Classic Eventing Nation

Saturday Links from World Equestrian Brands

The FEI season is officially underway here in the U.S. with the Bouckaert Equestrian H.T. International kicking things off in Fairburn, Georgia. Weather scares and flooding on the cross country course as late as Thursday probably triggered a little PTSD from last season for many competitors, but all is well and the Advanced, Intermediate, and FEI divisions all did their dressage and cross country tests yesterday.

As usual this early in the season competitors took things slow across country, all gathering handfuls of time penalties, but it will still be fun to see how things shake out during today’s showjumping. There’s a tight race for top of the 4*-S division for example, with Hannah Sue Hollberg and Capitol HIM leading on a score of 43.3 and Phillip Dutton with his new ride Jewelent nipping at their heels just 0.3 penalties points behind. Use the handy links below to follow along with the event yourself and stay tuned for a full final report early next week!

U.S. Weekend Action:

Bouckaert Equestrian H.T. International (Fairburn, GA) [Website] [Entries] [Ride Times] [Scoring]

Full Gallop Farm March I H.T. (Aiken, SC) [Website] [Entries] [Ride Times] [Volunteer]

SAzEA Spring H.T. (Tucson, AZ) [Website] [Entries] [Ride Times] [Volunteer] [Scoring]

Southern Pines H.T. I (Raeford, NC)[Website] [Entries] [Ride Times] [Volunteer] [Scoring]

International Events

Land Rover Horse of the Year (Hastings, New Zealand) [Website] [Program] [Equestrian Schedule] [Eventing Schedule] [Eventing Live Scores] [Live Stream]

Links to Start Your Weekend:

Piggy March: ‘It’s vital we keep eventing in the Olympics – even if that means putting cross-country last’

Now On Course: Ava Chase is Back in the Saddle with 24-year-old Kingston

Participate in Noelle Floyd’s Market Research Study

Do Horses & Humans See Eye to Eye?

How To Find Harmony In The Warm-Up Ring

Sponsor Corner: Are you an Equipe saddle lover? You’re in luck! World Equestrian Brands is now carrying Equipe saddles! Equipe saddles are a tribute to the elegance of equestrian sports across all disciplines, from show jumping to dressage, eventing and endurance riding. Contact World Equestrian Brands to find a saddle fitter near you.

Morning Viewing: Selena O’Hanlon and MS Thunderbolt won the Advanced dressage at Bouckaert Farm yesterday (but unfortunately retired on cross country.) Check out their lovely test!

Clarification Provided on FEI’s Non-Rights Holder Rules for Media and Content

Yasmin Ingham and Banzai du Loir take the individual title at the most recent FEI World Championships (Italy – 2022). Photo by Tilly Berendt.

The buzz was high on social media this week as the FEI’s Non-Rights Holders’ Guidelines for Publishing on Social Media at FEI Named Events were circulated, raising the ire of sport fans and stakeholders at the implications of the rules. “Censorship” and “welfare” were two key trends identified within the various conversations sparked around these rules, and in response the FEI has published a clarifying document to add additional context to these rules.

I’ve done my best to break down these NRH Guidelines, as well as the FEI’s clarification of the policy, below. What I have written in the final section of this article is reflective of my personal experience and opinion as a member of the equestrian media for over a decade.

What is a Non-Rights Holder?

According to the policy, the FEI Non-Rights Holder category includes Athletes, Athlete Support Personnel, Athlete Entourage (e.g. grooms, agents etc.), Horse Owners, National Federations, Officials and Accredited Media, including broadcasters.

A Rights-Holder in this instance refers to a platform that has been designated as the official broadcast platform of the event. This would apply to platforms such as FEI TV, Clip My Horse TV, Horse & Country etc.

Gaspard Maskud and Zaragoza. Photo by Tilly Berendt.

What is considered Field of Play?

The Field of Play includes the main arena, warm-up area, kiss & cry, leaders’ lounge and entrance/exit area, as well as the cross-country course in Eventing and the marathon course in Driving.

What is considered an FEI-Named event?

This a select number of events, which the FEI owns the broadcast rights to:

– Longines League of Nations™

– Longines FEI Jumping World Cup™ – Western European League and North American League

– FEI Dressage World Cup™ – Western European League

– FEI Driving World Cup™

– FEI Vaulting World Cup™ Final

– FEI Eventing Nations Cup™

– FEI Championships for Seniors (European Championships, World Championships)

If I’m a spectator at an FEI-Named event, what can I and can’t I do?

“If attending an FEI Named Event (i.e. FEI World Cup round), no, the same rules apply to anyone who has not secured the rights. If at a non FEI-Named event, it will depend on agreements in place between the Organisers and their Rights Holders. If you purchased a ticket for the event, there will likely be Terms & Conditions on the ticket or during the ticket purchase process that details your rights.”

