Sally Spickard
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Sally Spickard

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About Sally Spickard

Sally Spickard is a Korean adoptee living in San Diego, California. Sally joined the Eventing Nation team in 2013 and has subsequently written for Noelle Floyd, Heels Down Mag, and other publications both in and out of the equestrian world. Sally is an eventing fan through and through and enjoys telling the stories of riders who are not well-represented within equestrian media.

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Save Big at Stübben This Week Only

Stübben rider Boyd Martin and Commando 3. Photo by Tilly Berendt.

Stübben North America has announced a limited-time 20% off sitewide sale, giving riders the chance to save on nearly everything from saddles to accessories. The discount applies to all products—including new saddles—making this one of the most comprehensive sales the company has ever offered.

The only exception is on custom saddles, but shoppers will still find unbeatable savings across Stübben’s renowned range of tack, equipment, and rider gear. Known for combining German craftsmanship with modern innovation, Stübben products are a favorite among riders at every level of equestrian sport.

The sale runs for a limited time, making now the perfect opportunity to upgrade your equipment and experience the comfort, durability, and performance that has defined Stübben for over a century.

Visit stubbennorthamerica.com to shop the sale before it ends this Sunday, August 24!

Belgium Unveils Agria FEI Eventing European Championships Roster

The team decisions are rolling in thick and fast now, and we have a look today at the Belgian squad who will be traveling to Blenheim in September:

👊 Team:
Wouter De Cleene – Quintera
Lara De Liedekerke – Hooney d’Arville (reserve: Kiarado d’Arville)
Tine Magnus – Dia van het Lichterveld Z
Senne Vervaecke – Google van Alsingen

⭐ Individuals:
Jasper Peeters – Jackass PK
Karin Donckers – Olympic de Muze or Ceres de la Brasserie

Congratulations to all! You can view more Europeans coverage here.

A Late Newcomer to the Defender Burghley Roster

Oliver Townend and Cooley Rosalent. Photo by Tilly Berendt.

We’ve got a new addition to the Defender Burghley entry list ahead of today’s draw for running order. After initially being short-listed for the FEI Eventing European Championships for Great Britain, Oliver Townend and the owners of CCI5* winner Cooley Rosalent have opted to withdraw from selection and instead aim for the 11-year-old Irish mare’s Burghley debut.

“We wholeheartedly believe in her as a team horse and recognise the privilege of being included in selection, but equally support her owners dream of having a horse delivering top results at our British 5* competitions,” Oliver shared on social media. “After Rosie’s brilliant win at Kentucky and 2nd place at Badminton this spring, combined with her owner’s ill health, they felt Burghley is the next exciting step for her. We will no doubt be fully supporting and cheering on the Brits who were selected for the Europeans and look forward to watching them defend the title on home soil!”

While EquiRatings still has Ros Canter and Lordships Graffalo, 2024 winners of Burghley, as the heavy favorites to win at 47%, Oliver now sweeps into second in the Prediction Centre with a 16% current win chance. You can view the Prediction Centre here.

We’ll have news on the Burghley draw later today, but in the meantime you can view the full entry list and more information here.

EN’s coverage of Defender Burghley is presented to you by Kentucky Performance Products.

Defender Burghley: [Website] [Tickets] [Entries] [Burghley TV]

Great Britain Announces Six-Member Squad for Agria FEI Eventing European Championships for Seniors

Laura Collett and London 52. Photo by Tilly Berendt.

It’s high time to start rolling those team announcements for next month’s Agria FEI Eventing Championships for Seniors. This year’s championship will take place t Blenheim Palace, September 18-21. Great Britain is the latest to announce its definite squad, and the announcement comes on the heels of defending European Champion Ros Canter’s announcement that she would be excusing herself from selection as she expects her second child.

With that being said, we talk often of the depth of the British, and there were plenty of pairs waiting in the wings to fill a spot that we all but knew would be granted to Ros and Lordships Graffalo. Here’s a look at the six-member squad (a team of four and two individuals will be designated at a later date) selected for Europeans. The list is in alphabetical order.

  • Laura Collett (35) from Salperton, Gloucestershire, with Karen Bartlett, Keith Scott and her own London 52 (bay, gelding, 16yrs, 16.3hh, Landos x Quinar, Breeder: Ocke Riewerts GER, Groom: Tilly Hughes)
  • Caroline Harris (35) from Stroud, Gloucestershire, Lucy Matthews, Fiona Olivier, Marie Anne Richardson and Heather Royle’s D. Day (bay, gelding, 11yrs, 16.1hh, Billy Mexico x Dilum XX, Breeder: Fiona Olivier GBR, Groom: Nellie Smith)
  • Yasmin Ingham (28) based in Nantwich, Cheshire and originally from The Isle of Man, with Janette Chinn and The Sue Davies Fund’s Rehy DJ (bay, gelding, 15yrs, 16.2hh, Tinarana’s Inspector x Big Sink Hope, Breeder: Noell Russell IRL, Groom: Alison Bell)
  • Piggy March (45) from Maidwell, Northamptonshire, with Jayne McGivern’s Halo (grey, stallion, 12yrs, 16.2hh, Humphrey 61 x Contender, Breeder: Bernard Hobe GER, Groom: Hannah Chowen)
  • Tom McEwen (34) from Stroud, Gloucestershire, with James and Jo Lambert and Deirdre Johnston’s JL Dublin (dark brown, gelding, 14yrs, 16.2hh, Diarado x Cantano, Breeder: Volker Göttsche-Götze GER, Groom: Adam Short)
  • Bubby Upton (26) from Newmarket, Suffolk, with the Five Time Syndicate and her own Its Cooley Time (grey, gelding, 10yrs, 16.1hh, Quality Time TN x Heartbreaker, Breeder: Ishennisnag Stud IRL, Groom: Kirsty Campbell)

Piggy March and Halo. Photo by Tilly Berendt.

“This is a really exciting group of horses and riders, which combines experience alongside new talent – both human and equine,” Eventing Performance Manager Richard Waygood said in the announcement press release. “We’re fortunate to have Laura and Tom returning with their accomplished Olympic rides, it’s a new championship ride for Yaz, while Piggy brings forward her next generation championship horse. Both Bubby and Caroline have been in outstanding recent form and are worthy debutants – it’s exciting for our sport to have new faces in the squad. Overall, the line-up is ideal for current and future performance as we look toward next year’s FEI World Championships and LA28, while still being competitive at Blenheim. I’d also like to thank all of our owners for their support and the faith they put in our World Class Programme.”

As Great Britain prepares to defend the team title earned in 2023, this home soil showdown looms large. If you’re interested in attending, you can find information on tickets here. Further team announcements are anticipated this week ahead of the Definite Entries deadline of September 1. You can learn more about this year’s Championships here.

Bromont Continues Its Legacy as a Launchpad for Eventing’s Future Stars

Lindsay Traisnel and Bacyrouge. Photo by Cealy Tetley.

It was a banner weekend for Canadian eventing, with home riders taking top honours at August Bromont while a recent Bromont champion also delivered on the world stage. Just two months after winning the MARS Bromont CCI4*-L, Lauren Nicholson and Ms. Jacqueline Mars’ Larcot Z claimed victory at the Arville CCIO4*-S in Belgium, besting a world-class field and underscoring Bromont’s role as a launchpad for future success.

That same pathway to progression was on display again at the August International, where Bromont once more proved its value as a key stop for riders preparing for fall campaigns. 

In the Kingsleigh Equine CCI4*-S, Canada’s Lindsay Traisnel piloted Patricia Pearce’s Bacyrouge to the win after jumping clear on cross-country. Adding 10 time penalties, the Pan American Games team and individual medalist (2023) secured victory on a final score of 42.7 — using Bromont as the perfect stepping stone toward her next big goal, the MARS Maryland 5 Star in October.

“Honestly, I just really wanted to give him a good ride,” Traisnel said. “What really motivates me is to have a really good round. I’m probably not always competitive enough, so I just love giving him a good ride and having a good round. [The fact I was in the lead] didn’t really change my ride today.”

Traisnel, who brought “Dreamy” back to Canada after finding him in France when she resided there, only has one upper-level horse competing. While many of her colleagues have a string of horses, Traisnel says she relies on her trust and partnership with her horse to keep her instincts sharp without over-running him at events.

“I just…I really trust him,” she said. “I haven’t really run a four-star since March, so I looked at some old videos, like, ‘Yeah, I do know how to do this!’ And when I start jumping him in the warm-up, he’s always great. So I remember, ‘Oh, he’s got a huge jump. We’re good!’

It was Canada also on the second step of the podium as Kendal Lehari finished second in come-from-behind fashion with her own Thoroughbred gelding, Mitchell. Lehari made steady progress up the levels, tying with Buck Davidson in the first two phases and breaking the tie today with a quicker turn of foot on cross-country. This marks the best finish in the 10-year-old gelding’s four-star career; he had previously competed in Belgium at Arville as well as at TerraNova, and was sixth in the CCI3*-L here at MARS Bromont in June to set up up to step back to this level. Lehari and Mitchell finished their weekend on a score of 45.8.

Finishing third in the Kingsleigh Equine CCI4*-S are Buck Davidson and Sorocaima, an off-track Thoroughbred gelding, on a score of 51.8.

Boyd Martin and Shanroe Cooley. Photo by Sally Spickard.

Boyd Martin continued his solid weekend on cross-country, piloting Ocala Horse Properties’ Shanroe Cooley to the eventual CCI3*-S win on a score of 29.5 after adding 3.6 time penalties as the quickest round of the division. Martin had expressed his plans to be slightly more conservative on his other, more experienced horses as they set up for their various fall destinations. However, with “Dallas,” he planned to “let ‘er rip” a bit more to get a feel for where the 10-year-old Irish Sport Horse gelding was in his fitness and training.

“It’s the first time I sort of opened him up a little bit, and for a big horse, he’s actually got a big step,” Martin said. “I was impressed with his galloping ability because I thought he might be slow, but he’s not. I’m very, very pleased with him.”

