains Harry. “When I came out at the end,  he just froze after the end of the test. But I’m very happy with him. He’s a lovely little athletic horse, and I deliberately came up ten minutes before my test, did a very short warm up, and went in.”

That conservative approach is the thread running through ‘Slinky’s’ week: “I actually only brought him here yesterday. He did a light gallop at home, and then came up in time for the horse inspection, and then this was the first time he’s been ridden here. So I’m just very much trying to just keep it normal for him, not sort of over-pressurizing him with a big occasion.”

Harry, who initially had five entries here and was able to choose three, had some amount of sway over his drawn order as a result of his glut of horses, and going early without much atmosphere was definitely a perk for Superstition.

“It’s understanding each horse and trying to give them what they need individually. There’s always pros and cons going first. It’s not specific to these judges. It’s all judging, quite often, there’s a little bit of a trend to soften throughout the course of the competition. But you know, if I had to ride one first, I’m glad that the draw worked out that he had the quiet atmosphere,” he says.

We’re now heading into the afternoon’s session of dressage – join us soon for a full report from the latter half of today’s competition, and in the meantime, you can join Cheg for a live play-by-play and analysis over on our live updates thread. Go Eventing!

The top ten at the lunch break on Thursday’s dressage.

Our coverage of Burghley is brought to you by our incredible supporters, Kentucky Performance Products, your one-stop shop for science-backed nutritional products to keep your horse feeling their best at all times. They’ll even get on the phone with you to help you formulate a solid supplementation plan for your horse’s individual needs! We’d really appreciate your support of KPP, as they’re champions for our sport and beyond and are wonderful people to boot. Check them out here.

Defender Burghley: [Website] [Entries] [Timing & Scoring] [Burghley TV] [Tickets] [Cross Country Preview] [EN’s Coverage]

Defender Burghley Field Thinned By One at First Horse Inspection

Burghley pathfinders Harry Meade and Superstition. Photo by Tilly Berendt.

Nothing feels quite as back-to-school — in a nice way, not in an ‘I really hope I don’t cry in calculus this year’ way — than the Defender Burghley Horse Trials. Nearly always blessed with a bit of late-summer sunshine and a bold, diverse field of entries, it comes at that glorious cusp of the seasons that feels gilded. Gilded by that almost-autumnal light; gilded by the turning of the leaves; gilded, metaphorically speaking, by the rich history of the place and all its myriad stories, both micro and macro, that have played out at the event over six decades, and on the estate over six centuries.

France’s Gaspard Maksud and Kan-Do 2 make one of today’s great shows of purple-and-white styling — a sweet nod, no doubt, to much-missed Georgie Campbell. Photo by Tilly Berendt.

But even though that’s some hefty significance to bear, the other thing that always feels so notable about Burghley is the general air of relaxation. That feels like an odd way to put it, doesn’t it — it’s a five-star, after all, and not just any five-star, but the most dimensionally colossal one in the calendar, with a ditch you can park a, well, Defender in. But we’re in the final gasps of the 2024 season, which ends at the closing of October, and so all of us — riders, grooms, owners, supporters, members of the media, and spectators alike — are well bedded in. We’ve seen one another week in and week out. We’ve got no rust left to knock off. We’re aware, though in denial about it, that soon, we’ll all be battening down the hatches and pulling out the winter woollies, convening when we can at hunt balls and charity balls and end-of-season parties, but otherwise, back in our boxes until spring. So it always feels, here, like we’re enjoying it for exactly what it is. And that’s nice! We like that!

That’s not to say, though, that the week is without its tensions. They still come thick and fast, and this evening’s first horse inspection gave us our first taste of what the British quite charmingly (?) call ‘squeaky bum time’.

67 horses and their riders presented to a Ground Jury consisting of Paris judge Christina Klingspor (SWE), serving as president, Robert Stevenson (USA) and Nick Burton (GBR) — but at the end of the day, it’ll be 66 who’ll continue on to the competition. Three horses were sent to the holding box, where a quite remarkably thorough job was done of their examination by the vet, and while two of them — Switzerland’s Nadja Minder and Toblerone, and US representatives Andrew McConnon and Wakita 54 — re-presented and were accepted into the competition, one, British fan favourites Tom Crisp and his seventeen-year-old homebred Liberty and Glory, decided to withdraw.

Tom Crisp and Liberty and Glory. Photo by Tilly Berendt.

“It’s not going to be our Burghley this year. L&G was not her usual quirky self and simply just feels a bit off. Or in our case a suspected bruised foot. It was an easy decision not to represent, you can’t tackle a track like this without feeling 100% and she would undoubtedly give it her all,” writes Tom on his social media pages. “Huge thanks to everyone for their understanding and support[.] Gutted but also grateful and honoured to have achieved some wonderful results with this remarkable little mare around this track. She owes us nothing, and can come home for lots of pampering and a bit of R&R.”

Tom McEwen and CHF Cooliser, and also a serious bit of hat. Photo by Tilly Berendt.

British footwear behemoth Fairfax & Favor once again awarded best-dressed prizes to two competitors: Tom McEwen, who’ll pilot Vicky Bates and David Myers’ fourteen-year-old CHF Cooliser (Womanizer x Ramiro B) took one of them, while Bella Innes Ker, who’ll ride the twelve-year-old Highway II (Baltic VDL x Voltaire Pref), who she co-owns with Benjamin Chan and Milly Soames, won the other.

Bella Innes Ker and Highway II. Photo by Tilly Berendt.

Tomorrow sees the first half of the entries take to the dressage ring, starting with a guinea pig test from Kitty King and her 2018 Six-Year-Old World Champion Cristal Fontaine, which will serve to get the judges’ eyes in and objectives aligned ahead of the real deal — and will give Cristal Fontaine the chance to practice his ringcraft ahead of a planned trip to Boekelo next month. The first competitors in the ring will be Great Britain’s Harry Meade and the first of his three rides, Superstition, who’ll be entering at A at 9.30 a.m. local time/4.30 a.m. EST. He’ll be followed into the ring by last year’s Pau winners, Ros Canter and Izilot DHI, which should give you some idea of the incredible quality of this year’s entries.

Mia Farley and Phelps. Photo by Tilly Berendt.

If you’re tuning in specifically to support the strong US field of entries, and want to manage your sleeping/live-streaming life-balance, you’ll be able to see them in action at the following times:

14.07 BST/9.07 a.m. EST: Jennie Brannigan and FE Lifestyle

15.34 BST/10.34 a.m. EST: Mia Farley and Phelps

The full starting times for tomorrow can be found here, and Friday’s line-up can be perused here.