Tamie Smith and Mai Baum at Kentucky in 2023. Photo by Tilly Berendt.

What about events like Kentucky or Badminton? Do these rules apply?

Generally speaking, each individual event will have its own media policy. Field of Play footage is generally prohibited for members of the media, but spectators have historically been non-enforced when it comes to these policies.

Why did the FEI make these rules?

“There have been guidelines in place and publicly available on the FEI website for around 5 years explaining what is permitted for Non-Rights Holders at FEI-Named Events. The FEI’s experience with the previous guidelines was that they were not achieving their purpose; stakeholders seemed confused as to what they could and could not do leading to multiple cases of NRHs publishing FOP content from FEI-Named Events on social media and/or commercialising such content.

Following a review, it was decided to refine and clarify the previous guidelines so that each relevant stakeholder group could have a clear understanding of what is and is not permitted to publish

The main change is in relation to previous references to non-rights holding media being able to post some short clips of the field of play to their Instagram channels, which have now been removed to be in line with the contractual agreements.

This restriction, while it has created some controversy, is standard industry practice in sports, and you will find similar regulations apply to many other sporting events.”

Doug Payne and Vandiver. Photo by Shannon Brinkman Photography.

Are these rules intended to be censorship?

“Absolutely not. These guidelines are in no-way an attempt to censor anyone or prohibit transparency at events; they are in place to ensure the rights of Rights Holding Broadcasters at FEI-Named-Events are fully respected. For complete transparency, the events are streamed live and in their entirety on FEI TV and/or the FEI YouTube channel, and are also available to watch afterwards.

If someone sees behavior they have a concern about while on-site at any FEI Event, including the FEI Named Events, there is no issue with the person filming the behavior in question. We strongly encourage anyone who has observed concerning behaviour to report it by sharing the footage directly with the FEI for follow up.”

Huadong Sun and Lady Chin V’T Moerven Z compete in the Tokyo Olympics (2021). Photo by Shannon Brinkman Photography.

What this means for the future

It remains evident that video content is growing in popularity, with many riders and events choosing to move to the TikTok video and Instagram Reel format for sharing their updates from competition and training at home. As a member of the accredited media at both FEI and USEF-sanctioned events, the rules of play have been admittedly unclear and limiting in terms of video capture.

For example, the capturing of Field of Play footage is not allowed at major events such as the Kentucky Three-Day Event and the Maryland 5 Star. EN has worked with the media liasions of these events to ensure that capturing footage for things such as Instagram Reels is acceptable, but I would nonetheless implore the FEI and individual federations such as USEF to enact a more comprehensive media policy that factors in the evolution of content creation. While it’s clear and understandable that a broadcast host (i.e. FEI TV, ClipMyHorse TV, USEF Network, or Horse & Country) should retain all rights to full rounds and Field of Play footage, there still exists a “gray area” in which short-form video should have a place.

While these NRH Guidelines are in place for FEI-named events only at this time, should this evolve into enforcement at all FEI-sanctioned events, it would create a wider issue of enforcement and identification of acceptability. I believe a standard content policy should be created in tandem with these NRH Guidelines so that content creators and official photographers can have their own niche as they continue to play their vital role of promoting the sport and raising its visibility and consumer reach.

On the #RoadtoCarolina with 2023 4*-S Winner Will Coleman

SRF Carolina International Yanmar 4*-S Winner Will Coleman stands with Jon Richardson, Yanmar’s Director of Rural Lifestyle

Will Coleman’s year has gotten off to a rocking start with a 1-2 finish in the $100,000 Conceal Grand-Prix Eventing Showcase (Aiken, SC) earlier this month, and now his preparation continues in earnest with some major goals on the horizon. One pathway he’ll take en route to his larger goals this year will be the Setters’ Run Farm Carolina International, which will take place in Raeford, NC March 14-17. This year, the 2023 winner of the CCI4*-S division has entered one of his rising stars: the Diabolo Group’s Diabolo (Diarado – Roulett M).

Will Coleman and Chin Tonic HS at Carolina in 2023. Photo by Tilly Berendt.

Carolina is a place Will has had much success in the past — in fact, he’s a three-time defending champion in the 4*-S division, long hailed as one of the best preparation events for a spring CCI5*, winning on each of his top three horses (Off the Record in 2021, Dondante in 2022, and Chin Tonic HS in 2023) in as many attempts.

“It’s probably the best spring course,” Will said of the Ian Stark-designed cross country that also features a healthy amount of terrain for additional fitness. This will be the final year of Ian Stark’s design at Carolina Horse Park as his retirement looms; the event will change hands to Derek di Grazia beginning in 2025.

Carolina’s cross country course is one we always look forward to as a proper 5* prep. Photo by Tilly Berendt.