“Obviously, it’s one of Liz’s champion horses, and it’s just a real honor and privilege,” Martin said. He has taken the reins on both Shanroe Cooley as well as Miks Master C (owned by Ocala Horse Properties and Debby Palmer), who was ninth in this division, while Olympic rider Liz Halliday continues her recovery from a traumatic brain injury sustained in a fall last summer. For Martin, the intervening months have been dedicated to building a partnership with these horses, which isn’t a simple task.

“I have to say, they’re beautifully trained horses,” he continued. “Me and Liz were always sort of ‘rivals’ at the competitions, but I admire [her]—with all her horses, they know their job. Even if you’re not quite perfect to some of the accuracy fences, they fight for you and jump through the fences, which is a credit to Liz’s training.”

Martin’s first plan is to qualify Shanroe Cooley for a CCI4*-L later this fall, and is tentatively aiming for the US Equestrian Open of Eventing Final at Morven Park in October.

Boyd Martin and Luke 140. Photo by Sally Spickard.

The FEI World #4 also claimed third place in the CCI3*-S with the Luke 140 Syndicate’s Luke 140, who ran more conservatively as he prepares for the MARS Maryland 5 Star and accumulated 13.2 time penalties to relinquish his lead.

“He’s an older horse but a difficult horse to ride, so I wanted to put him in a slightly easier class and just work a bit on his rideability and balance,” Martin elaborated. “Plus, the jumps are a bit smaller and a little nicer on his legs. He could do really well at Maryland if I play my cards right and all the stars align. So it’s just trying to keep him fit, sound, and dialed in to strike at Maryland 5 Star.”

Will Coleman and Honest Man. Photo by Cealy Tetley.

Will Coleman picked up the CCI2*-S win today with the Honest Man Group’s Honest Man, a 7-year-old Belgian gelding with whom Coleman has been partnered with for just about a year. Last August, Coleman brought Honest Man to August Bromont for his first event stateside, finishing third in the CCI1*-S. Now, Coleman feels confident that this young talent is nearing readiness to move up to the Intermediate and three-star level.

“He’s come a long way in a year,” Coleman said. “He’s still got a long way to go, but I was pretty pleased with him this weekend overall. He’s just kind of, I think, getting close to taking a step forward, maybe to the Intermediate level, and this was a great way to sort of see where we’re at.”

Coleman echoed the sentiment of using Bromont’s up-to-standard courses to build up his string for the top levels. “The courses are always first class. I think that’s a big reason why a lot of us like to come here—it gives us a great read on where we are, our horses for each level.”

Maddie Hale and Shanbeg Legacy. Photo by Cealy Tetley.

Maddie Hale retained her lead to win the U25 CCI2*-S division, riding her newest partner, Shanbeg Legacy, to a double clear cross-country round to remain on a score of 31.1. Just four riders across FEI divisions made the optimum time, and Hale can proudly count herself as one of them.

“I found that [the cross-country] rode very forward,” Hale said. “Walking, it felt a bit big, but then riding, it felt quite forward and he found it quite easy to jump everything. It was a bit spooky in places, but I think everything was set up really nicely to set them up going through the course.”

Hale is using this event to set herself up for a CCI2*-L later on this fall.

Bradley Champagne and Excel Star Bravo 2. Photo by Cealy Tetley.

Once more, Canada topped the podium in the CCI1*-S, with Bradley Champagne taking the victory aboard his own Excel Star Bravo 2 on a score of 29.2 and becoming one of just two competitors finishing on their dressage score. Champagne, who works full-time for Boyd Martin starting young horses, credits both that experience and his partnership with “Bravo” to secure the 6-year-old Irish gelding’s first FEI win in as many starts.

“I’ve had him since he was a three-year-old. He wasn’t easy!” Champagne said. “It took him until he was about five and a half to stop blindly spooking at everything. At first, it was a bit of a headache. I was thinking, ‘What have I done? Have I taken on more than I can handle?’ But I took my time, kept it easy, and it’s all paid off.”

“I honestly couldn’t have done it without that tool of training [young horses],” he continued. “Like I said, he was very difficult as a three- and four-year-old. Boyd basically said, ‘Yes, he is difficult, but just go back to your basics and what you know.’ That helped me give him a moment to take a breath. It was up and down for the first couple of years, but now he’s settled. Hopefully—knock on wood—he’ll just keep getting better.”

Bromont also hosted riders competing at the national EV100 level, and Canadian Olympian Selena O’Hanlon took the win aboard Kevin Tallman’s Castlequarter Bobbie D, steadily moving up after beginning the weekend in third place to finish on their dressage score of 27.8.

Bromont would like to thank the competitors, grooms, sponsors, officials, volunteers, staff, media and all who came out to spectate throughout the weekend. Many thanks in particular to Kingsleigh Equine for their support of the CCI4*-S. We look forward to welcoming eventing back to Bromont Olympic Equestrian Park in 2026 as the venue celebrates its 50th anniversary since hosting the 1976 Olympics. It will be a weekend not to be missed, so watch out for future communications as our date is finalized and we make preparations for what promises to be a stellar weekend of competition.

Bromont CCI-S H.T. (Canada): [Website] [Scores]

Lindsay Traisnel Tops CCI4*-S, Boyd Martin Dominates CCI3*-S at Bromont

Lindsay Traisnel and Bacyrouge. Photo by Cealy Tetley.

The August Bromont Horse Trials continued on Saturday with both dressage and show jumping phases taking place at the Bromont Equestrian Park ahead of Sunday’s cross-country action. A multi-national field is on feature this weekend, with five nations (Canada, USA, France, Australia, New Zealand) represented across divisions.

Canada came out in front early, with Lindsay Traisnel currently leading the Kingsleigh Equine CCI4*-S, sitting on a 37.2 going into cross-country with Bacyrouge, a 14-year-old Selle Francais gelding owned by Patricia Pearce.

Traisnel says “Dreamy” is feeling primed for the fall season and is feeling great. With October’s MARS Maryland 5 Star in mind, she plans on piloting Bacyrouge, an experienced horse who loves to be on the move, to a competitive run tomorrow.

“Definitely the focus is preparing for Maryland,” Traisnel commented. “He’s my only horse at this level – or even he’s my only horse, really – so I need to practice going a little quickly to make sure I’m ready for that as part of our prep.”

Boasting that Bromont is perhaps her favorite event in the whole word, Traisnel speaks on the courses designed by Derek di Grazia, assisted by Canada’s Jay Hambly, and prep. “I mean we all come for the cross-country,” she said. “It’s beautiful, it’s big and bold and galloping, and I think it really helps prep the horses for their long formats in the fall or depending on the time of year.”

Hannah Sue Hollberg and Christa Schmidt’s Carsonstown jumped a clear round Saturday afternoon to move into second in the Kingsleigh Equine CCI4*-S, and we have a tie for third, with Buck Davidson jumping from sixth to third on the wings of a double clear jumping round on Sorocaima, accompanied by Canada’s Kendal Lehari and Mitchell, also jumping from sixth to keep the tie intact.

Boyd Martin and Luke 140. Photo by Cealy Tetley.

FEI World #4 Boyd Martin enjoyed a strong day at the office Saturday and currently holds first through third place in the CCI3*-S. Leading the pack is the Luke 140 Syndicate’s Luke 140, who added nothing to his dressage score of 25.4 to hold firm on the lead. Luke 140 is followed by Shanroe Cooley (25.9) and Miks Master C (27.0), both owned by Ocala Horse Properties.

“I’ve come here with some mega horses that are four-star and five-star horses, so I just wanted to give them a nice confident run around an inviting course,” Martin said. “That’s why I bring them up here to Bromont! It’s sort of their first proper run as they prepare towards Maryland [5 Star], [Morven Park CCI4*-L], and Pau [CCI5*]. We’re off to a good start.”

Will Coleman and Honest Man. Photo by Cealy Tetley.

Will Coleman is the overnight leader for the CCI2*-S division, riding the Honest Man Group’s Honest Man to a two-phase score of 25.0, adding no penalties in the show jumping late this afternoon. The 7-year-old Belgian Warmblood gelding earned a personal best FEI dressage score Saturday morning and will look to build on his growing experience on cross-country Sunday.

Maddie Hale and Shanbeg Legacy. Photo by Cealy Tetley.

Young rider Maddie Hale is the U25 CCI2*-S leader overnight, riding a newer-to-her horse in the 9-year-old Irish Sport Horse gelding Shanbeg Legacy. This weekend marks the first CCI2* for this pair, though the horse has competed through the three-star level with former rider Jason Hobbs of Great Britain.

“I think just giving him a forward ride and not really thinking about the placing [made a difference],” Hale stated. “I just want to get him around confidently and give him a good feel for the fall with bigger courses. Everything [at Bromont] sets the horses up better for the future, because even to do the two-star here, it can feel like a three- or a four-star.”

Bradley Champagne and Excel Star Bravo 2. Photo by Cealy Tetley.

Leading the final FEI division, the CCI1*-S, is another Canadian rider in Bradley Champagne, who rode Excel Star Bravo 2 to a dressage score of 29.2 and then moved up to the lead with a double clear jumping round to end the day. Champagne, who works full-time starting young horses for Boyd Martin, brought the 6-year-old gelding over from Ireland when he was three years old. He’s done all of the production on the horse, and expressed his ongoing desire to keep taking things slow and properly developing him for the future. The one-star level, he says, is the perfect ticket for this.

“I think it’s just been about keeping him confident,” Champagne said. “I think about the last six months, he’s really figured out his body. But he is still only six. I’ve gotten more confident to where I felt doing some Modifieds [and one-stars] would be the right thing for him to bring him up the levels. He’s definitely a horse for the future.”

Cross-country kicks off at 8 am on Sunday and will begin with the CCI3*-S division. Boyd Martin will be the first rider out of the start box aboard Fetiche des Rouges, who is currently eighth in the CCI3*-S.