There’s just one place to get the live-stream for this week’s competition, and that’s Burghley TV, so if you see anyone on Facebook promising you access to a stream at any other link, even if it looks like it might be a Burghley profile, don’t click it – instead, head direct to the source and get your subscription sorted for a one-off payment of £20 (that’s about $25). That’ll give you each day’s live-stream, plus magazine highlights programmes, the full course preview, and access to jam-packed archives going back decades, too. You’ll be able to use the service for one year from sign-up, and truly, it is the gold standard of event streaming subscription packages, so whether you’re blocking out time to watch it all as it happens or catching it on-demand later, you’ll find you get plenty of bang for your buck here. You can also tune into Burghley Radio for free here. We’ll be bringing you wall to wall coverage of the competition here at EN, too, with plenty of supplementary content and in-depth reports, too, starting in tomorrow’s lunch-break. Until then, you can head over to our Ultimate Guide for a quick and easy round-up of all the info and links you need, plus all our coverage.

Go Eventing!

Our coverage of Burghley is brought to you by our incredible supporters, Kentucky Performance Products, your one-stop shop for science-backed nutritional products to keep your horse feeling their best at all times. They’ll even get on the phone with you to help you formulate a solid supplementation plan for your horse’s individual needs! We’d really appreciate your support of KPP, as they’re champions for our sport and beyond and are wonderful people to boot. Check them out here.

Defender Burghley: [Website] [Entries] [Timing & Scoring] [Burghley TV] [Tickets] [Cross Country Preview] [EN’s Coverage]

Tuesday News & Notes from Kentucky Performance Products

Feeling the post-Paris blues still? Then you’ll be delighted to hear that you don’t have to – because today, the Paralympic dressage gets underway in Versailles, and it’s very bit as exciting as the Olympic competition was, and often much more emotional. You can catch up on the need-to-know info from the FEI in this informative guide, and get to know two key competitors in this piece from the Olympic hub. The FEI’s own hub, with medal recaps and handy info, is available here, and you can stream the competition on the Paralympics YouTube channel – here’s a link with more info for viewers regardless of country.

Events Opening Today: Hagyard Midsouth Three-Day Event, Maryland 5 Star at Fair Hill, Windermere Run H.T.

Events Closing Today: Unionville International H.T., Twin Rivers Fall International, Meadowcreek Park H.T – Fall Social Event, University of New Hampshire H.T., Heritage Park H.T., Honey Run H.T.

News & Notes from Around the World:

The Paralympics are well underway, and there’s already high drama in Versailles. Gold-medal contenders Tobias Thorning Jørgensen and Jolene, who took the gold in Tokyo, have sadly withdrawn from the competition after the mare was diagnosed with travel sickness. This is a huge shake-up for the competition: the pair have several years of being undefeated at senior Championships under their belts. Here’s the full story.

A little closer to home (for most of you guys, anyway – Paris is definitely closer for me!), let’s look ahead to the YEH Championships. Or, more specifically, to one lovely young Thoroughbred, who’s being aimed for the finals and enjoying his early education en route. Meet him here and find out how that progression has been planned.

Age classes are great and all, but you also never need to put a timeline on success. That was proven in fine style by Roisin O’Rahilly, who, at 81 years old, became the Beginner Novice Master Amateur at the AECs. Riding her delightful Happy Times, the Century Ride award-winner led from pillar to post to secure the title on her first trip to the AECs, and her first competition at the hallowed Kentucky Horse Park. Check out her story here and remind yourself: it’s never too late to do exactly the things you dream of the most.

I’m sharing this for a really specific point made within it, which I wholeheartedly agree with. The author, looking back on when she was a horse-mad college student hoping to become an equestrian journalist, recalls a sage bit of advice, which is that no one in the industry will take her seriously unless she, too, knows what it’s like to feed the horses in sub-zero temperatures. And so she embarks on a quest to gain as much hands-on experience and knowledge as possible of the industry she wants to write about – which is, alongside reading prolifically, the first piece of advice I give to all aspiring journalists who message me. Get out there, get your hands dirty, and learn this world on an intrinsic level – and in the evenings and in your free time, get so hungry for words that you give yourself over to your bookshelves, so that evocative, expansive, inimitable sentences also become intrinsic. You can read the rest of the piece here, and maybe one of these days I’ll organise my thoughts enough to write out something like sage advice.

Sponsor Corner: What makes some hay higher in sugar than others? If you work with a horse with metabolic issues, you know how frustrating it can be to find low sugar hay. Kentucky Performance Products has some answers that might help you in your torturous hunt for low sugar hay. Get the full scoop here.

Watch This:

Relive the winning cross-country round of Wills Oakden and Keep It Cooley, who took the CCI4*-L at the last-ever Blair Castle in Scotland last month:

Monday News & Notes from FutureTrack

Happy Monday, ENers, and happy Burghley week! The leaves are starting to turn, the morning air has the faintest crisp note cutting through that latent warm air, the shelves in the supermarkets are packed to the gills with back-to-school supplies and slogans, and, back as always to herald in the eve of autumn is the world’s biggest CCI5*. And what a week we have ahead of us: there’s one of the event’s best-ever entry lists, even despite the Olympics this summer, a brilliant new course by Derek di Grazia, which we’ll be unpacking for you soon, and a weeklong forecast very nearly packed to the rafters with sunshine. Bliss!

We can’t wait to touch down on this holy ground, but in the meantime, we’ve got so much goodness to bring your way. A beefy form guide? Check. Some hugely committed team picks? Check. A course preview? Check. At-a-glance guides to the field? Check, check, check, baby! And then we’ll be diving wholeheartedly into the action from Wednesday, bringing you more inside intel than you can shake a stick at each and every day, and then, once it’s all wrapped up and we have our Burghley 2024 champion crowned, we won’t feel guilty at all about heading home for a duvet day to rewatch it all on Burghley TV, tucked up in a knitted blanket and eating pumpkin soup. There’s something about the first couple of weeks of autumn, and the weeks leading into it, that make me feel very Gilmore Girls, and so, by extension, Burghley is also our most Gilmore Girls event. Derek di Grazia? SUCH a Rory.

National Holiday: It’s Labor Day! This important holiday doesn’t just mark the beginning of the end of summer, it’s also a celebration of labor unions and all the hard work they’ve done to create safer, fairer, more equitable working environments. But we still have a lot of work to do, especially in the still-largely-unregulated equestrian industry. We recommend checking out super organisations such as the International Grooms Association, British Grooms Association, and the USEA Grooms Program to find out more about how industry workers can be better protected and represented.

US Weekend Action:

USEA American Eventing Championships: [Website] [Results] [Official Photographer]

Equestrians’ Institute H.T.: [Website] [Results]

Seneca Valley Pony Club H.T.: [Website] [Results]

Bucks County Horse Park H.T.: [Website] [Results]

Your Monday Reading List:

There are so many incredible stories coming out of the AECs from throughout the final leaderboards. One I loved? The tale of the plucky Hickory Lane Equestrian Team, who rallied together to regroup after a surprise tornado swept through their stables, tearing down their indoor arena in the process and destroying many of their jumps. Rather than being sidelined by the disaster, though, they got creative, riding in the fields and on the cross-country course, which, actually, probably did them the world of good – I’m a huge advocate for schooling on terrain, because it make it so natural to be surefooted when you’re then riding at speed across it. Meet the team in this lovely story and find out how they made it work, and how they got on in Kentucky.