“It’s one of the few spring tracks that kind of offers a five-star feel,” Will continued. “You have a really serious coffin and you have big, imposing waters. And for horses that are aiming for five-star, there’s actually not that many events now that have that kind of stuff — that still sort of old school type cross country jumps that you will see it five-star level. And that’s important, for the horses to see that sort of thing now and then.”

Diabolo is a newer addition to Will’s burgeoning string. While stablemates Chin Tonic HS and Off the Record will bypass the 5*s this spring as they eye a potential selection to the Olympic team, “Dab” is preparing for a debut at the 5* level. Originally campaigned in Australia by Gemma Tinney through the 4*-L level, Will was clued in to the 2012 Holsteiner gelding by his wife, Katie, who showed him a video. He credits Katie’s eye for horses with his subsequent interest in acquiring the horse, traveling down to Australia with his father for a whirlwind few days during which he tried Diabolo several times.

Will Coleman and Diabolo. Photo by Sally Spickard.

Upon arriving to the northern hemisphere, Will commented that the gelding encountered some health complications from the big move, which prevented him from stepping right out into competition. But more time never hurts, especially with a horse that’s already been going at a high level with another rider. Following a few “getting to know you” events together, Will secured a second place finish in the Intermediate Championships at AEC last summer and went on to two podium finishes at the 4* level (the 4*-S at Morven Park and the 4*-L at TerraNova, to be specific) to cap off the year.

It’s safe to say that Carolina International remains a large part of Will’s annual preparation schedule, and it’s not just the courses that keep him coming back year after year. “Well, the golf in the area certainly helps,” he smiled. “But really, it’s a great event overall. They look after everybody — owners, sponsors, horses. They’ve done a marvelous, marvelous job with the footing. We’re sad to see Ian [Stark] go, but you know, they’re putting it in the hands of Derek so we can feel really good about that. And I hope it stays as it’s been, because I think it’s been really important for producing horses for five-star. There’s actually not that many runs now that actually do that. Long live Carolina!”

Lindsay Traisnel and Bacyrouge. Photo by Tilly Berendt.

And even if you aren’t a 4*-S competitor, there is literally something for everyone at Carolina, which has supported the newer 1* and Modified levels as well as added a Novice division for 2024. It’s a family-friendly event with plenty of shopping, food, and recreation available to keep even the non-horsey family members entertained. We look forward to seeing you in just a week’s time in beautiful North Carolina!

SRF Carolina International: [Website] [Entries] [Schedule] [Volunteer] [Carolina Club] [Painted Ponies Auction] [Live Stream]

Friday News & Notes from Stable View

Last week saw the British Eventing season kick off in fine style – despite some testing weather conditions, but that is to be expected over here in Blighty at this time of year. Helen Bates’ Carpe Diem was certainly happy to be eventing again, fresh off the back of his 5* debut in France last Autumn. When I spoke to Helen in the depths of Winter, she had her sights firmly set on another 5* with her special ‘Demon.’ Will she be lining up for Badminton? We will see, and there’s not long to wait now! I’m not sure about you, but I am already beside myself at the thought of the Spring 5*’s, on both sides of the pond. Eventing Nation will, of course, be bringing you all of the action as it unfolds…the countdown is ON!

International Holiday: Happy International Women’s Day! How lucky are we to have a sport in which men and women are considered equal?! Still, in honour of IWD, I hope you enjoy this special edition of News & Notes, dedicated to the women of our sport.

U.S. Weekend Preview

Bouckaert Equestrian H.T. International (Fairburn, GA) [Website] [Entries] [Ride Times] [Scoring]

Full Gallop Farm March I H.T. (Aiken, SC) [Website] [Entries] [Ride Times] [Volunteer]

SAzEA Spring H.T. (Tucson, AZ) [Website] [Entries] [Ride Times] [Volunteer] [Scoring]

Southern Pines H.T. I (Raeford, NC)[Website] [Entries] [Ride Times] [Volunteer] [Scoring]

International Events

Land Rover Horse of the Year (Hastings, New Zealand) [Website] [Program] [Equestrian Schedule] [Eventing Schedule] [Eventing Live Scores] [Live Stream]

Friday News and Reading

As Tilly mentioned on Tuesday, eventing royalty Ingrid Klimke is a strong contender for the German dressage team this year in Paris, with the return of her Grand Prix superstar, Franziskus FRH. But that won’t stop her from aiming for a spot on the eventing team, too. Speaking at a masterclass last week, Ingrid made it obvious that she had not ruled the possibility of competing in both disciplines out, with a plan to get SAP Asha P qualified for the Olympics. With Ingrid’s prowess and experience, I for one, would not be in the least surprised if she pulled it off. In fact, I’d put money on her finishing in a podium position in both disciplines, too.