Admission and parking are free to the public on Sunday, and all are invited to come out and take part in some spectacular cross-country action. Patrons can also stop by the VIP tent to check out a free sample of Kingsleigh Equine’s environmentally-friendly cleaning products. You can learn more about Kingsleigh Equine here.

Bromont CCI-S H.T. (Canada): [Website] [Entries/Ride Times] [Scoring] [Volunteer]

USA Moves to Gold Position Following Cross Country at Arville Nations Cup

The Defender U.S. eventing squad competing at this weekend’s FEI Nations Cup leg in Belgium started the morning in silver position. It wouldn’t take long, though, for the cross country to exert its influence, humbling some experienced horses and riders and shuffling the standings considerably.

Germany began the day in gold medal position, but it came down to the clock. The German team, consisting of individual overnight leader Libussa Lübbeke and Caramia 34 (30.8), Nicolai Aldinger and Timmo, Calvin Böckmann and The Phantom of the Opera, and Arne Bergendahl with Luthien NRW, collectively yielded just a few too many time penalties to open the door for the Americans to jump ahead.

The all-female team of Cosby Green and Clever Louis (31.2), Lauren Nicholson and Larcot Z (31.7), Caroline Pamukcu and She’s the One (32.2), and Cassie Sanger with Redfield Fyre (41.3) all delivered quick clears, with Cosby one of just four riders to make the optimum time and move into second individually. The team will head into tomorrow on a two-phase score of 95.1, currently dropping Cassie’s score. They don’t have a breath over Germany, though, who looms behind them on a 96.9 team score. The Dutch team lies in third ahead of show jumping on a score of 120.2. Full team standings can be found here. Individual scores are here.

Many riders competing here are vying for a coveted spot on their countries’ FEI Eventing European Championships for Seniors, for which Arville is being used as a final selection trial. A solid finish here for these riders could stamp their ticket to Blenheim in about a month’s time.

The show jumping begins for the 4*-S at 11:00 a.m. local time, which is 5 a.m. EST / 2 a.m. PST. You can tune in live to see if the U.S. can bring home their first FEI Nations Cup gold of the season on ClipMyHorse.TV here.

FEI Eventing Nations Cup – Arville CCIO4*-S: [Website] [Schedule] [Entries/Timing/Scoring] [Live Stream] [About the FEI Eventing Nations Cup]

Another European Championships Contender Bows Out Ahead of Entry Deadline

Julia Krajewski and Uelzener’s Nickel. Photo by Tilly Berendt.

We have another big contender who has now bowed out of selection for next month’s Agria FEI Eventing European Championships at Blenheim Palace (September 18-21). Julia Krajewski (GER) announced on social media on Friday that she will not be pursuing selection with Uelzener’s Nickel, who most recently won the Meßmer Trophy German Championship at Luhmühlen and was also Julia’s partner at the Paris Olympics last summer.

The 2020 Olympic champion cited the terrain at Blenheim as one deciding factor, holding to the “horses for courses” concept with an eye to longevity.

“When I heard that the European Championships for this year had been given to Blenheim I thought ‘very cool venue, but I don’t think it’s for Nickel,'” Julia wrote. “I’ve been in Blenheim twice, with fond memories and for the right horse it is a great course and impressive venue! Though, knowing Nickel for some years now, I felt that the very hilly terrain and subsequent intensity isn’t something that makes him thrive and we don’t want to push him into something I know he doesn’t feel comfortable with.”

“After contemplating all aspects, his ever supportive owner Professor Bernd Heicke and I decided to stay out of the selection process and rather have him do a 4*L this autumn that I know suits him better,” she continued. “As said, this is absolutely nothing against the venue itself, but I am a firm believer in ‘horses for courses’ and try to live by that!”

Germany has yet to nominate its entries, but you can view their starting list here, which will still feature many heavy hitters even with the absence of Julia and Nickel. We should begin seeing nominated entries beginning next week as the August 18 deadline for submission looms. Definite entries will be due on September 1. You can learn more about the FEI Eventing European championships here and see more coverage on EN here.

France Reveals Nominated List for FEI Eventing European Championships at Blenheim

Nicolas Touzaint and Absolut Gold HDC. Photo by Tilly Berendt.

France has named the seven combinations it is nominating for this year’s FEI Eventing European Championships, to be held at Blenheim Palace (GBR) September 17-21. The nominated combinations will take part in a training camp at Saumur at the start of September before final definite entries are decided. In the end, four pairs will ride on the team and two will ride as individuals.

  • Sébastien Cavaillon & Elipso de la Vigne (11 year old male, Selle Français), owned by the Syndicat Elipso 2024, Group 1 FFE
  • Luc Château & Cocorico de l’Ebat (13 year old male, Selle Français), owned by Laure Sudreau, Group 1 FFE
  • Alexis Goury & Je’vall (11 year old male, KWPN), owned by Fanny Hamelin-Boyer and Michel Mitius, Group 1 FFE
  • Karim Laghouag  & Triton Fontaine (18 year old gelding, Selle Français), owned by Camille Laffitte, Guy Bessat, Philippe Lemoine and SARL écurie Karim Laghouag, Group 1 FFE
  • Benjamin Massié & Figaro Fonroy (10 year old gelding, Selle Français), owned by Aurélie Losin, Group 1 FFE
  • Astier Nicolas & Alertamalib’or (15 year old gelding, Anglo-Arab), owned by Aliette Forien, Pascal Ravery, Nicolas Paul and his rider, Group 1 FFE
  • Nicolas Touzaint & Absolut Gold*HDC (15 year old gelding, Selle Français), owned by the Haras des Coudrettes, Group 1 FFE

The selection committee for the French is made up of:

  • Frédéric Bouix, President of the FFE
  • Sophie Dubourg, National Technical Director
  • Martin Denisot, national technical advisor in charge of the full
  • Jean-Luc Force, national coach
  • Amélie Billard, assistant dressage trainer
  • Philippe Limousin, assistant trainer for dressage
  • Pascal Henry, federal speaker for show jumping
  • Cédric Lyard, federal speaker for cross-country
  • Xavier Goupil, federal veterinarian
  • Mathieu Bez, federal veterinarian
  • Laurent Bousquet, representative of the coaches
  • Camille Lejeune, representative of the riders

For more news on the European Championships, click here.

2024 Champions Return and Other Notes from the Defender Burghley Entry List

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

The Defender Burghley entry list is among the most hotly anticipated entry rosters annually, and while this year we’ll see a mildly diminished field due to the timing of the FEI Eventing European Championships for Seniors that will take place just a couple of weeks later, the roster still boasts a 59-strong membership. Now, we’re likely to see some whittling down yet — some pairs on the entry list this year are also likely candidates for a Europeans selection. As the team selections fall into place with the deadline for Nominated Entries approaching next week, we’ll likely see a handful of pairs drop off in favor of Euros.

THAT BEING SAID.

We shared some big news earlier this week that reigning European Champion Ros Canter (GBR) will forego the team selection for this year’s cycle of Championships. Ros announced that she was pregnant with her second child, due in early 2026. However, in her post, Ros only clearly eliminated Europeans from her list this fall. As it stands now, it seems Burghley is full steam ahead for her 2024 winner, Lordships Graffalo. They’re coming off a big year already; hot on the heels of the team gold medal earned in Paris, Ros kicked off 2025 with her second Badminton title (also aboard Lordships Graffalo).

Should Ros compete at Burghley, she could be looking at another repeat victory and a third 5* title for Lordships Graffalo.

Tim Price and Vitali. Photo by Tilly Berendt.

Ros will have plenty of competition for the title though. Tim Price (NZL) will have a somewhat uncharacteristically light week, with just one horse in his CHIO Aachen individual winner Vitali, who was second at Burghley in 2024 behind Ros. This is a pair that would also have a handful of 5* wins under their belt, most likely, were it not for some plaguing troubles in the show jumping — especially at 5* events where show jumping comes on the final day. Tim’s expressed his frustration but also his curiosity at the situation and finally felt he had hit on some helpful points by the time he got to Aachen last month. If Vitali can keep the poles in place on Sunday, he’s also a likely contender for the win.

Lucy Latta and RCA Patron Saint. Photo by Nico Morgan Media.

Other combinations to eye include David Doel (GBR) and Galileo Nieuwmoed, another pair who’ve been knocking at the door of a big 5* weekend: they were also second at Burghley, in 2023, and also on the podium at the Maryland 5 Star last fall. Katie Magee and Treworra, just crowned British Open Champions at Hartpury last weekend, are also poised to make a big run. Samantha Lissington (NZL) will be aiming to continue her hot streak with two entries in Lord Seekonig and Billy Alberto, two horses that have already had some big results this year. No one can forget Lucy Latta (IRE) and RCA Patron Saint, who absolutely dazzled us all at Badminton last year to finish on the podium in their first 5*. They missed out on Burghley last year but are a proper shout to have another huge weekend if things go to their plan.

Gosh, I could keep going, so I will. And please don’t write me hate mail for leaving your favorite pair out of this preview; I’m writing this from the Atlanta airport after a red-eye flight and I cannot be held responsible for the decisions I make at this time.

Piggy March and MCS Maverick. Photo by Tilly Berendt.

Burghley will also mark the 5* debut of Piggy March (GBR) and the former Pippa Funnell ride, MCS Maverick. This 12-year-old British gelding was purchased by a syndicate for Piggy to ride; Pippa had always planned not to keep the ride. Having just taken up the reins less than a year ago, it’s not likely to be a winning weekend for this pair, but this will be a combination to watch as they continue to solidify a partnership.

Harry Meade and Cavalier Crystal. Photo by Cealy Tetley.

We’re not sure yet which horses Harry Meade (GBR) will end up putting on the lorry. As is typical for Harry these days, he’s got three horses entered this year for Burghley. He is, however, also short-listed for the British Europeans team with both Cavalier Crystal and Et Hop du Matz. Any of these horses would be a good shout for a competitive weekend, either at Europeans or Burghley. All three have finished within striking distance at the 5* level, including a third place at Burghley in 2024 for Cavalier Crysal, a fourth the same year for Annaghmore Valoner, and a third at Kentucky for Et Hop du Matz.

Grace Taylor and Game Changer. Photo by Sally Spickard.

For the U.S., we’ve got a small contingent this year with just two riders representing the stars and stripes on the roster. First up is Grace Taylor, who bases full-time in England, and her very talented Game Changer. This will be Grace’s first trip back to Burghley since 2023, which was a weekend she’d likely prefer to forget after she had to withdraw Game Changer ahead of show jumping. Cassie Sanger is also entered with Redfield Fyre, looking to build off of a solid 5* debut at Kentucky earlier this year. Cassie’s been in the UK this summer preparing for this run, and will use this weekend’s FEI Eventing Nations Cup at Arville as a final ramp-up to Burghley.

Cassie Sanger and Redfield Fyre. Photo by Sally Spickard.

You can read more bits and bobs from the entry release here, and the full entry list can be found here.

Stay tuned for much more, including drawn order coming soon, and much more. EN’s coverage of Defender Burghley is brought to you with support from Kentucky Performance Products.

Defender Burghley: [Website] [Tickets] [Entries] [Burghley TV]

Statement from British Eventing on Incident at Aston-le-Walls

British Eventing posted a short statement on its channels Friday evening informing followers that competition at Aston-le-Walls (Northamptomshire) would be abandoned from today after an incident that took place on site. This morning, the organization provided the following statement update:

It is with the deepest sadness that we confirm Sarah Yorke (GBR), 37, suffered a fatal accident while competing at Aston-le-Walls Horse Trials in Northamptonshire, England, on Friday August  8 2025.

Medical professionals attended immediately following her fall at fence 3; however, tragically, she could not be saved.

Her horse, MGH HERA, was assessed by the on-site vets, walked back to the stable, and is uninjured.

Rosie Williams, Chief Executive of British Eventing, said: “On behalf of everyone at British Eventing, I would like to express our deepest condolences to Sarah’s family and friends. The thoughts of the entire eventing community are with them at this incredibly difficult time.”

A full review of the incident will now be undertaken by British Eventing in line with our established protocols.

To respect the family’s privacy during this very sad time, no further details will be shared.

We appreciate this is a deeply difficult moment for the eventing community, and we encourage everyone to support one another. The British Eventing Support Trust Helpline is available 24/7 on 07780 008877 for anyone who would like to talk to a trained professional.

Our hearts go out to Sarah’s family and friends, and to all of the support personnel who worked to try to save her. We are devastated to report any news of this nature. It’s an unthinkable element of our sport, and writing these pieces never gets easier. We are so sorry for all who knew and loved Sarah.

Applications Open for Georgie Campbell Foundation’s First Rider Beneficiary

The Georgie Campbell Foundation has officially opened its first application window to support an aspiring professional event rider through its new beneficiary program, designed to honor the values and legacy of the late 5* rider Georgie Campbell.

Created by those who knew and loved Georgie best, the Foundation’s mission is to champion the sport of eventing that Georgie was so passionate about, while helping to create a more sustainable and safe future for both riders and horses. This new rider support program offers one early-stage eventing professional the opportunity to receive bespoke mentorship, financial guidance, safety training, and more, all tailored to their individual needs and ambitions.

Applications are now open through Tuesday, September 30, 2025 at midnight BST, and eligible riders are encouraged to apply.

Who Should Apply

The Foundation is seeking eventing athletes who:

  • Are registered with British Eventing (BE)
  • Are currently competing—or have previously competed—at the CCI3* level or higher
  • Are in the early stages of running their eventing business
  • Can demonstrate both a need for support and a clear ambition to progress in the sport
  • Are aligned with Georgie’s values and committed to eventing long-term

Riders of all nationalities are welcome to apply, including those affiliated with any national team, but preference will be given to those who have not received substantial previous financial support or benefitted from programs such as Great Britain’s World Class Programme.

Applicants will be asked to submit a key information form and a response to application questions either in writing or via video—a nod to Georgie’s own experience with dyslexia. All submissions will be reviewed by a panel made up of industry professionals, members of Georgie’s family, and Foundation trustees.

The selected beneficiary will receive highly individualized support for an initial two-year period, with the potential for a third year based on progress and alignment with the Foundation’s mission. Support areas may include:

  • Financial and business management
  • HR and legal compliance
  • Securing and managing sponsorships
  • Young horse development
  • Rider and staff safety training
  • Branding and marketing strategies

Most of the mentorship will be delivered one-on-one and in person, supplemented with remote support when necessary.

This program is designed to be far more than a financial grant. It’s a comprehensive, personalized development plan to help passionate riders build a successful and sustainable future in the sport. The Foundation hopes to expand its reach to additional beneficiaries in the coming years.

Applicants must demonstrate a commitment to the values Georgie embodied: love for horses, determination, resilience, kindness, and a deep joy for the sport and its community.

To apply or learn more, visit Georgie Campbell Foundation website here. Applications are open until Tuesday, September 30.

Aiken’s Fall Showpiece: Stable View Oktoberfest CCI4* Promises Excitement, Challenge, and $40K on the Line

Phillip Dutton and Z compete at Stable View Oktoberfest in 2023. Photo by Shelby Allen.

The buzz is building in Aiken as Stable View’s Oktoberfest CCI4-S* draws closer (September 26–29), and riders seeking a fall 5* or 4*-L prep will find plenty of refreshed challenges as well as a $40,000 purse up for grabs.

With a wet summer in the books, the Stable View team has doubled down on preparation: the Big Guns and K-Line irrigation systems have been running around the clock, and the cross country course has already been vertidrained and aerated, with the running lanes aerated twice to ensure top-notch footing for the venue’s full slate of upcoming competitions, including Eventing Academy weekends as well as the Oktoberfest FEI in September.

At the heart of this year’s 4* course are some new design concepts from Helen West, who’s been working closely with the Stable View team for months to integrate her fresh tracks with proactive turf management—something organizers say they’ve not been able to accomplish to this level before. Earlier in the season, Helen collaborated with incoming Maryland 5 Star and last year’s Paris Olympics course designer Pierre le Goupil, and she’s brought key insights from that experience to shape a track that is both forward-thinking and preparatory for the fall’s marquee events.

What to expect? A new creative technical use of the arenas, exclusive to the 4* division. Riders will jump into the Hunter Arena, gallop through the Silva Arena, and tackle a combination at 17AB in the New Arena. But it doesn’t stop there—spectators will get an up-close view as the course runs into the Phillips Arena for fences 18 and 19AB before looping back out. This section alone utilizes 500 meters of all-weather footing, making it not just a spectacle, but also perfect prep for Maryland or Pau 5* or Morven Park’s US Equestrian Open Final 4*-L later in October.

Entries for Stable View Oktoberfest, which in addition to the CCI4*-S division will offer FEI competition from 1*-S and up and National divisions from Beginner Novice up to to Advanced. Entries open on August 12, and you can learn more here.

Weekend Winners: Millbrook, Hunt Club, Glen Oro

It’s time to look back on another bustling weekend of eventing! In big news from Canada, FEI eventing made its return to Ontario with CCI1* and 2* divisions running at Glen Oro Farm’s Horse Trials. Thanks to the hard work of many, more FEI opportunities in Canada are coming up at Wesley Clover Parks in September.

Our lowest score of the week also comes from Glen Oro, as Jessie Phoenix won the Open EV100 division with Dunhallow Sampson’s Legacy — owned by Chelsea Low — on a score of 20.6. Well done to all!

Millbrook H.T. (NY): [Website] [Scores]

Advanced: Boyd Martin and Miss Lulu Herself (44.9)
Open Intermediate A: Katie Lichten and Fast Company (43.2)
Open Intermediate B: Savannah Fulton and Cash Point (39.7)
Open Preliminary A: Tim Bourke and Quality TNT (27.3)
Open Preliminary B: Tim Bourke and Sing To Me Cooley (30.5)
Preliminary Rider: Jessica Ebzery and Absolut Cooley Quality (23.4)
Modified Rider: Julie Crispin and Magnific C’Imagination (31.9)
Open Modified: Booli Selmayr and Uptown Girl (33.3)
Open Training A: Booli Selmayr and Bobbie Burns (32.0)
Open Training B: Robin Walker and DHI Milan (25.7)
Training Rider A: Fiona King and Kilbracken Blu (37.1)
Training Rider B: Emma Cross and Raise the Bounty (30.0)
Junior Novice: Emerson Hover and Amore (22.8)
Novice Rider A: Jacqueline Thorne and The Fonz Himself (23.9)
Novice Rider B: Hannah Lowin and Jack Frost (27.2)
Open Novice A: Leigh Casaceli and Irish Hero (28.9)
Open Novice B: Morgan Connelly and Call Me Rio (27.2)
Beginner Novice Rider A: Thomas Whitty and Twain (30.3)
Beginner Novice Rider B: Caroline Reardon and Storm the Castle (30.9)
Open Beginner Novice A: Lee Fairchild and Black Magic’s Riverdance (26.2)
Open Beginner Novice B: Joanne Blackmore and Callam (26.9)

Hunt Club Farms H.T. (VA): [Website] [Scores]

Open Preliminary: Lee Maher and Global Crown (39.8)
Open Modified: Ashley Kehoe and My Ernie (46.1)
Open Training: Martha Wunder and Sunshine Daddy (31.9)
Training Horse: Stephanie Sills and Valor (33.3)
Training Rider: Piper Etheridge and Dalhem Theano (33.3)
Novice Horse: Lee Maher and Fernhill Klass Act HTF (28.6)
Novice Rider A: Catherine Ramsey and Cakewalk (25.3)
Novice Rider B: Emma Thornell and Delta Dawn PVF (34.6)
Open Novice: Kendyl Tracy and Disney (26.9)
Beginner Novice – Junior: Mackenzie Hicks and Sorry Not Sorry (32.9)
Beginner Novice Horse: Devon Sutherland and James (40.5)
Beginner Novice Rider: Michaela Yowaiski and Lumen ex Tenebris (21.8)
Open Beginner Novice: Molly Smith and Kimberlake Jophiel (31.8)
Pre-Starter: Celeste Legat and Key To Freedom (27.7)
Starter A: Miranda Van Hemert-Hartsock and River Monster (27.7)
Starter B: Aila Rodriguez and High Maintenance (27.7)

Glen Oro H.T. (Ontario): [Website] [Scores]

CCI2*-S: Jessica Phoenix and ESI Nixon (33.6)
CCI1*-S: Nicole Reynolds and Glendening Totem (34.2)
Open EV115: Melissa Bourtin and Obeah Dancer GS (35.1)
Open EV110: Emily Lindsay and Ta Ta For Now – SR (43.8)
Open EV100: Jessica Phoenix and Dunhallow Sampson’s Legacy (20.6)
Senior EV100: Maureen Sinopoli and Darcy (32.0)
Junior EV90: Melanie Tian and The Mighty Finn (42.1)
Open EV90: Jessica Phoenix and El Tormenta (29.1)
Senior EV90: Jade Buchanan and Gusto (27.7)
Junior EV85: Danica Fetter and Rather Boldly (35.3)
Open EV85: Jade Buchanan and Ginger (26.9)
Senior EV85: Michelle Stableford and Make My Day (27.2)
EV60: Violet Humphries and Sawyer (32.5)
Junior EV75: Emilie Roberts and Lightnight McQueen (35.0)
Open EV75: Marnie Bennett and FF Fortuna – SR (35.8)

We Want This Farm: Aiken’s Hidden Shangri La

If you’ve ever dreamed of a life where every detail was designed with horses—and your own luxury—in mind, welcome to Shangri La (literally). Tucked away in prime horse country in Aiken, South Carolina, this 13-acre estate feels like a private resort with an equestrian heartbeat.

From the moment you turn onto the magnolia-lined driveway, you know you’re in for something special. Crepe myrtles frame the approach to the main residence, a 3,953-square-foot Tuscan-style home built in 2009 that balances warmth and elegance.

Inside, a solid wood arched door with horsehead hardware opens to a foyer featuring a stunning inlay of 11 wood species and aqua marble, lit by an artisan stone chandelier. That attention to detail continues throughout the home—6” European white oak planks underfoot, river stone fireplaces, Schonbek crystal chandeliers, and custom stained-glass windows handcrafted by Savannah River Art Glass.

The primary suite is a sanctuary in itself, with a gas fireplace, ambient lighting, and a spa-worthy ensuite bath that includes heated floors, a freestanding clawfoot air jet tub, steam shower, towel warmers, and dual walk-in closets. Even the garage was built with intention, featuring 11’6” ceilings ready for car lifts or extra storage.

But it’s not just the main home that makes this estate exceptional. The 2,500-square-foot Koi House, built in 2016, is both serene retreat and architectural marvel. Enclosed with copper screen and birnam wood beams, it features a fully automated 52,000-gallon koi pond with imported Japanese koi, plus a gourmet kitchen with Wolf and Bosch appliances, hand-forged lighting, and a cozy fire pit sitting area—ideal for quiet mornings or entertaining guests (like the EN team, which will certainly be knocking on the door after we referred you to this amazing property).

Of course, no dream farm is complete without the perfect equestrian amenities – that’s what we’re here for, right?

The 3,500-square-foot climate-controlled stable is built to impress. It includes four stalls with Nelson automatic waterers and fans, a hot/cold wash stall with heat lamps, a spacious tack room, storage, laundry with a raised dog-washing station, and even an adjoining kitchenette and half bath.

Also included: kennels for five dogs open to a fenced yard, and the two pastures and two paddocks are complemented by three matted, fan-cooled run-ins with automatic waterers and lights. The entire property is irrigated and enclosed with no-climb wire, ready to keep horses safe and comfortable year-round.

Security, comfort, and longevity were key considerations across the property. Each structure includes built-in generators, lightning rods, copper flashing and gutters, and 50-year architectural shingles. HVAC systems are equipped with purification and humidifiers to maintain ideal conditions no matter the season.

Residents enjoy access to over 30 miles of riding trails, private carriage roads, two professionally designed equestrian complexes with GGT footing, and two clubhouses. Whether you’re a competitive rider, a dedicated horse owner, or simply someone who craves privacy and natural beauty, Shangri La offers an unmatched blend of equestrian functionality and luxurious living.

Can we go ahead and start a Kickstarter campaign to make this EN headquarters? Asking for a friend.

Click here to view the full listing!

For more information:

📍 1029 Shell Bluff Drive, Aiken, SC 29803 [View listing]
💲 Listed at $4,500,000 | MLS #216062
📞 Contact:
Deirdre Stoker Vaillancourt – 803-640-4591
Alexa Bottomley – 843-540-6831
Presented by Meybohm Real Estate

Thank You, Mai Baum

Alex Ahearn and Mai Baum at AEC in 2014. Photo by Sally Spickard.

It was 2014, and I was just starting my fledgling career in eventing media. Thanks to guidance of some of the first friends I made on the grounds, I positioned myself, digital “camera” in hand, at the dressage ring in the Texas heat, ready to absolutely dazzle the EN readership with my reports from the American Eventing Championships.

The entry list was a literal who’s who of sport: Buck Davidson, Jon Holling, Laine Ashker, Tamie Smith (who I was still formally calling “Tamra” at that point). But as the next Intermediate pair cantered around the outside of the dressage letters, I was struck by the horse in front of me. A quick glance at the entries didn’t reveal much; I didn’t know the rider, but I did notice that she was Asian — and as I’ve written about multiple times here on EN, I knew I’d be diving down the rabbit hole as far as I could to learn more about this rider.

That horse and rider were Alex Ahearn and Mai Baum, who were on their way to being talent-spotted to the USEF Eventing 25 list the following year after a successful campaign at the then-2* level (now 3*).

Everyone loves a funny face! Alex Ahearn and Mai Baum. Photo by Jenni Autry.

The horse was nothing short of incredible. He was beautiful. He moved like a pure dressage horse, but then when it came time to jump, he tackled every question with the same amount of enthusiasm and grace.

It wasn’t too long after this first glimpse that the ride on “Lexus” was handed to Tamie, who had coached Alex after she and her parents, Ellen Ahearn and Eric Markell, acquired him from Germany, having been sourced by Michelle Pestl. The family had moved down to southern California to support Alex’s riding, but Alex had had another thought brewing in the back of her mind: what could this wonderful horse do with a top rider?

Tamie needed a good horse. She’d made a name for herself with a handful of others, but she hadn’t quite gotten ahold of THE horse yet. She had the talent, drive, ambition — traits any good rider has in their possession — but often it’s the search for the horse that’s got the ingredients, the soundness and the staying power to really compete at the top of the sport, that prevents riders from achieving their top goals. And the sport was getting harder. The removal of the dressage coefficient loomed large, meaning the jumping phases would become increasingly valuable and one couldn’t rely on a good mover alone to compete. The cross country courses and the show jumping tracks were getting increasingly technical by the year.

Tamie Smith and Mai Baum compete at Rebecca Farm in 2015. Photo by Sally Spickard.

Truthfully, on paper, Mai Baum had plenty of question marks himself. Yes, he’d been competitive at the Intermediate and Advanced levels, but he only carried about 30% Thoroughbred blood (indeed, you’d have to go back five generations in his pedigree to find the first evidence of a “blood horse,” in this case stemming from a French Arabian on the dam side. Thanks to Amanda Chance for that fun fact!) — a bit of anomaly, as event horses go. Would he have the stamina required to carry on in Long format events or the 5* level?

Here at EN, the team was fully onboard the Mai Baum train from day one. He had the full package, in our eyes: he could flash on the flat, he was rideable enough on cross country (for a rider like Alex or Tamie, at least!), and he was careful enough in the show jumping that you didn’t worry about errant rails. But it would take longer than anyone anticipated to see the black gelding realize his full potential.

Tamie Smith hugs Mai Baum after her beautiful test at Fair Hill in 2015. Photo by Jenni Autry.

Injury sidelined Mai Baum from stepping up to the 5* level or targeting the 2016 Olympics in Rio de Janeiro. He and Tamie were selected to represent the U.S. at the 2019 Pan American Games, but some mistakes on cross country held them back from being more individually competitive. We’d have to wait until 2021 for Mai Baum to make his long-awaited 5* debut, and he didn’t disappoint, finishing ninth at Kentucky that year. He went on to go to Tokyo as the traveling reserve for the U.S. later on in 2021 and CHIO Aachen and Badminton the following year, finishing tenth and ninth, respectively. To cap off 2022, he helped the U.S. to a silver medal finish in the FEI Eventing World Championships in Italy.

Photo by Tilly Berendt.

And then came 2023. During his last trip to Kentucky, Mai Baum had an ill-timed activated pin on cross country, costing 11 penalties that kept the pair from winning. 2023 was the year to exact revenge on that cross country course — which they did, full stop. Tamie and Mai Baum went on to finish on their dressage score of 24.2 to take home just the second U.S. 5* victory since 2008 and firmly stamp their names in the history books.

But this article is not just a list of accolades and accomplishments. This horse is more than his long list of accomplishments and record scores.

On his back, he carried the hopes and dreams of a whole family, whose daughter sought a place to belong in the world. He carried the heartbreak of Tamie herself after her best friend, Heather’s, brother passed away after a hard-fought battle of cancer during the biggest competition she’d gone to with the horse at the time. He carried the pressures that come with immense talent: the meticulous vet checks, the rehab from injury, the long travels, the swimming and trot sets and gallop sets and cross country schoolings and practice shows.

Photo by Shannon Brinkman Photography.

Horses ask nothing from us, except the meeting of their basic needs. Food, shelter, safety. Provide these to them, and they give back to us, ten-fold. They give us their hearts, their bodies, and it falls to us, their stewards, to call time on a career, as successful as it can be, at the appropriate time.

The Ahearn/Markell family and Tamie have always been adamant that the horse comes first. The question of retiring Mai Baum loomed large as he began to get older — in years, at least, if not in body. It’s a difficult — and, at the same time, easy — decision to retire a horse that’s still sound and competitive.

It may have been Mai Baum’s swan song at Rebecca Farm — an event that had helped shape his career and garnered him several wins — this past weekend, but it’s far from goodbye. He’s got a home forever with his family, and while we don’t know yet how he’ll pass the time from here on out, we’ve got droves of photos, videos and articles to keep him current in our mind.

Alex Ahearn and Tamie Smith with Mai Baum. Photo by Shannon Brinkman Photography.

And so it feels appropriate to say thank you here as I close this out. Thank you, Mai Baum, for the memories, for catching our eyes all those years ago, for your quirks like not liking spray bottles near you, for always giving us something to rally around and cheer for. You’ve changed more lives than you’ll ever know, and you’ve made our sport better just by being a part of it.

Go Eventing.

Take a Virtual Walk Around the Rebecca Farm Training Three-Day Cross Country with Bec Braitling

Photo courtesy of CrossCountry App.

CrossCountry App has been hard at work bringing you preview content of courses all over the world, and if you’re riding this week at Rebecca Farm or are aiming at a USEA Classic Long Format in the future, this guided preview of the Training Three-Day track with Australian 5* rider and USEA ECP coach Bec Braitling will provide you with some valuable insights.

Did you know that CrossCountry App is free to use? You can also upgrade to a Pro membership to gain access to even more tools, such as self-recording of your course walks complete with minute markers, adding notes to fences for things to remember, downloading maps for use when signal is poor and much more. Learn more about the Pro membership here.

Click here or use the embedded map below to go on a fence-by-fence walk with Bec around this beautiful Training Three-Day course, and good luck to all competitors this weekend!

The Event at Rebecca Farm (MT): [Website] [Halt Cancer at X] [Entries/Ride Times/Scoring] [Official Photographer] [Live Stream] [Volunteer]

CHIO Aachen: A First-Timer’s Observations

I admittedly didn’t have the full-blown Wellington experience the first time I visited the south Florida equestrian hub. I’d grown up reading about WEF, “Welly World” as many call it. Scrolling the beautiful photos, palm trees featuring prominently in every background.

But the first time I visited, I distinctly remember leaving feeling…underwhelmed. I’d visited to gather some b-roll for a film shoot, and granted, it was a slow day on site. There were fewer classes actively competing, less buzz. What stayed on me, though (and I’m very sorry to my Wellington-ite friends who are probably raising their hackles as they read on), was the feeling I left with. Like I had been sprayed with a mixture of suncreen and shame, unable to rinse off the feeling that I was simply not good enough. Not rich enough. Not pretty or skinny enough.

I’ve always loved eventing for many reasons, but chief among them is the sense I have of its blue-collar tendencies. Of course, to be involved in equestrian sports – especially at a recreational level – requires some form of disposable income. But I love eventing for its heart. The roll up your sleeves, push the bill collectors off another couple weeks, stretch the tall boots to their thinnest, grin and bear it.

Disclaimer: I do not believe this is a healthy lifestyle. I could write more pages on the lack of balance I know exists in our industry. But since when is everything you love completely healthy? I also love macaroni and cheese. And the occasional cigarette.

The view from inside the main Aachen stadium.

I harbored some worry that I would leave CHIO Aachen with the same sticky feeling on my skin. Here I was, attending arguably the best horse show in the world, which plays host to some 350,000 spectators every year and unifies most FEI disciplines together over a ten-day festival. There should be the show jumpers with their ritz and glamour, the dressage riders with their six-or-seven-figure horses.

Your first impression of walking through the ticket gates at Aachen is the sheer size of the place. Everywhere you turn, a stadium or yawning arena looms in the background, with retail tents stretching down enticing rows, displaying their wares. In short, it feels much like any other sporting event, but when you consider the scale of most equestrian competitions outside of racing, in the U.S. at least, it gives you that heightened buzz often accompanying a larger event like a football game (American or otherwise, take your pick).

If I were choosing an event to spectate at, Aachen would be at the top of my list. Yes, the crowds are teeming, but generally it’s a good crowd — you’ve got your retiscent slow-walkers and the stop-in-the-middle-of-the-walkway types, but it’s a respectful crowd who just wants to collectively join in the experience of spending loads of money on saddle pads and, if you’re into it, lingerie. The main stadium itself holds about 40,000 people, so there’s plenty of room for large crowds, and trust me: you’ll need at least a week to make it through the 200+ tradestands on the grounds.

You always have the chance to get up close and personal with the athletes and horses, with Aachen laying out bridle paths throughout that stream their way to the various collecting rings, lunging areas and the stables.

Through all of this, I was left with the distinct feeling that I did, in fact, feel like I belonged there. Sure, everywhere I turned there were Hot People™ dressed in clothes that I would need an entire quarter’s worth of pay to afford, not unlike Wellington…but it just felt different. It felt more accessible, and like all of the walks of life mixed together into one sweaty, currywurst-smelling fervor about horses.

I felt less sticky when I left. Despite the sweat, and the faint film left behind by overconsumption of currywurst (ok, that is my only other bit of feedback: could we perhaps have SLIGHTLY less sausage options in terms of cuisine?).

Like a Mini-Olympics

Aachen’s “wall of fame” – which features some quite funny photo choices if you keep looking.

Casting an eye down the start lists for each class, be it jumping, dressage or eventing (also on the docket are combined driving and vaulting, which I regrettably didn’t have the chance to take in for myself) is like reading through an Olympic roster. It’s no secret the best in the world frequent CHIO Aachen, and particularly this year, just over 12 months from the upcoming FEI World Championships for all of these disciplines, it seemed each country was keen to gain some key intel on the venue and the environment to use in their preparation.

Personally, I’d love to see something like this festival come to the U.S. While I understand we don’t always have the numbers that our UK and European counterparts do, I think we are also underselling ourselves in terms of spectator draw. Let’s look at Kentucky, for example, which attracts a few hundred thousand spectators throughout the spring, between the Keeneland spring meet, the Defender Kentucky Three-Day Event and the Kentucky Derby. There IS horse culture in America, and maybe pulling the threads of these often heavily segmented satellite sports would result in a similar-feeling celebration of the horse. The Kentucky Horse Park has the infrastructure to support multiple disciplines (as demonstrated by the 2010 FEI World Equestrian Games, as well as the simultatneous 5* show jumping and eventing that take place during Kentucky Three-Day week). Creating even a bi-annual festival (the Europeans have their European Championships every two years — and yes, we have the Pan American Games every four years as well — this could be come North, Central and South America’s version of this, in some ways). That’s a guaranteed bi-annual multi-million dollar economic impact, epsecially if this festival coincided with other major events like the Kentucky Three-Day or the Kentucky Derby.

(If anyone institutes this, I’d love a credit and corresponding compensation; even better, let me know if you’d like to back this idea.)

I sadly only visited the Lindt candy bar ONE TIME, which offends even me.

There are also a lot of takeaways gleaned from my experience as a member of the media. Athletes (and owners, grooms — people with credentials, basically) and media had access to a special area of the grounds that featured a VIP Area, an open bar, a Lindt candy bar and catered lunch every day. We were situated just behind the main stadium and its collecting/warm-up ring, and we had a dedicated media center with decent WiFI available to us as late as we needed it every day.

Listen: everyone working a horse show works hard, long hours. As media, our days are typically in the 15-18 hour range (made all the more exhausting by the fact that while the riders and owners are tucking into their open bar beverages upon competition completion at the end of the day, we’re really just beginning our work day), and there is nothing worse than having to battle the food lines in the spectator area, fight your way into some sort of workspace, pull your hair out from slow internet, and meanwhile be all at once dehydrating and starving yoursel for lack of provisions. We’re tasked with telling the stories of the week — having proper infrastructure with which to do this makes a massive difference, and makes the long days feel less all-out draining.

The entrance to the building that houses the media center.

A very swanky open bar for riders and media that, again, I only visited once.

It wasn’t all perfect — I was a bit stuck chasing riders down toward the barns like an annoying little duckling if I wanted quotes after dressage (luckily event riders by nature are VERY NICE and I love them for it) because there was no dedicated mixed zone, and on more than one occasion it was difficult to find seats in the press tribune seating, clearly marked for press and media only but inexplicably always occupied by riders and owners (who had their own dedicated section) with no enforcement of who could sit where happening — but it was pretty damn close.

A Reminder of Just How Global Equestrian Sports Are

No better view in the world!

It’s very easy to get sort of stuck in your chamber, feeling like the silly “horse stuff” you do doesn’t really matter in the grand scheme of things.

And let’s be clear before I go too much further: in the context of the world at large, where unspeakable atrocities are occurring with every word I type, where people suffer from unimaginable inequality and abuse — the context of a miffed dressage test or a run-out on cross country falls into stark contrast. Yes, we work in a very privileged environment. It’s our livelihood, but damn — what a livelihood it is. We are lucky. We cannot forget this, and we cannot forget that all-important context against the broad spectrum of troubles that plague our word.

But sometimes, at least for me, it can feel like what I do is too silly to legitimize. I struggle to name or even describe what I do for work in the company of my higher-educated, corporate job-working friends.

Is there a better office view??

My trip to Aachen reminded me: we work in a global sport that reaches millions of people each year. It’s so well-recognized in some areas that people come from far and wide to take it in — and even the non-horsey among them leave feeling bitten by a bug or one sort or another. It was a good, validating reminder for me — and yes, I’m the type that needs that sort of validation, just every once in awhile, when my own self-confidence is flagging a bit.

As we look ahead to Aachen’s World Championships in 2026, it’s valuable for us all to remember: Our sports matter, they have an impact. We should protect them, nourish their growth, and always ensure the horses are the top of every decision made. I witnessed that at Aachen this year, and it gives me hope for the future.

Dressage Icon Carl Hester to Host Exclusive Masterclass at Galway Downs

Mark your calendars for an unmissable weekend of elite dressage education as British Olympic gold medalist Carl Hester brings his celebrated Harvest Dressage Masterclass to Galway Downs on November 8–9, 2025, presented by Entrigue Marketing.

Renowned across the globe for his impact on the sport, Carl is not only one of the most decorated British dressage riders of all time—having competed at seven Olympic Games and earned team gold at London 2012—but also a dedicated trainer and mentor to the next generation of riders. His deep commitment to horsemanship, technique, and development from young horses through Grand Prix levels has made him a household name in international equestrian sport.

Over two days in Southern California wine country, Carl will guide riders and spectators through his trademark training insights, offering a rare look into the system that has produced Olympic and World Championship podium finishes.

Interested in Riding with Carl?

Applications are now open for a select group of horse-and-rider pairs to participate in the masterclass sessions. The program, carefully developed in collaboration with Carl, is designed to showcase a wide range of training levels—from young horse development to Grand Prix refinement. Riders looking to benefit from direct feedback and one-on-one instruction from one of dressage’s greatest minds should submit an application no later than September 1, 2025.

Ticket Options

General Admission: Two-day general admission tickets include covered spectator seating, access to Galway’s vibrant vendor village, and a photo and autograph opportunity with Carl. Single-day tickets are also available.

VIP Experience: Enjoy the event in luxury with VIP balcony tables (seating for eight) or individual VIP tickets. VIP perks include:

  • Daily breakfast and lunch
  • Unlimited snacks and beverages
  • Two VIP parking passes (for table reservations)
  • Exclusive VIP Meet & Greet with Carl, including private table photos and autograph/book signing

Click here to book your tickets.

Whether you’re an aspiring dressage rider, a trainer, or simply an enthusiast who loves to learn, this is your chance to witness and learn from one of the sport’s most influential figures.

For applications and ticketing details, click here.

Apply Now for a Jimmy Wofford Legacy Fund Scholarship Supporting Classic Three-Day Event Riders

Photo by Vernon Bewley.

The Waredaca Eventing Education Foundation (WEEF) has officially opened the next round of applications for the Jimmy Wofford Legacy Fund Scholarship, offering aspiring eventers across the country critical financial support to pursue their Classic Three-Day goals.

Named in honor of the late Jimmy Wofford—an Olympic medalist and beloved mentor in the sport—the scholarship celebrates his passion for education, horsemanship, and the classic format of eventing. Through the generosity of WEEF donors and Classic Three-Day organizers nationwide, each scholarship includes a free entry to a Classic Three-Day Event and $1,000 to help offset training, travel, or related expenses.

With several events already completed this year and four more still to come, WEEF encourages riders to submit their applications by August 1.

Recipients of this year’s scholarships have already shared the meaningful impact of the award:

“This scholarship will help me continue to chase my dreams—not just as an eventer, but as someone who wants to advocate for the health and welfare of sport horses at the highest levels,” said Nicole Carlone, who will compete at Rebecca Farm’s Classic Three-Day this week.

“This opportunity not only supports my passion for eventing but will allow me to continue to broaden my knowledge as a rider and horsewoman,” shared Arianah Romero, a recipient riding at Summer Coconino in Arizona.

Zara Bewley, a competitor at Indiana Eventing Association’s (IEA) Classic Three-Day, added, “I am truly honored and deeply grateful… This scholarship will help with extra lessons and cross-country schooling as we work toward IEA.”

  • Eligibility requirements include:
  • Must be a current USEA/USEF Adult Amateur or Junior/Young Rider member
  • Planning to compete in a 2025 Classic Three-Day at the Beginner Novice level or higher
  • Demonstrated financial need
  • Must not be participating in other USEA/USEF grant programs
  • Must show volunteer commitment to the sport
  • One letter of reference is required

For full eligibility details and to apply, visit the WEEF website here.

Don’t miss your chance to carry the torch of tradition—apply by August 1 and ride for the legacy.

Germany Names Long List for 2025 FEI Eventing European Championships

Julia Krajewski and Nickel. Photo by Tilly Berendt.

Following qualification events at Luhmühlen and CHIO Aachen, Germany has named its long list of riders from which it will eventually select its team and individual representatives for the FEI Eventing European Championships. This year’s Europeans will be held at Blenheim Palace, September 18-25.

The long list is as follows; the final team will be named after the CCIO4*-S event at Arville running August 15-18.

  • Nicolai Aldinger with Timmo (Owners: Cornelia & Dieter Aldinger and Jutta & Michael Spethmann; Breeder: Ole Lehmann)
  • Arne Bergendahl with Luthien (owner: Helmut Bergendahl; breeder: Heinrich Bergendahl)
  • Calvin Böckmann with Altair de la Cense (owners: Simone, Jason and Liam Böckmann; breeders: Diego & Filipa Horta E Costa) and The Phantom of the Opera (owners: Simone, Roger, Jason, Liam & Calvin Böckmann; breeder: Peter Fick)
  • Emma Brüssau with Dark Desire GS (Owner: Dr. Jürgen Andreas Brüssau; Breeder: Bernd Gehrdau-Schröder)
  • Malin Hansen-Hotopp with Carlitos Quidditch K (Owner: Dr. Bodil Ipsen; Breeder: Miriam Kühl)
  • Heike Jahncke with Mighty Spring (Owners: Carsten Küst and Heike Jahncke; Breeder: Jörg Bätje)
  • Michael Jung with fischerChipmunk FRH (Owners: Sabine & Klaus Fischer, Joachim Jung and the DOKR; Breeder: Sabine and Dr. Hilmer Meyer-Kulenkampff)
  • Pauline Knorr with Aevolet MAF (owner: Ute Thümler; breeder: Marco Fischer)
  • Julia Krajewski with Nickel (Owner: Prof. Dr. Bernd Heicke; Breeder: Hindrick Stüvel)
  • Libussa Lübbeke with Caramia (Owner: Annelie and Dr. Martin Lübbeke; Breeder: Annelie Lübbeke)
  • Jérôme Robine with Black Ice (Owner: Dorothea von Zedtwitz; Breeder: Judith McClelland)
  • Anna Siemer with FRH Butt’s Avondale (owner and breeder: Prof. Dr. Volker Steinkraus)
  • Christoph Wahler with D’Accord FRH (Owner: Hendrik von Paepke & Stefan Haupt; Breeder: Christa von Paepke)

Karin Donckers Calls Time on Legendary Career of Fletcha van’t Verahof

One last time. Photo by Tilly Berendt.

“How do you know when to retire a horse?” Kentucky 5* winner Tamie Smith mused in a text conversation recently, speaking of her horse of a lifetime partner, Mai Baum (who, speaking of, will retire after one last fun run at Rebecca Farm later this month). The truth is, I don’t think there’s a tangible answer to this — not when the horse is sound, enjoying his or her job, still producing competitive results.

It’s a question any rider would love to be lucky enough to consider. The responsibility of producing and maintaining a horse at the top levels of sport is a large one. It requires empathy. Patience. Dedication. Trust. Awareness. Respect. And that same responsibility comes again when it’s time to bid farewell to a legacy career.

Photo by Tilly Berendt.

Last summer, Belgium’s Karin Donckers left Fletcha van’t Verahof — 20 years young this year — at home for the Paris Olympics, having been selected on his full brother, Leipheimer Van’t Verahof for her seventh Games. Fletcha, for his part, expressed his displeasure at being left home. “We left at 12:30 in the night with Leiphaimer,” she recalled. “I went to the stall of Fletcha and I looked in his eyes. He was really watching me, like, ‘come on, you’re gonna take me too!’ I know, I know, I thought. I still think so much about that moment.”

In her mind, Karin knew Fletcha’s tenure at the top of the sport would be drawing to a close soon. Every horsewoman or horseman wants to make that call at the right time — before the horse sustains an injury or begins to sour on the job. And Fletcha, who was bred in Belgium by Peter van Dame-de Smedt, had carried his age well.

Through her own dedication to her program of care and fitness, his body has stayed sound and his mind happy. When you think about the fact that championships run on four-year cycles (or for Europeans, every two years), for the horse to have done as much as he has is, well, astounding.

Karin Donckers’ Fletcha Van’t Verahof (BEL). Photo by Tilly Berendt.

“It’s a matter to keep him happy,” Karin said. “It’s a bit like me, I guess, because I’m 54 and that’s a bit the same for me. I love the passion for the horse, I love the passion for the sport, and that’s why I like to keep doing it. And that keeps me motivated, that keeps me fit. You know, when I came with the lorry [to come to Aachen], and I opened the lorry, he was like, ‘Oh yeah, wow!’ His eyes were popping out. And he was really like, ‘Yes, I did it again, over here again!’ So, you know, I’m sure that that’s the same for the horse.”

At home, Fletcha lives out, or in a big stall with its own attached outside paddock. Karin insists that once she felt she had the right approach to keeping him sound and happy, it was important not to make too many changes. Stick with what works, she says. “You just have to let him be a horse. You have to listen to them,” she continued. “I know him so well, and that’s what gives confidence. I guess that’s like in a good relationship with people too. You know what you have from each other. You know that you can count on each other. You don’t need much; you grow this path together in the last 13 years. That’s a special bond you have, and so much respect you have for each other. That makes it special.”

Karin Donckers and Fletcha van’t Verahof (BEL). Photo by Leslie Threlkeld.

“I think I have to follow what he what I always said, and what he deserves, you know?” Karin told me after she finished cross country, clear with time, at Aachen on Saturday. “You want to finish on a good way. And Aachen is something really, really special for the horses, and I think he deserves to finish here.”

To be sure, it wasn’t always a definite path for Fletcha (who is owned by Karin along with Carl Bouckaert and Joris de Brabander), who wasn’t the easiest to produce. “This horse was definitely not the easiest one in the beginning — way too bold and taking strides out and when really way too ambitious,” Karin explained. “It took me almost until he was 11 or 12 before he became easy to ride.”

Photo by Tilly Berendt.