Another great set of characters from the AECs here! Jocelyn, a rather magnificent Clydesdale cross, wasn’t ever even meant to go eventing, but a bit of happenstance led to her having her first outing, which then escalated into a run at the AECs in the Starter division. I was at the final-ever Defender Blair Castle International the other week and one of my favourite moments was watching the ridden Clydesdale class, so you better believe I’m hatching a plan to storm around a course on a ginormous feathered steed as soon as I possibly can, now. I’d take a catch-ride on Jocelyn if it was offered.

Is your stabled horse stressed out because of boredom? So many of us fill our horses’ stables with the essential comforts they need – plentiful water, hearty hard feeds and forage, fresh bedding – but neglect to provide enrichment, which is just as important. This interesting piece shares both the effects and causes of boredom, and how you can set your horse’s stall up to keep him occupied and engaged even when he has to be inside. It’s an effort that’s well worth making, and actually, creating enrichment opportunities is really good fun – and there’s a lot that can be learned from the zookeeping world here, too. A friend of mine used to be a groom and then became a zookeeper specialising in hoof stock, and some of the ideas she was able to bring to her animals’ enclosures were fascinating. Dive on in to the piece here.

Okay, so you know from scanning social media comments that you definitely don’t want your horse to be behind the vertical. But do you know why? The mechanics of how this common problem affects your horse’s body, and the incorrect emphasis it puts on various structures, is well worth being clued in on, because knowing about it will help you to counteract it and ride effectively and correctly. Then, you’ll find your horse becomes more uphill, more balanced, and more supple and connected, making flatwork a breeze — while also keeping him or her happy and comfortable. Win, win, win!

Morning Viewing: 

The first ride on a young horse is a momentous milestone – here’s an insight into how it happens.

Tuesday News & Notes from Kentucky Performance Products

How cool is this? Justine Dutton-Barnard’s former four-star eventer, Huck Finn, partnered Justine to some of her greatest successes in the sport, including riding on the British team at Nations Cup level, is still going strong at the age of 23, cruising around the lower levels with his devoted kiddo, Sienna. They enjoyed their eventing debut together last week, finishing a very impressive second in the Starter division. What a treat for them both to have one another!

Events Opening Today: The Event at Isaacks Ranch, Morven Park International & Fall Horse Trials, Pine Hill Fall H.T., Radnor Hunt H.T., Poplar Place Farm October H.T.

Events Closing Today: The Fork at Tryon, Aspen Farm H.T., The Event at Skyline, Flying Cross Farm H.T., Otter Creek Fall H.T., Marlborough H.T., GMHA September H.T., The Vista Fall YEH/NEH Qualifier

News and Notes from Around the World:

Forgive us, father, for we’re about to go AECs mad. Confession time: I lived in the US for a decade or so, until I came back to the UK when I was nineteen, and to this day, the AECs is one event I’d love to compete at. I know, I know! I’m surrounded by the best of British and European events! There are so many iconic competitions beginning with ‘B’ I could daydream about! But I remember seeing the unbelievable prize hauls, the very cool courses, and the sheer fun of the AECs writ large every summer and that, my friends, is what I want. So you better believe I’m living vicariously through today’s daily round-up from US Eventing, because it’s got all the info I need to follow along from afar.

While I wait for the US to wake up, though, I’ll get myself in the mood with a good podcast, and I recommend you join me. The latest episode of the US Eventing Podcast has some of the primary bods and brains behind the organisation of the event at the mic, as they discuss the biggest-ever running of this very, very cool competition. Give it a listen here.

If you’re competing this week, whether at the AECs or elsewhere, you’ll want to make sure you’re looking your best and most professional in the ring. Dressage riders are generally much better at that sort of thing than us grubby eventing types, so it makes sense to get advice from one of them, rather than one of us. Canadian dressage rider Hannah Beaulieu shares her tips for top rider turnout in this piece.

William Fox-Pitt is about eight feet tall, but the Burghley fences still look big next to him. He walked the course with Horse & Hound for an in-depth analysis session, which will be coming soon in an issue of the magazine, and they’ve released some sneak peeks of the big man in action on Derek di Grazia’s very cool course. Keep it locked on EN, too, because we’ve got plenty of insights coming this week for you as well!

Speaking of Horse & Hound, they’ve just quite an exciting job role open up. They’re looking for a new showing editor to work part-time, three days a week from home, with occasional trips into the office and, we reckon, lots of opportunities to travel around the UK to cover the world of showing. We know that sometimes, the showing editor gets roped in to help with major five-stars, too, so if you’re a British-based wordsy type with a love for both disciplines, consider popping your application in before the September 9 deadline.

 

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Sponsor Corner: What makes some hay higher in sugar than others? If you work with a horse with metabolic issues, you know how frustrating it can be to find low sugar hay. Kentucky Performance Products has some answers that might help you in your torturous hunt for low sugar hay. Get the full scoop here.

Watch This:

Ever fancied producing your own young horse from the ground up? We reckon this vlog series showing the whole process — warts and all! — will give you both inspiration and education to help you prepare.

Monday News & Notes from FutureTrack

Saying goodbye is hard to do, and even harder when you know it’s the final time. Scotland’s emblematic event, the Defender Blair Castle International, is no more following its culmination yesterday, as the estate will now be used for regenerative farming, and Scotland’s premier event will be a new fixture at Scone Palace from next summer. But what a thrill for the final hurrah to end up with a win for Wills Oakden, who is one of Scotland’s few top-level professionals, and who has now won the 2*, 3*, and 4* in consecutive years on the same horse, Keep It Cooley. A fitting farewell to a wonderful event — and a big thank you to the team of organisers and volunteers who’ve made this such a special part of the eventing world for so long.

US Weekend Action:

Bouckaert Equestrian H.T. International (Fairburn, GA): [Website] [Results]

Shepherd Ranch Pony Club H.T. II (Santa Ynez, CA): [Website] [Results]

Town Hill Farm H.T. (Lakeville, CT): [Website] [Results]

UK International Results:

Blair Castle International (Perthshire, Scotland): [Website] [Results]

European International Round-Up:

FEI Junior and Young Rider European Championships (Strzegom, Poland): [Results]

Lisgarvan House International (County Carlow, Ireland): [Website] [Results]

Your Monday Reading List:

That win for Wills Oakden at Blair couldn’t have been a more fitting finale. Horse & Hound caught up with him to find out more about the exciting nine-year-old Keep It Cooley and unpack his thoughts on what comes next following the sad loss of this much-loved event.

