Sally Spickard
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Sally Spickard

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About Sally Spickard

Sally Spickard is a Korean adoptee living in San Diego, California. Sally joined the Eventing Nation team in 2013 and has subsequently written for Noelle Floyd, Heels Down Mag, and other publications both in and out of the equestrian world. Sally is an eventing fan through and through and enjoys telling the stories of riders who are not well-represented within equestrian media.

Latest Articles Written

Travel Grant Applications Now Open for The Event at Rebecca Farm’s 25th Anniversary

Lucienne Bellissimo and Kitsch Couture HPK. Photo by Shannon Brinkman Photography.

As The Event at Rebecca Farm gears up for a milestone 25th running July 15-19, developing riders looking to make the trip to Kalispell, MT have a financial resource available to help get them there, and the clock is ticking to get your application in.

The USEA Foundation, through the generous support of the Broussard Family Charitable Foundation, is accepting applications for the Rebecca Farm Travel Grant through June 1, 2026. The grants are designed to offset transportation costs for riders competing in the CCI3* and CCI4* divisions who also plan to apply for the Rebecca Broussard International Developing Rider Grant (also known as a career springboard for many eventual team and/or five-star riders). Applications are available at the USEA Foundation website here.

The Event at Rebecca Farm was created by the late Rebecca Broussard in 2002 and quickly became a fixture on the national eventing scene, typically drawing 600+ horse and rider pairs. This summer’s edition marks the 25th time the Western Wonderland has opened its gates — a significant milestone for an event that has become one of the most beloved on the U.S. calendar. Breast cancer took Rebecca Broussard in 2010, and in her honor, The Event’s Halt Cancer at X charitable initiative has raised and distributed over $1.1 million in grants to research projects seeking a cure and to local nonprofits supporting those facing the disease.

To be eligible for the travel grant, applicants must be U.S. citizens in good standing with both the USEA and USEF, must not have represented the U.S. at the Pan American Games, Olympics, or World Games/Championships, and must be competing in the 3* or 4* division at the event. Applications must include a travel financial plan outlining estimated expenses and planned revenue for the trip to Kalispell.Grant recipients will be notified of their awards by June 15.

A few logistical notes worth paying attention to for anyone planning the trip: Glacier Park International Airport will undergo runway renovations impacting flight availability in July, with weekday closures running Monday at 6 p.m. through Friday at 10 a.m., July 13–17. The Missoula Airport, approximately two hours from Rebecca Farm, is an alternative. The Under the Big Sky Music Festival is also taking place July 17–19 in nearby Whitefish, so early hotel and camping arrangements are strongly advised.

Entries for the event open June 2 and close June 30 — and as anyone who’s tried to get into Rebecca Farm knows, they fill fast! You can view the omnibus listing here and find more information on Rebecca Farm here.

Preview the $50,000 Devon Horse Show Arena Eventing Entry List

Boyd Martin and Miss Lulu Herself en route to the 2025 Devon Arena Eventing victory for the second year in a row. Photo by Mane Source Media for Devon Horse Show.

Entries have been posted for this Sunday’s $50,000 Arena Eventing class, sponsored by B&D Builders and Goshen Hill at the historic Devon Horse Show in Pennsylvania. The division will kick off at 7 pm EST with two rounds over a hybrid course designed by Capt. Mark Phillips set throughout the Dixon and Wheeler rings that make up some of the primary infrastructure at Devon.

This year we have an exciting list featuring two-time champions Boyd Martin and Miss Lulu Herself and Sara Kozumplik and Rubens d’Ysieux, as well as Colombian CSI5* show jumper Ilan Bluman, who has entered with two horses (Acajou and Echo LVF). Horses and riders were able to qualify for this event via show jumping pathways (full qualification criteria for Arena Eventing competitions, as outlined by USEF, can be found here).

Here is a look at the full entry list, which is of course subject to change ahead of show start:

  • Caroline Pamukcu – King’s Especiale
  • Caroline Pamukcu – HSH Double Sixteen
  • Caroline Pamukcu – She’s The One
  • Boyd Martin – Miss Lulu Herself
  • Hannah Hollberg – Hachi
  • Ema Klugman – FVF Wildflower
  • Ema Klugman – RF Redfern
  • Arielle Aharoni – Cooley Baltic Sea
  • Arielle Aharoni – Notorious
  • Lisa Fergusson – Ratheoin Quality Imp
  • Lisa Fergusson – Trinity Thank Q
  • Phillip Dutton – Denim
  • Kelsey Seidel – Chico’s Man VDF Z
  • Sara Kozumplik – Rubens D’Ysieux
  • Monica Spencer – Flyboy
  • Monica Spencer – Valkyrie
  • Morgan Batton – Betty Z
  • Ilan Bluman – Acajou
  • Ilan Bluman – Echo LVF

The live stream for Devon can be found on USEF Network on ClipMyHorse.TV. You can view the show here using either your connected USEF account or your standalone ClipMyHorse.TV membership. For more information on connecting your USEF account to watch select events for free, click here.

Georgie Campbell Foundation Names Ollie Thompson as Inaugural Beneficiary

Ollie Thompson and Magnetic over the GCF Parallel at Cirencester. Photo: Topshots Photography

In a true demonstration of honoring legacy by creating good from tragedy, those who loved the late Georgie Campbell (a British four-star rider who died in a cross country accident in 2024) set up The Georgie Campbell Foundation with the goal to help other riders get their start as professionals, as well as champion ongoing safety initiatives throughout the sport.

To that end, applications were opened for an inaugural bursary structured over a two-year period to provide financial support to event riders whose careers and businesses are in the early stages. Preference was given to those who had not previously received substantial financial support or benefits from programs like the British World Class Programme. The Foundation’s goal of providing support goes beyond straight cash — its goal is to help produce well-rounded professionals who can create sustainable businesses to make their living froom.

Following an extensive review of the 60+ applications received for this bursary, eight candidates were invited to interview as the final stage of selection. A panel made up of Georgie’s husband, Jesse Campbell, New Zealand Olympic rider Jonelle Price and entrepreneur Dr. Catharine Denning subsequently selected 25-year-old Wiltshire-based Oliver “Ollie” Thompson as the inaugural recipient.

Ollie Thompson and Lagans Rice Star. Photo: ESP Photographic

“He demonstrates a lot of the attributes that we felt were in line with ‘a young Georgie’,” the panel stated in a press release. “Ollie conveyed a strong work ethic, positive mindset, and real love for his horses and the sport of eventing. We therefore think he makes the perfect first Georgie Campbell Foundation beneficiary and are looking forward to seeing his journey unfold with the Foundation’s support.”

Ollie Thompson has competed to the CCI4* level with his top horse, Lagans Rice Star, after starting out as many do on ponies when he was much younger. He’s now developed a string of younger horses and will now receive benefits from the Foundation including mentoring and training from the Georgie Campbell Foundation and a carefully curated group of specialists. Support will be uniquely tailored to him, structured around the development of an individual performance and business plan. Focus areas will include business planning, financial management, attracting and retaining owners and sponsors, social media marketing, and managing staff, as well as identifying and working with talented young horses.

“I’m excited and grateful to have been selected as the first Georgie Campbell Foundation beneficiary,” Ollie said in a press release. “It’s such an amazing opportunity for me to grow my business and be able to reach my full potential. I’m keen to start learning from everyone involved, pushing myself this season and next, and making the most of all the support and opportunities ahead. I would like to thank the committee, and all involved for putting their faith in me moving forward.”

Further updates from Ollie’s journey as well as information on future application windows and other endeavors by The Georgie Campbell Foundation can be found here.

Longines Luhmühlen CCI5* Entries Live with 30 Competitors; 2025 Champion, World #1, Strong USA Contingent Feature

Boyd Martin and Shanroe Cooley compete for the US Equestrian Open of Eventing title at Morven Park in 2025. Photo by Shannon Brinkman Photography.

The next CCI5* on the docket for 2026 comes to us from Germany at Longines Luhmühlen, which has its own unique style and flavor and also features the CCI4*-S Meßmer Trophy German Championship each year. On a championship year, Luhmühlen is generally the final qualifier for most countries, which means we typically see both the 5* and 4* lists full of team hopefuls as selection looms. That’s very much par for the course for this year’s entry lists, which feature 30 CCI5* entries and 63 CCI4*-S combinations.

Now, before you say it, yes this IS a low figure for the Luhmühlen CCI5*. This number somewhat syncs up with the 38 we saw during the year of the last World Championships (2022), but is generally lower than usual for this event. We’ve seen entry lists ranging up into the 70s but also as low as the high 30s and 40s; in 2025, we had 55 entries pre-competition, and 50 entries for the most recent Olympic year (2024). Luhmühlen plays a unique role in the 5* landscape, providing a good launching pad for horses and riders starting at the level for the first time and also frequently serving as a re-route option for those who did not find success at previous events like Kentucky or Badminton. This year, we have fewer of the latter; just a couple of “re-routes” to the 4*-S from Badminton and one or two to the 5* (really, I think this is a positive in itself, that we had a strong completion rate at Badminton that resulted in fewer reroutes), as well as a couple of horses who completed Badminton also coming for the 4* and that all-important World Championship qualifier. We also have nearly 50% of the CCI5* field (14 horses) made up of rookie horses (as well as four 5* first-timer riders), and while I do not have the comparison numbers of rookie horses from previous years at my disposal currently, I do think that’s another big positive for anyone who has negative feelings about the sheer number of entries themselves.

Ros Canter and Izilot DHI: your 2025 Luhmühlen champions. Photo by Tilly Berendt.

Now for the list itself, here are just a few highlights from the list, which can be found in full here. The full CCI5* entry list is also listed below.

  • 2025 winners Ros Canter (fresh off a third consecutive MARS Badminton victory) and Izilot DHI will return to defend their title. Ros has had a strategic run up to this point of the season, lightly competing the 13-year-old KWPN gelding at National levels and most recently finishing third in the 4*-S at Belsay International last weekend.
  • Reigning European Champion Laura Collett, who brings forward 2025 seventh-place finisher Hester to seek an even better finish.
  • World #1 Harry Meade debuts a new 5* horse for his string, the 11-year-old British Sport Horse gelding Jet Fighter, who has two strong 4*-L finishes (Ballindenisk and Bramham) under his belt to this point.
  • Rookie horses include: Guess Star (Ben Massie), Mighty Spring FRH (Heike Jahncke – also a 5* rookie rider), Aspen T (Katharina Meyer – also a 5* rookie rider), Mister Big Ears (Sam Ecroyd), Cooley With Ambition (Harry Hortion – also a 5* rookie rider), Jet Fighter (Harry Meade), The Buzz Factor (Emma Thomas), Carrowgar Je Taime Max (Sian Coleman – also his first 5* since 2018), Dallas 13 (James Avery), Cutting Edge (Vicky Browne-Cole – also a 5* rookie rider), Delarado (Samantha Lissington), Kitsch Couture HPK (Lucienne Bellissimo), Lucky Fortuna (Hallie Coon), Shanroe Cooley (Boyd Martin)
  • For the USA, four pairs have sent in their 5* entries: the aforementioned Lucienne Bellissimo and Kitsch Couture HPK, Hallie Coon with Lucky Fortuna, Boyd Martin with Shanroe Cooley and Grace Taylor re-routing from Badminton with Game Changer. The USA is also sending two riders — Tommy Greengard and That’s Me Z as well as Jack Curtis with Luska Candy Clover — to contest the 4*-S.

Hallie Coon and Lucky Fortuna. Photo by Tilly Berendt.

The full CCI5* list is as follows (view both full entry lists here):

Australia Levett, William RNH Tom Tom R Elisabeth Murdoch, Keith Tyson & Rider CCI5*
Australia Levett, William Sligo Candy Cane Elisabeth Murdoch, Keith Tyson & Rider CCI5*
France Massie, Benjamin Guess Star Alain Real CCI5*
Germany Jahncke, Heike Mighty Spring FRH Carsten Küst & Rider CCI5*
Germany Meyer, Katharina Aspen T Monika Tietz & Rider CCI5*
Great Britain Bryce, Elspeth Lacoste Jim Spiers & Rider CCI5*
Great Britain Canter, Rosalind Izilot DHI Alex Moody & Rider CCI5*
Great Britain Canter, Rosalind MHS Seventeen Lady Milnes Coates & Deirdre Johnston CCI5*
Great Britain Collett, Laura Hester Lucy Nelson CCI5*
Great Britain Ecroyd, Sam Mister Big Ears Julie & Michael Hall & Penelope Ecroyd CCI5*
Great Britain Edmundson, Mary Lionel II Joy Soar CCI5*
Great Britain Gillespie, Sam Bit Not Till Now Rider CCI5*
Great Britain Harris, Caroline D Day Lucy Matthews, Fiona Olivier, Marie Anne Richardson & Heather Royle CCI5*
Great Britain Heal, Stephen Hagonda Heather Chapman & Stephen Heal CCI5*
Great Britain Horton, Harry Cooley with Ambition Harry Horton & Ambition Syndicate CCI5*
Great Britain Meade, Harry Jet Fighter Abigail Bernard CCI5*
Great Britain Thomas, Emma TV The Buzz Factor Zoe Bardey, Arthur Thomas & Rebecca Velarde CCI5*
Great Britain Tordoff, Alexander Cool Jack Cool Jack Syndicate CCI5*
Ireland Coleman, Sian Carrowgar Je Taime Max Gina Heaps CCI5*
Ireland Furnell, Dominic Ivanhoe Thomas Jones CCI5*
New Zealand Avery, James Dallas 13 Karie & David Thomson CCI5*
New Zealand Browne-Cole, Vicky Cutting Edge Vicky Browne-Cole CCI5*
New Zealand Jones, Abby Henton Audacious Abby Jones CCI5*
New Zealand Lissington, Samantha Delarado Rachel Bessell, Ella & Magnus McGrigor, Kate Maitland, Braydon Lissington & Rider CCI5*
New Zealand Price, Jonelle Grappa Nera The Grape Syndicate & Rider CCI5*
New Zealand Price, Tim Happy Boy Susan Lamb, Therese Miller & Rider CCI5*
USA Bellissimo, Lucienne Kitsch Couture HPK Horse Scout Eventing CCI5*
USA Coon, Hallie Lucky Fortuna Rider CCI5*
USA Martin, Boyd Shanroe Cooley Dallas LLC CCI5*
USA Taylor, Grace Game Changer Ann Taylor CCI5*

Longines Luhmühlen will get underway on Wednesday, June 17 with the First Horse Inspection and conclude on Sunday, June 21. The live stream will be carried exclusively on Horse & Country, and you can bookmark this page to follow along when things get underway. Stay tuned for much more from our German CCI5*!

Longines Luhmühlen: [Website] [Schedule] [Entries] [Live Stream] [EN’s Coverage]

The Horse World Is Looking at Photos Differently Now: A New Study Shows Why That Matters

Photo by Haley Boothe / Impulsion Media.

We all know the photo.

Maybe it’s the big, breath-stealing one: a horse galloping over something enormous and solid, knees tucked, ears pricked, rider folded neatly above. Maybe it’s the dressage shot: grace and polish and an Olympic backdrop. Maybe it’s the one after the finish, when the rider drops the reins, throws their arms around the horse’s neck, and the emotion is palpable.

For years, equestrian sport has leaned hard on those pictures to tell the story: a true glimpse at “moments in time” showing the athleticism, the elegance, the scale, the partnership involved with our sports.

But a new study suggests horse people are no longer just asking whether an image is beautiful — they are asking whether or not the horse looks okay. Healthy. Happy. Unafraid. Treated well.

The study, “Framing Welfare: How Enthusiasts Read Partnership and Positive Practice in Olympic Equestrian Images,” took a closer look at how horse enthusiasts interpret photographs from the Paris 2024 Olympic equestrian events. An accredited photographer captured over 4,700 images across dressage, show jumping, eventing, training sessions, and behind-the-scenes areas at Versailles. From those, researchers used a structured selection and review process to choose 30 images for an online survey. 514 respondents ranked the images, chose favorites, and explained what made an image feel positive — or not.

The biggest takeaway is simple, but important: respondents were not looking at Olympic equestrian photos as neutral sports photography. They were reading them as ethical evidence. A photo was not just a photo. It was a statement about the horse’s comfort, the rider’s fairness, the sport’s priorities, and — whether we like it or not — how all of this looks to the outside world.

The images that landed best were not necessarily the most technically dramatic; they were the ones that showed what the study describes as horse-first partnership: visible praise, care, empathy, gratitude, and a sense that the horse was being treated as a partner rather than a means to an end with legs.

Frida Andersen and Box Leo compete at the Paris Olympics in 2024. Photo by Tilly Berendt.

Respondents also paid close attention to the horse’s expression and body language. Ears, eyes, mouth, posture, tension, fatigue, softness — all of these were part of the read. A horse who looked relaxed, willing, and confident could make an image feel deeply positive. A horse who looked tight, worried, restricted, tired, or resistant could shift the entire feeling of the photo, even if the athletic moment itself was impressive.

Rider fairness was another major filter. Soft hands, good balance, a stable position, an allowing release, and a sense of harmony all helped an image. Heavy contact, poor position, spur pressure, or a rider who appeared to be interfering with the horse all worked against it.

And the participants also noticed the tack, quick to point out nosebands, flashes, double bridles, strong bits, martingales, foam, spurs, and anything else that at the minimum gave the look of being restrictive or otherwise uncomfortable. In some cases, concerns about equipment could override the appeal of an otherwise powerful image. The horse industry may disagree on plenty, but apparently we are united in our ability to zoom in on a noseband faster than some horses peace out when you fall off.

The study also found that each discipline came with its own set of expectations.

In dressage, participants focused heavily on biomechanics: self-carriage, poll position, engagement, tension through the body, and whether horses appeared behind the vertical. Dressage drew some of the strongest systemic concern, with respondents questioning whether modern competitive standards reward the right picture — or whether some of the images reflected deeper issues around training, judging, and presentation.

In show jumping, respondents were more willing to accept effort and intensity, as long as the horse still appeared willing and the rider looked fair. A big jump could be celebrated, and scope and power were appreciated, but participants still wanted to see release, balance, confidence, and ideally a moment of thanks after the job was done.

In eventing, especially on cross country, respondents recognized that risk, speed, terrain, and effort are part of the sport’s DNA. They appreciated bravery, athleticism, impressive water jumps, and the kind of bold imagery that make eventing look like eventing. But they were also highly alert to fatigue, strong equipment, awkward moments, and anything that might make a non-horse person wonder why on earth we are all cheering for this.

