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“It’s All Worth It In The End”: It’s Bubby’s Bramham, and We’re Just Along for the Ride

Before the finale of the Defender Bramham CCI4*-L even began today, the field of competitors had already thinned: from 43 competitors at the end of yesterday’s tough cross-country day, we downsized to just 40 to showjump in the main arena at lunchtime. One of those was an overnight withdrawal; France’s Camille Lejeune opted not to present Dio du Leou, with whom he’d sat 26th overnight following a clear round with 10.8 time penalties. The other two, Matt Heath and Benedict Radau (27th after a clear with 3.2 time penalties) and Thomas Hawke and Lonestar (33rd after adding 8.4 time penalties and activating a frangible device), were both sent to the holding box and didn’t return for reinspection. 

So, three fewer horses and riders in the mix, but no less pressure on two-phase leader Bubby Upton, who had jumped an extraordinary clear with the CCI4*-L debutant Its Cooley Time yesterday, making the world’s toughest four-star look a bit like a Novice. They’d added nothing to their dressage score of 24.4, but so tight were the margins on the leaderboard that they had just a few seconds in hand for their showjumping round, and certainly nothing close to a rail. 

As their turn approached, it became very clear that zero-score rounds were going to be even harder to achieve today than they had been yesterday: just nine of the 39 before her had managed it, while yesterday’s cross-country challenge yielded a surprising seventeen clears inside the time, a number slightly at odd with its influence and intensity. 

But when Caroline Harris and Cooley Mosstown, third overnight, managed to deliver a foot-perfect round, it was game on. They sat exactly four penalties behind former Bramham winner Izzy Taylor and SBH Big Wall, who would have took precedence in a tiebreak situation, but needed to go clear to keep the thumbscrews to Bubby. 

Unfortunately for Izzy and her rangy eleven-year-old, it wasn’t to be: three rails later, and 1.2 time penalties to boot, they left the ring having forfeited second place – and, in fact, a place in the top ten – and Bubby found herself with a rail and change to play with. 

Bubby Upton and Its Cooley Time. Photo by Tilly Berendt.

She wouldn’t need it. From the moment the ten-year-old Its Cooley Time entered the ring, it was very clear that he knew exactly what the task at hand required him, and he was prepared to deliver – and Bubby, always icy cool under pressure, knew it was up to her to give him the freedom to do it in his way. Just a couple of short minutes after she entered the lions’ den, Bubby emerged from the arena the 2025 Bramham Champion – a title she adds to the Under-25 accolade she scooped here just two years ago with Magic Roundabout. 

“He’s sheer class, and the way he jumped today is pretty special when you’ve seen him go cross-country,” says Bubby of her newly-minted champion. “He goes so low and as aerodynamic as possible [in that phase], but then he showjumps like a jumper, and it fills you with so much confidence as a rider, being sat on a horse of his calibre.”

Bubby Upton and Its Cooley Time. Photo by Tilly Berendt.

This isn’t just a debut at CCI4*-L for the historically sharp and quirky son of Quality Time TN – it’s also just his second long-format event ever. That run, which scooped him second place in the Hartpury CCI3*-L, came two seasons ago, and so Bubby had come into this week with a few niggling doubts about how ‘Finn’ might find this challenge – but those worries were also paired with a huge amount of belief in the talented horse. For his part, he let her know from day one that he was ready for whatever was to come.

“He definitely knew it was a big week ahead – he’s kind of been buzzing all week,” laughs Bubby, who led from pillar to post with Finn to finish on their dressage score of 24.4. “Every time it’s been a case of putting his head in the game, he’s done that. He went above and beyond – the way he went in and focused on the dressage was just incredible. Cross country, he could have gone round again, and it wasn’t an easy track, but he made it feel so easy, and was full of running at the end. And then today in the show jumping, he was absolutely wired in the warm up, and he came into the ring chomping on the bit and ready for the challenge, but then when you begin, and you jump the first fence, the feeling is… it’s quite extraordinary. It’s pretty impossible to describe the feeling that he gives me, but he’s in a league of his own, to be honest. I’m just so excited to see what’s to come, considering it’s his first time at the level, and he’s only done three four-star shorts.”

“I owe him so much,” she continues. “He’s obviously very new to this level – it’s his first time – but he’s already such a star. I just feel so lucky to be the one that gets to ride him and have days like this on him.”

Bubby is well-established as a fierce five-star competitor in her own right, but much of her recent success has come after a horrendous spinal injury that forced her to relearn to walk just eighteen months ago. Further complicating matters was that it was a second broken back for the 26-year-old – the first had come from a green rotational fall with a much younger Its Cooley Time. 

Bubby Upton and Its Cooley Time. Photo by Tilly Berendt.

The journey – from that crashing fall to now, but also from consistently tricky young horse to now – makes this week’s result even more special, she says. 

“It took a while to come back from it in terms of confidence with him, but in the last few years, he’s just grown up beyond measure. I’m very proud of the horse that he is now, because [all of us on our team] have seen him as a naughty, obnoxious youngster that we couldn’t get in and out of the yard, and we know what we’ve been through to get here. So it means a lot to us.”

Now, she tells us, she’d “love him to step up to five-star, and obviously I would love to make my senior [team] debut [at the European Championships]. I’ve come close a couple of times, and been unlucky with accidents and stuff – one of which being his!” 

There’s very clearly an awful lot ahead of Bubby and the exciting, classy ten-year-old – but for now, she’s also allowing herself the chance to sit in the moment.

“This is one of the ‘Big Bs’ and I never thought, coming here, that he was going to win it. I’d just hoped he’d be competitive. Growing up, I’ve seen legends win this class, and so it really feels special to win it, particularly having won the under-25 championships here as well. It’s amazing to have done the double, and in the way he did it as well – he was really dominant all week and just faultless. He’s all class, and I’m so glad that he got the win he deserved.”

She pauses, smiles, and continues.

“It’s all worth it in the end. Horses with his talent and his class, yes, they test you at times because they’re uber intelligent, and they take patience and trying to understand them and work with them, but it all pays off in the end. I’d say the future is pretty bright with him in my string.”

Caroline Harris and Cooley Mosstown. Photo by Tilly Berendt.

Caroline Harris, too, ends the week delighted with a young up-and-comer in her string in the nine-year-old Cooley Mosstown, who completed a weeklong climb from sixth to second place, finishing on his dressage score of 30.2. The nine-year-old, like Bubby’s Finn, was making his CCI4*-L debut over this topmost of courses, and adds this sterling result to a CV that already includes third place in last year’s Blenheim eight- and nine-year-old championship and fourth in the Seven-Year-Old World Championships in 2023, which was his last long-format run. 

“I’m seriously proud of him,” she says. “He’s a very good jumper, but I find him easier to jump on the last day when he’s a little bit tired, because he just loses that little bit of tension. But he was not going to touch a fence today, I don’t think.”

Cooley Mosstown represents a very exciting ‘second string’ to stablemate D.Day, who won Pau CCI5* last season and finished fifth in yesterday’s CCI4*-S here.

“It’s really exciting,” says Caroline. “He’s only nine, and we came here just to do his first four long. We didn’t have high expectations; I just wanted him to finish confident and happy. But he’s gone above and beyond for us. He deserves the result – he’s a phenomenal horse in all three phases. The dressage will only get better as he gets stronger and sees more of these atmospheres.”

Now, Caroline hopes to aim for a return to Blenheim’s eight- and nine-year-old class – this time, she hopes, to catch the win – and then, at the end of the year, another CCI4*-L run in the Nations Cup finale at Boekelo. 

Tom Jackson and Hawk Eye. Photo by Tilly Berendt.

Double-handed Tom Jackson enjoyed an excellent day in the office, finishing eighth on United 36, who tipped one pole to slip down from fourth, and third with Hawk Eye, who jumped a classy clear to finish on his 32.7 dressage score and complete his trajectory from first-phase 13th place. 

“He’s quite a new ride for me, but he’s reasonably experienced – this is his third time here,” says Tom, who made his international debut with the thirteen-year-old gelding at Thoresby in March, running steadily in the CCI4*-S for 23rd place. 

Prior to that, he’d been with Kristina Hall-Jackson, who finished eighteenth with him in the short-format class here in 2023 and started, though didn’t finish, the CCI4*-L last year. Before that, he was in the string of Nicola Wilson, with whom he finished fourth in the eight- and nine-year-old CCI4*-S at Blenheim on his debut in 2021. 

“I’m delighted with him. I’ve been working quite hard to have him as adjustable as I can, because he can get a bit keen and strong,” says Tom. “Yesterday, he didn’t skip a beat, and he really felt like he was with me, so I was super pleased with that, and then today he followed it up with a lovely clear. This is just our fourth event together, so hopefully it keeps going like this!”

If it does?

“He’s five-star qualified,” says Tom with a grin, “so maybe we’ll look at another Big B in the autumn.”

Daniel Alderson and Blarney Monbeg Pepper. Photo by Tilly Berendt.

Daniel Alderson, who’s originally a Bramham local but has been based in Ireland for nearly a decade, took fourth place with Blarney Monbeg Pepper after adding just 0.4 time penalties for finishing a second over the time allowed today. That single second stopped the pair from finishing on their dressage score – a 32.6 that had seen them sit twelfth after the first phase – but Daniel’s unlikely to be dwelling on it. This is a first Bramham for both rider and horse, and a third CCI4*-L start for the ten-year-old mare, with whom he finished 4th on her debut at Kilguilkey a year ago. 

Kylie Roddy and SRS Kan Do. Photo by Tilly Berendt.

The top five is rounded out by Kylie Roddy and SRS Kan Do, who made good on their reroute from Badminton, where Kylie was jumped out of the tack early on in the track. This week, they began in a surprisingly off-the-pace 22nd place on their score of 34.1, but climbed to the top ten off the back of their clear inside the time yesterday. Today, a lost shoe moments before their round did little to slow their roll – they cantered into the main arena a few minutes later, having swapped start times with Holly Richardson and Ballyneety Silver Service, with all four shoes firmly in situ and delivered a classy clear round to move up again. 

“She’ll have to share her winnings with the farrier,” quipped John Kyle over the tannoy, as the much-loved rider trotted out of the ring beaming.

Hers wasn’t the only impressive week-long climb: Hayden Hankey and Fools In Love hauled themselves up from a first-phase 26th to eventual sixth when finishing, like Daniel Alderson, just 0.4 up from their dressage score, and seventh place went to Ireland’s Padraig McCarthy and Pomp N Circumstance, who added nothing to their 35.1 dressage score to move up from initial 28th. Sweden’s Louise Romeike gave herself a scenic tour of the leaderboard with the charismatic Caspian 15, starting in fourth place on a 27.4 and then dropping to 17th when adding 8.4 time penalties yesterday. Their classy clear today secured the Olympic partnership ninth place, behind Tom Jackson and United 36, and ahead of Sam Ecroyd and Boleybawn Lecrae, who tipped one rail but were able to retain the tenth place they’d held overnight. 

That’s it for us from Defender Bramham this year, but don’t go far – we’ll have plenty more stories coming out of Bromont today, plus the crazy train keeps on rolling over the week to come as we head to Germany for the Longines Luhmühlen CCI5*. Grab your passport, jump in the proverbial passenger seat, and let’s Go Eventing!

The final top ten in the 2025 Defender Bramham CCI4*-L.

 

Defender Bramham links: Website | Ride Times and Scores | Cross-Country Course | Live-Stream | EN’s Coverage

“He’s an Absolute Weapon”: The Bramham Cross-Country Day Debrief

Eight-and-a-bit solid hours of cross-country was always going to feel like a spectacularly long day, but early on in today’s competition at the Defender Bramham International, it started to feel as though it might be interminable. Just half an hour or so into the first class of the day, the CCI4*-L, we’d seen our trailblazers – Ireland’s Padraig McCarthy and Lady Ophelia – go clear and inside the time, as did second out Harry Meade and Jet Fighter, but we’d also seen two falls, a hold on course, and a 20 penalty round. This could easily have foretold a rough day of sport for Bramham’s competitors and brand-new course designer Andy Heffernan alike – but at the end of it, despite plenty of the sort of plot twists this famously big, tough four-star is known for, the general feeling in camp is a positive one. 

Bubby Upton and Its Cooley Time. Photo by Tilly Berendt.

Nobody, of course, is feeling quite so positive as Bubby Upton, who retained her first-phase lead with Its Cooley Time after easily catching the time in the precocious ten-year-old’s CCI4*-L debut. 

“He was unbelievable,” says Bubby. “I mean, honestly, he kind of made it feel like a BE100. He just stepped round and it’s just my job to steer him a little bit. He is phenomenal – will I ever ride a horse as class as him again? Who knows, but he’s got it all, and he proved that again today, so fingers crossed I can get him the win that he deserves.” 

For Bubby, who won the Under-25 CCI4*-L here two years ago with Magic Roundabout, Its Cooley Time is coming of age at exactly the point in her career when she’s ready to make the most of him – thanks, in part, to the experience she’s built up with all the horses who came before him, even if he sits apart from them in some significant ways.

“He’s so different to any horse that I’ve ever had before,” says Bubby. “He’s unbelievably sharp and spooky. [Five-star mount] Cola was very spooky as a young horse as well, so that’s kind of helped me a little bit with him. All the horses that I’ve been lucky enough to ride, like Clever Louis and Jefferson, those right sensitive types, have really helped me with him, particularly in the dressage.”

Bubby Upton and Its Cooley Time. Photo by 1st Class Images.

But on cross-country, she continues, “there’s no comparison between him and my other horses. He goes in a very unique way: he’s so low and kind of fights a bit with his head. And I’ve just had to learn, over the years, to ignore that he doesn’t go like my other horses, who go a bit softer and rounder and it potentially looks a bit smoother. It never feels as smooth as my other horses, but I’ve learned that that’s just the way he goes. That’s the way he operates, and I’ve just got to not try and mould him into how my other horses go.”

“All my horses are so different, which I love because it means that my job every day is to unlock the best of them, but they’ve all got different keys to their locks. But that’s what I love about it, and I guess that’s, for me, the analytics, and where I kind of really implement my brain and try to get the best out of them, as opposed to just one rule for all and one system.”

Bubby Upton and mum Rachael look after Its Cooley Time after his leading round. Photo by Tilly Berendt.

With any step up to a new level, there’s always a question mark or two – and even Bubby, who rates this horse as the best she’s ever had, was surprised by how much quality she found in him today. 

“Last night I was thinking, had he done enough gallop work?” says Bubby. “You never know – the only long-format he’s done is Hartpury [CCI3*-L], but I had to remind myself that that’s hilly and tough too. He’s done very minimal gallop work coming here, and he’s just naturally so fit, so I guess his stamina and his speed didn’t surprise me, because he’s shown it before, but it did kind of cement that he does have it all. He does the short tracks and he’s so quick and nimble, and then he goes and gallops around one of the biggest tracks there is. It makes me think that maybe I do have a Burghley horse after all, when I thought he might be more of a Badminton and Championship horse. He’s got a monstrous stride; the open distances out there even felt short on him. He’s just an absolute weapon.”

Izzy Taylor and SBH Big Wall. Photo by Tilly Berendt.

Izzy Taylor and the eleven-year-old SBH Big Wall also came home clear and quick, though with 0.8 time penalties for adding two seconds to the 10:03 optimum time – but the retirement of overnight runners-up Sarah Bullimore and Corimiro, who had some green mistakes on course, opened the door for them to step into second place. In third place, Caroline Harris and Cooley Mosstown put forward one of the 17 clears inside the time in the class to make their mark on the podium ahead of tomorrow’s finale.

Caroline Harris and Cooley Mosstown. Photo by Tilly Berendt.

“He’s only nine, and it was quite a risk to bring him here, because he’s not done a long-format since [the Young Horse World Championships at] Le Lion as a seven year old,” says Caroline. “I wanted to give him an easier year last year because he’d been so good there, and so I was a little bit stressed about whether he could gallop the distance and cope with the hills. But he was just brilliant; he dug so deep.” 

Caroline tells us that she always knew the gelding would be a Bramham horse: “he loves big ditchy courses,” she says with a smile. “He’s really good with that sort of thing. Even heading towards home, when he’s getting tired, he just kept jumping and staying on the line.”

Tom Jackson and Hawk Eye. Photo by Tilly Berendt.

Great Britain’s Tom Jackson delivered a duo of clears inside the time with United 36 and the former Nicola Wilson ride Hawk Eye to sit fourth and sixth overnight, respectively, while Irish-based Brit Daniel Alderson also caught the time with Blarney Monbeg Pepper to take provisional fifth place. 

Yasmin Ingham and Gypsie du Loir. Photo by Tilly Berendt.

When two-phase leaders Sebastien Cavaillon and Elipso de la Vigne galloped across the finish line in the CCI4*-S, it looked, for more than a moment, as though they’d secured the win: the time in this class, after all, was proving a touch tougher to catch than in the CCI4*-L, and they’d added just 1.6 time penalties, leaving just the tiniest margin of opportunity to get ahead of them. 

But leave the margin they did, and Yasmin Ingham wasn’t about to ignore that golden opportunity. 

“Sebastien very kindly left the door open for me, and so I thought, ‘I’m not going to let this one slide!’ So off we went, and we meant business from the beginning,” she says of the nine-year-old Gypsie du Loir, who was able to catch the optimum time to secure the win. “She’s super fast, and she’s a pleasure to ride cross country – she’s really brave and bold, so it suited her, this track.”

Gypsie du Loir, who will be aimed at a return to Blenheim’s eight- and nine-year-old CCI4*-S this September, followed by a CCI4*-L debut at Boekelo, began her week with a 27.9 in the dressage, and then added nothing throughout today’s jumping phases en route to victory. 

It was this morning’s jumping, though, that particularly impressed Yasmin, who’s long rated the French-bred mare as a real star of the future.

“I think for her, the show jumping is always a little bit of her weak phase. So for her to jump clear around, and then with Sebastien picking up a couple of seconds over, I just thought, ‘this could be an opportunity here, and it would be rude not to give it a go’. She deserved it.”

Astier Nicolas and Alertamalib’or. Photo by Tilly Berendt.

On the other end of the spectrum, France’s Astier Nicolas piloted a very experienced campaigner in Alertamalib’or, his 2022 World Championships mount, around the track today, putting in a bid for the win but ultimately settling for second by a tenth of a penalty. 

The pair did all they could: they added nothing to their first-phase score of 28 across today’s two jumping phases, and so all Astier could do was wait and watch to see how Yas, a few rounds later, would fare. 

When she, too, finished on her dressage score, he had to concede the title – but this run is about the bigger picture this season. 

“I’m keeping my win for later on, hopefully,” grins Astier, who, like his fellow countrymen, is using Bramham as a preparation for this autumn’s European Championships, to be held on English soil at Blenheim. 

The plan, so far, is paying off for the fifteen-year-old, who’s Astier’s first choice for selection while Babylon de Gamma is off games. 

“He felt very powerful, very big in his stride – I was almost overwhelmed, but in a good way, and it’s a good sign that he’s feeling great,” says Astier. “I’ve got one more run to do with him now, theoretically, and then hopefully we can get selected – in the meantime, it’s all about just managing him and keeping him as well as he is.”

Sebastien Cavaillon and Elipso de la Vigne. Photo by Tilly Berendt.

Two-phase leader Sebastien Cavaillon might rue the loss of the victory, but he, too, is comforted by the longer-term aim of team selection with Elipso de la Vigne, with whom he finished four seconds over the time to add 1.6 penalties. 

“It was a very good course for him, and I hoped to go inside the time – but unfortunately at four minutes and fifty seconds, my watch stopped working,” he laments. “At the last loop I saw that, and I said, ‘okay, let’s go’ – but I was four seconds over. I could have had two seconds [and still won], but no, it was four… so that’s a little bit of a shame. But he was very cool, and he feels very well in all three phases for the next one.”

US representatives Tiana Coudray and Coeur de l’Esprit Z finished on their dressage score of 28.7 to take fourth place, and 2024 Pau CCI5* winners Caroline Harris and D.Day rounded out the top five when finishing on their own dressage score of 29.7.

Tom Woodward is crowned the Under-25 National Champion. Photo by Tilly Berendt.

23-year-old Tom Woodward made good on his reroute from Badminton with Low Moor Lucky, adding just 0.8 time penalties to his first-phase score of 28.1 to take eleventh in the overall CCI4*-S and win the new-look under-25 class – formerly held as a separate CCI4*-L class here – by nearly eight penalties. 

“Relief, I think, is the biggest emotion,” says Tom, referring to the redemption arc of this reroute. He and ‘Lucky’ have led this subsection from pillar to post, once again delivering a very competitive starting score – at Badminton, they’d gone into cross-country in the top ten – but this time, sealing the deal in the pivotal phase. 

“I feel quite emotional about this whole weekend, really, because we actually came here thinking maybe we’d retire after this weekend,” he says of the eighteen-year-old gelding, who was bred here in Yorkshire. 

“I’ve always said I wanted him to finish on his terms – and that’s not to say that he will retire; we’ll have to see how he comes out of today. He’s looking as happy as I think I’ve ever seen him, and even these last couple of weeks, he’s gone up another gear, and that’s a great feeling to have when he’s 18 years old. He keeps getting better, so we’ll see what’s next for him. I don’t want to decide today – we’ll just enjoy this for now. He’s a very special horse, and this means a lot to us. To have him come from Badminton, off the back of it not going to plan, and for him to nail all three phases is a great feeling. I owe everything to that horse, really.”

Tom also finished third in the under-25 section with Shannondale Varsity, who added a rail and a time penalty in the showjumping, but nothing across the country, to his first-phase score of 37.4 – a phase that Tom says is still a work in progress. Second place in this section went to Anya Strilkowski and K, who added 3.2 time penalties in today’s cross-country and 1.2 showjumping time penalties to their dressage score of 35.7. A special mention must go, too, to California’s Molly Duda, who added 4.8 time penalties to her 35.4 dressage score with Disco Traveller to finish 18th in the CCI4*-S, one placing ahead of Tom and Shannondale Varsity – but this year’s new format for the under-25 class means that only British riders are eligible to contest the championship, and so the 19 year old wasn’t afforded her moment on the podium. 

For new course designer Andy Heffernan, it’s been a long and occasionally tense day – but one that he’s taking as a positive debut to build upon in the years to come. 

“It’s my first time here on my own, and I was a bit nervous this morning,” admits Andy, whose nerves weren’t much settled by the first half an hour of competition. “The first two [competitors] almost made it look too easy, and then the next four made it look too difficult. And I thought, ‘oh God, here we go’. But actually, it panned out – it was pretty good!”

One thing that he didn’t expect was the ease with which the clock was beaten: 10 pairs made the time in the CCI4*-S, and 17 did so in the CCI4*-L. 

“I was surprised how easy the time was. But like some of the riders said to me – they loved it because it was forward and it was flowing, and then the ground was fantastic. So I guess if you get forward and flowing and the ground is fantastic, then you’re also going to get horses inside the time.”

Taking over from the legendary Ian Stark was always going to be a tall order, but, Andy says, he’s had nothing but support from his predecessor and the team around him. 

“Ian’s been very cool – he sort of left me to it completely,” he explains. “I came up with a plan, and then we walked around when there was nothing out, and he approved my plan, so that was nice. The next time we came, he looked at what I’d put out, and actually, every time, he’s been pretty happy.

“I was a bit concerned, I suppose, about being, you know, too brave – I want to keep it like Bramham, but also, I didn’t want to go over the top, as you can imagine. So that was probably something that was in the back of my mind. But I felt quite confident in that I’ve got Ian, who was happy, and I’ve also got probably the two best TDs in the world, who were both very supportive. So I felt very comfortable – although nobody’s really changed what I did, I felt like if I was going to do something that was over the top, or vice versa, I had people, good people, around me who were going to point me in the right direction. I think the systems work pretty well, and I think we got quite a good balance.

“To design at this level is a dream for me, and to do it so early in my career as a designer is great – but yeah, it’s daunting,” he concludes “But if I’m really honest, I think to design at this level, or to ride at this level, you’ve got to be maybe slightly arrogant. You know, if you started thinking [negatively] it would have a negative effect on your design.”

There was another happy touch to Andy’s day: the victory of Yasmin Ingham, who he regularly helps to coach. 

“I did say to her in the collecting ring, ‘it would be very cool if you won my first Bramham!’,” he laughs. 

Tomorrow’s CCI4*-L finale at the 2025 Defender Bramham International will begin at 9.00 a.m. BST/4.00 a.m. EST with the horse inspection, and then we’ll head into the showjumping from 12.00 BST/7.00 a.m. EST. We’ll be bringing you all the news, plus you can stream the action as it happens on Horse & Country TV. 

Defender Bramham links: Website | Ride Times and Scores | Cross-Country Course | Live-Stream | EN’s Coverage

Long Game Pays Off For Bubby Upton’s “Very Naughty” Bramham Dressage Leader

Bubby Upton and Its Cooley Time. Photo by 1st Class Images.

Thursday’s CCI4*-L leaders at the Defender Bramham International made a strong bid to stay at the top of the leaderboard with their score of 24.6 – but today, Sarah Bullimore and her homebred Corimiro would be pipped at the post, just barely, by another British combination in Bubby Upton and Its Cooley Time, who put up a smart 24.4 to lead at the end of the first phase. 

Bubby, who won the under-25 CCI4*-L here in 2023 with Magic Roundabout, hasn’t finished outside the top ten with Its Cooley Time in nearly two years, but while the ten-year-old steps up to CCI4*-L looking like the consummate competitor, Bubby tells us that he’s not always been the most straightforward horse to ride. 

“I actually spoke to Ros [Canter] a lot about him, because I think he’s so similar to Izilot DHI,” she says, referencing Ros’s famously sharp and spooky five-star winner. “Luckily, though, he’s grown out of it a bit quicker than Izilot!”

“He’s an incredible horse, and the one trait he’s never lacked is talent, but it’s taken a long, long time to get his head in the game,” she says. “He was unbelievably sharp as a youngster, and I’m so pleased that basically since he was a seven year old, he’s come good.”

Bubby Upton and Its Cooley Time. Photo by Hannah Cole Photography.

The son of Quality Time TN led the dressage at the British Seven-Year-Old Championships in 2022, ultimately finishing seventh, but Bubby opted not to aim him for the Young Horse World Championships at Le Lion d’Angers, in fear that the huge atmosphere there would overwhelm his sharp brain at too young an age. 

“Osberton was the first time I thought, ‘we’re actually getting somewhere,’” she says. “Mentally, the focus, too, on cross-country kind of came from that point onward, but I always took him very steady, because I didn’t want to expose him to too much atmosphere too soon. He was the kind of horse who I felt would just go the other way, and I didn’t want to undo all the time and patience that we’d given him and go ten steps back.”

It’s clear that now, a little older and a little wiser, he’s ready to repay that kindness – and today’s result feels like the start of a redemptive arc after a lost opportunity last season. 

“He was the favourite to win the eight- and nine-year-old class at Blenheim [in September], but he got a skin infection that took way longer than we’d hoped to clear up,” laments Bubby. “He was meant to do Boekelo [CCIO4*-L] as well [in October].”

So: a longer, slower start than planned. But, she continues, “he’s a horse who’s just forced me to improve and adapt as a rider more than any other horse. He goes in a completely different way to any of my other horses. I always describe him as a freak of nature, because when you watch him go cross-country you think, ‘god, that horse goes so low, how does he leave any poles up?’ And then you watch him showjump and you think, ‘that horse goes so high – he’s a freak and couldn’t go cross-country!’ So he’s got it all, he really has. It’s just taken time and patience; at home, he’s so badly behaved and naughty, and he spooks at the same thing every single day, but you just have to ignore it, because now he also knows the job and he goes in there and he delivers.” 

Of tomorrow’s famously enormous cross-country track, now newly designed by Andy Heffernan after the retirement of Ian Stark last year, Bubby’s full of nothing but praise. 

“I think Andy’s done an incredible job – major hats off to him, as following Ian is no mean feat,” she says. “He’s put his own twist on it as well – like, he’s used parts of the ground and places where we’ve never had combinations before. For example, coming home, [when I walked] I got to the top of the hill after the last water and was a bit disappointed there wasn’t a combination there, and then got to the top of the next hill and said, ‘Ah, here we go!’ He’s been arguably even more clever and tough on us, because we’ve had to climb two more hills and then have another combination. So I think it’ll be a real test of stamina, and, as always here, bravery – combined with accuracy and technicality. I’m really excited for the challenge.”

Izzy Taylor and SBH Big Wall. Photo by Tilly Berendt.

Izzy Taylor and the rangy ten-year-old SBH Big Wall – a son of Puissance, you’ll perhaps be unsurprised to hear – will go into cross-country in third place after a smart test for 25.4, one of his best-ever scores at the level. 

“I think my highlight was his attitude,” says Izzy, who won this class in 2022 with Monkeying Around, and who comes here with this horse off the back of a second-place finish in the CCI4*-S at Belsay last month. “I’ve always loved this horse, and I’ve had him since he was a four-year-old, which makes it very special. It makes the job easier, too, because we really know each other so well – the good bits and the bad bits.”

In his test, she explains, “he stayed really rideable the whole way through; he had a little spook, but that’s just in his character, so it’s part and parcel of it. He loves his job – he gets in there and says, ‘hey, can you look at me now?’”

In his third season at four-star, precocious SBH Big Wall is ready to step into his prime – and, says Izzy, she always suspected he’d pull all the pieces of the puzzle together. 

“It’s his brain. He was a very ugly duckling – to be polite! – and the looks have improved with age, but he’s always had a great brain,” she says. “He very much wants to do right. He gets annoyed with himself – and sometimes with me! – when it’s not quite what I want, but that’s such a rare occasion. He’s just very chill and loves his job. You can teach a horse to love his job, but when he loves it from the word go, that’s a lot easier.

Sweden’s Louise Romeike and Caspian 15, who were longtime leaders yesterday and then settled for second overnight, go into cross-country in fourth place on 27.4, while 22-year-old Barnie Brotherton and DHI King Nelson round out the top five on 29.4. 

New entrants to the top ten today included Caroline Harris and Cooley Mosstown, sixth on 30.2, and Tom Jackson and United 36, seventh on 31.1. We caught up with Caroline after her competitive CCI4*-S test on Pau champion D.Day, so keep reading for some of her thoughts on the day. 

Eighth place is the provisional domain of Daisy Berkeley (neé Dick) and her Blenheim CCI4*-L runner-up Diese du Figuier, who posted a 31.4, while Aimee Penny and Freshman HH put a 31.9 up for ninth. The top ten at this early stage is rounded out by Japan’s Toshiyuki Tanaka and the former Chris Burton and Bubby Upton ride Jefferson JRA on 32. 

The top ten going into tomorrow’s cross-country in Bramham’s CCI4*-L.

Nobody could catch day one leaders Sebastien Cavaillon and Elipso de la Vigne of France, who retain the overnight lead on a score of 26.9 as they head into tomorrow morning’s showjumping and then the afternoon’s cross-country in the CCI4*-S class – but some smart partnerships came very close.

Chief among them, and a pair that drew plenty of spectator interest, was Piggy March and new ride MCS Maverick, who won the CCI4*-L here two years ago with Pippa Funnell aboard. It was on Pippa’s suggestion that ‘Eric’ make his way into Piggy’s string, into which he was secured by a group of owners cheerily dubbed ‘The Maidwell Mavericks’. 

Now, they find themselves in second place going into tomorrow’s finale on a score of 27.5 – but, Piggy admits, she considered not even bothering with the test today. 

Piggy March and MCS Maverick. Photo by Tilly Berendt.

“To be honest, I’ve been absolutely shitting myself all morning,” she deadpans. “He’s hated doing the arena familiarisation – hated it. Last time he was here he won the long-format with Pip, so he did a lap of honour, and he’s just been fairly terrified going in there. I’ve had some hot ones before, but I’ve never had one where it feels like his eyes and his brain are spinning at seven o’clock at night with no atmosphere and a load of his mates walking around with him. I actually had to get off – I’ve never got off one in an arena familiarisation before.”

“You normally think you can just walk around in there and have a chat with someone,” she continues, “so I was a bit like, ‘fuck, this is going to be a nightmare.’ So I did ring Mrs Funnell this morning, and I was like, ‘do I need to put you on the loudspeaker, Pipsy, and you can just whisper the stuff you used to whisper to him?!’ I just thought, ‘is this even going to happen?’”

Rather than over-the-phone seances, though, Piggy opted to repeat the long, slow, tactful routines that Pippa used with the gelding. That is, lots and lots and lots of time spent outside the stable, walking and grazing, and being allowed to stretch himself out on the lunge and take everything in, because, as she says, “he’s a lovely horse who’s been produced by the best rider in the world, but he’s clearly very sensitive and he gets wound up by an occasion very easily.” 

Producing a test in this ring was also such a key part of her longer-term plan to get to know the horse, and so she didn’t want to give up and give in just yet. 

“There’s nowhere that’s quite as atmospheric as in there – probably not even Badminton and definitely not Burghley, because the audience isn’t as close as they are here. And I really wanted to see him at his worst, which I’ve definitely seen over the last 24 hours,” she laughs. “I don’t care about winning a ribbon here, but I do want to take him to Burghley in the autumn, and so this week is about figuring a lot of things out, and one of those is how to deal with all this. So I wanted to go in there today and really ride him, and ask him for more, and see what he gave me.” 

Most of what that ended up being was surprisingly calm, pleasant work, but the minor mistakes – some near-jog steps in the walk, and a too-early change – were great chances for Piggy to put a bit of gentle pressure on and see how Eric would respond. 

“It was a great training exercise. I was determined not to back off with my leg in the walk, even if it meant we had a hurried walk – I wanted him to walk on and let me ride him,” she says. “And when he threw in a change too early, if it was Burghley or a Championship I’d have had to take it and keep riding, but today I’m training, and so I wanted to bring him back, let him know I hadn’t asked for that, and ride it again, and he took that on board so well.” 

Yasmin Ingham and Gypsie du Loir. Photo by Tilly Berendt.

World Champion Yasmin Ingham holds third place overnight with the exciting nine-year-old up-and-comer Gypsie du Loir, with whom she posted a 27.9. 

“I’m really pleased with that – she’s such a talented young horse, and I’m really excited about her for the future,” says Yas, who has already won at CCI3*-S and CCI3*-L with the mare. “We’re working on establishing her in the more difficult movements at the four-star level, so the changes, the half-passes – I’m delighted with that, actually. She’s got beautiful paces and a great presence in the arena, and she’s a pleasure to work with, so I feel very lucky to be riding her.”

Gypsie du Loir, who, like Yas’s top horse Banzai du Loir, was bred by Pierre Gouye is “actually surprisingly quite sharp,” says the rider. “She’s quite blood, so she does take a bit of work before the dressage. I think it’s just about getting her confidence now with these movements, and I really do believe that in a couple of years’ time she’s going to be a force to be reckoned with.”

The pair come to this event off the back of a top-ten finish in the very terrain-heavy, tough CCI4*-S at Bicton, which was the mare’s second run at the level, and Yas added her voice to the many in praise of Andy Heffernan’s debut designing effort that they’ll jump tomorrow.

“I’ve not been here for a few years, and Andy’s now taken over as designer – but it looks fantastic, and I have huge confidence in him. He trains me a lot at home, so I feel very lucky that I’ve had his help, and he’s produced a brilliant course that I can’t wait to tackle.”

Astier Nicolas and Alertamalib’or. Photo by Hannah Cole Photography.

France’s Astier Nicolas will sit fifth going into tomorrow’s jumping phases with the hugely experienced Alertamalib’or, with whom he posted a 28.1 before the lunch break. The fifteen-year-old Anglo Arab, who was the 2017 Seven-Year-Old World Champion, and represented France at the 2022 World Championships, is among a smart lineup of French horses entered here with, potentially, a European Championships bid ahead of them later on this year. 

“This is the second event of the season for him, and the French delegation all came here so we can ride three phases on grass, and over a course of this style, with the aim of the Blenheim Europeans,” he says. “So far, so good – he was really with me and gave me a good feeling. It was pretty consistent; he’s not a great, flashy mover, so that wouldn’t show as a highlight, but the feeling he gave me was pretty nice.”

Alertamalib’or is, Astier says with a grin, “a human – he’s very arrogant! But it’s funny – all the weak sides you don’t like in humans, when an animal has it, you think they’re very clever and you’re much more sympathetic to it. It’s all about him; he’s very expressive, and he loves contact with humans. He’s like a pet.”

Tiana Coudray and Coeur de l’Esprit Z. Photo by Hannah Cole Photography. 

US Olympian Tiana Coudray slots into sixth place, behind under-25 leaders Tom Woodward and Low Moor Lucky in fifth, at the culmination of the first phase with Coeur de l’Esprit Z

They put an impressive 28.7 on the board – a four mark improvement at the level, and the gelding’s first time hitting the sub-30s at four-star. But was the Wiltshire-based rider expecting the gelding to throw down such a significant personal best today?

“Not at all!” laughs Tiana. “I mean, he’s a mega horse, and he’s so flashy, and we have big hopes for him, but he’s still weak in his body and he’s sensitive in mind, so it’s all time with him.” 

She’s had the ride on ‘Eyeballs’, as he’s known at home (that’s thanks to his perpetually rather startled appearance; he looks, at any given moment, as though he’s just achieved sentience) since he was a five-year-old, and though she rates him as a real star of the future, producing him has been a labour of love and patience.