This is an interesting investigative piece on Alicia Dickinson, who has been alleged to be — though denies being — the whistleblower in the Charlotte Dujardin scandal. Just to be very clear here, I don’t subscribe to the notion that a dodgy alleged whistleblower means that the severity of the scandal itself is diminished — I think if there’s something to whistleblow, that’s a big problem in its own right and the focus on it shouldn’t be sidetracked. But the separate story that’s now unfolding about the seemingly dodgy business practices around Dickinson is interesting and worth following through — if only to bring more awareness to some of the less savoury consumer models that exist in our largely unregulated industry.

What is your understanding of ‘good hands’? If it’s perfectly still, totally quiet hands, then you might be missing a crucial piece of the puzzle. This piece on COTH makes for great reading and will help you level up your rides this week.

Morning Viewing: 

Catch up on all the Young Rider cross-country action from the European Championships here.

Tuesday News & Notes from Kentucky Performance Products

 

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Tuesday’s always a key day each week for US-based eventers — because that’s the day that event entries around the country open and close. As always, we’ll be running you through today’s fixture deadlines before we dive into the round-up of links and articles, but I wanted to make a special mention to one event that’s closing entries today. That’s CDCTA Fall H.T. in Berryville, VA, which has taken on board lots of competitor feedback and implemented some really exciting, very welcome changes to their horse trials, including a new layout, with relocated showjumping and dressage arenas, lots more space to warm up, and some very cool new tracks, too.

That’s just the tip of the iceberg, though. New at CDCTA Fall is the CDCTA Team Challenge, open to groups of four riders and held by level, so you can compete at Modified/Training, Novice, Beginner Novice, or Starter/Intro. There’ll be great prizes on offer, and ceremonies following each division, and best of all, there are no additional fees for entering a team — you just need to corral your barn pals and eventing buddies and pop Coree Reuter-McNamara at [email protected] with any of your questions. Coree will also be able to slot you into a team if you don’t have quite enough people, or if you’re coming to the event solo and still want to get involved. This feels like an AMAZING way to make new friends on the circuit, frankly.

CDCTA is also putting on an Instructor Incentive Program, and the trainer with the most students competing at CDCTA Fall will earn themselves a free entry for next spring’s event. Here’s a quick look at the rules:

  • competitors must declare their instructor
  • can only declare one instructor per horse show
  • every rider/horse combination that starts the event will earn 1 point for the instructor
  • must email Stephanie with instructor at [email protected] with your entry in order for it to count
  • the instructor who brings the most students will win entry to the next show
  • entry is non-transferable and must be used by the instructor
  • riders must start dressage in order for the instructor point to count

Happy entering! Here’s a look at the rest of those key openings and closings today.

Events Opening Today: Middle Tennessee Pony Club H.T., Miami Valley H.T. at Twin Towers, Apple Knoll Farm H.T., The Maryland Horse Trials at Loch Moy Farm, Ocala Fall Horse Trials

Events Closing Today: USEA MDHT YEH Qualifier, CDCTA Fall H.T., Five Points H.T., Flora Lea Fall H.T.

Tuesday News & Notes from Around the World:

44 combinations will tackle the Advanced class at the 2024 American Eventing Championships. Take your first look at the field of entries, and start picking your favourite for the win, with this quick run-down from US Eventing. Who’s the busiest rider in the class? Which horse is the oldest? All that and more, inside.

Speaking of the AECs, I’ll tell you something for nothing: I’ve always been so envious of the plethora of amazing prizes that winners get. This year’s no exception — there’s $100,000 in prize money up for grabs and so many different physical prizes that the article listing them all feels a bit like an epic poem. Saddles, riding gear, boots, supplements, treats — you name it, you can probably walk away from the AECs with it. Check out the full haul here.

Run this one through your translator (and try to ignore the fact that they used a header photo of Lara de Liedekerke-Meier) — this is a lovely interview with Belgian stalwart Karin Donckers, who became the National Champion once again over the weekend at Arville, riding her longtime partner Fletcha van’t Verahof, who’s still thriving at nineteen years old. There’s some great insights into Paris in here, too, like why Karin went with Fletcha’s younger brother, Leipheimer, instead of the big man himself, and what might be next on the horizon. Give it a read here.

It’s nearly Paralympics time, and if you tune in for the dressage, you might be confused to see a second horse in the arena. That’s what’s called a ‘friendly horse’, and it’s an essential role in this remarkable competition. Find out more about their duties in this interesting piece from H&H.

And finally, modern pentathlon has said its goodbye to the showjumping phase at the Olympics. Paris was its last hurrah — and arguably yielded better pictures of the sport than Tokyo — but what’s the legacy left by its existence in the sport, and how did the Olympics actually work for horses and riders? If you read one thing today, it’s well worth making it this fascinating dive into the thorny topic. 

Nicolas Touzaint and Absolut Gold HDC. Photo by Tilly Berendt.

Sponsor Corner: Entries for Defender Burghley are starting to pour in! Now up to 77 entries, the growing field features fan favorites like Ros Canter and Lordships Graffalo, Austin O’Connor and Colorado Blue, and Cooley Rosalent, ridden by Oliver Townend. Interested in supporting Mia Farley and her intrepid OTTB Phelps on their journey to Burghley? Buy a Phelps jacket here.

Eventing Nation’s coverage of Burghley is brought to you by Kentucky Performance Products. For over 25 years Kentucky Performance Products has been committed to producing high-quality, research-proven supplements. Shop their range of proven supplements here.

Watch This:

Nothing to see here, just two legends of the sport enjoying some quality BFF time together.

Monday News & Notes from FutureTrack

 

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Travelling reserves and ‘fifth men’ have the hardest jobs at the Olympics, and you won’t convince me otherwise — and 23-year-old Calvin Böckmann spent time in each role for Germany in Paris, first as the fifth and then stepping into the TR role when Julia Krajewski was subbed in for Sandra Auffarth. And so, in the aftermath of those weeks of waiting in the wings, working tirelessly to ensure a perfect performance that may or may not even happen, it’s amazing to see him take the win in the ferociously competitive CCI4*-S at Arville, where he bested approximately eight gazillion entrants to ride to victory with his Paris mount, The Phantom of the Opera. We’ll be bringing you lots more with this brilliant rising star soon — not least because we hear he has something rather exciting planned for the autumn season! Here’s to brilliant results and just rewards for all our unsung Olympians.

National Holiday: It’s National Potato Day. Don’t even get me started on an ode to horse show cheesy chips, because you won’t stop me. 