That outside-world lens is one of the most important parts of the study. Respondents were not only asking, “What do I see as a horse person?” They were also asking, “What would this look like to someone who doesn’t already love this sport?”

Photo by Haley Boothe / Impulsion Media.

That matters because equestrian sport is operating under increasing welfare scrutiny. The study places these image reactions within the larger conversation around social license to operate, or, as another way to think of it, the public’s informal permission for horse sport to continue. In that context, every photo has a job. It can make deposits into the bank of trust, or it can make withdrawals to the point of overdraft.

Perhaps the most telling finding is that respondents did not want to write off uncomfortable images as isolated “bad apple” moments. Instead, many pointed to bigger systems: judging standards, equipment norms, training culture, breeding trends, commercialization, and what elite sport chooses to reward.

That, in my opinion, is the part worth really considering.

I don’t believe the answer is to stop showing elite sport. It is not to pretend horses never exert themselves, never make an expression, never have a split-second moment that looks less than perfect. Still photography is imperfect — we’ve all heard the “moment in time” argument that’s often turned into justification — and the study acknowledges that. And it IS true: a single frame can never tell the whole story.

However, patterns DO tell stories. And according to this study, the images that best serve equestrian sport are not simply the ones that show power, height, or drama. They are the ones that show athleticism alongside relaxation, ambition balanced with empathy, performance married with partnership.

For photographers, editors, riders, federations, and anyone else choosing which image becomes the public face of the sport, the takeaway is pretty clear: the “best” photo is not always the biggest photo. And at the end of the day, it’s not so much about the singular moments we put forward on the biggest stage. It’s about the patterns, the training, the things that are rewarded and celebrated. I do think it’s worth a look at the systems, not only the moments.

To view the full synopsis of this study, which was put on by researchers from Hartpury University, EQuerry / Co, Department of Educational Studies, Karlstad University / The Swedish National Equestrian School of Excellence, Ridskolan Strömsholm, Sweden and Purdue University, click here.

 

Entries Closing Soon for Devon’s Prestigious $50k Arena Eventing

Boyd Martin and Miss Lulu Herself. Photo by Mane Source Media for Devon Horse Show.

Entries are still open for one of the most exciting and prestigious nights in equestrian sport — the $50,000 Devon Arena Eventing at the 130th Devon Horse Show and Country Fair!

This year’s Arena Eventing will take place Sunday, May 24, 2026, under the lights at the iconic Devon Horse Show Grounds for an unforgettable evening of elite competition, an electric atmosphere, and a $50,000 prize purse. Devon Arena Eventing offers one of the sport’s most exciting opportunities to compete before an enthusiastic crowd in a thrilling, single-evening showcase of fast-paced eventing competition.

The course will be set as a hybrid of cross country and show jumping obstacles, with a max height of 1.15m for cross country fences and show jumping fences up to 1.20m. This competition is classified as an Intermediate Level/Arena Eventing and will be run under the USEF Rules for Eventing Annex 2.

Minimum Eligibility Requirements:

Eventing competitors: Both Athlete and Horse, though not necessarily as a combination, must have obtained two MERs at the applicable level or above in the twelve-month period prior to the
competition. USEF MER Requirements apply to all U.S. and foreign athletes.

Jumping Competitors: Both Athlete and Horse, though not necessarily as a combination, must have completed two Jumper classes with no more than 4 jumping faults, 15cm above the fixed height of Cross Country jumps for the applicable division (or higher) in the six month period prior to the competition in question e.g. Intermediate Eventing Competition: a 1.30 Jumper Class with no more than 4 Jumping faults.

Further qualification information can be found here.

Event Details

What: $50,000 Devon Arena Eventing

When: Sunday, May 24, 2026

  • 6:15 PM – Course Walk and Acclimation
  • 7:15 PM – Competition Begins
  • Where: Devon Horse Show Grounds (23 Dorset Road, Devon, PA)

    If you need assistance, email [email protected] or call (610) 964-2723.

How Mia Farley Got Her Groove Back: Stories from the Tryon International CCI4*-L

Mia Farley and Invictus. Photo by Shannon Brinkman Photography.

October, 2025. Mia Farley had just finished up the Maryland 5 Star, where she had seen another CCI5* podium finish slip from her grasp after a gutting show jumping round with the incredible Thoroughbred Phelps. It was the third consecutive time she’d had four rails down on Sunday at a CCI5*. It was enough to make anyone question themselves.

It made me quite sad, to be honest. I’ve known Mia since she was just a kid, kicking around Training level and still living in California. She’s always been a bright, positive person. But recently when I’d see her before show jumping — after the immediate elation of a clear, fast cross country on a once in a lifetime horse like Phelps had eased and she’d come down from the high — she wasn’t the same person. She’d make jokes, but underscoring them all was this presence of defeat. She didn’t look forward to Sundays. Over time, she found it harder and harder to believe in herself.

“I think that’s also my personality – I tell jokes to get out of things,” Mia told me. “But yeah, it sucks. It sucks when it happens over and over again. So as much as Phelps put my name out there — he was an amazing cross country horse and great dressage horse who taught me how to ride very detailed — in show jumping, I was just losing more and more confidence.”

Following that Maryland last year, where she’d also had tough jumping rounds with her two 3* horses, Mia needed to get away. She drove home overnight, and the next day, she dialed a number she never had before.

When the call picked up, Mia started crying. She’d dialed Peter Wylde — show jumping Olympic medalist turned pro coach, who’s worked wonders for the riders he’s helped and become a student of eventing himself at this stage in his career.

“I would really like some help,” she managed. And Peter, being Peter, was eager to help. “I was wondering when you would call,” he said warmly.

It was a big change for Mia, and something of a catalyst in itself.

Mia Farley and Invictus. Photo by Shannon Brinkman Photography.

For nearly a decade, since she left her home in southern California, Mia’s been a part of the O’Connor Event Team, coached by David O’Connor as well as Karen O’Connor (who also owns her 4*-L partner at Tryon International this weekend, Invictus). David and Karen have been a huge part of Mia’s life, and their quiet, consistent support have contributed directly to the success she’s had in the sport thus far.

“Honestly, part of the reason I was so mentally unstable after Maryland was because I was so worried about insulting the O’Connors by reaching out to someone else,” Mia said. “They’ve done so much for me. I didn’t want them to feel I was abandoning them.” She did call David first, before she talked with Peter, and she needn’t have worried. David and Karen both encouraged her and have supported her decision (and of course, David remains Mia’s primary coach still).

“I think that’s also been a big thing for me this year is the people around me — everyone working together. David and Karen have been so supportive for so long and now I have a base [of skill] and we can start adding things,” she said.

While it would not be accurate to attribute a big change or improvement solely to one thing, it’s not a secret that Peter Wylde’s work with riders like Boyd Martin and Jennie Brannigan has made a notable impact. For his part, David O’Connor’s quiet, diligent emphasis on repetition, simplicity and horsemanship is reflected strongly in Mia. And six months or so into Mia’s additional tutelage with Peter, it’s also not a stretch to say that his influence is already visible in her three clear show jumping rounds delivered today and yesterday at Tryon International — one of which netted her first CCI4*-L victory with Invictus. To be clear, Mia doesn’t always have show jumping struggles on paper, and she’s sat on good jumpers this weekend. For her, the victory was primarily mental.

Mia Farley and Invictus. Photo by Shannon Brinkman Photography.

It was also after that fateful Maryland 5 Star that Mia felt something else shifting within herself. “I really love having a light, happy barn,” she described. But she admits that sometimes, her general sense of amiability could hold her back. “This year, I feel like I’ve really paid attention to a lot of the details of our sport, and it’s made a big difference. I’ve kind of taken myself a little bit more seriously this year. I like to stay humble and realistic and stuff, but this year I was like, you know what? I need to start doing well, damn it.”

Invictus isn’t the first horse aside from Phelps that Mia has competed at this level — earlier on, she partnered with BGS Firecracker to finish second in the 4*-L at Fair Hill in 2019, for example — but in truth she doesn’t actually have a ton of mileage at this Long level. So, with that in mind, she admitted she was a bit nervous coming into the weekend, and she also knew she’d do a lot of learning.

It’s nice when you can enjoy a successful stopover on the never-ending road of education.

“I feel like my training with Peter is still a little bit new, where he’s working on me more than he is the horse,” she explained of what she put into practice this weekend. “With me, with every horse, it’s just bringing in more quiet. I think I might be physically quiet, but mentally I think had lost so much confidence. I think in my head I started getting really quick, and then kind of making the horses move a little bit too quick, and then going through the front rail or something. So it’s just been bringing that quietness back, and then just the relaxation and confidence — confidence on my part to give them confidence. And consistency — every time we jump, it’s just consistency, like competitive training.”

“Sammy’s” victory this week – confirmed today over Chris Barnard’s show jumping track with just one second of time added to her finishing score – stamps him as a true horse for the future who frankly only keeps improving (and is only 10, as an additional benefit). “I definitely learned that he has all the things to be a top horse,” she said. “I mean, I haven’t had many top horses, but he’s felt the best of the three so far. And I’ve been pretty lucky with Firecracker and Phelps. [Invictus is] a very classy, mature horse, and so I think — obviously staying realistic with him — I need to start thinking of him as a proper horse!”

Mia Farley and Invictus share the prizegiving with Maya Clarkson and Maks Mojo C. Photo by Shannon Brinkman Photography.

A proper horse indeed, and bred to do the job with WBFSH world-ranked #1 eventing stallion Diarado as the sire and the off-track Thoroughbred mare Sunset Paradise as the dam. Invictus was bred by Karen herself; she competed Sunset Paradise to the 1* level and retained her as a broodmare afterward. He’s got at least 75% Thoroughbred make-up in his DNA, and he’s really gone from strength to strength as his education continues with Mia, who’s produced him since he was a three-year-old. The 2027 Pan American Games may be a year away, but it’s not difficult to imagine Mia being a serious contender for a coveted Team USA spot.

As for Mia, she seems to be in a good space right now. We say often how much of a village it takes to even exist in this sport, and while we say it often, it shouldn’t lose its weight. “It’s such a good group of people,” Mia said. “In Kentucky, Liz [Halliday] has offered up her arena so Peter and I can go over there and jump the horses. Everyone works so well together. We have an amazing team at the barn. It’s a very inspirational thing, just the people —- I’m very inspired to be the best I can.”

Maya Clarkson’s Happy Send-off into (Somewhat Forced) Vacation

Maya Clarkson and Maks Mojo C. Photo by Shannon Brinkman Photography.

Maya Clarkson hasn’t been riding with 100% health for a few months now, having torn her hip labrum last fall. Initially, she worked through the pain, but with the severity of this type of injury it got to the point where she eventually elected to schedule surgery to repair it.

That surgery is taking place tomorrow, actually.

The timing worked out well. She got her spring season done and had wanted to earn a 5* MER (Minimum Eligibility Requirement) at a spring 4*-L with Maks Mojo C. She also had a young horse, Redfield Pixar RFB, who needed a 2*-L to build off of (she finished on her dressage score in the top 12 of the 2*). So, she slotted the surgery in for this coming week, a slightly slower period — competition-wise — after a busy spring for every active rider that would allow both her and her horses to take a breather.

Luckily, Maya says she rides even better under pressure — not necessarily placing or score-influenced, but more internal or environmental — because that timing made this weekend all the more important, professionally. There are only a handful of 4*-L events in the U.S. and one in Canada each season, so there is a lot of inherent pressure for things to go at least acceptably well.

“Going in, I definitely put the pressure on myself to get the MER, especially with the surgery tomorrow and everything,” Maya said. “I was kind of like, ‘well, if I don’t get an MER, I guess I’ll postpone [the surgery] and go to Bromont’ — which wouldn’t be the right thing to do anyway, because I was a little broken today! It’s perfect [timing]. They’ll have vacation, which they both very well earned, and so will I, and then we’ll be back at it and crack on in the fall.”

Maya did more than just earn that MER, though — she retained her second place position despite one rail and a smidge of time today, finishing her first 4*-L in her sophomore effort on a score of 41.1.

Maya Clarkson and Maks Mojo C. Photo by Shannon Brinkman Photography.

“I know that both the horses are capable of the results that they achieved today, but I certainly was not expecting that coming into the weekend,” she laughed. “I was hoping — I was like, ‘just get through the weekend, have a good horse show.’ And it certainly was more than that. I’m just so excited — they’re awesome. They could not have been better, I don’t think.”

I asked Maya how her warm-up was used today, as I think it’s interesting to learn about how everyone uses the warm-up. Every horse is different, of course, but Maya takes a bit after her longtime coach Lauren Nicholson in that she’s a minimalist. She doesn’t typically jump school on a Sunday morning at a three-day, and in warm-up she doesn’t usually jump more than five fences, none of which are set at competition height.

“He’s one that I don’t jump that much, even at the Shorts and everything,” she elaborated. I got on him kind of early and flatted and stretched him around a little bit. I’ve definitely found what works for him. I basically jump a three-foot or meter-high oxer, and then I make the back rail four or five holes higher and wider. I’ll jump both of those once, and then I make it square, and I only jump maybe a 1.20 meters. So I don’t even actually jump to height, because I’ve just found he doesn’t need it. He actually jumps a little bit better if he’s just saving his jumps — he knows how high to jump. Then I jump a vertical, and I really mostly leave it at that. He knows how to jump. I could go in there and jump twenty fences to make myself feel better so that I’m perfect — but is that really going to change the result? Probably not. And then I’ve jumped 20 more fences he doesn’t need to jump. So why?”

“I want to ride well, and I want to do the right thing for my horses, and I want to get better,” she said of what she feels when she puts pressure on herself. Looking back on the weekend, she’s confident she accomplished all of the above.

And she’s looking forward to being pain-free. I asked if she was nervous about the surgery at all. “Honestly, I’m ready for the nap,” she laughed.

Arielle Aharoni’s Show Jumping Practice Pays Off

Arielle Aharoni and Cooley Baltic Sea. Photo by Shannon Brinkman Photography.

Arielle Aharoni splits her time these days between eventing and show jumping. She’s got a couple of horses for each discipline, and her partner this weekend, Cooley Baltic Sea, has done a bit of Grand Prix jumping himself and frequently operates as her stand-in if one of her jumpers doesn’t feel quite ready for a class.

Today’s show jumping course designed by Great Britain’s Chris Barnard was a tough one. The sample size was, of course, on the smaller side with just ten horses to jump in the 4*-L, but it took until Arielle — third after cross country — to see a clear round inside the time. The final fence was actually the bogey of the day, its positioning after a triple combination and stature as a vertical added technicality that caught four riders out. The time allowed of 66 seconds was also influential, with just one other rider (Tamie Smith and Jump To Day D) managing to catch it.

Arielle describes herself as a typically quick show jumper, and she has a lot of belief in her horses to know how to the answer the questions. Adding to that, she says her extra show jumping practice has had a noticeable impact on her riding.

“A lot of it comes down to just posture and making sure I stay off that front rail, and making sure I have enough canter to make the width of these spreads,” Arielle described. “I think you need to have a gallop in the show jumping to get the width, but also keep those shoulders back to keep their heads up and shoulders up, to make sure they stay off that front rail. That was probably the first thing the jumpers picked on me about — ‘why are your shoulders so forward?’ And they’re like, ‘heads up, shoulders back, get that front end off the ground, and keep the canter!’ Stop balancing so much, because the turn balances them, and if you’re balancing and the turn is balancing, all of a sudden you have no canter and not a lot of choices. If you keep the gallop and keep them up, then when you get straight to the fence you can balance and still have enough canter to get over the fence. You have a lot of options that way.”

“I think it’s really great to cross-train the horses,” Arielle said of her hybrid program in which her event horses go to the jumper shows and her show jumpers go cross country schooling (and even compete themselves at schooling shows). I observed that it seems we’re in an era in which more and more pro riders are branching into the other disciplines — German Olympians Sandra Auffarth and Michael Jung just competed on a Nations Cup team last week, riders like Laine Ashker and Will Coleman compete in FEI Grand Prixs in dressage (Laine) and show jumping (Will), for just a few examples.

Arielle Aharoni and Cooley Baltic Sea compete at Live Oak International. Photo by Erin Gilmore Photography.

“Well, it helps you can win a little prize money more often,” Arielle laughed. “But my first love is eventing, so that will always stay. I think it’s beneficial, especially as eventers, to be able to go into each discipline — it helps us with the eventing, and I’m sure the eventing helps with the other sport too. I think we have to elevate our standards to go with the straight show jumpers or the straight dressage horses, and I think that helps in the long run. I think there’s a little less pressure going in —- like, this is not my main sport but I’m doing it anyway, so you have a lot of fun doing it and the horses still get a good education from it.”

In the 12-year-old Cooley Baltic Sea, Arielle now has a confirmed 4*-L horse, her first since her first 5* horse, Dutch Times. Originally competed by Great Britain’s Wills Oakden (and then sourced to Liz Halliday before eventually being sold to Arielle and Filly’s Hope LLC) and coming out of the same breeding family that put together the match for this weekend’s Badminton podium-finisher Annaghmore Valoner (Harry Meade), “Crunchy” has been an exciting horse for Arielle to make her way back up to the top levels with.

The cycle of every sport is typical — top horses come and go, and young horses ready to step up don’t always follow immediately on their heels — and Arielle has acknowledged throughout the weekend that it’s challenging to be away from that path to 5*.

“I definitely felt green coming back up the levels with this horse,” she said. “He’s definitely a different ride. It requires a bit more — he needs help from me a little bit more than Dutch [Times] did. Dutch was always in balance, found his own distances, knew when there was a combination. I was so spoiled with him! So it feels good to feel like I’m back.”

I had sort of figured that Arielle might have brought some of her jumpers to Tryon with her, as happening alongside this week was the Tryon Spring #2 hunter/jumper series. Eventers like Kentucky 5* champion Will Coleman (who was sixth in the $30,000 Tryon Grand Prix under the lights on Saturday with Comme Again HS) and Sharon White (who brought three of her eventers this weekend along with her 3*-L horse, Arden Augustus) were competing themselves. Arielle laughed.

“I actually didn’t know there was a jumper show too!”


Lisa Marie Fergusson and Ratheoin Quality Imp jump to 4th place for Canada. Photo by Shannon Brinkman Photography.

Here’s a look at your final top 10 from the Tryon International CCI4*-L. Our next 4*-L in North America takes place at MARS Bromont June 4-7, so we’ll be back on the ground with you then. Entries for Bromont are still open and close on May 26, and you can find more information here.

Go Eventing!