There is no doubt that the top of our sport is dominated by women at the moment; the reigning European, World and Olympic champion are all women, and four of the world’s 5* titles are currently held by women, too. But it hasn’t always been so, and one of the women responsible for shaking up the status quo, way back when, was Lana DuPont Wright . She made history as the first woman to compete at the Olympics in eventing, and she did so in fine style: she and Mr Wister helped the US team to win a Silver medal. If Ingrid needs any inspiration, she need look no further than Lana, who was also successful in a second discipline, winning Team Gold in the World Pairs Driving Championships, later in her career. That’s what I call Girl Power!

I leave you with a delve into the life and career of one of the most decorated women in the recent days of our sport, Ros Canter. She is the latest guest on Dan Bizarro’s podcast, offering a fascinating insight into her approach to the sport – “it is just a job” – as well as her hopes for an Olympic medal. I seem to be putting money on a lot of things this week, but Ros on the podium in Paris is another bet I am willing to place.

Sponsor Corner

Only ten more days until registration closes for the Stable View $60,000 CCI4*! Interested in watching the event in style? Snag your VIP ticket here.

Weekend Watching

Here in the UK, this Sunday is Mother’s Day, so enjoy a sneak peek behind the scenes with one of the most successful mother-daughter duos in our sport, Mary and Emily King. Join me in raising a glass to all of the Mums, Moms, Mummys, Mothers – and everything in between. You are all wonderful, and should be celebrated everyday, not just Mother’s Day!

It’s All Happening: Check In on Construction Progress at Paris Olympic Equestrian Venue

🇫🇷🐎 Retour en images sur le chantier du site olympique de l’Etoile Royale du château de Versailles pour les Jeux…

Posted by Château de Versailles on Thursday, March 7, 2024

The time is coming! Construction is well underway to erect the massive infrastructure required to host the equestrian disciplines at Château de Versailles for the upcoming Paris Olympics (July 26 through August 11), and we’ve got a peek at the progress thanks to an update provided by the venue on social media.

We’re still awaiting the first glimpse at Pierre le Goupil’s cross country design for the eventing, but you can view some images from the arena and warm-up ring construction in the post above or the gallery below. The five events of the modern pentathlon (swimming, fencing, riding, running and shooting) will also be held at the Palace of Versailles.

The eventing will take place on the following schedule:

July 26: First Horse Inspection
July 27: Dressage
July 28: Cross Country
July 29: Second Horse Inspection, Show Jumping Team and Individual Rounds, Medals

View the full schedule of equestrian events at Paris here.

Where will the athletes be housed during the Games? Take a peek inside Olympic Village in the Instagram post below:

EN is proud to partner with Kentucky Performance Products for coverage of the Paris Olympics. Click here to learn all about KPP and their line-up of science- and research-backed nutritional support products.

Previewing the First CCI4*-S of the 2024 Season: Bouckaert Equestrian H.T. & International

Hannah Sue Hollberg and Capitol HIM. Photo by Liz Crawley Photography.

The big 4* season is upon us here in the U.S., and the action kicks off for the top horses and riders this weekend at Bouckaert Equestrian, formerly known as Chattahoochee Hills in Georgia. A total of 34 horses and riders are entered in the headlining 4*-S division this weekend, along with a slew of riders from divisions ranging from 2* up on the FEI side and from Novice up on the National side.

These early season 4* events provide a preview of the horses aiming for spring 4*-L or 5* events, and this year in particular we’re keeping a keen eye on these prep events as many riders will be vying for a berth to the upcoming Paris Olympics. There’s also a healthy prize fund on offer this weekend, with $12,000 up for grabs in the 4* division. While we won’t typically see all combinations putting the pedal down in the jumping phases this early in the season, we’re nonetheless in for a top competition.

Gillian Warner will be reporting on Bouckaert Farm’s 4* this weekend with a comprehensive final report coming your way after the conclusion of the event. You can also follow along with live scoring here; competition begins tomorrow (Friday) and will conclude on Saturday for the 4* pairs.

Hanna Bundy and Lovely Assistant. Photo by Shelby Allen.

Highlighting this weekend’s entry list are several Canadian riders, all putting their best foot forward to catch the eye of the Canadian selectors after our neighbors to the north cemented their team qualification for Paris at the Pan American Games last fall. We’ll see riders such as Hanna Bundy with Lovely Assistant, Katie Malensek with Landjaeger, Colleen Loach with FE Golden Eye and Vermont, and Lisa Marie Fergusson and Honor Me competing in the 4*-S.

Other key names to watch include Phillip Dutton, who brings forward Azure, Denim, and newer ride Jewelent — and he’s also riding alongside his daughter, Olivia, who’s just started her Advanced and 4* career with former 5* horse Sea of Clouds.

Mia Farley, who stole all our hearts with her gutsy performance at her first 5* last fall at Maryland, will return to action with the off-track Thoroughbred Phelps. Hannah Sue Hollberg is also entered with Capitol HIM; this pair was the top-placed U.S. combination at the Maryland 5 Star last year and will look to build on that result this spring.