U.S. Weekend Action:

Applewood Farm YEH & Mini Event (Califon, NJ): [Website]

Bromont CCI-S Horse Trials (Bromont, Quebec): [Website] [Results]

Caber Farm H.T. (Onalaska, WA): [Website] [Results]

Full Gallop Farm August HT (Aiken, SC): [Website] [Results]

Genesee Valley Riding & Driving Club H.T. (Pending USEF Approval) (Geneseo, NY): [Website] [Entries] [Ride  [Results]

Hunter’s Run H.T. (Metamora, MI): [Website] [Results]

Ocala Summer H.T. II (Ocala, FL): [Website] [Results]

The Event at Archer (Cheyenne, WY): [Website] [Results]

Waredaca Farm H.T. (Laytonsville, MD): [Website] [Results]

UK International Events:

Frickley Park International and Regional Championships (South Yorkshire): [Info] [Results]

European International Events:

FEI Nations Cup (Arville, Belgium): [Website] [Results]

Your Monday Reading List:

We’ve been overdue an update on the Eric Lamaze scam of the century (allegedly), and here it is: further confirmation that he is, indeed, a very, very naughty boy (again, allegedly, which I think is something we have to say to protect ourselves legally, or something). Read the latest here and scratch your Anna Delvey itch.

Never heard of craniosacral therapy? It could help your horse feel his very best. Here’s an interesting insight into how it works, what it can do, and how you can incorporate it into your own daily routine with your horse. Give it a go.

I’m always amazed and inspired by people who transform tremendous grief into something that helps people. That’s exactly what Suffolk’s Christine Nicholls is doing in honour of her late son Ollie, who passed away at the age of 27 from a brain tumour. She’s putting on The Ollie Nicholls Memorial Show on September 8, which will hold a wide array of classes and raise money for The Brain Tumour Charity. You can find out more, learn how to take part, and support the show here.

There are few things I love more than spunky Connie crosses. Margo Goldfarb’s Ridgetop Pirate Blue is a perfect example. This king of ping will head to the AECs ready to take over the world, and Margo, who’s balancing grad school with her eventing ambitions, is no slouch either. Meet them in this piece from US Eventing.

Morning Viewing: 

Okay, we’ve convinced you now, haven’t we? Catch up on all that Arville CCIO4*-S cross-country action here!

Paris, In The Past Tense: Dispatches from Three Weeks in the City of Light (Part One)

Me and EN’s Sally Spickard in Paris – the culmination of an awful lot of work and dreaming.

I’ve been home from the Paris Olympics for just over a week now, and I’ll admit that that week has felt a bit like I’ve been sleepwalking. But now, with the dust settling and the image of Tom Cruise’s little legs sailing through the Stade de France nearly washed out of my prefrontal cortex, I think I’m ready to start delving into the Olympics that was — for better and for worse. This’ll be a two-parter, because I have too many thoughts and too many opinions, and for that, I am not sorry.

On getting my moment

This was my first crack at an Olympics, and one that’s felt so long in the making. In 2012, I managed to get a single cheap-seat ticket to see the eventing finale, for which I caught a 5am train so I could watch every second of the horse inspection, and at which I felt a special thrill of pride because I was, at the time, working a few days a week for Marietta Fox-Pitt, mother of competitor William. In 2016, I was working a summer job for an equestrian PR company at the very start of my media career, and watched every second of the live stream while reading and re-reading the Olympic rule 40 so that I could ensure that we didn’t misstep in any of our clients’ campaigns. (This is something, by the way, that all PRs really need to be doing, because man, some of them really flirted with getting their athletes disqualified over the course of the Games this year.) In 2021, I provided remote coverage to support our on-site reporter in Tokyo. And this time, I got my moment, both as a photographer and as a journalist.

If you follow me on Instagram, you’ve already had to sit through me waxing lyrical about everything that this Games meant to me, so you’ll probably want to skip to the next section for less navel-gazing and a bit more actual recap. But I’ll start here again because – I don’t know, really. Perhaps because I’m having a main character moment; perhaps because this has been something I’ve worked towards for so long that I know I have to afford myself the time and the space to sit with it, and all that it means.

 

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I didn’t necessarily have a conventional, nor an easy, upbringing. But throughout my childhood, and then into my teens, and finally into early adulthood, one thing kept my feet on the ground and my focus on the future: the Olympics. Inexplicably the Olympics, really, because I was the only person in my family who was keen on horses and so I fed the dream myself from the pages of old books and issues of Horse & Pony magazine; with posters of Mary King and VHS tapes of decades-old Games footage.

There was so much that was out my control around me, so much that caused me pain, but dreaming of the Olympics staved off the hopelessness and gave me something to work towards all the time. Did I believe, when I was younger with my head in the clouds, that that would ultimately result in me competing at the Olympics? Totally! Did I go through a tough and odd and tricky adjustment process in my early twenties when I realised that trying to ride full-time didn’t make me happy and that my path towards the Olympic end-goal was actually a bit different? Absolutely. Would I trade any of it? Not a moment.

The Olympics – or what they represented to me – got me to leave home for the first time just after my seventeenth birthday, to move 800 miles away and work for a former Olympian. They got me to move, with just enough money for a one-way ticket, back to the UK when I was nineteen, to balance pursuing an education with working on yards in the sport’s mecca. They kept me focused, kept me moving, kept me believing that any circumstances can be changed if you dream and you work. And in its own way, Paris – the other world I’d always escape to in my brain – did the same thing for me.

When I took a brief break from Olympic dreaming ten years ago, I got a job as an au pair and moved there for a while, to write and create and explore. It was only after Paris that I realised that the mixing of the two worlds – the Olympic dreaming and the writing and creating – were where I’d find the path I was meant to tread.

When it was announced, back in 2015, that Paris was bidding to host the 2024 Games, I made a promise to myself: I would be there, not as a spectator, but as a member of the media. I was still, in 2015, a freelance groom, still trying, and failing, to land pitches with editors who had no reason to open my emails; still wondering if maybe I was barking up the wrong tree and wasn’t ever going to be good enough to get a foot in the door.

But I made that promise. And I’ve kept that promise. The Olympics isn’t about me, obviously. But in a funny sort of way, maybe it is – because maybe the whole point of it is that it’s about all of us, and the way its thread weaves through the unique tapestry of each of our lives.

And so I made a plan to head down to Paris five days earlier than I’d initially planned, to rent myself a sweet little AirBNB in the north of the city, and to give myself an early start at getting into the bubble. There was plenty of tricky stuff going on in my life outside of Paris, and so, I thought, the greatest service I could do myself was to be wholly selfish and really live my Paris 2024 dreams. Days and days of me, and Paris, and a stack of books and a film camera and a chance to reconnect with my own ideas and my own headspace. It’s the best thing I could ever have possibly done, except now I think I want to move back to Paris.