“He’s so sensitive in his mind that it’s been two steps forward, one step back – life is just difficult for him, but he does show up, and he does try, and he really wants to be a good boy. He’s such a classy animal, so you’re happy to keep plugging away,” she explains. “He’s an immature ten-year-old, but he’s a championship horse through and through. Of course, when you have one of those, the phone never stops ringing [with potential buyers], so I have to be realistic, but I also have to dream.” 

The son of Connor 48 made the step up to CCI4*-S just under a year ago, closing his season out with a steady, sensible run in the eight- and nine-year-old class at Blenheim – where, Tiana says,  “He was flashy and he was promising, but he was weak, and that takes time to develop.”

Like that Blenheim outing, Tiana’s approach to Bramham is all about the future, not about trying to make any major waves this week. And so, in keeping with that mindset, she’s planning to give the young horse the ride he needs, not the ride the leaderboard might demand.

“It looks really beefy out there [on the course], but you don’t come to Bramham expecting any different. He’s quick, he’s nippy, he’s careful, and he’s scopy, so any issues would come down to immaturity and greenness. I’ve never known anything as quick as him, but I also have to be careful about pushing the button too early, because at the moment, the mind doesn’t go as quickly as the body does,” she says. “[This week] isn’t about Bramham 2025 – it’s about what he might do down the road. So we’ll see! Hopefully we’ll have a decent crack at it, but we might just keep it two gears down from what he can do.”

Caroline Harris and D. Day. Photo by Tilly Berendt.

Caroline Harris and her 2024 Pau winner D.Day made an early bid for a placing this morning when they delivered a smart, sensible test for a 29.7 – good enough to see them sit seventh going into tomorrow’s finale. 

The fact that the test was so sensible was a highlight and a relief for Caroline, who found the eleven-year-old gelding “quite wild” at last month’s Belsay International. 

“To be honest, I think it was the galloping around [in the prizegiving at Pau] – now, he thinks he’s amazing, and so he went into the main arena there and thought it was time to gallop around again,” she laughs. “He wasn’t awful, he was just excited to be there; today, though, he was much more relaxed.”

That newfound self-belief has been the biggest change that Caroline has seen in the petite gelding since his career-defining victory, which the pair achieved in unprecedented slop in France in October.

“He’s come out quite arrogant [this season], whereas before he was so timid and like, ‘oh god, I’m not sure about this!’,” she says. “He’s not the most naturally confident horse, but it’s definitely given him the self-belief and arrogance to go, ‘actually, I’m alright.’”

With a five-star win under his belt at the end of his ten-year-old year, it wouldn’t, perhaps, have been a surprise to see Caroline aim D. Day at Badminton this spring. But she was determined not to get ahead of herself, and to continue the young gelding’s long-term production sensibly. 

“I was very adamant that I didn’t want to go to Badminton, because I knew it wasn’t the right thing for him,” she says. “He’s a super little horse, but I think both of us just need another year [of experience]. I’m very green at five-star, and he’s not the most naturally brave. When he’s going well he’s amazing, and I’d only want to go to Badminton knowing he felt on fire. So this year, I’m gunning for Aachen [CCIO4*-S in July], because I really think it would suit him if we were to be selected. Otherwise, I want to bring him to weeks like this where can get more exposure to bigger tracks and atmosphere and just learn more.”

Eighth place is held overnight by Emily King and Jackpot on a score of 30, while Alex Hua Tian holds ninth and tenth places with Chicko (30.1) and Poseidons Admiral (30.6), respectively. 

Tomorrow’s jam-packed day will see the CCI4*-L head into cross-country from 9.00 a.m. BST (4.00 a.m. EST), while the CCI4*-S will showjump in the main arena from 8.30 a.m. BST/3.30 a.m. EST and head out onto Andy Heffernan’s terrain-y, bold, and beefy cross-country track from 12.40 p.m. BST/7.40 a.m. EST. The action will be broadcast in its entirety on Horse & Country TV, and you can get a close look at all the challenges presented on course thanks to the Cross Country App. As always, we’ll bring you a mammoth report with all the info you need to know tomorrow evening – until then, Go Eventing!

Defender Bramham links: Website | Ride Times and Scores | Cross-Country Course | Live-Stream | EN’s Coverage



“I Think An Awful Lot of Him”: Homebred Takes Bramham Day One Lead

Sarah Bullimore and Coromiro. Photo by Tilly Berendt.

After all the fun and games of yesterday’s first horse inspection at the Defender Bramham International Horse Trials, perhaps we could all have been forgiven for thinking the event’s officials would be in a rather jolly mood. Banter! Wisecracks! 8s and 9s just because sometimes it’s nice to be nice!

Alas. Instead, across both the feature CCI4*-L and the CCI4*-S class, incorporating the new-look under-25 championship, we’ve seen high standards and hard-to-please judges, which isn’t a bad thing, but it’s hardly bucket hats at the palace, is it?

What those exacting standards did mean, though, is that when a really great test came along, you truly enjoyed the moment — even if, as one of my media colleagues sagely remarked, “I don’t know why we even bother with dressage here — it doesn’t mean anything.” She’s referring, of course, to Bramham’s status as the beefiest behemoth of the four-star scene, where the leaderboard often tumble-dries itself beyond recognition over the weekend in pursuit of greatness-in-the-making. But here we are, still doing the dancing bit, and sue us: we quite enjoy it.

We reckon Great Britain’s Sarah Bullimore also quite enjoyed it today. Not only did she get a bit of a lie-in — she was last to ride in the CCI4*-L today — but she also merrily pranced her way straight to the top of the leaderboard with the nine-year-old Corimiro on a score of 24.6.

The pair’s performance was hardly unexpected. Though the gelding, who she rides for husband Brett and co-owners Bruce Saint and Christopher and Susan Gillespie, only stepped up to four-star a year ago, he’s been a runaway success, posting a 27 in his CCI4*-L debut at Boekelo last October and a 24.4 in his most recent outing in the inaugural CCI4*-S at Belsay two weeks ago.

“I mean, I’d have like a 21, but I’m happy with that,” grins Sarah. “He’s still only nine, and he was hot to trot yesterday — he knows what these events are all about now, and so he was quite wired.”

But, she continues, “he’s a hot horse, but hot in a nice way — he’s got such a good brain, and he just wants to get on with it and do the right thing. So he went in there and he was almost quiet; I actually had to say, ‘come on, let’s get going!’ Yesterday, in the arena familiarisation, he just wanted to walk up to the side and see the crowd. He loves to look and stare, and the busier it is, the more he relaxes, which is a bit random! At home, when it’s quiet, he’s looking out every window to see if something’s going on or if he’s missing anything, and then when it’s busy, he’s like, ‘great, I know it’s busy, that’s fine — I’ll just go to sleep!'”

Corimiro’s sparky streak comes from his dam, Sarah’s former team mount Lilly Corinne, who’s become a prolific mother via embryo transfers since her retirement from the sport, and is expecting two more full siblings to Corimiro due this week. But unlike his maternal half-brother Corouet, with whom Sarah won individual bronze at the 2021 European Championships, he’s sired by the stallion Amiro — and whether it’s his father’s influence or just something in his own makeup, Sarah’s found him a much more malleable horse to produce than his tricky, talented older brother with his penchant for heartbreaking.

“He’s just a lovely horse, and I’m very, very lucky to have him — he means an awful lot to me,” says Sarah. “[All of Lilly’s offspring] are dominant horses, but he’s far, far easier and more trainable than Corouet. That would be Corouet’s Balou du Rouet lines, though! [Coromiro’s] a pleasure to train because he wants to do the right thing and stay onside, whereas Corouet can think he knows best and sometimes would rather I just get off and let him do it on his own.”

Whereas Corouet is pint-sized with an oversized ego, Coromiro is a much bigger stamp of a horse who’s not quite aware of his own power — and Sarah is quietly hoping to keep it that way.

“He’s a big, strong boy, and he doesn’t need to learn that he’s big and strong and could actually get away with me,” she laughs. This Saturday’s dimensionally beefy, terrain-heavy track, though, should be one that suits this stage of his education perfectly, and keeps him well on side — particularly as new course designer Andy Heffernan, who takes over this year from Ian Stark, has made some very minor softening tweaks to some of the perennially tricky questions here.

“I think he’s done a brilliant job,” says Sarah. “He’s not softened it in a way that it’s not a true Bramham, but he’s just made a couple of things a little bit kinder. I’m really looking forward to getting out there.”

Louise Romeike and Caspian 15. Photo by Tilly Berendt.

Sweden’s Louise Romeike is also well-mounted on an incredibly exciting young horse in Caspian 15, who sits in second on a 27.4 after an impressive test just before the lunch break. Caspian has two years on Corimiro, and as a ten-year-old competed at last summer’s Olympics, where he finished 24th, but it’s just this year that he’s learned to channel his talent and exuberance into sub-30 scores at this level. In fact, today’s is just his second: he posted a 25 in the first phase of the CCI4*-S at Marbach last month, which he handily won, but was more consistently in the low-to-mid 30s over the last two seasons, and put a 37.7 on the board in Paris.

The key to getting the best of him, Louise says, has simply been time.

“I think every show got a bit better last year. Actually, his last show [of 2024] was the Olympics, and that was the most difficult one, so he didn’t show the progress that was there — but over the winter, I did so much dressage training, with all of my dressage trainers, everyone helping, and it’s so much better. The way we were training him was always the right way, but he’s just a little babyish still, and he can make himself a little bit small sometimes, like a little guy. But he stays with me now, and he got stronger, so he can carry himself much better, too.”

This is just Louise’s second visit to Bramham; she last competed here ten years ago with two horses, finishing just outside the top twenty with one and withdrawing before cross-country with the other. That she makes her return here this spring is no accident; the Swedish A team, who have long been working to climb up to the big leagues at championship level, are here in force this week, gaining mileage and experience over a hilly, tough, very British track ahead of the European Championships at Blenheim later on this year.

“I’m really happy to be here again, and now it’s all about the cross-country — that’s why we’re here,” says Louise, beaming atop the cherubic gelding, who, she says, “is just a wonderful horse.”

Barnie Brotherton and DHI King Nelson. Photo by Tilly Berendt.

22-year-old Barnie Brotherton and his ten-year-old DHI King Nelson have been firmly in the spotlight over the last couple of weeks, thanks to an excellent turn in their winning British senior team debut at the Bicton leg of the FEI Nations Cup series. Though they didn’t quite catch the 28.2 they posted there in today’s test, their very respectable 29.4 is still good enough for third place overnight, and it represents their second-best four-star test — prior to Bicton, they’d never broken the sub-30 barrier.

Still, though, Barnie was disappointed to feel that he’d left some marks on the table in his CCI4*-L debut today.

“I know he’s capable of more, and so am I, but we’ll take it,” he says pragmatically. “I was pleased that he got both changes, because that’s been quite tricky for him in the past, but there’s always room for improvement everywhere, and I’d just like a little bit more relaxation. But he’s only ten, and there’s so much more to come.”

Coming here off the back of that excellent Bicton means that Barnie’s aware of more eyes on him as he tackles his job — but, he says, “I guess you’re always being watched when you’re competing! When I’m on the horse I feel quite zoned in and I tend to forget about everything else.”

Daniel Alderson and Blarney Monbeg Pepper sit fourth overnight on a 32.6, followed by Tom Jackson and new ride Hawk Eye, formerly produced by Nicola Wilson, who slot into fifth on 32.7.

“I’m very happy,” says Daniel, who has been based in Ireland for the better part of a decade but is originally from just down the road.  “Dressage is her weakest phase, and she actually doesn’t really like it, to be honest, so for her to go in there and behave and listen to me, I was very happy with that. This is a local big event for me, so I’ve always wanted to compete here, and I feel very lucky to be here. Hopefully we can give it a good go.”

The top ten at the end of day one of dressage at the Defender Bramham International.

Sebastien Cavaillon and Elipso de la Vigne. Photo by Hannah Cole Photography.

The CCI4*-S is led overnight by France’s Sebastien Cavaillon, who posted a 26.9 with Elipso de la Vigne. Like Louise and the Swedes in the CCI4*-L, Sebastien and his compatriots are using Bramham as a stepping stone to Blenheim, but largely focusing their attentions on this class instead of the long format one.

Making the decision to come to the UK to prepare is a loaded one these days, Sebastien explains, and you need to be sure of a return on your investment, either in winnings or in experience.

“Honestly, it’s very expensive now with Brexit — it’s just horrible with the paperwork and the money. I think it’s very hard for French people to come to England now. But our chef d’equipe said we needed to come to England to prepare for Blenheim, and it is a good test,” he concedes. “This horse has run many times at long format leading up to the Olympics, and so now it’s not needed for him to run another long format, and he can do a short format instead.”

Elipso de la Vigne, who was bred at the same stud as Japanese Olympic horse Vinci de la Vigne, is “a lovely horse, and he’s really good in all three phases — he’s very careful and really listens,” says Sebastien, who was named as a reserve for the French Olympic team with the eleven-year-old last year. “The canter is amazing; the flying changes, amazing. It’s easy when you ride a horse like this. The difficulty is for me: I need to be better for him.”

Their long-term Blenheim preparation was bolstered by a trip to Royal Jump at Berticheres last week, where Badminton course designer Eric Winter was in charge of the course, “so it was another taste of an English track,” says Sebastien — though, he laughs, with the appointment of Andy Heffernan as course designer here, “we’ve come to England to ride a Dutch track!”

Tom Woodward and Low Moor Lucky. Photo by Hannah Cole Photography.

This year, the coveted under-25 title isn’t being contested at CCI4*-L level — instead, it’s been changed to a CCI4*-S, and rather than being held as a completely separate class, its contestants have been shuffled in with the broader short-format class here. That means that current leaders Tom Woodward and Low Moor Lucky can also proudly count themselves as overnight runners-up in the whole section on their score of 28.1.

They’ll have been expecting a competitive score: though Tom is just at the start of his professional career, he and the 18-year-old gelding have already earned themselves a solid reputation as first-phase performers. Indeed, just last month in their CCI5* debut at Badminton they put an impressive 27.9 on the board, earning themselves sixth place going into cross-country.

That they’ve ended up here instead, though, comes down to an early runout at the Agria Corners before the Lake Complex, after which Tom reapproached, achieved a neat and tidy jump, and then decided to put his hand up and call it a day. It might not have been plan A, but every day, he says, is a chance to learn and grow as a rider.

“It was obviously a bit of a roller coaster of emotions,” says Tom. “I think it’s great, obviously, to be exposed to that sort of atmosphere and get a little bit more recognition from people who didn’t know who we were, which is obviously fantastic going forward. And, of course, getting the reassurance that you can perform under that pressure, because until you go and do it, it’s a bit unknown as to how you’ll feel. I felt really relaxed all week at Badminton, and I’ve thought about the cross country day over and over for the last three weeks. Next time I’d try and rev myself up a bit more, I don’t know — it’s just a really big learning curve and [an insight into] how you might do things differently. We’ve learned a lot about the horse as well — I’ve had him for seven years, and he’s 18 now, but I’m still learning about him every time we come out.”

One thing that hasn’t changed at all in that Badminton learning experience is Lucky’s approach to the first phase: he remains a very cool character.

“I didn’t even do the familiarisation last night because I wanted him to come in here and [get a bit of a buzz], and even with that, he just goes in and trots around,” laughs Tom. “I’m like, ‘come on, Lucky, give me something, give us a little bit more!’ He knows his job now, so just — without being mean about him — he sort of does the bare minimum, because he’s so within his capabilities in the work. He knows what he needs to do, he goes and he does it, and he goes [to the stable] and he’ll probably have a sleep now.

“He’s pretty hot in this phase now, so it’s just a case of going in and just trying to enjoy him. And especially with his age, we don’t know how many more big runs we’ll get, so I just try and enjoy each one as they come.”

Alex Hua Tian and Chicko. Photo by Hannah Cole Photography.

Also rerouting from Badminton is third-placed Alex Hua Tian and Chicko, who put a 30.1 on the board. Their Badminton campaign ended early for slightly different reasons: an awkward jump over the triple bar on course dislocated Alex’s shoulder and threw him onto the gelding’s neck, where he began a long, slow, grim campaign to get himself back into the saddle and attempt to manhandle the joint back into place.

“I have quite unstable shoulders, and I’ve had the right one operated on [over the winter],” he says. “He had a relatively good rub on the rail going into the Hollow, and then just basically hit the roof over the big open oxer and just paddled a bit and twisted a bit to the back rail. My left shoulder popped out. As the shoulder pops out, your core just switches off like a light switch. So then I did a bit of clinging on, and we ended up in the ditch with me sitting in front of the saddle. But then I couldn’t push myself back into the saddle from there, and it was only as he climbed out of the ditch, that I ended up back in the saddle.”

“So,” he continues, “we jumped a couple more, with my shoulder still popped out at the time. It wasn’t sore, but then turning left to the table it was getting weaker, and turning left to the corner, I was like, ‘I’m not sure I’m up for this anymore’.”

Now, he says, he’ll run here this weekend and then Alex will decide with owner Kate Willis whether to aim for a trip to the Nations Cup finale at Boekelo in October, or a return to Pau’s CCI5* that month, where they finished fourth last year. Most of all, though, he confesses, “my hope is to go back to Badminton again. I don’t know whether Kate can cope or not! But I felt he was having a great ride around. I learned a lot about him at Badminton. Four stars are so in his comfort zone, and so is a five star — he just needs a little bit extra positivity and poke to get across those big, wide ones, and he just needs me to be a bit behind him. I think we would have had a great ride, so I’m quite keen to get back again.”

Tomorrow will see both classes conclude their first phase — and we’ll be bringing you all the news you need to know at the end of the day. Keep it locked on EN, and Go Eventing.

The top ten after day one in Bramham’s CCI4*-S.

Defender Bramham links: Website | Ride Times and Scores | Cross-Country Course | Live-Stream | EN’s Coverage

One Horse Out; Several Minds Apparently Lost Completely at Bramham First Horse Inspection

Louise Romeike and Caspian 15 — and the formidable beauty of Bramham House. Photo by Tilly Berendt.

For those of us who live in, um, the ‘business end’ of the United Kingdom, it’s no hop, skip, and a jump to get to the Defender Bramham Horse Trials, which is tucked — as much as a palatial estate can be tucked — into West Yorkshire. That’s up in the top bit, if you’re American and reading this. For me, from just south of London, it’s five hours on our great (?) nation’s least inspiring motorways, which also stacks up to about seven Costa Coffee drive-throughs, three frantic wee breaks, eight podcast episodes, and one (1) roadside sex shop called, inexplicably, Pulse & Cocktails, which leers at you from the side of the M1 and lets you know that you’re nearly at the event, and also that they have some latex arseless chaps on sale for a really good price at the moment, if you happen to be a rider in need of some more working attire for the week.

But all of that fades into insignificance when you finally arrive — somehow needing a wee again, damn it — in the grounds of the estate. Bramham, which has been around since the late 1600s, give or take, and thus has probably seen worse and weirder things than latex arseless chaps, is one of those crown jewels of the now heading-towards-defunct British aristocracy scene. You know the kind: hundreds and hundreds of acres of rolling hills and tree-lined avenues, maintained enough to flourish but with that light hand that doesn’t push anything to overmanicured; a golden limestone behemoth of a manor house, all classical columns and archways, twinkling away at the centre of it all, somehow reflecting sunlight even when it’s raining. And, this week, the biggest, toughest, and perhaps most prestigious CCI4*-L in the world, turning it all into a playground for the clinically deranged and the sort of people who like to cheer on the clinically deranged.

Austin O’Connor and Ventura Rock. Photo by Tilly Berendt.

This afternoon saw that CCI4*-L feature class get underway in (slightly mad) style. 54 horses and riders presented to the ground jury of Christian Steiner (AUT), Nikki Herbert (GBR), and James Rooney (IRL), though fairly swiftly, that number diminished by one. That was Austin O’Connor‘s Ventura Rock, one of two intended rides in the class this week, who was an early hold and, ultimately, was withdrawn without re-presenting.

Emma Hyslop-Webb and Jeweetwel. Photo by Tilly Berendt.

Two further horses were sent to the holding box during the inspection: British-based US rider Rowan Laird made the long walk over with Sceilig Concordio, as did Great Britain’s Emma Hyslop-Webb and Jeweetwel, but both were happily accepted into the competition upon representation.

Rowan Laird and Sceilig Concordio. Photo by Tilly Berendt.

Anyway, whatever, horses schmorses; let’s talk about CLOTHES.

It became clear quite quickly that something was up at this first horse inspection. Our first handful of riders turned up looking, well, normal: suits, jackets, nice dresses, some fairly mad green trousers for newly-minted World Number One Harry Meade, but frankly, he always has mad trousers. But then the normally staid Tom McEwen appeared looking like a divorced dad heading for a midlife crisis in Benidorm, with a short-sleeved floral-print shirt and a — ugh, I can barely even bring myself to write it — bucket hat, and we all privately thought that maybe he’d just been allowed to choose his own clothes today and that was maybe a shame but also nice for him, I guess.

He wasn’t alone, though. There wasn’t many of them: five, or six, perhaps, but there was enough: bucket hats, flower crowns, wellies and shorts, a general air of breakfast beers and puking in rhythm to a Sam Fender song in a field with 100,000 of one’s closest friends.

“There seems to be a memo that we haven’t been given,” said announcer John Kyle.

Same, Kylie Roddy. Same. Photo by Tilly Berendt.

Indeed. Apparently, what had happened was this: someone on the Bramham team, finding themselves plagued by a sudden burst of inspiration, sent out a mass message to the riders yesterday, cheerily letting them know that the theme for this year’s trot-up was to be ‘Festival Vibes’, presumably in honour of the Leeds Festival that’s held here every summer, allowing the north’s teenagers to learn about alcohol poisoning and hand stuff. A lovely idea! Except, of course, for the fact that trot-ups never have themes (despite my best attempts to turn the Pau trot-up into a Halloween one) and all the riders were already on site, weeping into their Holland Cooper boxes.

Tom Crisp and Lachain Jack. Photo by Tilly Berendt.

The handful that did manage it, though, displayed some creative thinking and raided their lorries, which leaves many of us with some questions about why Best-Dressed Man winner Tom Crisp has a flower crown in his eventing kit and where Tom McEwen reckons he’s going to wear that shirt.

Daisy Berkeley and Diese du Figuier. Photo by Tilly Berendt.

Best-Dressed Woman Daisy Berkeley looked as though she’d waited her whole career for this moment, so I’m not sure if she was dressing to the theme or had always actually planned to look like a Band-Aid in Almost Famous, but either way, I dig it and so did the HiHo Silver judging panel, and that’s really all that matters, I think.

Gaspard Maksud opts in for furry representation at the Bramham first horse inspection. Photo by Tilly Berendt.

Then, of course, there was British-based Frenchman Gaspard Maksud, who seems to have a beleaguered beret maker locked in his basement, because today he debuted a fox-eared hat that’s actually probably also available to buy at the sex shop on the M1, now that I think about it. Again, probably not aiming for the ‘theme’, here: Gaspard’s previous insane hat efforts have included a golf course on his head.

His fellow countryman, Camille Lejeune, also sported a delightful accessory: pinned haphazardly to his chest was a jolly pink rosette, proudly proclaiming that ‘IT IS MY BIRTHDAY’. Nabbed, presumably, from the children’s birthday card section of the nearest Tesco Express.

Camille Lejeune: EET EEZ HEEZ BIRTHDAY! Photo by Tilly Berendt.

And so, in conclusion: fashion! Horses! A slew of strange decisions! What a note on which to start this year’s renewal of the event.

Tomorrow, we’ll head into the dressage bit, which might actually feel like something of a let-down after all this excitement, but we’ll do our best for you. The CCI4*-L will begin at 10:30 a.m. (5.30 a.m. EST) with Ireland’s Padraig McCarthy and Lady Ophelia first up to bat, while the CCI4*-S starts at 9.30 a.m. (4.30 a.m. EST) with Great Britain’s Michael Owen and Monbeg Gold Dust trailblazing. The prestigious under-25 class, formerly held as a separate CCI4*-L class, still exists, though in a new iteration: it’s now running as part of the CCI4*-S, with competitors mixed into the overall timetable, and separate prizes to be awarded.

“Actually, mate, we’re dressing like we vote the other way today.” — Philip Surl to Matt Heath, maybe. Photo by Tilly Berendt.

Unfortunately, there isn’t any livestream for the next two days, but Horse&Country TV will be broadcasting all the showjumping and cross-country action over the weekend — so keep it locked onto EN for all the news you need from this year’s Defender Bramham Horse Trials. Until tomorrow: Go Eventing! Or go to Leeds Festival, if you’re into that. Chappell Roan’s headlining it.

Defender Bramham links: Website | Ride Times and Scores | Cross-Country Course | Live-Stream | EN’s Coverage

“This Was For Caroline”: Ros Canter Records Historic Badminton Victory

Sunday at Badminton always feels like three different days of three very different lengths, all rolled into one: there’s the morning’s long, slow final horse inspection, which is a full-scale, high-tension competitive endeavour in its own right; a couple of hours later (and approximately four coffees) the first session of competitors, which offers up an opportunity to see what’s been built and how it’s riding over the course of an hour; and then, a couple of hours after that, the final session, in which the top twenty come forward, everything moves at approximately 470 miles per hour, we’re all quite constantly trying to do eighteen different things, including watching, interviewing, and overreacting all at the same time, and then, 87 gasps and 38 or so little standing leg kicks to help horses jump better and 219 poles, give or take, and at least one instance of accidentally yelling a very bad word very loudly when someone tries to eat a jump rather than actually jump over it, it’s all done. We have a winner. A maelstrom of hugging, an orgy of emotion, and then something like calm while the prizegiving unfolds (for another sixteen hours, roughly), and we don’t know what to do with it at all. 

And look: that’s just from a media perspective. If it all sounds a bit mad and manic, just consider for a moment that it’s probably not even 5% of the complexity of thought and emotion and versatility that the riders in the top places have to conjure up. It’s no surprise at all that some can’t keep every plate in the air all at once on the day. And it’s even more extraordinary when someone can. 

When someone can keep doing it, over, and over, and over again, it becomes something greater. It becomes something like a generational talent; something you know will be spoken about long after the moment ends; long after we’re all old and decrepit and no longer writing these stories. 

Rosalind Canter and Lordships Graffalo. Photo by Cealy Tetley.

That’s what it feels like to watch Ros Canter and Lordships Graffalo, who just keep showing up, doing the work, and getting things done time, and time, and time again. Sometimes, of course, the conditions aren’t ideal, as when they won Badminton two years ago when it was basically a swimming gala. Sometimes the unexpected can happen, as when they were awarded a contentious flag penalty at Paris in 2025. Sometimes life gets in the way. But they keep on rolling on, and now, they’ve added a second Badminton title to their 2023 crown, their 2024 Burghley victory, their 2023 European Championships title, their World Championships fourth place, their Olympic team gold medal… look, trust us, we can keep going. All this, and only thirteen years old: it often feels like the broader media landscape of our sport tries to position fischerChipmunk FRH as the next La Biosthetique Sam, but is Walter actually his heir apparent?

Let’s rewind a touch, though, and unpack how it all happened. There was this morning’s final horse inspection, at which overnight leaders Oliver Townend and Cooley Rosalent were held, as was Oliver’s second ride, Ballaghmor Class, who was sitting in ninth place. Ballaghmor Class didn’t return; Rosie did, and so we headed into showjumping with Oliver holding a three-point lead – not a rail, but no shortage of time, in hand. 

In the morning’s showjumping session, 33 horses and riders laid down their trips, with just two of them jumping clear – a 6% clear rate. Last year, the designers here had built a particularly square, up-to-height track, and that, combined with the tricky ground, earned them some pushback – but it’s great to see that they stuck to their guns and once again built a true five-star showjumping track, which is an area in which the European five-stars ordinarily cover themselves in more glory. Great, of course, from where we stood – but a daunting prospect, no doubt, for the riders who had to tackle it. 

First up to bat in the afternoon session was seventh-placed Harry Meade and Cavalier Crystal, jumping out of order. The pair made easy work of the course, adding nothing to their scorecard and ensuring they would finish on their 33.8 dressage score and retain or better their seventh place. Three rails fell in the next round, for France’s Gaspard Maksud and Zaragoza; then one for Germany’s Jérôme Robiné and Black Ice. There would be a further five rounds beyond theirs before we saw another clear, which came for Tom McEwen and JL Dublin, giving them a smart finish to an up-and-down week. And then, again, rails, rails, rails – another eight rounds’ worth. 

Coming in in overnight fourth place, Ireland’s Austin O’Connor set the stadium alight with an exceptional clear with Colorado Blue – never a sure thing for the gelding, whose star is at its brightest on cross-country day – and then he had the agonising job of waiting to see if it would be enough to move him into a podium place. 

It would: the next round, from third-placed Gemma Stevens and Chilli Knight, was a surprise and a heartbreaker, and five rails tumbled for the pair despite Gemma’s wealth of experience in pure showjumping. 

And then there were two. First came Ros, who didn’t, perhaps, have the round of her life – there were some gasps and maybes along the way – but the job was done, safely, efficiently, and properly, to finish on her 25.3 dressage score. An extraordinary hush fell as Oliver Townend entered the ring with his two-phase leader Cooley Rosalent, who had jumped a clear round to win Kentucky the prior spring, but has a mixed bag of results in this phase. Fence one, which faced the members tent and had fallen over and over again throughout the day, stayed up. Likewise fence two, and three, and four – and on and on the pair travelled and skipped around the track, while Ros waited quietly in the collecting ring. Eight, nine clear – and then at ten, an oxer, a little tippety-tap and the tell-tale thud of a title lost in a split second. Once again, Oliver would have to settle for being the bridesmaid. Once again, Ros would be the bride. 

Rosalind Canter and Lordships Graffalo. Photo by Cealy Tetley.

“He’s just the most amazing horse,” says Ros, who becomes the first rider to regain, rather than retain, the Badminton title on the same horse. “He just relishes it. He absolutely loves it in there – he loves anywhere, though, where there’s people watching him. I think most horses, as they get older, they know the crowd, and they almost get trickier because the anticipation is always there. But with Walter, he relaxes in that environment in a nice, bubbly way, and he just thoroughly enjoys himself.”

Ros had closely studied the patterns of the morning’s rounds, and made a plan of action after noticing the issues many riders were having with the first fence.

“I felt that some in the morning session, because they got down there and then the bell went, they maybe didn’t quite get a chance to get it up the gears and get the canter positive before the start,” she says. “So I really made sure that I got down there quickly and then had enough time to get my canter going, because Walter would sit pretty in a fairly average canter if allowed to. So I just had to remind myself what canter I needed to get and let him do his job.”

Walter’s joy in this environment, and the depth of his partnership with Ros, meant that she could rely on him to help her out when she didn’t feel wholly herself. 

“I was quite nervous today. It’s been a long old day without Caroline, because she was always keeping me busy. So I was stuck by myself quite a lot, overthinking and questioning my life choices of trying to be an event rider. I think I worked him up a bit, but he helped me out.”

This is her first Badminton without her longtime friend, trainer, co-owner, and confidante Caroline Moore, who was an enormous and influential presence in the eventing community as a coach, but much more than that for Ros. Now, she’s had to face one of the biggest challenges of her career while also grappling with mourning her friend, who passed away in March following a long battle with cancer.

“Even when she wasn’t with me, over at the Olympics and stuff like that, she was on the end of the phone, she was texting me, and all those things,” says Ros. “And this – it’s really what it would have meant to her as well, because she might not have achieved such great things when she was riding, but she put her life and soul into her career and was so selfless with everything she gave. Me winning was… she just loved it so much. So I think — I hope – she’s looking down with a smile on her face.”

All around her, though, people stepped up to try to help her fill that gap.

“[British team trainer] Chris Bartle was always there anyway. So he’s always been a fantastic support,” she says. “A couple of weeks ago, he said, ‘you know, if you want me to step in and just watch videos and things, just send them over.’  He’s always got my back anyway.”

And, she continues, “Nick Turner, who’s a great friend of Caroline, and who’s very involved now with the Performance Mentoring Programme [the subsidised training programme Caroline started] with me — I went for a jump with him on the way to Badminton. I actually used Nick just before I went to Burghley last year, because Caroline wasn’t well enough to help me. I just rang him literally the day before sort of having a panic – he’s an hour down the road – we stopped off, just had a few fences, and then he was there as well today. So between the two of them, they got me sorted.”

At the end of the day, though, “this was for Caroline, really. She was huge because she just was selfless in her, you know, attention to detail and everything that she gave to me. Not only was she the best trainer and mentor, but she was the most wonderful friend as well, and I have so many special memories of everything we did together. She was by my side my whole career, and it’s the first time I’d done anything like this without her, so I’m just so pleased that I managed to make her proud.”

Rosalind Canter and Lordships Graffalo. Photo by Cealy Tetley.

For owners Michele and Archie Saul, and breeder Pennie Wallace of the Lordships Stud, it’s also a huge moment and another wonderful reward for many years of work and support. And for Ros, it’s another chance for the horse she so reveres to get the flowers he richly deserves. But this whole funny old game never just comes down to big-day performances: at the end of it all, it’s always about the love of the horse, and Walter gives her and the team of people around him plenty of reason to adore him.

“It’s not just what he gives on this stage, it’s the character he is at home as well,” she says. “He’s just fantastic. He enjoys his life, he knows what he wants, and he tells us what he wants, and in between, he’s pretty chill and happy, but like, he licks you to death — he’s like a puppy in the stable. He knows he’s the best and he’s full of self-importance, but at the same time he’s just completely wonderful. I love him.”

 

Oliver Townend and Cooley Rosalent. Photo by Cealy Tetley.

For most riders, being second at Badminton might sound like a dream come true – but perhaps less so when it happens over and over again. That’s been much the case for Oliver Townend, who has won the title once before, back in 2009, and certainly hasn’t had any trouble capturing major victories at plenty of other five-stars in the years since. 

But Cooley Rosalent, at just eleven years old and already a winner at the level in her own right, looks to be one of those horses who’s just biding her time, with another huge week to come in the seasons ahead. 

 

“She’s unbelievable,” says Oliver. “She’s been first, second, and third at five-star level now, and hopefully, it’s only the start. She improves every time, she learns something every time, and I learn something every time. I couldn’t be happier with her. We’ve got two incredible horses at each end of their career, and I’m just the luckiest rider in the world to have both of them.”

Oliver led after the first phase with the mare on a score of 21.1, and led after the second phase, too, though he added 1.2 time penalties when opting for the long route at Huntsman’s Close. Then, of course, there’s today’s rail – but, he says, “I wouldn’t do anything different. I thought her performance was as good as any horse’s performance this week, really, in terms of the way she did things. She’ll come on for the run — and I really believe she will come on for the run. She’s had a good experience again, she’s just coming eleven, and she’s unreal, isn’t she?

“I thought she jumped a very good round — probably a better round than when she won Kentucky, really,” he continues. “She touched one fence, and that’s this place a little bit for me as well, you know – this is the fifth second place I’ve had here, and only won it once, so it takes a bit of winning, this one. But she can go around any course in the world. She can be competitive in any class in the world. She’s blood enough for Burghley, she moves good enough, and jumps well enough for a championship horse. So she’s — ability-wise — got everything.”

 

Austin O’Connor and Colorado Blue. Photo by Cealy Tetley.

For Austin O’Connor and Colorado Blue, it must feel a bit like deja-vu: they’ve previously wound up on the podium here at Badminton once before, back in 2023, when Ros took the win with Walter and second place went to Oliver and Ballaghmor Class. This year, though, he proved that ‘Salty’ doesn’t need difficult ground conditions and a sloggy cross-country day in order to shine – the 2023 Maryland winner can do that anywhere, and in any circumstances.

“I think he’s probably one of the best horses eventing in the world, to be quite honest,” says Austin, who added just 0.4 time penalties today to his first-phase score of 30.8. “I think you’re probably looking at three of them [on this podium] – they’re not flashes in the pan. They’re unbelievable, consistent horses. My lad is a bit older than these two, but he doesn’t know that. Just like me!”

Their round today wasn’t just one of the best of the day – it was arguably the best of the horse’s career.

“It’s a magic feeling, and it’s a great privilege to be riding at Badminton,” he says. “It’s a great privilege to be on the podium — to jump a clear round. But it’s not simple in there. There’s a lot of pressure. So I guess there’s just so much relief, as much as anything. But the most pleasing aspect for me was how the horse actually jumped. I mean, I think he’s never jumped a round like that in his life.”

Austin O’Connor and Colorado Blue. Photo by Cealy Tetley.

Austin and Salty’s first-phase score, too, represents a personal best in this phase, and though it still gives him a job to do in climbing up the leaderboard on cross-country day, the pair’s consistency in doing so is pure vintage eventing. 

“It’s amazing, isn’t it, to be sat up with these guys on the Sunday evening,” “It’s a very, very special result. The horse is in great form, and we’ve had an unbelievable week. Sadly, if I was in a different era and these two weren’t around, I’d have won two Badmintons! But there we go. Probably history will tell you that I’m competing with probably two of the best event horses there’s ever been, so I can’t really grumble.”

Still, he laughs, “Somebody said, ‘Where are you going in the autumn?’ I said, ‘Wherever these two aren’t going!’”