Leslie Law and Lady Chatterley. Photo by Christine Quinn.

We’ll also see the return of Lady Chatterley, who had a quiet 2023 after winning USEA Mare of the Year in 2022. She’ll return to the level with Olympic gold medalist Leslie Law in the irons, coming off a romp around the Rocking Horse Advanced last month to kick off her season.

Other ones to watch who could be good for the lion’s share of the prize fund include Caroline Pamukcu with King’s Especiale, Alyssa Phillips and Oskar, and Julie Wolfert and SSH Playboy.

You can view the full entry list here. Stay tuned for much more coming your way from Bouckaert Farm soon!

Bouckaert Equestrian coverage has been brought to you with support from Ocala Horse Properties.

Bouckaert Equestrian HT and International: [Website] [Entries] [Ride Times] [Scoring]

Thursday News & Notes

Given that I’m taking a hiatus from English (and my eventing dreams) to cowgirl up and try out Western for a while, I’m totally here for Road to the Horse, a competitive colt starting competition which focuses on effective horsemanship with trust and unity at the heart of the process.

And it’s particularly exciting for eventing fans this year given that 4* eventer Tik Maynard will be amongst the elite ranks. Read what Tik had to say about his foray into Western horsemanship when EN’s Veronica Green-Gott caught up with him here.

Road to the Horse starts on March 21st and runs over four days. You can check out the schedule here and meet the competitors here. There will be a livestream of the event, which you’ll find me glued to – we’ll bring you the link as soon as it’s available.

Cowboy up, and go eventing!

U.S. Weekend Preview

Bouckaert Equestrian H.T. International (Fairburn, GA) [Website] [Entries] [Ride Times] [Scoring]

Full Gallop Farm March I H.T. (Aiken, SC) [Website] [Entries] [Ride Times] [Volunteer]

SAzEA Spring H.T. (Tucson, AZ) [Website] [Entries] [Ride Times] [Volunteer] [Scoring]

Southern Pines H.T. I (Raeford, NC)[Website] [Entries] [Ride Times] [Volunteer] [Scoring]

International Events

Land Rover Horse of the Year (Hastings, New Zealand) [Website] [Program] [Equestrian Schedule] [Eventing Schedule] [Eventing Live Scores] [Live Stream]

Thursday News and Reading

Starting today on H&C+ – Cobs Can Go Eventing. Inspired by Morven Richie’s #SuperCob, Star X, the 14.2hh 20-year-old who took on Badminton Grassroots last year with all the feathered flair of a horse who absolutely can event, H&C+ brings us a new show all about eventing cobs. ‘Mikey’ captured the imagination of all of us who have cobs in our barn, with the #CobsCan initiative from British Eventing highlighting the surprising versatility of the breed. Packed full of training tips and information, I’ll be tuning in for sure – with visions of flying over the finish line on my hairy guy dancing before my eyes.

From one # to another – Steffen Peters talks taking dressage viral at Tokyo with #RaveHorse, Paris hopes, and more. Find out which horse brought the Olympic team silver medalist his favorite moment, and which comes a very, very close second; what happened when comedian and actor Kevin Hart asked for a photo op aboard ‘Mopsie’ (AKA Suppenkasper AKA Rave Horse); what advice Steffen has for adult amateurs in the sport, and how his hobby of flying model airplanes happened – all this and more in this Q&A with the Rave Horse rider himself.

Call out for creative writers! The Plaid Horse Equestrian Voices Creative Writing Contest is open for submissions. The theme is ‘A trainer who has made a significant impact on your life’, although this is a guide and all well-written articles will be eligible to win the $5,000 Grand Champion prize. So flex those fingers, get to typing, and good luck! The deadline for submissions is July 1st.

My horse has an almighty fart-powered flying buck that he breaks out from time to time – and when he does, he’s always letting me know that something’s not quite right with him. Sure, there are horses that buck for joy – I’ve had one of those too – and we’ve all almost certainly seen this kind of kicking up the heels shenanigans going on in the field, but bucking under saddle is something that should be looked at. Here are 9 physical and behavioral reasons that may lie beneath the buck.

AI is out there chatting **** about horses – but what does it really know? Tilly took the words right out of my mouth the other day when she vehemently and eloquently expressed her feelings towards the use of AI in the creative industries. And it seems we’re not alone. Horse Network’s #HorseWordNerd Rebecca Berry chimes in with her take on AI’s offerings for equestrian writing, summing the whole thing up as only a human would: “May the living brain continue to reign supreme”. Hear, hear!

Miranda Lambert reveals the inspiration behind her clothing and lifestyle brand Idyllwind – a feisty red-headed Welsh Cob who taught her how to ride. Honoring the inspirational equine in an Instagram post, the country singer proves that being brave, taking chances and trying new things no matter where you are in life – she started riding aged 30 – can lead to dreams coming true.