Equestrian media challenge, level: Olympic

Getting accredited as a journalist or a photographer for the Olympics is nearly as hard as getting selected to compete at them, and the process starts years in advance and involves jumping through a few bajillion hoops along the way. Even once you’ve got the coveted accreditation, the challenges are far from over: as a photographer, it’s much harder to break even on the trip, because you’re so limited in how you can sell your images, and everything is a whole heck of a lot more expensive – getting a coffee on site ran me nearly eight Euros per cup, and a sandwich and a cold drink at lunch was nearly twenty every day. Having a car, so we didn’t have to rely on several hours of commuting via public transport each day? A cool thousand dollars (but so, so worth it). Two rooms in the media hotel? At least a few thousand. In a Holiday Inn Express that charged you extra to park. None of it’s cheap, and none of it’s easy – not least the work itself.

The logistical challenges start early: yes, there’s that interminable accreditation process, but that’s actually kind of fun in an anxiety-inducing  sort of way, because at that point, the novelty value of paperwork hasn’t worn off. As you get closer to departure, though, and you’ve filled out eight million forms and read and re-read the Photographers’ Undertaking contract two hundred times to ensure you don’t end up in Olympic Jail, and you’ve inventoried and weighed every bit of camera equipment you’re bringing with you so you can pay an eye-watering amount for a customs carnet that allows you to bring your work stuff to France and back again without being charged import duties on it, you do start to wish you had a personal assistant to do all this stuff for you.

And then there’s what that carnet faff adds to your actual journey time: I live just under two hours from the ferry port, so would ordinarily leave the house three hours before departure time. With a carnet stop-off half an hour from the port, which takes any amount of time from ‘an annoying forty minutes’ to ‘just shy of forty years’, depending on your luck, and then another carnet stop-off on the France side, somehow, getting from my house to Paris took me the better part of thirteen hours. It is, I cannot stress this enough, not that far away. But, I told myself at the time, I am on a noble and exciting quest, and I will Instagram it all. While wearing a very serious Cool Runnings t-shirt.

I was feeling very Olympic that day, it’s true.

I’m glad that the Paris Olympics came to me at this point in my career, with eight years of experience under my belt – because I needed to use every bit of it. While I didn’t spend any time in the mixed zone, where media representatives get their post-ride interviews with riders, that had its challenges, too – no riders would come, then lots all at once, or the TV or mainstream media would take so long that by the time they trickled down to specialist press, there was an overlap of competitors or they’d all run out of steam. Sally fought the good fight for us in there, gathering quotes that we could both use to produce long-form analysis pieces later on, while I battled with the unique challenge of shooting the Games.

I’d thought that shooting an Olympics might actually be easier – the photo points would be top-notch, the backgrounds and branding would be clean and considered, allowing for the kind of iconic images you always see at other venues, with an athlete and the rings and nothing much else. But equestrian sport brings with it a level of clutter that you just don’t really get in any other sport.

The arena was full of stuff, and, in any jumping phase, of people, who moved around constantly and didn’t seem to gravitate towards any fixed spot, so if you were lucky enough to find an angle that gave you a clean shot of any fence, you might find it totally blocked by someone at exactly the moment you needed to get the photo of it. The beautiful Paris branding was obscured by a white fence around the perimeter, so getting a shot of the Olympic rings was nearly impossible, and the beautiful backdrop of the Chateau de Versailles had the bright sun directly behind it throughout much of the day.

Remote cameras became one of the most reliable ways to secure a shot – even though remotes are notoriously the most unreliable tool a photographer can use. The Olympics represented my second time ever using them, and they saved my bacon a few times. Here’s Louise Romeike and Caspian 15 of Sweden in the team showjumping round. Photo by Tilly Berendt.

All of us, I think, found it incredibly hard to create clean, creative, exciting imagery as we struggled away in the heat; that feeling was compounded on cross-country day, when we got out on course and simply couldn’t move through the sea of people.

I’m used to being able to move quickly in and out of arenas, to getting action shots and then chase down emotional candids, to slipping into well-placed photo pens to get a full view of entire complexes on cross-country – in Paris, all of that went right out of the window and much of it became a survival game. There was no getting-in-and-out quickly; there was no time or space or room for complacency, either, and you had to constantly reevaluate what your goal shots for the day would be.

And more remotes! This time, I opted to set my camera between the wings on this oxer in the individual final. The pop of red on Boyd Martin’s showcoat makes this shot of him and Fedarman B one of my favourites of that run of remote snaps. Photo by Tilly Berendt.

I didn’t take my favourite photos of my career, as I’d hoped to, but I learned a huge amount and I had the challenge gun put to my head, and, for the most part, I think I managed to dodge the bullet of failure. I think everything this season will feel easier in comparison, but I also think that if I don’t now push myself to the next level, and set myself bigger challenges off the back of the Games, then I’ll have missed a real trick. The Olympics certainly forces us all to use everything we’ve learned along the way, even when it’s really, really tough to do so. And even when there’s always, always some random man in your way.

On getting their moment

I wasn’t on site in Tokyo – instead, I provided remote support from the UK for EN editor Sally Spickard, which felt, probably, much the same as actually being there. The time differences meant that I worked odd hours in solitude, often putting in 18 to 20 hours per day on live updates, web stories, previews, and multi-sport round-ups, and that unique FOMO and disconnect that I felt from my little bedroom south of London actually probably wasn’t eased much by being in Tokyo in the depths of the COVID pandemic.

There would be no hugging friends after they smashed their personal best in the ring; there would be no grabbing dinner with colleagues at the end of the day to debrief on what had played out in the ring. And most notably, there would be no swell of support from an enthusiastic audience to bring those winning moments to life.

A sea of (very loud) supporters at Paris 2024.

Now, three years later, Paris felt like the total opposite of that. I knew that it would be an extraordinary atmosphere – my years of experience of reporting on events in France has shown me that no nation in the world has so much enthusiasm for equestrian sport, and I’ve routinely seen spectators burst into spontaneous, noisy tears at the sight of one of their riding idols.

But even I wasn’t prepared for just how much buoyant, brilliant commotion the French could cause. It sounded as though the grandstands might collapse every time a French competitor rode into the ring, because the 16,000 or so spectators would stamp their feet and clap their hands and roar with an intensity I’ve never witnessed before. On cross-country day, you could close your eyes and guess with absolute accuracy where on course you might find a rider, but especially a French one. And when anyone went well, or won a medal, the support was extraordinary and expansive and almost overwhelmingly emotional to witness.

Kazuma Tomoto, right, is the embodiment of joy on the Paris podium. Photos by Tilly Berendt.

Throughout it all, I was so, so happy that so many of Tokyo’s competitors were there to be able to finally, really get their moment of glory. You could see what it meant to the likes of Laura Collett and Tom McEwen, who had won team gold in Tokyo in front of nobody, most of all; when Germany’s Jessica von Bredow-Werndl defended her Olympic individual dressage title, too, though, it palpably hit her on the podium.

The Japanese team, who had such a tricky Tokyo but were buoyed by a fourth-place finish for Kazuma Tomoto, were as jolly as it’s possible to be when winning bronze in Paris – they joked and laughed and fooled around on the podium, while Kazu, whose wife and young child are still at home in Tokyo, much-missed every day as he trains in the UK, simply smiled and shook his head in disbelief, looking first at his medal, and then up to the sky, scrunching his nose as joy and overwhelm played out across his face.

If you look up the word “finally” in the dictionary, I feel certain you’ll see him there, getting the moment he, and so many of his competitors, were owed. I’m glad for them; I’m glad for us, in the media, getting the real deal experience again; and I’m glad for fans of the sport, who will have been a part of something they’ll never forget in Versailles.

On exposure, for better or for worse

One of the greatest things about the Olympics, whether you’re taking part in the Games in any capacity or following along from afar, is the all-encompassing expansiveness of it. Its moments, macro and micro, are writ large across social media, be that because they’re turned into memes – we all know a little bit more about pole-vaulting thanks to one Frenchman and his, um, particular set of skills – or form the basis of intensive debates, as in the women’s boxing, or become an inspiring rallying point for us all to find some unity in enjoying, such as Simone Biles’ remarkable comeback to the peak of gymnastics.

It’s nearly impossible not to get swept up in it all – not to find yourself forming strong opinions on a sport you’d never watched before turning it on on some random Wednesday afternoon. I’ve thought more about the appeals rule in gymnastics in the last few days than I ever have in my life (which isn’t hard, because I can tell you with some certainty that I’ve never thought about the appeals rule in gymnastics prior to the last few days). I have friends who’ve committed to starting, or returning to, a sport purely because watching it on TV during the Games lit a fire within them. I have other friends who now want to follow along with their newfound sport outside of the Olympics; who’ll be another number boosting a livestream and another ticket sold in a stadium.

What’s the point of all this, though? The point is that the unique exposure of the Olympics is both our most valuable asset and, potentially, our biggest hurdle. And whichever way that skews comes down entirely to us, the equestrian industry as a whole.

A friend of mine, also covering the Paris Games, wryly referred to them as the ‘Welfare Olympics’ midway through our stint, and I think that’s a fair moniker. Just days before the Olympics started, the equestrian world became the main character in the worst possible way thanks to that video of Charlotte Dujardin, which doubled the fervour of the ongoing debate about whether sport involving animals should be part of the Olympics at all – a debate that’s bigger than all of us.

The mainstream media largely focused their on-the-ground attention and rider-questioning on the eventing dressage; whether that was down to some confusion between the disciplines, or simply because eventing was the first chance they’d get to access Olympic equestrians, I don’t know, but in those early days at the very start of the Games, there was only one question on the table: is equestrian sport abusive? I, and several of my media compatriots, had calls and emails come in from a variety of radio and TV outlets looking for insider intel; I opted to jump onto a live interview with the BBC to shed some context into how our industry works, the common goal so many of us are working for, and the importance of putting the horse first at all times, but throughout, I was so aware that it may well be too late to make any meaningful impact.

The fact of the matter is this: our industry is not perfect, and the more we try to fight back against social license, or nay-say the accusations that are levied at us from outside our bubble, the worse we’ll make this for ourselves.

I won’t win many friends by pointing out the truth, which is that we could all stand do to a bit of housekeeping, and really take stock of every last one of our horsemanship practices. Are we really always putting our horses first? It’s human nature to push through momentary discomfort when there’s a bigger positive outcome on the other side of it, but is it fair to demand our horses do the same, when we have no way of communicating to them why, or what might be gained from it? Do they gain anything from it, if the bigger positive outcome is, say, successfully learning a flying change or making the time on a cross-country course?

There’s a huge amount of tradition deeply embedded into our sport, and some of that tradition is simply outdated notions of how things should be done. Until we start to get really, really honest with ourselves, and face some hard truths and some harder paths towards change, our sport, across the disciplines, will continue to lose public favour. And then, we will lose it.

Instead, I’d love to see us collectively get better at shouldering criticism; to not get distracted by very secondary concerns, like why or when a person should whistle-blow, but instead to focus on why there was something to whistle-blow about in the first place.

Human nature, too, means we’re prone to deflection. We don’t see ourselves as the bad guys; we see the justification for our behaviour, and it can blind us to the broader reality. It’s so crucial that we don’t drink our own Kool-Aid, though, if we want to keep our world afloat. Many years ago, I worked a season as a hunt groom for a hunt that was besieged by saboteurs.

Every time there was an accusation levied by those saboteurs that the hunt might not be laying trails, but instead, illegally hunting live quarry, the hunt – as a collective entity and via its powers-that-be – expressed vocal shock and outrage that they could ever be accused of something so baseless and so rooted in a lack of understanding of how hunting works. At the same time, throughout the season, they were doing exactly what they were accused of. But the reflex to deny and deflect had become so well-used that it was almost as though they believed their own defence.

I’ve seen versions of this play out in so many different ways across the industry for years, and it’s this that will be the final nail in the coffin for us if we don’t hold ourselves accountable.

The next time an accusation is levied against our industry – whether that’s a claim of endemic abuse, or observations on underdeveloped withers, or something else entirely – we need to pause before we snap back. We need to sit with it before we accuse the accuser of not having the knowledge to understand the industry. We need, in short, to check ourselves before we wreck ourselves. Because if we do, we’ll discover that there’s actually an awful lot that we can do to change our fates and fortunes, and our horses’ lives, for the better.

Dressage got its moment in the sun again, thanks in no small part to Snoop Dogg. Photo by Tilly Berendt.

To bring this back to something relevant to Paris, the other side of the coin is that we seldom, if ever, have the opportunity for positive press that we have during the Games. Thank the lord above, truly, for the appointment of Snoop Dogg as NBC’s correspondent for the Games this year; not only did he bring a delightful favourite-bonkers-uncle vibe to the whole thing, with a genuine enthusiasm and positivity in all his roles, he also made it seem possible to actually like dressage. And that might sound like an incredibly dismissive thing to say – I can assure you, I had a little cry over a couple of the Freestyles, I’m not knocking dressage here – but if we step outside of our own bubble, the public really does view dressage as one of those ‘sorry, but why?’ sort of sports. Like breaking, but with even less potential for humour.

But in comes Snoop, living his best life in a tail coat and half chaps over sneakers (genius; love it. No notes from me) and a helmet over a durag, and he showed us that you can laugh at and with the things you love, and sometimes that’s the purest expression of love that there is. And then, too, he showed us that you can be visibly moved by sport, and you don’t need to play it cool – you can just feel a lot of feelings about a horse dancing. And that, whether you’re into his music or not, is the greatest endorsement the sport has had, well, ever.

It’s also one of the strongest arguments we’ve got for doing the hard work to keep equestrian sport in the Games. If we lose the Olympics, we lose a huge amount of funding – each nation allocates a certain amount of funding on a four-year cycle across its various sports, dependent on performance criteria, and if a sport isn’t in the Olympics, its spot on that recipient list goes, too. For some context, that figure boiled down to just shy of £15 million from UK Sport funding for the British equestrian efforts in this cycle. And so, it’s fair enough to say that if we lose the Olympics, and thus lose the funding, we probably lose the sport, too.

But even if we did find a way to some monetary security, losing the Games would also dry up a huge part of our ability to access new audiences, to engender new enthusiasm. It’s not impossible to be a successful spectator sport sans Olympics – Formula One manages it well – but it does represent the loss of a huge opportunity for positive exposure. We need to decide what that’s worth to us.

On leading with stories

For a long time now, I’ve stood by my firm belief that the best way to market equestrian sport to a broader audience is to lead with its characters. No one has ever gotten into a sport because of its rules; I’ve had the offside rule explained to me multiple times by various enthusiastic men (who aren’t very good at chatting women up), and not one of those explanations has made me think, ‘well, this is fascinating; I’d love to go home and stick on the football and watch this rule in action!’ Similarly, no format changes or simplifications or tweaks are going to bring in new viewers, because that’s simply not how people work. The Olympics, though, proves the power of character-led presentation over, and over, and over again.

Can you tell me the rules of shooting? No? Can you picture the chap who won the silver in that sport? Probably. Do you know how gymnastics floor routines are scored? No? Did you cry for Simone Biles after having watched her Netflix documentary on her mental health struggles over the previous Olympic cycle? Do you really love pommel horse or do you just love Stephen Nedoroscik and his Rubik’s cubes? Have you ever tuned into women’s rugby before or do you just see in Ilona Maher something that speaks to you, someone who represents a type of strong, fierce, so often less-heralded femininity that you, a woman who can carry three grain sacks at once, can relate to?

Morocco’s Noor Slaoui – one of the great characters of this year’s Olympics. Photo by Tilly Berendt.

Likewise, unless someone’s already an enthusiast, they’re not tuning in to equestrian sport at the Games because they’ve always wanted to see a 10 given for a flying change (and honestly, if they are, then they may well be setting themselves up for disappointment). They’ll tune in for a couple of reasons: it happens to be one of the options that pops up, and so we’ve got a few minutes to try to keep their interest, or they’re tuning in to see what all the controversy’s been about, so we’ve got a few minutes to show them our best selves, or they’ve seen someone or something on social media and they’d like to follow that person or that story.

Maybe they’re a woman from an Arab country and they feel emboldened by Morocco’s Noor Slaoui, who was eventing’s first-ever Arab competitor and grew up riding mules in the Casablanca mountains; maybe they’re stuck in bed following an injury and feeling down in the dumps about it, but watching Australia’s Shane Rose bounce back after a laundry list of damages done this spring helps them to see the light at the end of the tunnel.

Maybe they’re a new mum, struggling with the loss of identity that so often comes after having a baby, and seeing women like Ros Canter and Jonelle Price continuing to chase down their dreams after having children makes them realise that they can, and will, find themselves again.

There are so many maybes, and so many stories, and so many fascinating people and fascinating horses and extraordinary threads, and it’s those that we need to lead with, always. The commitment to following the rest of the sport will come after that – first, we need to reach people on a human level.

Tuesday News & Notes from Kentucky Performance Products

Happy 25th birthday to Happy Times, Sam Griffiths’ stalwart five-star partner and London Olympics ride. This sweet boy’s living the dream in his happy retirement, and enjoyed a visit from some of his favourite people to celebrate his big day. We love that he still knows his own angles.

Events Opening Today: Jump Start H.T., Stable View Oktoberfest 2/3/4* and H.T., Sundance Farm H.T., Tomora Horse Trials, Course Brook Farm Fall H.T., ESDCTA New Jersey H.T., Old Tavern Horse Trials

Events Closing Today: USEA AEC, $60,000 Adequan Advanced Final, and ATC Finals, Equestrians’ Institute H.T., Seneca Valley PC H.T., Bucks County Horse Park H.T., Silverwood Farm Fall H.T.

Tuesday News & Notes from Around the World:

Paris is behind us, but LA28 will come along faster than we think. As I pointed out to EN editor Sally while we were in France, it won’t actually be long at all before we have to start getting our accreditation paperwork in – I reckon we’ll be getting those ducks in a row well before we even get to the 2026 World Championships. And over on the West Coast, the planning is very definitely underway – and some of it’s pretty ambitious. Mayor Karen Bass has expressed her intention to make the 2028 Games car-free – a wild statement to anyone who’s ever been to traffic-heavy Los Angeles. Here’s how, and why, she’s hoping to get the job done.

 

Olympic fever has felt at an all-time high this year. And that’s totally quantifiable by the viewer numbers – NBC has reported viewing times that are higher than all previous Games, summer and winter, combined. But why? Here’s a deeper analysis. 

Post-Paris, we’ve all got to look after each other. And that’s even more important for athletes – even, or perhaps especially, if they won a medal. The post-Olympics blues are a very real thing, and understandably so: you spend years of your life focusing so hard on one thing, and when that thing is behind you, it leaves you lost in space. Here’s some interesting reading on the phenomenon, and solid reason to give your favourite Olympian a show of support today.

Hartpury didn’t just host a plethora of international classes over the weekend – it also newly hosted the relocated British Championship classes. Yesterday, we took a look at who scooped the biggest prize, the British Open Championship – today, we’re catching up on the news from the Retraining of Racehorses class and the Corinthian Cup for amateur riders, thanks to our pals at Horse & Hound.

An interesting one for those of you interested in equine behaviour: a group of researchers have discovered that horses do actually have the ability to think strategically and plan ahead, if they’re made aware of both the rules of the challenge and the rewards or consequences on the table. This adds an interesting new layer to how we go about training – if we hit a hurdle, is it simply because we haven’t communicated expectations clearly enough?

Jenny Caras is having a great season in the UK. While Paris was commanding all our attention, she headed north to Burgham and duly won the CCI3*-S with Sommerby, who was using the run as a bit of confidence-boosting education before stepping back up to four-star after a little summer holiday. Jenny shared some interesting insights into working with the talented, occasionally tricky, gelding with US Eventing. Give it a read.

Here’s a good morning listen for you. After a Paris Olympics made up of ups and downs and triumphs and trials, it’s time to take stock of what it all means, and what comes next for Team USA. Nicole Brown sat down with chef d’equipe Bobby Costello to discuss exactly that in the latest episode of the US Eventing Podcast. Check it out here.

 

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Sponsor Corner: Did you know that late summer is peak season for West Nile Virus? And no, you don’t have to live on the Nile for your horse to be at risk. Equine veterinarians at Colorado State University’s James L. Voss Veterinary Teaching Hospital say two important methods will help protect horses against West Nile Virus infection: reduce exposure to mosquitoes and vaccinate against the virus. Are you taking measures to protect your horse? Learn how here.

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We all fancy Christian Kukuk, and that’s fine.