 

Harry Meade and Cavalier Crystal. Photo by Cealy Tetley.

Harry Meade’s afternoon-starting clear with Cavalier Crystal scored him fourth place, up from seventh, while Superstition dropped two rails – and one in quite dramatic fashion – to drop one spot from fifth to a final sixth. 

“Cavalier Crystal was just magic,” says Harry, who is now firmly on track to become World Number One at the end of the month, pending the next few weeks’ global events. “I think that was as nice a round as I’ve ever felt any horse perform at a three-day event. She’s just – she’s magic.”

Today’s course played into the mare’s strengths: Harry’s had to work hard to teach her to lengthen her stride for cross-country, and she’s always been more naturally inclined to increase the tempo of her footfall instead, which was exactly what the distances in the ring required today.

“It was a big track and I think it was clever, because the time is quite tight,” he says. “But actually, Cavalier Crystal was, I think, seven seconds inside the time. And I think the key thing is, you couldn’t take an inside line anywhere. All you could do was come in a quickened rhythm, but you couldn’t allow the stride length to go longer, because all of the related distances were on orthodox to slightly compressed distances. Therefore, you had to make up the time with the timing of the footfall, not opening up the stride.”

Harry Meade and Superstition. Photo by Cealy Tetley.

Of Superstition, who opted to go through, rather than over, one of the fences, he says: “he still jumped really well. We had one quite dramatic heart in the mouth moment. That would have been a long way to come to not finish a three-day event, but luckily, he stayed on his feet.”

 

Emily King and Valmy Biats. Photo by Cealy Tetley.

Sandwiched between Harry’s two horses on the final leaderboard is Emily King, who finishes in the top five for the second year in a row with Valmy Biats, despite tipping a rail. The pair began their week in this position but slipped out of the top ten when adding 7.2 time penalties yesterday, and Emily was delighted to complete the climb back up, even with that mistake.

“Sack me!” she laughs. “He jumped really big over the oxer before fence four, and my eye picked up five to the water tray, and then I knew in my head that that was too wild. So I basically didn’t land and set up straight away. I think that big jump threw me off, and I nearly got drawn in on the one less. He’s a really strong, bold horse, and wouldn’t be a horse that is easily adjustable at the last minute, which I asked him to do and then we just got close. But I mean, he jumped exceptionally. He felt like it was just a normal day at a normal show.”

 

Christoph Wahler and D’Accord FRH. Photo by Cealy Tetley.

Germany’s Christoph Wahler had two frustrating rails with D’Accord FRH, which just dropped him one place to seventh thanks to the strength of their performances over this week – they were one of just six pairs to finish inside the optimum time yesterday after beginning their week on a 32.2, which makes the outsized thirteen-year-old an exciting heir to the throne vacated by former top horse Carjatan S, a mainstay of the German team.  

 

Bubby Upton and Cola. Photo by Cealy Tetley.

Bubby Upton secured eighth place with Cola III, but also had two rails down – though such was the influence of today’s showjumping course that they actually still climbed four places from overnight twelfth. 

“It was completely my fault,” she says. “He jumped fantastically, and I just got a very forward shot to the MARS oxer at four, and it was a short six, so I just couldn’t get him back in time. So in hindsight, I should have just been brave and gone on the five and taken a stride out, and that was completely my fault. And then coming into the final line, again, I was just a couple of inches too far off the oxer, and with him, there isn’t room for a couple of inches’ error. I’m obviously disappointed to have let him down, but it doesn’t detract from how amazing he was once again, and hopefully one day we’ll get all three phases.”

 

Tom McEwen and JL Dublin. Photo by Cealy Tetley.

Tom McEwen’s classy clear with JL Dublin helped them climb from sixteenth up to ninth on the same finishing score as Bubby and Cola – though their 11 penalties for taking out the corner at Huntsman’s yesterday, and their 10.8 cross-country time penalties, meant that the tie-break didn’t go in their favour. Still, after a turbulent day in the office yesterday, and a week that began with a second-place position after dressage, it’s a reassuring finish – though, perhaps, a week that’s proven the very talented gelding’s strengths might be best suited to championship pathways and foreign five-stars. 

 

Tim Price and Vitali. Photo by Cealy Tetley.

Tim Price rounds out the top ten on Vitali, who we’d hoped might have come good in this phase when not fighting for the win – but alas, it was a classic three-railer for the gelding, who still managed to climb three places today. 

An excellent clear in the morning pushed US representatives Tiana Coudray and Cancaras Girl from 52nd place to 44th, while Grace Taylor and Game Changer moved from 37th to 30th even with two rails. Grace, for her part, has a different kind of progression on the brain after her father, British team selector Nigel Taylor, presented her horse for her – in a besuited, slightly lame (himself, not the horse) and cheerful sort of way: “I think I need to put him on a bit of a fitness programme if he’s going to do some trot-ups for me,” she says wryly. “I said to him, ‘Nigel, I think we’re going to have to take you swimming.’ So I’ve got him a gym membership, and he’s going to come with me. The pool isn’t very deep, so he’d do well to drown in it.” 

What more sport can you want, really, from Badminton? For us – for now – it’s over and out. Thanks for joining us for the journey, and keep it locked on EN for lots more from the week that was over the next couple of days. Until then: Go Eventing.

The final top ten at the 2025 MARS Badminton Horse Trials.

MARS Badminton Horse Trials: [Website] [Timing & Scoring] [Live Stream] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

Top Ten Reshaped At Badminton Final Horse Inspection

Oliver Townend and Cooley Rosalent. Photo by Tilly Berendt.

Yesterday was a very good day in the office for Oliver Townend, who retained his first-phase lead with eleven-year-old Cooley Rosalent, adding just 1.2 time penalties, and also retained his ninth place position with eighteen-year-old Ballaghmor Class, who added 4.8 time penalties on Eric Winter’s long, influential course.

This morning, though? That’s probably one he’d rather forget. He was sent to the holding box with both his rides, and while Cooley Rosalent would go on to be accepted after further examination, he opted instead to withdraw elder statesman ‘Thomas’ from the holding box and the rest of the competition. That decision now moves Emily King and Valmy Biats into the provisional top ten after their clear round with 7.2 time penalties yesterday.

Georgie Goss and Feloupe. Photo by Tilly Berendt.

Oliver wasn’t the only rider to face the scrutiny of the ground jury, made up of president Xavier le Sauce, Nick Burton, and Robert Stevenson. A further five horses were held through the course of the morning: Will Rawlin‘s Ballycoog Breaker Boy (19th overnight), Georgie Goss‘s Feloupe (36th), Jack Pinkney‘s Rehy Revelation (39th), Grace Taylor‘s Game Changer (37th), and Ian Cassells‘s Master Point (10th — and now 9th). The biggest cheer of the lot came for the acceptance of Game Changer, who was gamely presented by a very unsound, besuited Nigel Taylor, British team selector, historic playboy of the sport, and father of Grace. I’ll avoid getting told off by him for this by also noting that he had a touch of Michael Caine about him (if a bit less surefooted).

Nigel Taylor and Game Changer. Photo by Tilly Berendt.

All were accepted upon re-presentation, though our field still looks rather smaller than it did last night following a spate of overnight withdrawals. Those came from Nicky Hill and MGH Bingo Boy (28th after a 12.8 time penalty clear yesterday), Yasmin Ingham and Rehy DJ (14th overnight with a 9.6 time penalty round), Belgium’s Senne Vervaecke and Google van Alsingen (41st with a steady clear), Harry Mutch and Shanbeg Cooley (44th after picking up 20 penalties and time), and Lizzie Baugh and B Exclusive (43rd with 32 time penalties). That takes our list of 60 finishers down to 54 competitors for today’s finale, which will begin with the first showjumping group at 11.30 a.m. BST/6.30 a.m. EST. After a parade of the morning competitors, the top twenty will jump from 14.45 p.m. BST/9.45 a.m. EST.

We’ll be back with live updates, additional stories, and a full report later on today — and you can follow all the action on the livestream, too, via ClipMyHorse.TV. Go Eventing.

The top ten following cross-country at Badminton.

MARS Badminton Horse Trials: [Website] [Timing & Scoring] [Live Stream] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

“I Always Do What My Daddy Tells Me”: Oliver Townend Bests Badminton Cross Country Day

Oliver Townend and Cooley Rosalent. Photo by Cealy Tetley.

There’s been plenty of discussion in the lead-up to today’s cross country challenge at the MARS Badminton Horse Trials about how different it all feels: for the first time in a few years, the sun has been shining, the ground is dry and verging on firm, and the course itself is bigger, more galloping, and less technical than in the past couple of iterations, too. Would that make it less exciting, less demanding, and less influential? Would we see half the field sail home inside the time? 

Of course we wouldn’t: at the end of the day, our 79 starters have been whittled down to 60 completions, 44 of whom had clear rounds, and six of whom came home inside the 11:40 optimum time. Among those who picked up issues were some heavy-hitters, too – overnight runners-up Tom McEwen and JL Dublin dropped to sixteenth place after a tough round that had some classy moments but, in the latter stages, just didn’t travel, and they added 10.8 time penalties and a further 11 for activating the MIM clip at the first corner of Huntsman’s Close. Five-star debutant pair Tom Woodward and Low Moor Lucky, who had so impressed with a first phase performance that had them sitting sixth, retired early after a run-out at the second of the Agria Corners at 6 and 7, and Switzerland’s Felix Vogg, who was twelfth with the previously successful Cartania, was eliminated when the mare came to the upright gate at 29 with a bit too much petrol left in the tank and pecked on landing. Both were uninjured in the fall. 

Fourteenth-placed Kylie Roddy was also dashed from the line-up early in the course when SRS Kan Do scrambled to make the distance over the wide haywain at the Savills Staircase at 4ABC, catapulting his rider out of the tack, and thirteenth-placed Sam Lissington retired Lord Seekonig late on course after some trouble at the Mayston Equestrian Sunken Road. In less dramatic fashion, Fiona Kashel logged a smart completion with the seventeen-year-old Creevagh Silver de Haar but vacated her space in the top ten by adding 24 time penalties to drop to 26th place. 

Oliver Townend and Ballaghmor Class. Photo by Cealy Tetley.

But those who found their way around the long, tough track found themselves having a very good day of sport – and one that sees our leader unchanged at the end of the day. Oliver Townend will go into tomorrow’s finale fighting for the Badminton title, which has closely eluded his grasp since he took it in 2009. 

Oliver’s first ride, on the eighteen-year-old Ballaghmor Class, was the earliest barometer of how the track might measure up. He came forward as just the second of 79 starters, following a confidence-boosting but steadier clear from pathfinders Kirsty Chabert and Classic VI, and while he didn’t quite manage to catch the 11:40 optimum time, he came reasonably close – the pair came home twelve seconds over, picking up 4.8 time penalties. 

From the sidelines, the round didn’t, perhaps, look like a vintage Ballaghmor Class attacking round – but, says Oliver, “I think he’s as good as ever. There were a couple of places today that weren’t quite impressive enough for him. The more impressive and the bigger the fence, the more beautiful he is to ride to it. If he sees a fence that he doesn’t think much of, he’ll just run me straight through the distance — so I had to correct him a few times. But when it’s a big, old-fashioned Badminton fence, like the corner down the bottom, like the double of hedges with the ditch – well, then he’s a six-star horse, isn’t he?”

With four five-star wins under the gelding’s belt already, it’s hard to imagine the day when he won’t shore up as part of these major events – “he’s getting spottier and spottier, so we’re going to restart him as a chestnut in two years,” jokes Oliver – but in the eleven-year-old Cooley Rosalent, it looks as though he’s got an heir waiting to take his throne at the top of the sport. 

Oliver Townend and Cooley Rosalent. Photo by Cealy Tetley.

This week, she’s certainly shifting him out of it: just as Ballaghmor Class retains the ninth place spot he held after dressage, she finishes the day still atop the leaderboard, following a late-in-the-day clear round with just 1.2 time penalties. 

That lead wasn’t always a sure thing, though. Immediately following her return home, she and Oliver were awarded 15 penalties for a missed flag at the B element of Huntsman’s Close, which came up late in the course this year and caused plenty of problems throughout the day. 

“These professional horses, they know easy way and the quick way, and they know exactly where home is,” says Oliver, whose penalties were rescinded by the close of the competition. “So when you’re telling them that you’re wanting to go quick, and then you get a right-handed corner that’s drifting off towards home, they’re happy to make it quicker for you. It was only my foot that didn’t jump the fence. I came back, and somebody showed me the video, and she jumped it in front and she jumped it behind.”

Huntsman’s Close, incidentally, was the one place on course where Oliver changed his initial plan: “I actually had a phone call from my dad – very rare! –  just before I got on. He said it had gone very dark in there and two had crashed into the corner. He thought that to gallop to the oxer [the long approach was an oxer to a corner, rather than a corner to a corner] was the sensible thing to do if I was anywhere near the time. So I was galloping up to it thinking, ‘Do I? Don’t I?’ And, well, can you imagine what my dad would say if I went to the corner and ran into it? You can’t imagine! I always do what my daddy tells me.”

His overall approach to riding the track also differed slightly to his earlier, much more seasoned ride.

“She’s still relatively baby,” he says. “She’s eleven, which is young enough at the level. And she’s still a little bit nervy in the bit. She’s a very sensitive mare – she’s pretty much the opposite of Ballaghmor Class. So you have to mind her a little bit. And she’s very shy with the people, so the first cross country jump I jumped in the warm-up towards the people — she was very nervy of it. But she felt to me, as the course went on and the stronger the questions became, the more she started to warm into it and enjoy it. By the time we jumped through the lake, I thought, ‘okay, we’re away now.’”

At the conclusion of it, he continues, “I couldn’t be happier with her. It was her first proper, proper test since Kentucky [in 2024, which she won]. I know she went to Burghley [last autumn, where she fell], but I had a broken collarbone and we didn’t quite have her where we wanted her. But now she’s done it again.”

It wasn’t just his two horses that Oliver was delighted with – Eric Winter’s course, too, earned his vocal praise.

“I thought it was Eric’s best course so far – I think he’s probably getting the hang of it at this stage,” he says with a grin. “And then he comes up and says, ‘I’m going to change it next year.’ I’m like, ‘oh, it was quite good this year!’ I thought it was a very clever, brilliantly flowing course that showed off the top-class horses and riders. And the mistakes that happened weren’t horrible mistakes or frightening mistakes. It was mostly the kind of mistakes where somebody puts their hand up and walks home, and the horses and the riders all looked alright. I think that’s what we all want in this sport now.”

What he’d like less of, though, is something that ended up being at the forefront of our minds for much of the day. 

“I think it’s a shame that we have to do quite so much talking about flags—it’s quite boring, isn’t it?” he says. 

Ros Canter and Lordships Graffalo. Photo by Cealy Tetley.

That flags ended up such a talking point wasn’t just down to the fact that a flag penalty called the overnight lead into question – it also happened to 2023 champions Ros Canter and Lordships Graffalo, who picked up their penalty at exactly the same fence as Oliver and Rosie, and also ultimately had it taken off. They sailed home eleven seconds inside the time, but throughout the long wait for a decision, Ros had to wait in a tricky limbo, rather than embracing the elation of what was arguably one of the best five-star cross country rounds we’ve ever been treated to. 

Her joy in her horse, though, was never in limbo. 

“It’s a privilege to sit on him, really. He just absolutely loves it, and he makes my life easy, because he lowers and he gallops, but when he sees a fence, he looks up, and he comes up into a great balance,” she says. “So I’m able to take my preparation for a jump quite late, and the moment I get low, he gets low, and off he goes. And he just seems to never tire. I wouldn’t class myself as a naturally fast rider. But on Walter, everything feels quite easy.”

Even, she continues, a track as bold and unflinching as this one.

“Every time I get here and walk the course on Wednesday, I think it looks jumpable. Then by Saturday, 10 minutes before I get on, it feels quite unjumpable. But I wouldn’t want to be on any other horse. Each jump is there to be jumped — it’s putting them all together under the pressure of wanting to go fast that makes Badminton a great challenge.”

‘Walter’, normally a very relaxed type, certainly knew what was to come this morning. 

“He was actually shaking in the stables before I got on him — it’s the first time he’s ever done that – kind of staring into space a little bit, and he certainly felt well on it at the start,” says Ros. 

Now, at thirteen and with an Olympic Games, two five-star wins, a European Championship title, a World Championships placing, and plenty more mileage behind him, Ros has the full extent of his extraordinary capabilities to play with.

“He just knows his job so well. He reads things so well; he’s just super clever with his feet. I think that’s what makes him outstanding. He loves it out there, but stays composed and calm at the same time. He’s got a turn of foot, but he’s also so rideable. I think that’s the thing: you sit up, and he comes back to you, and he comes back in a balance, so you never feel like you’re fighting backwards to go forwards. In that way, he’s always energy-saving.”

Their classy, extraordinarily efficient clear moves them up from overnight fourth place to second, and while Ros might be slightly ruing the two tricky flying changes that have kept them out of the top spot thus far, she’s not lagging far behind: she’ll head into the final phase tomorrow just 3 penalties behind Oliver, giving him time in hand but not a rail – as long as she and Walter continue their own pattern of never having a pole at this level.

Gemma Stevens and Chilli Knight. Photo by Cealy Tetley.

Gemma Stevens began the day with two horses in the top ten, but ends it with just one in the competition after opting to retire Jalapeno, third after dressage, following a surprise run-out at the second of the keyhole corners at 7. 

“Jala is a funny old lady, and if it’s not her day, it’s not her day,” she says. “And I can tell you something now, if she doesn’t want to do something, she’s not going to do it. You definitely can’t make her. She actually started brilliantly, and I was spot on at the first [corner], and she just said, ‘no, not my day’. So I brought her around and jumped it, gave her a pat, and walked her home, because there’s always another day.”

Taking his stablemate’s spot on the leaderboard is paternal half-brother Chilli Knight, whose earlier round was the first clear inside the time of the day. ‘Alfie’ romped home bang on the optimum time, propelling himself and his elated rider from tenth place to third. 

“I’m not going to lie — that was cool!” she says with a laugh. “Last year, I had no bloomin’ control. This year, I’ve changed the bit. I had a fantastic ride at Burghley in this bit, and I was just so much more confident. Don’t get me wrong, he still throws his head around when I say ‘whoa.’ He’s like, ‘Don’t make me whoa, bugger off!’ But I’m like, ‘No, you need to whoa, because there’s a jump.’ And now he knows that if I’m woahing, there’s a reason for it — so he does have a small amount of respect!”

Alfie has always been a classic cross country horse – his victory in the terrain-heavy, tough ‘pop-up’ CCI5* at Bicton during the pandemic is the proof in the pudding – and with that in mind, Gemma set out on course with one clear goal in mind.

“My absolute aim was this: fast, clear, and inside the time,” he says. “He’s just a fantastic little horse. He’s so genuine. If he sees a jump with flags on it, he’ll take me to it. He’s the biggest trier you could ever imagine, and I’m unbelievably proud of him today. He’s come out of it smiling his little head off.”

It was only at the tricky Huntsman’s Close that Gemma ever considered taking an alternative route – last year, a flag penalty there cost her and Alfie the win – but ultimately, she made an in-the-moment decision to go straight.

“He jumped Huntsman’s unreal — he just literally turned and popped it. I looked at my watch and figured I probably had three or four seconds to spare — not six or seven — and I was like, ‘No, we’re going straight. Come on, boy.’ He was literally looking for his flags today, and so I said to myself, ‘Man up. Go straight.’”

Austin O’Connor and Colorado Blue. Photo by Cealy Tetley.

There are a couple of things that I always think of as markers of a proper five-star: one is, of course, when cross country proves influential enough to allow for colossal leaderboard climbs. The other is when even the most informed of takes and opinions end up being catapulted out of the water. Just last week, I came up to Badminton to cruise around the course with Eric Winter; along the way, we ended up having the inevitable discussion about who we thought could win. 

“It won’t be a year for the horses like Colorado Blue,” he mused. “They almost need that really tough year like the last couple to really climb.”

I roundly agreed. And now Colorado Blue, and his rider, Ireland’s Austin O’Connor, are in fourth place, having sailed up the leaderboard from twentieth after dressage with one of their characteristic blazing clears inside the time. 

But it’s not just Austin and Salty’s typically excellent second-phase performance that’s got them to this stage: they also produced a personal best in the dressage, posting a starting score of 30.8 that they’re determined to stay on. 

“Coming here, he’s on the form of his life. He’s stronger, more mature, and I’m just very, very lucky to have him,” says Austin, who never felt any complacency about this year’s challenge compared to the previous, wetter years. 

“I mean, it’s Badminton. There was a lot of rubbish talk beforehand about it being a bit softer, but I wasn’t listening to too much of that. Eric Winter is a clever designer, and it was tough, and it was Badminton.”

The 2023 Maryland champions came home seven seconds inside the time, and find themselves a hair’s breadth away from their Badminton success of that year, which saw them finish third after another remarkable round.

“He’s blood, but he’s also got an amazing heart – he’s got a heart the size of Badminton. That’s what makes him a real star,” says Austin. “As I always say, it’s a lot easier when you’re sitting on a horse like Colorado Blue. Thank God he’s still loving it as much now as he ever has.”

Harry Meade and Superstition. Photo by Cealy Tetley.

Harry Meade, too, executed smart climbs up the leaderboard with both of his horses, who each sit in the top ten following two clears inside the time. In case you’re losing track, that’s two horses clear inside the time at Burghley last year, two horses clear inside the time at Kentucky last month, and now this – an astonishing record that demonstrates that the rider is truly on the form of his life. 

The best-placed of his rides is the former Lucy Jackson mount Superstition, who climbed from 23rd to 5th place after his exceptional performance. That round comes after a rather unique preparation: the sixteen-year-old gelding hadn’t jumped a cross country fence in a month before he left the startbox today, and he hasn’t competed at all since Burghley last autumn. 

That, Harry explains, is no accident – instead, it was part of a master plan to manage the horse’s headspace and limit his exposure to the stresses of a competitive environment.

“I reckoned I could do all the prep he needed at home and on the gallops,” he says. “I think a lot of people assumed I’d entered and was never planning on running him because he hadn’t been entered anywhere, but he felt great today.”

While many people believe that running horses competitively offers a fitness edge that can’t be replicated with gallop sets, Harry disagrees. 

“I don’t include their runs in any way as part of their fitness work,” he explains. “A run replaces a gallop, but if that event was cancelled the day before and they ended up working on the gallops at home instead, I reckon that would do more rather than less for them than if they ran [at the event]. I also keep a log of every single bit of fastwork every horse that’s been on my yard that’s gone to a CCI4*-L or a CCI5* has ever done, going back to 2001. So I have a pretty good record of what they need to do, what they don’t need to do, what’s been perhaps an unnecessary amount, where they’ve been fit enough by doing less.”

His warm-up was similarly simple but measured: “I literally jumped two show jumps — about 90 centimeters — outside beforehand. The main thing was just to keep him relaxed, and then try to go like a scalded cat. But at the same time, I always say cross country isn’t a sprint. It’s about keeping them in that efficient, relaxed breathing. You let them recover, let them breathe — never get into them too much, or you empty them.”

En route around the course, he says, he discovered something he hadn’t expected. 

“I was surprised by how big the course rode overall. The back rails were a long way away the whole way around, and that distorted their jump – it got them jumping in a way that horse might not normally jump. That, then, had an impact on the fences that weren’t that [big], because it had changed their jump. I know Burghley has a reputation for being big and square, but I actually noticed it more so here.”

Though Harry’s performances at these major events is swift and efficient, at one-day events, he takes a much slower, steadier approach.

“A lot of people don’t understand and what I do and think I’m stupid – they can’t understand why you’d canter gently around one-day events,” he says. “To put it in context, I do a lot with the horses in terms of slow, steady runs through the grades. So they have a very in-depth fluency, and I don’t mean fluency in terms of rhythm – I mean it in terms of being fluent in the language of cross country, so that by the time they get here, they don’t really need the prep runs that much.”

Harry Meade and Cavalier Crystal. Photo by Cealy Tetley.

In romping home easily with his second ride, Cavalier Crystal, he roundly proved his point – and moved up from 33rd place to seventh. 

But, he says, he can’t take all the credit for his string of consistently quick horses. 

“I think the common denominator is the team work at home. To produce a number of horses and have them all really fit — it takes a really great team of people. We know how to get horses fit, but they’re absolutely devoted to the horses. My aim is just to do the horses justice when we get here.”

While this is Cavalier Crystal’s first Badminton, it’s certainly not her first rodeo: she also logged a clear inside the time at Burghley last year, and earned herself her second consecutive third-place finish at the event in doing so. Getting her to this peak, though, has been a progression, rather than an inevitability, says Harry.

“She’s a funny horse — I never thought she’d be a five-star horse. When she was at Novice, and then when she stepped up to Intermediate, she was a good jumper but she never felt that scopey – she felt limited. She’s definitely not limited now! The other thing was that when you wanted to move her up to a fence, when you saw a good, galloping stride, she’d take a quicker turnover of footfall, so she’d get there faster but she’d still be off of the fence. She wouldn’t lengthen the stride. That’s something she’s learned through running in a relaxed, slow way, to actually not quicken the turnover of footfall but to lengthen the stride and learn to move up and stand off her fences.”

Christoph Wahler and D’Accord FRH. Photo by Cealy Tetley.

Germany’s Christoph Wahler also rode a Badminton debutant – though not five-star debutant – in the oversized D’Accord FRH, with whom he finished ninth at Kentucky last spring. 

Today, though, felt “quite hard! Last year in Kentucky, he made everything feel so easy. Today, we had to work from fence one — I just never really got the rhythm quite right. He was so fast, though, and he was helping me out everywhere. He’s bold, he goes – and I’m happy to be back home inside the time.”

That increased difficulty, Christoph says, was dimensional.

“I think it’s the size of the fences. From fence two — that very big table — he actually got a bit careful. The feeling was that he got more and more careful, so I had to really ride for the fences, whereas usually I can just keep him in his rhythm and he steps over them, because he’s such a big horse. But then towards the end, when they start to tire, they also get a bit less careful — and then it gets a bit easier.”

This is Christoph’s return to Badminton after his debut in 2022, when he very nearly caught the time with his Paris Olympics ride, Carjatan S.

“It’s incredible — it’s so cool. I’ve been here twice now, and every time I’ve come up here, I’ve enjoyed it so much, because the people are screaming, the atmosphere is amazing — it’s just such a great place to be.”

Tim Price and Vitali. Photo by Cealy Tetley.

Tim Price found surprisingly himself off the pace after the first phase with the experienced Vitali, and while he was able to climb from sixteenth to eighth today, he returned home still feeling as though he’d left something on the table. The pair closed out the day with 3.6 time penalties to add to the 30.6 on their scorecard. 

“He’s a fast horse, and he ran for me – after Huntsman’s Close he had his head low and his ears back and he galloped,” he says. “But the time’s tight, and I don’t know – it was a fun ride to take him around, but I guess his ground speed just wasn’t as fast as it can be. I don’t know why, but that’s fine; it was still a good, fast round and I’m really happy. It was tidy, it was clean, and it was right on the job.”

Ian Cassells and Master Point. Photo by Cealy Tetley.

Ireland’s Ian Cassells and Master Point, too, added 3.6 time penalties in their fastest five-star round to date, and now round out the top ten after climbing from eighteenth post-dressage.

“I’m really happy with him,” he says. “He’s a very blood horse with a massive stride, and in the combinations, he can get a little bit hollow and it’s hard to keep him round. He’s really quick and tries to be a bit catlike, so I have to be very aware of my body position. Even at the corners at 6 and 7, I really had to use the curve — the water was still quite tight for him, I thought — but he stayed straight and honest.”

Their round wasn’t without a bit of excitement: “At the log-ditch-log [the KBIS Chasm at 15ABCD] he jumped in quite big and left his stifles, which gave me a bit of a whoopsy moment. But he was never going to falter from the line. I’m really proud of him.”

Waiting in the wings just outside the top ten is eleventh-placed Emily King, who was thrilled with another classy clear from Valmy Biats, though dropped from overnight fifth with 7.2 time penalties to add. Just behind her is Bubby Upton and Cola III, who delivered a solid performance for 6 time penalties and a climb from sixteenth to twelfth, and in thirteenth, Badminton debutants Katie Magee and Treworra, up from 23rd with 5.2 time penalties. 

It was a mixed day in the office for the US and US-adjacent representatives: Grace Taylor and Game Changer climbed ten places to 37th after a clear round with 24 time penalties, while Tiana Coudray and Cancaras Girl were having an absolute peach of a round until the tail end of the course, when they picked up a frustrating 20 penalties at the final element of the Quarry. They also added 34 time penalties to drop from 37th to 52nd. Ocala-based Kiwi Joe Meyer opted to retire Harbin on course before Huntsman’s Close after two issues earlier on course.

Tomorrow’s finale will kick off at 8.30 a.m. (3.30 a.m. EST – ew, sorry) with the final horse inspection in front of Badminton House, and then we’ll head into the first showjumping group at 11.30 a.m. BST/6.30 a.m. EST. After a parade of the morning competitors, the top twenty will jump from 14.45 p.m. BST/9.45 a.m. EST. With just three rails spanning the top ten, it’s looking like a proper day of sport to come. As always, it’ll be live-streamed on ClipMyHorse.tv, and we’ll be running live updates and full stories, too. 

In the meantime, get some sleep, ice those legs, hydrate up, and get ready to Go Eventing one last time (this week, anyway!). 

The top ten following cross country at Badminton.

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

“I Thought, ‘This’ll Be A Long Six Minutes!'”: Townend Leads Badminton Dressage With Cooley Rosalent

Oliver Townend and Cooley Rosalent. Photo by Cealy Tetley.

Tom McEwen made a valiant effort at clinging onto his dressage lead with JL Dublin, but after holding it for 24 hours, he was elbowed out of the top spot by late contenders Oliver Townend and Cooley Rosalent, who delivered a smart, consistent test to put a 21.1 on the board.

This week marks ‘Rosie’s’ sixth five-star start, and she’s already a winner at the level two, having taken the title at Kentucky last spring – but despite all this mileage, she’s still just eleven years old and, Oliver explains, greener than most give her credit for.  

“She’s still relatively babyish. I know she had success in Kentucky, but she’s still green with the crowds, and a bit shy,” he says. “One of her last memories [of an atmosphere] is galloping around with me and the crowd all clapping at Kentucky, so this is a big atmosphere and a big day for her. She went in there and really brightened up with the crowds: she spooked when someone let a chair go, and then again when the ring steward took his hat off. I thought, ‘Oh Christ, here we go. It’s going to be a long six and a half minutes!’”

“But once she got in there,” he continues, “she started to breathe and relax. She came to hand quickly — which is what good horses do. You’re always relieved when they do it in the moment.”

Still, though, he was relieved to come to the end of the test, through which he aimed to nurture the young mare and build her confidence.

 “Honestly, finishing and getting out of there with that mark on the scoreboard was the best part,” he says. “It could have gone either way. I took a risk coming out of the first corner — I just let go — and she did go the right direction. It would’ve been very easy for her to stick her head up and goggle around, and that probably would’ve ended the test. But I liked how she came to hand more than anything.”

Oliver Townend and Cooley Rosalent. Photo by Cealy Tetley.

A year on from her five-star win, and two years on from her debut at the level, Rosie is, he says, “a different league. I was dealing with a stringy baby before! If we can keep her like this for the rest of her career, great. If she improves from here — then she’ll be a very, very good one.”

Tomorrow’s cross-country challenge sees Oliver start his day on the evergreen Ballaghmor Class, who sits ninth overnight on a 29.3 – and after many long hours of waiting, he’ll return to the startbox with a different plan of action for Rosie.

 “They’re completely opposite types. She’s very easy to add [strides] with — very nippy,” he says. “She can add strides where there are normally none. Sometimes I’ve got to be brave and make things happen, and other times I rely on her to come back to me quickly. But she’s very good, and there’s a lot of gallop in her pedigree.”

That gallop comes through her damline – her mother was a National Hunt horse, and won the Scottish Borders National at Kelso. 

“She’s just a natural athlete,” says Oliver. “Her pedigree’s second to none, and her father was a 1.50m horse. Somehow, the magic’s happened in the breeding, and it’s worked out about as well as it possibly could.”

Gemma Stevens and Jalapeno. Photo by Cealy Tetley.

Day one leaders Tom McEwen and JL Dublin now sit second going into cross-country, just 1.3 penalties – or three seconds and a whisper – behind the leaders. This afternoon also gave us a new face on the podium in Gemma Stevens, whose second ride of the week, the stalwart Jalapeno, partnered her to an excellent 24.7 and third place provisionally. 

 “I’m absolutely thrilled,” says a beaming – and slightly teary-eyed – Gemma. “It hasn’t been an easy preparation with her. She’s definitely been quite on edge, which is slightly new territory for me — normally, she’s very relaxed, almost lazy. But the last few days, she’s been seriously hot to trot. I had to ride her a little tentatively, but honestly, she was still amazing, and she pulled off a serious, serious test.”

The key to eking the best out out of the former Karin Donckers ride, with whom Gemma finished sixth with here in 2023, has been making sure her schedule is tailored to what she enjoys most. 

 “We’re always just trying to keep her fit, sound, and happy — she’s 17 now, and she’s a proper woman,” laughs Gemma. “She knows exactly what she wants out of life, and most of the time, it’s not really to work that hard! So we have to persuade her constantly and keep her happy. She’s quite a cantankerous old girl, so we do lots of different things to keep her interested.”

That includes “lots of turnout during the day, water treadmill sessions, hacking, trotting up hills — things like that. Not too much time in the school, because it really irritates her. But she’s so well-trained that I can just pick her up when I need to. She honestly only goes in the school once a week, because otherwise, I annoy her! She’s a funny old stick — but wow, can she do it when she puts her mind to it!”

Gemma’s excellent test today means that she goes into cross-country with two horses in the top ten: yesterday’s ride, Chilli Knight, sits in tenth on 29.5. 

 “I honestly can’t believe it — I’m chuffed to bits,” she says. “I never thought ‘Alfie’ would be this high up, even with the cross-country still to go. He’s right there, waiting and ready to count.”

Both horses are by the stallion Chilli Morning, as are many of the horses in Gemma stables – but despite some physical similarities they, like Oliver’s two matching horses, will require different plans and rides tomorrow.

 “They’re very similar types, but completely different ways of going. Jalapeno will probably tell me after three minutes that she’s tired — which she’s not — so I’ll be working hard from minute three! But that’s fine. Luckily, I’ve been in the gym! Alfie will want to gallop right to the end. He’ll jump the last fence and still want to gallop around the whole arena. I’m really looking forward to it. I’m also terrified! But if you’re not terrified of Badminton, well…!”

 

Fiona Kashel and Creevagh Silver de Haar. Photo by Cealy Tetley.

Ros Canter and Lordships Graffalo hold fourth place overnight on 25.3, followed by Emily King and Valmy Biats in fifth on 27.3 and Tom Woodward and Low Moor Lucky, sixth after the first phase in their five-star debut on 27.9.

We’ve got an all-British top ten going into cross-country, thanks in part to the efforts of Surrey-based Fiona Kashel, who rode the test of a lifetime with Creevagh Silver de Haar to produce a five-star personal best of 28.4. They’ll head into the next phase in provisional eighth place, closely followed by Yasmin Ingham and Rehy DJ on 29.1 and Oliver and Ballaghmor Class on 29.3. 

“I’m overwhelmed! I’m so proud of him,” says Fiona of the seventeen-year-old gelding. “He’s not the biggest mover, he’s not the biggest jumper, but he just tries his heart out. We’ve got a really special relationship — he owes me nothing, and I love him.”

The pair has a long partnership, but although Fiona bought him as quite a young horse, she didn’t have him earmarked as a top-level horse. 

“I couldn’t keep any show jumps up on him as a seven-year-old, and I couldn’t stay on him either — he kept leaving legs,” she says. “I actually tried to sell him, but he wouldn’t pass a vet. I sold him a lot of times, and he failed every single vetting — despite being the soundest horse I’ve ever had! So I kept going with him, and he’s just kept answering every question. Honestly, the last two years, he’s felt better than ever. He’s really like a fine wine.”

Fiona was one of the many riders waitlisted for this year’s competition, and she found out just a handful of days ago that she’d been accepted.

 “This time last week, I wasn’t even in — they only rang me Saturday afternoon to say I was off the waitlist,” she says. “So it’s been a bit of an emotional roller coaster to get here. But he’s been on great form this year; he’s jumped some dressage over the winter, and he’s had some really good spring runs, so I’m really excited.”

Despite being waitlisted, Fiona kept working towards the Badminton goal – so much so that she enlisted her dressage trainer, Damian Hallam, to coach her through the test every two weeks this spring. 

That was a tactic that could have proved disastrous, but might have actually ultimately given them an edge – but not in the way that Fiona had planned for. 

“I don’t know if I should admit this, but… I actually learned the wrong test,” she says. “I’m blaming my mother, who does all my scheduling! In January, I texted her, ‘What’s the Badminton test?’ She replied, ‘2024 B,’ so I’ve been having lessons on 2024 B every two weeks.

“Then, on Friday night — when I still wasn’t in — I saw a video of Kirsty Chabert doing a run-through of her test on Facebook, and I thought, ‘That’s not the test I’ve been doing.’ I checked the schedule — it was 2025 C! But I figured, ‘it doesn’t matter, because I’m not in.’”

Then, she continues, came that fateful phone call on Saturday.

“So Damian drove two hours from the New Forest on Monday night to help me run through the correct test. I’d been at Bovington on Sunday, and the horse had galloped Saturday, so that was the only window. Damian didn’t even know the test himself yet, so I’m just pleased I didn’t go wrong. I think my mum’s pleased I didn’t go wrong, too!”

And the feeling of not just getting the job done, but getting the job done like that?

 “Amazing,” she grins. “To do it here at Badminton, in front of everyone — especially since we’re quite local — it’s so special. It’s nice to finally be able to say I can ride! It’s taken quite a while, but I can do it. He just keeps getting better and better.”

So that’s one box ticked – but what of tomorrow?

 “I hate going cross country,” she says with a laugh – and a grimace. “If I never went cross country again, I think I’d be very happy. I quite like it once I’ve finished — but that’s about it! The jumps are just big for him, and he’s not the biggest jumper. It’s a big, bold, scopey course. He’s seventeen now, and I’ve just said to myself, ‘I’ll take one fence at a time.’ If he’s going well, I’ll keep going. If it’s too much for him, I’ll pull up. I’m just going to enjoy the experience.”

Tim Price and Vitali. Photo by Cealy Tetley.

One horse and rider combination that we’d all expected to see at the business end of the leaderboard failed to disrupt the top bods in a surprise twist at the very end of the day’s sport. That was New Zealand’s Tim Price and Vitali, who set the Burghley dressage record score in 2023 with an 18.7, and who are consistent performers in this phase. But today, the fifteen-year-old gelding fell victim to tension in the ring: he tried to canter, rather than trot, out of his first halt, and while the extended trot started as one of the best, boldest, and most expressive we’ve seen this week, it lost rhythm and impact in the middle when the horse very nearly broke into canter. From then on out, it was a back-and-forth affair: a handful of 7.5s and 8s, and then another tricky moment, tact, and smatterings of lower marks. They left the ring on a 30.6 – a disappointing mark for Tim, but one that still keeps him close enough to the hunt in equal sixteenth place at this stage. 

“He’s been so good all week, and he was going beautifully in the collecting ring,” rues Tim. “He did relax a little bit as he went through, but I needed another ten minutes after the seven minutes of actual test time – he’s just getting so fit. He’s got it all there, if he would just breathe and let me sit on him normally.”

Tim has come so close to winning five-stars on a number of occasions with Vitali, whose biggest struggle, historically, has been in the final phase. It would be just like the sport, he acknowledges, if Vitali now goes on to jump clear on the final day for the first time. 

“I was looking forward to really fighting for a different position tomorrow. But you know how this game goes: you’ve got to go and do all three phases and do them well. It may be just one of these weird weekends where I was nowhere near the lead, and end up with a good result. You just don’t know. It’s a mysterious old game, but he’s very well, and that’s the main thing. He’s healthy and fit and I’m looking forward to tomorrow.”

Tomorrow’s cross-country phase begins at 11.30 a.m. BST/6.30 a.m. EST, and will see 80 horses and riders head out of the startbox – down by one so far, following the withdrawal of Jesse Campbell and Cooley Lafitte, who had a tricky start to their week in the dressage ring to sit 77th at the end of this phase. 

Eric Winter’s course is widely considered to be a more flowing, less technical one than we’ve seen over the last few years, and with fast ground, it would be easy to assume it’ll be a less influential phase than usual – but at 11:40, it’s a serious stamina challenge, and there’s no shortage of colossal questions out there. That time, too, may well prove to be tighter than anticipated: we caught up with Ireland’s Sam Watson after his dressage test earlier, who shared that when he wheeled the course, it came in at 11:55. You can take a look at the challenge that’s been set with our course preview here, and stay tuned for more from the riders on how they feel and what they’ll plan to watch, re-walk, and do out there tomorrow. 

In the meantime, you can recap all of today’s action over on Cheg’s live blog, check out all our coverage and bonus stories so far here, watch it all back on ClipMyHorse.TV, and keep it locked on EN for more from between the boards here at the 2025 MARS Badminton Horse Trials. Go Eventing!

The top ten at the close of dressage at Badminton.

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.



Friday Morning at Badminton: Ros Canter Makes Close Bid

Ros Canter and Lordship’s Graffalo. Photo by Cealy Tetley.

No one has been able to surpass day one frontrunners, Tom McEwen and JL Dublin, on the MARS Badminton Horse Trials leaderboard so far, and at this sunny midpoint of the Friday’s dressage, their 22.4 remains the benchmark for the competition. Closest to the mark so far, though, is 2023 Badminton champions Ros Canter and Lordships Graffalo, who sit a reasonably snug second on 25.3. 

In many ways, the thirteen-year-old British-bred gelding is looking the best he’s ever had – his early trot work earned nearly unanimous 8s and the odd 9, and he received another 9 for his mid-test halt prior to the reinback. We saw a 10 hit the board, too, from Xavier le Sauce at C for the right-handed trot half-pass, and the trending scores looked well set to surpass Tom and ‘Dubs’ – until the flying changes. 

In this test, the slightly bitty CCI5* Test C, the first and final of the four flying changes are double-weighted in the scoring – and in the first, Ros and ‘Walter’ scored expensive fours across the board for a rather hoppy change, and in the last, they scored the same again for a slightly stilted effort. Redemptively – or, perhaps more accurately, frustratingly – the middle two changes on the serpentine (the ones, notably, without double-weighting) were much smoother, earning, at the low end, a 6.5, and at the high end, a pair of 8s. 

“The changes have always been something he’s struggled with a bit, and I probably just didn’t help him quite enough in those moments,” says Ros. “I thought he was a bit more established than he was — so that’s my fault, and my hands in the air for that one. But he was amazing, overall.”

Ros Canter and Lordship’s Graffalo. Photo by Cealy Tetley.

Ros, though, has never been one to cry over spilt milk or slightly skewiff changes, and she was as taken with Walter’s good work as all of us watching him had been. 

“I was really pleased with it, actually. I thought his work reflected what he’s doing at home — he’s getting stronger all the time, and I was delighted. I got a little bit distracted at the beginning when he started sneezing, which isn’t always a good sign! But he settled quickly and was great.”

While some horses go into Badminton’s atmospheric ring and shrink, ‘Walter’ has never been a horse to shy away from the spotlight. The small issues with his changes, then, weren’t the result of tension – rather, says Ros, it’s a symptom of trying not to school them too much beforehand.

“I think the changes are just a hard movement for me to practice with him,” she explains. “Once he knows they’re coming, he almost drops the contact, and I can’t ride him up into it properly. So maybe that’s just something I need to manage better.”

Ros Canter and Lordship’s Graffalo. Photo by Cealy Tetley.

After his Burghley win of last season, Ros has given Walter the same routine that we’ve seen her use often with her experienced horses – she’s dialled his workload right back and let him have maximum ‘horse’ time.

“He had a proper holiday, and quite a long time off to get fluffy and enjoy himself,” she smiles. “He came back into work at the end of December and had a good month of just hacking and taking it easy. He didn’t start doing anything too exciting until February. [Then,] I try not to overtrain — my natural instinct is to be the enemy and train too much — but I’ve worked to keep things balanced and give him the time he needs. He knows his job now; he’s a total professional. There was a very hairy picture of him on social media at one point where he looked pretty chubby! But it’s amazing — once he knows Badminton is on the cards, he strips himself up. He knows how to get himself ready.”

Georgie Goss and Feloupe. Photo by Cealy Tetley.

Ros’s test puts yesterday’s runners-up, Emily King and Valmy Biats, into provisional third place on their 27.3, while debutant pair Tom Woodward and Low Moore Lucky now sit in fourth on their 27.9. In fact, you have to skim down to eighth place to find our next new entrant to the top ten – and that’s the British-based Irish representative pair of Georgie Goss and Feloupe. They posted a 29.6, one mark better than their test here last year on the mare’s five-star debut.

“I’m absolutely delighted – she was amazing,” says Georgie. “I just made one error in the third change, which was so frustrating, because the changes are usually one of her good bits. But I’m over the moon — she was so good. To still score in the sub-30s, even with that mistake, is fab, isn’t it? I’m really pleased.”

That their score is exactly one mark better this year feels, in a funny sort of way, slightly redemptive: “Last year she got a 30.6, but I entered the arena one second too late and got an error of course. I would have been in the 20s then, so I really wanted to get into the 20s this year,” explains Georgie.

Georgie has had the ride on the now-fifteen year old for five years, and though they had a slow start together, she’s always been excited about the potential she felt in her.

“When I got her, she’d done a short four-star but hadn’t had a great experience — I think she’d lost her confidence,” she says. “So our first year together was mostly at Novice, just rebuilding her. She’s one of those inward worriers — she’s very placid and quiet, and anyone can handle her — but she’s also incredibly sensitive, and she really wants to please. She’s always like, ‘Well, Mum, did I get it right?’”

“I love her,” she continues with a grin. “She’s very elegant, and she tries so hard. She’s not built brilliantly — she’s quite downhill, and with her big paces, she can hang on the forehand a bit. But she really tried in there today. I’ve been working with Ian [Woodhead], and he’s the master — so I was really pleased.”

Felix Vogg and Cartania. Photo by Cealy Tetley.

 

Just a hair’s breadth behind Georgie and ‘Lulu’ is Swiss Olympian and five-star winner Felix Vogg and the fourteen-year-old Cartania, who posted a 29.7 for provisional ninth place ahead of Kylie Roddie and SRS Kan Do (tenth on 30.1). 

“I think it was pretty good for her,” says Felix, who was a rare rider to come out of the ring pleasantly surprised at the number on the board – one that represents the mare’s second-best test at this level.

“I wasn’t super happy with how it felt in the ring — at times it seemed like she wasn’t really going forward enough. But they told me it didn’t look like that from the outside, which is good! It always feels different than it looks on the scoreboard, doesn’t it? But yeah, I’ll take that.”

Cartania has finished in the top fifteen here in each of the last two renewals of Badminton – but those were both years notable for their boggy, tough conditions, and this weekend’s challenge is a much faster, top-of-the-ground sort of affair. That, says Felix, is something that he’s been quietly mulling over.

“She’s okay on [firmer ground], but it’s not so easy to get her back in front of the jumps on quicker ground,” says Felix. “It’s easier for her to get going, but maybe that makes it harder for me! We’ll see. She’s very good at cross country, but on this kind of going, she can maybe run a bit too fast. I know that sounds a bit like a stupid complainer kind of thing — a bit of a worry — but that’s the only thing I can think of that might challenge us tomorrow.”

This year’s course is also widely regarded as being much more flowing than the last few years’ tracks have been – which, in conjunction with the quicker ground, could potentially see the cross-country hold less overall influence in the final results.

“I hope it’s difficult enough. I like when the courses are more challenging. I think that’s good for the sport. Most people seem to think the same,” he muses.

The US saw its second representative in the ring this morning in British-born and -raised Grace Taylor, the daughter of US Olympian Ann Sutton and British team selector Nigel Taylor. She and Game Changer trended well throughout almost the entirety of their test and looked set to replicate the impressive 28.9 they posted at Burghley in 2023 – but a late mistake cost them dearly, and they walked away with a 35.4 and provisional 35th place. 

That mistake? A beautifully performed but strides-early final flying change, which earned them double-weighted 1s across the board and also impacted their previous movement, the canter half-pass into counter-canter, for which they received 4s for not showing any strides of counter-canter.

Nevertheless, says Grace, “I’m really pleased with him. He tried really hard—he was a very good boy!”

The flying changes were a highlight of Grace’s test, despite that final premature delivery, and that’s something that she’s been hard at work on behind the scenes. 

“We’ve been working on everything, but definitely just making sure the changes are mine and not when he decides to throw them in,” she says. “That last change was definitely his change. We did it well, but it was just a little early. Overall, we’ve just been focusing on making the work more secure and consistent — so that the Burghley result two years ago wasn’t a one-off. We want that level of performance to be something we can deliver consistently.”

We’re heading back to the boards now for the latter half of today’s competition, and with some heavy-hitters to come, there’s much that could yet change. Follow along with all the action on Cheg’s live updates or via the livestream on ClipMyHorse.TV, and join us back here after the close of competition for a full report on the key stories of the day. Go Eventing. 

The top ten at the Friday lunch break at Badminton.

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

It’s Called Fashun, Look It Up: The 2025 Badminton Golden Chinch Awards

At the Defender Kentucky Three-Day Event a couple of weeks ago, something terrible happened: I ran out of time to be recreationally mean on the internet.

First it was Wednesday, which is prime Being Mean To People On The Internet Day, and perhaps I Wednesday-ed a bit too close to the sun, because then it was all over and I had not done a Golden Chinch round-up.

Then it was Thursday, and the weather was very hot, and I preferred the idea of riding the air-conditioned elevator in the officials’ building up and down instead of sitting in the blazing sunshine and doing actual work.

Then it was Friday, and the weather was very wet, and I preferred the idea of riding the very dry elevator in the officials’ building up and down and maybe doing a little cry instead of sitting out in the rain and doing actual work.

“You know,” said EN editor Sally, “it would be great if we could have those Golden Chinch Awards sometime.”

“Sally,” I said, both soothingly and patronisingly. “Sally, Sally, Sally. You will get them. But I cannot rush the process. I have to sit with the fashion; I have to let the clothes speak to me. Style is an art form, and I am its maestro. I am the prophet; the messenger. What I have to say will define a seasons’ worth of sartorial choices for horse lovers around the world. You mustn’t put pressure on scripture. You must let it run its own race.”

Lost in my own genius, I absentmindedly scratched an itch at the back of my neck. Ah. My shirt was on inside out.

And then, dear reader, it was Saturday, and everyone I’d started writing about had a Not Very Good Day Actually, and I thought, ‘is Matt Brown really going to find a photoshopped picture of his head on Bruce Lee’s body funny right now? No, I guess he’s probably not going to find that even a little bit funny right now.’ And I gave up.

Anyway, look, I failed you. I failed Sally. I failed myself. I failed all those riders who probably wanted to have an excuse to get me deported. And now, this week, at Badminton? I mean, it’s not Wednesday. It’s not even really Thursday anymore. But after spending the whole morning wondering if perhaps I was the person failing the hardest at doing Badminton, we then had a two-minute silence in honour of the 80th anniversary of VE Day. The mixed zone ground to a halt; the collecting ring fell to a hush, but for the occasional faint snort of a horse; the colossally buzzy grandstand was suddenly so achingly quiet that it was like the plug had been pulled on the whole world. We all crept into the recesses of our thoughts, bristling and marvelling at the extraordinary cruelty of war and the relentless courage of the ordinary people who fight against it. We thought about the scale of the loss of life; about the doomed cycle that humanity seems to repeat over and over and over again — bloodshed in exchange for imaginary borders; destruction in exchange for power. And then, in the rider’s tent, some woman’s phone rang incredibly loudly: once, twice, three times, before it finally stopped. ‘Great,’ thought I, ‘she’s declined the call.’

And then:

“SHHHHHHHHHHH!!!!! WE’RE ON A MINUTE’S SILENCE!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I’LL CALL YOU BACK!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!” she bellowed, so loudly that folks at the site of Germany’s surrender to the Allies in 1945 (Luhmühlen, actually, for what it’s worth) no doubt heard her loud and clear.

So honestly, all things considered, I think I’m probably alright getting this out at kind of a weird time on Thursday night.

Without further ado, then: your Badminton Golden Chinch Awards, in which I lambast some of eventing’s best-looking and finest-dressed people. A task I am highly qualified to do.

The Golden Chinch for Saving Britain’s School Children

Gemma Stevens and Chilli Knight. Photo by Tilly Berendt.

Gemma Stevens comes to this year’s Badminton trot up as the plucky heroine in a heartwarming new blockbuster that nevertheless showcases the brutality of the British state school system’s chronic underfunding. Just a few years out of her teacher training degree, she’s gained plaudits and accolades for her inspiring approach to turning under-fives at a Gloucestershire boarding school into maestros at the recorder, but following a scandal involving her mispronunciation of the word ‘gravadlax’ at a parent-teacher bruncheon, she finds herself back on the job market. And then: the chance to try for the role of headmistress at a school somewhere that’s only ever referred to as ‘endz’ throughout the movie. She’s too young! She’s not experienced enough! She cares far too much about the nutritional value of school lunches! One of the students snuck out while she was in the job interview and keyed a willy into her car door and now she’s crying! They don’t even have a lacrosse team here! But somehow — somehow — she triumphs, and by the end of the film, literacy rates have skyrocketed, the Tory government has been deposed and the school can afford chairs for its classrooms again, and everyone is really, really good at playing ‘My Heart Will Go On’ on the recorder. Oooh, Matron. 

The Golden Chinch for Soft-Boi Toxic Masculinity 

Sam Watson and Ballyneety Rocketman. Photo by Tilly Berendt.

Ladies, we’ve all been on a date with this man, haven’t we? (Not Sam Watson, I want to be very clear. Not Sam. But the general essence and flavour of man that Sam, who is happily married and whom none of us have dated, is giving off here.) He has a butchered Audre Lorde quote on his Bumble profile (“I actually believe that none of us are free while any woman is unfree, even when her shackles are very different than our own, listen up men!!!” he oozes, saccharine and absolutely aware that no men are seeing his profile.) You do a cursory stalk of his social media and discover that he writes kind of shit poetry about his “suffering”, but he’s hot, so you put your rose-tinted glasses on and let those red flags just look like, well, flags.

On your first date, he brings you a bouquet of wildflowers (“I’ve brought you some seeds, too,” he says. “They’re a bee-friendly mix.”) and a bell hooks book (“I’ve taken the liberty of underlining some favourite passages for you. Perhaps we can discuss them on date two.”). On date two, you do not discuss them, because he takes you to a jazz cave in a cellar, buys you one (1) glass of gone-off Malbec, and then tries to sandpaper your back molars clean with his tastebuds. You go back to his place, regrettably, and discover that he doesn’t even have a bedframe, his bookshelf just has one sad copy of Fight Club on it, and his laptop is open to a Google search for ‘how to impress women millennial feminist’. He ghosts you two days later and then when you accidentally rematch with him six months down the line, it’s clear he has no recollection of ever having met you. Unfortunately, you still have the rash to remember him by. 

The Golden Chinch for Disruption at Casa Amor

Will Rawlin and Ballycoog Breaker Boy. Photo by Tilly Berendt.

Tonight, a hot new bombshell enters the villa, bringing drama and excitement to a group of horny, dehydrated, and probably kind of psychologically beaten-down Islanders. Will he find love in Casa Amor, or will he go be on the next flight back to (sorry, let me check my notes here) …Hungerford?

I actually heard a rumour once that Will Rawlin was scouted for Love Island, and I guess I could probably text him and ask him if that’s true, but instead I’m going to publish it on the internet and hope that that Google AI nightmare folds it into his neat little summary paragraph whenever anyone looks him up. He can then join the exalted pantheon of event riders who’ve gone on television dating shows — a pantheon that currently only includes 5* rider Sam Ecroyd who, long before coupling up with Emily King, once appeared on an episode of Take Me Out and talked at length about showering in his socks, and yoghurt.

If I’m honest, I’m mostly just patiently waiting for someone in our extended eventing family to have a go on Naked Attraction.

The Golden Chinch for Providing Friendly and Reliable Funeral Services at a Great (?) Price

Felix Vogg and Cartania. Photo by Tilly Berendt.

“We can gild it for you, you know,” says Felix Vogg — quiet, faintly sinister; his lips lifting into a slight smile on one side of his mouth; his pheromones mixed with the smell of formaldehyde —  as he shows you his expansive coffin emporium. “It’s only an extra £5000. But if they were really a ‘loved one’, what’s money, anyway? Did you even love them, really?

As you leave, much poorer than you arrived, he slips a business card into your pocket. It has no text on it — just a QR code with a little skull in the middle. It’s kind of sticky.

“I can also DJ the wake, if you want,” he says. “I’ve got some real deep-cut Avicii. Snapchat me.”

The Golden Chinch for Channelling an Apex Predator

Gaspard Maksud and Zaragoza. Photo by Tilly Berendt.

Reliably, someone at every five-star trot-up brings a little bit of top-of-the-food-chain energy to proceedings. Usually, it’s a big cat thing: a leopard-print trouser; a fur collar that looks a bit like a lion’s mane; whatever.

Never, though, have I seen someone do Polar Bear That’s Three-Quarters of the Way Through Devouring an Aging Golfer, and now that I have seen it, I think it’s actually a crying shame that it’s not more prevalent. Gaspard Maksud’s last golf-inspired trot-up outfit, which featured a landscaped beret made to look like a golf course, didn’t start a new trend (regrettably, if you ask me) but I think this could.

The Golden Chinch for Being a Man in Lederhosen Who Also Comes With Two Bonus Men in Lederhosen, Which is a Great Bargain, Actually

Harald Ambros and Vitorio du Montet. Photo by Tilly Berendt.

I would really like to imagine that they’re all lined up to sing ‘So Long, Farewell, Auf Wiedersehen, Adieu’ to the ground jury. Luckily for Harald Ambros, it didn’t need to be ‘How Do You Solve a Problem Like the Hold Box?’

The Golden Chinch for Reliably and Constantly Making Me Lowkey Crash Out

Alice Casburn and Topspin. Photo by Tilly Berendt.

Alice Casburn was born in… god, I can’t even say it. She was born in two thousand and two. She has never had to worry about the Millennium Bug. She’s never coexisted with Enron. Shrek came out before she was born. I’m not even sure she was conceived yet when Shrek came out. (Okay, I’ve just checked: she’s a January baby, so she had definitely been conceived at that point. Alice, I’m sorry that I made you think about your conception.) In 2001 I was trying to figure out how to hold a seance because I thought I was Kurt Cobain reincarnated and I wanted to talk to him (who was also me), and this tiny human Alice Casburn was like, an actual embryo. Alice Casburn is too young to have worn out a VHS tape of Practical Magic from watching it too many times, which is wild to me because she’s dressed exactly like Nicole Kidman in Practical Magic right around that bit where she starts banging on about the moon and her special rock. Speaking of Nicole Kidman, Alice Casburn was born after her divorce from Tom Cruise. Alice Casburn is so young that she never got to fancy prime Leonardo diCaprio in real time. Alice Casburn is so young that Leonardo DiCaprio would still date her.

DuJour means seatbelts! DuJour means crash positions! DuJour means Alice Casburn is too young to understand these references! I’m going to go moisturise. And cry. 

(As always: I’m joking. About all of it. Please don’t cancel me; I haven’t got anywhere else to go.)

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

“He’s Ecstatic to Perform”: Tom McEwen Triumphant on Day One of Badminton

Tom McEwen and JL Dublin top the day one leaderboard at Badminton. Photo by Cealy Tetley.

If the story of Thursday morning was how tough it was to get any marks at all out of the ground jury, then the story of the afternoon is surely how expansive of a lead one man was able to secure.

Morning leader Oliver Townend will have known that his 29.3 with Ballaghmor Class wouldn’t have kept him in front at the end of the day, and he’ll have known, too, that Tokyo Olympics teammate Tom McEwen would be the prime candidate to knock him out of it. 

That’s exactly what happened, and by some margin – though Tom’s test with his two-time Kentucky runner-up JL Dublin wasn’t without its surprises. The pair broke in the extended trot, earning them 3s and 4s from the ground jury, but such was the strength of the rest of their work that they still walked away with a 22.4 and the overnight lead, which they hold on a margin of 4.9 penalties. (A curious note about today’s judging, thanks to EquiRatings: this morning’s session saw combinations averaging scores 2.9 penalties worse than their 6RA, or Six Run Average, while this afternoon’s saw them average just 0.2 penalties worse.)

“It’s a shame that our highlight piece, the medium trot, broke. I let him get too long, and I went a little bit too much, too early – but you know what, he was absolutely awesome,” says Tom. “To relax and show all that power and rhythm and still come out in the extended walk as he did and do those pirouettes; he pulled together a super, super test. People aren’t doing bad tests out there [and still aren’t getting the marks], but he got a mark that he really, really deserved, even with that mistake.

“He put on a heck of a performance today,” he continues. “The ground in there is is pretty perfect, but what you can’t see from the outside is those small undulations. We’ve probably all been on the surface all winter, and actually probably now all spring, because it’s been so firm. None of us have really been on the grass that much. So it’s all those little bits of practicing — but Dubs was awesome. His changes were brilliant. His walk was excellent. His last walk was brilliant. It’s just that one mistake, and sure, you can do the ifs, buts and maybes, but how do you know? Maybe that mistake sort of woke both of us up and we made us think ‘maybe we need to go and get a few more marks!'”

Tom McEwen and JL Dublin. Photo by Cealy Tetley.

‘Dubs’ was double-entered for both Badminton and Kentucky, and while US-based fans will have been disappointed not to see him try for the title for a third time, this slightly later spring goal allowed for an easy lead-up for the gelding. Rather than overextend him and compete him for the sake of competing him, Tom opted instead to turn the gelding away for a long winter holiday with retired stablemate Toledo de Kerser and then compete him only sparsely this spring.

Tom McEwen and JL Dublin. Photo by Cealy Tetley.

“He’s an unbelievably talented horse, as we all know, but we’ve really been saving him,” says Tom. “He’s actually been wanting to come out [to an event]; we’ve been teasing him by taking him out jumping, and he’s like, ‘but this is just jumping!’ We took him to dressage on Sunday to go run through a test, and he’s like, ‘this isn’t the real deal.’ So he’s come here and he’s just been on it all week. He’s ecstatic to perform, and I was delighted to have an afternoon dressage with him, because the worst thing for him would have been if it was empty in the morning. If it was completely busy in there, he’d have gone up another level again. He’s a showman and he loves his job.”

Their test today marks their best-yet score at this level, though Tom admits that he’s “not much of a stats man — you can get too clued up on stats, but the thing is that the judges change every time. He’s been putting on performance after performance after performance, so I was really hoping to be up there. The judges aren’t giving out marks, and they’ve been quite consistent all day in using the range of marks and not throwing them away. I’ve done as much as I can today, and I’m very pleased with that!”

Emily King and Valmy Biats. Photo by Cealy Tetley.

Emily King sits in a smart second place overnight with the sixteen-year-old Valmy Biats, who posted a 27.3 after a pleasing test with some tiny bobbles in the walk work. 

“I’m so pleased with him – he went in there and he definitely held his breath a bit, so even though you’re not meant to talk to them I was like” – she drops her voice to a conspiratorial whisper – “‘good boy, Val, you’re okay!’ and giving him a scratch on his wither to try to chill him out a bit.”

Getting the French-bred gelding to find his inner zen in this phase has long been a focal point of Emily’s training with him. This spring, she’s been ticking the boxes by adopting a Wim Hof-esque immersion method: if she can put him in situations that dial up his tension, she can work on honing her methods of bringing him back to her.

“He’s a funny horse; he’s not a scatty, hot, excitable horse, it’s just quite internal – he just tries so hard and goes in and holds his breath,” she says. “I’ve been taking to lots of different places this spring to try to get him to do that, in a way, so I can then try to get him to breathe and let him know it’s alright. I’ve been trying to get him really chilled so I can get my leg on him and he’ll let me ride him, because sometimes, he’s so sensitive and full of power that if I touch my leg on him he’ll go nought to sixty. So I’ve been trying to imitate that, and it’s definitely helped.”

Today, that work paid off – mostly. 

“He trotted in and saw the cross-country fence, and I was like, ‘Val, come on, don’t start with that!’ I could feel his heart going, and I was thinking, ‘don’t try to go out of the start box now!’,” she laughs. “He felt amazing in there but just went a little bit tight, so I just had to adapt to how he was in certain places in the arena. But the fact that he did a 27, that’s because he stayed so with me in the ‘crunch’ moments, so I was very proud of him.”

Emily and ‘Val’ return to Badminton after finishing fourth here last year – a welcome end to a string of bad luck the otherwise successful five-star competitor had suffered at this fixture.

“I’m certainly less like, ‘oh, god, I’m here again; I’d better try not to mess it up again’,” she laughs. “I’ve managed one completion and I’m like, ‘wahoo!’ That definitely settles your mind, subconsciously. And I know him so well; I’ve had him for a good few years now, and I don’t know how many five-star starts we’ve had, but it’s a good few of all different types. [At this point] you just know them, and you can sort of go through the course in your head and preempt what they’re going to feel like, which I think helps a bit.”

Tom Woodward and Low Moor Lucky. Photo by Cealy Tetley.

23-year-old Tom Woodward is making not just his Badminton debut, but his five-star debut this week — and what a start he’s had with the excellent Low Moor Lucky. The pair sit in third place overnight on a 27.9 — better, even, than all but one of their four-star scores.

“It’s pretty surreal,” says an elated Tom. “We’re local, and so I used to come here every year to watch as a kid. We’d stay in the old campsite as a family, and I used to look at the jumps out there on course and think, ‘cor, how would you ever do that?’ I was probably thirteen when I decided I wanted to try and do it, and I’ve just been so incredibly lucky to have him as a partner, because he’s just immense. I can’t thank the horse enough – he’s put me on the map and allowed me to pursue a career in the sport.”

The steadily-building atmosphere in the arena might have caused some horses to back off, but for Tom and ‘Lucky’, it was a boon — particularly after the rider opted to change his warm-up plan.

“He’s actually quite a lazy horse; I normally never ride him more than once before his test, and that one ride is normally only 25 minutes,” he says. “But he was quite wild last night, and so I thought I’d do a bit with him this morning. And then [I warmed up for my test] and he was backwards! I felt like a Pony Clubber trying to move him along. I thought, ‘oh, no – maybe I’ve overcooked him.’ But he loves the crowd, he loves the atmosphere; it lifts him. It just gives him that bit more quality. And he’s never seen a crowd like that!”

While Lucky obviously thrives in the hustle and bustle of competition life, he wasn’t always an obvious champion.

“He was actually only broken in as a nine year old, and he’s called Lucky because he was given one final chance,” says Tom. “He was pretty feral, but you wouldn’t know it now – he’s Mr Cool. But he only did his first event in the September of his ten-year-old year, and I got him as an eleven year old. We did our BE100s [US Training level] and worked our way up until now. So he’s eighteen, but he’s fairly low mileage – we’ll get through this week and see what else he wants to do. If he decides one five-star is enough, then that’s fine by me – he doesn’t owe me anything.”

Lucky has been Tom’s partner through all his career milestones so far:  “I did my first-ever two-star on him back in 2019 and then we went on to do the under-18 championships, and we’ve just cracked on from there. We never bought him thinking he’d do this – we just bought him for me to learn from, and he just kept going.”

Their score means that Tom tops the list of Badminton debutants’ dressage scores in the last decade (thanks again to EquiRatings for this little tidbit!) – but did he ever expect he’d be able to make such an exciting start to his first go at the level?

“Quietly, yes,” he says with a grin. “But I didn’t tell anyone! I mean, he did a 25 last year at Blenheim, and I’ve always known how capable he is. But because we’ve learned together, I’ve been very green, and I’ve sort of felt like it’s taken me two years to actually catch up with his capabilities on the flat.” 

A period of time off for the gelding last spring ended up helping them a long in this capacity, quite unexpectedly. 

“I was fortunate enough to have two other four-star horses in my string, and I learned so much from them [in that time],” explains Tom. “They wouldn’t be as capable as he is on the flat, but I had the time to learn my craft at that level, and actually, when I got back on him, it was like going around on train tracks. If I give him the right instructions, he just does it, and he gives an amazing feel. So I quietly hoped today, and thankfully, it came off – with big thanks to my dressage trainer, Lisa White, who’s made a massive difference to us.”

Yasmin Ingham and Rehy DJ. Photo by Cealy Tetley.

It doesn’t feel as though World Champion and five-time top-ten five-star finisher Yasmin Ingham ought to be a Badminton debutante, but that she is – and while being such a high-profile first-timer must come with its own unique pressures, she kept her cool in the buzzy atmosphere of the ring to produce a 29.1 with the experienced Rehy DJ. That puts them in provisional fourth place overnight, ahead of morning leaders Oliver Townend and Ballaghmor Class, now fifth on their 29.3. 

“He’s probably not naturally the most big-moving horse, but when he’s accurate and he does things correctly, then that’s when he’s rewarded with the mark. So I’m really pleased that the judges did reward him where he was good today,”  says Yas of ‘Piglet’, who has placed in the top ten in three of his four five-star starts. 

None of them, though, have had quite the same close-quarters buzz that Badminton’s arena offers.

“It’s such an atmosphere in there! I’ve never been here before, and it’s just electric, to be honest,” says Yas. “I’m delighted with him and how he coped, because he would react to noise and things, and obviously going in behind Tom [McEwen] was probably not ideal for me – there was quite a lot of clapping and things, and I was pleased with how he coped with that.”

Will Rawlin and Ballycoog Breaker Boy. Photo by Cealy Tetley.

Will Rawlin slots into ninth place overnight, behind Gemma Stevens and Chilli Knight (sixth), Kylie Roddy and SRS Kan Do (seventh), and Bubby Upton and Cola III (eighth), with Ballycoog Breaker Boy, with whom he scored a 30.6. That represents a nearly six-mark improvement over their test last year, when they finished 24th. 

“I just wanted to go out there and do what I know the horse and myself can do, and we did that,” says Will. “I’ve had very good training sessions with Tracie [Robinson] over the last couple of days. There were a few bits in there [that could be improved] – he got a bit tense in the walk, and there’s a lot of walk in that test. I was thinking, ‘oh god, just stay relaxed, come on!’ He tensed up, which he didn’t last year, so that’s maybe something to think about for the future – I might put some padded ears on him or something just to dull the atmosphere, because there definitely was a lot of it today.”

Despite those moments of tension, though, he says: “I was absolutely thrilled with him; he was really rideable. He’s a big, long horse, and I do find it difficult sometimes to get him connected and engaged in a test, but I feel like we got that today.”

Gaspard Maksud and Zaragoza. Photo by Cealy Tetley.

British-based Frenchman Gaspard Maksud rounds out the top ten overnight with Zaragoza, with whom he finished sixth at the 2022 World Championships and the same at Burghley last year.

“I’m delighted with her,” he says. “I know she can do a bit better than that, but it’s a big atmosphere, and [the crowd reacting to] Tom [Woodward] before just wound my horse up a little bit, but that’s okay! She was good; she was very serious in her work, and it’s a mistake-free test, with a couple of little things I can tune up to get it better.”

Joe Meyer and Harbin. Photo by Cealy Tetley.

The first of our US representatives, Tiana Coudray and Cancaras Girl, sit equal nineteenth overnight on a score of 34, while Ocala-based Kiwi Joe Meyer starts his first Badminton in 15 years in provisional 35th place on a 40.4 with the little ex-racehorse Harbin.

“It’d be nice to get a few more marks, because I thought he actually did really well for him,” says Joe. “He’s a hot, fizzy horse, and so the walk has always been hard for us, but he’s just got better and better. He’s a real goer.”

Tomorrow sees the first phase continue on apace with a further 41 horse and rider combinations to come. The action kicks off again at 9.00 a.m. BST/4.00 a.m. EST with Wills Oakden and A Class Cooley first in the ring, and plenty of exciting talent to follow. Highlights include 2023 champions Ros Canter and Lordships Graffalo, due in the ring at 9.28 a.m. BST/4.28 a.m. EST; the return of Oliver Townend with 2024 Kentucky champion Cooley Rosalent at 15.28 BST/10.28 a.m. EST; and Burghley dressage record-holders Tim Price and Vitali closing out the day at 16.17 BST/11.17 a.m. EST. You can check out the times in full here, and catch up on all today’s finer points in Cheg’s live updates archive here. Until next time: Go Eventing!

The top ten at the end of day one at Badminton.

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

Thursday Morning at Badminton: Townend Takes Lead on Tough-Judging Day

Oliver Townend and Ballaghmor Class. Photo by Cealy Tetley.

Thursday morning at the MARS Badminton Horse Trials often feels, for those of us in the mixed media zone, anyway, like a bit of a warm-up: we’re not firing on all cylinders quite yet, the scoring’s perhaps not wildly exciting, and by the time we get to the lunch break, we’ve often forgotten much of what was said in the very first conversations of the day. 

Unless, of course, the second rider you speak to comes marching into the interview area, proclaiming that his (very, very) shiny new riding hat is “a solar panel for a sex machine!”

So thanks for that, I guess, Oliver Townend. You did wake us up, certainly. 

It wasn’t just fashion statements and statements about fashion, though: Oliver also produced the test that would go on to hold the lead into the lunch break with the stalwart Ballaghmor Class. Though they’re typically low-to-mid-20s scorers – or as low as 20.8 here in 2018 – they began their week on a 29.3, on paper their worst-ever five-star score for a generally correct, pleasant, and flowing test. But that’s been typical of the judging here today: the ground jury of Xavier le Sauce, Robert Stevenson, and Nick Burton hasn’t been throwing marks at any competitor, but nor do they need to. The numbers across the board might look conservative – or stingy, even – but the judging itself is consistent and so far, their work is producing a tightly-packed leaderboard that’ll put the weight back onto this weekend’s cross-country, on which the fast ground might otherwise have made it less influential. 

“It doesn’t matter [if they’re scoring conservatively] if they stay the same – as long as we just get consistent judging, it’ll be good,” says Oliver. “There’s plenty on the cross-country to sort us out — 11 minutes 40 is a long way!”

More importantly, he says, “I’m happy with the horse. There’s a couple of things that could have been better, but he’s getting quite clever: he’s wild at the trot up and wild everywhere, and then he goes in and says, ‘I’ve done enough now!’ So he got a little bit lazy, a little bit quiet maybe, but I’m still happy enough.”

Moreover, the four-time five-star winner – who has never finished outside the top five in ten runs at the level, and has been second here twice – remains the horse of a lifetime for Oliver, regardless of the numbers on the board.

“He’s unreal. I know it’s the same for everyone, but if you could produce the work that he’s doing at home, he’s somehow getting better and better and still improving,” he says of the eighteen-year-old. “So it just shows, if you stay doing the same things as you’ve done all their lives, and they don’t have a change in the system… He feels better than ever and he looks better than ever.”

Gemma Stevens and Chilli Knight. Photo by Cealy Tetley.

“He is what he is – you’re never going to make a London 52 or a Lordships Graffalo out of him,” says Gemma Stevens matter-of-factly about Chilli Knight, before breaking into a broad grin: “but he did his best shuffling ever in there today!”

She and her 2021 Bicton CCI5* champion go into the lunch break as one of just two pairs to slip under the 30 barrier so far – a commendable effort that puts them into second place provisionally on 29.5. 

“It’s an absolute dream to get sub-30,” she beams. “When I heard my first few scores [from the judges’ boxes], I thought, ‘well, there’s no chance – I’m going to be on a 38!’ But we rode every single blade of grass out there and he tried his heart out.” 

Gemma Stevens and Chilli Knight. Photo by Cealy Tetley.

The great villain of the day so far has been an oddly-placed camera, low down and brightly-housed at the A end of the arena, and while Chilli Knight didn’t have as extreme a reaction to it as several horses have today, he certainly noticed it. 

“I’m not going to lie – the camera is really stupid!” says Gemma. “I’m going to say that right out loud – Badminton, you need to move the camera. We said that last night [at the riders’ briefing], and they wouldn’t move it. He was spooking at it, and luckily the test doesn’t always go past it – but it’s annoying! Next year, please, we don’t need the camera.”

Kylie Roddy and SRS Kan Do. Photo by Cealy Tetley.

Kylie Roddy might be the smiliest rider in eventing, but, she admits, she’s spent the off-season “miserable – but smiley inside,” she laughs. The cause of that misery? An eye-wateringly intense diet and fitness regime, which saw her spend November to March on a scant 800 calories a day [Editor’s note – please don’t do this without professional guidance, folks] before steadily and sensibly ramping her calorie intake up at the start of the season. 

“And I’ve been been going to the gym, and doing a lot of strength and conditioning work – but it’s all for the greater good, because George finds the whole job a bit easier now,” she says. “It’s all for the welfare of the horse, and we’re always trying to do what’s best for him.”

George – or SRS Kan Do – certainly repaid the favour today with a smart effort that puts the pair into an early third place on 30.1, nearly four penalties better than last year.

“I’m beyond thrilled,” says Kylie. “The first phase is always the one we get the most stressed about, and last year, I didn’t have a good first day, but we worked really hard this winter.”

That work, she continues, involved working over “about 100 raised sleepers [thick wooden planks] a day”, in a bid not just to improve his strength and fitness, but also to finally engineer a spring peak for the gelding, who has been so consistent at five-star but historically unlucky here.

“It’s of those real funny things, isn’t it? I just keep looking at Badminton and thinking, ‘if I turn up enough, hopefully the results are going to change!’” she laughs. “I don’t actually think it’s anything to do with Badminton or George, but he’s just always been an autumn campaigner; his best results have always been in the Autumn.”

So, she explains, “I didn’t give him long off this winter, and I actually kept him in work to see whether it’s actually a body conditioning type of thing rather than a seasonal thing. So I did my winter work a bit differently this winter, and we changed a few things at home that have made him a bit stronger. He works over the raised sleepers a lot, and so he’s worked smarter, not harder, hopefully for all the right reasons. The other thing is that I didn’t run him too close to Badminton, because in the spring, you’re always try to get the runs in, but he actually runs a bit better when he’s fresher, so he last ran at Thoresby [in March]. I went to Kelsall, but I didn’t run cross country, in a bid to do what I do in the autumn, even though we’re in the spring.”

Today, that freshness paid off. 

“He’s such a level horse to ride, but he was quite frisky in the stable this morning – he was trying to nibble us, and he wanted to buck in the stable. So from this morning, I thought ‘game on!’ Most horses, [the atmosphere] sends them over the edge, but with him, it gives him that added extra, which is really lovely.”

But, she laughs, there was still a touch of the old George in there, at least in the collecting ring.

“He’s a really funny horse. The changes are established but his first two changes, when you warm him up, are always incorrect. But it’s like he goes, “oh, I go from that to that… okay, I’ve got it!’ It’s like he’s piecing it all together, and then he’s got it. So I always get the first two out of the way, and I say to [dressage trainer Ian] Woodhead, ‘close your eyes, first change incoming!’ But we know that’s him, so we get them done, and then we know that after that, he’s pretty good in his changes.”

Pretty good indeed: the pair never dipped lower than a 6 in the four flying changes in their test today. 

Bubby Upton and Cola III. Photo by Cealy Tetley.

Twelve months ago, we saw 26-year-old Bubby Upton take the day one lead here aboard her longtime partner Cola III in a remarkable comeback from a badly broken back sustained the previous August. Through the long months between August and May, Bubby had to relearn to walk before she could even think about getting back on a horse, but no matter how unlikely it seemed, the thought of Badminton on the horizon remained a powerful motivator in her rehabilitation. 

Now, a year on, she’s still on the road to recovery, but this time, she was able to tackle her test with significantly less pain after another major operation at the tail end of last year.

“I landed from Maryland [CCI5*, where the pair finished fifth], and then the next day, I was straight under the knife,” she says. “To be honest with you, it was a lot tougher than I had anticipated: I thought I would just bounce back and be absolutely fine, but mentally, going straight back to square one… Obviously I didn’t have to learn to walk again and things like that, but I had zero strength, zero muscles left in me, and so it was quite demoralising, having built up everything and worked so hard to then have to literally rebuild again. It took a lot longer than we thought. It wasn’t really until February that I was strong and that we could manage to get on top of the pain.”

“But,” she continues, “it’s a lot better now, and I’m forever grateful to my incredible surgeon who has, time and time again, done amazing things for my back. Hopefully now we can manage it a bit better moving forwards. I’m back to riding  nine horses a day now, which is so nice, and the pain is less than the pain was when I was riding three or four last year. So we’re in a really good place, and I just feel so lucky to be still doing what I love and to be on track.”

Also a continuing work in progress is long-backed but game Cola’s flatwork. While their 30.2 today didn’t eclipse the 27.3 they earned last year on paper, Bubby was thrilled with the quality of work the fifteen-year-old produced in the ring. 

“I’ve never been one to focus on [the marks]. I’m thrilled with how our system keeps working and how he went – I couldn’t be more thrilled with him,” she says. “He’s become really consistent at this level now. Badminton last year was probably the first time we’ve got him into the right frame and place, and then he repeated that at Maryland and throughout the season as well. And now, he’s come out this year feeling very fit and well. He’s just amazing. Every time I go in there, he’s  the same horse, and he just loves it. So it’s a real honour to be back here on him.”

The progression is one that she credits her dressage trainer, Amy Woodhead, with directing them towards.

“Similar to last year, we’ve just been really working on the quality of the counter. He’s a long, strung-out horse, and for a long time, when we were focused on Young Riders and medaling there, getting the quality of canter wasn’t a priority,” she says. “It was  – wrongly so in hindsight – about getting the marks and winning the medals at the end of the day. I would love to go back in time and have Amy training me with him as a young horse, because now at 15, he’s getting better and better. But I would have loved to have had that when he was 10, 11, 12, at the start of my career at 4 and 5* on him.”

Alex Hua Tian and Chicko. Photo by Cealy Tetley.

For Alex Hua Tian, today marks the start of a welcome return to Badminton after a nine year hiatus – and while he rued the last-minute withdrawal of his intended second ride, the perpetually low-scoring Jilsonne van Bareelhof, his remaining ride Chicko put in a solid test to sit him well in the hunt at this early stage. Their 31.6 puts them in fifth place at the lunchbreak. 

“I’m very happy with him – he’s 15 now, and he’s spent his life at 4* and he’s ready for his crack at  Badminton,” says Alex, who finished fourth at Pau with the former Polly Stockton ride last year. “That was his first time at 5*, and I thought, actually, that he did a better test today than he did at Pau. But it’s Badminton – you don’t come here expecting to be given anything.”

In terms of the cross-country challenge to come, this weekend’s long, dimensionally impressive course also represents a step up from Pau, but it’s a step up that Alex is confident he’ll tackle with relish. 

“I think it’ll be a big week for him, but he’s got a lot of heart, so hopefully it’ll go well,” he says. In any case, he continues, the Irish Sport Horse will enjoy the journey, as he always does. 

“He is – it’s very hard to say it without sounding disparaging, because I’m not – he is just genuinely no fuss. He’s just very, very easy. You could very happily salute, get off, pull the saddle off, and he’ll just graze in the middle of the field,” says Alex. “He would have been very happy as a Pony Club pony or coming to Badminton – he just loves his job. All he wants to do is please, and he’s just one of those rare horses – it’s just, turn left, jump a fence, turn right, jump a fence. There’s nothing else really in it!”

This afternoon’s dressage gets underway momentarily, with Japan’s Ryuzo Kitajima and Feroza Nieuwmoed first up to bat at 14.15 BST/9.15 a.m. EST. You can watch along via ClipMyHorse.TV, and we’ll be running live updates and insights over on Cheg’s feed throughout the competition, too. Plus, there’s lots more long-form content to come from us here in the thick of it, so keep it locked on EN, and Go Eventing!

The top ten after Thursday morning’s session at the MARS Badminton Horse Trials.

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

Philosophy Walks, Building for Sunshine, and Hefty Ditches: Inside Eric Winter’s PhD-Level Badminton Course

“That’s always my thing, here,” muses course designer Eric Winter as we cruise around the Badminton Estate, gilded and glorious in the spring sunshine. “It was my thing when I worked at Blenheim, too: that I cannot believe I’ve found a job where I get paid to go drive around and work in these places.”

This will be Eric’s ninth year at the helm of the MARS Badminton Horse Trials, and – thanks to two years of cancellations in the hinterlands of the pandemic – his seventh course to be unveiled at the Gloucestershire mainstay. Badminton is, of course, striking even in the worst of conditions, but this year, after two seasons of relentless rain, it looks and feels better than it ever has. 

As we set out in Eric’s car – “we can actually drive around the course now without worrying about it,” he grins – the man behind the most anticipated course of the season isn’t blind to the magic of the place. 

“The weather means that all the trees are in bloom at the same time, which I don’t think I’ve ever seen before,” he tells me, gesturing to the abundance of growth on the treeline. It’s a jewellery box of gold and emeralds, and in merry little clusters around some of the sport’s most formidable fences, carpets of bluebells have sprung up. We pause mid-combination to watch a bird of prey circling lazily in an unfalteringly blue sky. I think, not for the first time, that being an eventing journalist isn’t actually all the dissimilar to being an overemotional weather girl on the evening news: whatever the forecast spells determines how I feel about the whole world. Right now, even with so much to worry about within the sport and beyond it, where so much feels like it’s falling to pieces, it’s startlingly easy, here, to just breathe it in and feel a little bit more hopeful.

But that’s me, walking the course a week out from the event, when the tradestands are in situ but empty, the grandstands are upright but occupied by nothing but Badminton’s centuries of ghosts, and the course is occupied only by us, press officer Becky Elvin, a handful of groundsmen and builders, and an army of Portaloos, not yet too frightening to contemplate using. In a few days’ time, when this same ground is being well-trodden by the 80-odd competitors who’ll have to tackle the course come Saturday, the mood might be a bit less Enya-in-paradise, and the Portaloos might be a touch worse for wear. 

It won’t be the ground that worries them – despite much discourse among fans about how hard it could be after a very dry spring, Eric’s team has been watering for five weeks straight, and while it’s still what might be referred to as ‘fast’ ground, it’s also got a healthy grass cover on it, which adds some additional give to the going. 

Instead, they might find themselves struck by the early intensity of the course itself, which, this year, sees them head to the Lake early on and throws them very nearly straight into full-up five-star complexity. 

This direction, Eric explains, is a real stamina question: from the last loop in front of the House all the way home, it’s a long, steady pull uphill, and even in fast conditions like the ones we’ll see this week, that means that riders will need to constantly calculate and calibrate the fitness and energy levels they and their partner have to play with. It feels, at first glance, like the kind of course that won’t necessarily pull a winner from miles down the leaderboard, as we can see happen in very wet, relentlessly sloggy years — but equally, this is a particularly long track that doesn’t really let up all the way around. And with an optimum time of nearly twelve minutes? We’ll definitely still see some exceptional gallopers overcome a tricky first-phase performance.

The feel and length of this year’s track might feel perfectly suited to a dry, top-of-the-ground spring, but actually, Eric doesn’t design for the long-range forecast at all, he tells me. It can’t: his preparations begin too early, while the event is still actually underway.

“I’m a big believer in designing for dry weather and then tweaking the course back if necessary, rather than designing for the wet and then having a dry year and everyone gets the time,” he says. And so, to start with, he continues: “I’ll walk the course on the Sunday of the event, and I walk it in the opposite direction so I can get a bit of a feel of where I can go and what I can do. Then I’ll walk away from it completely.”

He returns to the canvas in August, after a long summer of coaching and squirrelling away inspiration.

“That’s when I start to get it nailed down in my head where the route’s going to go, and we get it roughly drawn up. In November, I do a walk with my technical delegate, and that’s what I like to call a ‘philosophy walk’ — we walk around each part and I tell them, ‘well, this could be two corners, or it might be three,’ and we discuss the difference between the two potential questions, and the impact.”

Depending on how wet the winter has been, Eric’s team of builders, helmed by James Willis, has the fences out in the estate from the end of February. March is for ‘tweaking angles and fiddling with lines’, and April and early May are for nailing down the visuals, touching up the paintwork, laying out the intricate wood carvings made by builder Peter Macgregor, and making sure that the brush is thick, healthy, and at the right height. The latter job is a last-minute one in sunny years like this: any early-laid brush will wither up by the time the event runs, and so even into this week, some fences will be getting makeovers.

The result? A beautiful course that fits the aesthetic framework of the parkland it fits in: no gimmicks, no overtly fancy fences, “and no yellow submarines!” grimaces Eric, recalling a fence on course at Malmo one year. Each iteration of Badminton aims to crown the best in the sport, but with an important caveat: can the team marry modern innovation and tradition, helping Britain’s first three-day event wear its 75-year history with pride, while also embracing the changes that the sport has undergone?

Join us for a walk around this year’s course — and for full visuals, and insights from Sir Mark Todd, head over to the CrossCountry App’s virtual walk here.

Fence 1 – Spillers Starter 

As always, the startbox and the first fence are situated in the main arena, which means that each competitor will get to head out on course with a grandstand full of people cheering them on. This first effort is the same as it always is: compact, straightforward, and festively floral. A speedbump to get the confidence up. 

Fence 2 – Bloomfields Horseboxes Keeper’s Table 

Once out of the arena, there’s a downhill run to the first ditch line on course, the first enormous effort, and the first of the day’s deformable fences – a 1.60m wide, 1.20m tall table spanning the ditch below. 

There are twelve frangible fences in total on this year’s course – the most, Eric tells me, of any five-star.

Fence 3 – Totworth Court Brush

The next ‘warm-up’ fence at 3 is straightforward and friendly in and of itself, but when Eric boots me out of his BMW to get my feet into the grass on the approach, I quickly find the real heart of the matter: here, he’s got a patch of ground that’s almost erratic in its terrain changes. One step up, one step down, a camber here, another there, heading the other way – so this simple brush fence won’t be a run-and-jump effort, but rather, the first chance for riders to make adjustments and think about footwork.

“That, to me, shifts them off their pace early in the course, and lets them know they’re at Badminton,” says Eric. “If I was [building this question] for a four-star, I’d want to give them more time to get into a rhythm before shifting them. But with this, I want to move them off their balance a little bit at the start, so the riders have to think, put their leg on, and be a bit more dynamic.”

It’s also the first time riders will have a choice to make: they can opt for the left- or right-handed brush here.

The Savills Staircase.

Fence 4ABC – Savills Staircase

The duo of steps, and its hefty third element, returns after sitting out the 2024 event, and this year, the final fence is a wide, colourful haywain. Those two steps will require a fresh horse to sit back and listen, rather than leaping into space, but that makes this question quite a helpful set-up for much of what’s to come, and an archway of strawbales before the drops will funnel them to the question and channel their focus away from the crowds that always gather here. 

This combination is the only question between the first and second minute markers, and so this is a good opportunity for competitors to get up on the clock early on. 

The Countryside Alliance Parallel.

Fence 5 – Countryside Alliance Parallel

Just meters past the second minute marker is an airy silver birch oxer, set under two trees. A couple of strides past the fence, and set off to the left, is another tree – and this one acts as a very useful early barometer. 

“This will be the first time that you start to see whether they’re in contention or not, because the quick ones will go straight through and stay on the inside of the tree, while the others will come around the turn and get a bit straighter to it, and go behind the tree.”

The light, too, will play a part here: on a very sunny day, as it is while we walk the course, there’s a dramatic shift into the shadows under the trees, while an overcast day will make the visibility better on the approach. 

Fence 6 and 7 – Agria Corners

Whether minute two to three is a quick or steadier one will depend, largely, on the decision that each rider makes at this separately-numbered double of corners, which were inspired by those at Maryland’s CCI5* and feature very similar open owlholes on top. They can be tackled as a double or, because they’re separately numbered, can be completely separate: after jumping the first, riders can opt to circle around the back of the second and turn back to it without picking up penalties. 

While the addition of the brush won’t have any sort of significant impact on how competitors tackle these corners, it does serve another important purpose: it makes the fences look more imposing and impressive for spectators. That, says Eric, is a balance that’s crucial to strike – how can he build something that’s horse-friendly while also putting a stop to the complaints of the folks who believe eventing ‘isn’t what it used to be’? 

“We’ve had these corners in the park before, and when they’re in the middle of the water, they have a presence to them, but when they’re just standing on their own, they get lost a little bit – they can feel like a portable fence in the parkland,” he says. “I wanted to give them some more weight and some more presence, and after I went to Maryland last year, I got the idea. There’s an element of [course design] that’s equestrian, and there’s an element of this level that should be about entertaining the public, and that’s something I think about a lot. I want the guy who comes here with his wife, the guy who knows nothing about horses, to be able to walk around and think, ‘even I can appreciate that this is something great.’”

Gemma Stevens and Jalapeno jump the Waterfall at Badminton in 2023. Photo by Nico Morgan Media.

Fence 8 – World Horse Welfare Waterfall

After the corners, competitors will hook a right to gallop alongside the length of the Lake – and in doing so, they’ll pop over the now-familiar profile of this waterfall table, which has been a mainstay of the Badminton course since 2019. The Lake is easily the busiest area on course, and this fence will give horses a chance to get an eyeful of the crowds before they have to face them properly at the next combination. 

Fence 9 and 10ABC – MARS Lake

The key question here, this year, is focus: it’ll feel like those endless crowds are nearly next to the fences, and with bars and pavilions just behind them, the ambient noise levels will be at their peak at this combination. 

The straight route features two rolltops, the second of which drops down into the water. Then, there’s a deep, 1.40m skinny in the water, and then another on dry land after a short, steep ascent out of the lake. 

For horses who’ll need some more time to adjust to the intensity of their surroundings, there’s a long route that’ll add the better part of ten seconds to the clock but which takes them along the fenceline and turns them away from the crowds to jump. 

“The first year I was Assistant Technical Delegate here, [former course designer and director] Hugh Thomas said to me, ‘I’ve been designing this water for twenty years, and I’m clean out of ideas!’ There was me and someone else working, and he said, ‘you youngsters crack on – anything you want to do, as long as it doesn’t involve dragons or butterflies or turtles in the water, you can do,” laughs Eric. “This year, I think I’ve gone a bit retro with it – this is quite like something Hugh did years ago. Or at least the rolltops are – then it becomes very modern when they move on to the skinnies and have to find a line and work their way through it.”

The Savills Staircase and Agria Corners, he explains, “are perhaps fractionally softer, because I wanted them to be a chance for the horses to meet the crowds for the first time before they come to the Lake.” 

This, of course, is a proper five-star question – but once they’re past it, they’ve got a long gallop ahead of them, and three-and-a-half intense early minutes behind them. 

They will, Eric says, “feel that they’re really in business as they gallop away.”

Fence 11AB – Guide Dogs Cord Pile 

Though this is numbered as though it’s two fences, it doesn’t have to be: riders can choose to jump one eye-wateringly huge cordwood pile, which is among the biggest fences on course, or two slightly smaller ones. They’ll hit the fourth minute marker shortly after landing – maybe. More likely, they’ll realise they need to use the long gallop to twelve to catch up on some of the time they lost at the Lake. 

The INEOS Grenadier Sunken Road.

Fence 12AB – INEOS Grenadier Sunken Road

With a long lead-up to this fence, there are decisions to make about the approach – how early to set up, when to make the turn – and wrong ones could steal a lot of time or, in the case of a horse who runs through the bridle, cause a lapse in communication as horse and rider bicker about what adjustments are needed. That makes the run-up to the fence as important as the fence itself, which is a 1.18m deformable rail and a 1.20m deformable rail, with a significant hollow between them. Anything other than a tidy jump in will likely activate a MIM clip and earn competitors 11 expensive penalties. 

Fence 13 – Strides Copse Rails

There’s another chance here to gain a second or two back as our competitors gallop across a field and then jump out of it over a wide but straightforward oxer.

The direct route through the MARS Sustainability Bay.

Fence 14AB – MARS Sustainability Bay 

Then, after another sprint up to the furthest point on course, they’ll need to be back in communication mode, because this second water complex requires trust and cooperation between both horse and rider. They’ll jump over a brush fence into the pond, then over a nearly perpendicular brush in the water – one that doesn’t become visible until they’re in the air over the A element. 

“This is actually stolen, a bit, from Pierre le Goupil’s water fence at the Paris Olympics: it was a log into the water near the end of the course, and they had to jump in off the edge and turn to a brush in the centre. I wanted the same thing, with it straight up the middle, but when I tried that, it looked super unjumpable, so I’ve put a bit of an angle in.”

Here, Eric reckons, riders will likely want to spend a bit more time setting up for the B element, getting to it in four strides – “you don’t want to knife in too much,” he warns. It’ll be a linework exercise that briefly slows them down, but it also provides options: there’s both a left-handed and a right-handed A element, and the B can be jumped in either direction, so competitors will be able to factor in their horse’s stronger rein and use that to help them make lighter work of it. The left-handed option might make the B more angled, but it also allows more time for set-up and, if needed, space to plan for more of a turn and a direct approach, while the right-handed option is a touch more in front of the horses, but with a smaller margin for error. 

The view from element B of the KBIS Chasm.

Fence 15ABCD – KBIS Chasm

After tackling Sustainability Bay, there’s a short sprint down to the next combination, which sees the return of the cavernous ditch that made up part of a sprawling ditch-and-brush fly fence last year. This year, it represents another slower section of the course. The direct route is a log, the ditch, and another, skinnier, log out; the alternate route curves off to the left after the ditch and leaves more space before offering up two logs as the C and D elements. 

“I’ve tried, this year, to make the slow routes much more flowing,” says Eric. “I noticed that Derek did the same thing at Kentucky – the slow routes weren’t that much longer, and they felt much more like part of the course, and this should be the same. I think the slow routes aren’t much slower, but they’re also nearly as strong as the direct routes – the point is to let people choose what suits their horse. Here, if they know their horse might be a bit spooky at the ditch, they don’t have to chase down to the log right after it – they don’t have to land and get after the horse. Instead, they can give them a little bit more time and space if they need it.”

Fence 16 – Lime Tree Tables

There’s a welcome mental breather here as competitors choose one of two deformable tables to pop, before heading down to the Vicarage ditchline section of the course. 

Eric Winter demonstrates the scale of the direct option at the Holland Cooper Corners.

Fence 17 and 18 – Holland Cooper Corners

This year, one of the most notable things about the Vicarage ditchline is that it doesn’t actually feature the Vicarage Vee, one of the sport’s most famous – and formidable – single fences, nor does it include the ‘ease-in’ Vicarage Vee we’ve seen in recent iterations or, even, the steadfast KBIS Bridge we’ve so often seen spanning it. 

Instead, this year, something else that’ll really test shoulder integrity some six-and-a-half minutes around the track: a colossal corner, towering over a maximum-width 3m ditch.

“It asks the same sort of question as the Vicarage Vee,” says Eric, “but it’s probably bigger.” 

The approach, though, gives horses plenty of time to have a look at what’s in front of them, while for those who don’t fancy making like Katy Perry and going into orbit for a handful of seconds, there’s a genuine long-route here. That’ll see them jump the ditch on its own, then circle back around to another wooden corner on flat ground – and that’s the reason for the curious numbering, which means that they can circle back to the corner at 18 without being penalised. In any case, this is another of those fences that Eric puts firmly into the fan-service category: a jump that requires respect and good riding, but looks more frightening to spectators standing at ditch-level than it actually is.

Fence 19ABC – LeMieux Eyelash Brushes 

Last year, the LeMieux Eyelash Brushes proved one of the most influential questions on course – and this year, Eric reckons they’ll play just as much of a role in shifting the leaderboard around, even with a slightly altered question. 

“There’s more space this between the fences this time,” he concedes, “but the line is less in front of you.” 

This year’s question features an angled brush to a wide, water-filled ditch, and then another angled ditch further away as the C element – or there’s another C element option to the right, which will a handful of seconds to the clock. 

Fence 20 – Pedigree Kennel

This single fence – a table that’s a regular on the course – will be a welcome sight as we come to the end of this very slow section of the course. 

The Mayston Equestrian Sunken Road.

Fence 21AB – Mayston Equestrian Sunken Road

The final part of this slow and intense section is another sunken road question, though this one is less down and up and more down and down and down and up. The A element is a not at all insignificant 2m drop fence that’ll freewheel competitors down a hill – then, once they’re on the flat ground at the bottom, they’ll have a split second to pick one of four skinnies to pop out of the hollow and jump over. The more left they head, the quicker the route will be.

Fence 22 – Wiltshire Brewers Brush

After enjoying a lung-filling gallop, competitors will meet this big but uncomplicated table fence, topped with brush. 

The Project Pony Brush Buckets.

Fence 23AB – Project Pony Brush Buckets

Minutes eight to nine are also pretty intense: the eighth minute marker hits just after fence 22, and its first question is this deceptively big duo of brush bucket fences in front of Badminton House. They sit on opposite sides of a large circle, and there’s an unjumpable element – a gazebo – that can be skimmed behind or nipped in front of, depending on how competitive a rider is aiming to be. The inside line here is no joke, but at this stage on the course, horses should be at their most rideable and maneuverable. 

Fence 24 – Chatham Eyelet 

This last swing through Badminton’s lake sees horses splash in and pop out over an owlhole fence. On landing, they’ll get one final glimpse of the House to remind them that they’re nearly home, and then they’ll dash on into the home stretch, with its last few major questions.

Fence 25 – Back British Farming Hay Rack

This is just a simple single fence, but the combination that follows it is always one of Badminton’s most tricky, so if riders feel they’re lacking in any adjustability at this point, this fence offers them a chance to finetune the gear changes before they head into the bluebell woods of…

Equidry Huntsman’s Close.

Fence 26AB – Equidry Huntsman’s Close

Whether it’s early on course, and faced by fresh, not-yet-focused horses and their riders, or whether it’s late and fatigue is a factor, Huntsman’s is never a walk in the park. This year, Eric has placed the first of its two open corners so that there’s no ‘easy’ approach; instead, riders will need to factor in the trees and ride a decisive, creative line to see them through. 

“When you’re coming home and the course is in this direction, this is really the last opportunity you get to do something difficult,” says Eric. “But equally, it’s always these places that give you a little bit of dread, because when they’ve run through these areas for as many years as they have, you think, ‘what the hell am I going to do this time?!’ But then somehow or another, at some stage, a little inspiration hits you and you think, ‘oh, that’d be really cool!’”

Fence 27AB – Antech Brush Mounds 

Though this is yet another combination fence, it shouldn’t be a taxing one: the two 1.45m brush mounds are designed to be horse-friendly, with very readable profiles and larching over the top like National Hunt fences. It’s an uncomplicated two-stride line, but riders will need to be conscious of how much petrol their horses have left in the tank at this late stage on the course. 

The HorseQuest Quarry.

Fence 28ABC – HorseQuest Quarry

There’s two lines to choose from at the pretty Quarry, and each has three efforts: a skinny, up a slope to a stone wall, and then another skinny if going direct, or a skinny, a skinny, and a wall if going indirect, which will add six or so seconds.

Fence 29 and 30 – Joules Double Gates 

These two white, MIM-clipped gates will offer an all-too-easy 11 penalties risk if riders don’t take the time to set up a tidy jump, but if ridden well, shouldn’t cause too many issues – and they’re separately numbered and not even remotely close to one another, so there’s plenty of time to reset and rebalance between them.

Fence 31 – Pheasant Log

This small – relatively, anyway – log is the final push en route to the arena and the last fence, but it mustn’t be underestimated: a couple of very good horses and riders have ended their day prematurely here in previous years. 

Fence 32 – MARS M 

The final fence is once again the colourful, jolly MARS M in the main arena – but this year, almost entirely by circumstance, it’s a frangible fence.

“People didn’t want it left in the ring for the showjumping like it was before, but we realised we couldn’t fit it under the archway once it was built – so we had to rebuild it, and we thought, ‘well, if we’re rebuilding it anyway, we might as well make it deformable,’” says Eric. 

And so, some 6847 metres later, over a course that Eric reckons will stack up somewhere near an 11:45 optimum time, we come to the end of this year’s Badminton course. While the top-of-the-ground going means that we’ll likely see more competitors make the time in previous years, there’s plenty of influence ready to be exerted here. 

For Eric, as always, this year’s course isn’t just about the week ahead.

“The most exciting thing about getting Badminton as a course designer isn’t just the job opportunity,” he explains. “It’s actually the fact that you get to influence horsemanship and training right the way down to the lower levels, to the Pony Club kid that’s just starting out. I did a walk with some Pony Club kids the other day — there was an eight-year-old called Molly, who’s jumping 80 centimetres, and her nine-year-old sister Stephanie, who’s jumped 95 centimetres, and we’re walking around chatting about everything. You get to have an influence on them, and on their coaches, while talking to them about things like the lines, the way horses use terrain, and the importance of getting out of the arena and riding in fields. That’s the thing I love most: it all comes back to fundamental training, and in that way, you hope you can make cross-country better across the levels.”

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

Reigning Champion Withdrawn from Badminton

Caroline Powell and Greenacres Special Cavalier at Badminton in 2024. Photo by Nico Morgan Media.

The competition hadn’t yet begun at the 2025 MARS Badminton Horse Trials this morning when a major change was wrought upon the leaderboard: New Zealand’s Caroline Powell, who won last year’s iteration with Greenacres Special Cavalier, opted to withdraw the mare from contention ahead of her early-draw dressage test.

“We’re devastated to have to withdraw Cav ahead of Dressage today,” writes Caroline in a post on her social media channels. “Following her final piece of work before the start of the competition, she’s not feeling quite right and having discussed this with her owners, we’ve taken the difficult decision to save her for another day.

“Naturally we were so excited to be defending our title, but Cav’s welfare is our first priority and we are enormously grateful to everyone who has helped and supported us on our journey to Badminton.“

Caroline remains in the competition with her second ride, High Time, who will come forward for his dressage test in tomorrow afternoon’s session.

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

Badminton Field Thins By Three at First Horse Inspection

This year’s field at the MARS Badminton Horse Trials is, by any metric, about as good as it gets: there’s former champions, almost too many five-star winners to shake a stick at, flags upon flags upon flags (national ones, not the mean 15-penalty ones that make us do too much math), and a colossal entry list — even after this afternoon’s first horse inspection played its part.

Tom Rowland and Dreamliner. Photo by Tilly Berendt.

85 horses were presented to the ground jury helmed by President Xavier le Sauce (FRA) and completed by Nick Burton (GBR) and Robert Stevenson (USA), and for a little while, it looked as though perhaps it would all be a rather sunny walk (and rear, and spin, and piss off in the other direction) in the park. Until, of course, it wasn’t.

One competitor was asked to trot a second time, and then accepted — that was Great Britain’s Tom Rowland, whose partner Dreamliner was one of several very fresh horses to take to the trot strip this afternoon. Though he mostly kept it together while trotting away from the ground jury, his return didn’t feature much trot at all — but the four or so steps of the gait that he offered up in his next speedy journey towards them was enough to get the nod.

Ben Hobday and Shadow Man. Photo by Tilly Berendt.

After that, though, things got a bit less straightforward. Four horses were sent to the holding box for further examination by the veterinarian, and only one of them would go on to be accepted into the competition. The first to the hold was Shadow Man, the ride of Great Britain’s Ben Hobday, whose return to this event was hotly anticipated after the gelding’s silver medal at the Paris Olympics under interim rider Chris Burton. Ben ultimately opted to withdraw from the holding box without re-presenting.

Luc Château and Viens du Mont. Photo by Tilly Berendt.

France’s Luc Château and Viens du Mont, Great Britain’s Georgia Bartlett and Spano de Nazca, and US representatives Grace Taylor and Gamechanger were also sent to the holding box, and while all three did opt to re-present after examination, only Grace and Gamechanger were successful in gaining admission to the competition proper.

Grace Taylor and Game Changer. Photo by Tilly Berendt.

Georgia Bartlett and Spano de Nazca. Photo by Tilly Berendt.

As always, jewellery stalwart HiHo Silver was in charge of handing out the Best Dressed Awards (though not the Golden Chinch Awards, which will be coming your way soon). The recipient of the ladies’ prize was 2023 Badminton champion Ros Canter, who wore a bedazzled denim jacket belonging to Caroline Moore, her longtime trainer, co-owner, and great friend. Caroline sadly passed away following a long battle with cancer on the 7th of March, and the sweet gesture from Ros gave her a chance to bring her closest supporter with her on her Badminton journey with Lordships Graffalo this year.

Ros Canter and Lordships Graffalo. Photo by Tilly Berendt.

The other prize recipient was Japan’s Ryuzo Kitajima, who sported a traditional Hakama while presenting his Tokyo Olympic mount, Feroza Nieuwmoed.

Ryuzo Kitajima and Feroza Nieuwmoed. Photo by Tilly Berendt.

Now, we head into the first phase with a slightly diminished field of 82 horse-and-rider combinations, and we’ll see the first batch of 41 get underway from 9.00 a.m. tomorrow (4.00 a.m. EST), with Kirsty Chabert and Classic VI getting us underway. From the off, this’ll be a packed session: Classic and Kirsty, in their own right, have twice finished in the top ten at this level, and second to go will be the reigning Badminton champions, New Zealand’s Caroline Powell and Greenacres Special Cavalier (9.07 BST/4.07 a.m. EST). Third up to bat is Oliver Townend with his four-time five-star champion, Ballaghmor Class (9.14 BST/4.14 a.m. EST), who’s a hot contender to add Badminton to that illustrious resume. Later on in the first morning group is Gemma Stevens and her 2021 pop-up five-star winner Chilli Knight (9.35 BST/4.35 a.m. EST), while the highlights of the post-tea-break session include China’s Alex Hua Tian and Chicko (10.37 BST/5.37 a.m. EST), who placed at Pau last season, and comeback queen Bubby Upton and Cola, who were tenth here last year (10.58 BST/5.58 a.m. EST).

Before the lunch break, we could see a very competitive test from Germany’s Jérôme Robiné and Black Ice (12.17 BST/7.17 a.m. EST), who posted a 22.8 in the CCI4*-L at Blenheim last season, and after it, we’ll see the Badminton debut of Luhmühlen champion Hooney d’Arville, ridden by Belgian Olympian Lara de Liedekerke-Meier (14.22 BST/9.22 a.m. EST). Tom McEwen and JL Dublin make their first moves in the final session of the day (15.45 BST/10.45 a.m. EST), followed by Badminton debutante and World Champion Yasmin Ingham, who rides the experienced Rehy DJ (15.52 BST/10.52 a.m. EST). Emily King and Valmy Biats will look to better their fourth-place finish of last year, starting with their dressage test at 16.13 BST/11.13 a.m. EST. You can check out the rest of the times in full here.

As always, we’ll be bringing you wall-to-wall coverage all day long, with two jam-packed reports, live blogs from Cheg, and plenty of additional stories and content from Catherine Austen, who we’re delighted to welcome to Team EN this week. If you want to watch along, the competition will be live-streamed in its entirety via ClipMyHorse.TV, with a subscription package at £21.99 — or, if listening along while you pretend to focus on your job is more your speed, Radio Badminton offers excellent colour commentary and programming all day long.

Until then: Go Eventing!

MARS Badminton Horse Trials: [Website] [Entries] [Timetable] [Timing & Scoring] [Live Stream] [XC Maps] [EN’s Coverage]

EN’s coverage of MARS Badminton Horse Trials is supported by Kentucky Performance Products. To learn more about Kentucky Performance Products’ science-backed nutritional support products, click here.

Tom McEwen Triumphant in Nearly Entirely Frangible Grantham Cup CCI4*-S

Since the inaugural Eventing Spring Carnival, which launched in 2022 in the north of England and took up Belton’s mantel as the international season opener, it’s been an event that’s had its work cut out for it in a major way. There’s been plenty of positives; from the word go, for example, its CCI4*-S courses, designed by event director Stuart Buntine, were heralded as being a more suitable, technical, and up-to-height challenge ahead of the spring’s five-stars. 

But as William Shakespeare once wrote (maybe), the course of true eventing never did run smooth. Over the last couple of years, Thoresby’s primary obstacle hasn’t been its particularly fiendish bank complex, its perennially tricky water complex, or even the unenviable task of getting an old-guard regional audience to migrate from a former venue to a new one. Instead, it’s been something largely out of the organising team’s control: the weather. 

And oh, boy, has it weathered in the UK over the last few years. In March of 2023, the first day of dressage was so unceasingly sodden that by the second, much of the riders yet to compete had withdrawn, leaving us with half-hour stints between each test and a warm-up arena that looked like a scene from The Neverending Story. In the owners’ and members’ tent, one emergency meeting was conducted after another in an attempt to address concerns from riders, their owners, and stakeholders: would the event continue to run? How could it? How could it not? To run, many suggested, would be reckless and irresponsible; to cancel, many others said, would be equally bad as it would force riders to take underprepared horses to even bigger events. Emotions raged on in that unique way that they tend to in the bubble of an event with no phone signal; everybody thought they were the right-est, and the arguments got more and more binary, with some even suggesting that the organisers’ bid to replace an early-season parkland event with an early-season parkland event boiled down to nothing more than arrogance.

The event ultimately ran, though with only about half its original entry list, and when the weekend came, it brought the sun with it – sun that gave the ground a bit of its life back and allowed those who chose to run to benefit from that decision. 

In 2024, the memory of the previous year’s anguish collided with a long-range weather forecast that no doubt had Stuart dreaming of an early retirement and a return to his native Australia. Once again, endless weeks of rain in the lead-up; the enormity of the extra work that goes into preparing and maintaining ground so that it doesn’t succumb to the waterlogging; the indirect remarks and concerns and complaints; the worries, too, of course, that the decision to forge on could be the wrong one. And then, once again, a weekend of reprieve; a success. 

This year – finally, mercifully – has been different so far. Two-and-a-bit years of relentless rain has met its end and in its place, a March with scarcely a drop of the wet stuff has given British Eventing the sort of season opener that we all sort of forgot we’d ever enjoyed.

So while Thoresby’s weekend has been, as always, sunny and springlike, it’s still felt like a very different event. Even after hundreds of horses have travelled across the cross country courses, the ground is still grassy and fresh; in the walled garden where the international dressage classes took place, the site of the warm-up looks like an actual warm-up, not a swamp full of sadness, repressed childhood trauma, and little white Arabian horses. 

All in all, a recipe for a more relaxed Stuart, right? Well, yes and no: he’s certainly had the air of an un-beseiged man this weekend, and one who’s been able to just get on with his plans without any hindrance. But then again, even on the best of days, being a course designer’s hardly a relaxing occupation; this year, too, Stuart and his team have courted potential controversy by creating a course that’s nearly entirely frangible. Would riders embrace this new era in the sport, or combine their voices to make it very clear that a step like this – with all its potential for 11 penalty activations – was a step too far? Beyond the emotive response, too, would a course full of frangible fences encourage more hesitant riding, and therefore, in a roundabout way, make cross-country even less safe?

Tom McEwen and JL Dublin. Photo by Tilly Berendt.

“To be honest, I didn’t really ride differently, no,” says Tom McEwen, who won the feature CCI4*-S section, the Lycetts Grantham Cup, with his Kentucky runner-up JL Dublin. “Okay, of course you’ve got to think that everything’s pinned and clipped and XYZ, but, you know, a table’s a table – we don’t aim to hit any of these fences [when they aren’t clipped] anyway. So for me, realistically, it changes nothing [about my riding]; I still come down to the tables on a nice rhythm and treat the uprights no different to normal. You want to come in in balance, and you never aim to have an incident, but these safety devices are there for you if you do. It’s brilliant.”

Tom’s sentiment is the one we heard echoed time and time again from competitors across the two four-star sections – even those, like Gemma Stevens, who missed out on a higher placing because of an activation. 

“It’s frustrating, because of course it is – but I do think the safer fences are brilliant,” she says. “Bring it on!”

Tom’s win in the Grantham Cup came after a fierce battle between the entry list’s biggest spectator sweeteners: in the first phase, the top three places were occupied by the three combinations that represented Great Britain at last summer’s Olympics, and by the slimmest of margins, too. Ros Canter and her reigning European champion (and Badminton and Burghley winner) Lordships Graffalo led the way on a 24.3; Laura Collett and her own three-time five-star winner London 52 sat second on 24.4., and Tom and the former Nicola Wilson ride ‘Dubs’ were third on a 24.5. 

It stayed tight beyond the Olympic team, too: Gemma Stevens and the experienced Jalapeno III went into yesterday’s jumping phases in fourth on a 24.6, while 2023 and 2024 Grantham Cup winners Emily King and Valmy Biats closed out the top five on a score of 26. All five would showjump clear on Saturday morning, and even a singular time penalty for Emily didn’t reshape those business-end positions on the leaderboard. 

By the end of cross-country, even with a tight time, three class-wide MIM activations, and four further jumping penalties awarded across the 49 starters, the same five names would remain in the class’s top five – but this time, at least, they’d all had a bit of a shuffle. A very slightly steadier round for Ros and Lordships Graffalo saw them add 5.2 time penalties to slip from first to a final fourth place; 5.6 time penalties secured reigning champions Emily and Valmy fifth place; 0.8 time penalties for crossing the line two seconds over the optimum time earned Laura and London 52 third place; while Tom and Dubs, two seconds inside the time, stole the win ahead of Gemma and ‘Jala’, who also added nothing to their dressage score to finish a tenth of a penalty behind them.

“He feels bloody good,” laughs Tom of 14-year-old son of Diarado, JL Dublin. “He’s been very fresh all day, which has been lovely. And it’s the same with the dressage – he came out and he was so well behaved early in the morning riding, and then we went into the test and he squealed as we came down the long side. So I had to bail out of my first centre line, which is always, at this time of year, exactly what you want. This [early run] isn’t about having everything completely and exactly where you want it – you want to see them excited and happy to be out.”

Tom McEwen and owner Deirdre Johnston. Photo by Tilly Berendt.

The faster-than-usual ground meant that Tom then opted for a pipe-opening run rather than a conservative one.

“He was like a man possessed before showjumping, and the same for cross-country! I didn’t really know if I was going to have a quick run or slow run, but I knew I wanted to use this for prep. But there was only one way Dubs was going today, which was quick. So I thought, ‘let him rock and roll!’ He really utilised his huge long stride everywhere and everything was so free flowing, and the course really sort of played into that.”

The course, he continues, “was really well-dressed, and that really helped the profile for the horses, which for me is more important than anything else. The horses could really pick everything up well.”

Despite this being one of the season’s biggest four-star entries every year, with the better part of 100 or more entries across both four-star sections in each iteration, 2025 actually marks Tom’s debut in the Thoresby CCI4*-S. 

“I’ve entered it a few times, and then it’s rained and I’ve gone home,” he smiles. “But it’s really, really nice. I was very much on the bandwagon to go back to [Dutch season-opener] Kronenberg this year before it cancelled, so this was actually a second option. Fortunately, we’ve been super lucky with the weather.”

Coming here instead has another bonus: all three surfaces are on grass, whereas dressage and showjumping at Kronenberg are held on a surface. Getting some practice in on old parkland turf is a key part of the spring prep for ‘Dubs’, who has an entry apiece at Kentucky and Badminton, but is being aimed for the latter event after twice finishing second at Kentucky. 

“It’s great to come to a big show like this because for the last couple of seasons I’ve predominantly done everything on a surface, going to Kentucky or Championships,” he says. “Obviously Badminton is very much on grass, so it’s great to come and jump on the grass.”

All being well, he says, his other double-entered ride, Brookfield Quality, will head Stateside – so US readers with a penchant for Mr McEwen will still have plenty to cheer about in the Rolex Arena next month. 

Gemma Stevens and Jalapeno. Photo by Tilly Berendt.

It felt like every time we turned around, Gemma Stevens was zooming by on another big, rangy orange horse with white socks, a white face, and a merrily deranged look in its eyes. 

“It’s quite cool to have three full brothers here,” she grins, referring to the young Chilli King and his Bicton five-star-winning big brother, Chilli Knight, who finished second in the other CCI4*-S, for horses with fewer FEI points, and sixth in this section, respectively. In today’s CCI3*-S she rode the third of the brothers, Chilli’s Jester, though withdrew him before cross-country. Each of the boys, she says, doesn’t just look alike – they all have the same fundamental functions, too.

I couldn’t even pull Alfie [Chilli Knight] up,” she laughs. “I was like, ‘are we actually going to slow down at all; are we going to go round the warm-up three times before you stop?!’ Chilli King is just the same as Alfie – he’s such a machine and will gallop all day and all night just like him. They’re all really different, but they’ve all got that gallop – they’ve just got so much blood and so much want to gallop, and the work ethic is just unbelievable.”

17-year-old former Karin Donckers ride Jalapeno, on the other hand, is quite a different ride: “she’s the complete opposite to Alfie – we were in walk very quickly after we crossed the finish, and I end up puffing more than she does! She was mega, but she’d quite like to go round at a Novice speed, so I just have to kick her on a bit. She was like, ‘Christ, Mama, we’re going fast today!’ and I was like, ‘come on, you can gallop, you actually can move!’ She’s not so keen on going really fast just because she is quite laid-back – she’s not going to put herself through it if she doesn’t have to and I’m like, ‘today you need to move, because it’s time!’”

This will be a final run ahead of intended Badminton starts for both Jalapeno and Chilli Knight – “they don’t need to do any more,” says Gemma of her two experienced campaigners, both of whom will be vying for top ten finishes or better at the Gloucestershire fixture.

It was a busy week in the office for Gemma, who very nearly won the second CCI4*-S section with Flash Cooley, but had to settle for fifth place after a MIM activation: “He was super, he just for some reason, I have no idea why, misread the first corner coming out of the water and had the pin. He stormed round the rest of the course, and I’m really pleased with him.” 

Laura Collett and London 52. Photo by Tilly Berendt.

Laura Collett, who cruised to a third place finish in the Grantham Cup class with horse-of-a-lifetime London 52 also took the win the other CCI4*-S with another kind of horse-of-a-lifetime in Dacapo, by which we mostly mean that he’s just so weird that we can’t imagine she’ll ever find another quite like him. We also don’t suppose she’s that upset about that fact.

“He loved it out there – I nearly couldn’t hold him, actually,” she says with a smile. “We all know he does what he feels like; luckily, he was very happy and having a jolly time today, so I had a jolly time, too. He’s quite the character, and he’s never going to change – if anything, he gets worse as he gets older! But what’s good is that you know from the first fence whether you’re going to have a good day or a bad one.”

Much more straightforward – these days, anyway – is the veteran campaigner London 52, who, Laura explains, came to Thoresby as a box-ticking fitness run ahead of a later planned five-star start at Luhmühlen in June.

“He was absolutely feral in the showjumping, so I was a bit concerned he might be feral for cross-country, too, but he was actually very good,” says Laura. “I just wanted to give him a nice run, and the ground was literally perfect with one area that was a tiny bit tacky, so I could just let him travel. Because he’s going to Luhmühlen, he’s not at peak fitness yet, so this is a good run to help get him there – he’s not one you can run slowly; he needs to be woken up.”

Like Gemma, Laura had a MIM activation on one of her rides, the Badminton-bound Bling, who finished nineteenth in the second CCI4*-S section. But she, too, agreed with her fellow competitors that the odd pin penalty is a price she’s willing to pay to minimise the risk of a serious accident for herself or another rider. 

“I had a pin on Bling, and I didn’t feel like she really did anything wrong or made a mistake. But that’s just the way it’s going to go. One day it will be that it does save a fall, and we’ll be grateful for them. So if it saves a life, it’s worth it, and I think they’ve done an amazing job on the courses here,” she says. 

Hayden Hankey took third place in the second CCI4*S with the “tough, arrogant” Fools In Love, followed by Emilie Chandler and Ifnotwhynot in fourth. 

Kirsty and Vere Phillips. Photo by Tilly Berendt.

The Polly Phillips Memorial Prize, awarded as part of the feature class, is one of the coveted mainstays of Thoresby – and its prior iteration at Belton House. It’s given in honour of its namesake, Polly, who lost her life in a tragic accident at Thirlestane Castle Horse Trials in 1999. Following her passing, her husband, Vere, took up eventing her top horse, Coral Cove, and also set up the Memorial Prize in her name to champion the highest-placed rider in the Grantham Cup class who hasn’t yet represented Great Britain in a Senior Championship. 

This year, it was awarded not to fifth-placed Emily King, who won it the last two years and is, by anyone’s reckoning, still eligible, but to seventh-placed Kirsty Chabert.

Kirsty’s strong finish came with the classy, but often tempestuous, Classic VI, with whom she added just 2.4 seconds to her first-phase score of 32. Now, the mare will head to Badminton – potentially via Ballindenisk, as she particularly enjoys running there – as will the diminutive Opposition Heraldik Girl, with whom Kirsty had an uncharacteristic mistake, knocking the MIM on the wide corner coming out of the water complex. 

“I think that mistake is the best thing I could’ve had to wake me up, actually, because sometimes you need the reminder that even if they’re a machine, you’ve still got to occasionally give a kick and keep thinking forward. [Opposition Heraldik Girl] is the ultimate event horse in every possible way, but I just went out a little bit backward, and found a couple of gears after that,” she says. 

With Classic VI, or Betty, she explains, “It was pretty fun. It’s actually a really quick course – I thought I was flat to the board and I was still just outside the time, and she’s quick round corners. It was a really great course, and after my mistake earlier, I came out of the startbox meaning business.”

Kirsty Chabert and Classic VI. Photo by Tilly Berendt.

“It’s the biggest compliment you can get, when the riders are happy to set out and set sail,” says Stuart. “You sort of do wonder why on earth you do this bloody job, sometimes. But then I sat there this morning, and I was watching the first horses showjump, and the sun was out, and there was a backdrop of the house, and I just had sort of three or four of the best horses in the world jumping. And you think to yourself, ‘this is why I do it’. So it may take two or three years of bloody crap, and then you get a few moments like that, and it makes it all worthwhile.”

He was pleasantly surprised, too, to find that the response to his nearly entirely frangible course was overwhelmingly positive. 

“I was a bit concerned that riders would say ‘oh, we don’t want that’, because when I was in Lausanne, months ago, for the eventing forum they were saying ‘we don’t want 100% frangible courses’. And I’m sitting thinking, ‘Oh, dear, that’s exactly what I’m doing!’” he says. “So we’ve sort of kept it a bit quieter, although I wrote to all the riders last week and said, ‘when you walk, just be aware that what you think is not frangible is frangible’. And we discussed it at the riders’ meeting last night, and actually, they all clapped. I thought, ‘Well, that’s good, because I think they’re actually on side’.”

It might be a slightly different look to the sport than, say, the old long-format that we phased out two decades ago, or the rough and tumble ‘golden era’ of the sport. But this weekend’s competition showed that the new era doesn’t have to reinvent the wheel of what we all know and love. 

Next up? 

“Well, we’ll just never stop trying to move the dial and push the boundaries a bit further and make it safer,” says Stuart sagely. 

The Eventing Spring Carnival at Thoresby: Website | Live Scores | Live Stream | EN’s Coverage

“The More People that Push Barriers, the Better”: New Era of Frangible Fences Debuts at Thoresby

Stuart Buntine shows the adjustment window on one of his new frangible fences.

“You wouldn’t necessarily look at this and think it’s frangible, would you?” asks Stuart Buntine, director of event organisation company BEDE Events. He’s gesturing to a wide, particularly solid-looking table, which will be placed out on course for next week’s Thoresby Spring Carnival of Eventing, BEDE’s crown jewel event. And he’s not wrong – though frangible tables are a relatively new addition to eventing’s stable of safety technology, they’re generally recognisable by their visible mechanisms and those distinctive red MIM clips that make the whole thing function. 

Here, though, is a table that looks, well, like a table – and it’s not until you get much closer, and perhaps down onto your knees in the grass, that you’ll spot a little window through which you can see (and, more importantly, access) the MIM. That window is crucial: it’ll allow fence judges, who’ve been briefed on how exactly to wiggle a MIM to work out if a hard knock has weakened it, to do exactly that between horses, avoiding – as much as is possible, anyway – the ‘soft knocks’ and preventable activations that keep some competitors on the fence about this kind of technology. 

So that’s phase one of Stuart’s plan: the aesthetics of safety. 

“I would love to get back to traditional cross-country fences,” he confesses. “There’s some stuff I did with Mats last year that I’d love to do with natural rails, bent rails, twisted rails. We’ve nearly got them approved now. It always comes back to this: if you can build a fence, can you make it frangible? [Our ethos is] let’s try, and then we know if we can use it as a frangible or not.”

Mats – tall, smiley, and Swedish – is Mats Björnetun, the man behind the MIMS. He founded MIM Construction AB in 1986 with the automotive industry in mind; for years, he and his team created innovative products to keep people safer behind the wheel of a car. But eventing was never far from his mind, thanks to a keen interest in the sport that saw him join organising committees in his home country throughout the 90s. 

Bringing safety technology, his area of expertise, to eventing, his area of interest, was a slow process, though, and it wasn’t until 2013 that the MIM clip was approved for use by the FEI, adding an extra dimension of risk-avoidance to the extant frangible pin, which had been in use on post-and-rail fences since 2002. Where frangible pins break only under vertical force, MIM clips can be activated from either vertical or horizontal impact. Both ultimately aim to do the same thing: in each use case, the deformable part of the fence will collapse under significant force, which allows for a disruption to the trajectory of a horse’s fall, allowing them to get a front leg out in front of them and stabilise themselves or, at the very least, twist in mid-air into a less injurious tumble. Either option is significantly more desirable than a true rotational fall, in which an unimpeded trajectory sees a horse’s momentum channeled into flipping it in mid-air so that it lands directly on its back, often with the rider directly beneath it and taking the full brunt of the fall. 

In true rotational falls, much existing safety technology doesn’t stand a chance. Air jackets, which can provide crucial additional shock absorption in many types of falls, are reliant on a split-second moment in which the rider is separated from the saddle, which pulls the activation cord and inflates the vest. In a true rotational fall, the rider doesn’t leave the saddle at all, and is left with minimal physical defenses from the impact of 500+ kilograms of horse, plus the cruelty of inertia. The statistics around rotational falls make for grim reading: in most rider fatalities, this type of fall trajectory is the culprit, and in 1999, British Eventing’s annus horribilis, four of the five riders who lost their lives did so as the result of a rotational. But, more hearteningly, in the twelve years since the introduction of MIM technology, the number of rotational falls is in decline: in 2011, two years pre-MIM, 0.2% of starters suffered a rotational fall. In 2022, that figure went down to 0.07%, effectively making it three times less likely that a rider would have one. 

The work is, of course, not even close to done, and life-changing accidents are still all-too common in eventing. While MIM clips are an increasingly common site on upper-level courses now – most airy oxers and corners will have them, with the latter sporting more sensitive yellow MIMs, introduced in 2017 – there’s still a wide swathe of fence types that aren’t collapsible. 

But after the introduction of the collapsible table, which we’ve seen in action at both the Land Rover Kentucky Three-Day Event and the MARS Badminton Horse Trials, an awful lot more innovation started to look possible. As Stuart introduces us to his new fence designs, all of which will be used at Thoresby, there’s at least one moment in which the obviousness of it all smacks us in the face: of course we could make this collapsible. Why didn’t we just try?

The underside of the hanging log fence.

His new-design fences, cooked up after plenty of time in the workshop with Mats, include a solid arrowhead, a roll-top, a sheep-feeder and, perhaps most poignantly, a hanging log, which looks formidable and untouched, but if you crawl underneath it, you’ll see that it’s completely hollowed out. 

“It’s a quick job for a sawmill to do, once they’ve worked it out,” says Stuart. Effectively, the hollowing removes 50% of the log’s weight, making the physics of the horse vs fence dilemma work much more in the horse’s favour. Then, like any frangible fence, it’ll lower – the magic number, Mats tells us, is just a 20cm deformation in order to positively alter a horse’s trajectory – and, with any luck, save a life. 

Its addition to the roster of MIM-equipped fences is poignant because among our small group of event organisers and journalists are Jo Williams and Debbie Strang, sister and mother, respectively, of the late Georgie Campbell. It was just in May of last year that Georgie tragically lost her life in a cross-country accident at Bicton Horse Trials, jumping just this kind of fence: a sturdy hanging log into the water, over which she and her horse had a slow rotational. The fence wasn’t frangible; at the time, no fences of this type were or ever had been, and much of the ‘old guard’ response to whether it should have been came down to a singular idea, and one that has, perhaps, been the rope around modern eventing’s neck: that just isn’t something that’s done. 

Now, though, it is. By October, a frangible trakehner design had been created, tested, and approved, and was in use at the Aspen Cooling Osberton International Horse Trials, another BEDE event under Stuart’s leadership and utilising his course design skills. This kind of innovation and refusal to stick to what’s always been done is something that Georgie’s family has taken an active interest in supporting. 

“In the aftermath of Georgie’s death, we started looking at how we could create a foundation in her name,” says Jo, who now helms the fledgling Georgie Campbell Foundation. “Initially, we started looking at how we could support people starting eventing businesses, and that was probably the comfortable thing to look into in those early days. Probably, we’d parked the safety question because it was a bit too painful to go there, but it’s evolved over time, and it makes a lot of sense for us to align Georgie’s story and that personal element with a push towards increased frangibles and reduced rotational falls.” 

Now, as the Foundation submits its Charity Commission application and prepares to evolve from its embryonic early stages, supporting safety technology initiatives is very much part of its model. That’s no small feat: for now, Jo explains, she’s navigating the complexities of the sport’s global and national governing bodies and having conversations with other families in similar positions, including the Meheust family, whose daughter, Thaïs, died in 2019 at the age of 22. The Ride for Thaïs charity now focuses solely on fundraising for safety technology.

In researching the loose ends in safety innovation, Jo has stumbled upon a lack of cohesion between groups and countries that, if addressed, could allow for greater combined efforts to improve safety statistics across the sport.

“I personally think there’s lots of great things going on across the world in this space, but maybe they’re not as joined up as they could be at the moment,” she says. “The University of Kentucky has done a whole study in the US; there are different things going on in different countries. But it feels to me that we need to pull together so that the investment in those things can be shared globally.”

“Something I’ve definitely seen in my professional life,” she continues, “is that what gets measured, gets done. And how compelling it is to have a goal. So for me, it feels like it needs all that detail, and kind of a roadmap, or a baseline to flesh out around where we are right now. How many fences have frangibles? Where do we want to get to? What does success look like? Which types of fences, which types of events – we want to reach out to the GCF audience to ask for funds, but we want to be really clear about where that money is going, and how it could help.”

For now, it’s clear that much of that kind of forward thinking is happening in two workshops – one in Sweden, and one in the UK. Over on Scandinavian shores, Mats comes up with his own ideas, which he can then show to Stuart, who either moves ahead with them or decides to go in a different direction. Equally, he’s used to picking up the phone to his friend and co-conspirator, who rings him with thoughts and ideas – a back-and-forth of ‘what ifs’ and prototypes. It was that back-and-forth that led to the development of what Stuart calls ‘the parallelogram’ – “that might not actually be the correct word,” he says with the grin of someone who may have skipped a high school geometry class or two to ride horses – a MIM-driven foldable structure that allows these new, more complex designs to safely deploy. 

The parallelogram before being deployed…

…and after.

Then, with the parallelogram perfected, course builders Will Seely and Chris Eaton were able to get on with building their own prototypes, bringing ideas from across the board to life and discovering what works and what might need to wait for the next innovative design. 

“We said, ‘how can we do something different?’,” says Chris. “Stuart wanted to make a bit of a triple brush, but without the brush, and he said, ‘can we do that?’ He came to me and said, ‘right, I’ve been thinking about this overnight,’ and he got a Christmas card he’d been about to throw away, and he chopped one corner, chopped another corner, and said, ‘this is it – this is what I want.’ I was like… ‘yeah, right!’ He showed me how he wanted it to fall, and I thought, ‘not quite, Stuart!’ Will was away that weekend, and he came back to find the card on the Monday, and we both said, ‘this won’t work for XYZ reasons.’”

The collapsible arrowhead proved a challenge — but a conquerable one.

But when they came back to the parallelogram as a chassis, and figured out how to make the weights work out, there it was: a functional fence that looked as solid as Stuart had hoped, but still successfully deformed upon impact.

One of the biggest challenges, beyond accommodating the more traditional aesthetics, was ensuring that the system of having a chassis underneath and the bulk of the fence on top didn’t create an open space into which a horse’s leg could slide. But ultimately, says Chris, adding in additional panels and getting the balance right “just came down to moving forwards and back until you hit the sweet spot where you can do it. Now that we’ve figured out how to do all these different designs, we can cut the build time down from a day and a half to getting in in the morning and having it done by two in the afternoon.”

In the above video, Chris and Will demonstrate the activation and rebuild of a frangible table. Please note that these fences were not secured into the ground as they will be when used in competition — this set-up was purely for demonstrative purposes.

Thoresby, which runs international classes from CCI2*-S to CCI4*-S, and national classes from Novice to Advanced, will have frangible-heavy courses across the board next week – and Stuart is aware that that won’t necessarily be something that every competitor is happy about. 

But, he says, “if we can make the sport safer, why would we not?”

Thoresby’s courses will also feature plenty of more familiar frangibles, such as this wishing well fence.

He will, he expects, learn plenty from watching his new fences in action, and plans to review footage of each of them in the aftermath of the event. He’s aware, too, of some of the associated risks – like, for example, what might happen in the event a horse banks a frangible table, which we saw happen without incident at Badminton in 2023, but which could, in theory, create a fall where one may not otherwise have happened. Ultimately, though, he stands by his primary ethos: that the push for a safer sport must be continual and ongoing, and must never stagnate.

““I had a conversation with a course designer the other day and I said, ‘my head’s in a noose – if I get it wrong, I’ll take the flack.’ But I’m prepared to do it, because I think we’ve got to move the discussion on. We will get better. All the time, I’m talking to Mats, saying ‘yes, but… let’s push back on what’s accepted today – can we challenge that to get it better?’ You’re never going to eliminate risk. Whatever we do, when we gallop a horse across country, there’s always risk. We’ve got to reduce rotational falls, because that is where the big risk is. The question is, every time we build a fence: can we do something here? What can we do?”

“If I can compare it with anything, it’s a car airbag in the steering wheel,” says Mats. “It saves three lives; it kills one. But that’s a 300% net effect, and we have to look at the net effect. It comes down to figures in the end. Can we stand with the figures? Because then we can stand with the whole project.”

Where there are frangibles, there’s also, inevitably, the question of the 11 penalties awarded for an activation – penalties that are not currently appealable, though many riders would prefer to see a more subjective view taken on them in the case of soft activations. For now, though, Stuart’s view is that scoring decisions have to reflect the limitations of developing nations – and if 11 penalties is the price to pay for the avoidance of a life-changing accident, then all things considered, we’ll all make do and adapt. 

“The big thing to remember is that here in Britain, yes, we have a standard that we run to. But out in Bangladesh, for example – how do you make sure you have all the videos [at events with fewer resources]? So it’s been discussed a lot, and we always keep coming back to this: if it goes, it goes, and it’s 11 penalties. That’s ultimately where we are right now. The big question is, are we better to ask the riders to just take a little pull and take [a frangible fence] a little more carefully, or not?”

Where we are right now, though, might not be where we are in twelve months, or twenty-four, or thirty-six. And that, concludes Stuart, is no bad thing.

“This is a step on the road. It’s very much not the end result. But the more people that push barriers and expand upon ideas, the better.”



The Horse(s) of Your Dreams: Our Picks of the Goresbridge Go For Gold Line-Up

I’m 33 years old – old enough, now, that every time I need to make a strong declaration that starts with my age, I have to turn to my partner and ask, ‘am I still 32 or have I had a birthday?’, so that’s something to look forward to, kids.

Anyway, what was I saying? Ah, yes, this: that I am 33 years old, or maybe 32, I can’t remember, and regardless, my Christmas list looks exactly the same as it did when I was 4, or when I was 15, or when I was 26. It consists solely of a four or five-year-old, 16.1 to 16.2hh compact, sporty jumping machine, ideally a steely dapple grey but only if it’ll never, ever fade to an unwashed white; bred with the best of blood down one side of its pedigree and all the nice things that smarten that blood up down the other. It has to be talented enough to go to the upper levels and also have enough of a sense of humour that it can cope with me, a person who wouldn’t know a stride if it danced naked on my nose. It has to be sweet and silly and fun to hang out with. It has to, ideally, come with a gift certificate for livery, shoeing, hay, feed, and entry fees, because we’re in a cost of living crisis, and I write about horses for a living, which is about as volatile an income as you can imagine. 

But daddy, I LOVE HIM.

I came very close to finding this horse two years ago at the Goresbridge Go For Gold Sale.

Okay, so he wasn’t grey – instead, he was a lanky chestnut covered in chrome, as you Yanks say, which is so not my type usually, and he was an unbacked three year old, but from the moment I saw him in the catalogue, I knew I had to take a closer look. I ended up in his stable being gently snogged by his sweet, soft elephant trunk of his nose, and I knew that I’d met my one true love.

Unfortunately, he didn’t come with those gift certificates, I wasn’t there to shop, and he was ultimately one of the top-selling lots of the night, and is now living his very best life with his purchaser – one Andrew Hoy. I try not to resent him, but really, Andrew, how does it feel to live my dream? 

I am never going to emotionally recover from this horse.

There were, of course, plenty of other horses I could so easily have fallen in love with at that edition of the auction, and it was a hard enough task to pick my favourites for that year’s edition of my G4G selection guide.

But this year? Good lord, this year has been nearly impossible. I’ve had to totally overhaul my process, I’ve had to hold myself back from expanding beyond ten, I’ve had to introduce an ‘honourable mentions’ section just to appease myself while digging through the 90 entries, which I’ll quite confidently say are the sales’ best yet.

This year, we’re going to do it like this: I’ll share with you my four favourite ridden horses (there’s loads of these this year, and they’re delightful!) and then my six favourite unbacked horses, and then, just humour me here, we’ll move into the honourable mentions and I’ll try, at some point, to hit publish and walk away from this thing without moving onto my Instagram stories to be like, ‘HEY, HI, THIS ONE IS ALSO NICE, AND I NEED THE RECORD TO STATE THAT I SPOTTED IT BEFORE, LIKE, MICHAEL JUNG’. I’m a nice, normal person to take horse-purchasing recommendations from, don’t worry. 

So how does this whole catalogue-thinning thing work, anyway? Well, with 90 entries, you have to be fairly picky from the offset. I begin in the catalogue proper, rather than on the individual online entries, so I can look at conformation first and screenshot the horses I really like the look of.

Studying conformation should always be done with a reasonably open mind – there are, of course, many top-level talents who are just a bit wonky, and it would be a real shame to miss out on a star of the future because they’re slightly more upright in the pastern than you really like to see. But I’ve got places to be (bed) and things to do (Netflix), and so I lead with pickiness. I like to see a real leg in each corner, a balance to the body, a good shoulder, a robust set of hind-end angles. I’ve had a lot of long Thoroughbreds so I gravitate towards well-set-on, reasonably compact necks and short, strong backs. 

Once I’ve got the field down to about 40 or so picks, I start watching videos. I skip the slow-mo bits, which look nice, but frankly, as a part-time videographer I know you can make anything look flashy if you slow it down by 40%. So that’s where I can save some time – instead, I move ahead to watching the horse walk and trot in hand, and then loose-jumping or working under saddle.

I primarily want to see balance and ease: does the horse happily pop over fences without looking as though he, or she, is having to try too hard, or cracking his back and snapping his knees to his eyeballs? I want him to look green enough, as though it’s all pretty new to him, and I want it to look like quite good fun, too. Happy ears, happy eyes: yay! Green wobbliness: fine! A tendency to plunge on landing, or pin his ears, or a really wildly impressive freejump that looks like it’s been worked on in training? That’s all stuff that can be totally fine, but for me, it’s when I take a horse off the list. 

Do I look at the handy X-rays tab to narrow them down further? Not for these purposes, no – you can pass that along to the professional of your choosing if you decide you’d like to pursue one of my picks. I’m here for a good time, guys, not a long time, and frankly, I do not have a veterinary degree and my reasonably amount of knowledge and relatively fragile ego simply do not want to pair up to deal with a situation in which I write something like “hey, so, there’s some kind of shadowy bit at the top of this X-ray that may make you want to caveat emptor this whole shebang” and one of you lot or, say, Spike the Vet, writing in the comments “hey, so, that’s like, the horse’s whole stifle joint, you dirty great hack.” Can’t cope. Won’t cope. I’ll go so far as to maybe not add a horse to the list if it’s actively missing a limb but beyond that, I’ll leave the true under-the-bonnet inspection to literally anybody with more initials after their name than me. 

One more thing that’ll get the big red X from me? Sorry, but it’s Master Imp too close to the fore in the pedigree. There are some unbelievable Master Imps out there – he’s a stallion that’s sent many of his progeny to the top of the sport. I’ve never met a Master Imp that couldn’t jump the moon. I know so many people who adore them – including my former boss, one Phyllis Dawson, a woman who really knows a thing or two about good Irish horses. This is not a Master Imp putdown. But for me, they remind me way too much of several of my exes, and that’s just not something I want to intentionally put into my yard, so you Master Imp lovers can rest easily knowing I’m not sharing the lot you love the most in this article. You can go undercover; I’ve got the ick. 

Shall we get on with the selections, then? 

THE RIDDEN HORSES 

Lot 1: Grantstown Dun and Dusted

Six-year-old, 16hh gelding (Mermus R x Lisrua Misty, by Coral Misty’s Bobby)

It’s very boring of me to pick lot one, isn’t it, because the first lot in the catalogue is the one everyone will see, because they won’t have catalogue fatigue yet. So sorry about that — but let me spice things up for you by immediately contradicting one of my own tried-and-true methods. My first thought about this little lad (not a pony, at 16hh, but let’s be real, a pony) is that I’m not, like, obsessed with the angles of his hind pasterns into his hooves from his conformation photo. But I’m also aware that sometimes, those angles can be a bit skewed in photos by the way a horse is standing, and so I put him firmly into my ‘Maybe’ pile, mostly because I love a bit of smart Connie-cross breeding. When I return to have a look at his video, he wins me over.

I wish kids eventing on ponies was as common a sight in the US as it is in the UK, something Justine Dutton-Barnard down in Ocala is certainly working hard to fix. This isn’t an advertorial piece for Justine, but I would like her to snap this fella up, because he looks very like her type of smart coloured, athletic, rideable, cool dude of a Connie-cross, and I could see him giving some plucky teenager the best of times while also having enough scope and power to potentially step up the levels. He’s got a big step, an active hind end, he’s neat, bold, and athletic, and while he has all the plus-points of a pony, at 16hh, he’ll take up enough leg for most of us to enjoy the ride on him. It doesn’t need to be a plucky teenager! It can be a plucky adult who wants to have some real fun with this weird, expensive, maddening hobby. At nearly 5’8 from the time I was eleven, I’ve never really been able to be a Connemara person myself, but I could quite happily take the ride on this guy and fulfil all those pony notions I’ve had such a chip on my shoulder about. I love the full-Connemara damline crossed with Mermus R, who’s a stallion I really like for eventing.

I might not have been wild about the upright pasterns, but the great thing about this auction is you can speak in depth to the impartial vet, and your own vet can also have an open line of dialogue. This means you can absolutely keep an eye out for things you’re not sure about, and also not lose out on your horse of a lifetime because of something that ultimately won’t be an issue. 

Lot 8: Industrial Action

Five-year-old, 16.1hh gelding (Tyson x CBI Ice Queen, by Baltic VDL)

How fun, to have a horse on the yard named after my favourite reason for my train to London to have been cancelled! Unlike Britain’s rail strikes, though, this young horse is going places. He’s a real plain brown wrapper, but that’s actually one of the things I like about him: he looks quite timeless, if that’s a thing that makes any sense at all to say about a horse, and there’s a real classic handsomeness about him. But really, what gets me about this chap is how he’s adapted to everything he’s seen so far. He’s already gone out and about and done (and won!) some young horse classes under Daisy Trayford — international eventer and former Florida resident in her own right. He’s easily jumping around EI100 (Training level) right now, well, well within his abilities.