And finally, in case you were wondering, the moon phase at the time of conception has no impact on the sex of a foal (or likely any other species). This old wives’ tale has been proven to be just that, with researchers looking at over 65,000 examples and coming to the conclusion that there’s generally a 50/50 chance when it comes to whether a filly or colt emerges from its dam. You don’t say.

Video Break

Right now my trainer’s totally into yelling at me for my math skills (also my riding, but mainly my math). He’s not the first person to tell me my math’s sketchy. I just wish he’d test me on my punctuation instead – I’d have a fighting chance at passing that test.

Remembering Seacookie

William Fox-Pitt and Seacookie TSF at Pau. Photo by Jenni Autry.

Seacookie, one of the past stars of British Olympian William Fox-Pitt, has passed away at the age of 25. The Trakehner gelding was living out his retirement at Catherine Witt’s farm, and she shared the news on social media earlier this week.

OUR HEARTS ARE BROKEN HERE AT ROOKERY..We have said our last goodbyes to our Beloved Seacookie . So thankful that I had…

Posted by Catherine Witt on Tuesday, March 5, 2024

Seacookie (Helikon – Sonnenwende) came to William after being purchased from Ingrid Klimke, who had produced him since his 4-year-old year, finishing 8th in the World Young Horse Breeding Championships at Le Lion as a 7-year-old. With William, Seacookie accumulated multiple strong results at the now-5* level, including six finishes within the top 10 and podium finishes at Pau (1st – 2013), Kentucky (2nd – 2013), and Burghley (2nd – 2010). Seacookie was also 6th in his debut at Kentucky in 2009.

William Fox-Pitt & Seacookie winning Pau CCI4* 2013. Photo by Kate Samuels.

Enjoy a few highlights from a brilliant career. We will remember Seacookie fondly!

The Debrief: Nicole Brown on the Best Job Ever!

Welcome to The Debrief, where we’ll recap the experience of a rider or equestrian following a big result or otherwise memorable competition or achievement. Click here to read more editions of The Debrief.

In this edition, we spoke to the ‘voice of eventing,’ commentator, presenter and podcast host, Nicole Brown, on how she managed to turn her love of the sport into a full time career, and how volunteering at her local horse show led to her becoming the voice behind some of the biggest events in the world, and landed her opportunities that her younger self could only ever have dreamed of.

Nicole Brown, podcast host, commentator, presenter…THE voice of Eventing.

Obviously you are now a very well known commentator, especially in the UK. But where did the journey begin; how did you end up with a career as a commentator?

So, I used to event – not terribly successfully I might add – and I absolutely loved it. Then, when I was about 18, I sold my horse to go off to University, but I wanted to stay involved in the sport. I offered to volunteer at a local horse trials, which was in the same village that I lived in, and I happened to be working with a guy called Paul Elliott. He organised horse trials, but he was also a cross country controller. We got talking, and I mentioned that I always wanted to have a go at commentating, and he suggested that I come along and give it a go. I did, and I totally and utterly fell in love with it.

Did you think at that point that you could make a career out of it?

No, not at all! It was only ever something that I just loved doing, not a career move. As I say, I wanted to stay involved in the sport. I loved the sport and it was one that I really wanted to give something back to. I became really passionate about telling a story and, I guess, sharing the excitement and explaining the action as it unfolded was really important to me, in order for us all to be able to go on this journey.

There’s nothing quite like the emotion of sport, and you never know what’s going to be happening – especially in our sport. It’s a really immediate, reactionary discipline.

So no, I never dreamed that it would be something that would take me to as many places as it has taken me and give me as many opportunities as it has. It only really started as a hobby, and it has grown and grown from there!

When did it become apparent that you actually could make a career out of commentating and presenting?

My first big break was the Event Rider Masters series which kicked off in 2016. I was involved in that, and there were a couple of people who really gave me an opportunity –Paul Tapner and Alice Fox Pitt in particular – and took a chance on me when I wasn’t overly experienced. That really was the start of more of the TV commentary and TV coverage side of my role. I was stepping away from the live event commentary, and into the livestream and more produced content. So that series was an enormous stepping stone to be able to give me opportunities to see if it was something I was really quite good at, and if it was something that I still loved doing. It was very different: a different environment, different pressures, that sort of thing.

But it was actually at Gatcombe Horse Trials in 2016 – lot of people were away in Rio and so we had a bit of a reshuffle with the crew – and I was basically the anchor for the commentary for the livestream that whole weekend, for all of the different phases. That was the first really big opportunity to step outside of my comfort zone – and it was very much outside of my comfort zone – and to get stuck in to that level of opportunity. Then from there, I got asked to do Burghley Horse Trials for the BBC, for the Red Button Coverage, literally just a few weeks later at the start of September. Another huge opportunity, especially as a female voice, because there wouldn’t be that many of them around at that time, particularly at that sort of level.