Tryon International Three-Day Event (NC): [Website] [Scores] [Live Stream Replays]

Invictus Rings True for Mia Farley on Cross Country Day at Tryon International CCI4*-L

Mia Farley and Invictus. Photo by Shannon Brinkman Photography.

Mia Farley knew she’d come out of this weekend’s CCI4*-L at Tryon International having learned new things, both about herself and her ride, Karen O’Connor’s Invictus. Ten years old this year, Invictus has quite a few competitions at the 4* level under his belt, including a debut at the TerraNova 4*-L in the fall of 2024, but today he confirmed a lot of what Mia had wanted to see on cross country.

It wasn’t a smooth day for all on Clayton Fredericks’ course, which exerted its influence across the 3* and 4* levels (Beth Perkins is the designer of the 2* and 1* levels this weekend) throughout the day. Things came a bit unraveled for overnight leaders Caroline Pamukcu, who encountered trouble at fence 19B, a corner combination. Caroline and Connor had two surprising runouts here, after which Caroline opted to call it a day. This opened the door for someone else to step ahead, as dressage runners-up Phillip Dutton and Denim had also found themselves with a truncated weekend after very sadly missing fence 7 on course.

Mia, who had gone early in the running order, had already laid down a standard with Invictus, who demonstrated his growth and strength to improve on his first 4*-L cross country result by jumping clear with just two and change time penalties added. They’ll now move ahead to show jumping as the leaders with a score of 32.4, one pole’s cushion ahead of Maya Clarkson and Maks Mojo C (36.7).

Mia Farley and Invictus. Photo by Shannon Brinkman Photography.

Mia had a good sense of what kind of day it was going to be early on in the going. “I think Clayton wanted us to get a get some pace in the first minute, because it was pretty much single fence after single fence,” she debriefed. “And I was worried about, I think it was 8AB, because it was our first combination. It was a log down the hill to the squirrel and then a corner [at 9]. But when he came back to me there, I kind of knew that I could trust him for a lot of the course.”

Despite his general affable temperament, “Sammy” isn’t actually the most “set it and forget it” type of horse on cross country. “It’s not that he’s unridable, he’s just so laidback so when I do set a rhythm and try to be quiet on him, in a way I do need to kind of keep changing it up so he stays on top of it. But that’s just kind of his personality.”

The overarching feeling she has this evening is that this horse has truly revealed that he has a lot of the ingredients to be a top horse. His fitness was a key component of that gut feeling on Saturday, further underscored by the feature of the famous WEG Hill at Tryon — a grueling uphill climb that was the concluding portion of the 2018 World Equestrian Games track: “He surprised me in the sense that, while he has a lot of Thoroughbred blood, I honestly thought he might get a bit tired at the end, but he didn’t — he just kept going.”

Mia Farley and Invictus. Photo by Shannon Brinkman Photography.

“It makes me excited, because I think that, after today, I learned that he’s got a lot of the things that we’re looking for as a top horse,” Mia continued. “I was very impressed with him today. I feel like he had my back just as much as I had his.”

Following cross country at Kentucky, where Mia eventually finished on the podium of the Cosequin Lexington CCI4*-S, she shared in the press conference that she had lost a bit of her confidence in the final phase. The past few months have been a study in regaining that — she’s recently enlisted the help of show jumping Olympian Peter Wylde for this component of her riding — and she’s feeling fairly calm ahead of tomorrow.

“My round at Kentucky [gave me more confidence] and so did my [three-star] show jumping yesterday with Pina Colada,” she shared. “He knows the job tomorrow, and I know that he’ll try. He show jumped well at TerraNova [in 2024, his last 4*-L]. It’ll just be a little bit a part of this learning weekend — I’m definitely learning a lot about him.”

Maya Clarkson and Maks Mojo C. Photo by Shannon Brinkman Photography.

Maya Clarkson also enjoyed a fun day today with Maks Mojo C, a horse she’s achieved a lot of milestones with, including her first 4* competitions. This weekend marks this pair’s second 4*-L and this time they earned their first clear cross country, moving up to claim second overnight with their score of 36.7 and just time added today.

Due to some setbacks — Maks Mojo C underwent surgery on his neck in 2024 to repair some damage, similar to an operation horses like Sara Kozumplik’s Rock Phantom have had — this sophomore effort at the Long level was a bit of a long time going. But looking back, Maya says she appreciates having the extra time to gain mileage at this level.

“I think when we moved up to the level, neither him nor I were truly ready for what we took on,” she said. They moved up to the level in 2023, having wrapped up their 3* campaign with a podium finish at the notoriously testing Bromont 3*-L. “He was my first Intermediate horse, so I don’t have that much experience, either. And so when we first got to the four-star level we just couldn’t get it right. I mean, it was fine, it was never anything bad, but it was more like ‘oh, we have a lot of work to do. We’re both really green.’ But I think we’ve learned a lot together and grown together, and it’s pretty cool sitting on him now and feeling like there’s a lot more left in the tank.”

Maya Clarkson and Maks Mojo C. Photo by Shannon Brinkman Photography.

Maya also feels the longer courses suit “Maks” better as it is. “he’s quick enough in the shorts, because he’s super rideable — he goes in a leather snaffle for cross country — so I never really have to pull him in Shorts, but I never really let him run, run, just let him cruise around. So today I was like, ‘okay buddy, you got it,’ and he was just awesome.”

And the main highlight for Maya?

“I had fun,” she said. “Honestly, like, the whole thing. I remember when I moved up to the four-star level, it never really felt very fun.” By the way, here she paused to hand out milkshakes and dinner to her crew, so A+ Boss Award there for the milkshakes in particular. “Before he got his neck surgery, it honestly, like never really felt fun. It felt harder. And he was trying so hard, like he’s a good horse. And so once we figured out that his neck was uncomfortable, I feel like he does find it easier now.”

Arielle Aharoni and Cooley Baltic Sea. Photo by Shannon Brinkman Photography.

Arielle Aharoni was also able to climb up in the standings to move from seventh into third with Filly’s Hope LLC’s Cooley Baltic Sea, adding 16.8 time penalties for a two-day score of 51.1. This was a first 4*-L effort for the 12-year-old Irish Sport Horse gelding and really, a first long format in almost two years for Arielle herself. Since the retirement of her 5* partner, Dutch Times (who, by the way, has enjoyed spending his retirement with Arielle’s mom, Christina), Arielle’s been producing a string of young horses and also splitting time in the show jumping world (Cooley Baltic Sea actually stepped in for one of her jumpers at Live Oak International last year, jumping in the CSI1* Grand Prix). So today, it was a mixture of nerves and excitement — but then, more nerves — as she prepared to leave the start box.

It didn’t help that the 4*-S, which ran ahead of the Long division, was quite exciting and saw many problems, some of which came at questions shared by both courses.

“I was quite nervous heading out there, and I was changing my plans last minute,” Arielle laughed. “I had been watching the four-Short, and I was, like, my entire plan just…Oh, my God. I don’t think I’ve actually ever been that nervous heading out! I thought the two hardest questions were going to be the squirrels [at fences 8 and 9] and then the water of course. So I was kind of setting him up for the first half like, ‘we are not running out through our right shoulder!’ And you know what? He was pretty game. I had seen people slip around that turn to [fence 8] in the Short, so I planned on adding. I probably should have left him do the seven to the four, he was right on it. But I’m very proud of how he got through all that so easily. The biggest thing was that I was thinking he might get a little bit tired going up the incline, but when we got there he just galloped harder. I wanted him to get home clear and sound, and not gassed, so I was really happy with that.”

“He’s got a lot of fight in him,” she continued. And this is a different ride to her former top horse, Dutch Times, who she describes as an Energizer Bunny type that never got tired, never stopped fighting for the flags. So what would that feel like, if it happened with this horse? Today, she didn’t have to find out. “You always wonder if things don’t wind up perfect, if they’ll bail on you, but some things were not perfect out there and he was still getting his way through those flags. So I’m thrilled with that. And I learned he’s got a lot of run at the end of this! I hadn’t done a four-Long with him yet, so you always worry about how much gas they have in the tank. Now I know!”

Tamie Smith and Danito Take US Equestrian Open Qualifier CCI4*-S

Tamie Smith and Danito. Photo by Shannon Brinkman Photography.

Tamie Smith is probably already working out a way to come back to the East coast this fall to run for the $200,000 US Equestrian Open of Eventing Final at Morven Park (VA) in October. She’s the current series points leader — which, remember, will net you an additional cash prize of up to $25,000 at the end of the season — with 205 points earned so far, and now adds another pile to the collection with 50 points earned from her 4*-S win today.

Danito was rerouted to Tryon after having some uncharacteristic blips on cross country in the equal division at Kentucky two weeks ago. Today, he encountered no such strife and added 8.4 time penalties to his 19.5 dressage score after show jumping double clear yesterday. His 19.5 provided enough cushion to have the time well in hand, making it a cruising victory for the 17-year-old Hanoverian gelding owned by Ruth Bley.

Tamie was a very busy woman today, so we didn’t quite get a chance to catch up with her before publishing this, but we’ll have plenty of opportunities to keep track of her as her East coast campaign begins to wrap up.

Will Coleman (who celebrated his birthday this week — happy birthday!) brought home second place with his 2025 Kentucky 4*-S winner Off the Record (owned by the Off the Record Syndicate), adding 3.2 easy time to their score to finish on a 30.3. Boyd Martin was able to jump up from ninth into third with Dallas LLC’s Shanroe Cooley (35.8).

Chris Barnard will design tomorrow’s show jumping tracks as we wrap up the Long divisions at Tryon. The jumping is scheduled to begin at 10:30am EST with the CCI2*-L, followed by the the CCI4*-L at 12:00pm EST and the CCI3*-L starting at 1:05pm EST. This phase will be live streamed on Horse & Country and you can access that feed here. To catch up on additional scores from Tryon and other information, refer to the link list below.

Tryon International Three-Day Event (NC): [Website] [Entries/Ride Times/Schedule] [Scoring] [Live Stream] [CrossCountry App XC Maps] [Volunteer]

Caroline Pamukcu and HSH Connor Take Phase One Lead in Tryon International CCI4*-L

Caroline Pamukcu and HSH Connor. Photo by Shannon Brinkman Photography.

Caroline Pamucku has one primary goal on her mind this weekend at the Tryon International CCI4*-L, where she’s here to contest HSH Connor’s first run at this Long level.

Incidentally, this weekend marks the first official qualifier for the 2027 Pan American Games, which will take place next July 23-August 8 in Lima, Peru (also the site of the 2019 Pan Ams). You can view the full qualification guidelines for Pam Ams, which are run at the 3*-L level, here. With this in mind, she’s got her eyes set on ticking off that qualification here this weekend, giving her something to build on over the next 12 months with the 10-year-old Irish Sport Horse gelding owned by Caroline, her mother Sherrie and longtime supporter Luann McElduff.

That goal comes a step closer after the first phase of competition, which saw Caroline and HSH Connor score a 26.4 to go into the lead ahead of Saturday’s cross country. That score, however, is one Caroline’s eager to get down over time, because she knows the caliber of scores that will be required to win on an even more international stage.

“I’ve gotta figure out how to get in the 21s like those Europeans!” Caroline said. “So I forward the videos to my dressage trainers because I’m on a 26? And there will be some people at Worlds on like an 18 or 19 — so how do I get down to there? I felt I put in a good test, but it’s about ‘how do I get on an 18’? So it’s at least on my brain right now — how do I break it down and do even better? I feel like I crushed it, but it’s not quite good enough for the world stage.”

Caroline Pamukcu and HSH Connor. Photo by Shannon Brinkman Photography.

To that end, Caroline and her team will typically forward videos of her tests to her coaching group, primarily helmed by dressage coach Samantha St. Jacques as well as fellow 5* rider and Pan Ams teammate from 2023 Sharon White. Along with the videos, Caroline will snap photos of her test copies with the judges’ comments so that they can study the marks and where she could earn a few more the next time out.

“This same test Blake did at Carolina,” Caroline said. “And obviously he and Connor are different horses, but it’s still the same pattern, right? So I need to figure it out — I know there’s somewhere I’m giving points away. Maybe not going straight enough sooner after the shoulder-in on the centerline — that’s the sort of thing we need to a little bit analyze before Worlds.”

For his part HSH Connor has had a supremely successful international career to date: he’s won nearly half of the 20 competitions he’s started at FEI levels, and though this will be his first 4*-L, Caroline feels the development she’s put in so far should set her up well to test the gelding’s mettle on cross country tomorrow, though earning the qualification — which doesn’t need to be a clear inside the time — is her top priority.

“I need to get qualified for Pan Ams,” she said. “I want to give him a good experience because I think he can win a medal. He’s got the makings of a medal-winning championship horse. So I would love to just give him a good ride.”

Phillip Dutton and Denim. Photo by Shannon Brinkman Photography.

Caroline may see some threat on the clock tomorrow from second-placed Phillip Dutton, who chose this weekend as Denim’s spring destination. Denim, an 11-year-old Holsteiner gelding owned by Ann Lapides, Neill Sites, Annie Jones and Caroline Moran, scored a 29.2 for an effort that made Phillip “happy — not ecstatic, but happy” overall. He’s got the World Championships on the brain as well, with two strong contenders for a spot on the U.S. squad in Possante (8th at Kentucky two weeks ago) as well as Denim.

Phillip’s taken a slightly longer road with Denim, who he describes as an eager partner but slower to mature and not the fastest at his top cruising speed. For him, it’s less about creating more speed tomorrow and more about riding efficiently. Smooth is fast, even when you’re not on the fastest horse in the field.

“I’m going to have to be pretty astute about not wasting time and having pretty efficient lines and that kind of thing,” Phillip said. “But you know, he’s a great, great jumping horse. It’s harder to get a better jumping horse that him, so I’ll be relying on that. He’s pretty honest, as well. I think [his speed] is kind of what God’s given him, but having said that there are many ways to go faster and it’s not always about top speed. You can save time on the approach and get away from the jumps, have tighter lines and try to keep a constant speed rather than slowing him up too much.”

Mia Farley and Invictus. Photo by Shannon Brinkman Photography.

Mia Farley was the day one leader, scoring a 30.0 with Karen O’Connor’s Invictus, who just finished third in the Cosequin Lexington CCI4*-S at Kentucky two weeks ago. This is the second 4*-L effort for this pair, and Mia had to manage a bit more tension than she is typically used to on “Sammy” yesterday. It was truly an exercise in working with the horse you have on the day. At Kentucky, Mia had referred to Invictus as “Mr. Reliable”, not typically too fussed with atmosphere — but she had a slightly different ride underneath her yesterday.

“I felt it in the pre-ride and the warm-up,” Mia said. She wound up changing her pre-ride routine a bit to account for the change. “I wanted to do shorter — like, not one big ride, so two short rides. So I came out again and I still just wasn’t getting where I wanted to, so in the warm-up I just made sure I could lower him and raise him so I had those tools and then just went in there and tried to communicate as much as I could. The quality of work felt good, it just felt fragile. But I felt more mature in there too — like, before I’d get a little frustrated if it wasn’t perfect, and in there I was just trying to give him confidence and I think he was trying really hard.”

Here Mia uses the term “positive tension” which is a bit oxymoronic in its appearance. I asked her what this meant to her. “I think if they’re feeling a little on edge, it’s just about making the most of that,” she elaborated. “Obviously you can’t push them, and I did not feel I could push him yesterday, so it was just using those nerves to make the best of what we had.”

Looking to Clayton Fredericks’ (AUS) course tomorrow, Phillip was complimentary of the challenge ahead: “I like what he’s done this year. You have a minute and a half of just four [jumps], so I like that. And then it’s kind of technical, but not overly so in the middle section, then you cross the road. I may be wrong, but I think he might have gone a little easy on the coffin there. I thought it was straightforward. And then obviously the big lake is a very, very big jump in, but then you have a bit of time to get to the two narrows. And the rest of it is more [asking] if you’ve got any horse left, and being able to hold your line.”

Tamie Smith and Danito. Photo by Shannon Brinkman Photography.

And a quick update on the US Open Qualifier CCI4*-S — we’ll plan to catch up with the winner tomorrow, but for now it’s Tamie Smith still leading the way after adding no penalties to her 19.5 earned with Ruth Bley’s Danito yesterday. Show jumping was held this afternoon, and Tamie was able to keep her lead to gain a 7.6 point advantage over second-placed Will Coleman with the Off the Record Syndicate’s Off the Record (27.1). Initially second after dressage, Lucienne Bellissimo and Dyri lowered one rail to move to third place on a score of 27.2.

You’ll be able to watch live all day long tomorrow on Horse & Country! Here’s the link for the live stream. The first division on cross country will be the CCI2*-L at 8:30 am EST, followed by the 4*-S at 10:15 am EST and the 4*-L beginning around 12:05 am EST. For the full schedule, visit the Event Entries Show Center here and click “General Schedule”.

Tryon International Three-Day Event (NC): [Website] [Entries/Ride Times/Schedule] [Scoring] [Live Stream] [CrossCountry App XC Maps] [Volunteer]

Anonymous Donor Boosts Maryland International FEI Prize Pool to $100,000

Caroline Pamukcu and She’s The One. Erin Gilmore Photography

The Maryland International CCI and Horse Trials is making a major move in 2026.

Thanks to a transformational gift to the Maryland International Equestrian Foundation from an anonymous donor, the Maryland International at Loch Moy Farm will offer an unprecedented $100,000 in FEI prize money this summer, representing a significant jump from its previous $30,000 purse and a boost that places the event among the premier summer fixtures on the U.S. eventing calendar.

The Maryland International CCI and HT + Young Rider Championships will return to Loch Moy Farm in Adamstown, Maryland, June 26–28, 2026, with entries opening Tuesday, May 12. This year’s event also marks the 20th anniversary of the Maryland Horse Trials, adding a little extra pomp — and, apparently, quite a bit of extra prize money — to an already important weekend for the East coast eventing community.

The 2026 edition will offer FEI divisions from CCI1*-S through CCI4-S*, alongside National divisions from Training through Advanced. With the Young Rider Championships also on the schedule, the weekend is expected to draw a strong mix of established riders, developing horses, owners, and young athletes from across the country.

“We are incredibly grateful for this generous investment in the sport through the Maryland International Equestrian Foundation,” said Carolyn Mackintosh, owner of Loch Moy Farm and organizer of the Maryland International. “To offer $100,000 in FEI prize money during our 20th Anniversary year is truly exciting, and we look forward to welcoming riders, sponsors, and spectators to Loch Moy this June.”

For spectators, the Highland Club will once again offer a front-row seat to the action, with VIP hospitality, catered food and drink, and premium cross country viewing. Sponsorship opportunities also remain available for companies looking to connect with the eventing audience through branding, hospitality, and VIP experiences. You can learn more about all of the above here.

Between the anniversary milestone, the Young Rider Championships, and a newly elevated FEI prize fund, this year’s Maryland International will be a properly big summer stop — the kind of weekend worth adding to your calendar!

To learn more and get your entry sorted beginning Tuesday, May 12, click here.

Tryon International CCI4*-L/S Update: Mia Farley, Tamie Smith Take Thursday Lead

We are through dressage in the latest US Equestrian Open of Eventing qualifier in the CCI4*-S at Tryon International and underway with the headlining CCI4*-L division as just a few pairs got their tests out of the way ahead of tomorrow’s conclusion.

I’ll have a much more expansive report for you tomorrow at the conclusion of 4*-L dressage, but for now here’s a quick look at who’s in a good standing early on:

CCI4*-L

Mia Farley and Invictus. Photo by Shannon Brinkman Photography.

Just six of the 15 pairs in the 4*-L did their dressage on Thursday afternoon; we’ll see the rest beginning at 12:05 pm EST on Friday (and you’ll be able to watch live on Horse & Country here). Our Ground Jury this week is headed up by Bea di Grazia (USA), joined by Seppo Laine (FIN) and Richard Baldwin (GBR).

Mia Farley continues to build her partnership with Karen O’Connor’s Invictus, coming fresh off a podium finish in the Cosequin Lexington CCI4*-S at Defender Kentucky two weeks ago. Mia and “Sammy” shaved a couple points off of their Kentucky score to hold a 30.0 in the early going.

Tamie Smith and Jump To Day D. Photo by Shannon Brinkman Photography.

Tamie Smith rode Jeanne Shigo’s Jump To Day D to a 32.0, good for second today, in the horse’s first 4*-L effort.

Arielle Aharoni and Cooley Baltic Sea. Photo by Shannon Brinkman Photography.

Arielle Aharoni and Cooley Baltic Sea (who’s also moonlighted in the jumper ring with Arielle as she’s become quite the two-sport wonder over the last few seasons) slot into third in the early going on a score of 34.3 — a personal best at the level.

We’ll see the bulk of the division on Friday, and some notable names to watch in this phase include Phillip Dutton and Denim, Caroline Pamukcu and HSH Conner, and Lauren Nicholson with Landmark’s Jungles Gold.

US Equestrian Open CCI4*-S Qualifer

Tamie Smith and Danito. Photo by Shannon Brinkman Photography.

The 30-strong CCI4*-S qualifier with leaderboard points and qualification on the line for October’s US Equestrian Open of Eventing Final at Morven Park completed dressage today, and it’s Tamie Smith with her veteran partner, Ruth Bley’s Danito, taking a sizable lead with a 19.5 earned from judges Bea di Grazia (USA), joined by Seppo Laine (FIN) and Richard Baldwin (GBR). Danito came out of the startbox at Kentucky in the 4*-S two weeks ago feeling a bit more unridable than typical, so Tamie opted to call it a day and reroute. The week’s off to a great start, as she’ll have just over nine seconds of time in hand on Saturday’s cross country over second-placed Lucienne Bellissimo and Dyri (23.2).

Lucienne Bellissimo and Dyri. Photo by Shannon Brinkman Photography.

Dyri is another who missed out on what could have been a very competitive Kentucky 4*-S showing after a mild colic scare kept him home for that week. He’ll had a slight score advantage over Kentucky 5* champion Will Coleman, who’s brought out his Aachen-winning partner, Off the Record, for a run this weekend and scored a 27.1 for third in the first phase.

Will Coleman and Off the Record. Photo by Shannon Brinkman Photography.

The next we’ll see of this division is Friday afternoon for show jumping, which will begin at approximately 2:30 pm. The 4*-S will conclude with cross country on Saturday morning around 10:15 am EST.

I’ll be back with more tomorrow evening, but for now you can use the links below to catch up and get set up to watch live beginning Friday!

Tryon International Three-Day Event (NC): [Website] [Entries/Ride Times/Schedule] [Scoring] [Live Stream] [Volunteer]

A Dream Fulfilled: Ferro Point’s MARS Badminton Start Ticks a Big Box for David Doel’s Support Team

David Doel and Ferro Point. Photo by Sophie Robins/Girl In The Field.

Seven CCI5* starts into her career, it’s a MARS Badminton debut this weekend for the 16-year-old Ferro Point (Match Point – Ferra Jones VII) — and the meaning of the weekend goes beyond “just” cantering down another monumental centerline.

In fact, it’s been just about two and a half years since the mare has started a 5*; she finished two phases at Defender Burghley back in 2023, but an injury sidelined her for the whole of 2024, and 2025 was more about sussing out her future and her soundness for the long term. David Doel, her pilot for over a decade now, said today that 2025 was also fairly light — she did a small amount at the start of the season but then enjoyed a slower build-up to eventually returning to the level.

“This was her first time back in a big environment,” David shared today at Badminton after scoring a a 41.9 — certainly not the best the mare has shown in the past, but David remains ever the pragmatist. “It was really tough with the trot work. She’s like a little sewing machine, really — she’s not really built to move and do dressage. You know, they’re horses. They’ve got their own brains. We don’t always know what they’re thinking. So yes, it’s a bit of a bugger. But you know, she’s still in the in the competition, and she loves her jumping, so she’ll be looking forward to going out there and going galloping around on Saturday instead.”

Beyond just the numbers, though, this weekend’s start is a special one for the village supporting Ferro Point. Her owner, Christine Lees (along with Hannah Lees and Molly Nunn) lives just a few minutes down the road from the storied Badminton grounds and has always dreamed of having a horse compete there. Now, that dream finally comes to fruition.

And isn’t that, in a nutshell, the spirit of eventing? Owners in this sport are not frequently winning large sums of money; in contrast to the show jumpers, for example, the chance to win six figures of cash comes around only (this year) six times a year. There isn’t just another 5* next week if this one doesn’t go to plan.

David Doel and Ferro Point. Photo by Sophie Robins/Girl In The Field.

So the owners are in it, not for financial fulfillment (or if they are, I’d love to speak with them because they probably know more about how to squeeze money from a stone than I do), but for a simple love of horse, sport, and the athletes. Most of the sport’s owners themselves have some sort of personal connection to the sport or to the rider(s) they support, and this is no different for the team behind Ferro Point.

“[Ferro Point is] 16 years old, and [it’s] just trying to keep that balance of running them,” David shared. “Her owner loves the five-stars, so she didn’t really want to go back to Pau because Ferro Point’s jumped around Pau two or three times, and so we really did sort of target getting here for Badminton. So when the ground got a bit firm, we just have said, ‘You know what? We’ll just put her away, and then just bring her out a little bit earlier, give her a bit of a longer, slower build up to the show this week.’ And she’s not done as much galloping, probably, as she would have done in the past, but she’s a real blood little mare, and I think we’re here to have a nice time.”

And it’s only day one. Ferro Point truly shines in the jumping phases — she’s only had a sparse handful cross country jumping penalties over her entire FEI career to date, and her 5* experience to this point (plus her 75%+ Thoroughbred blood makeup) should give her and David the chance to move well up on the leaderboard.

Regardless, though, it’ll be a weekend to remember for Ferro Point’s village. “Christine Lees, her owner, has got all her family here,” David said. “They’ve flown in all from around the world, so they’re all staying with her. So it’s sort of a little bit more of ‘let’s just really enjoy the week’ and if she comes back with 20 time faults, it’s really not going to be the end of the world. We’re just grateful that she’s still going, really.”

MARS Badminton CCI5*: [Website] [Tickets] [Live Stream] [Entries] [Schedule] [Scoring] [CrossCountry App XC Maps] [EN’s Coverage]

Photo Gallery: Trot-Up Day at Tryon Interntional + How to Follow Along

We are underway in North Carolina with the Tryon International Three-Day Event, where among others we have our first CCI4*-L of the 2026 season here in the U.S..

We’ll be following closely all week, and you can too! Horse & Country has the live stream, and here is the schedule:

  • Friday May 8 – Tryon International Spring Three-Day Event 2026, North Carolina, USA, CCI1* & CCI4* Dressage & CCI4* & CCI3* Show Jumping
  • Saturday May 9 – Tryon International Spring Three-Day Event 2026 (TV Channels), North Carolina, USA, CCI4*L Cross Country
  • Saturday May 9 – Tryon International Spring Three-Day Event 2026, North Carolina, USA, Cross Country (all)
  • Sunday May 10 – Tryon International Spring Three-Day Event 2026, North Carolina, USA, CCI2*, CCI3* & CCI4*L Show Jumping

You do need a subscription or event pass to view this event, and you can access the live stream here.

Here on EN, I’ll be bringing you a full report from each phase beginning Friday evening. In the meantime, you can keep up with scores here.

But first: the jog! Enjoy some shots from the team behind Shannon Brinkman Photography (Shannon Brinkman, Lisa Thomas-DuFresne, Kelly Kostelnik, Mollie Bailey) and we’ll be back with you soon with more from Tryon!

Tryon International Three-Day Event (NC): [Website] [Entries/Ride Times/Schedule] [Scoring] [Live Stream] [Volunteer]

Top Contender Cooley Rosalent Withdrawn from MARS Badminton

Oliver Townend and Cooley Rosalent. Photo by Cealy Tetley.

The MARS Badminton CCI5* field has whittled to 64 entries with a few more withdrawals this week including one top contender in Oliver Townend’s Cooley Rosalent. The 2024 Defender Kentucky champion had also proven to be a competitive force at Badminton, finishing second there behind Ros Canter and Lordships Graffalo in 2025. The 12-year-old Irish Sport Horse mare owned by longtime Townend supporter Diane Ridgeon had been on great form for 2026, helping Oliver take a record-setting 17th win at Burnham Market in mid-April. In a social media post shared on Monday, Oliver’s team indicated that the mare should be right as rain in time for Defender Burghley later this year.

“It is with great disappointment that we announce that we have had to withdraw Cooley Rosalent from Badminton,” the post states. “We were hugely looking forward to being back at one of our favourite events and one where she has had great success. Thank you to Disy Ridgeon for her support in this decision and to our team and sponsors for always standing by us, we are all gutted, but she has a bright future ahead of her. We wish everyone the best of luck and hope to be back for Burghley.”

Cooley Rosalent had been right up there in the EquiRatings Prediction Centre stats ahead of this week’s competition start, but now defending champions Ros Canter and Lordships Graffalo stand alone as 38% probability winners. The next-highest? Fellow Brit Bubby Upton with Cola, coming in at an 11% chance of the win, pre-competition. You can view the full EquiRatings Prediction Centre here, and don’t forget to set your Eventing Manager team! You can use code PCTD to join the Eventing Nation league, which will run all season long.

You can view the full Badminton entry list, which is up to date with withdrawals as they come in, here. We’ll also have our standard Form Guide and Ultimate Guide ready for your viewing this week, and you can get set up to watch if you’re not attending in person by purchasing a Badminton TV pass (or using your existing ClipMyHorse.TV membership).

MARS Badminton CCI5*: [Website] [Tickets] [Live Stream] [Entries] [Schedule] [CrossCountry App XC Maps] [EN’s Coverage]

Two Eventing Legends Bid Farewell to 5* at This Year’s Defender Kentucky

It’s the omnipresent goal for every rider to call time on a horse’s career at the right time. Generally speaking, many riders are able to make this call at the right time — before an ill-timed injury (or worse) happens, or before performance begins to fall off after a high peak. But a layer exists: due to proper management and maintenance, horses can compete at the highest levels well into their teens. For Emily Hamel, this season has been one of 19-year-old Corvett’s best yet. It takes time to get the formula right, especially as a horse becomes more established. The drilling and practice decreases, the maintaining, the honing of details, becomes the focus. It’s this management that allows a horse to enjoy a lengthy career — but it also makes it that much harder to close the chapter.

Last week at the Defender Kentucky Three-Day Event, two stalwart CCI5* horses had their final salute before heading into a less demanding life (though it’s safe to say we haven’t seen the last of either of them yet). It was an emotional weekend full of celebration on many fronts, but these two special horses deserve their own spotlight.

One Last Dance for Corvett

Emily Hamel and Corvett. Photo by Atalya Boytner Photography.

At 19 years young (in fact, he celebrated his birthday on Sunday of Kentucky), Corvett has certainly earned his stripes at the top levels of the sport. It doesn’t seem that long ago that we were publishing Emily’s 5* Rookie story — now, the pair have completed an eye-popping 11 five-stars together, finishing as well as seventh (Maryland – 2024) and also finishing in the top 10 on multiple occasions. “Barry” has collected his share of fans due to his exuberant jumping style, and for Emily, the adventure with this horse of a lifetime was a privilege she didn’t take lightly.

“With each five-star, I gain a little more trust and confidence in our partnership,” she told us on an early-season episode of The Go Eventing Podcast. “That’s something that’s really special. I don’t want to say it’s easy — it’s a five-star — but I feel super comfortable. I would say I’m not even really nervous on cross country day, which to me seems crazy. It’s special with him because, as you may have gathered, he’s very opinionated. If he didn’t want to do it, he would not do it. And he does it because he loves the job. And I would also like to believe that he does it because he loves me and our partnership. That’s something really special.”

Corvett celebrates another clear 5* cross country with #supergroom Jeanna Epping. Photo by Atalya Boytner Photography.

Emily’s partnership with Corvett dates back to 2015. “I met him in the fall of 2015,” she recalled. “He had come to Phillip [Dutton’s] with a young rider, and he was a super good jumper, but he was really quirky. He had done one or two Novices in England before they imported him. Phillip helped her, and then I helped her a little bit, but Phillip said, ‘This isn’t the right horse for her.’ He went to get sold as a jumper, but nobody could ride him there, so he came back to Phillip’s.”

It was a fateful decision, and while the pair experienced their own growing pains as they ticked up the levels, Corvett’s jumping ability and his willingness to form a partnership with her put the 5* thought in the back of her mind.

“If you go back and look at our results, our first four-star long was great,” she said. “And then the next one, I got eliminated at Bromont, and then I fell off at Fair Hill, and I just couldn’t get that last one. I just kept being like, I have to get this done. There was a ton of pressure. And then I kept extending my season, and I ended up doing Jockey Club when they had that, and that’s when I got my last qualifier. In hindsight, it actually worked out well having another year not being able to do a five-star because I was that much more prepared in 2021. Maybe in 2020 I would have gotten Kentucky done — it’s hard to say — but because I couldn’t, I had a whole other year to prepare and get better. It’s funny how things work out.”

Emily Hamel and Corvett. Photo by Atalya Boytner Photography.

Now, Emily can look back with pride at what she’s accomplished: a sound horse, clear through every 5* in the Northern Hemisphere. Adelaide was actually on the table as the seventh one to hit (which would have made Emily and Corvett the sole pair to complete all of the 5* events together), but the strict quarantine laws in Australia and, of course, the travel toll on the horse, the expense and time away from her business made the idea less than feasible. But even without that last feather in the cap, Emily reflects with gratitude.

“At the end of the day, do what’s best for your horse and take the time it needs,” she advised. Managing one horse has been the theme of her career (though she does also have some exciting young horses coming up the levels!), and so she’s learned more than many just how much patience the process can take. “Everybody’s on a different timeline. You can’t predict if your horse is going to get injured or whatever, but basically, if you have a goal and you have this horse that you want to do this goal with, you just need to do what you can to make that possible. It’s the saying about going slow now to go fast later. Taking your time to really do the things right — it might seem like you’re not getting to where you want in the timeline you want, but if you’ve done the work and filled all the holes, when you do get to your end goal, you’re probably going to do it really well and also have longevity in that.”

At the end of the weekend, Emily was her typical composed self, but there was definitely emotion. Finishing Barry’s final 5* with a strong result and celebrating his 19th birthday all at once will hit you with the feels. In the mixed zone after show jumping, Emily was asked what her favorite competition with Barry had been.

“Up until today, Burghley had been my favorite, but I’d say after today, [it would be] today, like the weekend,” she reflected. “Just being here and knowing that this is going to be his last five-star. And he really gave me everything all weekend…He was just so good. Like, it felt easy. And that seems crazy to say about a five-star but like, it just felt like we’ve done it a million times, and he was right with me the whole the whole way around, and like I could have pointed him at anything, at any angle, and he would have said, ‘Yes, how high would you like me to jump?'”

A Not-So-Naughty ‘Bug’ Enjoys the Buzz

Vermiculus enjoys his retirement ceremony during the show jumping break at Kentucky with mom and dad Sam and Lauren Nicholson as well as #supergroom Sally Robertson. Photo by Atalya Boytner Photography.

Also 19 this year, Lauren Nicholson’s World Championships team silver medal partner, Vermiculus, also had a busy weekend at Kentucky, though his schedule was less full of ride times and ring familiarization and more stuffed with doting fan appearances.

It’d been two years since we’d seen Vermiculus — one of Lauren’s famous Anglo-Arabian partners that she’s produced up to the 5* level — at Kentucky. He finished fifth that year (2024) and was also crowned USEF Eventing National CCI5* Champion as the top-placed U.S. in the field. While Lauren initially entertained the idea of bringing “Bug” back out after the beginnings of a soft tissue injury was picked up on a scan shortly before the Paris Olympic team selection, responsibility took the forefront.

“He was back galloping and jumping, but it was becoming obvious it was going to take some maintenance to keep him going for another five-star,” Lauren said. “And you know, we have a real responsibility with these horses. I went through it with Veronica and [Landmark’s Monte Carlo] as well, like you want them to go out on a high note. We went back and forth a little bit, but it just felt like it was the right thing to do for him, on top of [the fact that] I don’t think anyone, especially me, would forgive ourselves if anything ever happened to him. It was the right thing to do.”

Vermiculus was a consistent performer for Lauren, with the ability to score competitively in the dressage and jump clear to finish nearly on it. With so many memorable experiences to choose from, it’s hard to pick favorites, but Lauren thought of two after a moment when asked.

Vermiculus enjoys a party with his fans at Kentucky.

“Honestly, Pratoni [the 2022 FEI Eventing World Championships] was huge,” she said. “That was just such a fantastic team that pulled together when everything was kind of chaos with the team and organization at that point, and we just pulled off that medal — the first medal in 20 years — at a Worlds for the U.S. and with [Will] Coleman and Tamie [Smith] and Ariel [Grald] and Boyd [Martin]…that was super memorable. And then the Burghley where he finished top ten, because that course was freaking huge. I think it’s still one of the hardest Burghleys on record. This was the first time I’ve ever walked a course, and it looked big for Bug, you know? And he gutted it out to then to come out and show jump clear next day — that was huge. I remember I said to him on Saturday morning, ‘Bug, this will be the biggest thing you ever have to do. But I promise, I don’t think anything will ever be this hard after this!’ That is probably still the only course I’ve felt him have to try. He was just such a gutsy pony.”

And he certainly had a sense of occasion, too: “He was a funny guy, because he was always would be a little bit of a one or two rail horse at horse trials and naughty and everything else — but he pulled out a lot of clear show jump rounds on the last day of a three-day.”

Lauren Nicholson and Vermiculus compete for Team USA at the 2022 FEI Eventing World Championships in Pratoni, Italy. Photo by Tilly Berendt.

Vermiculus is also a carrier of the banner for the underdog: despite younger Lauren’s delusions of grandeur (ok, in this case they came true but she laughs when she says: “Honestly, I was still at that place in my life where I thought every horse was gonna be a five-star horse. For some, it was super delusional. But I also think…you need a little delusion!”), it really took until he gained that ongoing strength and experience at the 5* level for his truly competitive results to come through consistently.

“It’s funny because I think there are a lot of five-star horses that aren’t really anything ‘special’ at the two-, three-, four-star levels,” she continued. And then, like David [O’Connor] says, at five-star they start to pay attention. I always say they have to be just weird enough to be real five-star war horses.”

“Just weird enough” is a fitting descriptor of a top event horse if there ever was one. We’re fortunate in this era of eventing to be witnesses to some true greats of the sport. Perhaps they aren’t repeat 5* winners like La Biosthetique Sam or Lordships Graffalo, but they’ve given us something to cheer for, to root for, and something in which we see our own personal journeys reflected. For these riders, I hope this is an accomplishment worth just as much as the top scores and the trophies. It’s what makes our sport so special.

Go Eventing (and Go Barry and Go Bug!).

Millions of Dreams Come Real: Will Coleman Nabs First CCI5* Win at Kentucky with Diabolo

Will Coleman and Diabolo are the kings of Kentucky! Photo by Atalya Boytner Photography.

Buckle in everyone — we’ve got a lot to say today!

Last October as the action wound down from the inaugural Final of the US Equestrian Open of Eventing at Morven Park, I gathered my things and stepped outside the media office. Boyd Martin had just been crowned the winner of the Final CCI4*-L with Miks Master C, taking advantage of a rare and unlucky rail from cross country leaders Will Coleman and Off the Record to come from behind for victory. As I headed to my car, I glanced to my left and spotted Will sitting on his own on the grass. It didn’t feel right to go up and talk to him in that moment, so I just tossed him a nod and a “all good?” He nodded. “I just needed a minute.”

“Snakebit” is the word Will used on a few different occasions to describe his, generally speaking, 2024 and 2025 seasons. Little things and big things here and there. Withdrawing Chin Tonic HS from the Kentucky CCI4*-S due to an injury in 2024. Traveling to the Team USA training camp ahead of the Paris Olympics as a named member of the squad with both a team horse and a direct reserve — then returning home with two sound horses and no Olympic berth. An injury to Diabolo late in 2024 that would sideline him for a year.

Of course it’s not been all bad: Will came into this weekend at Kentucky as a recent two-time winner of the CCI4*-S (2024 with Diabolo and 2025 with Off the Record) and he’s collected plenty of wins at the 4* level through that time period.

Highs and lows — the definition of any sport, but especially eventing.

Will Coleman and Diabolo Photo by Atalya Boytner Photography.

But one thing I’ve noticed about our newly-crowned Defender Kentucky CCI5* winner — his first ever at the level — over the years of chasing him around horse shows is that he’s not generally the guy who gets too high or too low on things. I’m confident, of course, that I only see certain sides of Will, but I don’t think it’s a far stretch to call him pragmatic. I recall a win he took at Stable View a few years back; when I asked if he was excited about the win, he made a comment about taking the highs with the lows. Acceptance, he said, was a good word for a life with horses.

“I think it’s that’s the sport for sure,” Will said today. “That’s life, too. I think I always try to remind myself that I chose to do this. I love to do this. And results are not guaranteed. Nothing in life is guaranteed. You have to enjoy the journey, and there’s going to be rough bits.”

The thing that defines a human is how they deal with adversity, and what they choose to do with the lemons life throws their way. Will uses it as fuel to get better — not just with his riding and his training, but within himself, too.

“Every time I’ve been in a rough patch, I’ve always found a way to become a better person and better horsemen, and so those kind of down spells have really been what’s helped me become a better version of myself,” he continued. “So I always look back on those with a tremendous amount of gratitude, and that cycle will continue. You know, it will be an up and down game for everybody, and I think you have to embrace that. And I think we’ve done that. I’m proud of how we have as a program, how we’ve done, how we’ve sort of responded to those things, and I think we’ve all gotten better from it.”

Will celebrates with his daughter, Charlie. Photo by Atalya Boytner Photography.

It’s true. As Will said on Saturday, you don’t get much time to celebrate in this sport. One day you’re the rooster, the next you’re the feather duster, as Monica Spencer puts it (and might feel, even just a little, tonight after that coveted 5* win slipped from her grasp with three rails lowered and time penalties added today with cross country leader Artist). On Monday, he’ll be back home in Virginia, business as usual, horses to work, people to train, plans to make.

For his part, Diabolo — 14 this year and owned by the Diabolo Group comprised of many longtime supporters of the Colemans — has been a fascinating puzzle to put together. This is really where Will’s wife, Katie, comes in. It’s really not a huge stretch to say that the reason this horse arrived in Will’s barn is largely Katie.

Initially, it was equine sourcer extraordinaire Sharon Ridgway who put the horse on the Coleman radar. Sharon has sourced scores of horses for riders like William Fox-Pitt and Mary King, and though she herself is based in Australia these days, her sharp eye for equine talent extends to all corners of the globe. Sharon sent a video of a bay horse on cross country, and while she sends videos often to the Colemans, this one in particular caught Katie’s eye. He was 12 at the time and had competed through the CCI4*-L level with Australian rider Gemma Tinney.

“Just the expression on his face is really what honestly I liked,” Katie explained. “I said to Will, I think you need to look at this one. Should we go to Australia? We talk about horses a lot, and I didn’t push him to go, but he liked him too when he sat down to watch the video, and I just had a little bit of a feeling about him. I still do, really.”

“I’m not saying I wouldn’t have looked at him, but I mean, I just have so much respect for [Katie’s] eye, and that got my attention more,” Will concurred. Over the course of two whirlwind (think two or three days and a whole lot of jet lag) trips to Australia, Will found his next horse. “I liked him immediately. I knew there was going to be a bit of time that we’d have to put in, but I really liked him.”

Will Coleman and Diabolo. Photo by Atalya Boytner.

It didn’t all go to plan, and that’s been well-documented here on EN. The transition from the southern hemisphere to the northern was a tough one. Will and Katie had been warned by others who had imported horses from Australia that this could happen — it’s a big change, the seasons are flipped, the trip is arduous. That, combined with Dab’s injury in 2024 meant that we really haven’t seen the best of this horse yet. He won the CCI4*-S in 2024 here at Kentucky, and he would go on to be named Will’s direct reserve behind Off the Record for Paris, but due to one thing or another, this CCI5* debut was a longer time coming than perhaps anticipated.

“It took us some time to kind of figure out his what he needed, management wise, for his body and his brain and the riding,” Katie said. “But he’s a learner, like he just loves learning new things, and he feels so good when he’s learned a thing and he knows what you want. It just feeds into his confidence. And the more he’s confident, the less that eagerness to do the right thing shows up as anxiety. It actually shows up as confidence.”

All of this meant that Will and Katie came into this Kentucky week feeling, at the minimum, well-prepared. It’s no mean feat for a horse to win a 5* on its first attempt. Recent history yields just a few examples of such debut success: La Biosthetique Sam (Luhmühlen – 2009), Ballaghmor Class (Burghley – 2017), Hooney d’Arville (Luhmühlen – 2024), Sandhills Briar (Adelaide – 2026) are some examples.

Per Will’s aforementioned pragmatism, he kept his confidence quiet. He knew the horse was prepared and trusted his system, he told us.

“I knew,” Katie grinned. “I had a good feeling. We didn’t talk about it out loud, but I had a really good feeling. The horse is just in a really good place. I think Will was in a good headspace. We are in a good space as a program. Everything just kind of felt good. I mean, you never really know, right? It was his first five-star. Not many horses win their first five-star, but we have always known that the horse was ready for big moments — due big moments.”

Will Coleman is all smiles after a great first 5* test on Diabolo. Photo by Atalya Boytner Photography.

Today, Diabolo got that big moment. He and Will added two seconds of time on Guillerhme Jorge’s track (a new designer this year, and also the same designer as the Major League Show Jumping CSI5*, so you know it was a serious track) to very nearly finish on their dressage score. Their eventual final mark to seal the win was 28.1.

“It is a surreal feeling,” Will said in today’s press conference. “It’s something that I think we all kind of dream about. Winning a five-star, in my opinion, is, I think one of the hardest things to do, if not the hardest in equestrian sports. I think I sort of feel like we all deserve the win. It’s such a hard game. It takes so long to really get good enough at it to possibly contend for one of these things, and I have so much respect for the sport, the horses and the riders, that I really feel like it’s almost unfair that I’m the only one that gets to take home the win, but mostly I’m overjoyed for my horse and all the people that are a part of his journey, my incredible owners, my family, my coaches and our incredible group of staff that help us look after a large group of horses. Back at home, I wake up most days feeling like the luckiest guy in the world, and today I feel extremely lucky.”

That moment at Morven Park stuck in my head through the offseason. It feels silly, really. It had exactly zero to do with me, but in that moment, I felt for Will. We spend a lot of time with these riders, not just at the big 5* events but at the normal, everyday competitions as well. We see the time they put in, the support they surround themselves with. We see them in the midst of the struggle and the grind, and we see them when success flits upon them, even temporarily. And I’ve spent the better part of two decades chasing them around, telling the stories of both their highs and their lows.

So it’s nice to be able to write these 1700 words to celebrate a win that doesn’t come around often, and one that is the manifestation of decades of hard work, heartbreak and an overarching respect for the horse. It feels fitting and deserved that Will, Katie, and the entire Coleman team made up of owners and supporters who’ve been a part of the family for years finally have this big moment.

But There’s More!

Caroline Pamukcu’s support crew. Photo by Atalya Boytner Photography.

If you’re still with me, I commend you. The truth is, the amount of storylines out of this weekend feels impossible to properly communicate, and I do still need to recap Tamie Smith’s Cosequin Lexington CCI4*-S victory, so let’s dive into some other great stories from this weekend in Kentucky. For the sake of brevity (lol) I’m going to separate the rest of this report into smaller sections so you can read the bits and bobs you want.

HSH Blake Shows His Consistency Once More

Caroline Pamukcu and HSH Blake. Photo by Atalya Boytner Photography.

Yet another huge storyline from today is that this CCI5* podium marks the very first U.S. 1-2 since 2008, when Phillip Dutton (Connaught) and Becky Holder (Courageous Comet) took the top two spots (and also a shout to Missy Ransenhausen here for her third place with Critical Decision — some real throwback favorites on this roster). It’s also the first U.S. 5* win since 2023, when Tamie Smith won with Mai Baum.

Caroline Pamukcu‘s star continue to rise with HSH Blake (Tolan R – Doughiska Lass), her Paris Olympics partner in 2024. There’s not a whole lot we haven’t already said in spades about this special little horse, other than his consistency continues to shine as he finishes in second in his second 5* (he was fourth at Maryland in 2025 for his debut) and improves his finishing score by nearly 11 penalty points.

“I’ve got incredible horses,” Caroline said. “I’m still, like Coleman said, I try every day to be the best person I can. It’s a hard sport, you know, I have so much more to learn, and every day I wake up in the morning, I try to be the best I can and try to do the best for my horses. And Blake today really helped me out a lot. All the kudos goes to him. He’s such a special horse, and he really made up for everything that I lacked.”

Caroline Pamukcu celebrates a clear and a podium finish with HSH Blake. Photo by Atalya Boytner Photography.

Blake was another horse really intended to be a sales horse for Caroline, but she was excited about him and wanted to show him to some of her supporters. At that show — one of his earliest shows with Caroline — she fell off in the show jumping. She tells the story ruefully, and it’s a great addition of context to the success we now see she’s had with him. He’s come all the way through the U.S. pipeline, beginning with the USEA Young Event Horse program, the FEI Eventing World Young Horse Breeding Championships at Lion d’Angers, the Pan American Games and then the Olympics. Will a World Championships berth be next? This weekend, I think we identified at least three strong pairs who could go and contribute to a medal if the Championships were tomorrow, and Caroline and Blake would be one of them.

“We just kind of grew up together,” Caroline said, looking back on the accomplishments to date. “He’s been there for a lot of my milestones in life — competition wise, had my baby last year, named her after him. He’s just…he’s special, like he’s our best friend. In the morning I wake up, I turn on the lights. My gym is upstairs above the barn, and I turn the lights on to say hi to the horses. [Blake’s] in at night because he jumps out of the field, so I say good morning to him, literally every morning. He’s just awesome. He’s a great person. He’s very spoiled, just like my child, like they’re the same person. He’s a very, very special horse to me. Once with a lifetime, I have to say.”

Conquering Adversity is the Theme of the Day

David Doel celebrates a podium finish with Galileo Nieuwmoed. Photo by Atalya Boytner Photography.

David Doel (GBR) and Tim Price (NZL) are all too familiar with the amount of tinkering, testing, questioning, validating that goes into putting three quality phases together on the same weekend. They’ve both experienced their share of highs and lows with the horses they respectively brought to Kentucky this weekend.

Last year, David Doel had an odd season with his own and Mary Fox and Gillian Jonas’ Galileo Nieuwmoed (Carambole – Sjaloma). The 15-year-old KWPN gelding is a cross country freak, earning six clears inside the time at the 5* level out of nine starts prior to 2025. To be completely fair, two blips are hardly a cause for huge concern for a horse of this stature, but the fact that they came in succession — one at Badminton in May and another at Burghley in September — was unusual for this pair. David noted that his work to improve Galileo’s dressage wound up making him “a bit more polite” and subsequently a touch more off the bridle than was his norm before. “I’ve had to put a little bit more fight into him,” he elaborated. “And I think, you know, those were just sort of the mistakes that we made last year, and we rectified them at Pau [they finished ninth there last October] and it was great to do it again this time.”

“I suppose we’re always still learning,” David mused in the press conference. “And, you know, horses are great levelers. It’s obviously a bit gutting to end up sort of on the floor of Badminton and Burghley. But we as a team, we sort of came together, learned from those mistakes, figured out what we’ve done wrong…I just have to put that little bit of fire into his tank a little bit more now. But look, he gave me a super ride on all three days. It’s very rare, as these two guys will know, to get all three phases right, all on one day. For him to have pretty much nailed it this weekend. So I was really chuffed.”

David ends the weekend on the podium — his third such finish and his best Kentucky finish in two starts — and as the sole rider to finish on his dressage score (30.8). This third-best CCI5* score and the subsequent clear jumping phases are demonstrative of the righting of the ship that David and his team worked so hard on last year and into this season. This pair, like their counterparts Emily Hamel and Corvett, have completed every northern hemisphere CCI5*, some multiple times, and continue to be a partnership of a lifetime.

Tim Price and Vitali. Photo by Atalya Boytner Photography.

Tim Price (NZL) finishes the weekend in fourth place with Vitali (Contender – Noble Lady I) with a final score of 33.0. They added just time in the jumping phases and in particular, Vitali’s show jumping today was a testament to the ongoing work Tim puts into the 16-year-old Holsteiner owned by Joe & Alex Giannamore.

That clear jumping round today was a first for Vitali. To date, he had not jumped a clear at the level; his best round was a four-faulter at Burghley in 2024. “I can’t believe it,” Tim said. “The secret sauce is that trainers for years have been telling me to lighten my contact, and I haven’t listened well enough so fatefully, break a shoulder and then I can’t actually use my contact. So maybe there’s something to come out of this! It’s interesting, isn’t it?”

Tim says he didn’t actually break his shoulder, but it is heavily bruised at the minimum and he’s not been comfortable all week long as it’s a very recent injury. And he’s been whittling away at Vitali’s show jumping, declaring he’d never give up on it, for the past few years. At CHIO Aachen in 2025, Tim won thanks in part to a clear round jumped before cross country.

“We can’t make them do anything,” he said at Aachen. “We just adapt our training and progress. I would say I’m probably not the best show jump rider that there is, or trainer of a show jump horse, and it’s taken me some time to find the right elements for this horse, to get the best out of him.” Here, he noted that cross country after show jumping was a totally different animal, but he still felt he’d hit on a good starting reformulation that summer. “I’ve taken a lot of positives away from the build up to this competition that hopefully I’ll be able to carry through those five-stars as well.” Spoiler alert: he did.

A USA Double Double

Tamie Smith and Lillet 3. Photo by Shannon Brinkman Photography.

It’s a true winner, winner, chicken dinner situation at Kentucky this weekend as the U.S. enjoyed a banner weekend with two top spots on the podium in the CCI5* as well the Cosequin Lexington CCI4*-S, which went to Tamie Smith and Molly Duda’s Lillet 3 (S.I.E.C Livello – Princess L) with a score of 31.3.

“She was super,” Tamie said in the afternoon press conference. “I couldn’t have asked her to be better. She came up just enough to rise to the occasion and didn’t get too tense or tight and just jumped amazing. She just keeps going from strength to strength and she couldn’t have been better. She was so rideable and just tried her heart out. I don’t even think she touched a rail, she jumped so well.”

Perhaps the most poignant moment of the day came at the 4* prizegiving, when Liz Halliday (who’s been on site all week to cheer on her friends and her Paris horse, Cooley Nutcracker, who finished 11th with Boyd Martin) gave Tamie the Leading U.S. Lady Award. Liz, who continues a heroic recovery from a TBI sustained in a cross country accident in 2024, is a longtime teammate of Tamie’s, and this year’s 4* winner admits the weekend’s been somewhat bittersweet.

Tamie Smith shares an emotional moment with friend Liz Halliday while being presented with her Liz Halliday Leading Lady award. Photo by Shannon Brinkman.

“It’s actually been…that accident was really hard was me,” Tamie said. “Liz and I are friends, and we did a lot of team stuff, Nations Cups together and traveled a lot. I would always come and give her a hard time because she had this really intense, competitive approach and I’d always go, ‘come on, loosen up girl!’ and we’d be at the competitor parties and I’d try to get her to dance. We always had this thing that we were going to win medals together on teams. So it’s hard to see her, but it’s also really awesome to see how far she’s come. It’s virtually a miracle that she’s as good as she is and she understands what you’re saying and you can talk to her. I ran into her and then Boyd came up and she said ‘could be a little better!’ after he did his test on Nutcracker. It’s bittersweet, right? It’s horrible and it’s also a miracle at the same time and I know she’s going to continue to be better, and if anybody’s going to be doing amazing things again, it’s her. I think what the most emotional part for me was how my mare just stood there. She knew. It was so crazy because she’s hot — she doesn’t stand, she paws and it was just really cool that she soaked in the moment, and it’s good to see Liz out here again.”

Will Coleman and Very Dignified. Photo by Shannon Brinkman Photography.

Will Coleman also hit the podium with Jerome Broussard, Beth Lendrum and Gloria Callan’s Very Dignified (Dignified van’t Zorgvliet – Kateys Gem), another Sharon Ridgway-sourced horse from Ireland that’s shown much promise for the future. She’ll be less experienced than Will’s other top horses at the moment, but the mare is one to keep an eye on as she continues to develop a partnership with Will.

Mia Farley completes the 4* podium, harnessing her mind to put some show jumping demons to rest and jump a strong clear with Karen O’Connor’s Invictus (Diarado – Sunset Paradise), ending the weekend on a score of 38.3. Mia recently started working with show jumping Olympian Peter Wylde, who’s been instrumental in evolving Boyd Martin’s riding, and she’ll next aim “Sammy” for a 4*-L in the near future.

And so, another weekend in the beautiful bluegrass comes to a close and I have to say, it’s one of my favorites on record in 13 years covering this event. I truthfully haven’t even scratched the surface of the stories out of this weekend, and I hope to recap more of them for you in a reporter’s notebook soon.

Until then, I’m going to take myself to bed for more than a few hours of sleep, and I’ll be back with you soon. I hope you enjoyed the weekend and its showcase of our sport as much as we did. It won’t be one we forget anytime soon.

Go Eventing.

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All Presented Pass Defender Kentucky CCI5* Trot-Up; One Withdrawn from CCI4*-S

Monica Spencer (NZL) and Artist. Photo by Atalya Boyner Photography.

A chilly morning greeted us today at the Kentucky Horse Park for the early final horse inspection for both the CCI5* and CCI4*-S divisions.

We did have a couple of withdrawals overnight:

In the CCI5*, Harry Meade withdrew Graffenacht, who had been equal 11th after cross country but unfortunately lost two shoes during her run and did come out this morning a bit too sore to continue on. Harry expects the 14-year-old mare to be just fine to come back for another run soon.

In the CCI4*-S, Buck Davidson withdrew Cooley Candyman, who was sitting on a top-15 position after cross country. During his cross country ride with Sorocaima in the CCI5* yesterday, Buck unfortunately broke his leg and dislocated his ankle when he hit his leg on the BC element of fence 12, a solid brush corner in the Spring Water, and has had to retire both horses from the competition. Buck is scheduled to have surgery on Tuesday and expects he’ll be back on his feet and in the saddle soon.

Also in the 4*, Skyler Voss withdrew Argyle, who was in 32nd after cross country.

On to the jog itself, all other horses were presented and the drama was fairly low. We did have one horse — Allie Knowles’ P.S. I Love You — sent to the hold box in the CCI4*. P.S. I Love You was subsequently withdrawn from the hold box to save him for another day. In the CCI5*, Jennie Brannigan’s ride FE Lifestyle was sent to the hold box. Afterward, “Foxy” was re-presented and subsequently accepted by the Ground Jury.

We will now move on to show jumping, which begins at 10:30 a.m. for the Cosequin Lexington CCI4*-S and at 2:20 p.m. for the CCI5*. Between the two, a couple of special occasions: Bruce Davidson Sr. will be doing an autograph signing at 12:30 p.m. at his statue outside of Rolex Stadium, and Lauren Nicholson’s Vermiculus will have a formal retirement ceremony in Rolex Stadium during the lunch break as well.

One last shoutout for the jog report: our top grooms of the weekend have been named for a $1,000 Grooms Award sponsored by Buckeye Nutrition (also, a big shout to the MARS Equestrian team for walking around handing out donuts this morning, you literal lifesavers). In the 4*-S, Ali Kuhn’s groom, Whitney Grabe, took home the honor for her care of Little Hail. For the CCI5*, it was Adam Short who won the award for his care of Tom McEwen’s Brookfield Quality.

EN’s coverage of Defender Kentucky is supported by Kentucky Performance Products, your one-stop shop for all the science-backed nutritional support your horse needs. Learn more about KPP here.

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The Art(ist) of Cross Country Day at Defender Kentucky CCI5*

Monica Spencer and Artist. Photo by Atalya Boytner.

During mixed zone interviews this week over the two days of dressage, one member of the media had one simple question for the riders: Can you sum up eventing in one word?

After cross country on Saturday at the Defender Kentucky Three-Day Event, I think my answer to that question would be: partnership.

One of the things Monica Spencer (NZL) has said frequently over the years when talking about the 15-year-old unraced Thoroughbred gelding, Artist is that he tends to not be the most confident in his own self. It’s grown, to be sure, but what really makes Artist so successful is his partnership with and trust in his rider.

Artist was four when Monica spotted him across the warm-up at a show. He’d been purchased after training at the track and selling well as a yearling with high hopes that he’d be a successful racehorse. That plan didn’t come to fruition as Artist simply wasn’t fast enough (sure was today, though), and Polly McDonald took him on and put the beginning foundations on. Monica’s a lady who knows what she wants, and so she trotted right on up to Polly in that warm-up and asked if she’d sell the horse. The rest was history.

Monica Spencer and Artist. Photo by Atalya Boytner.

In truth, Artist wasn’t even necessarily a horse she identified from the jump as a 5* horse — it is his answering of question after question that’s wound up producing him into one. This is now their second double clear run and their sixth jump penalty-free completion at the level.

“He’s very polite, and he’s not got a lot of his own confidence,” Monica said. “He’s very much like, ‘what’s next mum?’ Which does make it even more special that he does when he does, for me. Coming up the grades, I was like, ‘oh, he’ll be a nice two-star horse for someone,’ And he just keeps giving and keeps trying. He definitely knew it was a big one today…he’s just an out and out good boy.”

And it was that partnership that earned the pair this clear inside the optimum time, allowing them to stay on their personal best dressage score of 22.3 and head into Sunday’s show jumping with one pole in hand and a real chance at that coveted 5* trophy.

At Maryland, Monica told us that she felt like she herself had grown in her own self-belief and riding to where she felt she could unleash Artist’s top speed more intentionally. Previously, she’d gone slower, protecting him more than he really needed and accumulating a bit more time than she would like (though she always tell us it always feels fast, which is honestly really relatable as I also feel the same when I ride a Novice round, until I watch the video). This year, after her dressage test, she expressed confidence that she felt she could repeat her Maryland performance — which she did easily.

Monica Spencer and Artist. Photo by Atalya Boytner.

“It is so nice to be on a good galloper,” Monica said. “[It] allows me to take my time at the jumps and make sure I get it right, and then he just gives me a good gallop after the fences. I did all the numbers I planned to do. It always feels like a bit more desperate than it looks in your head when you’re picturing but [we] got all the numbers. It was between all the flags! For me, the hardest thing is doing it all at speed, because if someone said go out there with Max, being the horse he is, take as long as you want, and get around that course – I’d be like hm, this is a nice time! But the pressure with the minutes is really what makes it that much harder.”

I don’t actually really want to talk about Artist’s show jumping record — mostly because it’s really been talked to death. At the risk of making myself sound really silly, I think that while yes, of course, data and records do matter and tell a story, it would be silly not to account for the intangibles here. How often are we told that the record only tells a part of the story? Again at the risk of sounding silly or downright unintelligent, I think that sometimes we can get ourselves into a narrative that becomes something of a self-fulfilling prophecy.

Listen: it is HARD to do this sport, to put all three phases together at once. I understand that my job here is to be objective, to tell the story and report the facts. But we are Eventing Nation, and we want these humans and horses to succeed JUST as much as the next fan of the sport. So while yes, Artist does not have the strongest record on paper, let’s focus on some positives instead here and put some better energy into the world. Artist HAS jumped a four-fault round before at this level — at Burghley, arguably THE most difficult and tiring course of the (current) six — and a single pole down would still give Monica the win.

And wouldn’t that be something? I think, instead of thinking about records and poles tonight, let’s think about that.

“We don’t get to celebrate very long in this sport,” second-placed Will Coleman (Diabolo – 27.3) said in the press conference on Saturday afternoon. And I think that’s a truly fair point. So, for the next few hours at least, let’s let Monica celebrate the win that was today — the win for Thoroughbreds everywhere. And maybe there will be an even bigger win to write about tomorrow.

Now, don’t get me wrong, part of why I will absolutely not be sleeping tonight is that I am buzzing at how wide open this finish of both divisions is. We are in a special era of once-in-a-lifetime repeat greatness from several horses — the likes of fischerChipmunk FRH, Lordships Graffalo, Ballaghmor Class — but this finish is honestly quite fun to think about.

Will Coleman and Diabolo drop into the Defender Head of the Lake. Photo by Atalya Boytner.

One of those potential storylines is that of Will Coleman. He’s been quite successful in the Cosequin Lexington CCI4*-S here, with two wins to date, and he’s actually poised to potentially take not just one, but two wins on Sunday. He’s second in the 5* with the Diabolo Group’s Diabolo, who made his debut at the level with absolute grand style on Saturday, earning a clear inside the time to move up from fifth, and also second in the 4*-S with Jerome Broussard, Beth Lendrum and Gloria Callen’s Very Dignified.

Again, the theme of the interviews today with Will was partnership. “I think it’s in a good place,” he said of his relationship with Diabolo, who he’s had since the end of the 2022 season. “I think we’ve always thought a lot of the horse. He’s kind of had a few bits of bad luck, but that’s horses, you know, that’s life. We were lucky that we were able to keep working with him and keep making him stronger, keep trying to establish a bit more trust and just make each other better. And I think today’s just a product of that.”

Will knows his horses are prepared well, and while of course one doesn’t truly know if they’ve got a 5* horse until, well, they’ve got a 5* horse, he felt the 14-year-old Holsteiner gelding was in the right place to make good on this freshman effort. “I felt pretty good about where the horse was coming into the event,” he said. “I had to really push a little bit at the end, because I was a few seconds down, but I just didn’t want to stretch him too much in the beginning, because he hasn’t gone this distance ever. And it was warm, you know, it was probably 10 degrees warmer than it was this morning, and the air just seemed to get kind of still. I was just worried — I felt good about his fitness, but I was worried I might find the end of him too soon, but he still had a bit left, and when I jumped through the [Normandy Bank] and kind of said, ‘Come on, let’s go’, he was there for me. I think that’s what you want in a five-star horse — just that ‘dig in’ quality. And you never really know you have it until you ask for it, but he gave it to me today.”

Caroline Pamukcu and HSH Blake. Photo by Atalya Boytner.

Caroline Pamukcu enjoyed another successful 5* run with her own, Sherrie Martin and Mollie Hoff’s HSH Blake, stopping the clock with just two time to add to move from fourth into second on a two-phase score of 28.6. Any day with her “best friend” is a good one, and for Caroline the success simply just comes down to the trust and partnership (there’s what word again) with the 11-year-old Irish Sport Horse gelding.

“He made it feel easy, I have to say,” Caroline said at the finish line. “He just kind of took me around and gave me such a great feeling. He was foot-perfect even when I wasn’t.”

Caroline’s expressed to us this season that she’s always working on smoothing out her riding, riding “professionally” as she often puts it, and that professionalism showed today with Blake, who was her final ride of three. Her efforts could yield yet another storyline tomorrow if a clear round is achieved and she can really put the pressure on the top two; a podium finish or better is not in any way out of the question.

Guys, ordinarily I’d go much deeper into our cross country results, but since I’ve kept you waiting for so long, I’m going to move to the 4* to wrap up (and to be completely transparent, I do need at least a couple hours of sleep). I am going to try to catch up with Derek di Grazia tomorrow to get his debrief, as the riders all had some great comments about the course and I think it’s more than due a deeper dive. You’ll have to be a little patient with me – I promise I have more stories to tell!

In the meantime, though, here’s a quick look at some stats from Saturday:

A quick update on some incidents from today as well:

  • Mary Bess Davis had a fall today just after the Owl Hole, despite a valiant effort to hang on and right herself aboard Imperio Magic. She was attended to very quickly by the medical team and the course was held for about 15 minutes. Mary Bess reported in that she broke her fibula and has a laceration from a back stud, but she is in good spirits and we’re wishing her the speediest of recoveries.
  • Ema Klugman was pulled up after the Normandy Bank when Chiraz hit the corner on the way out. Ema regrouped, checked on her horse and resumed with the option, and the Ground Jury pulled her up for a vet check before the next fence. I do want to commend the Ground Jury for their rapid response time. Ema was allowed to continue and did go on to complete Chiraz’s first 5* cross country, and this isn’t an assessment of Ema but rather simply a nod of respect to the Ground Jury. Deciding to pull a horse up is NOT an easy or a lightly taken decision, and often we’ve seen the communications and decision-making lag behind the timeline for effectiveness. It is disruptive (just as with any other reason to hold a horse, a loss of rhythm can either help or hurt the score itself) and disappointing when it happens, there is no denying that, however I do think this was a good example of how to look out for our horses in a proactive way.
  • Arden Wildasin pulled up and got off of Sunday Times at the Normandy Bank. She walked him off the course after checking him out for a few minutes, and she did report to us that “Mumbles” should be ok.
  • In the CCI4*-S, there were two horse falls; both horses and both riders are not reported to be injured as of publication.

And here is a look at your top 10 from the 5*:

Alex Conrad and Malibu Preacher are the best rookies of the day, in 18th ahead of show jumping. Photo by Atalya Boytner.


Tamie Smith Poised for Cosequin Lexington CCI4*-S Win

Tamie Smith and Lillet 3. Photo by Shannon Brinkman.

There was another leaderboard shuffle as Tamie Smith played musical horses with herself as dressage leader Danito and Lillet 3 swapped places. It’s now Lillet 3 poised for another 4* win as she added just 1.6 time penalties for a two-phase score of 31.3 and one rail in hand over Will Coleman and Very Dignified. Initially, Tamie had the lead with Danito, but some unanticipated tension in the start box and trouble on course resulted in her ultimately retiring him to try again another day.

You’ll likely recall Lillet 3 as the most recent winner of the Carolina International 4*-S, which is a well-known set-up event for Kentucky and also shares a cross country designer. This helps with prep in many ways, and for Tamie today was a great example of Lillet’s ever-growing skillset and reliability.

“There was a lot of trouble out there, and it’s always nerve wracking to see how things aren’t riding to plan,” Tamie said. “But she went out, and it was like being on a little race car. So I had a great time! I added in some places, maybe I could have been a little bit closer [to the time], but I thought it was pretty impossible to do it.”

Tamie Smith and Lillet 3. Photo by Shannon Brinkman.

“Her and I wouldn’t have seen an atmosphere like this before together,” Tamie described of Lillet 3 who is owned by Molly Duda (also here competing in the 4* this weekend). “And it takes time to build that partnership [there it is again!] and trust. And it’s it’s hard to go out when you’re not sure what they’re going to do and just ride them like you trust them. But she answered all the questions.”

Similar to Monica’s Artist, Tamie describes Lillet as needing to grow in her own self-belief in the early goings of their partnership. “She keeps growing. You know, obviously in horses, you’re hoping that they love their job and they’re comfortable in their job. And when I first got her, she wasn’t always comfortable — I wouldn’t say comfortable — she wasn’t always confident. She was a little worried. And I just haven’t felt that this whole season. She has such a an elegance about her, and just a very sure way of going.”

It’s been a bit of a different path for Tamie with this mare, who is 10 this year. The mare had competed at and won a 4* in Europe with Andreas Dibowski before she came to Tamie, and this was unique in that Tamie, like her peers, tends to prefer producing her horses from the start, or close to it. “I’ve always produced pretty much all my own horses,” she said. “So it’s been definitely a stepping stone on learning how the slow way is the fast way. I spent a lot of time at the three-star level and we actually struggled when we moved up to Advanced. We didn’t quite know each other. I’d move her up to Advanced and then I’d back her off, and coming into Rebecca Farm [last July] I was kind of [unsure], like I don’t know if this is ready because I didn’t trust the partnership. But we got through that and she won and was phenomenal. I grew a ton of trust in her, and pretty much ever since then, we’ve had little blips but not because of trust, but you have to get to know a horse. I think she’s pretty seasoned at the four-star level now.”

Will Coleman and Very Dignified. Photo by Shannon Brinkman.

Will Coleman did a bit of a different warm-up with Very Dignified, who can get excitable in such environments. This 11-year-old Irish mare is a newer addition to Will’s string, and this is also sort of an example of needing to build a partnership with a horse that’s gone at a higher level with another rider (Robbie Kearns of Ireland). One element of this partnership-building is learning how to best warm up “Dory”. At Morven Park in October, where the mare went on to finish third in the US Open Final CCI4*-L, he actually went straight into the start box after he had some difficulty warming her up — something he hadn’t had to do before. Today wasn’t too different, but he anticipated the excitability and warmed up in an arena instead of in normal cross country warm-up.

“I was a bit late, got it wrong by about five seconds, but she was great,” Will said. “This is her first Advanced run of the year. I’ve only started her out quietly, I tipped around a Preliminary and an Intermediate horse trial, just trying to build her up slow. I’m not 100% sure what I want to do with her this year. I have an idea, but I’m not going to tell you about it now! She’s just a horse that I really, really like. She’s a very strong-minded mare, but I love her — she gave me a great spin.”

Mia Farley and Invictus. Photo by Shannon Brinkman.

Mia Farley also continues to build up her piggy bank of relationship deposits with Invictus, a 10-year-old Holsteiner/Thoroughbred owned by Karen O’Connor who shaved his time penalties just about in half in this sophomore Cosequin Lexington 4*-S cross country effort. He and Mia will go into Sunday’s show jumping with a score of 37.9, ensuring Will Coleman does not have a rail in hand to secure at least second position.

“I think like a part of our sport, the partnership,” she said about what growth she felt in the last 12 months. “Since he’s been three — we backed him and started him — he’s kind of had the same mindset and same trainability.And so as far as last year versus this year goes, yes I would hope that he is a little bit more experienced, but it was the trust. I think that was mostly what shaved our time, is just having that year under our belt and gaining the trust and kind of sending him into lines more than I would have last year.”

Mia admits that show jumping is something of a complicated thing to her. She’s coming off the back of the fan-favorite OTTB Phelps, who isn’t here competing this year due to an ill-timed injury and despite his incredible talent for cross country is not the strongest show jumper. Despite the fact that “Sammy” is a stronger jumper, Mia is contending with her own mentality and ability to deal with pressure.

“It’s actually interesting for me going into tomorrow,” she said. “I’ve been in a good place before at this table, and I’ve gone into tomorrow with a very open mind, because I was on a wonderful horse that was fabulous on Saturdays. And I’m trying to figure out, for me personally, I’m trying to figure out how to handle this pressure, because I know I’m on something that’s a little bit stronger on Sundays. So I think we’ll see what happens tomorrow. I think whatever happens, it’s going to be mostly how I react to this pressure, I think, because he’s a good horse on Sundays.”

Dan Kreitl and Carmango are in fourth ahead of show jumping after a stellar clear round. Photo by Shannon Brinkman.

Here’s a look at your top 10 in the 4*-S ahead of show jumping:

We will kick off the final day of Defender Kentucky at 8:30 am EST with the final horse inspection, which should be streamed live on the event’s Facebook page. Then, it’ll be on to show jumping for the CCI4*-S at 10:45, followed by the CCI5* starting at 2 p.m.

And so the ending to this weekend’s story awaits. This weekend, a new champion will be crowned in some fashion. Will it be Monica and the great Thoroughbred who’s stolen our hearts, laying down the round of their lives to seal the deal? Will it be the ultimate ending for Will Coleman, who is extremely well-positioned to win both the 5* and the 4*? Would this be the weekend that Caroline Pamukcu wins her first 5*? Or will we see the star on the rise Lillet 3 keep her stead as a 4* champion? Or…will someone else come from behind and surprise us all?

That’s the thing about sports, no matter which you follow the most, and I despise myself for writing the following words, but they fit: the rest is still unwritten.

I’ll be back with more brain cells and thoughts that don’t involve Natasha Bedingfield songs later today, so until then, Go Eventing, and thanks for your patience.

EN’s coverage of Defender Kentucky is supported by Kentucky Performance Products, your one-stop shop for all the science-backed nutritional support your horse needs. Learn more about KPP here.

Defender Kentucky Three-Day Event: [Website] [Tickets] [Schedule] [Entries/Ride Times] [Scoring] [Venue Map] [Live Stream] [EN’s Coverage] [Support Our Sponsor: Kentucky Performance Products]

Monica Spencer and Artist Set Sail in Defender Kentucky CCI5*; Sharon White Best of CCI4*-S on Friday

Monica Spencer and Artist. Photo by Atalya Boytner Photography.

The art of dressage is a multi-faceted one. Perhaps chief among the challenges of this first phase of eventing is the unending pursuit of improvement. It’s just as much mental as it is skill — that fine balance of constantly pushing, experimenting, testing, validating with the knowledge and timing of when to accept the current status.

“I’ve worked on dressage a lot over the years, because it’s something I can keep improving,” Friday night and dressage leader Monica Spencer (NZL) said of her work with the 15-year-old Thoroughbred gelding Artist (Guillotine – Maxamore). That continued work paid off in a big way today as the 2022 World Championships team bronze medalist pair earned their CCI5* personal best in six starts (seven, if you count the 5* phases of a World Championships) with a 22.3. This takes just a tick off their previous PB — a 23.7 — scored at the Maryland 5 Star in 2025, where they went on to finish second overall.

There isn’t much of a margin between Monica and second-placed fellow Kiwi Tim Price and Vitali (Contender – Noble Lady I), who go forward to cross country tomorrow with a score of 22.6.

So where did Monica’s edge, razor-thin as it may be at the end of the day today, come from? I took a dive into the scores and also chased down Andrew Bennie (NZL), who’s heading up this year’s Ground Jury for the CCI5*.

Monica Spencer and Artist. Photo by Atalya Boytner Photography.

With .3 penalty points separating the two, it was worth a look at the individual movement scores. Interestingly, Tim actually received more 9s — the highest mark either rider received from the three judges — with a total of 10 earned, in comparison to Monica’s seven 10s. Interestingly, it seems that Monica was simply just a touch more consistently in the 75%-80% range throughout her test, never falling below a 6.5 for any one movement — and she only received two of those 6.5s as her lowest marks. In contrast to Tim’s scores, he fell as low as a 5.0 on movement #17, the extended canter into the collected canter, from judge at C Andrew Bennie. Tim also received three 6.5s, and so collectively while he did earn more high marks, the overall average wound up with Monica on top. Additionally of note, both riders received two 9s on their collective Harmony mark.

“Monica’s horse and her riding is very, very accurate,” Andrew Bennie told me today. “The horse has got good paces, but he is a Thoroughbred. Tim’s horse, I believe, is a warmblood, so he’s probably just that little bit more expressive than Monica’s horse, but with that they also get the difficulty of keeping the balance and the control. Tim’s did just have one little tiny blip, whereas Monica’s was extremely consistent and the horse was extremely reliable. He’s been around the block a few times, and he’s a super horse — and so’s Tim’s horse. Being a New Zealander and marking the New Zealanders up, I kept thinking, ‘I hope the other judges are marking them up as well!'” (Spoiler alert: they were)

Monica Spencer and Artist. Photo by Atalya Boytner Photography.

For Monica, the success she finds in this phase comes more from keeping “Max” happy, loose and supple in his body. He knows the movements, she says, so drilling them and constantly practicing the dressage isn’t always the recipe. Earlier today, Monica was on Max in jump tack, loosely trotting and cantering around the warm-up for just 10 or 15 minutes, never asking for much in the way of collection but simple getting the horse relaxed.

“I get the dressage out of the way early in the week, when I do the arena familiarization,” Monica elaborated. “And then the rest of the week has just been flushing out the nerves for him. So I just spend my time in the jump saddle, just trotting and cantering around, just like little and often, like twice a day, just to keep him fresh in his body, not tired on those dressage muscles, so that he can go out and do his best.”

Tim Price and Vitali. Photo by Atalya Boytner Photography.

Tim Price rode after Monica, so he knew exactly what was needed to put the pressure on — and he was on a horse who’s set a record in this phase before, earning an 18.7 at Burghley in 2023 — and while he didn’t quite catch Monica, Joseph and Alexander Giannamore’s Vitali is another veteran at this level who’s become a dependable horse for a competitive score on the flat. In debriefing his test, Tim remarked that he did push for a few bigger marks, but as Andrew Bennie noted earlier, sometimes that can affect the balance of the horse.

“The experienced ones have a lot of good balance, I think, that converts to something [the judges] can throw marks at,” Tim said. “But it’s also quite risky, because you’re going and asking for more. I don’t think I’ve ever asked for changes out of such a big canter — the last two changes — I’ve always been a bit conservative and a bit together, and I was like ‘he’s got his changes, come on, this might be the difference!’ But I was really happy with him. He’s just such a craftsman, and he’s got a great body and mind for the job.”

Tim Price and Vitali. Photo by Atalya Boytner Photography.

Vitali is 16 this year, and Tim notes, similar to Monica, that it’s more of a priority now that “it’s my job to have him in a place that he can give as much as he wants. So that’s been a big part of the plan this time, and you’re always fiddling, always tinkering. I think I’m getting better year by year, a little bit — another half-percent each year improvement in the way I can train and compete horses, and it all slightly adds up. It’s just working them in a way — look, I don’t drill my horses in any way, shape or form. I don’t target one-day events. I want them to be with me, in front of me, supple, and if you go down that road long enough, I think they just get healthier and healthier in their bodies. They want to do everything we’re asking. It’s our job to ask the right questions and for them to have the ability to answer the questions — and it’s got to be a fair question. So the more he’s feeling strong and ready, the more he can answer — provided I ask the right question.”

Tom McEwen and Brookfield Quality. Photo by Atalya Boytner Photography.

Third overnight on our newly international leaderboard will be Great Britain’s Tom McEwen, who’s brought John and Chloe Perry and Alice Swindon’s Brookfield Quality (OBOS Quality 004 – Bay Coffey Cavalier) back to Kentucky seeking an even more competitive finish than their fifth place earned in 2025. Tom, two-time team gold medalist and 2020 individual silver medalist for Great Britain, joked that he and “Norris” are pretty good for a 25 in any given scenario (his 5* average is closer to a 26.6), and their 25.1 is actually a 5* personal best, bettering their previous low mark of 25.8 earned at Pau in 2024.

“As per usual, Norris does everything he can and performed another pretty much foot-perfect clear round, like we call it,” Tom said after his ride. “So I’m delighted, I thought we put everything out there, you couldn’t have given me more, so I’m thrilled. He knows absolutely everything, so it’s just getting it right on the day. He’s feeling really good — probably the fittest he’s ever been, so it was a little different this morning to how he can be on dressage morning. He’s pretty awesome, to be honest. Once he gets in there, he’s an old boy who knows exactly what he’s up to, so it’s just for me to try and get the rhythm, the balance and try and show as good a performance as possible.”

Caroline Pamukcu and HSH Blake. Photo by Atalya Boytner Photography.

Our whole top four has been refreshed with newcomers this evening, and it was the final pair of the day to slot into that fourth spot in Paris Olympians Caroline Pamukcu and her own, Mollie Hoff and Sherrie Martin’s HSH Blake (Tolan R – Doughiska Lass). This pair earned one of the best scores of their FEI career to date, with a 26.6 coming in from the judges to go ahead of Thursday leaders Will Coleman and Diabolo. HSH Blake did his first CCI5* last fall at Maryland, and Caroline noted that the timing — fall versus spring — of the two events makes a notable difference in the prep work.

“This is a little bit different animal, Kentucky,” Caroline explained. “I know everyone said Maryland was extremely hard — the terrain is hard — but you also forget that they had the whole season. You kind of keep going all season and then they have a good baseline when they get to Maryland, and last year I didn’t do a spring three-day because I wasn’t really fit enough and so we kept all the horses ticking and then they kind of did their finale without a big break. After Maryland, we give them six weeks off and put them in a field to get furry and feral, so you hope they have some residual fitness, but it’s still April and there’s a lot to do out there.”

Caroline’s husband, Deniz, and her daughter, Blake, look on during her test. Photo by Atalya Boytner Photography.

Similar to Monica’s approach, Caroline opted to just get Blake out in his jump tack for his pre-rides ahead of today, focusing on keeping the relaxation rather than drilling the movements he knows quite well with his extensive experience. “Since I’ve been here, I’ve done all my work in a jump saddle,” she continued. “I did do arena familiarization, only for a few minutes, in a dressage saddle, but all the other rides have been in a jump saddle and cavalettis. I’ve tried to stay out of the dressage arena because he knows his job and then I get a little nervous and ride him a little too backwards, so when I ride in a jump saddle and over cavaletti, I ride the horse and not get so stressed about everything else. He doesn’t need a ton of warm-up, just a little to get his back soft and get him into the movements and that’s about it.”


Sharon White Best of the Bunch on Day Two of Cosequin Lexington CCI4*-S

Sharon White and Claus 63. Photo by Shannon Brinkman Photography.

Apologies that I couldn’t get this Cosequin Lexington CCI4*-S report out earlier, but here we are. It was a great day for West Virginia-based Sharon White, who’s opted for the 4* this weekend although Claus 63 has done the CCI5* here before. For Sharon, this weekend is about regaining form that’s been a bit lost over the last few months, revisiting the foundations before she moves back up to the next level again. A 28.1 is one of their most competitive scores at the level, and was good enough to slide into second place behind untouched Thursday leaders Tamie Smith and Danito (27.0).

“Claus was really quite good,” Sharon said after her test. “We were really quite present together and it’s really nice, because it doesn’t always happen so it was very satisfying. If your plans aren’t going quite the way you want, you have to regroup and do what’s best for your horse, and that’s what I’m doing right now with Claus. I lost form a little bit, so that’s why he’s not in the five-star, and we need to put the solid foundation back in.”

Sharon White and Claus 63. Photo by Shannon Brinkman Photography.

The pursuit of presence has been something of a theme thread in Sharon’s life over the last few seasons, and with a horse like Claus who, as she puts it, is “the most mentally challenging” with his large personality and athleticism, it’s always a work in progress. “Just the constant, day to day, just ‘be with me buddy, put a little work in, it’s no big deal’ and not make it so exciting all the time,” she explained. “Just a little repetition of constant throughness, connection, be with me, do your job — good job!”

Sharon observed that Derek di Grazia’s CCI4*-S cross country track is “exactly what I need for Claus. If the universe could have put right what I needed, it’s right there, so I’m really grateful for Derek.”

Elizabeth Barratt and Ride for Thaïs Chaman Dumontceau. Photo by Shannon Brinkman Photography.

Two other newcomers making up the top three, with both Elizabeth Barratt (GBR) and Ride for Thaïs Chaman Dumontceau and Tamie Smith with Lillet 3 tying for third on equal scores of 29.7. Elizabeth, part of the GB Rising Lions squad sent over here for some international experience thanks to an exciting new funding initiative, has only been teamed up with “Chaman” — who earned a team silver medal at the Paris Olympics in 2024 with Stéphane Landois (FRA) — for about 18 months, but they’ve made good on their partnership already with some great experience under their belts to date.

“I took over the ride on him last season, so we spent last season doing three-stars and Young Rider classes and stepped up to four-star at the end of the season,” Elizabeth said of her history with Chaman Dumontceau. “It’s been really good to get to know each other, and I feel like he’s come out this year and we’ve got a really strong partnership.”

“I was really pleased with my horse this morning,” Elizabeth said of her test today. “He’s always one to rise to the occasion — he loves a crowd and an atmosphere, so he went into the stadium and just absolutely loved the attention. It was definitely our best test as a combination. He was really on it, he was listening to me, he was forward and it felt like we had a great ride together.”

This is a horse with a heartbreakingly special history: Chaman Dumontceau’s former rider, Thaïs Meheust, who passed away in a cross country accident in 2019. Though Thaïs sadly never realized her own dream of competing at the Olympics, Stéphane Landois was able to realize this dream in tribute at the Paris Olympics, where they finished 14th individually and in silver as a team for France.

Stephane Landois and Chaman Dumontceau ride for Thaïs in Paris. Photo by Tilly Berendt.

“I’m full of emotion for it,” Stéphane told me in Paris after his first phase of competition with this horse. “It’s probably given me more strength to come out and perform well, knowing the history of all this and his rider.”


Another bonus from today: Will Coleman took a turn with the Pony Club Le Mieux-supported volunteers during dressage today. Photo by Atalya Boytner Photography.

I’d love to stay and write more words, but unfortunately I now need to move on to course previewing as it’s nearly TIME for the big show tomorrow on cross country day. While I work away on Sydney Steverson’s preview of Derek’s track, you can view a video preview in the video below. We’ll be back with you tomorrow with a cross country live blog from Cheg Darlington, so get some sleep everyone and Go Eventing!

EN’s coverage of Defender Kentucky is supported by Kentucky Performance Products, your one-stop shop for all the science-backed nutritional support your horse needs. Learn more about KPP here.

Defender Kentucky Three-Day Event: [Website] [Tickets] [Schedule] [Entries/Ride Times] [Scoring] [Volunteer] [CrossCountry App XC Map] [Venue Map] [Live Stream] [EN’s Coverage] [Support Our Sponsor: Kentucky Performance Products]

Lay It on the Line: Will Coleman and Diabolo Take Day One Lead in Defender Kentucky CCI5*

Will Coleman and Diabolo. Photo by Atalya Boytner Photography.

Despite the fact Will Coleman admitted he felt he didn’t have things completely perfect in his final warm-up ahead of Diabolo‘s first CCI5* dressage test at Defender Kentucky, the efforts made between the boards today were plenty for a Thursday lead. Will and the 14-year-old Holsteiner gelding owned by the Diabolo Group earned a 27.3 (with two penalties added for an error for halting at the wrong letter to end the test), a pleasing result in any scenario but certainly one to build off of at the 5* level.

“The first time you do a five-star at a place like this — this kind of atmosphere — you’re never totally sure how your horse is going to cope,” Will commented after his ride. “Diabolo got a little excited. Even my final warm-ups, I didn’t feel like I totally had him. But to his credit, he went in there, and he really stayed with me, and he did his job as best he could. There’s little things I’d love to clean up, but I can’t be anything but proud of him and I just really, really adore this horse.”

It’s been a slow build to this point with “Dab”, who was brought up from Australia at the end of the 2022 season after starting his career with Gemma Tinney. It was actually Will’s wife, Katie, who saw the video of Diabolo (Diarado – Roulett M) first and put the bug in Will’s ear. Will and his dad traveled to Australia for a whirlwind trip to try the horse, and soon enough he was on a plane to the States.

Dabs for “Dab”? Photo by Atalya Boytner Photography.

Some health issues acclimating to life in the Northern Hemisphere and other niggling things cropped up, as they do with horses, and truthfully Will’s always been more of the patient type — especially with a horse that had already competed to the 4* level with another rider. That means more time building a partnership — it’s certainly not a scenario in which a rider can or should just get on and kick on with a horse that’s competed at a high level.

That patience has paid off over the years, resulting in a win in the Cosequin Lexington CCI4*-S that runs alongside the CCI5* here in 2024 and a podium finish in the pair’s first 4*-L together at TerraNova in 2023.

“[It was a] very good program there with the Tinneys, but a different program, probably, to what he has here,” Will elaborated. “And I think it takes time for him to adjust to that, and for us to learn him and learn what he needs from us. I would say now you’re sort of seeing it come to fruition a little bit, but the weekend’s still not done, and we’ve got to see how the rest of the event goes. But happy with today and happy with this horse. He’s trying for me, that’s all I can ask for.”

Phillip Dutton and Possante. Photo by Atalya Boytner Photography.

Phillip Dutton didn’t quite have the fall season he was hoping for with the now-13-year-old KWPN gelding Possante (Namelus R – Wendelien), but that’s all behind him now and he’s full-steam ahead with this new slate, earning a 28.1 from the Ground Jury today for second place overnight. Our Ground Jury in the CCI5* is headed up by Andrew Bennie of New Zealand; he’s joined by Seppo Laine (FIN) and Valerie Pride (USA).

“He’s a great horse on the flat, and I think the best is still ahead of him, which is exciting,” Phillip said. “We started off not that great, we spooked in the corner so it wasn’t the best way to start off, but I thought he was very good from then on. Dressage comes reasonably easy for the horse, so it’s more just a case of keeping him calm and me riding well, and then it usually goes well.”