I really enjoyed watching one of his lot videos showing him in one of these young horse classes at Millstreet, which he won. He’s not being pushed to jump in a more mature way than he needs to right now, so he’s still occasionally a bit green over a fence, jumping higher than he needs to because he’s not figured out how to put his body in totally the right place yet. This, to me, is very heartening — if you’re going to take on a young horse who’s been started, it’s much nicer to take one on who hasn’t been pushed and prodded and ‘perfected’, but rather, been sympathetically ticked along and left to find his own balance.

And boy, does he have that. Indy, as I’m going to call him now, earned his place on this list when he had to open up his canter stride while moving from the flat sand to an uphill bit of turf, and then transition down to trot on the downhill. He’s a bouncy ball of a horse and it was so easy for him to maintain that forward motion, that balance, and that eager expression that I think he’ll take to eventing like a duck to water. I really like this horse for a lot of buyers — a keen, well-supported amateur in a system, or a pro or aspiring pro who wants to produce something really smart to either sell on in a few years for a big profit, or try to take all the way.

Lot 5: Obailey

Five-year-old gelding, 16.3hh (Interest x Bailey, by Montreal)

Every time I do one of these things, there’s at least one horse I pick out as the Novice (US Prelim) packer/Junior or Young Rider horse who you’ll wish you had five of in your yard so you could have THAT payday five times over. I’ve considered it for a while and I think Obailey could be that horse here. I don’t want to necessarily see him immediately bought for a less experienced rider – he’s still pretty baby-horse fragile in the contact and he occasionally twists his front end over a fence rather than lifting it, so I want a soft and sympathetic pro to put a year of basics and fun into him first and let him be baby, before he steps into a proper career. But generally, the vibe I get here is of a sweet soul who really wants to please and who is naturally brave and careful. It helps that he’s also pretty — this is generally the last thing you should consider when you’re shopping, but if you’re a pro and thinking about commercial viability in the future, it’s also kind of important. A rosy grey with four socks and a delicate, cute head is not a bad thing to have about the place. 

I showed this lot to my non-horsey partner and he started singing ‘Obailey, Bailey, how was I supposed to know?’ so I guess if you’re going to buy this one and TikTok the story of his production, that’s your first audio choice sorted. You can PayPal, Venmo, or Revolut me a tip if you’d like.

Lot 12: MBF Caesar Rocket

Four-year-old 16.2hh gelding (Tullabeg Fusion x Breemount Rocket, by Romabo)

Many first-time auction buyers spend a long time deciding whether or not they want to find their next horse this way, and I can completely understand why. It can feel, in a lot of ways, quite uncertain, or perhaps, quite pressured – there’s a timeframe on making your choices, after all, and while you can see your horses, or try them if they’re backed, in a variety of ways on site, you can’t, say, take them out and about or see how they react to a brand new place, or anything like that. And so Lot 12 gets a place on this list almost wholly because of one little detail that makes me think of him as a sure thing – or as close as you can get to one, anyway. He’s a lovely type, with nice conformation, a smart, athletic jump, and solid breeding – but that’s not the clincher. The clincher is that, at the age of four, he’s already happily being hacked out by a child whose little stirrup irons barely make it off the flap of the saddle. You won’t see this in his primary lot video, but keep scrolling through the content available for him, and you’ll find it: a good two minutes of footage of him standing to be mounted in the barn aisle, while two of his friends try to remove one another’s ears right next to him, and then merrily mooching around the farm, through the fields, into the cross-country field, and down the road, including a savvy little clip of him waiting as a car drives by.

I always like the horses Brian Flynn and Meabh Bolger of MBF Sporthorses bring forward, and this is one of the reasons: these horses see a lot, in the right sort of way, and come out of it with a smile on their faces and a good foundation to build upon. Someone is going to love this horse very, very much and find him very quickly becoming a part of the family. (An early honourable mention here to Lot 22, MBF’s other ridden entry, who is also shown being ridden by the yard’s littlest jockey and is also a very, very cool option in a slightly smaller outline!)

THE UNBACKED HORSES 

Lot 90: MBF Ivy Coast

Three-year-old 16.1hh gelding (Rock ‘N Roll Ter Putte x Lislan Cinsey, by Cinsey)

Gosh, this is just a really nice-looking stamp of a horse, isn’t it? He comes prepackaged with plenty of hindend action, an easy, balanced jump, and a pretty blank slate in terms of training, because it’s obvious that he’s not been overproduced while free-jumping. Because he’s blessed with so much elasticity in his movement and jump, I think he’ll be a lot of horse to play with, and for that reason, I reckon he’s best suited to someone with experience producing so that they can get the best out of him and not shut down all that natural ability. I’ll be really interested to see where he ends up and what he does, because the world feels like his oyster.

Lot 69: Moment of Mischief

Three-year-old 16.1hh gelding (Sligo Candy Boy x Savanna Twist, by Olympic Lux)

I’m not saying I’d buy a horse just because it would give me an ongoing bit in which I could constantly refer to lot 69 and my Moment of Mischief, yada yada, etc etc, but I’m also not saying I wouldn’t do that, you know? In the case of this smart young gelding, though, you don’t need to commit to the bit to have an excellent set of reasons for committing to the bid. Immediately, I’m in love with his expression: it’s a pony face on a horse body, and these kind of bright-eyed pony faces often speak to a quick, clever brain (and, okay, sometimes a little pinch of sharpness). When he free-jumps, he shows off plenty of easy athleticism, but again, it’s that expression: he’s working out what he has to do as he does it, he’s adjusting his own balance, he’s looking for the next challenge, and he’s relishing the experience.

You can always improve a trot — though this chap has a lovely natural one — but you should buy, so they say, a good canter and a good walk. The canter you’ll be buying here is very promising, and about as uphill as I’ve seen in a three-year-old. There’s so much going for this three-year-old, and I hope I see him having just as much fun at the upper levels in a few years’ time — not least because it would be lovely to bring names like this back into fashion. How very Equestriad: 2001, indeed.

Lot 84: Monbeg Chacco

Three-year-old 16.1hh gelding (HHS Cornet x Legaland Blue Angie, by Chacco Blue)

I’ve had a lot of horses shaped like sausage dogs, so perhaps I’m particularly vulnerable to the charms of a really compact, sporty model. This one’s just that – 16.1 hands of fun, with a back so short that you might have to cope with cramming your buttcheeks into a 16.5 inch seat for the rest of time, but it’ll be worth it, because what you get in return is a tonne of revs. I could see this one heading to Le Lion in a couple of years once he’s learned how to work some elasticity into that short little back of his, because he has bags of scope and is easy with it, too. He’s also nicely bred – his full sister, who’s a year older, is currently in the US sunning it up at the West Coast base of James Alliston. 

This is a horse who’s pretty enough to pose on a postage stamp, and probably tidy enough to fit on it, too, with bags of presence and an innate confidence in himself that I really like.

Lot 44: Monbeg Tiara

Three-year-old 16.1hh mare (Emerald Van’t Ruytershof x Hacondia M2S, by Ulysses)

I got in trouble a lot as a kid for day-dreaming, and frankly, none of the punishments meted out against me have stopped me from being an adult of 32 or 33, depending upon when you ask me, who also daydreams. Hell, I became a writer. I live in an almost nonstop state of dissociation.

One of the worlds my brain inhabits is basically an ongoing grown-up pony novel, starting an alternate-reality version of me in which I didn’t give up working full-time with horses, and I’m not a chronic pansy, and I somehow suddenly like rain enough for riding all day to feel worthwhile. In this alternate reality/glaring symptom of deeply-entrenched mental illness, I make a comfortable living to support myself and my horses by snapping up youngstock that has hunter-jumper potential, giving said youngstock life experience around a couple of small events, and then specialising its training and competitions to formally produce it for the hunters, or hunter derbies, or equitation, and sell into that big-money market. By the time the cheque changes hands, it’ll be a really well-rounded, happy athlete who’s not surprised by much and can look after itself, and some billionaire’s daughter will have a lovely time with it.

The point of all this? This is the horse at the top of my bid list for that scheme. She’s really nicely put together, with a pleasing solidity to her that doesn’t match my ideal event horse type (a pony on steroids, basically, is what I want there) but is perfect for how I’d want to produce her. She’s got a unique and interesting colouring that makes her more commercial, too. For the hunter-jumper market, she ticks a lot of boxes in her movement and her jump: she’s tidy and workmanlike but mostly, she’s smooth. There’s a bascule that could be developed for that real hunter-y jump, but she’s also conservative enough at the moment that she could be a really rideable equitation horse that won’t jump her rider out of the saddle. She is, perhaps, smaller than is en vogue in that market, but she has time to grow, and frankly, I’d rather see some of these tiny teenagers on horses that actually take up their leg, so perhaps in my alternate reality, we can change some trends together.

Lot 65: Hans Utopia

Three-year-old 16.1hh gelding (Q’Chacco Blue Van Essene x Gemma-Utopia, by Zirocco Blue VDL)

Other than horses, my great love is travelling, and this horse first caught my attention purely because he reminds me of the sort of stupid adventures I always end up on. Hans Utopia sounds like a Bavarian gay bar in which everyone’s in lederhosen, and this doe-eyed little innocent has somehow also lost a sock, which is actually the number one disaster that ails me on every single day of my travelling life. Why did I neatly pair and pack enough socks for every day of my trip, plus three extra pairs for emergencies, only to make it halfway through the trip and discover that there is just one solitary clean sock left, and I don’t even know where the dirty ones are? Why does this happen to me every time? Hans Utopia knows my pain. Hans Utopia has a stein of beer for me.

Hans Utopia (is this not also a character in Zoolander?) isn’t just a pretty face and a terrific name, though. This is a really nicely-started young horse, who’s met all sorts of cross-country obstacles on the lunge, and I enjoyed watching him do so on one of the videos available in his lot listing. It’s not just that he jumps them bravely and with plenty of scope, although that much is true and nice too — it’s that he keeps his head, doesn’t run off on landing, and remains balanced and focused, so it’s really obvious that he’s not been overfaced or scared. What I also like is that when he jumps through the sunken road and finds himself a touch deep, he self-corrects on his next pass through. That’s indicative of the kind of sensible, confident self-preservation that you really, really want to buy in an event prospect.

Lot 50: MBF Lucky Find

Three-year-old 16.1hh gelding (Lucky Luck x TRSH Kiss Me Kate, by Ars Vivendi)

This is a serious bit of kit, as my pal Ben Way would say, and actually, Ben, if you’re reading this, maybe put a bid in. This is a pro’s purchase all day long, because this chap has so much natural ability and scope that I think he could possibly frighten himself if someone inexperienced took him on. His hindend activity over a fence is colossal, and he’s got scope for days, and with someone on his back who’ll allow him to learn his own way and will hold his hand as he does so, I think he’s going to be unbelievable. He’s a bit of a cheat for me to put in the unbacked section, mind you — he’s actually lightly backed and riding away around the farm, but that means the difficult bit is done and you can get on with laying your own foundations on him. If we get the go-ahead for Brisbane 2032, it wouldn’t surprise me at all to see this guy there, if he’s well-sold at Goresbridge.

HONOURABLE MENTIONS

Lot 80: MBF Touch Of Class, a three-year-old by Call Me Number One, who’s had a really lovely bit of exposure to the world already — like all of MBF’s youngsters, he’s been out hacking on the long-rein and has actually been gently backed and ridden around the farm. He is, technically, one of my actual picks, but I felt I’d rather overegged this pudding with MBF picks, so I’m sticking him here as a concession. He’s that grey horse of my dreams, really, and a serious jumper, so go snap him up if you want something in between an unbacked baby and a youngster who’s out competing.

Lot Number 9: Beegee Cruise is the perfect buy for the person who loves a bit of a claim to fame — because this five-year-old mare has plenty of them. Her dam is a full sister to Andrew Nicholson’s Mr Cruise Control, winner of Luhmühlen CCI5*, and her sire is Valent, who’s also responsible for this year’s Kentucky champion, Oliver Townend’s Cooley Rosalent; Jewelent, who was produced to CCI4*-L by Clare Abbott and is now with Phillip Dutton; and Govalent, a rising star for Sweden, who stepped up to CCI4*-L in October under Sofia Sjoborg. The next big name in stallions, basically, and this is a big, bold gal to help that name along.

Lot 11: Monbeg Dunard Blue. You remember my hunter resale fantasy from earlier? If that’s your sort of thing, too, you absolutely must check this chap out. He’s four and already jumping well under saddle, and if this isn’t one of the smartest hunter derby prospects you’ve ever seen, I’ll eat my own riding hat. I feel so confident in this pick that I’ll happily put that forfeit forward, even though my riding hat is revolting, not least because I kept a bag of horse treats in it and the mice got to it, and so there’s a real poo situation going on in the lining right now.

Lot 81: Borris Mr Coole. You know in the second Bridget Jones movie, when Bridget’s like, “she has legs up to HERE! My legs only go up to here.” She wasn’t actually talking about odd jellyfish lady, she was talking about the let’s be honest, slightly unfortunately named Borris Mr Coole, who’s a ludicrously good-looking baby horse. Loose-schooling, he reminds me of a Labrador with ADHD in the nicest possible way: there’s a lot of world out there for him to see, and he really, really wants to see it. I think he’ll be a yard favourite and make everyone laugh. 

To check out the 2024 Goresbridge Go For Gold catalogue in full, head over here — you’ll find photos, videos, X-rays, and further information for every lot. The Go For Gold auction will take place from November 11-13, with viewings at the Barnadown facility and the auction itself at the Amber Springs Hotel in Co. Wexford, Ireland. Viewing days, and the auction itself, will be live-streamed for remote bidders. For all the info on how to register, discounted hotel rates, and more, head over to Goresbridge’s website — and if you buy one of my picks, make sure to let us know! We love a sales success story here at EN.

“I’ve Dreamt of This, But I Never Believed It Could Happen”: Caroline Harris Wins Pau CCI5*

Caroline Harris and D.Day. Photo by Tilly Berendt.

“I’ve worked my whole life to even get to 5*, and it’s taken me until this year to finally get a horse to get here,” says 34-year-old Caroline Harris, her eyes brimming with tears as she stands still in the eye of the storm, moments after jumping the clear round that secured her the Les 5 Etoiles de Pau victory with D.Day. 

34 is, of course, practically still a baby by any metric – but in a sport that sees so many professional careers start in one’s teens, and where riders in their early twenties might be just as likely to win major titles as riders in their fifties and sixties, getting towards the middle of your thirties can start to feel like an awful lot of early mornings, rainy days, and trips to the muck heap. In the past few years, I’ve spoken to riders from all kinds of backgrounds, and all sorts of ages, ticking major boxes – riders who’ve made the step up to the top level in their forties after half resigning themselves to the fact that it just might not be on the cards for them; riders who’ve been called upon to represent their countries on Nations Cup teams for the first time in their seventh decade of life. Whatever, and whenever, your ‘first’ is, you’ll always remember it – and for Caroline, her first season at five-star has been the sort of yarn that pony novels have long been based upon. 

Caroline Harris and D.Day. Photo by Tilly Berendt.

You take one part young girl from a non-horsey family, one part sibling rivalry, one part inherent drive and one heaping helping of little-horse-that-could energy, and you get some kind of magic. 

“My family’s not horsey at all. My dad sent my sister off for riding lessons, and we grew up in London, so I just went along. I wasn’t really that into it – and then probably when I was 10, we moved to the country and I got a pony.  I’m quite stubborn, and because my sister wanted to do it, I was adamant I wanted to do it – so it just went from there, really,” laughs Caroline. 

When that bug bit her, though, it really bit her. By her late teens, she made her international eventing debut, and in her twenties, she opted to base herself with Australian five-star winner Sam Griffiths to learn the ropes as a young professional – a relocation that lasted for a decade. 

Caroline Harris and D.Day. Photo by Tilly Berendt.

These days, she’s based at Captain Mark Phillips’ Aston Farm with Zara Tindall and New Zealand’s Clarke Johnstone, and all three riders take an active part in one another’s day-to-day life. That mean’s that every day’s a school day – there’s something to be learned from every horse she sits on, but also plenty to be learned from watching, and chatting, and exchanging ideas and methods. And when she’s not there? She improves her feel at speed by pre-training racehorses part time. 

All of that adds up to shape a rider who can best be described as having kept her head down and plugged on with it all. Caroline’s well known for being an excellent producer of young horses, and several of her former rides have been bought up for bigger-name riders. And when that’s happened? She’s kept on keeping on, learning, producing, and waiting for the right horse to come along – and stay with her – so she could see her own dream through. 

It wouldn’t, admittedly, have occurred to her or breeder Fiona Olivier that now-ten-year-old D.Day might be that horse when he first arrived on her yard.

“Fiona bred him to just be a happy hack hunter for her son’s girlfriend, and they split up, so he ended up coming to me, and I thought ‘he’s a very cute Junior/Young Rider horse’, and he’s just gone on and on and on,” says Caroline, who now counts Lucy Matthews, Marie Anne Richardson, and Heather Royle among the gelding’s owners, along with Fiona. “He keeps just under the radar, just plugging away and just pulling out results, and I owe him everything for that.”

D.Day (Billy Mexico x Dillus, by Dilium XX) stepped up to four-star in mid-2022, finishing just outside the top twenty in a big class at Burgham’s CCI4*-S. Then, he went on to finish 16th in the prestigious CCI4*-S for eight- and nine-year-olds at Blenheim that year, before embarking upon a 2023 season that included a Nations Cup debut at Boekelo CCIO4*-L in October, a podium finish in an extraordinarily tough Chatsworth CCI4*-S in May, and a fourth place finish in his return to the eight- and nine-year-old class at Blenheim. And this season? A twelfth place finish in his, and Caroline’s, five-star debut at Luhmühlen in June, which came after the same placing in the tough, slick, and wet CCI4*-S at Bicton in May, and a win – again in the relentless wet – at Lignières CCI4*-S last month. 

Caroline Harris and D.Day. Photo by Tilly Berendt.

“I’m just so lucky that he is who he is,” says Caroline fondly. “He’s not the most talented in any shape or form, but he gives me everything all the time, and I owe him everything. I just can’t really believe it – I never came here thinking I’d even think about winning. I almost didn’t run yesterday, so I was really not looking forward to the ground, but it goes to show, a good cross country horse in the mud can pull you up sometimes!”

That ‘pulling up’ isn’t insignificant: the pair began their week in 22nd place on a score of 30.3, and climbed to the lead yesterday after delivering the swiftest round of the day for just 10 time penalties. In this era of the sport we’ve become so accustomed to a hefty first-phase influence, and it’s often hard to imagine anyone outside the top ten, or even the top five, making their way to the win – but this week’s result shows that there’s still room for a good, old-fashioned climb. It was with that half in her mind that Caroline made the decision to run yesterday. 

“My friends definitely gave me a bit of a kick up the backside,” she laughs. “He ran so well at Lignières in the mud, and he ran very well at Chatsworth in the mud last year, and they just reminded me of that.  I think because everyone else was running, I was like, ‘come on, stop being a wimp and go!’”

Caroline Harris and D.Day. Photo by Tilly Berendt.

But even so, actually climbing to the top spot was never on the agenda. Instead, the goal was just to consolidate everything they’d learned in their impressive debut a few months ago. 

“He went round Luhmühlen double clear, but we took a couple of long routes because he went a bit green and he was a bit careful and went high. So I just wanted to have a more confident run cross country here, which I think is why I was wondering whether I should run – because it was so wet and I didn’t want him to go high and scared,” she explains. “But he was just a legend. He was so straight, and he’s so quick – he’s 80% blood – and he flew through the mud. He didn’t care at all. I had no expectations [coming into the week], I just wanted another 5* under my belt.”

It doesn’t get much more ‘under the belt’ than winning – and as Caroline rode back into the chute after her round, she disappeared into a sea of fellow competitors, who battled amongst themselves to be first in line to scoop her up in a hug. She may not – until now – have been a name known amongst casual fans of the sport, but one thing is very clear: Caroline Harris is a rider who all the other riders, including the ones you all know very well, have been expecting this result from for a long time. 

“I’ve dreamt about this, but I never thought it would ever happen in my entire life; you’re up against the amazing Tom and Ros, and I’m not even anywhere near them, and to come home having beaten them is quite unbelievable,” she says smiling through teary eyes. 

Ros Canter and Izilot DHI. Photo by Tilly Berendt.

Pau’s showjumping track is notoriously tough: it’s big, it’s square, it’s full of distances and turns that feel more like a pure showjumping course, and the influence it exerts on the final leaderboard always reflects that. But on paper, today seemed like a slightly less influential day – though the course still walked, and looked, as big and tough as ever. 21 of the 55 starters jumped clear rounds; just one of those added time penalties while doing so. Was the course simply built in a more forgiving manner this year, or did the shortened cross-country track, and the great condition of the horses today, contribute to fresher, tidier efforts in the ring? It’s anyone’s guess, and likely, the answer sits somewhere in between the two – but what this less influential final day meant was that we finished with many of the same tight margins we started with. 

The tightest of them all? The 0.3 penalties separating Caroline and D.Day from last year’s winners, Ros Canter and Izilot DHI.

“I think we always feel when we walk the course here, that it’s very big. It’s probably one of the biggest courses we ever have to tackle. But I think also that the horses really enjoy jumping off the surface, and I think as much of the ground conditions weren’t easy yesterday, the horses have all come out of it, feeling very well this morning,” she says. “So they were able to tackle such an up to height and technical track all quite well.”

Izilot jumped a grown-up, neat clear to take second place, but before doing so, Ros headed back out on course to revisit what they’d encountered yesterday.

“I actually took some of the kids out for a bit of a bike ride this morning, and we stopped and had a look at the ground where you came back from the race course to the log on the mound [at 21],  and they all sunk and got stuck. So that’s what the ground was like, and it’s amazing the job that everybody did to keep it going. So we’re all very grateful for that. This is a very happy event for me – I absolutely love coming here. My horses always seem to enjoy it, and it’s a great event for my family, too.”

Ros Canter and Izilot DHI. Photo by Tilly Berendt.

Izilot’s performances through the week have looked as confident and steady as we’ve seen him – an effort that’s been ongoing for much longer than just this year, but in the 2024 season alone, has seen his rider try plenty of creative ways to work through his inherent spookiness. Earlier this year, it was all about hacking out at home and travelling away from home if she wanted to school him, so he could get used to working sensibly in new environments; as the year went on, she went back to adding in work at home, and jumped on the chance to give him some incidental ‘exposure therapy’ when she could. Most recently, that happened at Burghley, where the gelding led the dressage and began cross-country well, but then had an early run-out. On Sunday, he was spared from competitive duties, but got to spend plenty of time absorbing the hubbub of the main arena anyway: he was William Fox-Pitt’s ride for his retirement ceremony, and then happily carried Harry Meade around the prizegiving. All of it gave him valuable experience, and looked very intentional – but actually, Ros admits, it was just a happy bit of chance that she’s been able to benefit from since. 

“I think they really couldn’t find another horse they could use,” she laughs. “But I was very happy for him to do that. He can be sharp and spooky, but he’s actually quite a quiet-natured horse and quite a sensible horse. Most of my horses I would have said no, because a prizegiving does buzz them up. But I think  he’s got a very level head, so I was very happy for him to go and soak up the atmosphere at Burghley and have to canter past the flower pots and things that sometimes catch us out. So it wasn’t in the plan, but I was very happy for him to be borrowed for that.”

Now, it’s time for both the creative training and the happy competitive outings to hit pause for a little while, and give both horse and rider a bit of downtime.

“He will have a very well deserved holiday. He’s been up and running for a long time this year, so I’m very much looking forward to him getting home and having some time in the field,” Ros says. “Sometimes he makes me a little nervous riding him at home, so I’m quite looking forward to having a break from him too!”

Tom McEwen and Brookfield Quality. Photo by Tilly Berendt.

Tom McEwen secured third place with fifteen-year-old Brookfield Quality in the horse’s second five-star start – a happy finish after a tricky Luhmühlen debut, wherein the horse performed excellently but was struck by the worst of the cross-country day storm, and subsequently suffered a bad nosebleed. This week, though, he’s been able to show off what he couldn’t on that occasion, and has proven himself as a much tougher, grittier five-star horse than many would have expected. His clear round this afternoon earned him third place, to the collective delight of Tom, the Brookfield team, and formed rider Piggy March. 

“Norris has been amazing,” says Tom. “He’s an awesome little horse with a huge amount of character. It’s taken a bit of time to get to know one another, but he is amazing. So on, the cards will be hopefully a well deserved break and then hopefully some more 5*s next year.”

Alex Hua Tian and Chicko. Photo by Tilly Berendt.

China’s Alex Hua Tian doesn’t often get to make five-star bids, as championships have to remain at the forefront of his country’s developing eventing system. But in Chicko, the former ride of Polly Stockton, he’s long suspected he may have a horse for the very top of the sport – a suspicion that proved true this week. The pair started their week on a 28.9 for 13th place, and climbed to fifth with one of the fastest rounds of the day yesterday. Today, the debutant horse came out as fresh as a daisy to deliver a clear round and step up one place into the spot previously occupied by Piggy March and Halo, who tipped just one rail en route to a top ten finish. Another spot was also opened up in the top ten by Oliver Townend and Cooley Rosalent, who dropped from eighth to 16th after a shock two rails. 

“He’s so nifty. The faster you go, the more he scurries, and the higher he goes in the air,” says Alex. “He got a little low towards the end, and had a good rattle at the second last, but once he had that rattle, I knew I could trust him down to the last. I’m so happy for his owners, Kate and Pete Willis. He’s a horse that actually was produced for many years by Polly, so I’ve only had the ride on him the last couple of years.  He’s just so cool to ride – she’s done such a tremendous job.”

“I’m just delighted,” he continues. “I have a huge amount of faith in the horse, and I knew he had a good chance of being competitive here, just the type of horse he is, what his advantages and disadvantages, and I felt everything here at Pau was going to suit him, and also give us a bit of an indication of what we might do next year.”

Now, with this behind him, next year could see some very exciting entries indeed. 

“I think Badminton is a very different kind of test – yes, more difficult, but also very different,” muses Alex. “So whether or not he would be quite as competitive in that field or with that kind of test, I don’t know. But, he’s a horse that, even though he’s 14, every three months he just seems to improve again. You just think that you’ve hit that limit in terms of improvement, and he just surprises you every time.”

Boyd Martin and Fedarman B. Photo by Tilly Berendt.

Boyd Martin soldiered through the last day of a tough week to take fifth place with the indomitable Fedarman B, who’s been the best possible partner for his battered and bruised rider after a tough stint in the office at Maryland last week. 

“It was a bit of a rough week for me,” admits Boyd, who thinned his obligations by one yesterday when opting to withdraw debutant Miss Lulu Herself from the tough conditions. “This time last week I was getting out of hospital, and it’s tricky mentally,  wondering if you should or shouldn’t come, and then you get the horses here and you get here, and it’s horrific conditions. But I kept telling myself I had a champion horse in Bruno, and to finish fifth in such a large field is something to be very proud of.”

Bruno, he continues, was able to step up and help his rider out en route to taking another top-ten placing at this level. 

“I definitely wasn’t 100%. I think Bruno covered for me a bit this weekend, but he’s still got plenty left in the tank, and I feel like we’ve got a handle on his dressage now,” says Boyd, who started his week in 16th place on a 29.5. “I think there’s a lot to be excited for Bruno’s future, and I’m very, very grateful that the Annie Goodman syndicate got behind me and allowed me to do a second trip to France this year. The sky’s the limit with him.”

Bruno has become one of the most competitive horses in Boyd’s string: he’s previously finished in eighth place here and at Luhmühlen, and was tenth at the Olympics this summer – but Boyd, who rides the gelding in honour of the late Annie Goodwin, admits that he’s not necessarily a horse he’d have talent-spotted as a youngster.

“I’d never buy him as a young horse. He doesn’t have enough blood – but he has just got so much heart. He’s gutsy. He never says no, and even when the chips are down, he grits his teeth and jumps clear or fights his way through the flags at the end of the course when he’s knackered, and he lifts a gear in the dressage, and it’s a real privilege to be able to ride a horse of that calibre,” he says with a grin.

Lea Siegl and DSP Fighting Line. Photo by Tilly Berendt.

Austria’s Lea Siegl and DSP Fighting Line also battled through a tough week en route to an excellent finish, but for slightly different reasons. This time last year, they suffered a hugely uncharacteristic crashing fall on cross-country, leaving Lea to recover from a facial injury, and when the season was set to begin again this spring, she was once again sidelined with a badly broken leg. She had to spend eight weeks keeping her leg elevated to help it recover from a complex operation and the addition of a metal plate, and that left her almost no time to secure her qualification for Paris. But she did, clinching a win in the CCI4*-L at Baborowko after just a few rides back, and she and Fighty headed to Versailles – only to be spun at the first horse inspection. And so the goals for the latter half of the season shifted, and the focus moved back to Pau – an event that Lea wanted to rewrite for herself. 

She and Fighty have, bit by bit, done just that this week, starting with a 29.5 on the flat for 16th place, and climbing after a gritty ride through the slop yesterday to seventh place. Their clear today pushed them one spot up the leaderboard, and allows them to close the book on 2024 with a smile on their faces and higher hopes for next year. 

“He was amazing. I think the whole week, he’s felt really good,” says 26-year-old Lea. “I know he’s a good jumper, but after this shit ground yesterday, it was not so easy for the horses. I was still hoping that he was quite fit today, and this morning at the trot up, he was already a bit too motivated! So he was feeling really well today, and he did a nice job. I’m  also happy because last year was shit here and now to come back and have this result feels good.”

The relief of it all, she says, has her dreaming again.

“I was already thinking about it: if it’s good in Pau, if everything goes well, my childhood dream was always to compete at Badminton. He’s turning 18 next year, but he’s still feeling quite fit,  he’s not feeling like he’s 18,” she says. “He’s getting better and better as he’s getting older. So we will see. He gets a winter break now, and if next year he feels as this year and he is fit and motivated, I might give him another season and maybe go to Badminton, because I think he’s the horse you can ride at a 5* like Badminton. I think not every horse is born to be a Badminton or Burghley horse or a 5* horse, in general, but I think he is so, if he feels good, we have a plan.”

Piggy March and Halo. Photo by Tilly Berendt.

What a difference two days make: after her dressage test on Friday, Piggy March wasn’t at all sure that she’d run her five-star debutant, the little stallion Halo, on cross-country, and after talking to her about it, I was nearly sure she wouldn’t. But her mid-field draw proved fortuitous: she was able to watch enough horses happily return home that she figured she might as well give it a shot. The pair ended up delivering one of the day’s speedier rounds, thrusting them from tenth to fourth place, and though they had a rail today, Piggy couldn’t be more pleased with Jayne McGivern’s tiny horse’s seventh place finish. 

“He’s amazing – I’m so proud of the little chap,” she beams. “I’m just glad I wasn’t first out yesterday, because I probably wouldn’t have run. It was nice to see [pathfinder] Oliver [Townend] do such a great first round, his horse just looked so happy, and like he went through the mud. It’s unknown ground here when it’s wet, because you’re normally on top of it. I was definitely conscious of where the horse is at and his stage in his career, and what’s the right thing for him. I was probably being a big fanny! But he was as good as I know that he is. He pricked his ears and he actually loved it, and he gave me some feel. He’s a gorgeous little horse – I’m so excited. He wasn’t scared at all. He didn’t give a monkeys’!”

Now that Piggy’s running a smaller string than before – by choice – she’s more protective than ever of the horses she runs. But now, she feels like she might be ready to take Baby out of the corner. 

“He’s a stallion but he’s so brave – he’s super brave. But I protect him. He’s a lovely horse, and he’s a little unicorn, so I sort of think, ‘oh, I just want to make sure he’s okay’ – and today, he felt fantastic,” she says. “I obviously will go around in circles [about that pole], but I don’t think there was anything that I could do if I jumped it another million times! It was by the gateway; I think  maybe he looked into the gate rather than totally at the fence. But such is life! He gave a super feel and jumped a lovely round.”

Like Lea, Piggy has been hoping for a happy ending to a tough year, and a bit of better luck to herald in a positive start to next season – and in this result, she’s got it. 

“It’s been a hard work year. It’s been a big emotional roller coaster of a year, for lots of different reasons, obviously,” says Piggy. “But we know that – it’s riding the wave of life, or sport or horses, and sometimes, you just think everything you touch goes to shit. You keep trying to bounce up and you don’t want to be negative, and you keep trying to be like, ‘Let’s go again. Let’s go again. Let’s go again.’ You keep getting smacked back down. I’m not getting the violin out, but there’s just times it’s like, ‘this is really difficult’ – but we’re also very fortunate. So I shut up and get on with it! We’ve got another night here; we don’t go back to tomorrow night. So we’re going to go and drink French wine and enjoy it.”

After the very long drive home, Piggy’s focus will shift from competition to something equally major: a 1,100km cycle from Scotland to London next month, which she’s undertaking with husband Tom and a variety of fellow riders and friends in order to raise money for the British Eventing Support Trust and Spinal Research in memory of her sister-in-law, Caroline March, who opted to medically end her own life earlier this year after a long stint spent rebuilding her life following a spinal injury sustained in a cross-country accident.

“I get off the last event, and I think, ‘shit, I’ve really got to make sure I get fit this week because then I want to back off the next before going’ – it’s awful,” laughs Piggy, who’s been cycling fairly unfathomable distances most days in training. “But it’s good. It’s such a good cause, and I just really hope every rider or lover of the sport, I really, really hope anyone involved, just puts their fiver in the pot. We’re doing this for our community, and trying to keep it all positive, but we just know through this year that it can very quickly go wrong. If it does, there’s a point for everybody to just help. It’s not negativity, it’s trying to remain positive of our great sport, our great, great community that we do have, but it would just make such a difference. You never know when it’s you [who’ll need help]. I’ve spent my life worrying about having a pesky show jump down like today, thinking, ‘Bloody hell. I’ll kill myself for three days if it happens’. But really, that’s not a bad day in the grand scheme of things, and when you’ve suddenly had real bad days, weeks, months, years, and terrible outcomes, it puts it into perspective. It’s not a bad day. It’s very easy for things to be a bad day, and it really affects people’s life. That might not be you, but it might be your mate or your mate’s mate. Somewhere along the line of our little bubble that we’re in, it does affect people, and we all just need someone that you can pick up the phone any time to just be like, ‘help, this has gone wrong.’”

Will Coleman and Off The Record. Photo by Tilly Berendt.

Swedish Olympians Frida Andersen and Box Leo put a pin in another exceptional week this season by jumping a classy clear round to secure eighth place – a three-phase climb from 32nd – and cement their place as ones to watch in the seasons to come, while ninth place went the way of Tim Price and his smart first-timer Jarillo, who also jumped a fresh, tidy clear round. The top ten was rounded out by the hugely consistent Yasmin Ingham and Rehy DJ, who added no faults and now have three five-star placings to their name. Will Coleman and Off The Record climbed another five places to finish in 24th after a one-rail round.

That’s all for us – for now – from Pau, and the final event of the season, on this side of the pond, anyway. We’ll be back with lots more eventing news and views tomorrow, and when I finally make my way back to England and sleep off seven months of accumulated Big Tired, I’ll also be back with lots of opinions and thoughts and retrospectives on this and the rest of the events I’ve been fortunate enough to cover this year. Until then, thank you for always coming along on this wild ride with me. Go Eventing (and, in my case, gratefully, Go To Bed). 

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One Horse Spun; Five Held at Pau Final Horse Inspection

Yeah, no, we don’t know either. Photo by Tilly Berendt.

There’s no point in mincing our words: yesterday’s cross-country day at Les 5 Etoiles de Pau, the final CCI5* of 2024, was rough. It went on for hours and soggy hours; the whole course, which was ten fences shorter than expected and lost over two minutes of time as a result, felt like one big water jump. To pass from one fence to the next on foot, you’d simply have to accept that the sluice of sadness would make its way, en masse, from the floor and into your socks. A bit like that part in Titanic when the captain locks himself in his little captain-ing room and lets the Atlantic Ocean break through the windows, you know? Very that. Except that by about 4p.m., my heart definitely stopped wanting to go on.

But the mud we saw on site yesterday wasn’t the same as the mud we saw at, say, Badminton last year, or the European Championships in Haras du Pin. That was a deep, sticky, holding mud, that started out thick and gloopy and became more and more gluey as it dried in the sun – and that’s the kind of mud that’s seriously hard work for horses, because they have to expend extra energy pulling their hooves out of the muck with each stride.

Arthur Marx demonstrates how I looked when I took my boots off and saw the state of my socks last night. Photo by Tilly Berendt.

Yesterday’s mud, though, had such a high water content that it was basically – sorry – toilet water, and thatkind of mud is significantly less taxing, because horses are able to find some purchase on a lower level of ground and move through the mud, which splashes out around their footsteps rather than sucking them down into the mire. It’s still trickier than riding on the top of good going, and there’s still some amount of drag to keep in mind, just as when riding through a water jump, but largely, it has a significantly less punishing effect on horses who are happy to get a bit dirty.

The results of this were writ large at this morning’s horse inspection, which was jam-packed with remarkably fresh horses standing on their back legs and behaving, generally, incredibly badly. I never envy the grooms and riders who have to try to maintain some semblance of control in those situations, but I do love to see horses with a fistful of joie de vivre on a Sunday morning, because it’s not always the case.