And so, after another successful Aachen (his fifth time competing here, and the first time he’d been back since 2017), the curtain closes on the career of a horse of a lifetime. An Olympics, two World Equestrian Games, four European Championships, 48 FEI completions. What emerges as Karin’s favorite moment?

“I think the WEG when he was nine years old,” she said after a moment of thought. “He finished the WEG in fifth place. So that was incredible. And then knowing that he did three World Championships, I think that’s also something that not many horses did in eventing, because the World Championship is only every four years. So that’s amazing. On his nine, on his 13, and on his 17.”

Karen Donckers and Fletcha Van’t Verahof. Photo by Jenni Autry.

Every horse leaves you with lessons, if you’re willing to listen. Karin’s taking what she’s been taught by Fletcha and taking it forward to produce the next generation. “Give your horse a chance and make sure that you give them good education. Also, when it’s not so easy in the beginning, don’t give up on them. Give them a chance. Because often, the very, very good horses are not the easiest ones in the beginning, you know? That’s definitely what I learned.”

Here, she used a Dutch term — pluk de vruchten — that doesn’t really have a direct English translation here — but after consulting with fellow Belgian Lara de Liedekerke-Meier, the meaning became clear: after exercising patience and nourishing something along, you can — if the cards fall your way — reap the benefit and reward.

Tears popping to her eyes, Karin pauses for a moment as we wrapped up our interview. “I’m so happy that I had done 6, 7, 8 years, where it was every time a dream to ride him in cross country, you know? And I’m so grateful. Thanks to my owners and sponsors, we had such a life together. I’m just so thankful that I got this journey with him.”

To see more coverage from CHIO Aachen, click here.

An Eye to the Future: Previewing Giuseppe Della Chiesa’s CHIO Aachen Cross Country

We came to CHIO Aachen this year with high anticipation. After all, this site will, for the first time in 20 years, see the return of *most* disciplines in a reunited World Championships next year that will harken back to the World Equestrian Games of 2006. With that in mind, it falls to newly-installed course designer Giuseppe Della Chiesa (ITA) — also the designer for our most recent World Championships held at Pratoni del Vivaro in 2022 — to put together a track that allows him to fact-find for 2026.

As a result, we’ve got quite a different look and feel to the track, which was designed by Germany’s Rüdiger Schwarz previously before he retired. Giuseppe and his team have taken on the workload to open up new areas of the property — which isn’t boundless to begin with. It’s a completely different piece of land in comparison to the expansive terrain in Pratoni, but Giuseppe sees a future for this course, and that’s what he’s designing for.

“This was the main thing — what can we do to produce the course for next year?” Giuseppe told me. “So we came with the idea to produce something for next year, but especially to produce a venue for the next 20 years. This was the thinking. I spoke with the organizer. [I asked] ‘What is your intention for the next 20 years — to go on with eventing or not?’ Yes? Okay, then we try to produce a venue that can give for the future a lot more possibilities of changing course, of getting, you know, an instance.”

British rider Tom McEwen describes Aachen as “an unofficial five-star Short.”

“[Giuseppe] has designed an awesome course,” he said. “It lets you flow into it, and then all of a sudden, the intensity really hits you. We all know that the time is the biggest problem and I’ve seen many the top rider on the top horse just have the odd thing because of speed, which makes it an exciting show.”

And so we look ahead to this new design, which has received largely favorable reviews from the riders coming in from their walks. Most prominent in terms of flow, the first six or so fences are set on a yawning loop that will allow the riders to get their horses up into the bridle before the intensive, twisting parts of the track come in to play.

[The first combination comes at 4AB, and while it shouldn’t cause much trouble, riders will want to be aware of their right aids to keep their horses on the line and ensure they’ve got the tools they need as the course progresses.]

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After a handful of single fences on a gentle uphill slope to get the horses up in the air, riders will tackle the first combination at 4AB, a set of brush arrowheads positioned on a related, left-handed distance down a double mound. This question shouldn’t really cause much trouble, but will be good information for riders to use as they move on — Giuseppe says he’s set this on a somewhat progressive tone, with similar-feeling questions at increasing technicality coming later on.

[The BC and D elements of the straight route here involve a rollercoaster of a terrain change in between.]


The first big question comes at fence 7ABCD. This is a famous heartbreaker type of fence, where many great riders have come to grief, what with the distraction of the combined driving obstacles and the undulating terrain that compels riders to have a horse that can maintain a line.

After getting up over a big table at 7A, the riders will tackle two arrowheads, set again on a left-handed related distance but with the additional challenge of a steep, rollercoaster-esque dip in the terrain. There is an option here that will send riders off to the right should they not wish to answer this question right away or have trouble at the BC element.

From there, the hits just keep coming. The time is wheeled tightly at 6:35 — shorter than the course’s recent counterparts — and riders will need to ensure they keep the RPMs up while maintaining the necessary control to execute the turning and technicality exercises well. The next challenge comes at 9ABC, where the horses will get their feet wet for the first time.

This is another newer, or at least significantly modified, addition to the track; you’ll recall there was once a bridge over this Rolex water that frankly was barely used as more than decoration, but that has been removed this year. For Giuseppe, the removal of the bridge (which was done because it needed redoing and the organizers opted to just remove it) actually gives him more options.

“So we don’t have a bridge anymore, and now the water is much more accessible,” he explained. “And now we actually can go twice in water, no problem. I made this new exit [and] entrance with the brush down the hill, and now for the future we have many different options.”

The brush down the hill comes after a mound to 9A, a brush vertical that feeds the horses down into the water and over a right-handed corner and then a duck in the water off a left-handed turn at C.

[This is another series of fences that look somewhat deceiving in photos, as it’s hard to capture the steep dip in terrain that occurs between 10 and 11.]

We’ll then have another rollercoaster, line-testing question at 10 and 11 that will test footwork and rideability over two inviting logs. They’ll then come back into the Rolex water at 12, jumping a hanging log with a nice, guiding ground line to feed them in, followed by another duck in the water, and a right-handed corner off a short related distance.

Need to take a breath? Think again! You’ve now only got a few seconds to prepare for the coffin — a very “classical coffin”, as Giuseppe puts it, at 13ABC that features a steep downhill after a MIM-pinned airy rail. A very narrow arrowhead awaits at C, and Bettina Hoy noted on our walk that the steepness of the hill and the ditch could throw an odd wiggle into some horses, which will of course make the C that much more difficult to attain.

The next combination — and one that could exert its fair share of influence — comes at 16 ABC. The A element of this, a brush vertical, comes at the top of another mound, this time off a relatively short left-handed turn. Riders will need to find their line immediately after the A, as they’ll get pulled downhill to a pair of offset hedges set at a standard two-stride distance.

The view through 16A to the offset brushes below.

“That’s a real five-star angle for me,” Irish rider Padraig McCarthy told me. “There’s no deviation of your line, and if your horse isn’t reading it, you’re going to have a mistake. I think we might see people going long, especially if it’s influential at the start of the competition.”

You’re almost home at 18, which is perennially an influential question as it’s the final one before riders enter into the stadium to finish. By now, most are chasing the time, and can get caught out with a silly mistake here. This year, the combination has been backed off of its previous location closer to the road, and it’s a pair of left-handed open corners set on three strides. It’s a fairly straightforward question, but again, the complexity factor should be added in when accounting for the desire to catch the time.

Fence 21 features a MIM-pinned gate into the water.

After this, riders will gallop into the festive, raucous main stadium, where a handful of fences and an eager crowd of spectators await them. Giuseppe’s done a steeplechase brush, a MIM oxer, a MIM gate into the water and a step out, as well as the traditional keyhole to finish on. While these are generally more of speed bump questions, we’ve seen more than a few riders get caught up in a flat jump trying to get home, so he’s done his due diligence here to try to slow them down as much as possible.

“This course here, the only place where you can really make time is the beginning,” Giuseppe said. “The risk is that, if you go out really as a bullet… you risk to come to [4AB] with a horse that is all very free, and then here you could run into trouble. If we have nobody in the time, I’m not worried. But then the time becomes the deciding factor. And so… you still put some pressure on them, and some little mistakes come and that becomes more exciting.”

Giuseppe’s design philosophy comes down to challenging the riders. To him, the general 4* horse can jump any question. It’s a matter of placing questions in a way that makes the riders think and make good decisions. This is his way of laying out a challenge that tests the best without crushing the rest; a philosophy he’ll be tested even further on next year at World Championships.

“You can design for the horses or for the riders,” he elaborated. “I will say, I like to design for the riders. If a rider rides well, he has a horse that is well prepared. [The horse] doesn’t need to be a star; the normal horse must be able to do things. Then the good ones are the ones that can do it more economically and be a bit quicker. Sometimes it’s more… you’re testing their brain. The adaptability of the horse that is under control. Sometimes you have horses that are very powerful, but no real control.”

“It definitely needs good riding,” echoed Belgian Olympic legend Karin Donckers, who’s brought the 20-years-young Fletcha van’t Verahof here and who also competed at WEG in 2006. “You have to be on the right line, the right angle, everything has to be right. You’re not going to finish the course by luck. And that’s what I think the future for the sport is, and what we like — it’s the schooling of the horses, the good education, the trust, the good building up to this highest level. And I think if you did all that well, then you have the benefit [here she used a Dutch phrase that she didn’t know the English version of, so consider this your eventing ad libs for the day] — you have the big result in competitions like this.”

And so we anxiously await the official christening of this new track, which for all intents and purposes feels very much like a sneak preview of World Championships next year. Giuseppe’s already built some other features that aren’t being used this weekend but will factor in next year, and of course there will be more ground to use to lengthen the track to 9 or 10 minutes for Worlds.

We’ll get a first taste of the track starting at 9:55 am local time / 3:55 am EST on Saturday, so be sure to tune in live on ClipMyHorse.TV and/or via Cheg Darlington’s live blog here on EN.

Want a better look at the course? See the post below to see our walkthrough:

Safe rides to all, and Go Eventing!

CHIO Aachen: [Website] [Program/Entries] [Timing & Scoring] [Live Stream] [EN’s Coverage]