Phillip admits he’s had to be patient with the production of this horse as well. He was first produced to the 4* level by Great Britain’s Emily King, showing his promise by finishing fifth in the famous future-star spotlight 8/9-year-old CCI4*-S at Blenheim in 2022 before transferring to Phillip and the Possante Group.

Phillip Dutton and Possante. Photo by Atalya Boytner Photography.

“I mean, we’ve taken it slow,” Phillip said. “Actually, we struggled a little bit when I first got him, so I’ve had him for quite a few years now, but he’s starting to come together. He’s a kind horse — he wants to do the right thing, and he’s not trying to get out of things. It’s just he’s a bit bigger, and it’s taken a while to get him a bit quicker-footed and secure in what he does.”

Phillip as well as fourth-placed Harry Meade (GBR) noted that this test — FEI CCI5* Test A — is rather horse-friendly in the way it’s written, but nonetheless still a proper test of your training.

“Certainly doing the shoulder-in on the quarter line is a little bit more of a test, you don’t have the boards to hold you there, and then to half-pass right across the arena takes a bit more education from your horse as well. The first two changes are out of the counter-canter, so I think it does test the education and your training of the horse. I think it’s a pretty nice test — maybe one of the easier ones at the five-star.”

Tim Price and Global Quest. Photo by Atalya Boytner Photography.

Tim Price (NZL) rounds out the top three with Global Quest (Metropole – Broadford Star), a horse formerly ridden by the late and loved Georgie Campbell, earning a 29.8 for third place overnight. “He’s not God’s gift to dressage,” Tim laughed. “He’s quite a big horse, and he finds it all quite difficult, but I think the recipe was good this time. He was relaxed and giving as much of himself as he could, and it was quite fun.”

Tim credits the great footing in the dressage with some of effect to allow Global Quest to relax and give through his body. “It’s always nice at these big events, especially the ones when you’ve got such premium surfaces all the way through — horses that are natural, big, flamboyant movers, they can be in mud, they can be in grass. But the ones that are really working at their maximum in terms of the movements and pushing through their bodies the right way — I just love the fact we’ve got such consistent surfaces all the way through to the main ring.”

“I ride him in her honor,” Tim said of Georgie, who passed away after a cross country accident at Bicton in May of 2024. “She’d done, I think, a four-Long with him and she was targeting Luhmühlen when that happened. So I did a couple of four-Longs with him, built up to Pau last year, and then his owners, Dinah and Lance [Morish], and I just kept talking about Kentucky. It’s such a great stepping stone to the five-stars back in the UK that will always be there. And it’s great for the owners to come here, they have such a great time, so we thought it would be a fun thing to do.”

Harry Meade and Superstition. Photo by Atalya Boytner Photography.

Fourth overnight will be World #1 Harry Meade, who’s armed with two horses with an equal shot at a podium finish. The first of those was his own and Mandy Gray’s Superstition (Satisfaction FRH – Calendula), who at 17 truly has his own way of doing things at this point in his career – and both Harry and Mandy are happy to make life the simplest it can be for him. This means light, light scheduling — in fact, the 17-year-old British Hanoverian gelding hasn’t run an event yet this season, and his last start as a fifth-place finish at MARS Badminton last May. For Harry, the prep is done at home — the horse’s experience certainly helps here, as he’s already done five CCI5*s and never finished outside of the top 7 — and it’s more important to mind Superstition’s mental health more than drill the techniques.

“He’s quite intense horse to work,” Harry explained. “He’s very sort of fractious in his mind, gets very stressed at competitions. He’s done nothing since Badminton up to here, and it’s not what I would choose for every horse. But for me, it was the balance of what, actually, do the prep runs do for him, and the benefit — does that outweigh the tension? And I felt that it probably made him a less secure person in his own mind. So a lot of it’s just about keeping him feeling very comfortable and confident and happy and enjoying it and not under the spotlight, and then bring him out to a big one. I’m well aware that it’s unorthodox, and if I go and fall off at fence five, people might be quick to put two and two together, make seven and say, ‘Oh, it’s because the horse wasn’t prepared.’ But he’s been a very well proven, secure, five-star horse who’s demonstrated, hopefully, a partnership and real competence, and he feels just as prepared. This year we’ve done it at home.”

Harry Meade and Superstition. Photo by Atalya Boytner Photography.

To be honest, I think it’s a respectable approach. Of course, it remains to be seen how this “unorthodox” prep will pay off on Saturday and Sunday, but Harry is nothing if not a consummate horseman — and he’s fortunate to have a supporter like Mandy Gray, who agreed that there was no reason to push for more results. One three-day a year, when most others would do two, is not a common approach, but isn’t it better to think of what sets the horse up for success?

The 30.2 earned by Harry and Superstition today isn’t their CCI5* personal best, but Harry echoed Phillip’s thoughts that this test was rather horse-friendly.

“I think it’s quite a horse-friendly test in the fact that you start opening them up in the medium and have a little bit of quite forward lateral work, and then another extended,” Harry elaborated. “And it’s that way throughout both the trot and the canter in that it’s not a backwards test. It encourages the horse to keep thinking forward and is quite rewarding for horses to execute.”

Boyd Martin and Cooley Nutcracker. Photo by Atalya Boytner Photography.

Boyd Martin had a very special guest in the stands today: Liz Halliday made her first public appearance this afternoon just in time for her Olympic horse, Cooley Nutcracker (owned by Liz’s Nutcrackers — yes, that is the owner group’s name and we’re very here for it), to go down centerline. Liz, who continues her incredible recovery from a traumatic brain injury sustained in a fall in August of 2024, recently obtained her para dressage certification (LA28 BABY) and will be in attendance all week at Kentucky to cheer on Boyd and “Bali” as well as all of her friends and teammates competing this week.

“I heard Liz might be coming when I finished, I looked up in the stands, and there she was, just in the seating with all the gang,” Boyd smiled. “So I’m about to go over and say hello to her. I hope she’s proud of her horse — hope she was happy with this. It’s great to see her here.”

Welcome back, Liz! Photo by Atalya Boytner Photography.

Boyd would’ve loved a score in the 20s as is more Cooley Nutcracker’s MO, but a 30.7 is good for fifth overnight and certainly something to climb from in the jumping phases.

“I’m still getting to know him,” Boyd said of his test with Bali, who is by Tolan R and out of Ballyshan Cleopatra. “He’s a fantastic horse, and he’s not my normal type of ride. Usually I’m quite on hot, spicy horses, but he’s got that sort of laid back aura about him, and so I’ve got to ride him every step of the way. So all in all, I was pretty pleased with it.”

We’ll be back with you tomorrow in the CCI5* at 1:00 p.m. EST, and of course the Cosequin Lexington CCI4*-S dressage wraps up first (you can read our morning report from today here), beginning at 8:00 a.m. EST tomorrow. You can find full scores, live stream info and more in the links below.

EN’s coverage of Defender Kentucky is supported by Kentucky Performance Products, your one-stop shop for all the science-backed nutritional support your horse needs. Learn more about KPP here.

Defender Kentucky Three-Day Event: [Website] [Tickets] [Schedule] [Entries/Ride Times] [Scoring] [Volunteer] [CrossCountry App XC Map] [Venue Map] [Live Stream] [EN’s Coverage] [Support Our Sponsor: Kentucky Performance Products]

Tamie Smith and the Dancing Danito Take Day One Lead in Cosequin Lexington CCI4*-S at Defender Kentucky

Tamie Smith and Danito. Photo by Shannon Brinkman Photography.

It’s been two years since we last saw Ruth Bley’s Danito with Tamie Smith here at Defender Kentucky. The 17-year-old Hanoverian gelding (Dancier – Wie Musik) has a long tenure in the sport, earning accolades like a second-place finish at the Maryland 5 Star in 2022 and a top 10 individual finish in the FEI Eventing Nations Cup at Military Boekelo CCI4*-L in 2021. The 2023 and 2024 seasons were quieter for “Cheeto” (he has a lot of barn names, to be honest, but this one’s my favorite) due to some injuries, but now Tamie’s brought him along on her East coast tour which includes nearly 20+ other horses between herself and her students.

Now, he’s shown back up at Kentucky, competing in the Cosequin Lexington CCI4*-S (also a US Equestrian Open qualifier) where he’s taken the early lead with a score of 27.0 from judges Christina Klingspor (SWE) and Robyn Fisher (USA).

Tamie Smith and Danito. Photo by Shannon Brinkman Photography.

“It’s been rewarding to have the horses all be firing on the right thing, and I’m feeling really confident with how they’re all going,” Tamie said of her big trip East, with hopes to potentially take some horses to Europe this summer. “[Danito] was super today. He is an old showman, and it’s fun to have him because he’s kind of my little flashy dressage horse that kind of stepped in right behind Mai Baum. Danito actually had a bit of a hot shoe nail this week, which meant Tamie wasn’t able to ride him in ring familiarization or schooling prior to today while he recovered from that. Today, she got on for her pre-ride and felt as if he hadn’t missed a single beat.

“I pre-rode him this morning and I’m like, ‘He’s trained. He knows.’ And so you hope that you have that in the horses that you produce, and it’s the work that just keeps going all the way to the ring, and it’s just all the basics that are really strong, and then he has such a good mind. He loves to show off, and you kind of want that in a horse that is competing, so he was so proud of himself coming out of the ring.”

Tommy Greengard and That’s Me Z. Photo by Shannon Brinkman Photography.

California is well-represented in the standings after day one, with Bay Area-based Tommy Greengard slotting into second with his own and Andrea Pfeiffer’s That’s Me Z. That’s Me Z (Take a Chance On Me Z – Veneita) is a horse that’s truly been produced through the U.S development pipeline, starting in the USEA Young Event Horse program — he was the overall 2022 USEA Young Event Horse champion — and earning the Turner/Holekamp YEH Le Lion d’Angers Grant to compete at the FEI Eventing Young Horse Breeding World Championships in 2024, where he finished in the top 20 as a 7-year-old. Now 9, the Zangersheide gelding continues to shine, winning last year’s Adequan Advanced Championship at the 2025 USEA American Eventing Championships at Galway Downs.

This trip for Tommy, for which he brought along two horses for the CCI4*-S, including Galway Downs spring FEI winner Balladeer Kilbrickens Lad, is all about building for the future. He spent a year abroad riding with Tim and Jonelle Price, an experience he still says he’s learning from and applying to his own system.

“I think the biggest thing is that there are no tricks at the top and [it’s more about] just making sure no stone is left unturned, and that the basics are really established,” Tommy told me earlier this year about what he learned with the Prices. “I think that was one of the big things about that program — you can train and school in a way for success at the upper levels, and as the horses go up the grade, it’s very straightforward to them. And they have such a system and such a way of doing it — that was my biggest thing I tried to take away from it, is just how to look at things systematically and how to implement that.”

That paid off well for Tommy today, as he noted that the foundational work That’s Me Z has done in his short but successful career thus far really matters when the moment gets bigger.

“He is Mr. Consistency,” Tommy said. “He has very little sense of occasion in the best way possible, so he kind of was happy to go in the ring and perform and do the work. He’s very reliable in getting comfortable at the level now, and is getting a little stronger, which is exciting. He has a little more capability to move around the ring with a little more fluency and a little more step, which is new this year. But he is so dependable, and that’s a really nice thing as the rider. Because the training at home looks very similar to the training before the show, which looks similar in the ring. And that gives you confidence as the rider.”

Dan Kreitl and Carmango. Photo by Shannon Brinkman Photography.

Third on day one in the CCI4*-S are Indiana natives Dan Kreitl and Kay Dixon’s Carmango (Chirivell – Taramanga), navigating to a score of 32.0. The 13-year-old Westphalian gelding had a quiet year in 2025 after an injury was picked up at Boekelo in October of 2024, but now it’s all systems go for another season of eventing for Dan, who rides as an amateur and runs a real estate company as his primary career.

“After Carmango was injured, the vets kind of thought he wouldn’t event again,” Dan said. When the gelding came sound again, he competed in pure dressage up to the Intermediare level — but Dan’s (and “Fritz’s) heart lives in eventing, and I think they were both eager to get back at it. In the wake of the injury and subsequent rehab, Dan’s backed off the training intensity slightly, using a treadmill instead of more gallops for fitness and focusing a lot on the flatwork instead of the constant cross country schooling (the horse’s strongest phase).

“So our program is very different,” Dan said. “I’m not going to do as many gallop sets that I used to do when he was a younger horse, and I’m always worried about his fitness, but he’s always been quite fit. So I was probably overdoing maybe some of it on the fitness work.”

Balancing a family, a full-time job as an entrepreneur and competing at the upper levels is no mean feat. “Yeah, it is always a juggling act,” Dan said. “We have a college student housing business, that’s my full-time job. Then I have a friend that helps groom, and we have our routine in the morning, so I get through the horses, and then get straight on to work. My wife’s not a horse person, but she’s been really supportive — for the most part! — and with this sport, it takes a lot of time, so, it is hard balancing it, but I mean lots of people lots of people have lots of things to balance, so we just figure it out once step at a time.”

We also saw the first of the British Young Rider contingent today, with 22-year-old Finn Healy doing his dressage with Greannanstown Monbeg Joe (K.E.C. Maximum Joe – OBOS Jennifer), scoring a 35.8 for 12th place early on. Finn, along with Elizabeth Barrett and Isabelle Cook, are a part of a new initiative called GB Rising Lions, which provides funding and opportunities for young and developing riders to compete internationally. We don’t usually see any international entries in the CCI4*-S here — there is such a bevy of equal caliber competitions overseas, that the cost is undoubtedly not typically worthwhile to come over to the U.S. — which makes this weekend that much more exciting. Also of note is that Ride for Thais Chaman Dumontceau, a horse ridden by French rider Stephane Landois to a team silver medal at the Paris Olympics in 2024, is now with Elizabeth Barrett so we’ll get to see this special horse tomorrow.

We’re likely to see a slightly updated leaderboard tomorrow as we still have plenty of big swingers left to come. We’ll see rides from some serious contenders like Alyssa Phillips (inaugural CCI4*-S winner back in 2021) with the rising star Rockett 19, Sharon White with Claus 63, Will Coleman with Very Dignified, Mia Farley with Invictus and Carolina International winners Tamie Smith and Lillet 3 — all capable of threatening this current top 3, and of course, you never know who will have a banner day and surprise us all! We’ll have to stay tuned to find out more.

CCI5* dressage begins today at 1:30 p.m. EST, and we’ll have our traditional live blog running with Cheg Darlington here on EN. You can also find links to follow along below. I’ll be back later with some updates from the first day of CCI5* competition.

EN’s coverage of Defender Kentucky is supported by Kentucky Performance Products, your one-stop shop for all the science-backed nutritional support your horse needs. Learn more about KPP here.

Defender Kentucky Three-Day Event: [Website] [Tickets] [Schedule] [Entries/Ride Times] [Scoring] [Volunteer] [CrossCountry App XC Map] [Venue Map] [Live Stream] [EN’s Coverage] [Support Our Sponsor: Kentucky Performance Products]

World #1 Harry Meade to Pathfind at MARS Badminton CCI5*

Harry Meade and Cavalier Crystal. Photo by Cealy Tetley.

The drawn order for our next CCI5* is live, and once more it’ll be World #1 Harry Meade who will lead the way for dressage and cross country at the 2026 MARS Badminton CCI5* in England. Harry’s got three horses entered and has yet to determine which will be first, second and third to go. The three he’s got entered are Cavalier Crystal (4th at Badminton in 2025 and 3rd at Burghley last September), Et Hop du Matz (3rd at Kentucky and 9th at Burghley in 2025), and Graffenacht (4th at Kentucky in 2025) — all sound shots for the podium or even the win.

Cosby Green and Jos UFO de Quidam. Photo by Tilly Berendt.

For the U.S., Cosby Green will be the second rider in the order with Jos UFO de Quidam; she’s also #70 with her second ride, Highly Suspicious. Cassie Sanger, also based in England currently with Badminton champion Ros Canter, will be 18th to see with Redfield Fyre. Tiana Coudray with Cancaras Girl have drawn #30, and rounding out the U.S. contingent are Grace Taylor with Game Changer. Unfortunately, Boyd Martin, despite his plans to become the first Badminton winner with a mullet — though we’d need to fact-check that one — has withdrawn Miks Master C due to a slight setback after his final prep run at Fair Hill last weekend.

You can view the full Badminton drawn order here. Badminton runs May 6-10 and tickets can be found on the website here.

MARS Badminton: [Website] [Tickets] [Entries/Draw Order]

All 29 CCI5* Horses Set Sail for Defender Kentucky after First Horse Inspection

Harry Meade and Superstition. Photo by Atalya Boytner Photography.

It was all smooth sailing at this afternoon’s first horse inspection at the Defender Kentucky Three-Day Event, and all 29 horses in the CCI5* field have passed with flying colors. This weekend’s CCI5* Ground Jury is presided over by New Zealand’s Andrew Bennie, joined by Seppo Laine (FIN) and Valerie Pride (USA).

Monica Spencer and Artist. Photo by Atalya Boytner Photography.

Not much in the way of drama today (Malibu Preacher provided some for us, but hey, that’s his MO at this point and we accept him for who he is), so we now move ahead to the start of dressage on Thursday. We’ll see the Cosequin Lexington CCI4*-S first in the morning sessions on Friday and Saturday, starting at 8:30 a.m. EST on Thursday and 8:00 a.m. EST on Friday. The CCI4* will begin at 1:30 p.m. EST on Thursday and 1:00 p.m. EST on Friday.

Braden Speck gets his first ESPN interview! Photo by Atalya Boytner Photography.

If you want to follow along live, check out our Ultimate Guide here for all of the information on linking your USEF account to watch live for free, or how to use your ClipMyHorse.TV account for both live and on-demand viewing. You can also find all of our coverage to date, including our Form Guide to the CCI5*, inside our Ultimate Guide. Ride times will also be available here.

We’ll see you tomorrow and we’re off and running for the #BestWeekendAllYear!

EN’s coverage of Defender Kentucky is supported by Kentucky Performance Products, your one-stop shop for all the science-backed nutritional support your horse needs. Learn more about KPP here.

Defender Kentucky Three-Day Event: [Website] [Tickets] [Schedule] [Entries/Ride Times] [Scoring] [Volunteer] [CrossCountry App XC Map] [Venue Map] [Live Stream] [EN’s Coverage] [Support Our Sponsor: Kentucky Performance Products]