There are a few things that contributed, in tandem, to all this fizziness: the ‘easier’ kind of mud, the shortened course, the smart, sensible, empathetic and sympathetic horsemanship we saw across the board yesterday – I didn’t hear a single watch beep out a minute marker all day – and, happily, the odd Pau tradition of holding the horse inspection very nearly in the afternoon. Today, it began at 11.45 a.m., after a rousing morning of horseball in the main arena (yes, really), and because the clocks went back last night, that meant that the horses had a huge amount of time to rest and recover – in some cases, a solid 24 hours. Maybe they also really liked that Linkin Park was being loudly and inexplicably blared through the speakers, too, and just fancied starting a mosh pit.

Great Britain’s Storm Straker and Fever Pitch. Photo by Tilly Berendt.

As at the first inspection, the ground jury did exercise an abundance of caution in monitoring the competing horses, which is a heartening move as we continue to centre horse welfare. Five, in total, were redirected to the holding box by James Rooney (IRL), Emmanuelle Olier (FRA), and Katarzyna Konarska (POL): these were Katie Magee’s Treworra, 18th after cross-country; Storm Straker’s Fever Pitch, 17th, Tom Rowland’s KND Steel Pulse, 56th, Dominic Furnell’s Bellscross Guy, 55th, and Joseph Murphy’s Belline Fighting Spirit, 32nd.

All but one would ultimately be accepted into the competition. That was Ireland’s Dominic Furnell and Bellscross Guy, who had completed yesterday’s cross-country with 20 jumping penalties and 52.8 time penalties.

Caroline Harris and D.Day — our overnight leaders, and also our pick of the best-dressed at the final trot-up. Photo by Tilly Berendt.

That means our final field for this afternoon’s showjumping sits at 55 competitors, as nobody withdrew overnight. Our overnight leaders, Caroline Harris and D. Day, sit on a score of 40.3, while second-placed Ros Canter and Izilot DHI – our 2023 champions – are a breath behind them on 40.6. Tom McEwen and Brookfield Quality sit third on a 43, while fourth-placed Piggy March and Halo are a rail and change off the win on a 45. The margins continue to remain tight throughout the leaderboard, and that’s significant: the showjumping here is the most influential of any five-star, with big, square fences, true showjumper-y distances, tough turns, and an arena surface that can be quite dead underfoot and doesn’t have the same ‘spring’ to it that Luhmühlen’s does.

“Hey, lady, you wanna buy a TV?” Photo by Tilly Berendt.

Showjumping will begin at 3.00 p.m. local time (2.00 p.m. British time/10.00 a.m. EST), and can be streamed, as usual, via Pau TV. We’ll be back with the full story on how the final day has played out once it wraps. For now, if you need us, you can find us crying into a plastic cup of rosé in the scrap of sunshine we’ve provisionally been gifted. Allez! Allez. Allez.

Les 5 Etoiles de Pau: [Website] [Entries] [Timing & Scoring] [Live Stream] [EN’s Coverage]

When It Rains, It Paus: The Cross-Country Day Debrief

When we packed up and left the media centre last night at Les Etoiles de Pau, the final CCI5* of the 2024 season, we did so in a tiny window of opportunity: the day’s heavy rain had become a torrential downpour, and in that moment, it had all but ceased for a few minutes. But the damage had been done, and the decision had been made to remove three fences: an angled trakehner at 17, an oxer at 28, and the first element of 29ABCD, a three-part combination comprised of a brush-topped rolltop at the peak of a mound and two skinnies on a bending line at the bottom of it. 

It was no more or less than we expected, really – we knew there was deep ground on site already even before the rain, and we knew, too, that although Pau is generally a very flat course, its selection of man-made mounds would become oil slicks if too much rain fell. Those adjustments, and a couple of changes made to the routes between fences, to allow horses to avoid boggier ground, felt like a reassuring step. 

And then the rain kept coming and didn’t stop coming. This morning, when we reappeared a few hours ahead of the start of the cross-country, we were immediately greeted with a totally new-look cross-country course – one that had a total of ten fences, and eleven jumping efforts, removed from it. Added to last night’s removals were fences 4 through 6, 16, 17, and 19AB, and 31 – a change that meant that Pau’s typically relentless twists and turns, which can make it feel like two CCI4*-S courses smashed together, actually had quite a lot of open galloping stretches. 

Not, of course, that there would be much high-speed action. The previously deep going had turned into a bottomless soup; huge swathes of standing water rendered much of the venue impassable and the scant proportion of the ordinarily huge and enthusiastic crowd that braved the conditions had to slog their way through ankle-deep slop in pursuit of a bit of sport. It wasn’t to be a day for catching the time; it wasn’t even, really, to be a day for bothering with a watch at all. Instead, it was a day for riding every step with a conscientious awareness of the feeling beneath you and making decisions accordingly. 

Nice for them, I guess.

Before the sport started, I’ll admit I wasn’t thrilled. It was all rather Jurassic Park – the organisers had been so preoccupied on whether they could, that they didn’t stop to think if they should. Was it a step too far? Was it going to be a case of human arrogance and hubris, trying to put on an event even in these conditions? “If this was Germany or Britain, it’d have been canceled already,” sniffed one owner in disbelief as we discussed the carnage we felt sure was about to unfold. At best, I feared that this would make us look, as an industry collectively, like we don’t really care about our horses’ limits; at worst, I suspected a catastrophic injury could be on the cards. It was with a heavy enough heart that I headed out on course and into the muck, and not just because my boots had already sprung a leak (although, look, that did play a big part in it). 

Happily, though, it turns out I’m just a bit doom-and-gloom at the end of a season that’s made me think, at least once per month, that I’m existing through the longest day of my life thus far. This was absolutely one of those days. But it wasn’t the catastrophe it could have been: there were just two withdrawals midway through the day (Boyd Martin with his second ride, debutant Miss Lulu Herself, and seventh-placed Samantha Lissington and Lord Seekonig, for what it’s worth) rather than the ten or fifteen or twenty I’d expected before the start of the day’s competition. And while there absolutely were problems out on course, they really weren’t any more prevalent than in any five-star competition – of the 71 starters, 56 completed, making a 79% completion rate (higher than Burghley last month, which was a 66.2% completion rate), and 41% jumped clear for a clear round rate of 58% (Burghley, again, boasted a clear rate of 49% with a similar number of runners). What was very different, though, was how swift they could stand to be. Nobody would come close to the optimum time today; across the field of 56 finishers, the average time penalties were 29.3, or a minute and 13 seconds over the optimum time. 

The ground didn’t allow for quick riding, snappy getaways, or economical inside lines – the only lines to ride were whichever ones looked least sloppy – but the incredibly high moisture content actually ended up being something of a godsend. There was no part of the going that could have been reasonably described as holding, and instead, horses were able to travel through the soup, getting purchase on a lower, firmer level. Nor was it as slippery as it could have been, though those prospective slips were largely mitigated by careful riding. When they did happen, as in the case of New Zealand’s Clarke Johnstone and Menlo Park, fifth after dressage, who lost purchase behind as they took off for a wide table early in the course, and were lucky not to fall, they were breath-stopping – but we weren’t at all plagued with falls on the flat or horrifying skids in the way I’d expected we might be, and the loss of nearly all the mounds from the course certainly looked a wise move indeed when considering this. 

Caroline Harris and D. Day. Photo by Tilly Berendt.

Speed might not have been the name of the game, but an early-ish swift round – and ultimately, the fastest of the day with 10 time penalties for coming home 25 seconds over the time – actually changed the shape of the competition entirely. That was executed by Great Britain’s Caroline Harris and her ten-year-old British-bred D. Day (Billy Mexico x Dillus, by Dilum XX), who she rides for a tribe of owners in Lucy Matthews, breeder Fiona Olivier, Marie Anne Richardson, and Heather Royle. That round – which never looked rushed, and was arguably the effort that looked the easiest of the day, even in some of the worst rain – immediately propelled the pair to the top of the leaderboard, from where it was assumed they’d be pushed back down as the day progressed. But nobody – not even the two five-star-winning horses in the field – could come close to catching the pair, and now, they finish the day as the leaders in the clubhouse, having climbed and climbed and climbed from overnight 22nd place on their dressage score of 30.3. 

“If I’m honest, I didn’t really want to run, because I was a bit scared about the ground, but I know the horse loves the mud,” admits Caroline. “He ran very well at Lignières in the mud recently [where he won the CCI4*-S], so some friends of mine gave me a kick up the arse to make me actually go – and he was phenomenal, foot-perfect from the start to the finish.”

Caroline Harris and D. Day. Photo by Tilly Berendt.

Nowhere along the way, though, was the 35-year-old focusing on the time – instead, she let her exciting young horse, who also finished twelfth at Luhmühlen on his debut this year, find his own rhythm. 

“If I’m honest, I have no idea [how we were so fast!] I don’t know where the minute markers or anything were – I just let him run and jump,” she says. “He’s quite small and nippy, so he doesn’t struggle with the mud at all, and he finished full of running – he could have gone for two more minutes. So I’m not sure how it happened! He just kept galloping and jumping.”

It’s a red letter day for a horse who’s quietly, and in quite an under-the-radar sort of way, been marking himself out as one of British eventing’s next big stars with his talented rider – but even more exciting is the fact that he goes into tomorrow’s final day with eight consecutive clear FEI showjumping rounds behind him. On a score of 40.3, and with just 0.3 between him and second place, that’s the kind of form he’ll need – especially with Pau’s notoriously big, square, difficult showjumping tracks. 

Ros Canter and Izilot DHI. Photo by Tilly Berendt.

But the partnership just behind them in second place know all too well that the story isn’t over until the final chapter is fully written. Last year’s champions, Ros Canter and Izilot DHI, looked set to win Luhmühlen this year, too – but on the final day, ‘Isaac’ had his first rails in five years, and they had to settle for a still very respectable fourth place finish. When Ros went on to win Burghley last month with her Olympic partner, Lordships Graffalo, she admitted how much that loss had actually hurt – and that, no doubt, will fuel her to coax another characteristic clear out of her quirky comrade tomorrow and try to regain the top spot again. 

For now, though?

“I’m going to enjoy tonight, first and foremost, and try not to think too hard about the show jumping until tomorrow,” laughs the diminutive rider, who added 21.6 time penalties in a confident, polished round to Isaac’s first-phase score of 19. “From last year’s experience, the party is very good here, so we’ll be heading there a bit later. My mum says she’s going to babysit, so that’ll be nice! Tomorrow, we’ll make a plan, once we get through the trot up and see how the horse feels. My horse is a very good jumper, but it’ll be probably down to me to give him a good ride. So I’ll have to make sure I don’t drink too many drinks tonight!”

Her round on Isaac was at the tail end of the day and in the most deteriorated ground – but that didn’t put Isaac off one bit. 

“It was definitely worse in places, and I think the difference this time is that there was no option to find any fresh ground at all,” she says. “So I ended up, with Izilot, taking lines that were very wide or slightly different to what I walked, that I probably added that little bit of time on. But I think, considering the conditions that the organizers have had to face, the ground has held up. It doesn’t look good, but the horses haven’t had a bad experience today.”

“He’s got the most enormous stride, it’s an absolutely incredible feeling,” she continues. “Sometimes slightly trickier to ride because you can’t just keep on kicking all the time, which is what makes you fast. But I couldn’t be prouder of him today. He isn’t a natural galloper for  long distances, and I was pleasantly surprised by how he came through the finish.”

Ros Canter and MHS Seventeen. Photo by Tilly Berendt.

Nor did the conditions earlier in the day for her debutant ride, MHS Seventeen, who jumped clear with 20.8 time penalties to move up from 31st to 14th.

“I felt that both my horses kept their ears pricked the whole way around today,” she says. “Despite the challenging conditions, the mud was so wet that, although it slowed them down, I didn’t feel that it sucked them and delayed their jump or anything like that. So I think they came out having had a really positive experience.”

Tom McEwen with Brookfield Quality. Photo by Tilly Berendt.

Tom McEwen left the startbox very early in the day with Brookfield Quality, who had made his debut at the level at Luhmühlen this year, but was retired late on course after a freak patch of inclement weather brought on a severe nosebleed. And so for many people, the memory of that blood and that storm and the chaos of it all cast a huge, floating question mark over the fifteen-year-old gelding – one that he happily dispelled out on course today. 

“I felt like a Pony Club kid back out hunting again out there,” laughs Tom. “I was loving it – and so was Norris, thankfully. But it’s really hard work out there. There’s patches that are really deep, and it’s only going to get worse in this continuous rain, so I’m happy to have gone early and laid down what I think is quite a good benchmark.”

Because he went so early, he continues, “it was hard to gauge how it was riding. But I was one of the few people that really did want to run this morning when it was still raining and you could  hear it on the lorry roof. So I was delighted! I actually think it created an incredible spectacle for the whole day. People rode brilliantly, so it’s been a great day for the sport, even though it’s rained more than England. So that’s one good thing! But Norris is awesome. I could let him go in his own rhythm. There’s a few things that I wanted to do, and I should have ridden on my distances rather than riding from what I’d seen before. But like Caroline was saying, we went out with no minute markers, and you ride off a feeling, and try to get round.”

He and Norris added a reasonably scant 17.2 time penalties to their first-phase score of 25.8 to climb one place, from fourth to overnight third. 

Piggy March and Halo. Photo by Tilly Berendt.

While Tom was sitting in his lorry in the downpour, happily counting down the minutes ‘til he could get out and go puddle-jumping, his friend and Norris’s former pilot, Piggy March, was no doubt having a very different experience in her own. She’d spent the last twenty-four hours or so wavering back and forth over whether to run Halo, her five-star debutant and the diminutive stallion who now helms her cut-back string of horses. 

“I didn’t know if this was the right thing for him or not, and then I watched the horses go round, and they looked like happy horses,” she says. “It’s muddy, it’s incredibly wet, but they were smiling, and they were still jumping to the end, and I just didn’t want to give him a bad experience. But then I’m not very good at going out very slowly, and just wanting to get round. I’m competitive, and I like to try and do well. So I thought, ‘I’ll just set off and give it a good go’. So I rang the girls an hour before and went, ‘yeah, chuck some tack on. Let’s go!’” 

That decision paid off. Other than one little moment of gritty five-star riding, when the stallion twisted over the corner at 15B and both horse and rider found a combined equilibrium from who knows where, the round was smooth, packed with gumption, and – yes – happy. They picked up 17.6 time penalties along the way and will go into the final day in fourth place, up from first-phase 10th. 

“I’m just so proud of him. He’s 11, which isn’t that young, but he’s not done masses, and he’s certainly done nothing in the mud,” she says. “He doesn’t like the puddles, and he doesn’t like getting his toenails dirty – but he really dug deep for me. He ran incredibly well; he just got a bit tired in literally the last minute. But up until then, he was like, ‘Yeah, I’ve got the mud. This is fine!’ I kept thinking, ‘good boy, you’re doing really well!’ It’s hard work out there. It’s not ideal conditions at all. But he was happy enough, and he’s finished.”

Alex Hua Tian and Chicko. Photo by Tilly Berendt.

China’s Alex Hua Tian also had an excellent day on a level debutant in Chicko, and enjoyed his own return to the level after having focused so much of his time, energy, and horsepower on championships. 

“I don’t run 5* very often. As a Chinese rider, we focus on championships – Olympics, World Championships, and so 5* is not normally what we focus on,” he says. “But this horse is very special; he’s a cross country machine. He has a huge heart. His owners, Kate and Pete Willis,  they adore the horse so much, and at his age – 14 – I felt he deserved to come here and have a real go. It’s a real shame it’s rained so much, as we were hoping for top of the ground conditions, and I think he’d have been really quick, but I think he dug deep today. He was absolutely brilliant.”

Despite not having the conditions that Chicko most enjoys, the pair delivered one of the rounds of the day, climbing from thirteenth to fifth after picking up 16.8 time penalties for one of the swiftest efforts on the leaderboard. 

“I’m so proud of this horse – I have huge faith in him,” says Alex. “It’s his first 5* but I knew he’d dig deep. He’s Irish, he likes the mud, he’s a good jumper. He’s always very positive; he’s always got his ears forward. So I loved it out there, it was great. First thing this morning, I thought the ground was going to be horrendous – and watching the first half, actually, they were traveling quite well. I think by the time the last of us were going, it was starting to get quite heavy going, and it’s quite hard to find a good footing in between. I just had to say, ‘Chico, come on. We’ve got to ignore it. Just  push on’, and he just kept going – so I’m very, very very proud.”

Boyd Martin and Fedarman B. Photo by Tilly Berendt.

Boyd Martin pushed on through the residual aches and pains of his tough Maryland to log an occasionally agricultural but undoubtedly confident and effective early round with Fedarman B, who has previously finished in the top ten here. Though he decided not to run his later ride, debutant Miss Lulu Herself, his midday efforts were well worthwhile: he and Bruno go into the final day in sixth place, with 17.6 time penalties on their tally. 

I was thrilled with him,” he says. “He once again proved he is one of the best cross country horses I’ve ever sat on. That was horrendous conditions and he dug deep and just gave me everything around a very challenging course. I had a rough weekend last weekend so I wasn’t sort of bursting with confidence but I’m very, very grateful that Bruno is such a champion in the cross country. The last 48 hours they’ve been taking out jumps, cutting out loops and it wasn’t till about 30 minutes before I started that I really had a clear idea of what the course is gonna be and the officials made some excellent decisions in taking out some parts of the course.

“My cross country/jumping coach Peter Wylde and I really analyzed the course and there was just a number of combinations that we had a plan on how many strides to go in and a few those numbers changed just because the ground was so boggy. But Bruno is such an adjustable horse and just fought very hard just to clear through the flags. With going early, obviously I don’t get the luxury of watching how things are riding but I’ve got so much faith in this horse and it just gives me so much confidence.”

Of Lulu, he says, “she’s a very careful, green horse at this level and we were to go right at the end of the day and in the most treacherous conditions. I just didn’t have a good feeling about it and so I promised myself that I wouldn’t be stupid and trying to have any ego about it. I talked to my family and the owners and thought we [would save her for another day]. It’s tough when you’ve gone to this huge expense and traveled a long, long way to get here, but there is always another day. Deep down, I think it was the right thing to do.”

Lea Siegl and DSP Fighting Line. Photo by Tilly Berendt.

Austria’s Lea Siegl and her Olympic partner, DSP Fighting Line, came to Pau with one goal in mind: to dispel the demons left behind from their debut here last year, which ended in a shock fall and a smattering of facial injuries. 

They may have been chasing a positive completion – and a happy end to an up-and-down season, which started with a broken leg for Lea – but they got much more than that. They climbed from 16th to seventh after adding 18 time penalties to their first-phase score of 29.5. 

“It feels good. After all the shit in Paris [where Fighty was eliminated at the first horse inspection]  and last year here in Pau, I’m even more happy that today, everything went smooth,” she says. “It was quite fun to ride – the ground was not easy, but it is like it is, we can’t change the weather. It’s something we can’t do. But they tried their best in front of the jumps, putting all the sand. So I’m quite happy that they really tried hard and it was rideable. He’s a nice galloper, and I knew that the weather, it doesn’t suit him, but he runs better on this ground than other horses because he’s so light and easy galloping, so it felt good with him. It didn’t feel too hard.”

Oliver Townend and Cooley Rosalent. Photo by Tilly Berendt.

The last competitors out on course, Oliver Townend and Cooley Rosalent, had the chance to take the lead: Ros and Isaac had already finished with their time penalties, and Emily King and Valmy Biats, with whom they’d been equal second after dressage, had slipped to 23rd after knocking a frangible device in their otherwise excellent round. 

But it wasn’t to be today – though for Oliver, three confident clears across three young horses, two of whom are five-star debutants, is a happy enough day in the office. He’ll head into the final day in 25th place with Crazy Du Loir, 20th with pathfinder En Taro Des Vernier, and eighth with Kentucky champion Cooley Rosalent, with whom he added 23.2 time penalties.

“She definitely had the worst of the ground,” he says. “I couldn’t really find any new ground, and when I did, I was 12 or 14 feet away from where I should be. But I just tried to be as quick as I could, and also look after and give her a good experience, because I think she’s going to be very, very good. I went as fast as I could, but all three horses were incredibly fit, and all three have finished very fresh – they’re a huge credit to the team at home.”

Ninth place is held overnight by Sweden’s Frida Andersen and her Olympic ride Box Leo, who added just 17.6 time penalties and climbed from 32nd place, while the top ten is rounded out by Tim Price and five-star first-timer Jarillo, who looked a picture en route to collecting 22.4 time penalties, just dropping one place on the board in the process. 

Will Coleman and Off The Record. Photo by Tilly Berendt.

Will Coleman and Off The Record climbed ten places, from 39th to 29th, after picking up 26.4 time penalties – but, Will admits, this just hasn’t felt like their week. 

All I can say is when we decided to target Pau we sort of planned on a typical year here — firm ground and fast going and technical twisty track and instead we got a 9.5 minute five-star in a foot of mud,” he says. “It was a bog the whole way around by the time I went, conditions that just don’t suit my horse particularly well and he really dug deep for me. We had time, like everybody did. The horse came home and is well and we look forward to tomorrow and then call it a wrap on 2024.”

“There were a couple places where I thought you might get an extra stride here or there. To be honest, by the time I went, the conditions had deteriorated so much that my only plan became to keep my horse as balanced and [keep the impulsion] as I could, not worry too much about numbers and how you were going to do it, just make quick, clear decisions. It was a really physical effort for both of us. To my horse’s credit, he’s such a willing fighter of a character and I’m really proud of him. It’s not the result we came here for and that’s just kind of how it’s gone this year and that’s ok.”

In any case, he continues, horsemanship was at the fore of today’s competition — a happy result by any metric.

“I think they did what they could [in making changes to the course]. You want to preserve the integrity of the competition without putting anyone in jeopardy, and they did that, but really the responsibility was on the riders to make good decisions and I think you saw a lot of people put their hand up when it wasn’t going to be their day, and that’s sort of what we have to do. It was really challenging for all involved, but I’m glad the day is done and we can look forward tomorrow now. Today was pretty tough out there.”

56 pairs are eligible to come forward for tomorrow’s final horse inspection, which begins at the extraordinarily reasonable time of 11.45 a.m. (10.45 a.m. BST/6.45 a.m. EST, because tonight, the clocks go back here and in the UK, but not in the States, and I’m really sorry, but this nonsense makes my brain turn to mush every single year). Then, the showjumping will begin at 15.00 local (14.00 BST/10.00 a.m. EST), and the prizegiving will happen sometime as the sun goes down, because why not, hey? Why. Not.

For now, though, wash the mud out of your eyelashes, go dance on some tables with Ros, and enjoy that extra hour of sleep when you get around to it (if you’re on this side of the pond, anyway). We’ll see you tomorrow for lots more Pau action – and in the meantime, if you’re still hungry for a dirty great big day of cross-country excitement, head on over to Cheg’s live updates thread to recap every single ride in nitty gritty detail. Go Eventing!

Les 5 Etoiles de Pau: [Website] [Entries] [Timing & Scoring] [Live Stream] [EN’s Coverage]

Reigning Champs and Raining Champs: Ros Canter Sails to Pau Dressage Lead

Ros Canter and Izilot DHI. Photo by Tilly Berendt.

This time twelve months ago, Ros Canter and Izilot DHI cantered into the main arena at Pau – and then ceased motion abruptly when the young, notoriously spooky horse caught sight of the livestream cameraman on the long side of the ring. First, he darted backwards, and then sideways, head and long, long neck held sky high as his tiny rider tried to steady him and regain some semblance of the work she’d established in the warm-up moments earlier. The more she tried, the more Izilot – or Isaac, as he’s known at home – resisted her request to move past the offending camera. The murmurings around the arena increased: it looked very much as though it was about to be a seriously painful test to watch. Would they even make it into the ring? When they got there, would Ros stand any chance at all of navigating the test, or would they end up eliminated for resistance? 

 The bell rang, Ros turned Isaac away from the cameraman – who, unabashed and unaware, continued changing his jacket and adjusting his focal point – and headed down to A. They entered, the board was closed behind them – and then, inexplicably, Isaac got to work. It was as though the camera wasn’t even there. They ended the first phase on a score of 24.3 – good enough for second at the time – and went on to win the competition. 

This year, it was a very different Isaac who entered the arena. He might still be a spooky horse at heart – although Ros’s season-long efforts, including only schooling him away from home, and letting him live out 24/7, have helped – but now, he’s also a horse who really wants to do his job right. That much was evident as Ros cantered him confidently down the chute from the warm-up ring, and when he strode into the arena, he didn’t bat an eyelid at the crowd, the big screen, the flowers, the decorative hedges and cross-country fences – or the cameraman, who was even scarier today in head-to-toe rain gear and a bright red coat. He didn’t even spook at the arena soundtrack, which got odder and odder as the day progressed, and meant that Ros did her test to something that sounded a bit like Enya, if Enya was mad about it. 

Ros Canter and Izilot DHI. Photo by Tilly Berendt.

Instead, his entrance was notable for only the positives: push, power, and fluidity, which continued on apace throughout their test and saw them finish the day on an excellent 19. That’s Ros’s best-ever five-star score (she and Isaac also put a 19.9 on the board at Burghley, which does raise some concerns that they might post the 14.3 they were trending at in their trotwork today in twelve months’ time), and it’s also enough to give the pair a 5.6 penalty margin as they begin their campaign to defend their title.

But did the test feel as straightforward as it looked?

“It’s never easy with Isaac – it’s always a challenge!” laughs Ros. “It’s like, ‘did I do enough? Did I do too much [in the warm-up]?’ And actually, today I thought we’d done a bit too much, because he was a little bit heavy on the reins out there. But he really lifted when he came into the arena and heard the clapping for Boyd Martin, and then he was really, really lovely to ride.”

During that entrance, we certainly weren’t the only ones thinking back to last year.

“What I’m really delighted about is that last year, he came in here and found the camera quite spooky, but today, I went in and he just went straight past it,” says Ros. “It shows how much he’s come on in a year.”

Ros Canter and Izilot DHI. Photo by Tilly Berendt.

That progression over the last twelve months means, she continues, that “I suppose I’m starting to get confidence, in a way, in riding him a bit more [elastic]. And so today, I was really pleased with his balance in the medium and extended trot, because he’s got quite a narrow wheel base, and so sometimes he can feel a little bit young and wobbly in those. But today, he felt really stable in it, and that was lovely.” 

Coming in as the reigning champion is always an interesting additional pressure, but for Ros, she knows that it’s best not to think too many steps ahead with Isaac – “it’s all still a fact-finding mission, in a way,” she says. “He’s desperate to jump between the flags these days, he really is, but it’s just all about if something else takes his eye and stops him from seeing the fence or takes him off his line. I know he wants to do the job for me, although the ground conditions would put a question mark in my mind – last year he was held, and we were on the top of the ground, so I was able to run him fast at the end. It’ll be interesting to see how he copes tomorrow. Sometimes we have good days; sometimes, we don’t, so we’ll just enjoy today.”

Ros Canter and Izilot DHI. Photo by Tilly Berendt.

Their run here is a reroute from a Burghley that ended early at the Defender Valley, where Isaac ran out at an angled hedge that caused several issues through the day. But, says Ros, the experience wasn’t a bad one – it was just a reminder that nothing’s ever to be taken for granted with Isaac. 

“I was actually really happy with Burghley, on the whole – how he came out of the startbox, how he went through the main arena. He felt as settled and confident as he’s ever felt” she says. “I was happy with the way he took off over the ditch [before the hedge]. He just happened to jink sideways, and at five-star, you can’t afford to do that. You never really know with him – I predicted he’d spook at the stones on the left, and he spooked at the flowerpot on the right! I think my job as a rider has to just be to ride him like he’s not going to spook, and if he does and I can deal with it, great. If I can’t, well, I can’t change his personality, and I can’t change who he is, so I have to just go in with the confidence that he’ll stay on his line. It’s really a split second thing with him.”

Emily King and Valmy Biats. Photo by Tilly Berendt.

Also rerouting from Burghley, and starting her campaign very happily, is Emily King and her French-bred partner Valmy Biats, who sit equal second with Oliver Townend and his Kentucky winner Cooley Rosalent on a score of 24.6. 

“I’ve had him for a while now, and he just keeps getting better and better,” says Emily (who did her test to ‘Bet On It’ from High School Musical 2, if the day’s weird music is what you’re here for). “He knows everything in the test now. He’s so sensitive and such an overthinker that when he was a young horse and still learning stuff, he’d go in and just get tense and strong because he tried so hard. Now, I think he’s getting relaxed, and because he knows everything, I’ve got the confidence to just go in and breathe and show him off, softly, without having to override him, and without him getting strong and jeopardising the movement.”

Like Ros and Isaac, Emily was able to eke another 5% out of Valmy simply by making use of Pau’s buzzy atmosphere.

“He felt awesome in the warm-up, and when he went in the ring, the cameras and the crowd really lifted his frame without making him go hot,” she says. “I’d say it was the best feeling I’ve ever had in a test with him, and there were no big mistakes, so it was so nice to be rewarded with a good mark. I’m just so pleased with him.”

Emily King and Valmy Biats. Photo by Tilly Berendt.

Pleased, too, no doubt, are brand new owners Paula and David Evans, who are an enormously welcome addition to Emily’s team. Not only have the couple, best known for owning Andrew Hoy’s Vassily de Lassos, taken the reins (so to speak, anyway) on Valmy, they’ve also provided a new ride for Emily in Creevagh Cooley, who was previously campaigned by Andrew.

“They’re absolutely lovely new owners who were really keen on the idea of having a five star horse, and it’s just lovely for them,” says Emily. “This is their first show owning him, so I really want to get off on the right foot. We’ve done the first phase, and now we’ve just got to try and see it through – but I’m really excited for them, and I hope that Val can give them some great years of fun.”

Though most competitors are looking ahead to tomorrow’s tough conditions with grim resignation, Emily is, perhaps, the most fortuitously mounted rider in the field: not only has Valmy got form in the mud, winning Thoresby’s CCI4*-S two years running in questionable ground, but he also lives out in it year-round, merrily mooching around on his own patch of hill in the Cheshire countryside, which lends him an innate sure-footedness no matter what sort of going he encounters. 

“Val loves the mud, he lives in the mud, he is mud,” laughs Emily. “But I’ll still really have to ride how he’s feeling. It’s not a Burghley or Badminton track out there but there are serious accuracy and precision question, which will be really tough if it’s deep and the going is getting turfed up while you’re trying to stick to your lines. It’ll be a proper course and I’ll just ride what I’m feeling underneath me.”

Oliver Townend and Cooley Rosalent. Photo by Tilly Berendt.

That’s much the name of the game, too, for Oliver and Rosie, who sit on the same score – though, Oliver says wryly, “we’ll probably still see some mad Frenchman having a go at turning a three-and-a-half strides into three!”

But for Rosie, and his two other rides, debutants En Taro Des Vernier (15th on 29.4) and Crazy Du Loir (57th on 36.3), he’s keeping their inexperience at the forefront of his planning – which might sound slightly odd, considering that the Irish-bred mare is already a five-star winner. But she’s also only a ten-year-old, and Oliver hopes to keep her coming out at the top for many seasons yet. 

“She’s not actually seen as much as most of the field, but she’s top, top class, and she’s not a foreign horse, so hopefully that’ll work in our favour tomorrow,” he says. “She’s still green and a baby – I know she’s a Kentucky winner, but normally, when they’ve had a result like that, they need time to recover mentally. But I think she’s very good in the brain, and taking it all in her stride.”

Her lineage, he continues, is another asset in her pocket – even if it means that this phase has taken a little bit of time to come together. 

“Her mother was a Scottish Grand National winner, so she’s 70% Thoroughbred. She’s not bred to do a dressage test, but she’s getting stronger all the time, and she’s getting more confident,” he says. “She’s very, very sensitive, and you’ve got to work around her, but at the same time, she’s definitely one that’s worth working around.”

Yasmin Ingham and Rehy DJ. Photo by Tilly Berendt.

Day one leaders Tom McEwen and Brookfield Quality sit fourth overnight on their 25.8, while yesterday’s runners-up, New Zealand’s Clarke Johnstone and his Paris mount Menlo Park, are fifth on 26.3. World Champion Yasmin Ingham moves into sixth place with her two-time Luhmühlen podium-placer Rehy DJ, who delivered a charismatic test with one jolly, celebratory explosion after his final halt to score a 26.5 – “I gave him a fun jump this morning to put him in the right frame of mind for today, and I’m really happy with how well he held it together in there,” she laughs – while New Zealand’s Sam Lissington takes provisional seventh on a 26.7 with Lord Seekonig. 

Samantha Lissington and Lord Seekonig. Photo by Tilly Berendt.

“I was a bit playing catch-up, because the first centerline was lovely, and it was a lovely halt, but then I struck off in a muddle,” says Sam. “So I was having to claw back the rest of the test, but I think the score is pretty good considering that. But he was really good, and stayed with me the whole way. He’s quite a shy person, so it’s nice for him to be brave and show off.”

Selina Milnes and Cooley Snapchat. Photo by Tilly Berendt.

Eighth place overnight is held by Britain’s Selina Milnes and Cooley Snapchat on a score of 27.1. 

“He’s usually quite consistent with me on the flat,” says Selina, who handed the reins to Tom McEwen for the trot up as she continues to recover from a skiing injury sustained last winter. “At home he’s been diving – and he was doing it here as well – in his first half pass to his change on the straight line, so from left to right. He’s been diving left and just anticipating it, so I’ve done nothing [in the schooling ring] with it at all, and then he was on the aids in there.”

Tim Price and Jarillo. Photo by Tilly Berendt.

Tim Price debuted smart youngster Jarillo at the level today, and was happy to wrap up his test on a score of 27.2, which is good enough for ninth overnight – and earlier marks, which nearly put the pair in the lead overnight, show just how much promise the ten-year-old has for the future. 

The busy nature of this particular five-star test, and of the step up in complexity on the flat generally, suit Jarillo’s quick, similarly busy brain, says Tim.

“It’s quite good for him – he’s sharp and he looks at things, so it always gives him something to think about. You have to have your leg on around every corner and constantly be positioning him to go. I quite like this test for a youngster, actually.”

Piggy March and Halo. Photo by Tilly Berendt.

Piggy March and the young stallion Halo round out the top ten on their score of 27.4, and while Piggy was thrilled with her former Blenheim champion’s performance, she was frustrated by some of the broad margins between judges at various points in the test. 

“I can’t figure it out. As a rider, we train, we do analyze test results and the same thing happened at Blenheim [with the judge at B not liking it],” she says with a sigh. “I thought maybe at Blenheim, I had him too up and out. So this time, I thought I’d keep him a bit more round at the base of the neck, and he was very in front of my leg. He was very on the buttons. I don’t know whether I’m just getting something wrong, but I’m not understanding it at the minute. We’re meant to be top athletes, we’re meant to analyze things, and you think, ‘Well, what’s right, what’s wrong?’ I know it’s personal opinions, but it’s nearly a 10% difference. So I’ve come out actually a little bit lost about what I have to do. I’m not being a dick here, but I’m not coming out going, ‘Oh, thank God, I got a good mark.’ I don’t care about the rest of the competition, it’s a complete other thing. It’s going to piss with rain. It’s going to be horrendous! It’s his first 5*. It’s irrelevant! But he’s a lovely little horse and he felt like he gave it all, so what’s my problem? We’re fine tuning the whole time. It’s like, a bit more nose, a bit more pace, a bit more…?”

Her remarks raise a good point about the clarity with which marks are given – after all, the name of the game is constant education and progression, and for a seasoned professional to be left flummoxed about how to move forward shows that there’s work that can be done all around to make sure that that transparency is readily available within the constraints of time and manpower that prevail at events. But scoring aside, Piggy was thrilled with the feeling she got in the ring. 

“I’m delighted. Oh my God, he was amazing. His brain was incredible. So rideable! He wasn’t dropping me at all. He stayed with me like, ‘I’m here to show myself off,’” she beams.

Boyd Martin and Miss Lulu Herself. Photo by Tilly Berendt.

Boyd Martin came forward with his second ride of the week – and another application of concealer – to score a 30.1 with Miss Lulu Herself, putting her into 21st position after the first phase of her five-star debut. He also sits sixteenth overnight with yesterday’s ride, Fedarman B, on a score of 29.5. 

Will Coleman and Off The Record. Photo by Tilly Berendt.

It was a tougher day in the office for Will Coleman and the ordinarily very consistent Off The Record, who broke to canter in the medium trot and then continued on into a test that was peppered with small mistakes. They ultimately earned a 33.2 for 39th, which might feel rather off the boil at this stage, but come tomorrow, it’ll see them well in the hunt. Yesterday’s glorious sunshine didn’t do much to firm up the already deep footing, and today, we’ve been heaped upon by the rain, which is set to continue through the night and into tomorrow, and has already prompted several changes to the tough, twisty, achingly precise course designed by Pierre Michelet. We’ve got more insights into the challenge to come ahead of tomorrow’s sport beginning at 11.30 a.m. local time (10.30 a.m. BST/5.30 a.m. EST) here – but for now, suffice it to say that tomorrow’s leaderboard will be like today’s, if today’s got stuck in a tumble dryer for a couple of hours and then spilled out onto the kitchen floor, probably into a puddle of leakage. Nice stuff! Delightful! Weird sport, this! 

The top ten at the end of dressage at Pau.

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