So, Burghley 2016 was my first BBC production, beside the brilliant Mike Tucker and Ian Stark who were absolutely incredible – very, very, very kind and generous, and welcoming. That was a real dream come true, because I had grown up listening to these brilliant broadcasters, watching these brilliant riders, and now I was all of a sudden in a position where I was talking about them. That was a HUGE step for me – 2016 was definitely a sort of sliding doors year – if you can have a sliding doors year?!

It is obvious from listening to you on The EquiRatings Eventing Podcast how passionate you are, and how much you love our sport, and want to tell the story of our sport. Could you tell us a little about the role of the podcast in bringing the Eventing community together?

The podcast is very much about giving people a space to have those conversations, because you wouldn’t necessarily have that many close friends that are going to care that much about who wins Badminton. You might have, but you also might not, and everybody might look at you and think, “who is William Fox Pitt?! I don’t even know who that is!” So it gives really passionate people a chance to get involved in the sport, and get immersed in the story, and educate themselves as well, but with a really nice group of people. The listenership is a really lovely community, so that’s great: it’s part of what we set out to do.

The podcast has been going for quite some time now; how did it come to be in the first place?

So, as I say, I had been working in 2016 on the Event Rider Masters Series, and I had worked alongside Diarmuid Byrne [one of Nicole’s co-presenters] throughout that season, and we had become quite good friends – I think they [Sam and Diarmuid, founders of EquiRatings] appreciated the data geek inside of me, ready for release. I would very much manually look at my own numbers in my own mind: that was how my brain worked. I was really looking to understand a lot of stuff that EquiRatings were bringing to the sport at the time, so not only was I hugely interested in what they bought to the table, but we got on really well.

They approached me at the end of that year with the idea of starting a podcast; they felt there was a gap in the market for previewing and reviewing events, and giving a real platform to the sport of eventing, and wondered if I would be interested in hosting it with them. I had never really listened to podcasts at that point – podcasting has grown enormously, even over the last few years, but at this point, it was still very much something that was quite new.

There were a few around, by all means, but it wasn’t something that we were as familiar with as we are now. Still, when they asked if I was interested, I said “sounds great, I absolutely would be, let’s investigate it and see how it all works.” So we did; we learned how to record, how to edit, how to publish – all things that were well outside of our comfort zone. I can do the talking bit, but when it came to the technical side, I was very much going, “how does that work?!” So we were very much self taught from the beginning in that respect, and we loved the process. We also loved the reception to the show, and it has just grown and grown since then!

Of all the stories that you have told on the Podcast, are there any – or even just one in particular – that really stands out?

For me, the stories that really stand out are where people talk really openly, really honestly, and where, as interviewer, I feel like I can dig a little deeper, and find out more than what is on the surface, and what they might ordinarily talk about. It is a massive compliment as an interviewer when you speak to somebody and they give you a very frank, very honest and open answer. It’s easy to talk about the successes, it’s easy to talk about when things have gone well. But if they are prepared to make themselves vulnerable, and talk about those moments when things haven’t gone well, and haven’t gone to plan – because that is life at the end of the day – those are the conversations that really stand out for me.

I find it fascinating to get inside somebody’s head, and really find out what makes them tick. There are different ways of approaching different people, so it’s really hard to pin it down to just one person. Instead, for me, it’s about telling an inside story that listeners might not have appreciated before.

As we mentioned, you have spoken to some of the biggest names of the sport on the podcast, from Lucinda Green to Liz Halliday Sharp, and everyone in between. Similarly, you’ve worked with legends like Ian Stark and Mike Tucker at live events, but what would you say has been the highlight of your career, thus far?

I loved the Event Rider Masters series – which ran from 2016 – 2019 – because it was a format that brought the sport to a really exciting place. It was a huge opportunity, and I absolutely loved it. There was a brilliant team of people, some of the best horses and riders in the world, and a really exciting competition. As a story teller, that’s the dream, because there was always something happening, and it was very exciting – very fast paced.

Other than that, Burghley 2016, my first opportunity to work for the BBC and alongside Ian and Mark was huge….I’m not going to be able to give one answer, because there have been a few! I would say, working at places like Badminton and Burghley is always a highlight. You go to these events as you grow up, watching these top names and riders, and you don’t really dream it could be you behind the scenes one day. So yes, those big 5*’s hold a very special spot.

You still do a lot of work for lower level, grassroots events, too. How does commentating at those events compare to the bigger ones?

Those kind of events are very much what I started talking about at the beginning of my career, so they still hold a very special place in my heart. There is still something really magical about telling those stories, as well, because the grassroots level is the foundation that our sport is built on, and I love that side if it.

I’d be lying if I said that the 5*’s and the big shows weren’t special, because they absolutely are, and they definitely do stand out. There’s not many of them in the calendar, so you really do appreciate them and enjoy them. Every time I go I pinch myself and think, I am really lucky to be able to do this job.

Describe your job in 3 words (if you can)!
My job….Best. Job. Ever.

What is the VERY best bit about your job?

It is probably the opportunities I get to see things behind the scenes. So often, we take for granted what we see on our television screens, or what we see at an event as a spectator, and I don’t underestimate how fortunate I am to be able to see everything that goes on behind the scenes of an event. Everything from the organisers and the huge effort that they make to put on a brilliant event, to the grooms, to the owners, to the mum juggle with the riders (something that I can really relate to). Getting that opportunity to see the ‘nitty gritty’ – and tell the story of that ‘nitty gritty’ – is the big pitch.

Have you got any bucket list interviews – or events – that you would still like to tick off the list?

I have never been to Aachen, in person, and I have never done the Olympics, on the ground. I would love to do an Olympics.

Bucket list interviews…not at the moment: there’s nobody that stands out right now. I would love to tap into other sports, and other great minds outside of the Equestrian world, and how we can learn from them, and find out what makes them so successful.

What advice would you give to your younger self?

Trust your guts – it is all worth it.

You wear a lot of hats – mother, wife, podcast host, commentator, presenter – how difficult is it all to juggle, and how do you find the balance between work and family?

I think any mum will tell you, it is difficult. Whether you are working, not working, there is such a juggle with everything. I certainly feel guilty for being at work/not being at work. Getting that balance right is really difficult. However, I think it is worth persevering to get the balance. Ultimately, we can all only ever do our best in life – we all only ever want the best for our families. Still, the juggle is hard, the juggle is real. There are times when you question it, but at the end of the day, you’re doing it for the right reasons, and I think you have to stay true to that. I am really fortunate – I love my job, and working definitely makes me a better mum, and being a mum definitely makes me better at my job.

Have you any spoilers you can share in terms of what is next for the podcast, and where will you be starting your season as commentator?

In terms of the podcast, we have got some very exciting plans in the pipeline building up to the Olympics in Paris, and we will be a big part in telling the Olympic story. But I can’t give too much away!

We will also have another Inside Kentucky series that will kick off in the middle of March, bringing you all the behind scenes action, as well as much coverage as we can on the ground there, and at other big events.

For me personally, my first big show will be Badminton – early spring – which I am very much looking forward to.

Finally, a question you often like to ask your guests on the podcast – Ones to Watch!
Could you give readers an American and a European combination – or two – that you think will be worth watching?!

I’m going to say Caroline Pamukcu – Pan American Games Gold medallist in 2023 – and HSH Blake – don’t discount them from the Olympics conversation. They will come out firing this Spring. The horse that I would say that you really need to keep an eye on – it’s another one of Caroline’s, and I think he is a future star – is the reigning 3* USEF National Champion, HSH Connor. I think he has won seven of his 13 International starts, he has all the ingredients he needs. He was the individual Silver Medallist in Lion d’Angers as a 6 year old as well, so he has travelled in the past too – he is the real deal.


Another one – and a rider that perhaps US audiences may not know or have heard a huge amount about – is young British rider Bubby Upton, who has excelled coming up the levels right through from Pony/Junior and Young Riders. She has a whole haul of medals from various different Championships at that level, and now she has been really impressive following her step up to 5* level, too. She was the Bramham U25 Champion last year, with a horse called Magic Roundabout, last summer, too.

Unfortunately, she had a really bad fall last August, and so has had to take some time out on the side-lines, but her rehab has been going really well. She is back riding, back training and it is all very much all systems go for the start of the season. She is a very fierce competitor and has some lovely horses, and I think she is definitely one that may not be on your radar right now, but should be!

You heard it hear first, and if you want to hear about other horse and rider combinations that Nicole would tip for the top, go and check out the Eventing Podcast, as well as the USEF Eventing Podcast, which Nicole also hosts From top rider interviews, to behind the scenes access at all of the big events – and much, much more besides – these podcasts have something for everyone. Keep your ears peeled for Nicole’s expert commentary at all of the big events this season too!

Tuesday Training: Selena O’Hanlon’s Sessions in the William Fox-Pitt Clinic

One thing that’s super attractive to me about Ocala in the winter (besides the weather, of course) is that it seems to have really grown to be clinic-central over the colder months. And with a venue like Barnstable South to host, what’s not to love?

William Fox-Pitt was in town again at the end of February for the third year in a row for his now-annual clinic. Canada’s Selena O’Hanlon was lucky enough to participate with MS Thunderbolt, and gracious enough to upload her sessions to YouTube. Watch their show jumping above and their cross country session (harder to heard) below: