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Laura Collett Takes Boekelo Dressage Lead on Rising Star New Ride

Laura Collett and Count Onyx. Photo by Tilly Berendt.

We’re used to seeing European Champion Laura Collett front up at Military Boekelo with the ineffably weird Dacapo, who’s a sure thing absolutely nowhere except here, at the event where everything is on whatever odd planet he’s from – but this year, after three years of placing achingly close to the win, it’s hard not to feel that he was slightly robbed of his chance to come back and get the job done. Boekelo doesn’t operate in quite the same way as a normal CCI4*-L: rather than just entering and showing up, riders apply to their national federation for either team selection or to take up an individual space, and with so many up-and-coming horses in need of the experience, Dacapo was left languishing at the bottom of a very long reserve list.

But that’s hardly slowing Laura down. She’s still here, and still eyeing up that win chance, it’s just that this time, none of us really know her horse.

Count Onyx is working on changing that, though. The eleven-year-old has been part of Laura’s string for just a matter of months, having previously been produced to four-star by Aaron Millar. Laura had her first FEI run on him just four months ago, taking fifth in the CCI4*-S at Burgham, and he ran well at the same level at Scone Palace and Little Downham, too, delivering sub-30 scores and swift, clear cross-country rounds at each.

Today, he made good on the first part of that trend, putting a 26.6 – a personal best at four-star, and his second-best score at any level – on the board to take the lead.

“I was chuffed with him, because this last week everything has started to feel like it’s falling into place,” says Laura. “So I was delighted that he took that work into the arena, too. He’s actually felt like a quite an inward worrier in our other tests this year, but today felt like we understood each other, and he stayed super relaxed the whole way through.”

Laura Collett and Count Onyx. Photo by Tilly Berendt.

Never one to shy away from a big personality, Laura tells us that Count Onyx is “a cheeky character – but I love that in a horse. He’s a real ‘me’ type of horse, so I’ve enjoyed building a partnership with him.”

Though they’ve started their week on a serious high, and may yet see it through, Laura has her eyes firmly on the future with the young horse.

 “I feel like we’ve been on a crash course this year, so the intensity of cross-country tomorrow will really test our partnership, but I’m hoping we’ll both learn lots about each other. I’m super excited about next year once we’ve had a winter’s work together.”

Jesse Campbell and Speedwell. Photo by Hoofprints Social Media.

Tuesday of this week would have been Georgie Campbell’s 38th birthday, and so it feels fitting that her much-loved eleven-year-old, Speedwell, sits a hair’s breadth away from the lead with her husband, Jesse, in the irons. They scored a 27.1, their personal best as a partnership and the horse’s four-star personal best, to move decisively into second place this afternoon.

“He was just very cool,” says Jesse. “He’s a lovely horse, and he’s been trending the right way this season, so I’m delighted to have got what I thought was the best work he’s done all season. He’s a triple threat horse: he’s got a good trot, a good walk, and a good canter, and so to be able to put everything together and do a proper clear round was a really good feeling.”

Jesse’s first competition with the horse was in late July of last year, when they had a steady clear in the CCI3*-S at Burgham, and this year their fledgling relationship has moved up a gear, with a win on their last outing at Cornbury and placings in four-star classes at Hartpury, Thoresby, and Royal Jump. But more important than the results is the continuation of both legacy and love.

“He’s obviously Georgie’s horse, and he’s still very much Georgie’s horse,” says Jesse. “It’s a really beautiful thing for me to have, because this is probably one of the only physical connections I have to her. It’s pretty cool. He also now really trusts me, which is a lovely feeling.”

British dressage rider Gareth Hughes has played an instrumental part in helping Jesse and Speedwell build their partnership.

“I love the way he trains. It’s all about harmony, and getting the horse to follow you, and he’s really growing in confidence with it,” says Jesse. “It really has revolutionised our training because it really flows into the jumping, where you really want the horse to follow your lead to be able to understand where it’s going. Gareth would be really cross with me if I ever put him into a situation where he could fail, and that’s a lovely, lovely way to train.”

Padraig McCarthy and MGH Zabaione. Photo by Tilly Berendt.

Ireland’s riders come into Boekelo on a competitive high from the European Championships, where they won the team silver medal, and they’re also the reigning champions in the Nations Cup competition here. So it was another welcome boost, particularly in the midst of more administrative dramas in the Irish High Performance system, for Padraig McCarthy to put forth a supremely competitive effort with last year’s Blenheim eight- and nine-year-old champion, MGH Zabaione. The pair posted a 27.4, the horse’s first four-star sub-30 and a score good enough for third place overnight in this tightly-packed leaderboard.

At just nine years old, Zabaione comes into this week’s event as one of the hottest contenders for the title – a title that, if he won it, would join previous accolades such as the CCI4*-L victory at Ballindenisk on his debut at the level this spring, a top ten placing in the Seven Year Old World Championship two seasons ago, and, of course, that Blenheim win. But even since that career-defining victory twelve months ago, Padraig says, the horse has come on leaps and bounds.

“He’s a very different horse now, and again since Aachen this summer. He did a nice test there, but I thought today’s was much more secure. Every test he’s done, he’s got a bit better, but he’s always been on the same sort of marks, and I’ve been thinking that at some point there would suddenly be a big change [in how he scores]. Today, he was really amazing: he’s just starting to get a lot stronger, suddenly, and even so, I told myself, ‘look, he’s just nine, just go in and ride him like you’re training at home, and enjoy it, because he’s a very special horse.’”

Zabaione is an expressive, charismatic horse on the flat, but that’s one of the traits that’s meant his first-phase performances have been something of a slower burn.

“I think any horse that’s got so much movement like him, it’s often hard to channel it,” says Padraig. “So you can get very punished for small mistakes because of the exuberance, and to add to it, he’s unbelievably supple and elastic, so that can add a bit of difficulty.”

But, he says, “he’s very trainable, so it’s all been about building strength. We put a water treadmill in at the yard a couple of years ago, and I think that’s made a significant different to his core strength. We also keep his work very varied; he does a lot of work on Dartmoor and the hills.”

With Zabaione, he continues, “we’ve always, from the very beginning, been thinking about the bigger picture. I have a lot of help at home from great people; [British Grand Prix dressage rider] Anna Ross comes and rides him when I’m away at shows and Tracey Robinson is a great help at the competitions, so it’s a team effort, and the horse is amazing – without a doubt, one of the best I’ve ever sat on.”

The gelding has also been a welcome labour of love for Padraig’s longtime owners Di Brunsden and Pete Cattell.

“At home, he’s not a horse I’d leave for just anybody to hack out – he knows how to find somebody out. But at competitions, he’s always been very, very good. I remember taking him to one of his very early competitions as a five-year-old and ringing them up to say, ‘look, he’ll win, or he’ll be eliminated, but he won’t be second!’ And then he won, and he’s kind of continued in that fashion ever since. It’s brilliant for them, and they have another eight-year-old at home that I think will be a very good one for the future, too. You couldn’t wish for better supporters, so I’m delighted they have this horse.”

Alexis Goury and Coloree de Poteau Z. Photo by Tilly Berendt.

Thursday’s leaders, German individuals Pia Leuwer and Jard, now sit fourth going into cross-country – and they’re joined in that spot by France’s Alexis Goury and the nine-year-old Coloree de Poteau Z, who also posted a 28 today. This is a new ride for the 30-year-old Frenchman, who was part of the bronze medal-winning team at last month’s European Championships, and evidently has plenty of exciting depth to his string of horses.

“I’m really lucky to ride this horse,” he enthuses. “It’s a really, really amazing horse – just unbelievable. He does really nice tests, really nice cross-country, and really nice showjumping – he’s just a really good boy, and a serious horse who loves the sport.”

This will be a debut CCI4*-L for the Zangersheide, who moved from Mathieu Lemoine’s string to Alexis’ just over a year ago. In their five FEI starts together so far, they’ve already picked up two wins, including at the CCI4*-S level at Vittel in June, and two further placings, and an eleventh – and even more excitingly, they’ve only accrued a grand total of 3.6 time penalties across those runs.

Though he’s certainly a horse who could well be incredibly competitive here this weekend – and a horse we reckon you should be keeping a close eye on as his career develops — Alexis is also keen simply to further his education, as well as the partnership they’ve been so successfully building thus far.

“He’s a special horse, because he’s actually really spooky about the environment and people, like if someone moves really fast,” he says. “He’s a really good boy, but he needs to be given big confidence and big trust by his rider. But then, on cross-country, he’s just straight and amazing and cool. This will be a really good experience for him.”

Lara de Liedekerke-Meier and Kiarado d’Arville. Photo by Tilly Berendt.

Belgium’s Lara de Liedekerke-Meier is double-handed with Nooney Blue babies in this class – the same great mare who produced her five-star winner, Hooney d’Arville – and the best-placed of the two puts her firmly into the top ten.

Nine-year-old Kiarado d’Arville has always been a consistent horse on the flat, so his 28.4 today, which puts the pair into overnight sixth place, doesn’t come as an enormous surprise. But, Lara tells us, the back half of this season has been a major rebuilding process for the young talent, who won Baborowko CCI4*-L earlier in the summer and then headed to Aachen, where he was overwhelmed by the enormous atmosphere and lost some of his mojo, scoring an uncharacteristic 36.9 on the flat.

“It wasn’t my first choice to take him to Aachen, and he got a bit overwhelmed with everything – maybe he wasn’t ready for such an atmosphere,” she muses. “But I thought it might be a good idea [to prepare him for the World Championships] next year.”

After Aachen, she says, “I really struggled to have him on side again. The whole year, I had the aim of bringing him to Boekelo again, and I thought, ‘I won’t manage it.’ Then, you start to put yourself a bit under pressure, and you start to question it a little bit.”

But, she says, the meticulous system that she and her team have in place helped to bolster Kiarado’s joie de vivre again.

“I have such a super team around me, and Betty [Cardinael, head groom] manages him to perfection. My dressage trainer and I also have worked together for a very long time, and he knows me inside out, so I think that really helps.”

In the months since Aachen, Lara and her team have given Kiarado plenty of opportunities to work on the flat in different venues, without the pressure of actually competing.

“The last time he went to a show, he went on the truck, went to the show, schooled a bit, and then went home again – that was at the European Championships,” says Lara, who brought him along to accompany Hooney. “So this week, I think until he was plaited he thought it was the same kind of thing. He was feeling excited and getting better and better, and then we went into the familiarisation this morning and he was like, ‘oh, maybe we do still have to do it!’ In some ways, he’s still a little kid – he might be a four-star winner, but he still has some growing up to do.”

The result of all that patient work (and the accompanying growing up)? An overall picture that looked packed with quiet confidence. The broad grins on Team Arville’s faces when they finished the test said it all, really: Kiarado is definitely back.

Great Britain’s Izzy Taylor and SBH Big Wall will slot into seventh place on their score of 28.5, the same score as Switzerland’s Robin Godel and his Olympic partner Grandeur de Lully CH, who will occupy eighth place as their percentage mark was incrementally lower. China’s Alex Hua Tian now sits ninth overnight on the former Sam Ecroyd mount Chapel House on 29.3.

Germany’s Christoph Wahler and D’Accord FRH round out the dressage top ten with a score of 29.4, once again demonstrating the uptick in power and purpose that the lanky thirteen-year-old now possesses in this phase. They’ll head into tomorrow’s cross-country as German team anchors, a crucial role that they’re well-equipped for, despite a shock rider fall at Burghley in the middle of a superb round. That blip came when the gelding pecked slightly on landing from a single fence – an extraordinary disappointment for the Olympian, but one that will have done neither horse nor rider any harm.

Hallie Coon and Lucky Fortuna. Photo by Tilly Berendt.

Hallie Coon’s Thursday ride, Kapriccio, will go into cross-country in 31st place on his score of 31, while her second ride, Lucky Fortuna, delivered a very sweet test to post a respectable 32.6 in a phase he hasn’t always found the easiest. That’ll pop him into 44th. Splitting the difference is Chris Talley and the charismatic FE Marco Polo, who did a sunrise dressage test as first to go today to score a 31.9 for provisional 40th. Team EN’s own Aussie-merican Ema Klugman threw down a workmanlike test with Chiraz for 37.1 and 74th place overnight on a leaderboard that sees just over 15 penalties cover all 89 competitors.

Chris Talley and FE Marco Polo. Photo by Tilly Berendt.

Great Britain holds the lead in the Nations Cup overnight, but by the slimmest margin: they’re just six-tenths of a penalty ahead of reigning titleholders Ireland, who come into the week on a high thanks to a decisive silver medal finish at last month’s European Championships. 1.2 penalties behind them is New Zealand, while Belgium is also a whisper away in fourth. Then it’s Germany in fifth, France in sixth, Australia in seventh, and the Netherlands in eighth, with relatively tight margins all the way down – so expect plenty of reshuffles as tomorrow morning gets underway.

Ema Klugman and Chiraz. Photo by Tilly Berendt.

89 horses and riders are set to leave the startbox tomorrow morning from 9.30 a.m. local time (8.30 a.m. BST/3.30 a.m. EST), starting with our team rider rotations and then moving on to the plethora of individual competitors from a projected time of 11.58 a.m. (10.58 a.m. BST/5.58 a.m. EST). Once they do, they’ll meet a technical but starkly terrainless track designed by Aidrian Ditcham, and many tens of thousands of Dutch partygoers at the fifty or so bars and hospitality stops scattered around the course. Success will require laser focus, reliable manoeuvrability, and probably at least some innate desire to swiftly join the party.

We’ll be bringing you a full report of the day’s action tomorrow, and you can also follow along with every moment via the livestream on ClipMyHorse.TV. Go Eventing!

The top ten at Boekelo after dressage.

EN is proud to welcome Horsepal onboard as the sponsor of our Military Boekelo coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

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Comeback Kings, New Relationships, and a German Whose Name You Need to Know: The Thursday Boekelo Debrief

Pia and Ben Leuwer. Photo by Tilly Berendt.

We can’t think of any other competition that has a revolving disco ball very nearly in the main arena, nor any where the arena-side DJs start their bass drops practically during the last centre line of the day – but for all its merry chaos, Military Boekelo’s CCIO4*-L also offers plenty of little moments of absolute calm.

One of those? The exceptionally sweet test delivered by Germany’s Pia Leuwer and the petite Jard, who hold the overnight lead on a score of 28.

Well, he’s petite when you’re standing next to him, anyway – but in the ring, the little blood horse has enough presence that he fills up the eye considerably more. The feeling from the saddle, Pia says, isn’t dissimilar – especially on a day like today, when all the puzzle pieces fall into place.

“I was saying to Anne-Kathrin [Pohlmeier, the German squad’s dressage trainer] that it felt like he breathed once, and then he was spot on – just only listening to me and trying to do his best. It was amazing – honestly, it was so much fun to ride him in there,” says Pia, who rides the gelding for Prof. Dr. Bernd Heicke, also the owner of Julia Krajewski’s Uelzener’s Nickel.

Pia Leuwer and Jard. Photo by Tilly Berendt.

33-year-old Pia, whose husband Ben is also competing here this week, has produced the Polish-bred Jard throughout his competitive career, but it’s in the last year or so that the now-thirteen-year-old has really started to consolidate at four-star after plenty of success at the lower international levels. That success didn’t always readily translate to this level, and even a year and a half ago, there were still some learning mistakes popping up, but a solid clear round here last year ushered in the dawn of a new Jard: one who’s entering his prime and ready to show off exactly what he can do. That much was made clear in the CCI4*-S at Hamm at the tail end of July, which the pair won.

Pia Leuwer and Jard. Photo by Tilly Berendt.

One phase at a time, though – and today, Team Leuwer has plenty to celebrate.

“Anne-Kathrin has really helped a lot in this phase for developing him, and I’m more than grateful for her – like, her calmness and her patient training,” says Pia. “So I think it’s a big, big benefit for us, and it’s developed him a lot. He grew and also he got stronger in his body, so he’s feeling more comfortable. And then I think it’s getting more and more easy to do these good tests. He has a lot of potential, sure, but to show this potential wasn’t always that easy.”

Part of the secret sauce of the new and improved Jard is simply an acceptance of who he is: “I know that on the first day he arrives at a show, he’s a little bit all over the place, and it’s okay,” says Pia. “So on the second day, I’ll ride him in the morning to stretch, do a few exercises, and see how he feels. Then we can usually do a 45 minute warm-up to help him settle in.”

Izzy Taylor and SBH Big Wall. Photo by Tilly Berendt.

It feels like every time I sit down to write about Izzy Taylor’s SBH Big Wall he should be thirteen or fourteen, but he’s somehow ten all over again – but then, that’s the reward of having been steadily accruing mileage at this level over the last couple of seasons. He’s become part of the furniture of the British four-star scene, and in turn, there’s not a huge amount that impresses him – and now, reckons Izzy, it’s time to take the step from baby horse to the big leagues.

They’ve certainly begun the week in fine fettle where that objective is concerned; after posting a 28.5 this afternoon, the pair close out the first day of competition in a close second place.

“He’s a stronger horse now so he can carry himself, and I can allow him to do his job, as opposed to kind of protecting him and trying to make it a nice picture. Because he went four-star early on, I looked after him a lot, and now I’m able to say, ‘okay, Benny, here you go, you do this.’ And he’s now taking charge and is like, ‘hey, this is nice! Look at me!’,” says Izzy, who’s produced him throughout his competitive career.

That, she admits, can come with its own pitfalls too, though – and in SBH Big Wall’s case, she’s had to focus hard on not thinking of him as the green baby horse he once was.

“It’s lovely having them all the way through, because you end up knowing each other so well – but then, the flip side is also that you know each other so well,” she laughs. “You know the bad bits, and sometimes, you have to work hard to forget them. Because actually, he’s a grown-up now, and look what he can do.”

This week marks a third visit to Boekelo for the gelding, who made his CCI4*-L debut here in 2023 and returned last year, though didn’t run cross-country on that occasion. She’s also bringing forward a much less experienced horse in Barrington Alice, who steps up to CCI4*-L after having previously won the Six-Year-Old World Championships.

For both horses, the unique challenges of Boekelo present an unmissable learning opportunity.

“Boekelo, as we know, is mad,” she laughs. “You have to know your horses well to bring them here. They’ve got to have the brain for it. It’s not just the atmosphere or how busy it gets on course; it’s also silly things, like the stables being by the cross-country warm-up. So from 8 o’clock on Saturday morning through to late at night when all the drunk people have left, the horses are awake. That’s a lot for any horse, let alone a young horse. You leave having learnt a lot about them from a mental point of view, whereas a competition like Bramham helps you learn about them from a physical point of view.”

Robin Godel, Grandeur de Lully CH, and longtime owner and supporter (and Christmas tree farmer!) Jean-Jacques Funfschilling. Photo by Tilly Berendt.

Switzerland’s Robin Godel heads into day two of Boekelo in provisional third place, having also put a 28.5 on the board – though a half-point difference in the judge’s good marks pushes him a hair below Izzy on the official standings.

Robin’s test came with the stalwart Grandeur de Lully CH, with whom he’s completed the Paris Olympics, the 2018 and 2022 World Championships, and the 2019, 2021, and 2023 European Championships – a seriously smart CV for a rider who’s just 27 years old.

Along the breadth of that impressive tandem career, Robin and Grandeur have notched up plenty of scores in the 20s, and so today’s result hardly comes as a surprise – but, Robin says, even with a horse of his experience, it’s all about managing the mindset.

“It was what I was hoping for, at least, so I’m very happy with him,” says Robin. “We know that he’s always very good in the dressage, but that’s he’s also always a bit spooky, so I have to be careful to make sure he’s with me – but he was great today.

“I always try to keep him motivated – that’s the most important thing with him. He’s not a hot horse, and so I always have to keep him [on the ball] in his head. That’s the most important thing with him, because with everything else, he really knows his job now.”

Robin Godel and Grandeur de Lully CH. Photo by Tilly Berendt.

A month or two ago when nominated entries for the European Championships came out, it was a bit of a surprise to see Grandeur de Lully sidelined in favour of the less experienced Global DHI, and so this week, it’s great to see that he wasn’t benched from injury, but rather in the interest of tactics.

“The other horse has more blood, so for the cross-country at Blenheim, I knew that would be important – and he was very fast, even with a run-out and one ‘chicken’ route!” says Robin. “We know he’s not 100% like Grandeur yet; he’s not so experienced, so it was a bit of a bet and a gamble for us.”

But, he says, that was sort of the point: in a nonessential Europeans year, the upwardly mobile Swiss could finally use a Championship to develop strength in depth with a team of primarily young or ‘second string’ horses, rather than fighting to keep their heads above water at the level, as could often be the case just a few Olympic cycles ago.

“Because it wasn’t such an ‘important’ Europeans, because it doesn’t count for qualification for Los Angeles, we wanted to use it to try some new things. Next year and onward is going to be really important, but as a nation we really feel we’re going well, and we’re ready to battle for some medals. It’s a good feeling for us.”

Alex Hua Tian and Chapel House (formerly registered as Dicksgrove Heartbeat, which is A LOT TO TAKE IN REALLY, ISN’T IT). Photo by Tilly Berendt.

Alex Hua Tian is on a factfinding mission this week with the Sibon W son Chapel House, who’s a new addition to his string this year – but already, the fledgling partnership looks set to be a competitive one. Their score of 29.3 sees them hold fourth place overnight, and though they only have a few FEI starts under their belts together, they’ve posted sub-30s in all of them.

“I don’t know him very well yet – we’ve only run three times together, so we’re on a bit of an MER quest at the moment,” says Alex, who took the reins of the 11-year-old gelding from his close friend, Great Britain’s Sam Ecroyd, this spring. Sam had taken him on in early 2022 as a newly-minted two-star horse from Oliver Townend, and saw him through to his first four-star season last year, culminating in a fifth-place finish in the tough CCI4*-S at Little Downham – an event often used in preparation for a start at the Pau CCI5*.

“I’d always admired the horse – he’s a big, scopey type, very much my sort of horse,” says Alex. Since taking the reins, he’s had two successful starts at CCI3*-S and one at CCI4*-S, delivering steady getting-to-know-you clears at each. Now, as the rangy gelding’s CCI4*-L debut gets underway, he’s keen to dive deeper into his new ride’s psyche.

“He was a good boy [in his test],” he says. “He always goes in and tries, which is really good, and I think he’ll just go on and get better and better as we develop a partnership. He’s not a horse who gives a huge amount of feedback – he’s quite reserved in his personality, and what I’ve learned about him up to now is that you have to keep giving him confidence by giving him direction. He’s not a horse that you can train to do something and then leave him alone to get on with it – he wants you to be there with him, always saying ‘yep, just like that, that’s fine!’ That’s the same, I think, in the jumping phases.”

Now, he says, the plan is to continue getting to know another, with a longer-term goal of qualifying for next year’s World Championships and the Asian Games as a useful back-up.

“He’d be a very useful horse for all those events; Chicko is very much aiming towards the Worlds, and he’s a very reliable horse who could have a little bit more room for improvement on the flat, whereas this one would perhaps have a bit more scope on the flat, but I know him less well [in the jumping phases].”

Great Britain’s Max Warburton rounds out the top five overnight on the ten-year-old Holsteiner Coburg, putting up a 29.9 – a significant four-star personal best on the gelding’s third start at the level. This, too, is a pretty new partnership: he and Max made their first FEI start together in the middle of the 2024 season, and previous to that, we last saw him run in an FEI class back in 2022 with fellow countryman Tom Grant in the irons.

Karin Donckers and Leipheimer van’t Verahof. Photo by Tilly Berendt.

A particular treat today was the welcome return of Leipheimer Van’t Verahof, the Paris Olympics ride of Belgium’s Karin Donckers, who hasn’t competed in an FEI event in over a year after a duo of colic surgeries and a long, tough road to recovery. But you’d never have guessed from watching him in the ring today that he’s been absent for so long – instead, he was rust-free and as workmanlike as he’s ever been, lolloping sweetly through his work with a smile on his face. That smile was only to be eclipsed by Karin’s own as they completed their test, because as she tells me moments later, just being here is as good as winning the competition.

“This is what I’ve been telling everybody: if this one finishes a four-star long, that’ll be the biggest performance of the year for me,” she beams. “Of course, we’re not after the cross-country yet, and we haven’t done jumping yet, but after two colic operations, it is such a big moment to have him back at Boekelo.”

Karin Donckers and Leipheimer van’t Verahof. Photo by Tilly Berendt.

Karin has long had a special relationship with the stallion, who is a full brother to her recently retired championship stalwart Fletcha van’t Verahof – though they probably couldn’t look more dissimilar. But in one important way, they evidently share some crucial DNA: both of the main men in Karin’s stable have a serious amount of heart, and no shortage of love for the game.

“I think he came back because he loves this,” she says. “It can be tough for a stallion to be motivated, but he loves it, and I really felt in the test that he gave the best of himself, better even than what we’ve had at home over the last few months. He’s come a long way to be back!”

The pair sit sixth overnight on a score of 30.4 – a smart start to a long-awaited, and very happy, comeback. That puts them on equal footing with Great Britain’s Willa Newton and the thirteen-year-old Hartacker, who’s also in the midst of a comeback season: he and Willa made their first FEI start together in April of this year after the former Izzy Taylor ride had nearly three years out of the spotlight.

Switzerland’s Nadja Minder and Top Job’s Jalisco also share sixth place on a 30.4, while Barnie Brotherton and DHI King Nelson (30.5) and Tom McEwen and the eight-year-old Quintus (30.8) hold ninth and tenth places, respectively, for Great Britain.

Hallie Coon and Kapriccio. Photo by Tilly Berendt.

The first of our US representatives made an excellent start to her week this morning: Hallie Coon and new ride Kapriccio are 13th overnight with a smart score of 31 in just their second CCI4*-L together.

“I’m really pleased with him – he stayed relaxed in there, and I think there’s a lot more to build on with him,” says Hallie, who finished on the podium here twelve months ago with Cute Girl. “I pre-rode him this morning, and kept him relaxed, and then I brought him out literally eight minutes before our test, because I find that if he does a little bit too much in the warm-up, he can get a bit buzzy and tight. So we just wanted to keep it easy and breezy, and he was beautiful.”

Hallie has had the ride on the ten-year-old since just May of this year, after British-based Zimbabwe representative Julia Norman approached her about taking the reins. Since then, they’ve been steadily and successfully getting to know one another, culminating in a CCI4*-S step-up at Ballindenisk last month – an event where they very nearly notched up a top five finish, but for a man walking in front of one of the final fences on cross-country, forcing them off their line.

But, says Hallie, the important parts of the equation were all in place: though Kapriccio is a much more foreign type of horse than her usual light and fine top-level mares, she found in him a horse with fast reflexes and a huge helping of heart.

“He’s so genuine, and the quickness of his reactions gives me a lot of reassurance,” she says. “With the ground being so hard this summer, we haven’t had a tonne of runs together, but I’ve just been trying to take it slow and be really patient with him, and let it all build naturally – and, especially, just keeping it all consistent and relaxed in everything we do, because he can be a little bit buzzy in his head. So every run I’ve had on him has been brilliant so far, even if they haven’t necessarily been competitive runs, because we’re building. And so far, he tries really hard for me, and he feels like my friend. I really enjoy him.”

Tomorrow’s second day of dressage will begin with the final nine individual competitors, helmed by an exciting American pair: Chris Talley and FE Marco Polo will be first down the centre line at 9.00 a.m. local time (8.00 a.m. BST/3.00 a.m. EST), followed by Hong Kong’s first-ever Boekelo competitor, Yu Xuan Su and Ventura. We’ll also see the return of Hallie Coon, who’ll pilot Lucky Fortuna at 9.56 a.m. (8.56 a.m. BST/3.56 a.m. EST) and close out the individual rider list. Then, it’s teams until the bitter end: we’ll see New Zealand, Ireland, Great Britain, France, Germany, the Netherlands, and Australia put forward bids to capture the FEI Nations Cup series finale and the series title, currently held by Germany with a narrow lead over France.

We’ll be back tomorrow with plenty more news and updates from Military Boekelo. Until then: Go Eventing!

The top ten after day one of dressage at Military Boekelo.

EN is proud to welcome Horsepal onboard as the sponsor of our Military Boekelo coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

Military Boekelo: [Website] [Live Stream] [Entries] [Times and Scores] [EN’s Coverage] [Support Our Sponsor: Horsepal]

All Pass Boekelo First Hangover – Sorry, Horse – Inspection

A moment, please, for this poor woman, who had to ride a hobby horse down the trot-up strip in front of 90 of the grumpiest human beings you’ve ever encountered in your life. Photo by Tilly Berendt.

If Darren Aronofsky directed trot-ups, he’d surely be the mastermind behind the first horse inspection at Military Boekelo. Everywhere you look, concrete and chaos and the thin veneer of many, many riders just trying to stay upright and hopefully avoid doing a little sick on their nice outfits; overhead, the pallor of Dutch cloud cover, which always seems to sit about ten meters off the ground, like if a weather front was somehow also a hangover.

We don’t need the weather fronts to be hangovers, though, because we’ve all got enough of those already. Because, of course, Wednesday follows on from Tuesday, and Tuesday at Boekelo means something very different to Tuesday anywhere else in the world. It means that 150 or so of us — riders, grooms, support teams and me, a journalist who ought to be too grown up for this sort of thing now – cram into a little marquee in the stables field and pickle ourselves like Pony Clubbers getting their first experience of supermarket own-brand vodka nicked from a corner store.

Help us; we never learn. The light is out in all of our eyes. We have celebrated being the bestest of mates too voraciously; we have bussed down to All I Want For Christmas Is You too passionately; we have girl-bossed too close to the sun, or whatever Taylor Swift is on about this week. Team Germany is in a particularly bad way, except for defector Kai Steffen-Meier, now the chef d’equipe of the Belgian team, who bemoaned a couple of weeks ago that his hangovers on this side of 40 are life-destroying – but somehow, he’s fine and god, you’ve never seen anyone so smug in your life. It’s sickening. His wife, Lara de Liedekerke-Meier, is also suspiciously fresh-faced. Last night, mid-conversation, she paused, glanced into the tent, and asked me, “do you reckon we’re getting a bit old for this?” The next time I saw her, we were both dancing on tables, covered in other people’s drinks and trying to avoid serious injury from a Frenchman raving with a lit cigarette in hand. I guess we are not.

Same, tbh.

So how do you solve a problem like a Grolsch bar? Honestly, my first port of call, given a choice, would not be a 90-horse trot-up, but choices I have not, and so trot up we did.

Thankfully for morale, the ground jury of Angela Tucker, Andrew Bennie, and Edith Schless-Störtenbecker were in better spirits than any of the rest of us, and they sped us through what could have been many hours of run, spin, and run again in an impressively efficient manner. Just one horse was sent to the holding box for further inspection; that was Barrington Alice, the first of two smart greys for Great Britain’s Izzy Taylor this week. They were accepted into the competition upon reinspection, while the two competitors asked to trot a second time because their horses were a bit frisky – Ireland’s Declan Cullen and Seavaghan Ash and Australia’s Bella English and Cil Dara Bombay S – were accepted without further issues once they could coax a stride or two of trot out of their very fit horses.

France’s Benjamin Massie and Guess Star. Photo by Tilly Berendt.

Military Boekelo, which serves as the FEI Nations Cup series finale, is set in a busy complex with a sports centre smack in the middle of it (and a Grolsch factory across the road, no I am not joking), which means that siting a trot-up requires a bit of creativity. Which is to say that it’s plonked down in the sports centre car park, which is also to say that despite the best efforts of the organising team, a lorry driver did in fact park his vehicle within the intended confines of the trot-up area earlier this week and then left the country. Once, many moons ago, a friend of mine popped into town one morning to collect her car after taxiing home from an evening at the wine bar, and discovered that a market had been built around, and over the top of, the car, and that’s kind of what happened today with the lorry: there weren’t any dresses being displayed on the wing mirrors, sadly, but it was very much an honourary member of the ground jury. The show must go on, et cetera, et cetera.

Can’t park there, mate.

Ema Klugman and Chiraz. Photo by Tilly Berendt.

The show, as it is, begins in earnest tomorrow morning at 9.00 a.m. CEST, which is 8.00 a.m. if you’re following along from the UK and a deeply unreasonable 3.00 a.m. if you’re on the East Coast of the US. Friday’s dressage sessions will see competitors from the seven teams come forward, while tomorrow, and first thing Friday, is all about the individuals. First in the ring will be Italy’s Andrea Docimo, who rides Tradewinds Alfredo this week; you can check out the times in full here.

Unusually, the US isn’t fielding a team this week, though the country isn’t unrepresented at this happy hunting ground: Chris Talley will ride FE Marco Polo this week, and Hallie Coon, who has previously finished on the podium individually here, has two rides in Lucky Fortuna and the former Julia Norman ride Kapriccio. I watched Kapriccio and Marco Polo training this afternoon and man, there’s a lot to get excited about there, even without a full team. We’re also very excited to see US-bred and -based Aussie Ema Klugman, who’s also part of Team EN, competing this week as part of the Australian team with the very smart Chiraz. Plus, after all the excitement of the European Championships last month, where we saw a new flag for the first time from Turkey, it’s great to welcome Hong Kong to Boekelo for the first time ever thanks to Yu Xuan Su and Ventura.

Hong Kong’s Yu Xuan Su and Ventura. Photo by Tilly Berendt.

We’ll be bringing you full reports every day from Boekelo, and to follow along with all the action as it happens, you can tune in to ClipMyHorse.TV for livestream coverage of each phase. Until tomorrow: Go Eventing!

EN is proud to welcome Horsepal onboard as the sponsor of our Military Boekelo coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

Military Boekelo: [Website] [Live Stream] [Entries] [Times and Scores] [EN’s Coverage] [Support Our Sponsor: Horsepal]

Reporter’s Notebook: Redemption, Respect, and Rebuilding the European Championships

The 2025 European Champions: Laura Collett and London 52. Photo by Tilly Berendt.

Just over a week ago, the 2025 Agria FEI European Eventing Championships wound down to a thrilling conclusion in the grounds of Blenheim Palace. As always, the championships served up a fascinating indicator of where many of the major players in the sport sit at this early juncture in the 2028 Olympic cycle, and, also as always, they gave us all quite broadly a sense of what we’re getting right and what we need to work on. After a good few days of staring at the blank walls of a darkened room in a bid to recover from the merry chaos of it all, I’m back in action – and with plenty of thoughts on what we saw at Blenheim and what could, or perhaps should, be next on the timeline.

A decisive victory for Collett

Laura Collett has been waiting some fifteen years for an individual Senior title after so much success in the Pony, Junior, and Young Rider programmes, and her Blenheim battle feels like the most fitting way to have finally taken that richly deserved gold. That match race with Michi Jung, which we’ve seen set up time and time again, played out perfectly, with the two riders neck and neck throughout the week; in each phase, neither horse nor rider made any kind of misstep to ‘lose’ the competition. At Paris last year, we saw a late rail cost Laura the gold in favour of Michi; at Blenheim, both combinations jumped easy, classy clear rounds, and ultimately, it all came down to cross-country performance.

That’s what makes this feel so special, particularly when Laura’s victory comes with the remarkable London 52. I’ve been thinking about ‘Dan’ and his career trajectory a lot lately, because in many ways, it feels like he’s been the horse of my career: I began reporting on eventing in 2017, the year he made his FEI debut, and almost immediately he was a horse I wrote about time and time and time again. I remember the quiet buzz of 2018, when he stepped up to four-star and made his Event Rider Masters debut, taking second at Arville; I remember how throughout the season, he flirted with top tens in these hotly-contested classes. I remember, like it was yesterday, his victory that autumn in the eight- and nine-year-old class at Blenheim, and what that meant to Karen Bartlett, who co-owns him with Keith Scott and Laura, and who had been part of the fabric of the Blenheim team for some twenty years. I remember that second place finish at Boekelo on his CCI4*-L debut.

And I remember 2019 – boy, do I remember 2019. Dan began the season heralded as the next big thing, and second-place finishes in CCI4*-S classes at Belton and Burnham Market backed that feeling up nicely. Then, swiftly after that, a huge victory in the ERM class at Chatsworth – a tough, terrain-y, technical venue that proved the horse could cope when the going got tough. In Dan’s ten-year-old season, just three years into his eventing career, he was ‘it’.

Laura Collett and London 52. Photo by Tilly Berendt.

But then it all felt like it fell apart on the world stage. The trouble with having all eyes on a young, inexperienced, phenomenally talented horse is that even those phenomenal talents need to do what young and inexperienced horses do: they need to make mistakes, often quite big ones, and learn to find their feet, to swim in deeper waters. When that all happens under a spotlight, the intensity is magnified; the pressure, I can imagine, was colossal for Laura. The pair picked up a 20 and retired on course at Bramham CCI4*-L, were sent to CHIO Aachen and had a 20 there, too – a painful 20 at the tail end of the course, when they were sitting in the lead after the first two phases. Still, they were given the nod for that summer’s European Championships at Luhmühlen, where they were sent as individuals rather than team members. Redemption felt so close at hand: they closed out the first phase in bronze medal position, and set out on cross-country looking strong and capable. But that year’s bogey fence, a colourful bird in the water at 20B, proved their downfall, and Laura ended her day with soggy breeches and a long, long journey home. Adulation can be a fickle thing, and there was plenty of chatter across the sport: was London 52 actually just a flash in the pan?

They say these things come in threes, and in this case, that proved true – though it feels like a bit of a disservice to Laura to credit fates and fortunes with everything that came next. In reality, there was a hell of a lot of work, much gritting of teeth to push through the mental pressures of everything that had come before and, I have no doubt, some serious pep talks at the hands of Yogi Breisner, who’s been such a huge part of Laura’s career. Whatever she did behind the scenes, it worked: on their next FEI run, in the Nations Cup finale at Boekelo in October of 2019, Laura and Dan were victorious.

From then on, Dan was a changed man – and Laura has often credited the huge buzz of Boekelo with bolstering his confidence. The next year, the pair won Pau on the horse’s CCI5* debut; in 2021, they were part of the gold medal-winning team at the postponed Tokyo Olympics; in 2022 they won Badminton; in 2023 they won Luhmühlen; in 2024 they were gold- and bronze-medallists at Paris; the list goes on and on and one. Championships have, perhaps, been the last demon to expel, with Dan’s now-rare mistakes coming on those big occasions, but they can now consider that issue truly exorcised. The fact that the win at Blenheim came down to cross-country speed is also a useful demon-expeller: if there’s been a lingering question mark over the horse, it’s been whether he’s a true run-and-jump kind of athlete. The pair’s performance on a tough cross-country day, which saw them deliver the second-fastest time of the day and make it look easy, is decisive and delicious.

Team Ireland earn their accolades at Blenheim. Photo by Tilly Berendt.

The state of the nations

The topic of the week – beyond that brilliant individual title for Laura and Dan – was surely the shock non-completion of the British team, who had come into the week looking like they could walk blindfolded to the top of the podium. But it wasn’t to be: four of the seven eliminations on cross-country day were British riders hitting the deck, and just Laura and Tom McEwen made it to Sunday’s finale, and then onward to that podium.

But that’s sport, isn’t it? And as the kids would say, it’s not that deep. A bad week for the Brits doesn’t mean the Brits are suddenly falling apart at the seams: instead, as chef d’equipe Dicky Waygood sagely said the next morning, “the bubble had to burst at some point.” What he also pointed out, quite crucially, was the manner in which the falls happened: each rider left the start box on a mission, riding determinedly and positively and, as is so, so key to this level of the sport, they took calculated risks to put themselves into competitive positions against the clock. But a calculated risk is still a risk, and sometimes shit does just happen, and even with hindsight, you can’t really see how it could be any different. (I’m looking at you, Piggy March, and you, gutsy little Halo – who can predict when a horse will try to sprout wings, and how quickly he’ll realise he can’t?)

The point of it all, really, is that all the right stuff was there — the grit, the drive, the positivity – except for the luck element, which remains an intangible but essential part of any sport. The Brits will bounce back, and realistically, they might even be better for it. This is a non-essential Europeans, in that it doesn’t count towards any qualifications and falls at the start of a new Olympic cycle, and so it’s a perfect time to learn, readjust, develop new talent, and so on, and so forth. A long wave of success will always eventually breed complacency, and while I don’t think any of the four riders who fell at Blenheim did so because they weren’t taking the job seriously, it still serves as a potent sharpener for the whole British apparatus. Don’t pity the Brits while they lick their wounds; fear their inevitable regrouping, instead.

Switzerland’s Robin Godel and Global DHI. Photo by Tilly Berendt.

Speaking of riders who leave the start box with grit, drive, and the courage to take calculated risks, we’ve got to talk about Switzerland. I’ve written about their trajectory countless times over the last six years or so, but not without reason: it’s been a pleasure to watch them transform from a squad of very capable riders to a squad of true competitors. Some of the credit for this transformation can go the way of Andrew Nicholson, who has been in situ as their cross-country coach since 2019, and who has taken some seriously good raw material and given it an edge. Where the Swiss once rode to complete, played it safe, and logged competent but unremarkable steady clears, they’re now a group of riders who, like the Brits or any of the ‘Big Six’ nation riders, leave the start box with bigger goals than simply completing. Now, we get to watch them take calculated risks and make big moves for them, and their rise feels both swift and inexorable as a result of it.

Last week, that meant that we saw them come into the final day defending a podium position, and while they ultimately swapped places with France and finished fourth after uncharacteristically expensive rounds for Nadja Minder and Mélody Johner, I hope they’ve walked away with a real sense of how close everything they’ve worked for is. I thought it was a really interesting team line-up for them this week: though the four riders are the same four we’ve seen at the last few championships, three of the four were on younger or second-string horses which showed that as a nation, they’re in a position to use this early-cycle championship in the way that a leading nation might – to build and develop and create strength in depth. That they finished so close to the medals without a line-up of A team horses is a seriously important milestone as we continue to follow the growth of the Swiss. The next Europeans will be on home soil for them – I suspect they won’t let that opportunity pass them by.

Both Sweden and Belgium, nations similarly on the rise, felt a touch cursed from the off: each had a withdrawal prior to the start of cross-country, which left them without drop-scores, and when Sweden’s Christoffer Forsberg opted to pull up on course because Hippos Sapporo didn’t feel totally himself, they were out of the game. The non-completion of Wouter de Cleene and Quintera also nullified the Belgian effort. Both teams wore absences like a shroud: Louise Romeike and Tine Magnus and their respective great greys, Caspian 15 and Dia Van Het Lichterveld Z, were much-missed from proceedings and will, I hope, make welcome returns for Aachen next year.

Lea Siegl and Van Helsing P of Austria. Photo by Tilly Berendt.

Could we ever have predicted a week in which the Austrian team – the only team to come into Blenheim with just three riders, and no drop score – would finish above the Brits? Probably not, no – but again, that’s sport, baby. Lea Siegl once again helmed the team, riding as she has throughout her Senior career with a maturity well beyond her years. Her fifth-place finish, the highest ever for an Austrian rider at a Championship, is richly deserved, and the fifth-place finish of the team, too, should give all three competitors no small well of pride to take away. This is a nation with limited resources for its competitors; there are few top-level Austrian riders, the federation is considerably less high-powered than its neighbours, and the training apparatus seems to rely largely on individual systems, but Lea, Harald, and Katrin keep on showing up and doing what they love, and it’s a joy to see it pay off.

Early in the week, I started raising the unpopular prediction that Germany would come out on top, dispelling the odd and oft-repeated notion among British-based fans that they don’t have strength in depth. They certainly do, and like the Brits, I felt that they could easily have fielded several very competitive teams at last year’s Olympics. This year’s line-up was particularly exciting because it opened the door for the next generation of superstars: Libussa Lubbeke was a brilliant pathfinder, Jérôme Robiné once again proved that he’s the real deal, and Malin Hansen-Hotopp, despite a moment of lost sanity in the final phase, made everyone wonder why she’s not a lynchpin of every team effort. All benefited from the generous well of knowledge that is Michael Jung, but it also didn’t feel as though he was leagues ahead of his teammates, dragging them along behind them. They each played a crucial part and reaped the rewards, which will be a huge boost ahead of a home World Championships next year. Individuals Nico Aldinger and Calvin Böckmann were also excellent and showed that they could have been extremely valuable on the team, too – though the happiest kind of finish is one in which there are no ‘might have beens’, because everyone’s done their bit admirably. The Warendorf factory farm for young talent in Germany deserves its own medal, too, arguably.

Germany’s Jérôme Robiné and Black Ice. Photo by Tilly Berendt.

France, despite the eleventh-hour loss of Nicolas Touzaint, acquitted themselves well in the grounds of the palace and proved that the FFE’s extortionate bill for ferry crossings this year has been well worthwhile. They’ve been back and forth across the English Channel, targeting Bramham back in June as a way to prepare their horses to run competitively over tough terrain, and that showed in the ease with which they all crossed the finish line last week. Like Germany, this was a great chance to bring forward next-gen talent, most notably in Alexis Goury, who finished sixth with Je’Vall in a blaze of glory and ‘allez, allez’ joie de vivre.

Having France on a podium does present some logistical issues, mind you: the world-weary announcer sounded as though he was at breaking point by the fourth time he pleaded with les bleus to step onto the podium, because they were so busy kissing the cheeks of every other competitor that they kept missing their cue. Perhaps best to schedule the bisous delay into all future prizegivings, just in case.

It was the Irish, though, who really felt like the team of the week. A tougher-than-expected cross-country played right into their hands, and they were able to execute a classy climb after all starting their week in the low-to-mid 30s. The silver medal they ultimately walked away with is Ireland’s first Europeans team medal since 1995 (though notably not their first Europeans medal in that long of a time: Cathal Daniels won individual bronze in 2019 and deserves his flowers for that), and joins their 2018 WEG team silver in the trophy cabinet. The last fistful of years hasn’t felt particularly straightforward for the Irish, with leadership changes and protracted legal battles at the top of the sport, but their riders are as good as they’ve ever been and very obviously hungry for success.

Even more heartening is the decisive performances of newer faces on the team. Ian Cassells and Robbie Kearns are practically part of the furniture at this point on the eventing scene, but this was just a second Senior call-up for the former and a debut for the latter, and each rode exceptionally under pressure. Both riders have been excellent producers of young horses for a long time now, and it’s great to see them keep top-level rides so they can have their well-deserved time in the spotlight. Robbie Kearns can get a special nod here: over the weekend, I was chatting with some journalist friends and we all agreed that it was great fun to see someone so obviously having great craic out on course, even with so much at stake. Anything, or anyone, that brings fun back to eventing is alright by me.

Blenheim Palace: a canvas for the imagination, perhaps. Photo by Tilly Berendt.

The good, the bad, and the plastic-wrapped

I’m firmly of the belief that every major competition brings with it opportunities to improve for the next time, and that’s not a nitpicky sort of thing – it’s one of those ‘work to better the thing you love the most’ sort of things. At Blenheim, which was largely a successful week, there were a few adjustments that might have sealed the deal on the whole affair as a roaring success.

There wasn’t much to be done about the state of the Palace – “okay, it’s not the best looking at the moment, but it’s a great place,” to quote Michi Jung – which was covered in plastic sheeting and scaffolding due to a major roof renovation. The plus side? It was only the colonnaded middle section of the south façade that was covered which, yes, okay, is the main bit, but the side wings were visible and with some creative relocation, photographers could still manage to capture glimpses of the location without the full-on sensor glare of sunshine on white plastic. It’s a shame, though, that the news of the scaffolding felt like it was sprung on us all at the eleventh hour when it turns out that the plan has been in place for several years, and so communications about it must have arisen when Blenheim first decided to make a bid for this championships.

Still, a palace background does not a competition make, and the bigger picture, really, is that we were at risk of losing the European Championships series entirely, before Blenheim scooped it up and reinjected some life into its veins after a long period where no venue made a bid to host. If it hadn’t run in 2025, would it have returned in 2027? Perhaps – but that’s not something I’d like to see put to the test, and I’m grateful that Blenheim’s expansive team took the whole endeavour on so we don’t have to. Putting on a championship is an eye-wateringly expensive operation, and so the support of insurance firm Agria, who are swiftly becoming one of equestrian sport’s most prolific benefactors, is no small detail. Engaging with the brands that fund our fun is key to continuing sponsorships, and as my horse’s insurance policy comes up for renewal, I’ll certainly be making a call to Agria to see whether signing on with them might suit our needs.

More important than any backdrop, too, is the ground – and that, ultimately, was a triumph. Just a month or so prior to the Championships, it was hard to imagine how anyone would safely be able to run on it: it was desert brown, bone-dry, and hard as the motorway, and it seemed almost certain that we’d see avoidable injuries occur over the course of the event. Because Blenheim Palace is such a prominent tourist attraction, access to the park for the team was much more limited than at the likes of Burghley, and watering efforts only began in the last few days of August – but the huge amount of water put down, plus some much-needed help from the weather forecast, really turned things around at the eleventh hour. Horses travelled well around the course, looked fit at the finish, and trotted up exceptionally well on Sunday: just one horse was withdrawn overnight, and none of those presented were sent to the holding box. That, plus just one horse fall on Saturday, marks a very positive weekend for the sport in my eyes.

Substantial glimpses of Blenheim Palace remained available, for those happy to turn a few inches to the left or right. Photo by Tilly Berendt.

Something that I thought about a lot as we approached the Europeans was this: is it possible to integrate other competitions in with a Championship? I’ve never yet seen it done, though I’m sure it must have been at some point. In any case, while the prestigious eight- and nine-year-old class, so often a kingmaker in our sport, was able to run alongside the Europeans this year, I’m not wholly convinced that either class was particularly improved for the decision.

Reporting on a Championship is such an intensive task that there was no chance at all of getting a cursory look-in at the CCI4*-S, which feels like a real shame: as a journalist, I know how crucial this class is to the broader infrastructure of our sport, and how great an opportunity it is to earmark the stars of the next few years, and I was disappointed not to be able to keep even half an eye on it. Riders and owners alike, too, often felt rather relegated to the sidelines – they were kept totally separate from the Europeans competitors, which makes sense to some extent, but their exclusion from the drinks reception at the palace feels shortsighted. For some riders and support systems, that’s a once-in-a-lifetime occasion, and to be downgraded to a marquee in the lorry park just doesn’t feel quite the same. I wonder if everyone might have benefited if Cornbury International, a week prior and ten minutes down the road, had taken on this class instead. They already host the British five-, six-, and seven-year-old championships and are champing at the bit to be granted a CCI4*-S – I have no doubt that they’d have pulled out all the stops to make it a real showcase for these exceptional young horses, and the organisers at Blenheim could have had a bit less on their very full plates.

In some ways, the existence of a secondary class made the Europeans feel like a beefed-up Nations Cup, and that probably wasn’t totally helped by a surprising lack of branding. There was a game effort made to have a purple, FEI European Eventing Championships-branded archway leading into the dressage arena, but that came down in Wednesday’s winds and was never seen again – and in any case, it was rather too far from the ring to realistically be seen from the grandstands or photographed from the primary functional photo pen. The tarpaulin-covered TV camera stands seemed an obvious location for some more branding boards, and just one fence on the cross-country course had any kind of FEI branding, though there were plenty of open green stretches behind jumps that would have benefitted from them and lent a real sense of occasion to the whole affair. It reminded me, sometimes, of the frustration of shooting the cross-country at last year’s Olympics – while photographers in each of the other sports were spoiled with Olympic rings at every angle, including on the rims of basketball hoops, it was a challenge to find any to incorporate into our day’s output there.

Many places on course felt like obvious choices for some European Championships branding boards, which would have added to the sense of occasion nicely. Photo by Tilly Berendt.

Showcasing the sport

It was brilliant to see a fully functional, championships-calibre mixed zone for each phase, equipped with television sets and branding boards and capably helmed by Amy Kingham, who was our media centre manager at the Paris Olympics last year and is, as such, no slouch. She ensured members of the media were able to speak to each and every rider, which makes life an awful lot easier – over the last few years of Blenheim, there’s been no mixed zone and no press conference, and that, combined with no phone signal, means an awful lot of extra running around and time spent trying to speak to the people you need, so kudos to them for getting this so right at the Europeans.

It can be easy, I think, to dismiss the concerns and needs of the media, but to do so misses the bigger picture. Few riders get into equestrian sport because they want fame – they do it because they love horses, and they love training and competing. But any sport’s existence on a stage larger than a local community centre is completely contingent on it being a viable source of entertainment for spectators. Those spectators might be watching from afar via livestreams, following along through live blogs, or paying fairly hefty sums to watch on site, but whatever the case may be, we have to ensure that they’re catered for and that excellent, factually accurate, entertaining storytelling is upheld across all mediums.

For some grandstand ticket-holders on the two dressage days, the week got off to a tricky start: two Subaru SUVs, advertising the event’s official vehicle partner, were parked at the A end of the arena, ostensibly showcasing the cars but actually just blocking the view of the dressage from anyone in the lower half of the stands. Perhaps in future the best move is to do sightline checks from all ticketed seats to ensure that everyone is getting a good view – and if a restricted view can’t be avoided, then tickets should be sold labelled as such and discounted accordingly, which is something that works fine in West End theatres. If sightline checks aren’t possible because access to the site is limited, as it was in the lead-up to Blenheim, perhaps next time the cars can be parked flanking the judges’ box at C, behind which there were no grandstands.

I have no doubt that the dynamic commentary team of Tina Cook and Steve Wilde took great care of livestream viewers, but I would have loved to have seen a few tweaks to the on-site announcing, which sometimes felt cobbled together. As an occasional commentator myself, I appreciate how taxing it is: I tend to allocate at least one unpaid ten-hour day to writing a page of notes per competitor, and I know that by hour three or so on the mic, your throat starts to feel like some sort of alien thing that’s possessed your body. Mistakes and mispronunciations happen, and I think we’d all do well to allocate some amount of grace for that.

But in order to really sell this sport, and in order to do justice to people who have worked and sacrificed for their entire lives to get to this moment, I do think we need to start from a place in which all our Is are dotted and our Ts are crossed. In a field of sub-55, you’re not likely to have pronunciation queries on more than half the field, but even if every single one is confusing, that’s a small enough list to Google them all and write them down phonetically in your notes so you can ensure you get somebody’s name right when they come into the ring for the biggest moment of their life. If we can pronounce Aoife, we can pronounce anything, you know?

The ritual of research and note-taking is such a necessary part of the whole endeavour; back when I used to write EN’s form guides, the 20+ hours I’d spend trawling through all articles, live-streams, and back-and-forth conversations with competitors would set me up so robustly for the week of reporting ahead of me, and I wouldn’t ever want to assign somebody else with doing it for me. I can’t speak to who did the notes for the announcers – whether it was themselves, somebody else, or AI (god, I truly hope not) – but they probably needed a quick sanity check so that Felix Vogg wasn’t continually referred to as Switzerland’s only five-star winner, or that Lara de Liedekerke-Meier’s 14th-place finish at Badminton wasn’t put forward as her greatest achievement with Hooney d’Arville. (Or, for that matter, that Olympic medallist Astier Nicolas isn’t called… Nicholas Astier.)

On a similar note, on several occasions the riders from the Czech Republic were announced as being from Czechoslovakia – a country that hasn’t existed since 1992. Nobody needs to embark upon a history PhD in order to be a commentator, but we do need to get the basics right. It’s not just a marker of respect (although that’s really important, too), it’s also a way of applying appropriate gravitas to every competitor, and every flag, which makes a continental championship feel appropriately exciting and further sells the narrative.

On the other side of the coin, I enjoyed the back-and-forth between the two ring announcers on the final day of competition, and I thought that the obvious personal biases were brilliantly handled. I’ve always been firmly of the opinion that representatives of the media should be able to voice their thoughts, and their allegiances, loudly and proudly – it’s just another way of telling a story and it can be a compelling way for viewers to find their own team or rider of choice, too.

My face when I first saw the course, probably. Photo by Tilly Berendt.

It’s just as important to know when you’re wrong as it is to know when you’re right

I was reminded at Blenheim of how easily things can be, well, not quite as they appear — which is probably a valuable reminder for someone who covers the sport for fans. I certainly didn’t need a reminder that walking the cross-country course is crucial; that’s something I make an effort to do and, when I have the time, I try to walk all the different lines and stride patterns, too, because the devil is often in the details. That was certainly the case with Captain Mark Phillips’s clever track. I’d seen it a few weeks before the event on a media preview day, though that’s never really the same as a proper course walk — you might get the chance to walk a line or two but largely, you drive around the course and see it from afar (which is no criticism — these preview days are massively helpful for the media!). My initial impression on that day was that it felt and looked like a small course; a similar one to the CCI4*-L course of the year prior, but dialled back in intensity. The coffin was now a half-coffin; the fences sold to us as being the most difficult felt like straightforward, if positive, distances to not-very-impressive efforts. “It’s giving Open Intermediate,” I said to some friends, who agreed. I figured I’d spot the rub when I walked the course on the Wednesday of the event.

And yeah, I totally would have done, were it not for a string of silly incidents and technical hitches and changes-of-plan that meant I couldn’t get out there on Wednesday, I couldn’t get out there on Thursday, and ultimately, I couldn’t get out there at all. When Saturday rolled around, surprise! It wasn’t at all an OI; it was, yes, dimensionally compact, but the Captain had created clever lines that allowed limited margin for error and required riders to know exactly where they were heading, and at what pace, before they took off for the fence before. In many places, the option to chuck in a bend so as to add an extra stride were limited; the unusual decision not to have a combination on course until fence 6 meant many horses and riders picked up early 20s at one of the smallest fences on course. The prominent tumbles of the Brits can make it feel, erroneously, like falls were commonplace throughout the day, but they weren’t: just 7 combinations were eliminated on cross-country, and time and silly drive-bys proved most influential. Less experienced horses, riders, and nations were able to have great, steady runs and come home with clear rounds and heaping fistfuls of time penalties, and the very top was suitably tested, which I’d been worried it wouldn’t be. One non-competing rider, who I’d been texting back and forth about our shared underwhelm at the course, texted me on Saturday evening: “Guess I got that wrong,” they laughed. “Egg on our faces, for sure,” I replied. It was a super course, on excellent footing — and I couldn’t be happier to have been wrong.

Next up to bat…

With Blenheim behind us, I’m looking forward to a return to Avenches in 2027 for the next round of the FEI European Eventing Championships. We ordinarily see the same few venues coming forward again and again to host these championships, but Avenches, tucked away in a medieval town just west of Bern in Switzerland, has stepped up to bat just once before. That was in 2021, and their hosting situation was an unconventional one: initially, all the European Championships across the disciplines had been cancelled due to the ongoing coronavirus pandemic, but after a period of deliberation, the FEI decided to reinstate the jumping and dressage Europeans – but not the eventing ones. A social media campaign, helmed by Michael Jung, popped up to support our sport and Avenches, run by the Vogg family, put their hands up as a venue and team that would be willing and able to host on short notice.

That Europeans was, arguably, my favourite of the bunch so far: it’s a gorgeous venue, fringed with leggy cyprus trees so it feels like you’re trapped in a Van Gogh painting; there’s a fondue tent; it’s simple but extraordinarily friendly; and the local area is a goldmine for exploring. I was impressed with what the team there managed to do on short notice four years ago; I can’t wait to see what they make of the job with a full ‘term’ to serve. Good luck to them, and well done to Blenheim’s team, who got a big job done and, I hope, have also managed to emerge from the darkened rooms post-event.

EN is proud to welcome Horsepal onboard as the sponsor of our European Championships coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

Agria FEI European Eventing Championships at Blenheim: [Website] [Tickets] [Live Stream Replays] [BBC iPlayer Broadcast] [FEI YouTube Stream Replays] [Entries] [Scores] [CrossCountry App XC Map] [EN’s Coverage] [Support Our Sponsor: Horsepal]

“This Is All for Him”: Laura Collett and London 52 Take European Championship Gold

Laura Collett and London 52. Photo by Tilly Berendt.

In every generation of event horses, one or two stand out as the sort of athletes and personalities that will leave an outsized hoofprint; a legacy that lasts well beyond the years they actually spend in the spotlight. They are the Murphy Himselfs, the Charismas, the La Biosthetique Sams: and in this generation, the horses who stepped up to the top level of the sport in those halcyon couple of seasons just prior to the pandemic, the outsize star is London 52.

There’s been something faintly bittersweet in watching the Laura Collett and London 52 vs Michael Jung and fischerChipmunk FRH match race this week at the European Championships: though both horses look at their very peak, the former is now sixteen and the latter seventeen, and there are only seasons remaining ahead of them: even with luck and the very best of management, it feels too optimistic to suppose that either will still be competing when the LA Olympics rolls around in 2028.

But then, perhaps that’s what makes it feel even more special when we get to enjoy them on their finest form, nose to nose to the wire, delivering the kind of first phase scores that only the other can rival and fighting, fighting, fighting for every tiny margin on the leaderboard.

This is modern eventing, as it exists right now: extraordinarily well-trained horses who can slip sub-20 and can run and jump and dig deep, and still come out and jump clear on the final day. This is where the die has been cast; these are the two horses of their age group who have shaped it into what it is. In many ways, that’s made this week – a week that’s seen power wrested back and forth between them – feel like a choreographed demonstration of the idylls of the top of the sport.

Laura Collett and London 52. Photo by Tilly Berendt.

Both horses have shone this week; both riders, similarly, have excelled themselves. But as the 2025 Agria FEI European Eventing Championships draws to a close, it’s Great Britain’s Laura Collett and London 52 who take home the gold medal, amid a flurry of Union Jacks and roaring screams of support and tears; everywhere, tears.

Look, here’s the thing: we can wax lyrical about London 52 all day long. We can talk about how he throws down 17s in the first phase like it’s an easy and normal thing to do. We can talk about how every question mark that’s been raised over his head on cross-country day – and yes, there have been many, and yes, we remember his rollercoaster 2019 season – has been summarily dispelled. We can talk about those three five-star wins. We can talk about how he looks like a little girl closed her eyes and wished with all her might that her Breyer model horse might come to life and be a real, living, breathing dream horse, and there he was. We can do this! We have this in us.

But wouldn’t it be a shame not to take a moment to consider Laura? If London 52 is the horse that little girl wished for, Laura is the woman that little girl is wishing she could be some day. That’s not just because she’s won Pau, Luhmühlen, and Badminton (all with #1 Barbie Dream Horse, of course); it’s not necessarily because she’s been a gold medallist at Pony, Junior, Young Rider, and Senior levels; it’s not even because she fought her way back from a terrible accident in 2011 that could have ended her career and, if she hadn’t been just a bit lucky, her life.

The individual medallists of the Blenheim European Championships. Photo by Tilly Berendt.

Really, it’s because she’s the proof that there are options out there for hungry young riders who don’t have backing but do have determination. From her earliest competitive experiences in the showing ring, she worked for her opportunities, pitching up in the wee hours at producers’ yards to catch-ride their ponies. After she swapped over to eventing and began to make her way through the youth programmes, she never did so on horses or ponies that were bought for her for vast sums: she rode, and rode, and rode some more, and learned to produce good horses – and, crucially, how to manage the business of selling them on to keep the whole show on the road. The sale of her excellent pony, Noble Springbok, who she’d bought as a cheap five-year-old who was being sold in a job lot, was enough to allow her to purchase several prospects, one of which she produced to Badminton. That’s been the recipe that’s kept on propelling her further and further along, giving her the opportunity to take part in British teams across the age levels, and putting down the foundation of a functional business that quickly began to attract owners and supporters. Even now, Laura hasn’t slowed down: alongside running a string of horses across the levels from her Cotswolds base, she also works with several top racehorse trainers, helping to produce their stable stars over fences. She never stops, never slows down – and refreshingly, that’s not because of hustle culture, or the relentless churn of the industry machine. It’s because all she wants to do is be in the saddle, all day, every day.

And now she’s the European Champion, and can add her first senior individual title to her extraordinary list of accolades.

Laura Collett celebrates with the ecstatic home front of supporters. Photo by Tilly Berendt.

“I can’t tell you how much I’ve wanted this,” she says. “Mainly for the horse, because I feel sometimes I’ve let him down – but now he’s finally got the championship he deserves.”

Laura and London began their campaign in second place, putting a smart score of 20.6 on the board on Friday, which was swiftly bested by Michi and Chipmunk’s 18.3. In yesterday’s influential cross-country phase, which saw the British team fall out of contention entirely, she regained the top spot, delivering the second-fastest round of the day to add just 6 time penalties, while Michi and Chipmunk, with his rounder stride pattern, added 10.

That meant, though, that Laura and ‘Dan’, who she rides for longtime supporters Keith Scott and Karen Bartlett, had just 1.7 penalties in hand coming into today’s showjumping: enough to add a few seconds on the clock, but nothing more.

Laura Collett and London 52. Photo by Tilly Berendt.

As the morning’s session of showjumping unfolded, it became clear that as in yesterday’s cross-country, the time was going to be a significant factor. (“Shall we have a whip round to buy Blenheim a new measuring wheel? Theirs obviously has something wrong with it,” murmured a fellow journalist in the media centre.) And when overnight third-placed Tom McEwen and JL Dublin added nothing to their scorecard with their clear round, and second-placed Michi and Chip did the same, despite the horse’s tendency to a rail, the pressure was well and truly on. Nothing, it was clear, was going to be handed to Laura this week.

But when has Laura ever needed handouts? She and London 52 took their time, found their rhythm, and neatly picked their way around the long course with its series of turnbacks, and as they jumped the last safe, clear, and just a fraction of a second over the time, the grandstands erupted.

So did Laura. She cantered around the arena breathlessly, pointing at the horse beneath her, wide-eyed and crying before she pulled him down to a trot and collapsed onto his neck, whispering her gratitude into his mane.

The golden girl: Laura Collett and London 52. Photo by Tilly Berendt.

“This is for him, it’s all him,” she says, those tears still flowing. “There are no words to explain what this horse means to me. I said when he won my first five-star in Pau in 2020 that if he never wins anything again, he’s done more than I can ever dream of. What he’s done more in those five years is just a dream – I’d say dreams come true, but I didn’t even dream this.”

This week isn’t the first time we’ve seen the London 52 and fischerChipmunk match race in action: at the last Europeans in 2023, Michael had a shock fall on course while Laura picked up a flag penalty, so neither walked away with individual honours, and more recently, at the Paris Olympics, it was a rail down for Laura that decided the individual gold in favour of Michi.

Redemption, it turns out, tastes sweeter than revenge.

“This tops everything. I came so close in Paris last year, and to come back and have another head to head with Michi — it’s what makes this sport so special. These horses are so unbelievably special to keep coming back and producing the results they do, time and time again. It’s unreal – and extra special to be at a home championships, a local event for me. To be sat on a horse like him and for him to come up with the goods in all three phases, it’s just wow.”

Michael Jung and fischerChipmunk FRH. Photo by Tilly Berendt.

Michi, for his part, was happy to settle for silver – because he, too, also got to take a gold medal home for his collection. The German team handily won today, despite three rails for Libussa Lubbeke and Caramia 34, 26th, and a rail apiece for Jérôme Robiné and Black Ice (8th) and Malin Hansen-Hotopp and Carlitos Quidditch K (11th), who also picked up 2.8 time penalties after turning the wrong way after fence 9. The screams of the crowd alerted her to her mistake and she quickly wheeled the leggy grey back around to the next fence, jumping clear thereafter despite a great rattle of chatter throughout the stands as the audience discussed what had just happened.

They had those rails to play with, though, and more: Germany began the day with a nine-rail advantage over Ireland, and a couple of rails down across the Irish effort widened the gulf a bit more.

Their victory this week is an exciting testament to the strength in depth that the country boasts, thanks in large part to its Warendorf training system for young professionals, at which team members Jérôme Robiné and Libussa Lubbeke, and individual competitor Calvin Böckmann, are based.

“It’s been a really good day and a great week, I’m really happy,” says Michael. “FischerChipmunk was amazing in the dressage and cross-country, and also the showjumping. It’s amazing to have such a nice horse to ride, and compete at nearly every championship. It’s really not normal.”

Winning on English soil might mean the most to the home riders, but for Michi, there’s a special bit of magic in it, too.

“I think England is a very big country in the eventing sport – it’s a very strong nation, and when I was young I always watched videos of people competing at Badminton and Burghley and all these big nations,” he says. “And so we dreamed we could come here and get a gold medal, and we prepared this thing from the first rider to the last rider.”

It is, he says, a heartening victory ahead of next year’s World Championships, which will take place in Germany at CHIO Aachen.

Tom McEwen and JL Dublin. Photo by Tilly Berendt.

Tom McEwen’s clear round with JL Dublin earned him the individual bronze medal, which means that the two Brits remaining in the competition after yesterday’s tough day in the office each earned their country its plaudits at the end of the day.

“We are competitive by nature, and we all have amazing horses and we all believe our own is the best,” says Tom. “Dubs has done phenomenally well; he couldn’t have done any better and was just beaten by two better horses, possibly two of the greatest horses in our sport.

“After a week that hasn’t been our own, to come home with two medals is absolutely fantastic. We came as a [squad of] six and we leave as a six and it’s team spirit all the way. I’m delighted for Laura.”

Calvin Böckmann and The Phantom of the Opera. Photo by Tilly Berendt.

The individual top five actually remains wholly unchanged after cross-country: German individuals Calvin Böckmann and The Phantom of the Opera, who delivered the fastest round on course yesterday, jumped a faultless clear, as did Austria’s Lea Siegl and Van Helsing P, which meant that both finished on a score of 36.5 – but as Calvin had finished closer to the optimum time yesterday, the tiebreak worked in his favour and he took fourth place, while Lea took fifth.

“I’m slowly starting to realise what an amazing result this is, and what this horse has given me,” says Calvin. “I mean, it’s Laura, and Michi, and Tom, and then there’s Calvin and Phanty – it just means the world to me. It’s not just Phanty, it’s the whole team, too, and my family who have pushed me to where I am and always supported me – I’m so grateful to all of them.”

Lea Siegl and Van Helsing P. Photo by Tilly Berendt.

For Lea, fifth place isn’t just the culmination of an incredible week of performances – it’s many, many years of crafting the building blocks to succeed despite a limited pool of national support. Her fifth place finish here is the best championship result ever recorded for an Austrian rider, and now, she says, she hopes that it will bolster other young riders to fight for their goals.

“It’s a dream come true to finish in the top five in a championship – it’s amazing,” she says. “It’s not something you achieve in a year – it takes a lot of time, a lot of work, and a lot of people, and I’m so thankful for everyone who has been involved.”

Alexis Goury and Je’Vall. Photo by Tilly Berendt.

France’s Alexis Goury stormed to sixth place after a faultless round with Je’Vall, finishing the best of his countrymen and helping to secure the bronze team medal – a medal that they earned when Switzerland lost their small overnight margin with a spate of rails across the team. While it will feel in the moment like a desperate blow to come so close to a medal – something the Swiss haven’t managed since 1981 – and lose it on the final day, from the outside, it’s been a hugely heartening week: the six-year upward trajectory that the Swiss riders have been on is laying roots, and with some minor finetuning and a bit of luck, they can now consider themselves podium contenders at championship level.

And as for the young, hungry team of Frenchman, they celebrated making their mark on the competition in the Frenchest possible way: by delaying the prize giving by a good five minutes so they could offer bisous to every single other rider lining up for the podium. Air kiss, air kiss, everywhere: “please, please can you take your place on the podium,” pleaded the announcer, and still they kissed away. Fantastique.

Lara de Liedekerke-Meier and Hooney d’Arville. Photo by Tilly Berendt.

Belgium, also on an upward trajectory over the last number of years, had a stumbling block sort of weekend with just two riders completing – but one of them, Lara de Liedekerke-Meier, gave national morale a boost in finishing seventh with her homebred Hooney d’Arville, who rolled a single, rare rail to drop one placing.

Also dropping one rail was Jérôme Robiné, who finished eighth with Black Ice, while ninth and a clear round went to France’s Benjamin Massie and Figaro Fonroy, who have quietly been climbing up the leaderboard throughout the week. Tenth went to Switzerland’s Mélody Johner, who had two frustrating rails aboard the green but exciting Erin, who she’s taken on from Swiss cross-country coach Andrew Nicholson.

The silver medal winning Irish team. Photo by Tilly Berendt.

Though no Irish rider would make it into the individual top ten, they did come close: Padraig McCarthy and Pomp N Circumstance finished 12th with a clear round, while Ian Cassells and Millridge Atlantis had one expensive rail and 2.8 time penalties to drop to 14th. Robbie Kearns and Chance Encounter also tipped one rail to finish 18th, while individual competitor Sarah Ennis took 15th with a one-rail round with Dourough Ferro Class Act. Collectively, the Irish effort meant that the team took a heartening silver medal – the first team medal at a Europeans for the country since the early 1990s, and proof that over a tough cross-country course, they have everything it takes to rise to the fore. Even more bolstering? Both Padraig and Sarah, experienced championship competitors in their own right, rode inexperienced horses, while individual competitor Susie Berry and new faces Ian and Robbie represent a next-generation string of talent.

And as for the rest of the Brits? Don’t expect them to be down for long.

“Yesterday, we had blips, but everything goes in cycles and at some point, the bubble was going to burst,” says chef d’equip Dicky Waygood. “But every one of them gave it a shot, and so you’ve got to pat them on the back for giving it that shot [and riding positively]. If it had come off, they’d have been heroes. Every single one of them went out there and was good and competitive on their time, and there are blips we can work on, but it’s the attitude of giving it a shot that’s the absolute ingredient of winners.”

We’ll be bringing you more insights over the coming days into what the 2025 European Eventing Championships, and all its plot twists and scaffolding, means for the bigger picture of the sport, but for now, that’s it from us here at EN. We’re off to wish on some stars that we can be like Laura Collett when (if) we grow up. Until next time: Go Eventing!

EN is proud to welcome Horsepal onboard as the sponsor of our European Championships coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

Agria FEI European Eventing Championships at Blenheim: [Website] [Tickets] [Live Stream Replays] [BBC iPlayer Broadcast] [FEI YouTube Stream Replays] [Entries] [Scores] [CrossCountry App XC Map] [EN’s Coverage] [Support Our Sponsor: Horsepal]

One Withdrawal, But All Presented Pass Deliciously Uneventful Europeans Final Horse Inspection

Overnight leaders Laura Collett and London 52 make us all feel something again, even at 8 in the morning on three hours of sleep. Photo by Tilly Berendt.

We’re neither bright-eyed nor bushy-tailed on this final (early) morning of the Agria FEI European Eventing Championships, but fortunately for morale and word count, we have practically nothing at all to report from the final horse inspection.

41 horses and riders came forward to present to the ground jury of Sandy Phillips, Katrin Eichinger-Kniely, and Valerie Pride — down by one from the end of yesterday’s competition, owing to the withdrawal of Italy’s Giovanni Ugolotti and Duke of Champions. They’d acted as pathfinders for the Italian team, and had a mixed bag of fortunes on course: they picked up a flag penalty at fence 10BC, the second of the angled brushes in the main arena, and a MIM activation penalty at 16, the ha-ha oxer after the rollercoaster complex, putting them into 32nd place individually and helping contribute to Italy’s overnight sixth place as a team.

Unfortunately, this withdrawal does mean that Italy now drops out of any meaningful hunt for a placing. After the retirement of Arianna Schivo and First Lady de Belheme, all three remaining finishers’ scores had to count, and Giovanni’s withdrawal will mean they need to count his 1000-point non-completion penalty. There are now five teams truly remaining in the team competition: Germany maintains their nine-and-a-bit rail lead ahead of Ireland in silver position and Switzerland in bronze, while the French are close behind in fourth and Austria sits 16.6 penalties, or just over four rails, behind them in fifth.

Germany’s Calvin Böckmann and The Phantom of the Opera, who delivered the fastest round of the day yesterday and sit in fourth overnight. Photo by Tilly Berendt.

Otherwise, everyone who came forward was accepted without a second glance, including our overnight leaders, Laura Collett and London 52, who take a scant 1.7 penalty margin over Michael Jung and fischerChipmunk FRH into today’s showjumping. That’ll begin with the first session at 11.00 a.m. (12.00 p.m. CEST/6.00 a.m. EST), and the second session — which photographer Peter Nixon tells me is “the top twenty, I think” — will commence from 14.00 BST (15.00 CEST/9.00 a.m. EST). We’ll be back once this pony show wraps up to bring you the full story of our new European Champions and the battle they undertook to nab themselves their medals.

In the meantime, you can catch up on all the action — no, literally, all of it — with our full cross-country report and, of course, Cheg’s fantastic live updates blog, which charts the fates and fortunes of each and every starter on Captain Mark Phillips’ influential track yesterday. You can also rewatch the whole competition, and tune in live for today’s finale, on ClipMyHorse.TV — or, if you’re in the UK, on the BBC’s Red Button service, which will show today’s jumping live.

Go Eventing!

The individual leaderboard at the end of cross-country.

EN is proud to welcome Horsepal onboard as the sponsor of our European Championships coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

Agria FEI European Eventing Championships at Blenheim: [Website] [Tickets] [Live Stream] [BBC iPlayer Broadcast] [FEI YouTube Streams] [Entries] [Timing & Scoring] [CrossCountry App XC Map] [EN’s Coverage] [Support Our Sponsor: Horsepal]

Mummy Can You Come Get Me, I’m Scared: The European Championships Cross-Country Day Debrief

Norway’s Yasmin Olsson-Payne and Cos Me Will cross Blenheim’s long water. Photo by Tilly Berendt.

You’ll forgive us, I hope, for the time it’s taken to get this report written up: we were busy checking to see if Mercury’s in retrograde, or a full moon is coming, or if we’d maybe had a weird batch of media centre coffee and had hallucinated through a full day of sport here at the FEI European Eventing Championships at Blenheim. Now we’ve been signed off by the inspecting vet and deemed fit to continue, we can confirm: no fever dreams here, just a truly, truly bonkers rewriting of the narrative of the week.

Host nation Great Britain could hardly have come into this week on better form: they’ve been gold medallists at the last two Europeans, winners at last year’s Paris Olympics, relentlessly consistent and almost preternaturally competitive on the world stage. The country has the highest medal tally of any nation throughout the history of the European Championships, with just about double the number won by their nearest competitors, the Germans – and this week, on home soil, at a venue this extraordinarily strong line-up knows like the back of their hands, they were fairly expected to walk it. After the close of the dressage phase, they sat pretty in the top spot, though with the merest of margins ahead of – you guessed it! – Germany, and today, the feeling around the packed grounds was that the experienced foursome would widen the gap between themselves and the largely next-generation German contingent.

And hey, look, they did widen the gap – just not in the direction anyone expected. As cross-country day dissolves into the night before showjumping, Great Britain is no longer a part of the team competition at all.

It began early. The day’s pathfinders, Switzerland’s Nadja Minder and Toblerone, overcame a couple of early scrappy efforts to cruise home clear and with 12.8 time penalties, but almost immediately, the plot thickened like day-old custard. Italy’s Giovanni Ugolotti and Duke of Champions, the most experienced pair of their country’s line-up, picked up a flag penalty and a MIM penalty, and those riders watching could immediately see just how tricky the forward distances and technical lines would be. There was a yawning gap for them to process that – Belgium’s Senne Vervaecke had withdrawn before the start of the day’s competition, turning the five-minute interval into a long ten-minute one – and then all eyes were on British team pathfinder Yasmin Ingham (9th on 29) who, they knew, would deliver the sort of round they could glean valuable, confidence-building intel from.

Intel, yes. Confidence-building? Well.

The first two-thirds of Yas’s round were bold, confident, and as competent  and efficient as she and Rehy DJ always are, and it looked set to be a galvanising starting point for the home nation. But then, at the top end of the course, it suddenly unravelled: as they jumped through the tough line at 22AB, an open oxer to a right-handed corner on a bending, left-handed turn, ‘Piglet’ caught a hind leg on the corner, ejecting Yas out of the side door. She was quickly back up on her feet and Piglet, who hadn’t fallen, was no worse for wear, but just like that, the Brits didn’t have the benefit of a discard score anymore. Like Austria, who came to this event with just three riders, and Belgium and Sweden, who’d each lost a rider to withdrawals, every step, every stride, and every ride was going to have to count.

British pathfinders Yasmin Ingham and Rehy DJ. Photo by Tilly Berendt.

At the end of the day, it would be just Austria – the underdog nation of this week’s nine-strong team lineup – that would stay in the hunt.

Run-out after run-out after run-out plagued riders throughout Captain Mark Phillips’s up-to-standard, testing track, with many running into trouble early at the first combination on course. That was fence 6ABC, a dimensionally diminutive pair of skinny triple-bars with a little pond between them, but crucially, the first element was set on top of a short, sharp mound, and because there had been nothing earlier on in the track to force riders to finetune their horses’ adjustability, many found that their mounts came up the mound and then ground to a halt, startled to find a speedbump suddenly in front of them. Nine pairs faulted here; one of them, France’s Astier Nicolas and Alertamalib’or, lost their chance at an overnight bronze medal position as the result of it.

The skinny brush fence that dropped into the first long water crossing, too, took plenty of strong competitors out of the game: four competitors faulted here, and Sweden bid adieu to the team competition when their final rider, Frida Anderson, opted to retire the inexperienced Stonehavens Baby Blue at this fence.

Then, the top water complex at 20ABC, a log drop and a brush corner that’ll no doubt be deported overnight: just moments after Yas’s shock fall the next British rider, individual competitor Caroline Harris and her Pau winner D.Day, picked up 20 penalties at the second element. Two fences later she, too, would fall at exactly the same spot her compatriot did. And then! And then. Britain was up to bat again, and this time with another team rider: 12th-placed Piggy March and the little stallion Halo, who has previously won here at Blenheim, were having a super round, nipping around the track as though on rails. But after a big jump into the water at 20ABC, Halo made a game attempt at taking off early for the corner and, a split second later, realised the gap was too long. He attempted to chip in an extra stride, but it was too late: he scrambled along the front of the fence, and in cleverly staying on his feet, deposited his rider into the pond.

We were barely 90 minutes into a four-and-a-half hour day of cross-country, and Britain was out.

But wait! There’s more!

Poor Bubby Upton was, like her fellow countrymen, having a peach of a ride with the ten-year-old Bramham winner Its Cooley Time when she, too, ran into trouble: again, a rider fall, though this time at fence 19, an angled brush just after the first long lake crossing. Though the team was already out of contention, and though Bubby had, like Caroline, been riding as an individual, it was another harsh blow to morale: four Brits had started, and four Brits had fallen off. Just two remained, and though Laura Collett and London 52 and Tom McEwen and JL Dublin are two of the strongest combinations in the field, they’re also both horses that would leave the start box with something of a question mark over their heads where hilly, stamina-testing tracks are concerned.

In the meantime, while all this was happening, smaller nations were demonstrating the fruits of their labours – the quiet building blocks of progress that don’t always get noticed in the shadows of the major player nations. Austria’s three plucky competitors had all made it home without jumping penalties, with anchor Lea Siegl holding onto the fourth place spot she’d held overnight with Van Helsing P, and Switzerland, whose six-year trajectory has been a clear and upward one, had brought all four riders home, pushing them upward into podium territory. Both Czech competitors came home, steadily, one clear and one with a couple of issues but plenty of experience gained. Turkey’s first-ever European Championships competitor, Kumru Say, rode a sensible, sensitive round to add no jumping penalties and a fair helping of time. The riders who were here to learn, and to grow, were able to do so with the plethora of long educational routes available to them; the countries that have been on the precipice of levelling up on the world stage walked through that door; and Germany, meanwhile, proved the strength in depth it’s cultivating at Warendorf, and duly took over the gold medal position, and four of the top ten individual places.

Laura Collett and London 52. Photo by Tilly Berendt.

Not, crucially, the top one, though. We finished dressage with a German leader in Michael Jung and fischerChipmunk FRH, and we end it with –mercifully for the home side – a British one. Laura Collett and London 52 happily erased any lingering question marks by attacking their way around the track, returning home in a time of 10:16 – 15 seconds over the 10:01 optimum time, but the second fastest round of the day in the first European Championships this millennium in which nobody has made the time.

“I can’t quite believe it, to be honest,” says Laura, who breaks a chain of bad luck at Europeans with today’s round. “We have a great partnership now, and we really needed it out there – it was hard work from start to finish. But he dug so deep.”

Laura’s round came in the final few of the day, and it was “pretty hideous”, she admits, to have to wait through all the British disappointment of the day for her turn.

“I watched the first two and then thought, ‘oh god,’” she says. “But then when I got on him I thought to myself, ‘look, he’s my horse of a lifetime, and he’s given me no reason not to trust him.’ Chris Bartle’s really helped over the last few years by saying, ‘just trust him. Trust his jump, and don’t try to do too much. Just put him on the line and let him do the rest.’ Really, this year, he’s shown me that that’s what he likes.”

She was helped, too, by having at least one compatriot home and clear: Tom McEwen had revitalised the home crowds hopes, laying down an excellent effort with the 2021 European Champion JL Dublin to add just 6.8 time penalties, in what would turn out to be the third-fastest round of the day.

Laura Collett and London 52. Photo by Tilly Berendt.

“I had great advice from Tom, who said ‘just save a little bit for the end – don’t use up too much at the start, and really get stuck in,’” says Laura.

It was sage advice, but as Laura left the start box, she wasn’t sure if she’d be able to stop the three-time five-star champion from using himself too much, too soon.

“He was quite feisty at the start, which sort of put me off a bit because I couldn’t really find a rhythm,” she says. “Halfway through I gave him a terrible ride through the rollercoaster complex [at 15AB], and then I thought ‘right, you’ve got to stop doing that!’ Then he was magic through the top of the course and coming home.”

‘Dan’ made it clear on course that at sixteen, he’s not about to start slowing down – but his gung-ho approach today isn’t just the result of a bit of luck.

“We’ve really worked on his fitness since Luhmühlen, because I felt there that I hadn’t quite got him to the point I’d had him before, whether that’s because he’s older or just a bit more laid back now,” explains Laura. “So we didn’t give him a huge break after Luhmühlen, and although he hasn’t run very much, we kept him really fit, which showed today.”

Laura had to exercise compartmentalisation to get her head in the game for today’s round after the chance of team gold on home soil slipped out of reach.

“There was a tiny bit less pressure not having the team riding on my shoulders, but I’m gutted for them as well – none of us wanted any of that to happen. So it was a bit of a mixed feeling going into it. But once I was on, it was just a job to do – whether that’s as a team or an individual we want the same result, which is clear and fast.” “He owes me nothing and he keeps on giving me more and more and more.”

Laura Collett and London 52. Photo by Tilly Berendt.

Now, Laura will head into tomorrow’s finale with the tiniest of margins as she fights for her first senior individual gold medal: she sits just 1.7 penalties ahead of her nearest competitor, which gives her just a few scant seconds in hand.

“I’m not sure excited is the word I’d use,” laughs Laura, “but ‘Dan’s’ been in these positions before – not at championships, but at five-star, so I have to remember that and think of it as just another day of showjumping, and then what will be will be. He owes me nothing, and he keeps on giving me more and more and more.”

That 1.7 penalty margin sees Laura sit a whisper ahead of our first-phase leaders, Michael Jung and fischerChipmunk FRH, who left the start box just minutes after she did. The pair were classy around the Captain’s course but steadier: whereas London 52 can lengthen and open his stride more readily, the more traditionally continental Chipmunk travels with a bowling, round stride, and his comfortable cruising gallop meant he and Michi would finish ten seconds slower than our leaders.

Michael Jung and fischerChipmunk FRH. Photo by Tilly Berendt.

Like many riders today, Michi found himself having to dig deep and really ride at the first combination.

“I think every horse was a bit surprised there,” he says. “But he had a great reaction and jumped it well, and everything else went as I wished. I tried to have a smooth round and not push him too much; to just let him gallop and let him breathe in some places. I had a great feeling everywhere.”

As the third-from-last rider, Michi, like Laura, had a long day of waiting – but, he says, that proved to be a great advantage.

“That’s the good thing when you start in the end, and because we’ve been very lucky with the weather, the ground stayed perfect to the end – so [starting late] meant I could get all the information I needed [without also having worse ground],” he says. “For sure, every horse is different, and every horse has different strong and weak parts, but team Germany had a great day [and gave a lot of information].”

Michael Jung and fischerChipmunk FRH. Photo by Tilly Berendt.

It wasn’t just the riders themselves who contributed to that effort; Arne Bergendahl, here competing in the eight- and nine-year-old CCI4*-S, was stationed up by the palace’s influential early fences, armed with a walky-talky and feeding his observations back to the team at the start.

Here’s Arne Bergendahl and his radio if you need him, you’re welcome.

Once out of the start box, though, it’s every man and horse for himself, and in his usual style, Michi focused on rhythm rather than heroics.

“I tried not to over-ride him in the beginning,” he says. “I tried to keep a good feeling and ride as fast as possible in a few places, but then also on the other side, to let him breathe and try to have the last jumps still under control. The feeling was amazing after the last combination – he was full of running to the last fence and really fit.”

Of the Captain’s track he says, “I think it was a very, very good course, because it wasn’t just one combination that made problems for everyone. Everywhere you can have a flag, or you can have a run-out, and the time was really, really short. It was, I think, a good course.”

Tom McEwen and JL Dublin. Photo by Tilly Berendt.

Tom McEwen’s excellent effort with JL Dublin sees them retain the third place position they’d held overnight. Like Laura later on, he found himself with a double handful of horse as he set out on course, and a serious venue-wide support system.

“It’s amazing, the English public today,” he grins. “It’s completely full the whole way around, and there are areas where it’s totally packed out. Dubs was just loving it. For me, it was just about settling him down for the first few minutes. Luckily, all the combinations are built on very positive distances, because I was actually holding throughout all of them. He was loving it.”

The course, he says, “suited his way of going, and I could settle him down for the latter part of the course. Mark’s allowed you from beginning to end to be in a flowing rhythm, so the horses really got into that positive state of mind all the way. That meant that actually, the bigger distances later on came up pretty easily.”

Calvin Böckmann and The Phantom of the Opera. Photo by Jan Frohne.

The fastest round of the day went to an individual competitor, rather than a team rider, but Paris reserves Calvin Böckmann and The Phantom of the Opera gave Germany yet another reason to celebrate when they crossed the line bold, fit, and fresh, on a time of 10:15. That was enough to boost them from 16th after dressage to equal fourth tonight.

“It’s my third time here at Blenheim, and I know Phanty inside and out, but already in the previous years it was tough enough to be inside the time,” says an emotional Calvin, who enjoyed a positive, open-strided ride around the track with his little chestnut gelding. “But that’s just his major strength. I’m quite lucky to have him as my partner because he’s bold, and most of the time being able to see those good distances to just leave out a stride in the turn. That’s where I believe he’s saving the time – that, and still being full of running as he comes up that last hill. It’s an unbelievable feeling – despite the fact that he’s been one of the fastest horses today, it just makes me really happy that he comes into the finish with his ears pricked and he isn’t tired at all; he feels like he could do it all over again.”

The 14-year-old Phanty came into his own on Blenheim’s hilly middle section.

“Whenever I give him some rein and say ‘let’s do this’, I don’t even have to say a thing: he’s an absolute galloping machine, and that was the major strength in this course, even though it was really, really technical. If you weren’t on point the whole time, it was so easy to have tiny mistakes.

“He’s always quite keen to go, and especially today. I truly believe that horses in general are very smart; all of my horses have big personalities and are unique, and with him, he knows when it’s important. Normally he’d be very fresh in the dressage, especially in a grass arena, but this week it was like he knew how important it was, and he behaved so well.”

Calvin Böckmann and The Phantom of the Opera. Photo by Tilly Berendt.

24-year-old Calvin has tears in his eyes and his broad grin breaks for a moment as he thinks about his game little white-faced, wall-eyed horse, with whom he’s twice completed Kentucky, finished second at Aachen, and now made his Senior European debut.

“He means the world to me,” he says. “Just being able to have these experiences – of course, it’s amazing to have a good result at the end, but just to live in this moment and have these experiences with him, and to tackle a course like this with a crowd like this, it’s just something that means a lot to me. It’s something that me and my family and my whole team have worked towards for many years now, and I’m very grateful that it’s all coming together now.”

The pair are excellent showjumpers, without a rail to be seen in their last seven FEI jumping rounds, but, says Calvin, “I’m going into tomorrow without any expectations – I’m just grateful for today. Most of the people on the leaderboard around me have been here quite a bit longer than me already, and so I’m just grateful to be here with them – and to have had Phanty by my side today.”

Lea Siegl and Van Helsing P. Photo by Jan Frohne.

Austria’s Lea Siegl and Van Helsing P added 9.2 time penalties to sit equal fourth with Calvin, and secure overnight fifth place for her team, too, in an incredible plot twist for this week’s team leaderboard.

“It was amazing,” she says with a smile. “It was fun to ride, and the audience was incredible, and we just enjoyed it. We had a forward rhythm, and I was so proud of how brave he was.”

Her ride, she continues, went “according to plan” – other than an unexpected hold of a few minutes, while fence repairs were carried out ahead of her.

 “I got stopped at minute four, between fence 13 and 14, and so I tried to cool him down there,” says Lea. “The people standing there were quite nice and had sponges to help cool him down, so he was calm and relaxed. But it’s a bit of a rhythm-breaker if you have a stop in the middle of the course, so we had to make sure to find that forward rhythm again quickly.”

Mélody Johner and Erin. Photo by Tilly Berendt.

The Swiss team this week is full of experienced riders, all four of whom have been on the last handful of championship teams, but three of the four are riding young, inexperienced, or ‘second string’ horses, in a bid to create strength in depth for the next Olympic cycle. This isn’t a bad start: though both Felix Vogg and Frieda and Robin Godel and Global DHI picked up 20 penalties on course, Nadja Minder’s pathfinder round and the smart, swift clear of Mélody Johner and Erin mean that the team finds itself in bronze medal position overnight. Mélody, for her part, will head into the final day in sixth place, having added 8 time penalties with the ten-year-old Spanish-bred gelding and climbed up from 18th as a result.

On course, she says, he both thrived and learned.

“Everywhere I rode as I’d wanted to, but just at the oxer to the corner at 22, that wasn’t so easy for him,” she says. “He just didn’t really know where he was supposed to go, but he trusted me, so that was good – but he lost a shoe somewhere, and I could feel that he was slipping a little in the turns, which meant I didn’t go as fast as I wanted. Luckily, he’s naturally fast.”

She did, she admits, have a moment of doubt just before heading out onto the influential track.

“We make a crazy sport, I think. When I’m in the starting box, I really ask myself every time why I’m doing this sport,” she laughs. “But when we’re going, it’s such a pleasure and so wonderful to ride that I answer the question for myself.”

Mélody has been entrusted with the ride on Erin by Swiss team cross-country coach Andrew Nicholson, who produced him to CCI3*-L.

“It’s a special one for Andrew, and it’s special for me that he trusts me to ride this horse,” says Mélody, who took the reins in early 2024. “It’s a partnership not just between the horse and me, but between Andrew and I. I think we really have to work the future years together, and that’s really a pleasure.”

The long-term aim for the gelding, she continues, “was always for Aachen next year, and not necessarily the Europeans this year, but we were ready – and so it’s just 100% positive for the future and for the experience. The future looks bright!”

Malin Hansen-Hotopp and Carlitos Quidditch K. Photo by Tilly Berendt.

Germany’s Malin Hansen-Hotopp and Carlitos Quidditch K have previously won at Blenheim, back in 2022, and so huge hopes rested on their shoulders – and they didn’t disappoint, adding a respectable 14 time penalties to their tally to move from 6th to 7th place, and bolster that German bid for team gold.

“He was so focused on all the technical stuff – I could really ride him, and he really carried me,” says Malin. “I think it’s a really tough course: when we walked the first time we all said, ‘oh, it’s not very big’ – we’ve all ridden five-stars, so it didn’t seem so bad. But there are a lot of angles and technical things, and I spoke to Bettina [Hoy], and she said, ‘that’s typical for the Captain: the technical stuff gets you if you want to ride fast.’ So we all spoke about it and decided it would be a tough course, and it was.”

Her previous form here with ‘Schimmi’ was an enormous confidence boost as she left the start box.

“Three years ago, my horse was really full of power in the finish, so I had that in mind. I just made sure to let him breathe at the top after the water, and let him canter like he wanted to, and then I was able to speed up again when I needed to.”

Jérôme Robiné and Black Ice. Photo by Tilly Berendt.

Germany also holds 8th place, thanks to a 13.2 time penalty round from young talent Jérôme Robiné and the crowd favourite Black Ice, whose long stride gobbled up the forward distances in the combinations on course. They had a moment of excitement at the top water at 20ABC when Black Ice opted to make a planned five stride line into four – but there was never a moment in which he wasn’t going to make it to the other side of the fence.

“I’m more than happy,” says Jérôme, who steps up from overnight 15th place. “He’s quite an honest horse – you just point him somewhere and he’ll go over it. In the first minutes I was quite happy with how we were galloping and we were quite good on the time, but the middle bit is quite intense with question after question, and that costs a lot of time.”

A later draw meant the Jérôme could absorb plenty of vital intel and adjust his plan of action – with some insights from a certain teammate, too.

“We could get proper information from the morning. There were some combinations we wanted to ride differently before, and then we realised [from watching] what was the best way. We learned a lot, and I think especially when you have an experienced rider like Michi on your team, it’s good to sit next to him and watch!”

Lara de Liedekerke-Meier and Hooney d’Arville. Photo by Jan Frohne.

Belgium is, unfortunately, no longer a contender in the team leaderboard after the withdrawal of Senne Vervaecke and the retirement of Wouter de Cleene, but Lara de Liedekerke-Meier and her Luhmühlen CCI5* winner Hooney d’Arville can continue their bid for individual plaudits after a confident round saw them add 16 time penalties. That drops them down a few places; they were fifth after dressage on a smart score of 27.7.

“She did really well; she tried her heart out for me, and I’m really, really happy,” says Lara, who was initially awarded a flag penalty at the last combination, but swiftly had it removed from her scorecard.

Ian Cassells and Millridge Atlantis. Photo by Tilly Berendt.

Ireland’s Ian Cassells rounds out the top ten after closing out our day of competition with a super round aboard Millridge Atlantis, which added 13.6 time penalties to their tally, pushed them well up the rankings from 22nd – and secured Ireland’s overnight silver medal position.

“It’s amazing – this is my second championship, so to be part of the team with a little bit more experience than last time is amazing,” grins Ian. “There was a bit of pressure to put on for the team, but thankfully the orders came through and we’re in silver now, and in the top ten individually.”

Ian’s excellent and team-affirming round came despite a couple of little mishaps on course.

“It didn’t go to plan, as such, and we had to get it done, but that’s cross-country riding. At the rollercoaster I lost my stirrup at the B, and I thought I’d just drop down the hill, and then he drifted left, which caught me by surprise,” he says. Then, “I’d planned to do five in the pond [at 20ABC], but he landed so big that I thought I’d commit and go for the four.”

And, he tells us, the horse also lost a shoe: one of three Irish team horses today to lose the front left one, which is certainly a testament to consistency, anyway.

All the way around, he says, “there was definitely pressure. I wouldn’t think of myself as someone who gets nervous, but I think it’s more the will to do well, and in a team competition that’s heightened by the want to do the best you can for your team.”

Switzerland’s Robin Godel and Global DHI. Photo by Tilly Berendt.

Six of the top ten horses and riders after dressage remain in that business-ended bunch after cross-country, and we’ll head into tomorrow’s competition with 42 horses and riders still in the hunt. There’s that very tight margin of just 1.7 penalties between our individual first and second place riders, but in the team leaderboard, the gold is beginning to look pretty well sewn up: Germany boasts an overnight aggregate score of 113.7, 37 penalties (or nine-and-change rails) ahead of Ireland. Switzerland are just over ten penalties behind them in bronze, while France is waiting close behind in fourth place. Austria holds fifth overnight, Italy holds sixth, and everything after that is a thousand or more penalties behind, so we won’t rub salt in the wound by dwelling on that for much longer.

Ireland’s Robbie Kearns and Chance Encounter cross the river while delivering one of the most impressive rounds of the day. Photo by Tilly Berendt.

Course designer Captain Mark Phillips ended the day by making a salient point about what the top of our leaderboard means, especially where the conversation about good dressage horses in eventing is concerned.

“There weren’t that many horses here with the possibility of getting around inside the time, but actually, what you saw in the end was three of the best-trained horses, the horses that are the best-trained in dressage [getting close], because it was that training that allowed them to go quicker than nearly anybody else. Look at how economical they could be: it was just another league above most of the others.”

Tomorrow’s competition will get back underway at 8.00 a.m. BST (9.00 a.m. CEST/3.00 a.m. EST) with the final horse inspection. The showjumping will be split into two parts, beginning at 11.00 a.m. BST (12.00 p.m. CEST/6.00 a.m. EST) and resuming at 14.00 BST (15.00 CEST/9.00 a.m. EST). We’ll be back in an actually worryingly short amount of time with the next instalment of all the pertinent news you need from this year’s European Eventing Championships. Until then, Go Eventing!

The individual leaderboard at the end of cross-country.

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Flying Solo at the Top: Meet Turkey’s First European Championships Eventer, Kumru Say

Kumru Say and Baladin de l’Ocean. Photo by Tilly Berendt.

When I first manage to find the time to sit down for a chat with Turkey’s Kumru Say, one thing is immediately clear: I’ve got to stop whinging about how jam-packed my schedule is. We’re catching up by phone, me nursing a coffee in my living room in England, and she at S International Equestrian Center in Germany, where she’s hunkered down in the tack room, having ridden more horses in a morning than I have in… well, look, who’s counting?

It’s easy, I suspect, to see a new flag appear in the eventing scene and to assume that the person flying it must come from a place of enormous privilege to be able to access the upper levels of the sport. But Kuki, who is giving Turkey its FEI Eventing European Championships debut this week at Blenheim, is swiftly dispelling all those notions.

At 24 years old – she’ll celebrate her 25th birthday next week – she’s already ten years into a career that’s seen her showjump for Turkey at Junior and Children on Horses European Championships before making the swap to eventing just five years ago. To do so, she left home at fifteen to move to Germany and work for every opportunity she could find – while working on finding herself along the way, too.

“After I did the Children on Horses Europeans in Arezzo, I said to my parents, ‘I want to do this forever’. And they were like, ‘okay, what are you going to do about that?’ So I found a showjumping stable in Germany and started working as a flat rider,” she says. “I didn’t speak the language at all, I moved alone, and I had barely any life skills as a fifteen year old – so it was a whole new world for me, but I liked the German way of riding and I figured it out.”

But after a few years of laser focus on jumping, burnout began to set in, and Kuki began to look for ways to get her riding fix out of the competition ring.

As a tonic to the sort of results-driven demands on her – and as a way to fund her riding – she started to pick up work backing young horses. Now, that’s her full-time job, around which she squeezes in eventing a small string of horses helmed by her ride this week, the former Astier Nicolas mount Baladin de l’Ocean. Most days, that means she’s working on the yard from 6 a.m. to 5 p.m., and then schooling her own horses until 10 p.m.

“I got into backing because I got a bit sick of riding other people’s horses, and I might not be very good at riding, but I’m very good at staying on,” she laughs. “So that’s how it started. I found that with backing three-year-olds it’s much easier to please people than when you’re riding their more experienced horses. When a three-year-old picks up the left canter lead for the first time it’s the highlight of the day – when you pick up the left canter lead on a twelve-year-old, you never even think about it. I found that it was these little things that kept me going.”

Getting back to focusing on the nitty-gritty of training horses was also, she found, a breath of fresh air after the intensity of the youth jumping circuit – but it was her time on that circuit that led her, wholly accidentally, to her new discipline.

“I did the Junior Europeans in Fontainebleau in 2018, and it was the one time, I think, that all the disciplines were held together,” she says. “I was already feeling about sick about the whole thing – all my friends were the fancy rich kids, and no matter how much I faked it, I couldn’t be like them. So I started hanging out with the eventers that week, and then it just happened that I got into eventing myself.”

Kumru Say and Baladin de l’Ocean. Photo by Tilly Berendt.

Her first eventer was her Junior jumper, the quirky Hyperion Van Orti.

“He was a little bit of a freaky horse,” she laughs, and I can nearly hear her rolling her eyes when she continues, “I was told I should cross-country school him once to ‘break his spirit’.”

Unsure of where to go schooling, she instead took him straight out to their first event, and they finished on their dressage score, taking second place – even though he’d never so much as seen a water complex. Both horse and rider were hooked – and, even better, totally and completely unbroken in spirit.

It might sound like a seriously bold bit of decision-making but, Kuki says, that’s just kind of who she is.

“I’ve always been super brave, which I think was one of the reasons I didn’t really fit in in the showjumping world: I would take on a horse and enter a huge class and not really care how it goes, as long as we have a good feeling over the fences.”

That feeling-first and horse-first ethos meant that “I felt much more at home in eventing.” But, she concedes with a laugh, “once the eventers started considering me crazy, that’s when I realised how insane I actually am!”

The basis of that insanity? Twelve hours a day of backing horses and mucking out stables; a commitment to taking on horses that other people have passed by; and, perhaps most notably, a tendency to do every job herself – out of necessity rather than choice.

“I loved being part of a team [when I was showjumping], and I always say I’d pay anyone to be able to switch and ride for Germany,” she says. “I absolutely love being part of a team and having someone supervising. I go to Arville, to Boekelo, to all these events, and I’m so jealous of the people who have their matching team jackets, their kits, their trainers, and I don’t have anyone. I don’t even have a groom! I drive the horses myself, I show up on my own, I don’t even have anyone to give me a hand in the showjumping warm-up. Luckily the eventing world is pretty helpful in sharing help in the warm-up, and normally people like me, so they step in and help me out, but being by myself can be quite heavy.”

On the flip side, though, she continues, “everything I do, everything I achieve, everything I fail to do, too, is all my work. So I’m proud of that! I’d love a team, for the security of it all, but I also know I’m okay on my own because it’s been that way for so long.”

As a result, she’s learned adaptability: sometimes, even with all the preparations done and the entries paid for, she can’t even make it to an event because she needs to cover for another staff member at her home base, and so getting to the show feels like the first victory of the week.

“I actually used to be very rigid with how I was managing the horses, and now, if I can’t sit on one for a second time before my dressage test, if that doesn’t fit into the day, then it just doesn’t happen and I’m completely cool with it. I can’t stress too much about these things!”

Kumru Say and Baladin de l’Ocean. Photo by Tilly Berendt.

SEIC is German based but Turkish owned, and Kuki, who spent much of her childhood living in New York, trains with Indian Olympian Fouaad Mirza – so as she trailblazes for her own fledgling sporting nation, she has a mentor in her corner who understands the unique position that puts her in.

“From the very early stages on, we’ve been working together,” she says. “I have a very showjumping background in how I see things, and I still process things in a very showjumping mind. And I remember I watched him at a Nations Cup, I think it was in 2020, and he rode a fantastic round of jumping – one of the best I’d seen from an eventer. After that, I approached him and said, ‘I want to train with you. I really loved the way you ride. I don’t understand so much about dressage or cross country riding, but I would like to learn from you’. We have, like, one and a half hours in between us, but I still try to go there every week during the season. We’ve been working for a long time, and I have to say, everything I learned about eventing, it is from Fouaad.”

The horses she’s ridden along the way, too, have contributed plenty to the occasion – even, or perhaps especially, because they’re often oddballs who require plenty of adaptability and very little ego.

“Every horse I’ve got has a story,” says Kuki. “The Global Orchid horse [who I recently sold], I bought from the field. He was injured in 2019 and was in the field for a long time, and a friend of mine who was grooming for Brian [Morrison] and Chris [Hunt, of Global Eventing], he rang me because he knew I was horseless at the time.”

Kuki watched the horse trot up and then bought him on the spot. That was the beginning of 2023, and the start of a long, slow endeavour to bring the gelding back to fitness.

“It was ten minutes trotting left, ten minutes trotting right, for a long time,” says Kuki.

Jack wasn’t just sent her way because he was a budget-friendly option, though.

“The friend who rang me, he knew that first horse of mine, Hyperion,” says Kuki. “He was a very difficult horse to ride – like, I rode that horse up to 1.45 without jumping a single fence in the warm up, I’d just lunge him before the round. And so he rang me about this Global horse and said ‘he’s very similar’, and that was actually the main reason I got the horse — because I loved that Hyperion horse.”

Kumru Say and Baladin de l’Ocean. Photo by Tilly Berendt.

Baladin de l’Ocean joined the team early last year after Kuki spotted him competing with Astier and registered her interest.

“Fouaad gave me a lot of pressure to buy something normal — he said, ‘can you please buy something that is rideable, so that we can school dressage and learn something?!’”

“In fairness,” she concedes, “I actually did need to learn, because I was just surviving four-star cross country — in a very good manner, but I was just surviving cross country up to last year. So he said, ‘let’s go buy something that is nice and rideable’. This horse does that job very well; he’s my school master, basically.”

Now, partnered with Baladin, she’s learned how to develop her skills beyond survival and into the realm of strategy.

“I’ve learned to walk a cross-country course and actually to have a plan on it,” she says. “That’s something I didn’t know how to do. I didn’t grow up eventing, and in my second season I rode my first four-star, so I have a good eye, but that’s what I was relying on. I come from show jumping, and when I’m in doubt, I can showjump cross country, but that’s not cross country riding, sure. I needed the horse to help me learn that, and he’s been the best.”

It was the cold midwinter when Kuki and I chatted through her life story and her horses, and when I pressed her about her future goals as a ‘hobby’ eventer, it was clear she had a game plan.

“The dream is the Europeans,” she says, firmly. “I’ll try to qualify both horses, and we’ll see where it goes, but when you ride for a nation that does not necessarily have a team or is pushing you to go anywhere, the Europeans is just another four long, really!”

And, she continues, “what I want to be is a five-star rider.”

This week, she’s well on her way to ticking box one off her list. She and Baladin de l’Ocean produced their dressage test on Thursday afternoon, earning a 37.1 to sit 44th going into cross-country. And, reassuringly for anyone who might be concerned about Kuki’s energy levels, she’s even got a groom with her this week: freelancer John O’Regan, formerly of Global Event Horses, has become a friend of hers through the Global Orchid connection, and is by her side for every moment of the biggest week of her career so far.

“I’m delighted to be here, and I was delighted with the test,” she says. “He was very composed, very focused, and we had some small mistakes here and there on my side, but there’s plenty to jump on Saturday, and we’re very much looking forward to that.”

Kuki might feel like more of a citizen of the world than a true-blue Turk, but when she heads out onto Blenheim’s cross-country course, she’ll do so with a nod to her heritage close at hand.

“I’m very superstitious,” she grins. “I have the evil eye hanging everywhere, anklets, everywhere.”

EN is proud to welcome Horsepal onboard as the sponsor of our European Championships coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

Agria FEI European Eventing Championships at Blenheim: [Website] [Tickets] [Live Stream] [FEI YouTube Streams] [Entries] [Timing & Scoring] [CrossCountry App XC Map] [EN’s Coverage] [Support Our Sponsor: Horsepal]

“It’s Really Attacking”: Riders React to the Blenheim European Championships Cross-Country Course

Never let it be said that we at EN won’t hold our hands up when we issue a retraction: early this week, we printed a preview of this week’s Agria FEI European Eventing Championships in which I, lead reporter Tilly Berendt, happily proclaimed that this year’s track looks “smaller and less intensive” than previous Blenheims.

Okay, okay, for clarity, perhaps we’re not issuing a retraction here, but perhaps a bit more context, and a promise that I, Tilly Berendt, lead reporter on this championship, will stop saying in casual conversation that “some of this looks like an OI”.

Because yes, there are parts of the course where the fences don’t loom large. And there are areas that feel oddly simpler, like, for example, that stalwart coffin complex that doesn’t have a final element this year.

But throughout the week, as we’ve seen the course with its final dressings and spoken to riders who’ve walked it a damn sight more carefully than we have, it’s becoming clear that there are sneaky challenges hidden here that might make this much more of a cross-country competition than we’d initially expected.

This is, after all, Captain Mark Phillips’ swansong before he steps away from course design and into consultant roles, and it’s also his Blenheim debut, so he was always going to have a bit of a crack at it. The biggest crack of all, it would appear, is at the clock – everybody we’ve spoken to has marvelled at how tight the time is, and how tricky it’ll be to catch, so even if each of these fences and combinations is straightforward enough on their own, it’ll be that chasing of the clock that’ll mean silly runouts happen near the end of the course to people and horses who you wouldn’t expect to have them. Think of it like the Aachen effect, wherein the leader is prone to running out just before they come into the main arena and the finish, because they hear the beeping of their watch and lose themselves for a moment.

The terrain, too, will play a part. Blenheim certainly doesn’t have hills like Bramham or Burghley – in effect, its two very flat segments of course connected by a steep interchange, but that hilly middle bit can’t be underestimated. If a horse tires more than anticipated after travelling over it, there’s enough spots in the latter stages of the course where they could find an open door to travel through rather than popping what’s in front of them.

But look, enough from us – we’ve backtracked enough here. Let’s hear more about the challenge to come from the riders who’ll be tackling it — and you can follow along with this great guided course walk from CrossCountry App, featuring insights from the Captain himself on the course.

Michael Jung – Germany (1st on 18.3 with fischerChipmunk FRH)

“It’s a very nice cross-country; a nice hilly place. It’s a beautifully built course with a lot of options for every rider. I think the first water is always a step into the cross-country, and the first combination in the arena [10ABC] is a good preparation for 11ABC. I think that’s a tough line. The second water has a long gallop through and out over an angled brush [19], which is a tough line. The middle part of the course is very intense, and I think we lose a lot of time in that middle part – but if the horse is fit we can make up time in the beginning and in the end.”

Laura Collett – Great Britain (2nd on 20.6 with London 52)

“There’s no let-up, really. The first few fences really lull you into thinking it’s straightforward, and then you’re faced with question after question after question. I think you’re going to have to be on your A-game from start to finish and the horses are going to have to be reactive, because some of the questions are quite twisty and they’re not going to understand what we’re asking them until the last second.”

Tom McEwen – Great Britain (3rd on 26.2 with JL Dublin)

“It’s a flowing course. The distances are big — as in, they’re all quite positive. But with the Captain’s courses, if you can get into his flow and his state of mind, it can really come into a really positive way of going. The ground is perfect. But it’s a consecutive effect of so many combinations and little bits everywhere. I think he’s built a really, really interesting course, and hopefully people on the outside will see it for how good a job he’s done.”

“It was wheeled 10:01, officially, but I would say it feels more like a 10:15 course. So I definitely think time will be a factor. Obviously, two things that are positive is the ground is going to be very good for horses, and also his distances are very positive. So there’ll be a few rounds that I definitely think will make it look as easy as horses should be able to make it look, and then there’ll obviously be some people that will be finding the time a bit harder.”

“I genuinely think you’ll find problems the whole way around, which probably sounds like a bit of a get-out card. The combination by the palace [11ABC, 12, and 13] is big and technical, and the waters are decent, but even the little things like the skinny coming out of the dip [23AB] – it’s meant to be a run and jump fence, but it’s not a run and jump fence. You’ve got to keep your wits about you.”

Lara de Liedekerke-Meier – Belgium (5th on 27.7 with Hooney d’Arville)

“We’ll have to wear brave pants on – it’s really attacking. I had a chat with Captain Mark Phillips yesterday, and he said ‘are you surprised?’ And I said ‘no, I’m not!’ I think he’s really asked for forward riding, but it’s very clear for the horses. So I think if we can trust our horses and the homework we did at home it should be fine, but like always in sport, we need a bit of luck. Hopefully I won’t need too much!”

Malin Hansen-Hotopp – Germany (6th on 27.8 with Carlitos Quidditch K)

“In the first moment I think it’s tough enough, but it’s not too high or technical. Then there are some things where the jumps are angled, and they’re really tough, I think. You have to have the horses very forward, and if you want to be fast at a Europeans and you have these angles, then you need to be on a good line. That, for me, is the tricky part of the course.”

Jérôme Robiné – Germany (15th on 30.4 with Black Ice)

“It’ll be tough, and the time will be tough. I think it’s quite technical. You cannot go a long route, otherwise you won’t catch the time. So it will be interesting, and I think it will change a bit the scores. Every course suits him; he’s quite an honest horse, probably the most honest horse I’ve ever ridden or will ever ride. He’s quite amazing on cross country, and hopefully he’s a bit faster than last year.”

Alexis Goury – France (19th on 31.9 with Je’Vall)

“We went to Bramham to prepare for this event, because the ground is similar. It’s really intense, and I think there’s not a lot of space to gallop – it’s a lot of fences, and not too long of a cross. I think it’s intense and difficult; not big, but very technical. I think the time will not be easy.”

Aoife Clarke – Ireland (33rd on 34.7 with Full Monty de la Cense)

“He’s an amazing cross-country horse, and he’s fast, so it should suit him. It’s definitely a decent track, like, it’s a championship track. Everyone keeps saying ‘you need to know your horse well at these combinations’, and I’m going, ‘god, I’ve had three runs at four-star on him!’ It’s the sort of track where you might not be on the perfect stride – you might be on your line, but they have to be quick-footed to react.”

Padraig McCarthy – Ireland (36th on 35.2 with Pomp N Circumstance)

“I think it’s a pretty serious track, to be honest. I think it’s an easy enough start, but then it’s very typical Mark Phillips: he puts you on one line and you have to accept a lot of angle and there’s no deviation from it, so I think we’re going to see plenty of mistakes. But it’s a championship, so I think it’s going to be good sport.”

EN is proud to welcome Horsepal onboard as the sponsor of our European Championships coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

Agria FEI European Eventing Championships at Blenheim: [Website] [Tickets] [Live Stream] [FEI YouTube Streams] [Entries] [Timing & Scoring] [CrossCountry App XC Map] [EN’s Coverage] [Support Our Sponsor: Horsepal]

A Sub-20 and an Amazon Order of Flying Changes: Inside the Michi + Laura European Championships Dressage Match Race

Michael Jung and fischerChipmunk FRH. Photo by Tilly Berendt.

The second day of dressage at the 2025 Agria FEI European Championships at Blenheim Palace brought a few key elements to the table: glorious sunshine (a bit reflective on the plastic sheeting covering the palace, mind you); a soporific soundtrack that was giving “10 hour lo-fi study vibes YouTube video”; and, yes, okay, of course, a sub-20 dressage score.

We knew it would happen, didn’t we? Of course we did. The only mystery ahead of today’s competition circled around which rider might do it: Great Britain’s Laura Collett, of doing-a-17-at-the-Olympics fame, or Germany’s Michael Jung, of, um, also-doing-a-17-at-the-Olympics fame.

 Today, though, ended up being the Michael Jung show – which is a nice change of circumstances for a man who has so seldom enjoyed his moment in the spotlight in our sport.

Lol, jk, obvs: Michi comes into this European Championships as the reigning Olympic gold medallist with fischerChipmunk FRH, and he’s also one of just two riders to win the European title three times consecutively, and he’s got a Grand Slam, and has been World Champion, and somehow doesn’t make the thrusty bit of the extended walk look embarrassing, which is actually the highest praise we can offer up. The fact that the pair put an 18.3 on the board today is no surprise at all, and even though it’s Michi’s first time here at Blenheim, the curious undulations of the main arena didn’t break his flow for even a moment.

Michael Jung and fischerChipmunk FRH. Photo by Tilly Berendt.

That 18.3 sets a new Blenheim record, and it’s Michi’s own European Championships personal best, too, which is reassuring if you were worried that maybe he’d run out of things to achieve.

“I am really excited and very proud of fischerChipmunk — he’s just an amazing horse,” says Michi. “It’s just lovely to ride this horse, and he was really good today, listening, and very good in the collected work at the beginning.

“I think the centreline was a good start; he was really in front of me and I could always ride him with my legs [on]. There’s just a few things to [work on], but I think there is always something! So far so good, and I am very happy to have got those marks from the judges.”

While this is Michi’s Blenheim debut, it’s not Chipmunk’s: he finished third in the CCI4*-L here back in 2017 with Julia Krajewski in the irons, adding nothing in the cross-country phase but tipping two rails on the final day.

“I’m excited for the cross-country,” says Michi, who will ride to put the 2023 Europeans, where he and Chipmunk had a shock late fall on course, behind him. “We’re in England, and it’s a country with great history in the sport, and horse people, and I love to compete here. It’s a beautiful course and the ground is perfect, and I am looking forward to tomorrow.”

Laura Collett and London 52. Photo by Tilly Berendt.

 Just minutes prior to Michi’s show of dominance, Paris team gold medallists – and individual bronze medallists — Laura Collett and London 52 had earned themselves a nearly six-mark lead in the field when they earned themselves a 20.6 that brought the packed grandstands to a roaring cheer. Though they were nudged into second place two tests later, that scant margin of just 2.3 penalties – or just shy of six seconds on the clock – means that the Michi and Laura match race is well and truly underway.

“There are huge expectations when you’re on a horse like him, but luckily, he absolutely loves showing off to a crowd,” says Laura of the sixteen-year-old ‘Dan’, previously a winner here in the eight- and nine-year-old CCI4*-S in 2018. “So to have the home crowd cheering for him before he even entered the arena just lifted him. He loves to get to show off, and he was an absolute joy to ride just like he was in Paris last year.”

Just as he did in Paris, Dan stepped everything up a notch in the ring today.

“He hasn’t really given me that really ‘wow’ special feeling since Paris – every time he comes out he does a really nice test, but to get that wow feeling he apparently has to have a palace and a lot of people around! He knows when it really matters, and he’s just an unbelievable horse.”

Laura Collett and London 52. Photo by Tilly Berendt.

But, she says, that feeling never quite felt guaranteed: “I had a lesson on Tuesday where I lost every flying change and had a complete meltdown – it was a complete disaster! Ian [Woodhead] said, ‘don’t worry, I’ve ordered twenty flying changes on Amazon Special Delivery. I was having a serious breakdown about the whole situation. He’s quite a character still, and he’s cheeky out [in the warm-up]. Just as I went to go in to [the arena] he grabbed the bit and went to run off. Then he goes in there and it’s like butter wouldn’t melt – he’s like ‘everyone’s watching — I’m ready!'”

Could the pair have changed anything in the ring to catch Michi? Laura reckons so.

“It’s always possible to get more – that last centre line, as he’s done this test so many times, he’s got a bit wise to it so he thinks ‘we could halt at X’. I tried to keep him going but he knew the halt was coming! The rest he felt so with me and rideable, with a smile on his face, enjoying being in front of the palace with lots of people, which is where he thinks he belongs.”

Tom McEwen and JL Dublin. Photo by Tilly Berendt.

Laura and Dan’s Paris teammates Tom McEwen and JL Dublin slot into third place, a handful of marks behind their compatriots on a score of 26.2. Their otherwise polished test was marred by one mistake: in the second canter half-pass, the gelding suffered a momentary loss of balance and broke to trot to regather himself, earning the pair a string of 4s for the movement.

“Dubs was fantastic and delivered another great test – it’s just a shame about the very obvious mistake after the half-pass,” says Tom. “But he showed himself again to be the most amazing dressage horse. This test is all about collection, working and expressing, which he does find a little more difficult, but he tries very hard. It’s quite a hard test for these big-moving horses; it’s all so packed in and collected, because the D test is meant to be a bit quicker and more efficient, so where in a five-star test you have some time to make the marks back up after a mistake, in this one it’s like, bang-bang-bang.”

But, he says, “[Dubs] loves the dressage, so I always know that it’s just up to me to make sure we get everything polished.”

Tom McEwen and JL Dublin. Photo by Tilly Berendt.

Tom and Dubs were part of the gold medal winning British effort in Paris last year, and Dubs has previously been the individual European Champion, winning at Avenches in 2021 with Nicola Wilson aboard. Now, returning to home soil and, like Michi, getting the chance to put a shock fall at the 2023 Europeans behind them, feels particularly special.

“It’s a privilege,” smiles Tom. “Paris was unbelievable – you wouldn’t know we were abroad, because there was French flair but English passion and Union Jacks everywhere. Whereas today, competing on home soil in front of a home crowd is a dream come true, really, and a privilege and an honour.”

Lea Siegl and Van Helsing P. Photo by Tilly Berendt.

Austria’s Lea Siegl rode the test of her life this afternoon, earning herself a four-star personal best of 26.9 en route to overnight fourth place with Van Helsing P.

 “He was just amazing. He came in and really tried his best – I’m so proud of him,” beams Lea. “I had problems in the flying changes at Luhmühlen this year; he was really good in the trot work, but we lost lots of points in the canter work because of the changes, so we’ve done a lot since and really improved them.

“I knew he could be really good in the dressage, but I also knew I had to be on point to get a good score. Of course I wanted to come here and try my best, but I wasn’t expecting this.”

Van Helsing P, or Heli, looked totally at home in the busiest of the day’s atmosphere, and that’s something that came as no surprise to his rider.

“When he enters the arena and there’s a lot of people and a big audience, he really enjoys it – he wants to be the superstar,” says Lea. “He’s really the kind of horse who’s made for competitions and gives 120%. I can always count on him, and he’s actually even better than at home. Years ago, we had some problems where he would get too excited, but now that he’s a bit older and more experienced, he’s calm and totally focused.”

For Lea, riding under pressure on the world stage is nothing new: she finished 15th at the Tokyo Olympics with DSP Fighting Line at the age of just 23. Part of the key to success? Compartmentalisation – and that’s something she’ll be practising tomorrow.

“I’ll try to forget [my placing] tomorrow and just focus on the cross,” she laughs. “But it’s amazing to be at the Europeans and deliver such a good test. I’m just super happy with my horse and so grateful to everyone who’s involved – my team, my trainers, and everyone who supports me. It wouldn’t be possible without them.”

Lara de Liedekerke-Meier and Hooney d’Arville. Photo by Tilly Berendt.

Belgian Olympian Lara de Liedekerke-Meier halted, saluted, and finished her test on her 2024 Luhmühlen CCI5* winner Hooney d’Arville, and then dropped her reins and wrapped her arms around the mare’s neck in gratitude. Rightly so, too: the pair had danced their way to a 27.7, just a tenth of a penalty off the homebred mare’s best-ever score at four-star. That’s enough to put them into fifth as we head into tomorrow’s cross-country.

“I’m so, so proud of her,” says Lara, who piloted Hooney’s dam, Nooney Blue, around her own Senior Championship debut back in 2010. “She’s not a dressage talent, and she really tries so hard, but everything needs to happen the right way in the right moment [for a test to come off]. Today, it fell the right way.”

Lara’s test came just after Lea Siegl’s, which turned out to be a great bonus for her.

 “After Lea came out, the atmosphere felt a touch electric, and in the end that helped me, because Hooney got a little bit up [in her frame] – and that’s the image the judges really want to see now,” says Lara. “But she stayed with me, which was really, really nice – and it was our test. There’s still so much more to come, but today I’m over the moon.”

Lara de Liedekerke-Meier and Hooney d’Arville. Photo by Tilly Berendt.

Hooney, who was also a top-fifteen finisher at Badminton this year, was never necessarily intended to be one of Lara’s team mounts – but while she’s game and available to fulfil that role, Lara hopes to use her to contribute to the ongoing Belgian building efforts.

“She was my fifth choice [for Paris] last year, but at the moment we have some horses out of action, and so she’s my number one,” says Lara. “I’m not sure how long she’ll be number one, because of the younger generation coming up, but she is the full package. She doesn’t excel in one particular phase, so I think if one day I want to grab a medal I might need a touch extra in the dressage, but if I don’t mess up she should be able to keep on this dressage score. She’s really a horse I want to do more five-stars on – she challenges me and gets better and better.”

Yesterday’s leaders, Germany’s Malin Hansen-Hotopp and Carlitos Quidditch K, now sits sixth on her score of 27.8, while fellow countryman and team pathfinder Libussa Lübbeke and Caramia 34 will go into cross-country in seventh on 28.3.

Bubby Upton and Its Cooley Time. Photo by Tilly Berendt.

Bubby Upton, who is one of two individual competitors for Great Britain this week, made an early bid for medal contention aboard the ten-year-old Its Cooley Time, with whom she won Bramham’s CCI4*-L this summer. The very consistent first-phase performers posted a 28.9 – the horse’s sixth four-star sub-30 in as many tests – to slot into eighth place as we head into tomorrow’s feature day of competition.

For Bubby, who rode for Great Britain at Pony, Junior, and Young Rider Europeans, taking individual gold at the Junior level in 2017, this week represents a Senior championship debut – and she’s determined to make the most of every moment.

“It’s so special – it’s been a dream of mine forever,” says Bubby. “I grew up watching people like Pippa and Piggy doing all the championships, and I’ve been pushing like mad for the last few years to try to get here myself. We’ve come close a few times, and been a bit unlucky with the timings of accidents and things like that, which have kind of prevented the dream from coming true. So to be here is just incredible, and to do it on home soil is even more special.”

Bubby has produced Its Cooley Time throughout his career, and so she knew that entering the pressure-cooker atmosphere in the arena this afternoon would test his quick and quirky brain – but some essential environmental preparation helped the gelding to tackle the occasion without any dramatics.

 “He’s a very sharp, sensitive horse, so the timing of the warm-up is very important with him,” says Bubby. “We were lucky enough to have some test practice with him at Burghley a couple of weeks ago [when the British squad did a test demonstration], which was incredible because we were able to work out what we need to do more or less of, and I feel like as a result, we really got it right today. He was fantastic in there.”

Bubby Upton and Its Cooley Time. Photo by Tilly Berendt.

She has, she explains, been working closely with coach Amy Woodhead throughout the young horse’s career.

“I’m so grateful to her for everything she’s done – she’s seen him right from the start, and knows where we’ve come from to get here.”

Their smart test keeps them in a very competitive position overnight, but a slightly higher post on the leaderboard was precluded by a couple of trips – moments that analytical Bubby is quick to unpack to aid in their future efforts.

“He had a very big stumble into his halt, which was a real shame because the trot halts are a big highlight for him,” she says. “That obviously interrupted the halt, and then the reinback as well, which is a shame but no fault of his own.”

Then, she continues, “in the medium canter he saw the crowds and was like, ‘oh!’. But I’m just so proud of him – it’s a fine line with him because of his sharpness and sensitivity. So I’m thrilled with how he coped, and I think it’s so exciting for the future with him.”

The top ten is rounded out at the end of the first phase by two of yesterday’s competitors, who share ninth place overnight: Great Britain’s Yasmin Ingham and Rehy DJ sit flush with France’s Sebastien Cavaillon and Elipso de la Vigne on a score of 29.

Tomorrow’s cross-country day begins at 11.00 a.m. BST (12.00 p.m. CEST/6.00 a.m. EST), and already, we’ve sadly seen our field thinned by one: Sweden’s Sofia Sjoborg, who was sitting 43rd with Govalent, has opted to withdraw after feeling that the young gelding wasn’t quite himself. That means we’ll take 54 horses and riders into the next phase, and just 20 penalties covers the top 49 – so with tomorrow’s tight time and technical, stamina-testing track ahead of them, there’s plenty of plot twists on the cards.

The margins are achingly tight at the top of the team leaderboard, too: Germany leads the way at the close of the first phase on an aggregate score of 74.4, just 1.4 penalties – or three seconds and change – ahead of Great Britain on a 75.8. Bronze is currently held by France, though they sit some margin behind: on a first-phase aggregate of 90.7, they have 14.9 penalties between them and the Brits. Switzerland are close behind in fourth on 95.2, while Belgium are breathing down their necks on a 95.3 in fifth place. Austria, with their three-rider team, are sixth on 98.9, and Ireland currently hold seventh on 110.6. Sweden are eighth on 104.8, and Italy closes out the leaderboard in ninth on 105.8.

We’ll be bringing you plenty of rider insights into the course to come, and you can have an early look at some of the key combinations in our preview here, or walk the course via the CrossCountry App here. The cross-country times can be found here. Keep it locked on EN for plenty more coverage to come from the 2025 FEI European Eventing Championships, and as always, Go Eventing!

The top ten at the end of dressage at the FEI European Eventing Championships.

EN is proud to welcome Horsepal onboard as the sponsor of our European Championships coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

Agria FEI European Eventing Championships at Blenheim: [Website] [Tickets] [Live Stream] [FEI YouTube Streams] [Entries] [Timing & Scoring] [CrossCountry App XC Map] [EN’s Coverage] [Support Our Sponsor: Horsepal]

“Nothing Can Beat That Week”: Former Blenheim Winner Leads the Way on Day One of European Championships

Malin Hansen-Hotopp and Carlitos Quidditch K. Photo by Tilly Berendt.

In the autumn of 2022, while much of the eventing world turned its attention to the World Championships in Pratoni del Vivaro, a German uprising was underway in the grounds of Blenheim Palace. And at the end of a weeklong battle for glory? One very smiley, unassuming woman and her lanky grey gelding walked away with the spoils.

That was Malin Hansen-Hotopp and the then-ten-year-old Carlitos Quidditch K, a pair who had been making themselves known on the continent for several seasons – but it was that Blenheim win that catapulted them onto the world stage. They would go on to represent Germany in the European Championships the following summer, winning team silver and finishing nineteenth individually, and then, a fourth-place finish at Kentucky last spring would follow. Placing after placing after placing, week after week after week: but still, although Malin loved the idea of returning to her happiest hunting ground, she kept on keeping on without any expectations of being named for the German team this week.

But here she is, not just part of team Germany at this year’s Agria FEI European Eventing Championships at Blenheim – she’s also at the top of the leaderboard at the end of day one of dressage.

“It’s really special [to be back],” says Malin. “I didn’t have the pressure before [the selection] to be on the team or not, because I thought, ‘I was a winner here already, so it doesn’t matter if I come back or not, because it can’t be better than that!’ I had a fabulous week here – along with Kentucky last year, it was one of my greatest competition weeks. So I’ve really looked forward to coming back, but I don’t feel the pressure at all.”

Malin Hansen-Hotopp and Carlitos Quidditch K. Photo by Tilly Berendt.

Malin and the thirteen-year-old Carlitos Quidditch K, or ‘Schimmi’, posted a 27.8 in this afternoon’s session to take the top spot – an effort that also helps situate the German team in gold medal position at the halfway point of the team rotations.

But, says Malin, moments before her test, some tiny doubts began to creep in.

“I was a little afraid that he was too ‘on’, because when I was coming down, he was just getting up and up with his head and really looking around,” she says. “But then I really pushed him a little forward, and then it was okay, I think.”

Then, she continues, “he was really good in the half-passes, and he was just really up in front. I just wanted to open the neck a little bit more, but I think that was because he was so powerful.”

With the hard work behind him, she laughs, Schimmi can enjoy spending the rest of the day settling into his home away from home at Blenheim. For Malin and the team and family effort around the horse, making sure he’s enjoying himself is priority number one.

Malin Hansen-Hotopp and Carlitos Quidditch K. Photo by Tilly Berendt.

“He’s like Mr President: he’s grumpy if he doesn’t want you around, and he’s very friendly with everyone if that’s what he wants. He shows us exactly what he likes or not, and he knows if something’s happening. [After his test] he’ll eat and get comfortable, and you’ll know he’s happy,” says Malin with a smile.

Malin and Schimmi’s excellent effort mean that teammate and German pathfinder Libussa Lübbeke and her homebred Caramia 34 have to settle for second overnight on their score of 28.3 – but there’s no room for disappointment amid the celebrations in Camp Caramia. This is the pair’s third trip to Blenheim – they’ve previously jumped clear around the CCI4*-L here in 2024 and 2023 – and their best test yet at the venue.

Libussa Lübbeke and Caramia 34. Photo by Tilly Berendt.

“I’m really pleased,” says 24-year-old Libussa, who rides as part of the Warendorf training system for young German talent. “I was really happy with the walk, and with how concentrated the horse was. It’s just a pleasure to be here with her.”

15-year-old Caramia and Libussa have been competing together since 2019, but their relationship goes back much further than that: Libussa’s parents, Annelie and Martin, bred the mare, and bred her mother, Floretta, too, from a mare given to them as a wedding present. Libussa’s brother, Fritz, initially campaigned Caramia while Libussa gained mileage in the Pony classes, and when he went to university, it was time for the Lübbeke women to come together.

The fact that they’ve made it to the top of the sport together, with accolades that include a tenth place finish at Kentucky this spring? Just a bonus – and certainly not something they’d planned for.

“We were growing over the years, and we all know her so well, and she knows us – so it’s like a dream come true to go up the levels over the years,” says Libussa. “It feels like there’s no limit, and I’ve definitely never found it yet. She’s so honest; she always tries, so there’s never been a cross-country that she did not complete, which is just amazing. She always brings me home and tries her best, and she always fights.”

This week, Libussa will act as pathfinder for the Germans, while also making her Senior Championship debut after success at Pony and Young Rider levels.

A pressured situation? Sure. But most of all, she reckons, it’s a privilege to take on one of the most crucial roles of the week.

“I didn’t expect [to be here], to be honest, but it’s great. It’s a pleasure to be the first one to go and to have the others trust me, so I just have to try my best,” she smiles.

Yasmin Ingham and Rehy DJ. Photo by Tilly Berendt.

Reigning World Champion Yasmin Ingham gave the enthusiastic home crowd – and the vibrant Isle of Man support side – something to celebrate this morning when she and Rehy DJ, or Piglet, popped a 29 on the board to take an early lead. As the day came to a close, that would be enough for equal third with France’s Sebastien Cavaillon and Elipse de la Vigne.

Though we’ve seen Piglet nip down to the mid-20s at five-star, we’ve also seen him creep up into the 30s, too, and so to lay down a test that’s pretty much bang-on his projected score was a super start for Yas – and for the British team, who sit second in the provisional standings at this very early stage.

“He was fabulous — I was delighted with his test,” says Yas, who’s twice finished on the podium at Luhmühlen CCI5* with the fifteen-year-old. “There was lots of highlights in there and he tried super, super hard.”

Their performance, she explains, comes off the back of some intensive training – and an understanding of what to prioritise between the boards.

“We’ve been working super hard with Chris Bartle and Sarah Higgins on the flat. They’ve been instrumental in my dressage training and just trying to gain those small margins, because of course that’s all it takes! It can be an extra half percent here or there, and then you’re sort of down into where you want to be. With him, I’m trying to be as accurate as possible, because I’m not riding a big, flashy horse, so I have to try to maximise each mark for each movement.”

Yasmin Ingham and Rehy DJ. Photo by Tilly Berendt.

For Yas, who won the World Championships while riding as an individual in 2022, being back at a Championship is always something to cherish – but doing so on home soil at Blenheim, an event she won back in 2021, is even better.

“This is where I had my first major win as a senior on Banzai du Loir, and our trajectory went upwards from there, so it’s an incredibly special place,” she says. “It’s an iconic venue: I remember when I was very, very small, watching Zara Tindall win the European Championships here. So it’s definitely one that I’d love us one of us British lot to win, to maintain that British European title.”

And, of course, being here with a horse she’s so long partnered, who makes his own Senior championship debut this week, is no small detail.

“It’s so special. I’ve had him for many, many years now, and I feel incredibly lucky to have such a special partnership with him,” says Yas. “We’ve been to many five-stars now, and he’s an absolute stalwart, so it’s very special to be given the opportunity to ride for the team here at Blenheim. I’ve had Piglet since he was six, and we’ve gone all the way up the levels together. We actually represented Great Britian Young Rider Europeans and Fontainebleau in 2018, so to be here at our first senior championship to as a pair together as feels like a long journey, but he’s just been the most fantastic horse.”

Sebastien Cavaillon and Elipso de la Vigne. Photo by Tilly Berendt.

Sharing third place is France’s Sebastien Cavaillon, who piloted Elipso de la Vigne to a 29 – but while he was happy with his horse’s work, he was disappointed with the score on the board.

“The score and the marks were not good for me – 29 is a bad score for him! This year, he made a 26 in Bramham, and he felt better here today, so I’m a little bit disappointed. He made a very good test, and he’s a very good horse for that.”

This test, he continues, was “more uphill in the trot and the canter – the canter is amazing on this horse. I didn’t see the marks for the canter but I did look at the big screen after the trot work, and he was under 70% — I couldn’t understand why, but that’s sport!”

Elipso, who’s a full brother to Vinci de la Vigne, bronze medallist for Japan at the Paris Olympics, has certainly shown range en route to Blenheim: he posted a 23.4 at Saumur CCI4*-L last summer, and a 26.9 at Bramham CCI4*-S this summer, but has also scored in the thirties on eight of his ten four-star starts, so on a reasonably tough-marking day, it’s not a shabby start to the competition. And, as Sebastien tells us, his season – and that of the rest of the French team – has been entirely focused on preparing for Blenheim’s single serious hill on Saturday, making les bleus a formidable force in this week’s competition.

“We came to Bramham to prepare for this event, and the French camp was in Saumur, so we tried to prepare the horses with uphills and downhills to come here. It’s a big test here on the cross-country,” says Sebastien.

Piggy March and Halo. Photo by Tilly Berendt.

Piggy March sits in fifth position going into the second day of dressage with the diminutive stallion Halo, who earned a 29.4 with a charismatic test that had a few minor faults, including a break to trot in the canter work.

“I made a few very uncharacteristic mistakes, and [it’s frustrating, because] he’s felt fantastic today,” rues Piggy, who won the eight- and nine-year-old CCI4*-S here with Halo in 2022. “ There were some great bits and some uncharacteristic bits: I missed a square halt, and he’s always done brilliant halts; he just felt so on the button and so when it slips away like that at something like that, when you felt so at the races, it is a bit disappointing.”

But, she concedes, “it’s still a 29, it’s still sub-30. There’s still a lot such a long way to go and I’m here on the team, which is really exciting. I haven’t done that for a while! So I can have my ten minute moan and then try to move on. He’s a lovely little horse; there were frustrating mistakes, but a mark to like.”

Sarah Ennis and Dourough Ferro Class Act. Photo by Tilly Berendt.

Ireland’s Sarah Ennis is well known for coming out on a tough cross-country day and throwing down one of the swiftest rounds of the day to climb, climb, and climb again – we’re still recovering from the whiplash of watching her nearly make the time at the last Europeans, when everyone slogged their way home with a minute’s worth of time penalties.

This week, though, she seems bound and determined not to have to exercise quite so much upward mobility, and begins her competition in provisional sixth place on a score of 31 with the ten-year-old Dourough Ferro Class Act.

“I’m really pleased with him,” beams Sarah. “He’s a really sweet horse — he really wants to please you, and he really tries. Sometimes he tries a bit too hard, and you have to say ‘it’s okay!’ But I couldn’t have asked any more in there. He was such a star.”

Though even a high-mileage ten year old would come into an event like this on the greener end of the spectrum, Dourough Ferro Class Act, who we have got to find out the stable name for, please, is actually even lighter on experience than his fellow 2015 babies.

“He’s very inexperienced,” says Sarah, who’s coaxed a sub-30 out of the gelding once at four-star, but often finds herself sitting on a mid-30s first-phase score. “He’s ten, but we struggled with a splint as an eight year old, which actually took near a year to settle it down, so he’s missing a lot of mileage. So to go in there and perform like that, I’m over the moon. It’s just building blocks from here — perfecting and asking a bit more.

“He’s a sharp horse; he’s no fool,” she continues. “Like, you wouldn’t get into the stable with him lying down, ever. He springs up. He’s very loving, but he’s always really wary of everything. I think when I got kind of midway through my test, and I think when he felt so rideable, I felt like I could breathe. And I was like, ‘this is okay, Keep going!’”

Mélody Johner and Erin. Photo by Tilly Berendt.

Switzerland’s Mélody Johner is best known for her partnership with the great grey Toubleu du Rueire, with whom she competed at Paris last year, but this week, we’re seeing an heir apparent to Toubleu’s throne in new ride Erin. She took the reins on the now-ten-year-old gelding at the beginning of last year from Great Britain’s Max Warburton; previously, he’d been produced and campaigned by his former owner, Andrew Nicholson, who is the Swiss cross-country coach.

In 15 FEI starts together, they’ve already notched up ten placings and two wins – so it’s evidently a fortuitous bit of match-making from Cilla Black Nicholson, although this week will be a major step up for the young gelding, who won on his sole CCI4*-L start at Strzegom this spring. They start the week, though, on excellent form: their 31.5 sees them sit seventh overnight.

“We always want to do better, and of course much better when we are at a European championships — but I think with the horse, I haven’t had him as long, so this is really good,” says Mélody. “He can be so, so on fire, as we saw yesterday in the horse inspection, so I think he was really with me and polite – it was a good moment.”

Benjamin Massie and Figaro Fonroy. Photo by Tilly Berendt.

France, who sit third in the team standings, has a second entry in the top ten thanks to individual competitors Benjamin Massie and Figaro Fonroy. The pair put a 32.4 on the board, earning eighth place at the end of day one.

“My feeling is quite good,” says Benjamin, a man of few words and also maybe few feelings. “He’s a good horse in the three tests, but especially in the dressage test. He was, today, like every day, and so I’m happy with him and happy to be here.”

Nicolai Aldinger and Timmo. Photo by Tilly Berendt.

German individual competitors Nicolai Aldinger and Timmo are ninth overnight after putting a 32.7 up on their return to Blenheim for the first time since 2022, when they finished fifteenth.

“It was pretty good, but the beginning was not the best,” says Nico. “The first halt was a bit… he was a bit nervous, but after that, I could ride him really well. He was focused. I had one more little mistake when starting the canter, but I was really happy.”

Giovanni Ugolotti and Duke of Champions. Photo by Tilly Berendt.

Finally, Italy’s Giovanni Ugolotti and Duke of Champions round out the top ten on their score of 32.8, which also pops Italy into fifth place in the team standings, behind Switzerland. Ireland sit sixth, while Belgium is seventh and Austria, who had just one of their three combinations today, is eighth.

“He’s a very cool horse. He’s usually quite quiet, can’t really be bothered to do anything,” says Giovanni of the fourteen-year-old Duke of Champions, with whom he competed at the 2022 World Championships, finishing 37th. “ And then you take him to a show and he actually lights up, and he’s just sometimes even too exuberant. But it’s a good problem to have!”

Tomorrow takes us into day two of dressage here at the Agria FEI European Eventing Championships, with competition once again beginning at the very sociable hour of 10.30 BST (11.30 CEST/5.30 a.m. EST). Our first competitors in the ring will be Italian individuals Pietro Majolino and Vita Louise DH Z, followed by the first of our Czech individuals, Jaroslav Abik and Madock. You can tune in to all the action on ClipMyHorse.TV, and keep it locked on EN for plenty more stories to come from between the boards.

Go Eventing!

The top ten after day one of dressage at the Agria FEI European Eventing Championships.

EN is proud to welcome Horsepal onboard as the sponsor of our European Championships coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

Agria FEI European Eventing Championships at Blenheim: [Website] [Tickets] [Live Stream] [FEI YouTube Streams] [Entries] [Timing & Scoring] [CrossCountry App XC Map] [EN’s Coverage] [Support Our Sponsor: Horsepal]

And We’re Off! All Horses Pass FEI Eventing European Championships First Inspection

Laura Collett and London 52: the hot favourites to take this year’s individual gold in a head to head against Germany’s Michael Jung and fischerChipmunk FRH. Photo by Tilly Berendt.

After a season full of 4 p.m. first horse inspections, there’s something very discombobulating about heading to the trot strip at noon – but when there’s an Opening Ceremony to cram into the afternoon, plus plenty of team course walks to cram in, efficiency is key. And so, already, with the day scarcely begun and the morning’s second coffee still steaming and untouched in its cup, we’ve already wrapped up the first hurdle of the 2025 Agria FEI European Eventing Championships.

55 horses and riders representing seventeen nations made their way to the South Lawn of Blenheim Palace, nestled on the outskirts of Oxford, to place their bid for acceptance into this week’s Championship – and happily, all 55 have been given the nod, without so much as a single hold.

Padraig McCarthy and Pomp N Circumstance. Photo by Tilly Berendt.

The ground jury, which is presided over by Great Britain’s Sandy Phillips, and also hosts Austria’s Katrin Eichinger-Kniely and the USA’s Valerie Pride, did want a closer look at one horse: that was the eleven-year-old Pomp N Circumstance, presented for the Irish squad by 2018 Vice World Champion Padraig McCarthy. The pair were asked to trot again after their initial sojourn down the strip and were subsequently accepted without being asked to go to the holding box.

Lea Siegl and Van Helsing P: best-dressed and ready to bring the heat for Austria. Photo by Tilly Berendt.

It’s important to embrace the host nation’s culture at a championships, and Britain’s equestrian culture largely revolves around trot-up fashion awards, so we had a couple of those, too, despite the team kit orders: Austria’s Lea Siegl, who will ride Van Helsing P this week, took one for her dirndl (though we’d like to give a nod to teammate Katrin Khoddam-Hazrati, who opted for the traditionally male lederhosen), and Italy’s Pietro Majolino, who presented Vita Louise DH Z, took the other for his Esercito Istruttore (Army Instructor) uniform.

Pietro Majolino and Vita Louise DH Z. Photo by Tilly Berendt.

Otherwise, all was quiet on the western front or, rather, the southern lawn – and now, we can look ahead to the start of the competition proper with tomorrow’s dressage phase, commencing at 10.30 a.m. tomorrow (11.30 a.m. CEST/5.30 a.m. EST).

We’ll begin with the first of our Swiss team competitors, Nadja Minder and the very experienced Toblerone taking to the ring at 10. Then, we’ll follow the draw of nations, which took place this morning. Here’s how that stacked up for our nine teams:

  1. Switzerland
  2. Italy
  3. Austria
  4. Belgium
  5. Great Britain
  6. Sweden
  7. Germany
  8. France
  9. Ireland

We took a closer look at those nine teams, and what their goals and prospective outcomes might be, in our Guide to the Nations, available here. Of course, the host nation once again comes into a championship as the hot favourite, but there’s plenty to do before they can – potentially – step onto the top of the podium, and some hot competition that they’ll have to best.

Plus, there’s the small matter of a Captain Mark Phillips track that they’ll need to traverse – and quickly – if they want a shot at a medal. You can take a first look at the key combinations on course, with insights from Mark himself, in our guide to the week to come, available here. We’ll be back with plenty more stories and insights — and, of course, you can follow us on Instagram to get a sneak peek behind the scenes and check out this afternoon’s Opening Ceremony, too. Go Eventing!

EN is proud to welcome Horsepal onboard as the sponsor of our European Championships coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

Agria FEI European Eventing Championships at Blenheim: [Website] [Tickets] [Live Stream] [BBC iPlayer Broadcast] [FEI YouTube Streams] [Entries] [Timing & Scoring] [CrossCountry App XC Map] [EN’s Coverage] [Support Our Sponsor: Horsepal]

Podium Places and Building Blocks: Unpacking the Teams for the 2025 FEI European Championships

Welcome to the 2025 Agria FEI Eventing European Championships at Blenheim Palace, and your most immediate opportunity to practice some light-hearted patriotism (even if the team you end up supporting isn’t the one from your own country!). We’ve got a jam-packed week ahead of us, with 17 nations and nine teams coming forward to fight for a podium place — but who’s fighting for gold, and who’s got their focus simply on those finish flags? Join us for a deep dive into each team, its lineup, and what might be in store for them over the next five days…

Chef d’equipe:

Riders:

  • Harald Ambros and Vitorio du Montet
  • Katrin Khoddam-Hazrati and Renegade
  • Lea Siegl and Van Helsing P

What’s their form like? The main issue that Austria’s been fighting against is a lack of strength in depth: they have talented riders with a couple of top horses, but they rarely have enough riders to make up a full team. This week is no different – they come in with three competitors, which is just enough to create a team, but with no margin for error at all and no drop score. They had the same lineup of riders, though different horses, for the 2022 World Championships in Pratoni, where they finished 15th out of 16 teams after Katrin was eliminated on cross-country, incurring 1000 penalties.

How’d they finish at the 2023 Europeans? Similarly, they had just three riders on that occasion, and none completed cross-country in the tough conditions, so they finished tenth of ten teams.

Where will they end up? If they can clone Lea before the first horse inspection, they’ve got a fighting chance – but it’s hard to put your money on a three-berth team. Their goal won’t be a specific placing but rather, getting every horse and rider home with a score to put on the board and experience to take into the future. Certainly, there is a future to be planning for: Lea, at just 27, is a seriously experienced championship rider and was 15th on her Olympic debut in Tokyo, Harald is reasonably newly well-mounted on the former Maxime Livio ride Vitorio, and Katrin has been committedly gaining mileage year on year, so once they can attract some more riders and owners, they have the skeleton of a team that can work on a real upward trajectory.

Chef d’equipe: Kai-Steffen Meier

Riders:

  • Wouter de Cleene and Quintera
  • Lara de Liedekerke-Meier and Hooney d’Arville
  • Karin Donckers and Ceres de la Brasserie
  • Senne Vervaecke and Google Van Alsingen

What’s their form like? Consistently on the up and up – but with a few plot twists along the way. Since their last Europeans appearance, Belgium has crowned its first-ever CCI5* champions (Lara de Liedekerke-Meier and team ride Hooney d’Arville, who won Luhmühlen in 2024) and finished achingly close to the podium at the Paris Olympics, too. In our hearts, that fourth-place finish remains firmly in situ – in reality, it was technically stripped from them retroactively when one of the horses on the team failed a dope test due to some contaminants in her feed. Still: the aftermath doesn’t change that the team still bested so many of their competitors and proved that the multi-year trajectory they’ve been on hasn’t been a string of flukes.

How’d they finish at the 2023 Europeans? That was a great week for the Belgians on their upward trajectory: they took one of the two Paris qualifications at Haras du Pin when they finished seventh and best of the as-then-unqualified nations.

Where will they end up? Belgium’s riders are still hurting, no doubt, from the long post-Paris winter – but if they can compartmentalise and keep looking forward this week, there’s no reason they can’t put in a serious bid for a podium finish. They nearly did it against a global field and – dare we say it – over a much tougher course at Paris; here, they’ll need to start strong in a field of dressage heavy-hitters, but they’re ready to assert their dominance. Convincing themselves of that is their final hurdle.

Chef d’equipe: Thierry Touzaint

Riders:

  • Sebastien Cavaillon and Elipse de la Vigne
  • Luc Chateau and Cocorico de l’Ebat
  • Alexis Goury and Je’vall
  • Benjamin Massie and Figaro Fonroy
  • Astier Nicolas and Alertamalib’or
  • Nicolas Touzaint and Absolut Gold HDC Replaced by Gireg le Coz and Caramel d’Orchis

What’s their form like? They’re never to be overlooked at a championship, even if we see relatively little of the French otherwise – they tend to travel the Channel for Bramham, where they like to gain experience over serious terrain, and otherwise, they largely do their work on the continent. They took team silver in Paris last year, bronze at the Haras du Pin Euros two years ago, and the same at Tokyo in 2021 – though they did have a bit of a disaster at the 2022 World Championships, finishing 14th out of 16 teams. Still, this is a strong line-up and they’ve done a lot of the right things this year to ensure their horses are all terrain specialists ahead of this week.

How’d they finish at the 2023 Europeans? Our previous Euros hosts took the bronze medal in Haras du Pin, overcoming some seriously tricky conditions to step onto the podium – but then, as in Paris, they couldn’t quite nab the gold in front of the home crowd. That was an honour reserved for the Brits – so perhaps it’s time to play swapsies. On that occasion, as on so many, the helmsman of the team was Nicolas Touzaint on the very experienced Absolut Gold HDC – but this year, he’s a late withdrawal from France’s efforts, and will be replaced by the capable Gireg le Coz and his championship debutant Caramel d’Orchis.

Where will they end up? While it’s a fun daydream to imagine them allez-allezing their way to the gold medal that’s eluded them since the 2016 Rio Olympics, realistically, they’ll struggle to get ahead of the Brits in the first phase – and with a course that walks relatively soft, it doesn’t seem as though there’ll be enough of a margin for error to allow them to slip ahead. But a podium finish is absolutely within their grasp, and really, they shouldn’t be aiming for anything else. As a ‘Big Six’ nation, the French team are never here just to take part.

Chef d’equipe: Peter Thomsen

Riders:

  • Nicolai Aldinger and Timmo
  • Calvin Böckmann and The Phantom of the Opera
  • Malin Hansen-Hotopp and Carlitos Quidditch K
  • Michael Jung and fischerChipmunk FRH
  • Libussa Lübbeka and Caramia 34
  • Jérôme Robiné and Black Ice

What’s their form like? Just, honestly, silly good as always. You have to go all the way back to 1993 to find the last time a team other than Germany or Great Britain won the gold medal at the Europeans, and that double-handed dominance spans right back to the start of these championships in the 1950s (although back then, they were a force to be reckoned with as West Germany – unified German success didn’t come until David Hasselhoff knocked down the Berlin Wall in 1989, obliterating the Iron Curtain through the power of pop music). They’re currently the holders of the team gold medal at the World Championships, won in Pratoni in 2022. They did, admittedly, have a pretty bruising go of it at the Paris Olympics last year: while Michael Jung and fischerChipmunk happily won the individual gold, Germany as a team finished in a surprise 13th place out of 16 teams. But it would be naïve to expect that to slow them down this week, especially as this is a ‘pressure off’ Europeans – with no qualifications to be gained for the next Olympics, they can focus on giving their ‘next gen’ line-up valuable experience. None of them should be underestimated, and nearly all of them have excellent Blenheim form.

How’d they finish at the 2023 Europeans? Team silver, although with a plot twist nobody could have foreseen: Michael Jung and fischerChipmunk didn’t complete after tipping up in the final water. Just he and Malin return from that week’s team line-up, though Jérome and Black Ice and Nico and Timmo both competed as individuals. Jérome finished seventh; Nico, too, had a horse fall in the extraordinarily tough conditions.

Where will they end up? Take your pick: gold or silver. Anything else will feel like a bitter disappointment for these riders. While this is largely a younger team without the old hats that are Julia Krajewski, Christoph Wahler, or Sandra Auffarth, it’s a serious one: Malin Hansen-Hotopp and Carlitos Quidditch K were on the team at Haras du Pin and have also been winners in Blenheim’s CCI4*-L back in 2022; Jérôme Robiné and Black Ice finished third in that same class last year after starting on a career-best score of 22.8; Calvin and The Phantom of the Opera were fifth here last year; Libussa and Caramia had a steady run for 25th but it helped set them up for 10th in the CCI5* in Kentucky this spring. Only Nico Aldinger and Timmo and Michi and Chipmunk don’t have previous Blenheim form, but come in looking strong: Nico was tenth in a tough final selection trial at Arville against much of this week’s field, and Michi and Chipmunk are… Michi and Chipmunk.

Chef d’equipe: Chris Bartle

Riders:

  • Laura Collett and London 52
  • Caroline Harris and D.Day
  • Yasmin Ingham and Rehy DJ
  • Piggy March and Halo
  • Tom McEwen and JL Dublin
  • Bubby Upton and Its Cooley Time

What’s their form like? Oh, boy. Well, they’re far and away the most successful nation in European Championships history, with 90 total medals won since 1953. To contextualise that, the second most successful team, Germany, has won 44 total medals, which is the same number of golds the Brits have won. They come into this week as hosts, reigning champions on both the individual and team podiums, and Olympic team champions, too.

How’d they finish at the 2023 Europeans? Top of the podium, baby, thanks to Laura and London 52, Yas Ingham and Banzai du Loir, who she will not ride this week, and Kitty King and Ros Canter, who won individual silver and gold, respectively, but aren’t here this week due to horse injury and personal pregnancy, also respectively.

Where will they end up? There’s only one goal, and that’s gold. They don’t need to win this week – this year’s Europeans doesn’t count towards Olympic qualifications – so in theory, they could use it to build up a strong, next-gen team, but winning on home soil is a great galvaniser and a brilliant way to build interest in the sport, both from spectators and potential financial backers, so the pressure is on. And actually, in some ways they are building up some new riders: this is a senior team debut for both Bubby Upton and Caroline Harris, though both are exceptionally well-established competitors. Bubby and Its Cooley Time won Bramham this year, while Caroline and D.Day won the CCI5* at Pau last season. Beyond that, we’ve got reigning World Champ Yas Ingham, whose Rehy DJ has consistently been a podium finisher at five-star; team stalwart Tom McEwen and his Paris partner JL Dublin, with whom he won team gold and individual fourth on that occasion – and who, crucially, has already been European Champion back in 2021 when ridden by Nicola Wilson; three-time five-star victors Laura Collett and London 52, also team gold medallists at Paris and individual bronze medallists, too; and the return of the reliable Piggy March to the British team, riding the smart little stallion Halo, with whom she won Burgham CCI4*-S this summer.

Chef d’equipe: Dag Albert

Riders:

  • Susie Berry and Clever Trick
  • Ian Cassells and Millridge Atlantis
  • Aoife Clarke and Full Monty de la Cense
  • Sarah Ennis and Dourough Ferro Class Act
  • Robbie Kearns and Chance Encounter
  • Padraig McCarthy and Pomp and Circumstance

What’s their form like? The upper end of middling, despite being a nation of very good riders. They finished eighth at the Paris Olympics and fifth at the 2022 World Championships, although we saw them take both team and individual silver at the 2018 World Championships in Tryon, so they certainly have got the goods. They’re missing their crown jewel this week in Austin O’Connor and Colorado Blue, who went to Burghley instead and finished second, but Susie Berry and Clever Trick return from the 2023 team and the consistently speedy Sarah Ennis, too, is back in business, though riding a different horse this time.

How’d they finish at the 2023 Europeans? Just off the podium in fourth place, which is a frustrating place to be – so close to a medal! – but felt like a huge moment for the Irish, who’ve often struggled to pull it all together at championships. An enormously tough cross-country day in difficult conditions certainly played to their strengths, and this week’s team will similarly be hoping for an influential Saturday.

Where will they end up? It’ll depend, really, on the course and the weather. If the course rides a lot tougher than it walks and the time is tight – and that rain keeps falling – the Irish will be smiling, and they’ll be climbing, too. If it ends up being a dressage competition, we’ll likely see them sit, again, in the top part of the middle half of the pack. Their galvanising moment is coming, but whether Blenheim will offer enough of a challenge to deliver it remains very much to be seen.

Chef d’equipe:

Riders:

  • Daniele Bizzarro and Stormhill Riot
  • Pietro Majolino and Vita Louise DH Z
  • Vittoria Panizzon and DHI Jackpot
  • Arianna Schivo and First Lady de Belheme
  • Paolo Torlonia and Zinny
  • Giovanni Ugolotti and Duke of Champions

 What’s their form like? Italy’s a nation that’s still in the process of finding itself on the world stage. We saw them finish in ninth out of sixteen teams at the 2022 World Championships and twelfth of sixteen at last year’s Olympics, which they qualified for by securing the final team ticket in the FEI Nations Cup series.

How’d they finish at the 2023 Europeans? Ninth out of ten teams, after two of their riders didn’t complete cross-country. Best of the Italians that week was Giovanni Ugolotti, who returns this time around with a different horse in Duke of Champions. The next Europeans, at Avenches in 2027, will be a crucial moment for scooping up qualifications for the LA Olympics, and so all eyes will be on being able to be strong enough as a team to get the job done there, if not at next year’s World Championships, where the top teams will earn direct qualifications.

Where will they end up? While it’s unlikely that we’ll see Italy fighting for a medal, this week will be a hugely valuable building block for them: without the pressure of trying to qualify for an Olympics this year, they can get their heads down and focus on finding the magic formula that brings them results. With Italy’s riders based around Europe and the UK, it’s a rare opportunity to come together and build that competitive dynamic. They’ll be hoping to find their way into the top half of the nine teams, which is a solid goal for them.

Chef d’equipe: Fred Bergendorff

Riders:

  • Frida Anderson and Stonehavens Baby Blue
  • Christoffer Forsberg and Hippo’s Sapporo TSF
  • Sofia Sjoborg and Govalent
  • Amanda Staam and Corpoubet AT

 What’s their form like? A work in progress, though one that has perhaps felt like its had a slower upward trajectory than the likes of Switzerland or Belgium. The Swedes have always been able to do consistency in the long-term – they’re very good at winning, for example, the Nations Cup series, because they keep showing up and doing the job at every leg – but that can fall apart a bit on the world stage. But the Olympics last year marked an important new chapter, even if it’s not one that’s immediately obvious on paper: the team finished an impressive fifth out of sixteen, but Sofia Sjoborg was one of a handful of riders given a very contentious 15 penalties for a flag that looked, to any human eye, as though it should have been removed. Had it been, they’d have been bronze medallists. Another huge moment for them in the Paris cycle? They qualified directly by finishing sixth at the 2022 World Championships – a huge step up from previous cycles in which they’d been forced to fight for the final tickets in the Nations Cup and Europeans qualifications routes.

How’d they finish at the 2023 Europeans? Sixth of ten. All four team members completed in those awful conditions, though only one horse returns for this team – that’s Amanda Staam’s Corpoubet.

Where will they end up? They’re down one serious heavy-hitter: Louise Romeike and the exceptional Caspian have been on the best form of the horse’s career this season, but like Ros Canter, Louise is sitting out the Europeans as she’s pregnant. We’ll miss seeing them, and the team will miss having them in their number – but it’s a great chance for new faces and young horses to gain experience ahead of the next three years of championships. Both Sofia Sjoborg and Frida Anderson bring forward championship debutants, though they themselves have masses of mileage, and there are two long-term partnerships in Christoffer and Hippo’s Sapporo and Amanda and the exciting Corpoubet. If they can ride their Paris high into this week, they should be aiming for as close to the podium as they can get, but certainly the top half of the field.

Chef d’equipe: Dominik Berger

Riders:

  • Robin Godel and Global DHI
  • Mélody Johner and Erin
  • Nadja Minder and Toblerone
  • Felix Vogg and Frieda

What’s their form like? Like Sweden and Belgium, they’re a nation that’s been on an upward trajectory over the last two Olympic cycles – though like both those nations, too, they only have four riders to bring this week, and no individual competitors, which is a shame and a missed opportunity to develop strength in depth. But: it is what it is! These things take time, and the Swiss have certainly been putting in the time. They really revolutionised their system pre-Tokyo, bringing in Andrew Nicholson to help them ride more assertively across the country, and over the last six years or so, we’ve seen them qualify directly for Paris at the 2022 World Championships, where they finished seventh, and take fourth place at the Olympics last year, too (though that is, in part, because they moved up a place after Belgium’s disqualification). They’re no longer showing up just to take part.

How’d they finish at the 2023 Europeans? A respectable fifth in the worst of conditions. The team was, rider-wise, exactly the same as we’re seeing this week – but only Nadja remains on the same horse as in Haras du Pin. Actually, the same can be said for at the 2022 Worlds, and last year in Paris, where Nadja was the travelling reserve, so the Swiss have certainly been focusing their efforts on creating a competitive, supportive dynamic between these four competitors so they can operate as a well-oiled machine at the championships.

Where will they end up? Though all four riders are very experienced team competitors, this year’s equine line-up feels quite developmental: Frieda and Erin are both debutant horses, and Global DHI has always been Robin’s second string horse behind Grandeur de Lully. Only Nadja feels top-string mounted, but this might all be quite tactical: finally, the Swiss don’t need to scramble, and they can use this year to build these horses ahead of their next round of major goals. With half the team on young horses, a podium finish feels a bit less likely, but as a nation, it’s time for them to elbow their way into a bronze.

THE OTHER NATIONS

Just nine countries bring forward teams this year, the same as in 2023 – but 17 in total will come forth this week, thanks to eight countries’ worth of individuals. At least one of these is a major surprise: the Netherlands fields just two individual competitors, rather than a full team, and the Czech Republic is one short of a team, too, with both the country’s Olympians sitting this week out. Turkey makes its first appearance at a Senior Eventing championship thanks to Kumru Say, and Norway pulls a new representative to the upper levels in British-based Yasmin Olsson Payne. Lithuania and Luxembourg boast one competitor apiece, as do Hungary – who had a late withdrawal, but initially had two – and Finland. Poland, who had a team at last year’s Olympics, will not take part in any capacity this year.

Of course, the squads above who have more than four riders listed will have to make a decision about which four will ride on the team, and who will compete as an individual – and those decisions will be made and announced on Wednesday. That’ll be a busy day of sport here at Blenheim: in the morning, we’ll see the draw of nations take place, followed by the horse inspection at 12.00 BST and the Opening Ceremony in the afternoon. Keep it locked on EN for everything you need to know as the 2025 Agria FEI European Eventing Championships get underway, and Go Eventing!

EN is proud to welcome Horsepal onboard as the sponsor of our European Championships coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

Agria FEI European Eventing Championships at Blenheim: [Website] [Tickets] [Live Stream] [FEI YouTube Streams] [Entries] [Timing & Scoring] [CrossCountry App XC Map] [EN’s Coverage] [Support Our Sponsor: Horsepal]

A Tight Time, A Wet Weekend, and a Palace Under Wraps: What to Expect from the 2025 Agria FEI Eventing European Championships

Ros Canter and Izilot DHI take Blenheim’s CCI4*-L in 2023 – in front of a part of the Palace that’ll be under wraps this week. Photo by Tilly Berendt.

The week of the 2025 Agria FEI Eventing European Championships is upon us, and over the next 24 hours or so, some of the greatest horses and riders from across our broad continent will descend upon the parkland of the Blenheim Palace estate, ready to begin their fight for a podium space.

Blenheim, which is located just a handful of miles northwest of dark academia paradise Oxford, is one of Britain’s most palatial houses: the birthplace of Winston Churchill was built in the 18th century as a symbol of the empire (RIP hun xoxo) and boasts some 12,500 acres of parkland, designed by Capability Brown. Yes, that’s the very same landscape architect responsible for the grounds at Badminton and Burghley – the latter even, famously, has a road crossing on course named after him at Capability’s Cutting.

It’s the capacious parkland that’ll be the focal point of this week’s competition, because there’s an elephant in this ballroom that we need to evict nice and early: the Palace is covered in scaffolding. Though the main arena and part of the cross-country course is overlooked by the southern façade of the Palace, with its columned entrance, it won’t be the background we’re used to seeing. Instead, the middle section of the façade – the columns, the entrance, the main bit, really – is hidden behind the protective plastic sheeting that covers the scaffolding, and it will neither be removed nor covered over with an image of the palace for this week’s competition, because the cost of either option is prohibitive.

This has come about because, well, old houses sometimes do old house things. Blenheim’s roof is so expansive that it spans roughly three acres, and many years of enduring the British weather have left it one of those acres in need of some serious structural reinforcement. That middle section of roof is served by a scant six drainage pipes, and at this point, the damp and mould that’s been able to infiltrate has left cracks in the stone that, unless repaired, could spell the end of the Palace.

Repairing the roof is the most ambitious and enormous restoration project that’s ever happened at Blenheim, which has UNESCO World Heritage Status. It’s set to cost £12 million, and take a minimum of four years to carry out: early consultations began back in the latter part of 2023, and in July, right on the button of the long-range projected timeline, the scaffolding and roof wrap were finished after 137 days of construction. They’ll remain in situ now until next April.

We’ve seen worse trot-up outfits, to be fair.

So: Palace wearing a hat. Fine. The good news is that the side wings of it are still visible from ‘our’ end of the grounds, and if you’d like to see more of the Palace, much of it is uncovered on the north façade – plus, it’ll be open for visitors who’d like to go inside throughout this week. That’s something we recommend highly if you find yourself in need of a break from the rain: not only can you do self-guided or guided tours of the lavish state rooms, you can poke around in the walled gardens, plunder the (quite good, actually) gift shops, and even venture into the scaffolding yourself for a closer look at the repairs being done and the intricacy of stonemasonry in the clouds, which is a very cool experience, if a bit vertigo-inducing.

The other side of the Palace: still very worth a visit.

So now that your expectations have been managed and you won’t be taken by surprise by the sight of a Palace in a toga, let’s take a brief initial look at the competition itself.

As always, the FEI European Championships is held at CCI4*-L level. The test used this week will be CCI4*-D, and we’ll see the cross-country phase play out over a 5800m track utilising 40 jumping efforts. For folks who tune in to Blenheim each year, it’ll feel very familiar: the route used is very nearly exactly the same one as last year, with one or two very minor deviations.

This year, usual course designer David Evans has stepped out of the spotlight to welcome Captain Mark Phillips into the role – his final hurrah before retiring from course design. David will still play a major part in the event, though: he’s the designer for the eight- and nine-year-old CCI4*-S, which will run alongside the competition (though no Euros riders will be allowed to take part), and is course builder, too. Mark, who was longtime course designer at Burghley and, notably, designed the course for the 2018 World Championships, has never produced a Blenheim course.

Though we’ll be bringing you a more in-depth look at what he’s set for us later on this week, we did get an early opportunity to cruise around the course with the man himself last week.

The first combination: the Dew Pond at 6ABC.

The course has an unusually long lead-in to the first combination: there are simple, single fences from 1 to 5, and the first combination doesn’t come up until around the two minute marker at 6ABC. That first combination is also the first water splash-through, though it really is just a splash: the Dew Pond feature near the heart of the event site, which has been used more recently as part of the arena eventing competition, has been reclaimed for the main track, and will feature a related distance of two relatively unobtrusive skinny triple bars on either side of the little pond, incorporating a mound at the first element which makes the jump itself come up a bit more suddenly for horses who might be prone to distraction.

While the jumps themselves don’t look particularly in-your-face, Mark explains that their complexity is actually in their visibility to horses.

“Horses have 340-degree vision,” he says. “They don’t see ten degrees directly in front, nor ten degrees directly behind them. So they don’t actually see the bit of the fence they’ve got to jump, and instead, they draw information from the side. Here, they’ll come over the hill and have a lot of information coming from either side that doesn’t have much of anything to do with the little skinny they’ve got to jump.”

If the first couple of minutes of the course feel quite light on efforts – which makes it a good chance to get up on the clock, for those very competitive pairs – the next few are considerably busier. From the arena question, the Joules Pavilion to Joules Palace View at 8 and 9 to the Agria Angles at 10ABC, over the South Lawn from the Subaru Sensation at 11ABC to the Palace Treasure Chest and Jewellery Box at 12 and 13, there’s plenty to do – and plenty to slow competitors down.

The one-stride Agria Angles fence in the arena at 10ABC.

“At three minutes they come into the arena, where there’s a table to a table, and then an angled brush to an angled brush [on one stride],” says Mark. “If there’s a runout there, it’ll be into the middle of the arena – so if there’s something happening in the tent alongside it, a bottle of champagne being opened or something, the horses will have an open door to come out to the left rather than going over the fence. The crowd will certainly be something that riders will have to think about.”

Then, they’ll head to the South Lawn complex from 11ABC to 12 and 13, which Mark has tipped as “probably the most difficult combination on the course”. They’ll tackle this with horses still fresh and, perhaps, not yet at their most rideable after a relatively easy run so far – and this will likely be the busiest spectator section of the course, too, so there’s plenty to distract them. But this question also feels familiar: it sees the return of the treasure chest complex that usually sits on this South Lawn spot. 11ABC encompasses a wide table fence to two left-handed corners, with plenty of options available for less experienced horses or riders, or those who aren’t yet stuck into the task.

“Anyone who cheats and squares up the first corner is in trouble,” says Mark, “because they won’t find the line to the second corner.”

Then, the chests on a bending left-handed line at 12 and 13 come up fast, and though they’re certainly related to the fences at 11ABC, Mark has opted to number them separately to give people a chance to find a route through if they get discombobulated. Those slower, kinder options are crucial for a European Championships, which sees nations come in with a variety of goals – winning medals on one end of the spectrum; getting around and gaining experience on the other. But where there are options, there is also plenty of time to lose, and Mark reckons for all competitors, time will be of the essence this weekend.

“Up until the four minute marker they’re going to be stuck at around 400 or 450 meters per minute, down from 570, for a good 45 seconds, which is why the time will be so difficult,” says Mark. “Of course, if there are issues, there are plenty of longer options – but if you take all those longer options, you’ll probably be late for tea.”

After the South Lawn complex, there’s an open gallop down to a single fence at 14, and then the Raging Bull Roller Coaster at 15AB, which is another familiar combination: two skinny brush-topped fences, an option of four or five strides apart, atop a pair of knolls, which challenges horses and riders to stick to their line while the terrain changes underneath them. Then, they’ll get airborne again over a big single oxer before heading to the first of Blenheim’s long water crossings.

The into-space fence at 17AB.

Before they can get their feet wet, there’s a couple of fences to jump: the BE Support Trust Healing Garden at 17ABC features an into-space brush fence with a downhill landing, marked as 17AB, down to a very skinny, imposing brush fence into the water, which has some creative numbering to stop people from mixing long and short route options. The groundline is 17C, while the fence itself is 18AB, the Subaru Splash, after which they’ll gallop across the lake and then meet an option of single angled hedges at 19, the Agria Water Crossing.

“When you walk up to 17AB, the optics make it look as though you’re jumping into the lake,” says Mark. “But if they’re brave enough to accept the optic, they do actually have flat ground to land on on the other side [before they head down to 17C/18AB]. If not, the long way is super long.”

The most visually impressive fence on course is the skinny brush into the water at 17C/18AB.

On the other side of the lake crossing, which spectators can view from the Bladon Bridge, they’ll move uphill over the steepest bit of terrain to the next water question, the GFS Saddles Water at 20ABC.

“There’s quite a big log in [20AB] with a 1.80 drop in, and then a forward four strides to a brush corner [20C] in the water,” says Mark, who stresses that the quality of the jump in defines everything that comes next. “If you land normally, the four will be right there. I think you might see some try to cheat a bit and put in a bending five, but that’s going to take longer.”

The next combination, at 22AB, is the FEI Mounds, an open oxer to a right-handed corner on a gentle bending line with some variable terrain in between. There is to be a line of Christmas trees, which Mark expects to open a chute for a run-out – though as a mere mortal walking the line, it reads as though the trees will actually guide horses and riders onto the correct line, so this spot will be one we’ll watch with interest early on Saturday to see how horses are reading it. Of course, as we saw at Burghley’s Maltings question, which had a similar setup of flower pots on the approach, sometimes having the perfect line handed to you makes things harder: you can’t then add in a bend to adjust the stride pattern if you’re not quite on the money, nor can you create a more direct approach to the corner.

The view to the corner at 22B from 22A. The two white posts on the right mark the line of trees that’ll be placed for this week.

“When they land over the oxer, they’re going to see the wide open door straight ahead, but there’s a four or a five [stride line] there, and you have to say, ‘No, you’re not going through the door. You’ve got to go over the corner’. Not easy! I’m a bit pissed off with Derek [diGrazia, Burghley course designer] because he had the same question at the Maltings. And everybody’s going to say that I copied Derek,” laughs Mark.

There’s a tiny loop of new ground next on the course as they approach 23AB, the LeMieux Wedge, which is a simple skinny chevron fence — but one that comes up on a 90-degree left-handed turn, with a little gully of terrain in front of it.

“It’s a footwork exercise: you’ve got to go forwards so they can pat the ground and jump,” Mark explains. “They’re coming up on seven minutes twenty, probably, and they’ll be a little bit slower with their feet, but they’ll have to be quick here. They’ll jump it or they’ll skip around it, but nobody’s won until they’ve jumped this.”

There’s the return of the coffin in the woods at 25ABC, the CrossCountry App Wooded Hollow, though with a crucial change: it’s a half coffin, not a full one as we ordinarily see here, so there’s just the rail and the ditch to pop over – but equally, we often see the first rail’s MIM clip knocked in normal years if riders zoom into the approach. After that, Mark says, from fence 26 through to the finish at 31, riders have an easier job to do and will be cross with themselves if they manage to make a mistake.

Over the span of the course, he tells us that his mission has been to make riders think while creating lines and routes that are readable for their mounts.

“My mantra,” he explains, “is always to be as unkind as you can to the rider while being as kind as you can to the horse.”

The Bladon Bridge, where spectators can access the back half of the course and watch the water crossings from on high.

There are only so many impressions you can get from a quick drive around a course that isn’t fully dressed yet, but at first glance, this week’s Championships track does, admittedly, look slightly smaller and less intensive than some we’ve seen in previous Championships – though Blenheim’s reasonably variable terrain will certainly play its own part this week. There’s also some clever, tricky numbering in many of the route options, so riders will need to ensure they keep their wits about them and walk all alternatives a number of times, because we could well see someone eliminate themselves for jumping a letter twice or missing one entirely.

And if it is an easier track once we’ve all walked it, walked it again, discussed it eighteen times and agonised late into the night over it? Well, complacency has always brought its own unique set of difficulties with it, hasn’t it?

In any case, this isn’t Blenheim’s first rodeo where FEI European Championships are concerned – in 2005 they also hosted them, and in similarly wet conditions. Zara Tindall – nee Phillips – was crowned the European Champion on that occasion, with Great Britain taking team gold for a sixth consecutive time. This year, the Brits come into Blenheim having won on the last two occasions, and though reigning individual champion Ros Canter is sitting this week out, the home side remains the firm favourite to take the win again. On Britain’s last hosting stint in 2015 – this time at Scotland’s Blair Castle, where it was also really, really wet – the Brits won silver, losing out on gold to Germany, so they’ll be keen to redress the balance this week.

A fun fact for you: did you know that the last time a team other than Germany or Britain won European Gold was way back in 1993, when Sweden took it? The two nations have been so dominant that just four other countries have ever managed it in 36 runnings: Sweden, in ‘93 and ’83; the former West Germany (the more fun of the Germanies, inarguably) in ’59 and ’73; Ireland, in ’79; and the former Soviet Union in ’62, ’65, and ’75.

Whichever team tops the podium, they’ll need to be prepared to dig deep for it: after a very dry, hot year in the UK, the heavens have resolutely opened over the last couple of weeks, and more rain is forecast throughout the competition. That’s been something of a godsend for the parched ground, especially as the multi-use nature of the Palace estate means that the event team can’t get on-site to do groundwork until just weeks before the competition, but it could also make for some tricky conditions, deep and tacky going, and slippery spots that’ll make catching the time even harder. A further complication? All three phases are on grass at Blenheim, so dressage and showjumping could both see an additional element of difficulty thrown in. Our advice? Wear waterproof layers, pack an extra pair of socks, fill a flask with something warming, and be prepared to celebrate the best of British weather in true native pony fashion: with your bum turned to the wind.

And what about here on EN? Well, as always, you can rely on us for daily long-form reporting on the competition, with insights and analysis from the biggest movers and shakers every day. Plus, we’re excited to be double-handed in the mixed zone this week, with Catherine Austen once again joining us to bring you the best of the stories beyond the top ten – and this week, we’re jam-packed with them. We’ll also have closer looks at Captain Mark Phillips’ course, live updates from stable star Cheg Darlington, and a team form guide, which will land tomorrow and give you a closer look at each nation vying for glory this week.

Following along from home and want to ensure you see every ride? All livestream coverage this week will come to you via ClipMyHorse.TV, which hosts the FEI TV platform. CMH will feature both days of dressage and both jumping phases, and the first horse inspection on Wednesday as well as the Opening Ceremony will be carried live on the FEI’s YouTube channel.

EN is proud to welcome Horsepal onboard as the sponsor of our European Championships coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

Agria FEI European Eventing Championships at Blenheim: [Website] [Tickets] [Live Stream] [FEI YouTube Streams] [Entries] [Timing & Scoring] [CrossCountry App XC Map] [EN’s Coverage] [Support Our Sponsor: Horsepal]

The Canter Colossus: Ros and Walter Win Defender Double at Burghley

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

There’s something incredibly soothing about watching Ros Canter and Lordships Graffalo go into battle for a major victory. Such is their composure and consistency that nothing they do ever feels hurried, harried, or at-risk – and that was certainly the case today when they entered the arena as the last to showjump today. There was, of course, plenty on the line: the chance to defend the title they won last year, the chance to crown ‘Walter’ as the first horse ever to win two Badmintons and two Burghleys, the conservation of their totally unblemished five-star showjumping record and, of course, the small matter of Ros’s pregnancy – but the rail she’d had in hand at the start of the day had turned into two rails by the time the bell sounded for her, and all she and the thirteen-year-old gelding had to do was exactly what they do best: stay unruffled, and get it done. Easy-peasy.

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

“I didn’t feel cool and calm!” she laughs. “I’ve gone through phases during the day. It’s never a prospect you look forward to, something like this. I’m always a bit of a self-doubter and hope that I can see a stride at the right time and everything else. But fortunately, I’ve become quite well practised, fortunately, in situations like this.”

That practice paid off in spades. Though they added 1.2 time penalties to their two-phase score of 22.4, which stopped them from beating the Burghley finishing record (a record they already hold!), they did match it perfectly, closing out their tab on 23.6 and lifting the Defender Burghley trophy for the second year in a row.

It was a long old wait until their round, which came at about twenty past three this afternoon – but Ros had plenty of tactics to help her through the day.

“Sometimes when you’re nervous it’s easy to not focus, because it’s like an avoidance tactic,” she says. “I set alarms on my phone a lot on the day: ones to remind me to stop and think, then an alarm to make sure I switch off again, and an alarm to make sure I get changed at the right time, just so I don’t worry about missing things. Because if I worry about missing things, then I never switch off, and that’s a dangerous place to be, too.”

And so, between alarms, she “whittled away quite a lot of the day. I did a lot of course walking. I helped Cassie [Sanger], which was nice. I had lunch with [husband] Chris and [daughter] Ziggy – I didn’t manage to eat much, but I had lunch. I read my book. I’m not really sure what I did, but thankfully I’ve done it now, so I can enjoy the rest of it!”

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

Despite the visual ease of their round, Ros felt as though it wasn’t quite perfect – but equally, that their partnership allowed for that.

“I felt like I probably hooked him off the floor a little bit,” she says. “But he’s quite used to me doing that in these situations, so I think he kind of half expects it. But I think he tried his absolute best, didn’t he? He’s not classic in the way he jumps — he doesn’t drop his neck. He’s kind of a true Grafenstolz in a way, in that they like to go with their heads up a little bit, and that’s what makes them the amazing horses they are cross country. But he’s certainly got a conscience, and he wants to leave those poles up.”

Ros Canter and her winner’s spoils! Photo by Hannah Cole Photography.

At the start of the week, there was much speculation about whether Ros, who’d withdrawn from contention for the Europeans due to her pregnancy, would even run – and again, while she remained outwardly level about the situation, she was internally contemplating all her options.

“[It wasn’t ever] in the sense of picking up the phone to [owners] Michelle and Archie Saul and saying I’m out, but of course I had doubts,” says Ros. “I think I’d only be human to question myself. There were moments during the week where I needed to reassure myself I was in the right form to give Walter the ride he deserved. [The pregnancy question] was a big deal [for me]. It was a big deal on Thursday, and probably on Wednesday, Thursday, before I’d actually been in the competition and performed, and performed well. I felt probably quite bodily self-conscious, because I know I’m bigger than I was. But the moment I’d done my dressage test and I was up there and I felt I rode well, I pretty much had no doubts after that that I’d be running cross country.”

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

Of course, she continues, having a partner like Walter made her decision easier, too.

“What can you say? He is the ultimate event horse,” she smiles. “He can do every single phase. In particular, I guess the cross country is his standout, but he just doesn’t have a weakness. What a lucky girl I am! He just tries his hardest. He just loves occasions; he loves these big competitions. Sometimes he’s a little bit on edge in the stables, but the moment I put my foot in the stirrup, Walter relaxes and it’s where he wants to be.”

But, she continues, “from that point of view, I couldn’t be luckier, but equally, that comes with a fair amount of pressure. Someone asked me earlier, does it get easier because you’re on such a great horse? The answer is no — it probably gets harder. Because I know that at some point, something will go wrong, and when it does, it’ll probably be my fault.

“So the preparation, the mental side of it, the thoughtfulness, and all the planning remains the same, whether you’re on Walter, who’s won before, or if you’re on a first-timer, it’s equally as important. That takes up quite a lot, for all of us, on a week like this. So it’s great now — I’m going to thoroughly enjoy this moment, as are my team and everybody that’s a part of Walter. But there’s been plenty of hard work behind us to get here.”

Austin O’Connor and Colorado Blue. Photo by Hannah Cole Photography.

Austin O’Connor can drive away from Burghley this evening basking in the afterglow of having ticked a big box: he and the incredible Colorado Blue, who have had such a spate of successes at the top level, have finally made it all happen for themselves at this biggest of Bs, too. Their week started with a level-best dressage score of 27.8 – their first sub-30 at five-star – and continued on in fine Salty style with the second-fastest time of the day on cross-country yesterday, which saw them add just 0.8 time penalties. Today, they tipped a late rail at fence 10A, but that didn’t do their final result any harm: they retained the runner-up position they’d held overnight and further cemented themselves as one of Ireland’s greatest ever to do it.

In some ways, Austin says, this is kind of like adding another five-star victory to their tally.

“Being second to this lady (Ros) is as good as winning, because I think the history books will say this is the best-ever combination to grace five-star eventing. So it’s like a win to me, really.”

For Austin, one of the happiest parts of the day was also the thing that caused their rail: that 16-year-old Colorado Blue felt so extraordinarily fresh and jolly after yesterday’s tough challenge.

“He was like a five-year-old, not a 16-year-old,” he laughs. “He just went in there, and for the first time in his life he was mad fresh, pulling my arms out. Which is great, but that’s why we had a rail. But hey-ho, it didn’t make any difference at the end of the day.”

Harry Meade and Cavalier Crystal. Photo by Hannah Cole Photography.

When Harry Meade was midway through his first round of the day, jumping out of order in the morning session with Et Hop du Matz, he must have had a moment of grim déjà vu. Yesterday, as pathfinder for the day’s cross-country, he’d very nearly completed a peach of a round – and then, at the penultimate, a straightforward single fence, he was pitched forward on landing and came achingly close to hitting the deck. Two horses later, the same thing nearly happened again – a less dramatic save, this time, but probably no better for the collective Team Meade stress levels.

And then, this morning, he and the eleven-year-old ‘Hoppy’ were executing a similarly confident, smooth round when it all, briefly and inexplicably, went a bit pear-shaped. After jumping neatly into the double over the first element, an oxer at 5A, they marched down two of the three strides to 5B, an upright, and suddenly lost momentum. Hoppy chipped in two tiny strides, considered stopping, and then, quite gamely, decided to jump the moving target of the falling top rail. The pair managed to use that little fistful of momentum to travel down to the third element, which they jumped but knocked, and then delivered the second half of their round without any further issues.

Those 8 penalties, plus an extra 0.4 on the clock, was an inauspicious start to the day for the busy rider with his trio of top-ten denizens, and it knocked them from an overnight sixth place right out of the top ten – at that point, anyway. As the afternoon’s competition unfolded, they were able to regain enough ground to finish in ninth place, and less exciting rounds from Harry’s other two rides secured him fourth place with Annaghmore Valoner, who had one rail to retain the place she’d held overnight, and third place for the third consecutive year with Cavalier Crystal, with whom he delivered one of today’s six faultless rounds.

Harry Meade and Annaghmore Valoner. Photo by Hannah Cole Photography.

“I think for me it was just about them having a really good weekend — coming out better horses, enjoying themselves, and go away really confident and able to come back another time,” says Harry. “And in the meantime, they’ll have a well-earned rest in the field. It’s been a little bit of a job to try and get here and get through it, but I’ve had a really great team behind me. The main thing is we got here and they all went well. I was determined to try and get the three horses here and not drop one on the way because of my injuries — and I didn’t have to do that.”

Of his best-placed horse, the exceptional Cavalier Crystal, he says: “She was amazing. She’s the most lovely jumper. She’s the kind of horse everyone ignores until it gets to a five-star week, and then she’s just in her absolute element. She’s as good a jumper as I’ve seen in the sport, in a way, and she’s done it again and again. All her four-star long events, all her five-star events — she’s just been amazing.

“But they’re not machines; they’re all able to make mistakes. So we were all just wanting to go in and deliver what I felt she could do. My first horse jumped really well — he was just a little bit green in the treble, so I felt I had a bit of a point to prove to myself. I’d gone in a little bit relaxed, thinking ‘I’ve got nothing to prove because I’ve got three horses’. And then I sort of put a bit of pressure on myself and said, ‘I’ve got a lot to prove now, so I really want to jump a clear round.’ And she jumped beautifully.

“Then the third horse, Annaghmore Valoner, she was lovely. As good a round as I felt she’s ever jumped. She was just really unlucky to have that one rail at the penultimate fence.”

Harry Meade and Et Hop du Matz. Photo by Hannah Cole Photography.

Though the win he feels so richly owed eludes him for this year, Harry’s triumph this week is yet another testament to his ability to bounce back despite seemingly insurmountable setbacks. We’ve seen him overcome breaking both elbows quite catastrophically; we’ve seen him return again after a re-injury to those old wounds; now, we’ve seen him claim 33% of the Burghley top ten despite puncturing a lung and breaking a chocolate box selection of ribs less than two months ago. (Look, Harry, you’ve made your point now – we promise we’ll all be very emotional when you win a five-star even in full health, thank you, please, thank you.) It’s a trio of achievements that he can add to third and fourth place at Kentucky and fourth and sixth place at Badminton, and third and fourth at Burghley last year – and that’s just the last twelve months’ worth of highlights. (Also worth noting: his tiny, infinitesimal smattering of time penalties yesterday are the only ones he’s added on cross-country across all those placings. If there are words for that kind of consistency, they’re well beyond our reach at this point in the week, frankly – but once again, it’s a privilege to get to witness this kind of career run.

Alice Casburn and Topspin. Photo by Hannah Cole Photography.

For Alice Casburn, the rail she and her homebred Topspin tipped at fence 9 might have felt like a bitter disappointment in the moment – after all, the much-loved duo are among the sport’s best showjumpers, and the pressure cooker of being just 23 years old and having already achieved an incredible four top-ten finishes at five-star is a not at all insignificant one.

But we hope that when that initial disappointment fades, there’ll be for Alice the realisation that she’s done it again, and on a horse she’s had in her family since he was born and she was just six years old. Their round today, and their personal best dressage of 31.4 – plus their swift 4.4 time penalty effort yesterday – secured them fifth place for the second time, a weeklong climb from first-phase 20th.

“I’m absolutely delighted with him,” says Alice. “I’m obviously slightly frustrated and a little bit disappointed with myself. He’s been nothing but spot-on this week, and I should have gone forward, should have done something. I took a bit of a pull. But he jumped great in there, and he loved it in there this time as much as he did the first time. So it’s great to have him at this stage, still absolutely loving his job. He enjoyed every second.”

Burghley has been the consistent pair’s happiest hunting ground, and they’ve never finished outside the top ten here – despite having their first of four starts when Alice was just twenty years old.

“I think this place will always be quite special to me,” she says. “It’s really silly — it was special to me before I rode here. So being here and riding here, and everything else, with family members here is really, really exciting. He’s part of the family. I joke time and time again — that’s not really a joke, it’s fact!”

Tim Price and Vitali. Photo by Hannah Cole Photography.

Had Tim Price and Vitali finally delivered a clear round at this level today, it would have been a bittersweet sort of success, because they still wouldn’t have been able to win – so in a funny sort of way, we almost hoped it wouldn’t happen for them. Maybe, we posited, they could get their three-rail average at five-star down to a scant one, retain their two-phase third place, and go home having lost out on nothing, but gained in so much in terms of the horse’s projected performances on the final day.

That wasn’t quite how it went down – they ultimately tipped the first part of the treble combination at 5A, and then fence 8, too, to drop to a final sixth place – but even that improvement gave Tim plenty to be happy about.

“He actually jumped really well — he’s using his whole body and feeling good,” says Tim. “And for me, the experience of warming up and him jumping a good warm-up fence relaxes me, and I feel a little bit — dare I say — confident. He jumped the first few really nice, and into that line, his stride was just getting a little bit longer. He just doesn’t need a reason to have a rail — just a little bit close to the oxer, and bam. And then he jumped clean all the way around. A little bit close to the plank, light touch. The rest, he was great.”

Though there’s a touch of “what if” about the whole thing – Irish showjumper Shane Breen, who’s been successfully helping Tim with Vitali’s jumping prep, got stranded en route with a blowout and couldn’t make it in time – Tim remains characteristically pragmatic about it all.

“I’m lucky. I keep telling myself I’m privileged to ride him,” he says. “He’s such an amazing horse, and we are improving. I’ve had five down before, and three down, and four down. He did jump well here last year, and this track, I think, is a little bit bigger. But no, what I’m really proud of each time is I bring him through to Sunday in really good form. He was super sound last night — sleeping, eating, drinking. Super sound this morning. And that’s been the same theme. I’m happy to have him, and I’m looking forward to the challenge next year of trying to do better.”

Gaspard Maksud and Zaragoza II. Photo by Hannah Cole Photography.

British-based Frenchman Gaspard Maksud and his gritty Zaragoza added a seventh place finish here to the sixth they scooped last year after a swift round that just saw them knock the final element of the treble.

“That was alright!” says Gaspard. “We made one like last year with four faults but she jumped very well, to be fair. I’m very happy with her. She’s been very consistent. It’s a competitive field here, and being top 10 at a five-star is a good achievement, as a rider. It’s hard to be top five, top three, but you come back and try to do better. The main thing is she jumped well, she was very happy jumping today, and we go home with a happy horse.”

Caroline Powell and High Time V. Photo by Hannah Cole Photography.

Former Burghley champion Caroline Powell jumped an excellent clear round on the relatively inexperienced High Time, adding just 0.4 penalties for adding a second on the clock. They’d already been snuck an early entry into the top ten this morning, thanks to Harry’s rails with Et Hop du Matz, which allowed them a chance to move up one place from overnight eleventh – and after executing their classy round, they could sit pretty and let the rest of the field orchestrate their climb for them. Ultimately, they’d finish up in eighth place, capping off a week that’s seen High Time step up from the boy he was on his five-star debut at Badminton, where he finished 21st, to a man.

“He finished [yesterday] and he could have gone around again, which means we probably could have gone a bit faster and made more of him,” says Caroline, reflecting on her week. “But the more we get to know him at this level, the more we can start using him. He just seems to be, ‘gotta keep it going.’ He doesn’t stop. When he came out this morning, and I was like, ‘oh god!’ But he’s a beautiful horse and he jumped so well. I can’t wait to get into a winter of training and then hopefully Badminton again.”

Laura Collett and Bling. Photo by Hannah Cole Photography.

Laura Collett’s Bling, too, showed off her development since Badminton throughout the week’s competition: at the spring five-star, which was the rangy mare’s debut, they picked up a 20 on cross-country and finished in 43rd place, and this week, they round out the top ten after a 31.4 on the flat, a confident, capable clear with 8.8 time penalties yesterday, and a one-rail round today.

“To come out after what she did yesterday and then go into an atmosphere like that – it’s a very different top-10 atmosphere compared to being 40th at Badminton,” says Laura. “She’s taken it all really well, and hopefully she’s had a really positive week and we’ll roll along next year. She’s on a very big learning curve, and it’s just about giving her a positive experience. She’s the kind of horse that, if she has a nice time, she takes it on board and comes out 10 times better the next time.

“So that’s been the key this week — just to give her a really good experience, which I think she has. She’s really taken everything in her stride, and in the stables and things like that, she seems really happy. She doesn’t hide anything — you know how she’s feeling — and she’s definitely happy and pleased with herself.”

Cassie Sanger and Redfield Fyre. Photo by Hannah Cole Photography.

Whatever happened in the ring today, Cassie Sanger was always going to be able to leave the event knowing that she had a bona fide Burghley horse on the lorry – and that she, too, was a true-blue Burghley rider. Her excellent round yesterday with the eleven-year-old Redfield Fyre ensured that; the pair went from strength to strength as they made their way around the tough track, and Cassie rode with a maturity and empathy that belied her 20 years. She knew, too, that at this early stage in his upper-level career, ‘Yogi’s’ showjumping is still a work in progress – and one that she’s well-equipped to develop as she continues her tenure in the UK with trainer Ros Canter.

So while the four rails that fell in their round might feel like a disappointment after such a successful week otherwise, Cassie – who won the prize for being the Best Burghley First-Timer, and took a final seventeeth place – has plenty to celebrate, and plenty to fuel her for the 2026 season.

“You never know how they’re going to come out on a Sunday during a five-star, and I’ve just loved this whole week,” says Cassie. “It’s been such a good experience; I’ve learned so much, and we have more homework to do. I think the hills took it out of him yesterday, but that’s okay. We have so much more to keep working on, and I’m excited to do that. We’ve always known he’s not the most careful show jumper, but that’s what makes him so good cross country. So you know what? If I had to choose, I’d want a cross country horse any day, and he’s exactly that.”

And so we come to the close of the 2025 Defender Burghley Three-Day Event: a brilliant, bold, innovative week of competition that’s served as the perfect segue into our jam-packed autumn international season. For now, that’s all from us at EN, but don’t stray too far: we’ll have plenty more to come, including a special edition of the Go Eventing Podcast, recorded in a haze of joy and delirium and service station fast food. Until then: thanks for joining us for the ride, and Go Eventing!

Your 2025 Defender Burghley podium, from left to right: Austin O’Connor (Colorado Blue), Ros Canter (Lordships Graffalo), Harry Meade (Cavalier Crystal). Photo by Hannah Cole Photography.

The 2025 Defender Burghley top ten.

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“The Secret is Lordships Graffalo”: Reigning Champs Ros and Walter Take Burghley Lead on Bumper Cross-Country Day

Harry Meade and Cavalier Crystal. Photo by Hannah Cole Photography.

Over the last couple of days at Defender Burghley, one of the most prominent narrative arcs has been the better-than-expected performance of many horses who haven’t necessarily shone previously in the first phase – and, too, the slight underachievement on the scoreboard of horses who can ordinarily be relied upon to deliver better and better marks.

For a not insignificant chunk of today’s cross-country action, it felt like the story was about to shift to something even more unexpected: a rough day in the office for those horses most hotly tipped as cross-country specialists, while some unexpected stars found themselves on the rise.

Much has always been made (and rightly so!) about the rare breed that is the true Burghley horse. It’s a horse who’s careful, but not so careful that it loses energy by overjumping or frightens itself; who’s clever enough to figure its way out of a sticky situation; who’s quick across the ground but also quick to find a fifth leg; who’s got massive lungs to gallop up and up and up without hitting its limit and, perhaps most importantly of all, has a heart as huge as the course is long. Not every top event horse can, or should, do Burghley. Even fewer will find themselves besting the track, or, indeed, the clock.

This year’s field has been tipped by our pals at EquiRatings as being the strongest on record, packed with the sort of horses who’ve made themselves generational icons by embodying all of the above qualities. But this year’s course, cleverly architected by Derek diGrazia, is also arguably one of the strongest we’ve seen at Burghley. We won’t wax lyrical in too much depth here – you can head to our course preview for that – but in short, it’s been a confluence of modern eventing technicality with traditional eventing terrain and stamina questions, helped along by an intermingling of the two directions the event has historically run in. It’s neither purely clockwise or anticlockwise but instead, one and then the other and then the other again, creating a nearly constant terrain shift. That 11:24 optimum time? Most people felt that nobody would catch it.

The first horse and rider out of the startbox, though, gave it a jolly good crack. That was the infallible Harry Meade and the first of his three rides, Et Hop du Matz, who looked to be taking it steadily around Derek’s track but somehow, quite miraculously, ended up adding just 2.4 time penalties to their score card. And then: a steady, educational round for Ireland’s Austin O’Connor and Sixmilewater — not a clear but not at all a disappointment for the rider, who had intended to use the run as a training round — a smart clear and 5.6 time penalties for Kiwi Sam Lissington and the unknown quantity Billy Alberto; a 20 and just shy of 50 time penalties for Aimee Penny and PSH Encore; 20s for Tom Bird and Joseph Murphy and the USA’s Grace Taylor, the latter of whom opted to retire, and an early tumble for Padraig McCarthy from MGH Mr Messack, who found himself caught between a refusal and a game attempt to jump at the angled brush at fence 7B. An early tone set, then, for much of the theme of the day: a cross-country challenge that would test existing heroes of the sport and create new ones.

Tom Bird and Cowling Hot Gossip. Photo by Hannah Cole Photography.

That feeling only intensified as cross-country continued. Standout rounds came from unexpected sources, such as Simon Grieve’s diminutive Burghley debutant Autograf, who was dwarfed by the fences but popped them all with the ease and glee of a participant in this morning’s Shetland Pony Grand National, and Holly Richardson’s Ballyneety Silver Service, just ten years old but swift and clear for 9.2 time penalties and a 13-place climb to the top ten. Also excellent – though steady on the clock – was Tom Crisp’s Burghley first-timer Dassett Rock Star, who jumped a smart clear despite a disrupted preparation, and five-star debutants and point-to-pointing veterans Tom Strawson and Public Address got the job done for a clear round that Tom described as “a buzz that’ll take some beating.”

And on the flip side of the coin? A shock fall for 2023’s runners-up – and consummate cross-country specialists – David Doel and Galileo Nieuwmoed (14th after dressage), who came to grief at the wide corner at 10B, which the game gelding tried to bank. Both were quickly up and cleared to hack back to the stables, but their swift exclusion from the game was enough to dispel any complacency anyone might have felt about the best in the world having victory handed to them. But that’s not all, folks! Two runouts and a subsequent elimination for missing a fence for former champion Piggy March and the very good MCS Maverick (5th), winner of Bramham with Pippa Funnell, took the promising new partnership out of the field; Germany’s Christoph Wahler and D’Accord FRH, with whom he caught the time at Badminton this spring, similarly handed over their claim to fifth place when the gelding stumbled after the turret brush fence at 14, popping the rider neatly out of the plate. Alex Bragg and Ardeo Premier, ninth after dressage on their international personal best, retired midway around the course after the ordinarily very good cross-country horse never looked to find his rhythm; New Zealand’s Sam Lissington and Lord Seekonig, fourth after dressage, also pulled up near the halfway mark after taking a long route at the Keepers question. Also retiring on course was Emily King and her sixth-placed Valmy Biats, who ran into early issues at the influential Boodles Raindance combination, where they ran out at the angled hedge, while Max Warburton and Deerpairc Revelry, 12th after dressage, picked up a late 20 penalties at the Defender Valley.

Oh, and there was the moment we saw the top of the leaderboard change, too: Oliver Townend and Cooley Rosalent left the startbox with just one second in hand, and returned to the finish having dropped down to fourteenth, with a runout at the final element of the Maltings complex and 9.2 time penalties on their scorecard.

“I kept going with her because people forget she’s only eleven,” says Oliver. “She’s been first, second, and third at the level already, and I don’t know what reason there was to run out — probably just because she’s a horse, and horses make mistakes sometimes as well. But I decided to continue on because she needs the experience, she needs not to learn that you can just run past and walk home. She gave me a beautiful ride before and a beautiful ride after, and she should be in a winning position, apart from that.”

‘Right,’ we all thought to ourselves, just the last handful of competitors ahead of us. ‘Ros – just be safe. Get around. Nobody’s made the time, nobody’s likely to; you’re fine, have a cruise, get home and come chat to us about it.’

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

And when 2024 champions Ros Canter and Lordships Graffalo left the startbox, ‘cruise’ is exactly what they did. The whole way around the track, they stayed in an easy, fluid rhythm, picking their way through the massive questions and technical complexities like they were popping through gymnastic exercises in the school. It was unhurried, stress-free, and when the pair crossed the finish line, ‘Walter’ barely looked to have broken a sweat.

Which is probably why EN editor Sally lost her mind entirely and started sobbing when we realised that they were somehow eight seconds inside the time.

“I’m not even sure I can put it into words,” says Ros. “Gosh… he’s just the most incredible horse. Like last year, I didn’t feel like I was going very fast, because he gives you the ability to prepare for every single fence in the way you want to do it, and you still keep hitting your markers. I didn’t realise I was quite as up as I was — I actually thought I was probably cutting it a bit fine, but he just seems to be so fast and so efficient.”

‘Walter’s’ love for his fans – and his fans love for him – helped to carry the pair through the “intense end section of the course and bring them home looking fresh.

The crowd out there were insane as well. He did feel probably as weary as he’s ever felt, kind of coming through Defender for the second time, but going up that hill they were wild — it was amazing.”

But, she laughs, “no, [I didn’t enjoy it]! You never do, I don’t think. I mean, obviously the pressure is on because he doesn’t make mistakes, and so if it’s a mistake, it’s my mistake. The pressure’s on because we’re in a good position, and I want to do well for my team, and [owners] Michelle and Archie [Saul].”

And, particularly pertinently, “the pressure’s on as well because I’m pregnant and there was a lot at stake today. Extra pressure — but it’s not pressure I haven’t dealt with before. I’ve tried to approach it the same way as I did when I went to the Olympics.”

There was much speculation from the outside about whether or not Ros would choose to run today, and she had to make sure to give herself the time and space to touch base with how she felt in the lead-up – something that’s not particularly easy when you’re the hot favourite to win, the reigning champion, and the most talked-about rider in the field.

But, she says, despite a rubbish night’s sleep sharing a small bed in the horsebox with husband Chris and daughter Ziggy – “they kept stealing the duvet!” – “I felt good this morning,” she says. “I felt better once I’d done my dressage and once I was in the competition, actually. I felt — you know, I think on Thursday there’s lots of chat about my condition and everything else, and it sows the seed of doubt a little bit. But once I got my dressage test done, and I felt good doing that, and I walked the course and got in the right frame of mind, I felt very much in the competition.

“I wanted to be here, there was never any doubt about that, but the reality is that all eyes were on me today, quite rightly so. I did hop on him this morning for my benefit, just to hop a few fences, and thought, yeah — you know, you’re just Ros and it’s Walter, and we can go and do what we do.”

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

Though the intensity of the course did tire Walter towards the end, he finished looking perhaps the freshest of any horse today, on a day when very few returned looking fatigued. That, explain Ros, owes to a baseline of fitness that’s allowed them to overcome a dry summer without much galloping opportunity.

“I think the secret is Lordships Graffalo, to be quite honest,” she says. “This year it’s been incredibly dry, and we only do our fitness work on grass, so we’ve barely galloped. We’ve done lots of trotting and things like that, but every time I’ve gone to gallop, I’ve gone, ‘I don’t dare do it.’ And I’ve just trusted the fact that our hills are so good, and I know him so well, that I could get him ready like that.

“Interestingly enough, I was a little bit more nervous for Cassie [Sanger, who’s based with me, because her horse looked tired at Kentucky, and she’s only been with me for under six months. She’s been doing exactly the same [fitness work] as what Lordships Graffalo has been doing. I was slightly concerned, and I said to her, ‘Pace yourself, because we haven’t got the gallop work in, and we could do more next year when the ground’s better.’ And interestingly, her horse finished better than he did at Kentucky. So it’s very interesting, what our hills can do.”

Her own fitness levels, too, felt on excellent form – but, she says, riding while pregnant is a decision that’s entirely individual and might not suit every rider.

“I think the big thing is that this is what I do every day,” she says. “Okay, we don’t go around Burghley every day, but this is what I do. This is what my body is very used to doing, and my body is fit for purpose. For an amateur rider to come and try to do this would be a different thing, because they might ride five times a week. But for me, my body is tuned into this. And do you know what — the more exercise I’ve done this week, the more walking I’ve done, the fitter I’ve felt. And that just goes to show as well that pregnant people can continue to be normal, and probably feel better for it.”

Ros and Walter will head into tomorrow’s final day with a compelling margin of 6.2 time penalties in hand, giving them a fence to play with – but they’ve never yet had a rail at this level. If she can jump clear, she won’t just retain her title – she’ll also beat the record for the best Burghley finishing score, wrestling the title away from… herself.

Austin O’Connor and Colorado Blue. Photo by Hannah Cole Photography.

Even the kings of speed couldn’t eclipse Ros and Walter – though Ireland’s darlings Austin O’Connor and Colorado Blue came closest in the field, picking up 0.8 time penalties in a round that was ten seconds slower than Ros’s. That pulled them up to second place overnight, just a hop, skip, and a jump from the eighth place they’d earned after delivering their best-ever five-star score of 27.8 yesterday.

“He’s unbelievable, isn’t he?” says Austin. “I thought that was tough going out there today, and he had to be his very best. But he jumped super — he wanted to jump between the flags.”

One of the things that made the time so hard to catch by Austin’s estimation was its flow – or, more specifically, the moments in which it was disrupted.

“To me, the course lacked a bit of rhythm here and there,” he says. “I guess that’s cross country, though: you’ve got to go to plan B and the horses have to go to plan B. And actually, he galloped home. I think it was very much true cross country — you have to have scope, you have to have gallop, and they have to be accurate and sharp. They have to want to be cross country horses.”

Watching Austin and ‘Salty’ around the big tracks is an undeniable privilege as a fan of the sport – and for his rider, being half of that kind of partnership is something that eclipses everything he’s experienced previously.

“For sure [this is a horse of a lifetime],” he says. “I’ve said that for three or four years now: any horse that takes you to two Olympics and three or four five-star podiums – there isn’t too many of them for anybody’s life. Whatever happens tomorrow, he owes me absolutely nothing. So right now, we can enjoy it. I’ll certainly enjoy it this evening. All I do know is he’ll always give me his best. If his best or my best isn’t good enough, then it’s not good enough on the day — but the main thing is that he’s fit and healthy.”

Tim Price and Vitali. Photo by Hannah Cole Photography.

There are plenty of different ways to gain some ground on a leaderboard, and Tim Price and Vitali were handed a novel one this evening: their clear round, over which they picked up 8.8 time penalties, originally had them in fourth place at the close of competition, behind Harry Meade and the last of his three rides, Annaghmore Valoner. But after the close of the press conference and the wrapping of the TV interviews, the live scoring suddenly refreshed itself to tell a very different story: Harry and Annaghmore Valoner hadn’t finished one second over the time – they’d actually added 3.2 time penalties. The reason behind this seemingly random restructuring of the scoreboard? Apparently, an error with Harry’s start: in the process of confirming the scores, he was deemed to have left the start box a number of seconds early. Though this ruling perhaps raises more questions than it answers – Harry, after all, is known for being a man who’s meticulously aware of details and rules, and the team around him perhaps even more so – it’s where we find ourselves at this juncture in the competition.

That change meant that Tim will retain third place overnight, the same position he held after the first phase.

Although the pair’s round looked like smooth sailing, Tim explains that it didn’t always feel that way.

“I’ve had more smooth rounds where I think everything almost went to plan A to perfection — Ringwood Sky Boy was a good example of that the year he won [in 2018],” he says. “But every opportunity to go around and come home clear and relatively fast, that’s a job well done and a fun day at the office.”

“[In some places, this round] was a bit lumpy-bumpy,” he continues. “I was knifing into the water and jumped the first water [with his head high], which isn’t the nicest feeling. But then he was fantastic in so many places. I made a mistake into the Trout Hatchery to cut my corner to the skinny, and he just chipped one in and slithered through. But that’s what a good cross-country horse has to do: we want to do a good job for them eight times out of ten, and the other two, they’ve got to do a good job for us. And he did that today, for sure.”

That, he explains, is part of Vitali’s essential makeup.

“He doesn’t understand the concept of running past a fence. He would never fall over a fence unless it was some exceptional moment. He’s a very, very unique cross-country horse. There’s nobody like him. He’s so honest and so up for the job. He just gets to a fence and wakes up — even if he’s on tired legs, he sees the fence, wakes up, and jumps a very deliberate fence. And that’s great fun when you’re trying to get home. That’s the feeling he gives. It’s just a matter of trying to be as economical as possible. He’s not the fastest, but he sure is the most honest.”

While Tim and Vitali might have added a few more time penalties than their nearest opponents, they’re still a reliably efficient pair over big tracks – something that comes down to rideability, as well as trust.

“With him, I can travel fast to a fence, travel away, and maintain the same speed,” Tim says. “I’m quite a smooth rider, typically, so I don’t spend too long doing things — I try to leave the rein soft the whole way to the fence, then just give a little support off the ground. And in a lot of ways, that’s definitely faster than someone on a super-fast horse who’s going fast, pulling up, jumping the jump, fast again. He’s not slow — he’s just not as fast as some. He does extended trots [with so much hindend action], and you can’t have your cake and eat it. But he’s brilliant.”

Though Vitali’s showjumping has been a let-down in the past, Tim is once again enlisting the help of Irish showjumper Shane Breen to help him prepare for tomorrow – a strategy that paid off when they won CHIO Aachen this summer.

“He’s very good for me mentally because he just reminds me to ride him like a good horse and be positive, no fuss, no bother and just get in there and ride a good round.”

Harry Meade and Annaghmore Valoner. Photo by Hannah Cole Photography.

There are feats of endurance, and then there’s what Harry Meade considers a pretty normal day in the office. This is the third year in a row that he’s ridden three horses around this track, but the first time he’s done so with a punctured lung, an injury he sustained after falling from his bike at an event in mid-July. Until two weeks ago, he couldn’t even sleep in a bed – he had to sleep sitting bolt upright in a chair to help his lung, and his broken ribs, heal. To even be here is impressive; to have ridden one horse around would be laudable; to manage three starts, veering into fantasyland. To finish the day with three clears, all of which are among the swiftest of the day, and to hold fourth, fifth, and sixth places? What is this, a pony novel from the 1960s?

After that funny little scoring switcharound at the end of the day, Harry’s final horse, the consistently speedy Annaghmore Valoner, is his best-placed, moving from 15th to fourth with 3.2 time penalties, while his second ride, Crystal Cavalier, added 2.8 time penalties to climb from 16th to fifth, and his first ride, the day’s trailblazer Et Hop du Matz, leaped from 25th to sixth with just 2.4 time penalties.

As the man who’s spent the most time out on it today, Harry was roundly impressed with the course set by Derek diGrazia.

“I thought it was a fascinating course,” he says. “Probably the most important thing and the headline in what [Derek] has achieved is that it allowed all of the right ingredients in an event horse to come to the fore. It was a test of stamina, speed, scope, bravery, agility, and quick-footed reactions. The intensity of the course was pretty consistent the whole way around. Burghley is so important in fulfilling that role – and Derek’s course in fulfilling the purpose of Burghley is vital in actually maintaining what is such a fundamental part of eventing. And part of the knock-on effect of that is to attract riders to select the right type of horses, and the philosophy of how you produce them through the levels.”

Harry Meade and Et Hop du Matz. Photo by Hannah Cole Photography.

Each horse that Harry left the startbox with required a slightly different plan, ride, and pace to execute the job at hand, he explains.

“I was delighted with the first horse [Et Hop du Matz],” says Harry. “He’s a big, gangly, young horse, and it’s first Burghley. If you go out first – which I’ve obviously done a lot of times, this was my third year in a row here doing it – you quite often have a bit of a gauge and an idea [of how fast you’ll be], but I thought this was a bit like sticking the tail on the donkey. The intensity of the first part of the course meant that your minute markers were basically irrelevant the whole way around, and it was just a matter of feel. And because [Et Hop du Matz] hadn’t been to Burghley before – and he’s a very long horse – I wasn’t sure how he was going to cope. It’s like trying to take a train with six carriages across Capability’s Cutting — it’s not that comfortable on him. And that kind of pace usually wastes time, so I was really pleased with how he went around.”

Harry Meade and Cavalier Crystal. Photo by Hannah Cole Photography.

With midfield ride Cavalier Crystal, who has finished third here the last two years in a row, he knew more precisely what was to come.

“She was as good as ever. I mean, she’s just great. She’s a cool little girl, and she gave me basically a textbook ride. If you could do the computer simulation of how to do it bang on, she was that from first to last.”

Although his final ride, the 2024 Bramham winner Annaghmore Valoner, is generally his fastest horse, he also knew he had to give her round the most thought – both because she often wants a bit of extra hand-holding, and because she hadn’t had all the runs he’d intended in the lead-up to this week.

Harry Meade and Annaghmore Valoner. Photo by Hannah Cole Photography.

“She’s come into this really, really short of match practice,” he says. “She’s had one run since this time last year. I didn’t run her this summer as the ground was so firm, and then I ran her round one Open Intermediate at Upton in early July. I got off and said ‘I’d like to run her four more times between now and Burghley, very gently at a lower level just to allow her to breathe and relax’. Then stupidly, I fell off a bike two days later, so I couldn’t do anything on her. So she’s come off the back of nothing, and she’s quite a sensitive, worried, overachieving, slightly unsure-of-herself lady. And I was very proud of how resilient she was out there. I always feel a bit protective of her, like sending a little sister off to school where she’s going to get bullied.”

Harry credits the day’s success – and beyond – to the exceptional team around him, including head girl Jess Errington, in her 18th season with the Meade family, and Molly Parkin, who’s been with them for 11. And, of course, there’s his wife Rosie, who’s among the most graceful – and busiest – multitaskers the sport has ever witnessed.

“We’ve always had an approach of not a huge yard, but a real emphasis on quality, not quantity,” says Harry. “Really trying to understand each horse and get the very best out of them. Taking a softly-softly approach, which isn’t everyone’s cup of tea, but it’s how I like to do it. You really you feel that you might take a slow burn, but hopefully it allows each horse to come to their very best when they get to the top level. And our strike rate of getting to the top level is proportionately disproportionately high — and when they get there, they’re really happy. That’s hugely thanks to my team and the attention to detail and hard work.”

Alice Casburn and Topspin. Photo by Hannah Cole Photography.

23-year-old Alice Casburn might still be one of the youngest competitors in the field with her homebred Topspin, but at this point, the pair are also foremost among those expected to climb and climb. That expectation, Alice admits, means that “I was really feeling the pressure this morning!”

But this is their fourth Burghley, an event at which they’ve never finished outside the top ten – and pressure or otherwise, they were always going to get out there and remember the point of the game. That’s exactly what they did today, returning home with just 4.4 time penalties and two flag queries that were quickly removed from their scorecard, giving them a seat in overnight seventh place up from first-phase 20th.

That impressive time actually came as a surprise to Alice, who had planned for a steadier run – until Spin told her he wanted to open up.

“I wrap him in cotton wool, because I love him so much and I worry about him so much, because he tied up at Badminton and I really stress about him,” she says. “The second I feel him start to sound a bit heavy, I completely take the gas off. Today I came through the finish, and he was still galloping. And I was like, ‘he probably would have told me just to kick on, mother!’ — but I was cantering down the hills thinking, ‘just breathe, Spin. Just breathe.’”

To help him along, she found some novel ways to keep his breathing level.

“I was very vocal today! I got instructions to talk to him. He hyperventilates a bit, and the only way I can stop it is by basically screaming lovely things at him the whole way around.”

Alice and Spin, who still lives in the stable he was born in, have known one another their entire lives, and that partnership continues to prove its strength at the top level – but, laughs Alice, “we’re like siblings! We fight a lot, we love each other, and also we’ve got to fight for Mum’s favour. Because it’s always my fault — and it’s never his — and he’s the favourite child. Sometimes I’m like, ‘he just span round!’ and Mum’s like, ‘well, you must have done something!’ And I’m like, ‘no — he span round!’”

Alice and Spin are renowned for being weekend climbers, and are among the very best showjumpers in the field, but dressage has often been a bugbear for them. This week, though, a bit of a change in their preparation meant they scored a 31.4, their best score at five-star in nine runs.

“I think I’ve just tried to enjoy it a bit more,” says Alice, who says she even got a hair sample analysed by an energy healer to try to get to the bottom of it. “They basically just said he doesn’t see the point! Normally, I’d get really buckled on my dressage. I’d be like, ‘oh my gosh, I’m at Burghley in two months and my flat isn’t good enough,’ and I’d get really hyper-fixated on it. This week, I just took him for a jump yesterday and just let him have a really nice time. We’ve just tried to do things he enjoys and keep his morale high.”

Gaspard Maksud and Zaragoza II. Photo by Hannah Cole Photography.

On Thursday, British-based Frenchman Gaspard Maksud was quick to point out that his sixth place finish with Zaragoza here last year came after a dressage score that was five marks better than the 31.8 they scored this year – but 5.6 time penalties later, that little detail doesn’t seem to matter much anymore. Today, we’ve seen them climb from 21st place to eighth after a round that finished with a bit of ‘allez allez’ gutsiness.

“She was getting a bit tired, and I had to make sure she jumped the jumps and protect her a little bit. It wasn’t pretty, but it was efficient,” says Gaspard. “She felt very strong after the Trout Hatchery and the triple bar — she was really galloping. And then I think after the Leaf Pit she got a bit tired, so the last two minutes were a bit looking after her a little bit. I did protect her at the end, I might have lost a few seconds, just to make sure she jumped the jumps properly. She’s the kind of horse you don’t really want to chase, so I just put my hands down, and she was galloping. I couldn’t say no. It felt better to just let her get on in her own way. Maybe you pay for it later on, but I just went with her more than actually against her.”

Laura Collett and Bling. Photo by Hannah Cole Photography.

Laura Collett’s rangy red mare Bling might have flunked out of her intended career as a hunter when she was just four, but at 12 and in her Burghley debut, she’s proven that her recruitment into eventing was a savvy slow-burn. She made her step up to five-star at Badminton this spring, picking up an educational 20 penalties en route to completion, and today she put the education gleaned that week into practice, jumping boldly around for 8.8 time penalties.

“She was absolutely incredible,” says Laura, who makes her return to Burghley this week for the first time in fourteen years. “I thought she came out of Badminton really confident. Yeah, she had a little blip, but it was just a genuine mistake, and she learned from it. And I think the proof is in the pudding as to how awesome she was around there. When she popped off that Leaf Pit, I thought, ‘oh, we’ve got this far, don’t have another silly 20 at a step down!’ But she was absolutely insane around there.”

Coming back to Burghley and feeling Bling come into her own, she says, is “such a buzz. I mean, I looked like a proper Pony Clubber around there — I kept patting her, telling her she was such a good girl, and I’ll probably told off for taking too much time telling her she was a good girl! But she needs that at this stage. She’s a bit of a quirky, funny horse, and we’ve learned to come to a compromise on a lot of things. I have to probably not ride in the way I’d normally ride on her, because she just wants to be left alone — and I’m a bit of a control freak. So if anything, she’s been really good for my riding, because it’s taught me to just let them get on and do their job and trust them. And she rewarded me for trusting her.”

Holly Richardson and Ballyneety Silver Service. Photo by Hannah Cole Photography.

We reckon the smile won’t leave Holly Richardson’s face for a good few weeks after the thrill of finishing clear and quick, with just 9.2 time penalties, aboard her ten-year-old five-star first-timer Ballyneety Silver Service.

The pair sit tenth, up from 23rd, going into tomorrow morning’s final horse inspection, an incredible career high already for the 31-year-old, who has previously ridden around Burghley twice with Bally Louis.

“It’s definitely helpful having been here before,” says Holly. “It’s definitely helpful knowing how the terrain rides, but obviously it goes the other way around, so that’s made a difference this year. When I walked it, I thought it would suit him really well because he is a real blood horse. And I knew he would gallop up that hill, and as soon as I could get a breather back into him, I knew he’d come around. I know I’m sat on the right horse for this.”

Cassie Sanger and Redfield Fyre. Photo by Hannah Cole Photography.

Sometimes, Burghley debutants leave the start box looking starstruck and overwhelmed – be they debutants of the equine or human variety. Sometimes, they gain in experience and confidence along the way and finishing looking much more established. And sometimes, as in the case of 20-year-old Cassie Sanger, the youngest rider in this year’s field, they start out looking as though they’ve ridden around here for years, and somehow finish looking even better than that.

Redfield Fyre might not always have the most conventional jump; today, certainly, he began his round looking deliberate but not always lightning-fast with his front end after ducking through the covered fence at 3. But Cassie, who’s had the gelding since she was fifteen, knew exactly what was going on and stayed calm, committed, and supportive as they navigated the course – and by the halfway point, he blossomed into the very best version of himself. That, then, was a feeling they could ride all the way home, and when they crossed the finish line they did so with just 9.2 time penalties, moving them from 40th place to 13th going into the final day.

“It’s so special,” says Cassie. “I was very nervous this morning, and then the second I got on my horse, he just gives me so much confidence. He just tries so hard for me. I said to someone right before I went out when I was projecting all my nerves, I was like, ‘what if he doesn’t do this for me?’ And they said, ‘nope, he will, he’s 100% going to. If you get there a bit funny or your plan doesn’t go right, he’ll still be there for you.’ And he was, every step of the way.

“I always like to joke around and say he’s used to the young rider, the ‘Cassie Sanger ride’ if you will, where sometimes it’s not always right,” she continues. “But he’s so smart with his footwork. We’ve always called him a little slinky because he can get himself out of the way, even if he’s huge — he’s like 17.3.  He’s just such a smart horse.”

Being based with Ros Canter since May has been a huge boon to her in her preparation for this event, she says.

“It’s been amazing. She’s a master at every phase, so just training at home, her wealth of knowledge is just huge and I’ve been soaking it all in. Course-walking, she’s just been so amazing. We just make very strict plans, but obviously anything can change and we’re okay with that — it’s that mentality of being ok with that. To have your plan and focus on that.”

Whatever happens next, Cassie has fulfilled a long-held goal this week.

“It’s definitely been a lifelong dream to be here. Someone asked me when I got my heart set on Burghley, and I said when I got [Redfield Fyre],” she smiles. “When we tried him, he was a seven-year-old, and we took him cross country schooling and we were all like, ‘that will be your first Burghley horse.’ And so for him to have done that is pretty special.”

Max Warburton and Deerpairc Revelry cross the Burghley flyover. Photo by Hannah Cole Photography.

For course designer Derek diGrazia, and the rest of us raptly following every stride on site, the day’s competition felt like a resounding success. But even he, with his depth of wisdom, was surprised by the impact the track had on some of the obvious frontrunners in the start list.

“As the day went along, I just thought to myself — there were some rides out there that I thought were going to go around, and then all of a sudden they had a little problem here and there,” he says. “That was surprising for me. I think going into this, we knew — or at least I felt — that the time was going to be difficult to achieve, and it turned out that way. There was a lot to do out there. I think that you couldn’t let your guard down the whole way around. You had to ride it all the way to the finish, and that’s how it turned out. If you didn’t concentrate for just a second, it seemed like something was going to happen.”

Now, as he looks ahead to his fifth course here at Burghley, he’s excited to develop upon everything he learned from this change in direction.

“For me, it’s a challenge getting it right to be able to keep the flow right,” he says. “Now I’ve done it, so it gives me things to think about if we go around this way again, which potentially, that’s how it could end up. It certainly helps me, looking forward to doing it this way again.”

The day’s competition saw a 60% completion rate, just that one clear inside the time, and average time penalties of 20.8 – a set of numbers that looks pretty spot-on for a challenging, but not frightening or injurious, CCI5* of this calibre. 30 of 50 starters made it to the finish, and 21 of those jumped clear – and just one MIM clip was activated on course all day, too. Three horse falls is, of course, three too many, but all horses, and all riders, bounced up quickly and were on their way home without ado. On a positive note, it was also great to see the ground jury acting decisively where pulling up horses was concerned – a call that’s undoubtedly sometimes a hard pill for riders to swallow, but a welcome move for equine welfare.

As we look ahead to Sunday, and our thirty competitors left in the mix, other than that healthy 6.2 penalty margin between first and second place, the scores remain tightly packed for showjumping. Tomorrow’s Defender Burghley finale begins with the final horse inspection at 8.45 a.m. (3.45 a.m. EST), and then, we’ll see the first session of jumping commence at 10.30 a.m. (5.30 a.m. EST). The top twenty will jump in reverse order of merit from 14.30 (9.30 a.m. EST), and then, as quickly as it began, it’ll all be over for another year, and we’ll crown our 2025 champion. We’ll bring you along for the whole ride, as always – until then, Go Eventing.

The top ten following an exciting day of cross-country at Defender Burghley.

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“Nobody Has an Advantage, Because Nobody’s Done It Before”: Get to Grips with the 2025 Defender Burghley Course

The Lion Bridge Water.

Every year at Defender Burghley, I consider creating a drinking game out of asking riders what they think of the course. A shot for every time I hear the words “it’s big – it’s Burghley”, perhaps – but then I remember that I’m now in my mid-30s and even just using mouthwash is almost enough to give me a hangover, and I don’t really want to cry or be ill in the mixed zone, so on reflection, maybe not. 

This year, though – so far, anyway – I’d be flirting outrageously with the concept of sobriety even if I did instate that game. I haven’t yet heard the curséd phrase a single time. Not once! Not even split into its constituent parts. 

But that’s because our competitors have had to upgrade their estimation. 

“It’s a monster,” said at least three of the riders on Thursday, letting out that distinctive sort of deep sigh that suggests the sigher might have just done a bit of sick in their mouth. 

Before it starts to seem like we’re going in the wrong direction this weekend, though, let me clarify: while the riders are unified in thinking that it’s one of the biggest, most challenging tracks they’ve ever walked, they’re also feeling good, happy, and, inasmuch as anyone can, pre-Saturday, excited about this year’s Burghley track. We’ve got plenty more of their insights in a Riders React post, so I won’t spoil the fun of that here, but if I can sum up the general vibe here on site, it’s that everyone knows that you come to Burghley with a very fit horse who loves to run and jump, and you expect the greatest and gamest of those horses to earn their laurels at the business end of the leaderboard. This year might just be the crowning jewel of that line of thinking, and nobody begrudges that. 

This year marks course designer Derek diGrazia’s fourth at the helm of the Lincolnshire fixture, which he took over in 2022 from longtime keeper of the keys Captain Mark Phillips. In his tenure as the post-COVID course scion, he’s been able to get into the nitty-gritty of the venue’s famous terrain: its long pulls, its steep ascents and descents, and the placement of its best-known fences. 

In 2025, though, he’s very nearly had to start that education all over again. For the first time since 2017 – a time so long ago that we were still writing our EN reports in cuneiform – the course has switched directions, and the beast is back, baby. 

“It’s like designing a whole new course, honestly, because the ground comes up very differently than when you’re going the other direction,” says Derek. “The feature fences, too, come up in a very different way, so you have to adjust and figure out how you’re going to use them.”

What he found very quickly is that this direction creates an even greater stamina test: the track is front-loaded with the biggest terrain challenges on course, culminating in its highest point – the loop that includes the gaping ditch and brush Cottesmore Leap – at fence eleven, three minutes and eighteen seconds in. 

“Okay, fine, but they get it done early then, and it’s all downhill from there, right?” says you, maybe, and also the annoying little voice in my head before I actually put my boots to the ground and walked the thing. And like, yes, sort of, in some ways: certainly, the riders will know nice and early if they haven’t got the fitness work quite right, which will allow them to make smart decisions about how, and if, they’ll proceed from there. 

But one hill doth not Burghley make, and part of what makes the place so unique is that even when a place in the course translates as being quite flat on a live-stream, it’s only when you walk or – if you’re insane – jog it that you realise the influential subtleties of the undulations. Over the course of a 6500m, 11:24 track (that’s what this one is, by the way; that’s not just a bunch of arbitrary numbers), the cumulative effect is significant. So yes: three and a bit minutes up, up, and away. And then another eight minutes of down a bit, up a bit, along a camber a bit, galloping, galloping, galloping. 

Oh, right, and then there’s the end bit of the course. 

“When you run it the way we did last year, you realise how many questions are in the first five minutes, and so when you switch it around, that’s all at the end,” says Derek, perceptively. “From minutes seven to ten, there’s a lot to do, and it’ll really slow them down. You have to make sure you put yourself in a position fitness-wise where you won’t use them up too soon, so you have plenty of jump left at the end.”

The Trout Hatchery.

Those minutes cover fences 21ABCD through to 27, or, in real-world terms, the Trout Hatchery water complex, a triple bar that looks like house scaffolding that the house disappeared from underneath, the three- or four-effort Defender Valley coffin complex, a yawning great Trakehner, the Holland Cooper Leaf Pit, which has never not given me vertigo when I’ve stood on the lip of the drop (oh, and the lettering goes to E here, so) and a ditch and roll, and once they’ve got through all that, they’ll still have to jump a combination and a single fence in the arena, Lambert’s Sofa in view of Burghley House, and the Defender Finale fence. Again: minutes seven to ten. So while the course may be front-loaded on terrain, it’s back-loaded on complexity and technicality, and while it’s all horse-friendly, it does put the onus on riders to manage their horses’ energy levels meticulously to ensure they have plenty left to make a clean effort over this crucial batch of fences. 

The Boodles complex as seen from alongside 7B. 

It would be remiss, though, to suggest that the early minutes of the course don’t offer any complexity. The first three fences are to be expected: big, friendly-profiled single fences designed to help horses and riders alike gain confidence and get into a rhythm before they come to fence 4, a boat in the water under the landmark Lion Bridge. That’s both a visual showpiece and also a generous offering: there’s a long splash into this water and a chance to get a spook out of the way before the first combination on course, the Boodles at Anniversary Splash at 6AB and Boodles Raindance at 7ABC. 

Here, they’ll jump a brush into the water, pass over a raised knoll of dry land in the middle, and canter back into the drink before a step up to a bounce featuring a sharply angled brush fence. Then, they’ll pop another big brush spread before heading to the first bit of terrain on course, the hill up to Capability’s Cutting, which takes them past the famous Collyweston Slate Mine fence, which is out of commission this year but no less imposing for it.

The first fence of the Dairy Mound, with the corner at B visible — but not its line — in the background. 

As they near the peak, they’ll get one (1) single fence to remind them that it’s not just mountain climbing before they meet the Defender Dairy Mound at 9ABC, and one of the most significant questions on course. This year, it begins with an open oxer – though not the biggest we’ve seen at Burghley – at A, then a right-handed brush corner at B, which comes up fast and with a line that isn’t totally visible until late in the approach, so riders will need to know their plan to the millimetre and execute it confidently. Then, they’ll bowl down to a chevron brush at C before heading to the Fairfax and Favor at Keepers at 10AB, a log to a right-handed corner with a significant dip in between. 

When the course flows in the other direction, there’s a long gallop up Winners’ Avenue to the Irish Horse Board Cottesmore Leap at 11, the ultimate ‘fly’ fence, but this year, it comes up very quickly after 10AB and off quite a short turn, which will help to get the horses sitting and straight, but it’ll be up to their riders to encourage an energetic opening of the stride to get the shot to this straightforward but visually striking fence. 

Then, it’s down the slope of Winners’ Avenue to a broad table at 12, before a double of upright gates on a left-handed turn at the LeMieux Paddock Gates at 13AB. 

After another single fence – wide, brushy, and turreted – at 14, we come to the Pedigree Brushes at 15 and 16, which are separately numbered but very much related. There’s no clear line from the first of these, a ditch and brush that they’ll need to take at an angle, to the second, another of the same that’s set almost perfectly perpendicular to it, but there’s space to take a bit of a wiggly line and, if they really feel they need a bit more set-up for the second, even the option to chuck in a circle in between, since they’re separately numbered fences. 

A taste of the Maltings complex, through the flags of 17B.

Next, it’s the return of Joules at the Maltings at 17AB and 18AB, a complex that’s always packed with wide, airy, tall open oxers and corners, and this year is no different. First, they’ll jump a carved wooden hare at 17A before swinging right to a left-handed corner. Then, they’ll bowl along through the six-minute marker and jump an open oxer to a choice of one of two corners – a right-handed one if they want to save time or a swing around on themselves to a left-handed one if they need more set-up time. 

Fence 19, the Horseware Ireland Rug Rail, is a single fence that needs to be respected: it’s an imposing, fairly upright set of rails set at the back end of a ditch, but the huge Pardubice steeplechase fence at 20 will allow them to open the stride and jump for fun before they head to the Trout Hatchery at 21ABCD and 22. Here, they’ll jump a house into the first of the two ponds, and then head to a roll drop fence into the second of them. They’ll need to land prepared to execute a plan: the next fence is a skinny brush chevron on a left-handed upward slope, and then they have to swing left again to jump another before bustling onward to the final, busy stretch of the course. 

At 23, there’s that capacious Champion Triple Rail en route to the first pass through Defender Valley at 24ABCD, which has been very slightly softened to account for its late appearance on course, but still poses a serious challenge. The brush-topped cabin at A has a downhill landing, which quickly becomes an angled ditch at B, and then a sharp uphill rise to a right-handed corner – another one, yes – at C. Two strides later, there’s an angled cabin to be tackled, so it’s a strong test of the accuracy of the line riders can execute on a tiring horse. 

The first pass through Defender Valley.

After popping a trakehner at 26, our competitors will travel up the rising ground to one of the most famous obstacles on course, the Holland Cooper Leaf Pit at 26ABCDEFGHIJK (just kidding, it “only” goes to E). 

First: down the drop, if you dare, which I do not, and that’s fine. There’s a little glimmer of hope to be had here, though – that drop is actually the AB, so you’ve chopped a letter of the list nice and sharpish on your way down to two very skinny white-railed triple bars at C and DE, which are set on a right-handed dogleg turn. As we’ve seen throughout the course, there are abundant long routes and options here, but those who want to stand a chance of catching the time – which, many suspect, won’t be caught at all this weekend – will have to make the direct route happen, without a driveby or a MIM activation. 

The second and final pass through Defender Valley at 27 is a single fence, and quite a friendly one at that: it’s a brush topped roll fence with a healthily revetted ditch as a groundline, and something of a reward for the mentally and physically intensive work done in the previous minutes. 

Unlike Badminton, the passage through the main arena doesn’t herald the end of the course, but the crowds that gather here will be happy to give horses and riders the encouragement they need to propel themselves to the finale. First, though, they’ll need to successfully clear a very big brush fence on a bending right-handed line to two angled stables at 28AB and 29. Then, blissfully: Lamberts Sofa at 30 and the Defender Finale at 31, and home. 

The Defender Finale Beckons. Photo via CrossCountry App.

In short? Yeah, fine, okay, a monster of a challenge. 

Something that’s also particularly pertinent to point out is that we have no real barometer for how this year’s track will ride, because while it’s switched directions in part, it’s actually a totally new route. The reason for that? Its last sojourn in the other direction was in 2017, and the following year, then-designer Captain Mark Phillips introduced the innovative Burghley flyover, which features a bridge and an underpass that horses can cross over or under to maneuver to a different part of the track. So when it previously ran in this direction, it was a purely clockwise run; in years when it was flipped the other way, it would have been a purely anticlockwise run (she says, perceptively).

This time? It’s clockwise until just after fence 8, and then anticlockwise until just after fence 14, and then clockwise again until the end. That means that the terrain flows in an entirely new way – where previously it might have been a familiar uphill to a familiar downhill, now Derek can really play with how he wants to stack different kinds of terrain questions. 

And at the end of the day, he reckons, isn’t that what getting to design at Burghley is all about? 

“You can go around the world and look at a lot of different courses, and you’ll find very, very few places that’ll even get close to the terrain we have here at Burghley,” muses Derek. “Everyone talks about ‘having a Burghley horse’, and it’s true – some horses are meant to come here, and riders don’t know that until they’ve trained them for years and taken them to all sorts of different places.”

One rider who’s had plenty of experience of both directions here at Burghley is Matt Heath, who’ll head into cross-country in 22nd place with Askari. 

“In the years when we came out and went under the Lion Bridge early, as we do this year, we’d then run up Winners’ Avenue and come back down through the Dairy Mound,” he says. “That was always a really good [lung filler], running down over the Dairy Mound, and we haven’t got that this time.”

Instead, they’ll come up towards and over the Dairy Mound, which means that “our time to fill up the lungs is now the other side, coming down through Winners’ Avenue. And actually, [the ground at] Winners always rides soft. It can walk like the road, but it’ll ride soft for whatever reason. It just rides a little bit dead, a little bit soft. So horses don’t get the ‘fill’ that they do when they come down through the Dairy Mound route. I think that it’s going to be interesting, and I think that no rider’s got an advantage because nobody’s done it before. We just have to play it by ear and see.”

Whether they deliver a competitive round or chalk their day up to experience, one of the things that keeps Burghley relevant even when much of the modern sport seems to be moving in a different direction is this: it teaches riders how to understand equine fitness, its development and its management, in a way that no other competition can. 

“Once a rider has come here and ridden around this course, they understand it,” says Derek. “Sometimes, it takes coming here to realise that, okay, I need to go back with this horse fitter. Or maybe this isn’t the right horse for this course. Or, maybe I have a young horse that could be right for this track, and now I understand the uniqueness of that.”

This year doesn’t just feel like something new because of the inventive directional changes – it also feels like a real melding of the traditional, where terrain and boldness is concerned, with the modern, where technicality and nuanced questions are concerned. If the two ideas can intermingle in harmony, it could be one of the very best Burghleys yet.

You can check out the course in full via the CrossCountry App below, or head to Burghley TV to watch a full-length guided course walk video. 

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Many thanks to Kentucky Performance Products for their support of our Defender Burghley coverage! Click here to learn all about their science-backed and time-tested nutritional support products for horses.

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Every Rose: Townend Tops Burghley Dressage Leaderboard with a Great Grey (Vol. 3)

Oliver Townend and Cooley Rosalent. Photo by Hannah Cole Photography.

[To catch up on this morning’s action, click here!]

It’s tight at the top of the leaderboard as we close out dressage at Defender Burghley, where three-time victor Oliver Townend once again finds himself in command of the business end. This time, it’s not on the great grey Ballaghmor Class, with whom he won in 2017 and 2023, but instead with another fleabitten stable star, the 2024 Kentucky champion Cooley Rosalent. (Notably, his first win, back in 2009, also came aboard a grey in Carousel Quest, if you’re into patterns and omens and all that sort of thing.)

Despite some early spookiness, eleven-year-old ‘Rosie’, who was second at Badminton this spring, pulled out a polished test to earn a 22, her second best score at the level in six previous starts. 

“I’ve been slightly caught out by the atmosphere,” says Oliver. “She wasn’t as quiet as I’d have liked her to have been in there, but she’s ended up in the right place so far. I was happy with her –  she’s still relatively babyish in some ways. She’s obviously out of a proper racehorse, and at times she’s more like a racehorse than an event horse, so she’s very easy to become excitable, and she’s very easy to not produce what you want. But on the whole, she did very well.”

Reflecting back on his warm-up, Oliver muses that “we could have probably had her a little bit quieter; perhaps a bit more work. But at the same time, once we were up and running – she didn’t really see the point of a halt or rein-back – but once we were up and running and in the more open work, I thought that’s where she started to breathe. And I think she progressed as the test went on. I felt like she would let me in a lot more as we got further on through the test.”

At that point, he says, “I felt like I was brave enough that once she’d had her first spook, I sort of put my hands down and forward and said, ‘go.’ And she responded very well. Once she started breathing, I really felt like I could nail the changes. They felt very good and open. She always progresses from sideways work, so she always breathes more and comes up into the frame more through the half-passes and shoulder-in.”

This will be Rosie’s second Burghley start after an uncharacteristic tumble on course here last year, after which the pair regrouped for a steady run at Pau before returning this spring with that excellent Badminton runner-up result. This week, Oliver returns with one goal in mind.

“I’m always [here to win] now,” says Oliver. “We don’t bring horses not to be competitive at this level. But so far, so good. We know we’ve got one of the best horses in the world coming, and Ros takes some beating on that one. But at the same time, we’re in it to win it, and we’re in a good starting position.”

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

Reigning Burghley champions Ros Canter and ‘that one’, Lordships Graffalo, slot into a close second place on 22.4, just 0.4 – or one second tomorrow – behind the leaders. 

“I’m thrilled with Walter. He’s just an absolute professional. He’s actually been quite bright this week, right up until he got up here, and then he was like, ‘Ros, of course I know what I’m doing. I’m not going to be bright at all.’”

‘Bright’, for Walter, means he’s been “a pain in the backside in the stables,” laughs Ros, who explains that he’s rather fallen in love with Cassie Sanger’s Redfield Fyre and hates to see him go (but loves to watch him leave???). He’s been, she continues, “high maintenance – a bit like a pop star.”

Because of that, Ros expected to have to do a bit more work with him before her test in order to turn that sparkle in the right direction – but as it turned out, she didn’t.

“So maybe I just overcooked it by five minutes in the warm-up with him,” she muses. As a result, “He was just ready to halt on that first halt a little bit too soon. But I’m thrilled with him. I mean, he gets the biggest [cheers], even on the way in, and he absolutely loves it. Most of the time, if the crowd did that, I’d get quite nervous of a horse just about to do dressage, but with Walter, it just lights him up and he thoroughly enjoys it.”

The 22-23 range has been a sweet spot – and a very consistent one – for the pair at five-star level over the last couple of seasons but for a sojourn into the mid-20s at Badminton this spring, where they lost marks in two of their flying changes. Today, they hit all four right on the money. 

“I was particularly thrilled with his changes today – we missed two of those at Badminton, and it’ll always be something that we kind of get, but they wouldn’t necessarily be 100% believable,” says Ros. “I’ve worked hard on those since May, and today they just felt really [good]. So that’s what I was most pleased with.”

Ros Canter and Lordships Graffalo. Photo by Hannah Cole Photography.

“There’s a fair amount of pressure when it comes to riding Lordships Graffalo,” she continues. “He doesn’t often do a bad test or make mistakes, so it’s all about trying to eke out as many marks as we can.”

Ros’s appearance at Burghley this year comes a few weeks after her announcement that she’d be withdrawing from the selection process for this month’s FEI European Eventing Championships, owing to pregnancy. The decision, she says, was a simple one to make – even if it meant losing the chance to defend the title she won at the last Championships two years ago.

“Very simply, the Europeans is a team competition, and the pregnancy progresses day by day. I wouldn’t know whether I’d want to compete in two weeks’ time or not. It wouldn’t have sat well with me if I’d had to pull out last minute, or if I hadn’t been able to ride at my best for a team championship. Burghley is a completely individual event, and it’s entirely down to me if I choose to go or not, and up to my family and my owners. We’ve all been working together to make this decision.”

In any case, getting to defend her title here is just as much of an honour, she continues.

“It’s very special to get another opportunity to even be here, to be quite honest. Burghley is probably my favourite event; I just love the magic of it, I think it’s very special, and not just because it’s local [for me] – I just think it’s beautiful in all respects. So to be able to come here is a real privilege.”

Samantha Lissington and Lord Seekönig. Photo by Hannah Cole Photography.

This morning’s leaders, Tim Price and Vitali, will sit in third place going into cross-country on their score of 23.1, while fellow countryman Samantha Lissington steps smartly into fourth after putting a five-star personal best of 24 on the board with the twelve-year-old Lord Seekönig. 

The German Sporthorse has always had bucketloads of natural talent on the flat and a commanding presence in the ring, sometimes with the scores to match – the pair went sub-30 at Badminton this spring and earned a 26.7 in their test at Pau last year. But he’s also, at some points along the way, been much more of a work in progress – and one that Sam has felt it well worth taking her time with to get it right. 

Today, in her ongoing quest to perfect the details, she opted to make a bold move: rather than riding him in a double bridle, as she has done previously, she swapped him into a snaffle. 

“I thought I’d try and see if we could actually change and go in a snaffle bridle, but I was very much umming and ahhing right up until the last 10 minutes,” says Sam. “I said to my groom, ‘I think I might change back to the double.’ And she gave me a little bit of a panicked look. Then I was like, ‘okay, I’ll try a little bit longer, see what I’ve got.’ And then I thought, you know what — if I don’t do it now, I’m not going to get a chance to do it again. So let’s just see what we’ve got in the arena.”

The reasoning behind her choice?

“Some judges seem to penalise people more in a double, I think, and if he gets a bit low in it then that can sometimes be punished, which I think is what happened in Aachen,” she says. “Basically, I’d been switching between the snaffle and the double all week. I’d program a bit in the double, put in place my half-halt, make sure my training was all there, and then go to the snaffle — make sure I had a test-ride feeling in the snaffle to know how much support I had in the bridle, what the softness was like, all of that kind of stuff. This morning I rode him in the snaffle, then I rode him in the double, and then I came up in the snaffle with the double on standby. I only really decided to leave it when there wasn’t enough time to change anymore.”

And so: a fact-finding mission with aims far beyond this week. 

“I just thought, ‘basically, it’s not the be-all and end-all here’,” she muses. “The goal is WEG next year, and LA beyond that. So actually, if I wasn’t going to do it now at a really big event, when was I going to do it? I thought I could actually sacrifice a bad test for knowing one way or another. And now I do know, and that’s great.”

Once she’d worked out that the bitting choice was a good one, she began to have fun in the test.

“I did actually enjoy that one — but probably only once I got into the canter work and realized he was still staying with me,” she laughs. “Before then, I was still very much managing my way through it. It all felt lovely, but I was anticipating maybe having a bit more of a handful on my hands in the canter work. But he actually was lovely.”

Samantha Lissington and Lord Seekönig. Photo by Hannah Cole Photography.

It’s a great start to a week that she hopes will make some positive strides forward from the pair’s Badminton this spring, where they had a surprise late run-out on course.

“Badminton was a bit of a disaster, cross country,” Sam says. “My saddle had slipped a little bit, and I don’t think I had the bitting quite right. So I’ve tweaked a few things in terms of tack adjustments, and he’s had a couple of really good runs. We’re hoping that success holds up now through a longer course. But the proof will be in the pudding tomorrow evening, when I’m having a beer – whether it’s celebratory or commiseratory.”

She won’t be having that beer alone – of course, there’ll be her husband, Brayden, best known either for being the host of the podcast Eventing Weekly or for being listed as ‘wife of Sam Lissington’ on this week’s chat stage programme, but also propping up the support side for Team Lissington are Sam’s parents, who’ve hopped on a plane from New Zealand to cheer their daughter on this week. 

“They surprised me! They weren’t going to come over, but then I was on the phone with them a few weeks ago, and they said, ‘you know what? We’re nostalgic from being here in 2019 – we’re going to jump on a plane.’ So they’re here, which is really exciting.”

Emily King and Valmy Biats. Photo by Hannah Cole Photography.

Day one leaders Piggy March and the former Pippa Funnell ride MCS Maverick will head into tomorrow’s cross-country in fifth place on 25.7, while Emily King and Valmy Biats overcame a bit of a raucous atmosphere to post a 26.1 for overnight sixth.

“I’m so pleased with him,” says Emily. “There was, I think, a lot of extra atmosphere in there following Mr. Townend, and he coped really well. He’s super sensitive, but he really tried in there. I just let him breathe and relax. He’s a really good boy, and I’m so pleased he kept his cool in there.”

While Emily and Val have had two placings at Badminton together, Burghley is an event that Emily feels is still unconquered – and this year, she’s hoping to rewrite their story here.

“It’s great to have got off to a good start, sort of in the mix today. But I think it’s all about tomorrow,” she says. 

Christoph Wahler and D’Accord FRH. Photo by Hannah Cole Photography.

Our sole German competitor, Christoph Wahler, is another rider to opt for a trip to Burghley over a Europeans campaign – and in D’Accord FRH, he feels he’s got a horse up to making good of their debut here. He and the lanky bay, with whom he finished ninth at Kentucky last year and seventh at Burghley this year, posted their first five-star sub-30, a smart 27.2 that sees them take seventh place overnight.

“It was very good, and I’m very happy,” says Christoph. “I think this is his best test that we’ve done so far, and he’s really developing well. He’s felt great all week here at Burghley. He’s warmed up really, really well, and all the time warming up I thought, ‘can I please just manage to get this in the arena today?’ And then he listened to me all the way around, he was very concentrated, and I’m very happy.”

Translating the work from the warm-up to the main stage has been a niggling little hurdle that Christoph feels has been an important work in progress for the pair.

“I’ve had days where – don’t get me wrong – he doesn’t always feel that good,” he says. “He’s been progressing throughout the year, and he’s usually better towards the end of the season. For example, at Badminton he felt terrible ten minutes before I was going in – he was getting a little bit excited. Here, he felt so within himself, waiting for me, and comfortable in his body. And I was just hoping I could get that into the arena. Because he can score 28 at four-star, so why wouldn’t he be able to score 27 in the afternoon on Friday here? You’re always hoping for that, and I think that’s about him; that’s where we can be.”

The pair made the time at Badminton this year, and although Christoph remains pragmatic about the challenge that’s to come, he’s also quietly hopeful. 

“I mean, if I could have that score tomorrow evening, that would be great. But you never know with doing the time. He’s never been here before, he’s never done such a track. So I have absolutely no expectations. I just want to do my best to help him jump clear, and then we’ll see what we get. Cross-country looks incredible. I’ve been hoping to get a Burghley horse one day since I started eventing, so now we’re here, and we’ll just try to do our best tomorrow.”

Austin O’Connor and Colorado Blue. Photo by Hannah Cole Photography.

Ireland’s Austin O’Connor and Colorado Blue, too, might seem like they’d have been pinned down and tied up for the European Championships team, but here they are – and so far, that decision is paying off marvelously. We saw a taste of what the cross-country speed machine ‘Salty’ is capable of on the flat last summer, when the pair posted a 26.4 at Bramham, and today they, too, went sub-30 at this level for the first time. Their 27.8 will see them start cross-country in eighth place, capable of a significant climb but this time, with the view from the top achingly close to hand already. 

“I’m over the moon, and it’s lovely to break the 30 mark with him,” says Austin. “It hasn’t been for lack of trying – but you know what, you can always have one or two things slightly go wrong. I think Friday afternoon helped with the big atmosphere there, actually – he loves the public.”

Austin and Salty are renowned for being one of the swiftest, most capable pairs in the sport across the country, but Burghley has, so far, been a bit of an albatross for them: they retired on course after a shock early runout in 2023, and ran well but had two rails down on Sunday last year for fourteenth place. Austin’s not planning to live in the past this weekend, though: instead, he knows that all he can do is ride every minute and prioritise his partnership with his horse, and what will be will be. 

“Even if I go to a local gymkhana, my aim is to be competitive,” he says. “But I wouldn’t put a number on it. I just want to do my best, do the best for the horse, and whatever happens after that happens. There’s 15 horses here that could win it. But it’s sport, it’s competition, it’s eventing. I’m not one of these statistical people. Every day is different, and everything’s got to go your way.”

Fittingly, the top ten is rounded out by two partnerships that made the step up into dressage dominance this week: Alex Bragg and Ardeo Premier, who produced a 28.4 yesterday, sit ninth going into cross-country, while Tom Crisp and Dassett Rock Star hold tenth on the 28.5 they delivered this morning. 

Tomorrow’s cross-country challenge, designed once again by Derek di Grazia, will kick off at 11.30 a.m. BST/6.30 a.m. EST tomorrow, with a round 50 horses and riders currently set to take part. For the eagle-eyed among you, that’s one fewer than expected: Aaron Millar and Friendship VDL were a late withdrawal this afternoon just moments before their dressage test. 

Just 21.2 penalties separate the entire field, and 20 — or one runout or refusal, but I don’t need to tell you lot that — spans places 1 through 49, which means that tomorrow’s cross-country will be certain to shake up the leaderboard.

So that’s that for dressage, but don’t click out the EN tab on your browser just yet: we’ll have plenty of Burghley coverage yet to come today, including more stories from dressage and a closer look at tomorrow’s track – plus, chats with riders throughout the field on their thoughts on how it’ll ride and, tomorrow, the return of Cheg’s brilliant live updates.

Until then: Go Eventing!

The top ten after dressage in the 2025 Defender Burghley CCI5*.

Many thanks to Kentucky Performance Products for their support of our Defender Burghley coverage! Click here to learn all about their science-backed and time-tested nutritional support products for horses.

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“I’m Here to Win”: Tim Price Leads Friday Morning at Defender Burghley

Tim Price and Vitali. Photo by Hannah Cole Photography.

Before the start of Friday’s morning dressage session at Defender Burghley, pockets of the media centre buzzed with chatter about what we might see before the lunch break. Yesterday’s competition, after all, had delivered a not insignificant spate of personal bests and happy surprises – and if the judges continued on their jolly form and carried on rewarding the good work they saw in front of them, what might they do when Burghley record-holders Tim Price and Vitali entered the arena? Could we see something better even than the 18.7 that secured them that accolade in 2023? Would anyone put their money on a 16? 

If they had, they might be smarting a bit right now – but although Tim and the whippety Vitali weren’t among the group of PB-earners this morning, they still easily stole the lead from Thursday frontrunners Piggy March and MCS Maverick (25.7) with their 23.1. 

“He’s super. We know he’s a class dressage horse, and he has all the ingredients for a really, really hot test,” says Tim. “It’s funny, because sometimes he’s been quite unrideable and scores really well. Sometimes really rideable and scores not so well—and vice versa. So it’s all over the place. It’s a little bit down to what the judges are looking for on the day. But from my point of view: rideability, super. Relaxation, lovely. Just a great partnership on display, and he went through all the motions.”

The clincher for their score? That ease of rideability and togetherness, which isn’t always the case with the talented but quirky fifteen-year-old. The barrier to an even lower score? Primarily, that rested on one near-mistake in the first shoulder-in, which only pulled their marks down as low as a 6.5, but, perhaps, held the judges back from flinging big earners at them for a moment or two thereafter.

That temporary loss of momentum in the movement is one that Tim didn’t expect to experience today – but it’s not a wholly unfamiliar one.

“That first shoulder-in, he was thinking of halting,” he explains. “He’s been doing that a bit at the one-day events, but he doesn’t typically bring that to the bigger shows when you spend quite a bit of time on the centre line in the week. But at the one-days, I’ll come up the centre line and he’s like, ‘are we stopping? Are we stopping?’ I’m like, ‘No, I will tell you when we stop!’ So I came to the shoulder in, and he was sort of going to stop – I’m like, ‘mate, we’ve only just started!’ Anyway, other than that, it was fine and really nice and really fun.”

Tim Price and Vitali. Photo by Hannah Cole Photography.

Elsewhere in the test, there was plenty to like from the extravagant little horse – but, says Tim with a grin, “no course errors is always the first highlight! Turn right, turn left, stop, go – after you’ve got that, it’s just about being able to deliver in the ring what I know he’s capable of, which isn’t always what we get at the end of the day.”

After nearly five years, seven five-stars, and an Olympics together, Tim came into today’s test knowing he couldn’t be complacent, even though the lead-up to his performance had gone smoothly. 

“He’s been lovely all week, but at Badminton he was lovely all week and then I went in and he flipped out, and I just had to sit there and be a bit of a passenger,” he says. “But here, he was rideable – he kinked a little and had a look at the atmosphere, and then he came back to me.”

Though Vitali’s CV is stacked with major competitions and successes, including second place here last year, he’s a horse that’s been run relatively sparingly with a focus on his major goals. That’s a system that Tim has honed to suit the gelding, but his attention to detail, and keeping Vitali at his best, extends beyond just his calendar of competitions into each run’s preparation. One thing that’s worked particularly well for the Holsteiner? Cutting right back on his flatwork in the lead-up to a big occasion.

“I just try to have him really fit and healthy in his body,” says Tim. “It’s something that’s often overlooked, but I try to back off them in the last couple of weeks just to freshen their bodies up. When everything’s in there [training-wise] you’ve got to trust in that – then you can hop back on and they feel good and healthy and happy to work. Every horse is different, and we just work away and try to figure out the keys to every individual.”

Tim comes to Burghley having win the world’s foremost CCI4*-S, CHIO Aachen, with Vitali this summer – and though the gelding has signed away several five-star victories in the final phase, his rider is laser-focused on getting it all to come together this week, one stride at a time. 

“I’m here to win,” he says. “It’s not by accident that we get ourselves in a position to win every time. You can flip [the notion of heartbreak] on its head and say that we have heartbreak because we’re in a position to win the competition numerous times now, so there are a lot of good things happening. I just need to perfect the final phase, but I think we’ve been coming on strength and strength with that. I don’t get philosophical; I just need a bit of time to recover from the disappointment of the one before, and then when I come back, I’m ready for it. I’m up for it and confident that we’re going to do a good job.”

Tom Crisp and Dassett Rock Star. Photo by Hannah Cole Photography.

 

So perhaps we didn’t get the record-breaking score that had been casually prophesied in this morning’s competition – but we did get the privilege of continuing to witness horses and riders who aren’t always first-phase contenders reversing their own fortunes. Foremost among them? Burghley old hand Tom Crisp, who slotted neatly into provisional fourth place behind Piggy March and MCS Maverick and Alex Bragg and Ardeo Premier after delivering a 28.5 with Dassett Rock Star – the eleven-year-old’s five-star personal best by six penalties, and Tom’s own Burghley best after a career full of great runs here. 

“We’re very rarely at this end of the leaderboard after dressage,” laughs Tom, who finished ninth here in 2022 with Liberty and Glory. “It feels a bit strange, but I could get used to it!”

Though Dassett Rock Star only has one prior CCI5* test under his belt – a 34.9 at Badminton this spring – his four-star form has shown tantalising glimpses of what could be in this phase. The pair went sub-30 at Blenheim CCI4*-L last year, and in the eight- and nine-year-old CCI4*-S there the year prior, but otherwise, they’ve explored the full range of the 30s. Today, though, it all fell into place.

“I knew we could do it, and I’ve been working hard at home with Sune Hansen at Spring Hill Dressage,” says Tom. “He’s helped me a lot, just to be a bit more confident and really go for it, and if you make a mistake, you make a mistake. But I think you’re better off setting off thinking you can go for it and make a mistake than just being a bit too careful, which is probably what I’ve been guilty of for a few years. But this horse is very capable of doing a good test, and today it came together. So we’re really, really chuffed.”

As he was warming up for his test, Tom felt that his young horse was performing at his best – but he was quick to temper his own enthusiasm. 

“The mistake sometimes is you can just do too much [when they feel good],” he says. “So I just took a walk. I thought, ‘this guy can do it, and I don’t want to make him tired,’ because he’s still a bit big and weak in places. So we just tried it, and today we pulled it off. He was with me the whole way; kept his head in the game. He nailed all of his changes — and it’s so easy just to miss one of them, and that’s a mark gone, isn’t it? So yeah, we’ll take it this time.”

The confidence that Sune has been helping to instill in Tom is the key to the huge difference in those two five-star scores.

“I think at Badminton I was just a bit careful, and he missed a couple of changes. He wasn’t far off, actually. Here I was just a little bit more like, ‘let’s just go for it.’  You only have to get one leg off in a halt and miss a change, and you’re in the 30s straight away. So it’s just having the confidence. So I think rounds like that, and tests like that, they’re all going to help with both mine and the horse’s confidence on the flat, I’m sure.”

Max Warburton and Deerpairc Revelry. Photo by Hannah Cole Photography.

Will Rawlin and Ballycoog Breaker Boy now sit fifth on their score of 28.8, while newcomers to the top ten in Max Warburton and Deerpairc Revelry take sixth at this stage on a smart 29.1 – a return to the first-phase form that saw them smash out an international personal best (at that stage) of 28.9 here last year. While we didn’t get a chance to grab Max for a catch-up – yet! – it’s worth noting that he and the rangy eleven-year-old posted their new international PB of 24.2 en route to winning the Aston-le-Walls CCI4*-S in July, and we expect we’ll see plenty more of them this week. 

Katie Magee and Treworra. Photo by Hannah Cole Photography.

Just behind Max in seventh place is, perhaps, the most hotly-tipped Burghley debutant of this year’s field. Katie Magee has had her head down working away quietly – and successfully – on building up her eventing career and string over the last couple of decades, and although she had an entry in at Burghley back in 2019 with another horse, a series of setbacks meant that she wouldn’t make her five-star debut until 2024, when she finished thirteenth at Pau with a then-ten-year-old Treworra. This spring, they headed to Badminton, and went two better for a hugely impressive eleventh place. En route to Burghley, they fulfilled an entry in the British Open Championship Advanced class at Hartpury, which historically serves as an excellent prep run for this event, and handily won the whole thing and that coveted British title. 

Now, they find themselves soaking up the sunshine and the thrill of finding themselves in the top ten after their dressage test, which earned them a 29.3 – their first five-star sub-30 and further evidence that their upward trajectory isn’t anywhere close to slowing down. 

“It felt amazing!” beams Katie, who trains with fellow Northern good egg Nicola Wilson. “It’s a very special arena to ride into, and the crowd gives it that extra bit of atmosphere in there. I’ve watched Badminton and Burghley every year, from as young as I can remember. When a partnership goes as well as it possibly can, it’s quite emotional. And I think that’s what I wanted — probably more than success – it’s that, when you really have done your very best, and the horse has too, it’s pretty special.”

Like Tom ahead of her, Katie’s success today comes down to a newfound resolve to tackle the test with confidence, rather than just trying to get it done. 

“I’m really pleased that I managed not to faff about in the changes,” she laughs. “I’m a little protective at times, and it’s about trying to go for those higher marks and be more positive instead of just surviving the test. That’s a new mentality for me, riding a horse of this caliber.”

That horse, the affable and enormous Wilf, is more than just a competition partner for Katie – he’s part of the family, and has always been someone she’s believed immensely in. 

“To be honest, he’s just one of those horses,” she smiles. “He walked onto the yard and I just thought, ‘wow, you’re something!’ It’s all just been time for him. We always knew how smart he was on the flat, but he needed to strengthen, and that can’t be rushed, so it’s been a patience game.

“He’s funny – he’s quite chilled, but he has his odd little spook just to remind you he’s a superstar,” she continues. “He just has a sense of humour, but he’s lovely. He goes out with my old 16-year-old in the field and snoozes most of the day. My son can lead him around. He’s a lovely horse, and he’s beautiful to look at, which helps. He’s a good 17.2, so he’s tall and we’ve just let him strengthen this last year, and it’s made such a difference to him.”

The partnership she’s built with him is her primary focus this week – much more important than the noise and chatter about her recent form or what the leaderboard might look like on Sunday. 

“To be honest, I’m just forgetting about it as best I can,” she says. “It is a bit of a different feeling, but at the end of the day, it’s me and Wilf against the course tomorrow, and that’s all that matters, and I hope I can do him justice. He’s amazing, so I wouldn’t want to be on anything else. I said to my husband Kieran, I wouldn’t want to come here if I didn’t have that. This is no place to come if you don’t have an amazing partnership and an amazing horse — and he ticks all the boxes, so I’m a very lucky person.”

Laura Collett and Bling. Photo by Hannah Cole Photography.

Thursday morning’s leaders David Doel and Galileo Nieuwmoed hold eighth place on their 29.6, and tenth is the domain of Harry Meade and his second of three rides, yesterday afternoon’s Cavalier Crystal (30.5), sandwiching new arrivals Laura Collett and Bling into ninth on 30.2. This is another enormous five-star personal best for the twelve-year-old: in her sole previous test at the level at Badminton this spring, she posted a 37.8.

“I’m absolutely over the moon with her,” says Laura. “She doesn’t find dressage easy — she’s not built to do dressage — but she really tried, and she really stayed with me in there. How much she’s improved in the few months since Badminton is amazing, really. And it’s exciting, because she’s still nowhere near the finished article, so if we can keep going in this way and keep improving, then it’s very exciting for the future.”

Bling was initially bred by her owner, Yvonne Ferguson, to be her husband’s hunter – “she went out as a four-year-old and that was the end of her career,” laughs Laura – but has gone from strength to strength in her second career, despite, or perhaps because of, some educational mistakes along the way.

“She’s been a brilliant horse so far,” says Laura, who took her on as a seven-year-old. “I always thought she had it in there. She’s so scopey, she loves cross country. It’s just been about getting the rideability on her. Any mistakes she’s had cross country have purely been through her just grabbing a bit and thinking she knows best.

“But she’s beginning — touch wood! — to think that maybe I tell her to turn for a reason. She was phenomenal around Badminton. She had one little green moment at the step, which was totally genuine — a green mistake from her. The way she turned around and jumped off it the next time for me was almost more exciting, because she trusted me. It just took her by surprise. It wasn’t anything naughty, she just didn’t quite understand how she got from the top to the bottom. She’s come on so much, and in her two runs since then, she’s been fantastic. Fingers crossed she’s up for it tomorrow!”

We’ll be heading back to the main arena for the final hurrah between the boards at 14.00 local time (9.00 a.m. EST), with New Zealand’s Jesse Campbell and Cooley Lafitte getting us back underway. We’ll be back at the close of play with another jam-packed report, and in the meantime, head over to our Ultimate Guide for plenty more stories from beyond the top ten. Go Eventing!

Many thanks to Kentucky Performance Products for their support of our Defender Burghley coverage! Click here to learn all about their science-backed and time-tested nutritional support products for horses.

Defender Burghley: [Website] [Tickets] [Timetable] [Entries] [Timing & Scoring] [Burghley TV] [CrossCountry App XC Map] [EN’s Coverage]

“We’ve Got a Future to Build”: Piggy March Takes Burghley Thursday Lead

Piggy March and MCS Maverick. Photo by Hannah Cole Photography.

[To catch up on this morning’s action, head to our full lunch break report here.]

Nobody can ever say that Piggy March swept into the Thursday dressage lead having simply hopped on the product of somebody else’s hard work: the quirky MCS Maverick, who won Bramham in 2023 with Pippa Funnell aboard, is a unique sort of character who requires an outsized amount of mental management to stop his clever brain from turning an eventing week into a series of complicated conspiracy theories delineated with bits of red string. That’s a commitment that Piggy has happily devoted countless hours to since the horse joined her stable. 

Well, just about nobody would ever say that – Piggy herself is, of course, the notable exception. 

“He’s a beautiful horse, and he’s got it all there. He’s had the best training in the world; he’s come from Mrs. Funnell, so I haven’t got any excuses,” she says. 

There were no excuses needed today: the pair posted a 25.7 after delivering the standout test of the day, earning them the lead by a margin of nearly three penalties. 

“The big thing with this horse is getting his brain,” says Piggy, who made her debut with ‘Eric’ earlier this year, finishing eighth in the CCI4*-S at Bramham, their first FEI event together. All the way through, Piggy’s stayed in close contact with her great friend Pippa, unpacking how best to tackle the constant busyness that the horse craves without overdoing it. 

“That’s just what the two days have been here — riding, lunging, riding, lunging. He’s not the finished article yet, and his body isn’t really as strong as where I’d like it to be — it’s still going to develop a lot over the next couple of years. You can’t work him too hard, otherwise he’ll get sore and fragile in his body. So it’s a bit of work, a bit of loose lunging, grazing, seeing people. That was brilliant for him. His mind is going to be little bits and pieces, and of course, it’s going to get better. But I’d say for our early stages of us being together, and in an atmosphere like that, I’ll take it all day long. I don’t want another go to go in and try to do it any better!”

Piggy March and MCS Maverick. Photo by Hannah Cole Photography.

For Piggy, even just being back at Burghley is something special. This week is her first appearance here – young horse classes notwithstanding – since 2022, when she won with the now-retired Vanir Kamira. Since then, she’s been in something of a rebuilding process for the top levels – and now, she’s got one for the big tracks and one for the championships in the excellent Halo, who will head to the European Championships later this month. 

“Burghley is really special, and it’s been a buzz all summer thinking, ‘I’ve got a horse I can go back to Burghley on,’” she says with a smile. “That buzz disappeared with absolute sick butterflies the last three days, though! But I think for everyone who events and likes riding at the top of the sport, it’s the pinnacle of it. I think it’s the ultimate test of horse and rider for me personally, because the terrain is demanding, so it takes a lot of brain work for riders as well.”

Would it be beyond the realm of possibility to imagine that this very new partnership could win the whole thing this week? Not at all – but for Piggy, the focus and the priority is wholly on finishing the week with a happy, healthy horse and an even stronger understanding in one another, and if that goes hand in hand with a placing, then so much the merrier. 

“I’ve got a lot to figure out with my guy on Saturday, with a very new relationship,” she says. “I’ll be very interested in learning an awful lot on the way round. Walking the course, I’ve been like, ‘I wonder what he’s going to do — what he’ll think of this or that.’ It’s very different from coming here with Vanir Kamira, who was my last horse here, that I sort of knew her inside out and knew how she’d think about things. With him, I’ve got a lot to learn myself, personally, out there. But I’m going to have a go. I just want him to finish; I’d love him to have a good experience this week. He’s only 12, and there’s lots to come with him, with his body, physically. I think I’d just love for him to have a happy week. And we’ve got a future to build.”

Alex Bragg and Ardeo Premier. Photo by Hannah Cole Photography.

A cursory glance at Alex Bragg’s competition record with Ardeo Premier would give you the overall impression of a very good cross-country horse – one whose grit and game nature gives him the chance to climb after a less competitive first phase. At five-star, that’s been a 35.5, a 39.7, a 35.2 – and, today, a 28.4 and overnight second place. 

“You can never say I’m not full of surprises,” he quips. “I’m thrilled with that. Eddie, as we know him, can be a little bit anxious and goes within himself sometimes. He doesn’t express himself by rearing, bucking, and all that. He just sort of tries to hide.”

That, he says, has been the focal point of their training for this phase. 

“I’m trying to initiate that belief in him and trust him — just ride him forward and say, ‘be brave. I’m feeling brave, so you can be brave too!’ I feel more comfortable doing that when I’m in a jumping arena and cross country. But in the dressage, it’s never been maybe my strongest phase, especially when I started, and I guess I’ve got to get over that a little bit.

“I think today I had to lead, and I did, and he was really, really honest and followed me,” he continues. “His highlight, the thing he’s good at, is the canter, and so today I really went for it. He’s not a big-trotting horse, so we just tried to be correct. In those 8-metre circles, if you’re not accurate, these judges — especially at the side, in the corner — can see everything, and they just hammer you for it. So I tried to be accurate there.”

As the test progressed, Alex got the feeling he was sitting on something special – but, he says, “you’re never brave enough to look up at the screen! But you’re kind of tempted to be like, ‘how am I getting on?’ You don’t want to lose concentration – it’s the atmosphere, and the adrenaline, and your own nerves that you’re dealing with. So to actually execute a test like that… I’m really, really pleased.”

The final result is something that he’s been quietly confident would come at some point. 

Alex Bragg celebrates a seriously good day in the office. Photo by Hannah Cole Photography.

“I’ve always believed he was capable of a 70% test. He can do everything very, very accurately. It’s the same in his jumping — he’s technically very accurate, very good. He doesn’t have heaps and heaps of talent and capability, but the trainability of him and his heart makes up for that. So yes, I did believe he could do that. I think I always knew where his strengths and weaknesses are, and I think knowing that helps you to get the marks where you can, and to not lose the marks.”

Now, he’s looking forward to keeping up the good fight – this time, from a front-loaded position. 

“The mark is really great,” he says. “I always seem to be chasing the leaderboard; my jumping is probably my strength, and I probably find jump horses more than I look for those classic dressage types, which probably shines through in that.”

Even more than that, though, he’s brimming with pride in what the twelve-year-old gelding has already accomplished this week.

“Obviously, the score is so important, but for me, inside the performance, how much the horse really tried — and I think he tried really, really hard. It’s him, not me, it’s him. He did a great job. I mean, he exceeded my expectations.”

Will Rawlin and Ballycoog Breaker Boy. Photo by Hannah Cole Photography.

The fourth time was the charm for Will Rawlin and Ballycoog Breaker Boy, who set their five-star personal best of 28.8 to sit third overnight – their first time going sub-30 after two Badmintons and last year’s Burghley. 

“I’m really, really chuffed with that,” says Will. “We’ve worked very hard over the last year, since we were at Burghley last year, and even in the last couple of weeks – it’s just all coming into place. Leading up [to this week] I haven’t done very long training sessions, because I’ve done what I’ve needed to, and he’s felt so good, and I don’t see any point making the horse do any more than that.”

At thirteen, Ballycoog Breaker Boy – also called William at home – is stepping into his prime, but even he had a starstruck moment as he headed into the ring today.

“He definitely went in there and sort of lit up, and I was a bit like, ‘oh God!’ He’s not generally a horse that would get stage fright, but it was definitely the most atmospheric arena I’ve been in, having done Badminton twice and been here last year as well – so it was interesting. But he was with me all the way through. I was just kicking myself because his changes have been so spot on this year, and then I just didn’t quite execute them like we could. But it can’t be perfect all the time.”

The pair’s sterling effort catapulted them to the top of the leaderboard, though their tenure there was short-lived – they were followed into the arena by Piggy and Eric, who swiftly took over. But, laughs Will, “a few years ago [at Bicton’s pop-up CCI5*] I took the dressage lead on another horse, and then was immediately followed and beaten by Piggy – but she’s not a bad person to find yourself behind!”

That proliferation of competitive scores means that our morning leaders, David Doel and Galileo Nieuwmoed, find themselves in overnight fourth position on their 29.6, just ahead of another new entry into the top ten. 

Harry Meade and Cavalier Crystal. Photo by Hannah Cole Photography.

That came from Harry Meade on his second ride of the day, Crystal Cavalier, with whom he finished fourth at Badminton this spring. On that occasion, we saw them start – and finish – on a score of 33.8, and last year, they were third here (for the second time) when starting – and again, finishing – on a 31.3. 

Today, though, they confidently put their best-ever five-star dressage score on the board: a smart 30.5 that sees them take fifth at the halfway point of this phase.

“I’m thrilled with her,” Harry says. “She’s a really game horse. She’s a proper five-star contender: she finds jumping pretty easy, but she’s always been quite affected by crowds and things, and today I was delighted with her. Sometimes, if you try too hard on her, she begins to go a little bit sour, almost, so it was very much just about keeping her sweet and keeping her enjoying it.”

Today, he says, “she felt very happy in there. It was a really lovely, soft test, and it was very much a clear-round test, but also the way of going was soft and open, and that allowed the freedom, rather than going a little bit tight.”

Though Harry’s lead-up hasn’t been totally conventional – he had to spend a stint out of the saddle after sustaining injuries falling off a bicycle earlier this season – he and his horses alike have been feeling better and better in their lead-up to this week. 

“I’ve felt she’s been in a really sweet place the last few weeks, and then that’s been maintained since we got here,” he says. That ended up being something of a saving grace: they headed into the arena as the crowd burst into cheers for new leaders Piggy and Eric, but rather than freezing up against the sudden outpouring of atmosphere, the fifteen-year-old stayed well in the zone.

“I probably shouldn’t have gone in so early,” laughs Harry. “But she’s always been one who just, when you hold, she stares into the distance, and actually, today I had a genuine softness in her and it was lovely.”

Caroline Powell and High Time V. Photo by Hannah Cole Photography.

Ireland’s Joseph Murphy, second this morning with Belline Fighting Spirit on 30.9, now hold sixth place overnight, while former Burghley champion Caroline Powell steps into seventh place with the thirteen-year-old High Time on a 31.1. 

That score represents a serious upward trajectory for the gelding this season: at Badminton, we saw the pair post a 36.6, and in 2024, they went as high as 39.2 at four-star. 

“[The partnership has developed] quickly,” says Caroline. “He’s changed a lot from Badminton. The first time I rode him, I was like ‘oh – is there something wrong with him?’ But I think he just grew up. [Dressage coach] Tracie Robinson has worked really, really hard on him, and it’s lovely, because he’s coming back to me now. It’s nice when they do that.

“I thought he would heat up a little bit [in the ring], but he was great. I wanted to just do as good as we can. We can do very, very good work, and we can do some very, very sparky work. So what he did there today, I’m pretty chuffed with.”

Gaspard Maksud and Zaragoza II. Photo by Hannah Cole Photography.

British-based Frenchman Gaspard Maksud finished sixth here last year with the twelve-year-old Zaragoza, “but we were five marks better in the dressage,” he laughs. And yes, sure: on that occasion, it was a 26.8 to get their week started, and today’s test saw them put up a still-very-respectable 31.8, but it’s all relative, isn’t it? Especially when you consider that the British-bred mare, who’s also previously finished sixth at the 2022 World Championships, has been lightly run since Badminton, and frankly, she’s been delighted to be back out. 

“She did a three-star ten days ago, and that’s about what she’s done – and she was feeling very, very fresh there, but she’s been very good here — really listening,” says Gaspard, who’ll be delighted not to have repeated the sparkly 39.7 they scored in that prep test. 

“Maybe we could ask a little bit more in the test [today], but I think she did a nice test, no really big mistakes or anything. I was quite happy with her. She was very relaxed, and yes, I probably want to be in the 20s, but she hasn’t done much, to be fair.  She’s done pretty much nothing. But she came here, she knows why she’s here, and she enjoys it. She actually kept it all together in the test, and she was very focused on me, so there’s lots of positives.”

Holly Richarson and Ballyneety Silver Service. Photo by Hannah Cole Photography.

The pair will close out day one in eighth place, while Great Britain’s Holly Richardson and Ballyneety Silver Service are our final new additions to the top ten, moving into ninth on a 32.4 – the same score as US representatives Grace Taylor and Game Changer, who delivered their test in this morning’s session. 

“His medium trot is his strength,” says Holly of her ten-year-old level debutant. “So it was really good to pull off those mediums and the extended work, and his walk, as well, is amazing. So it was good that he stayed calm enough to actually produce a good walk.”

Though Holly herself has a couple of Burghleys behind her, a first five-star for a horse is always a fact-finding mission, and today was no exception.

“He hasn’t done a lot of these huge [competitions], so I wouldn’t really know [if he gets hot]. I didn’t really know how much to work on ahead of it. But actually, he stayed really level. He’s quite spooky, and he went around the outside spooking. I thought, ‘Oh no, here we go!’ But he actually really stayed with me.” 

We’ll return to the main arena tomorrow morning at 10.00 a.m. local time (5.00 a.m. EST) with fan favourites Alice Casburn and Topspin first up to bat – and some serious heavy-hitters sprinkled throughout the day, including the return of Aachen winners Tim Price and Vitali, who hold the Burghley dressage record (a nice and normal 18.7, in case you missed that one) and former winners Ros Canter and Lordships Graffalo among them. Until then: Go Eventing!

Many thanks to Kentucky Performance Products for their support of our Defender Burghley coverage! Click here to learn all about their science-backed and time-tested nutritional support products for horses.

Defender Burghley: [Website] [Tickets] [Timetable] [Entries] [Timing & Scoring] [Burghley TV] [CrossCountry App XC Map] [EN’s Coverage]

Thursday Morning at Burghley: David Doel’s Back with a Bang

David Doel and Galileo Nieuwmoed. Photo by Hannah Cole Photography.

You’d be forgiven if you’d glanced over the day one line-up for the Defender Burghley Horse Trials and thought to yourself that perhaps it wasn’t stacked with first-phase heavy hitters – but despite a flurry of rain showers, a buzzy, fishbowl atmosphere in the ring, and a collective shift towards the 30s, this morning’s competition gave us plenty to get excited about. 

Chief among that list of thrills? The return of David Doel and the stalwart Galileo Nieuwmoed, who have taken the early lead on a score of 29.6 – their best-ever score at the level. 

“That was absolutely mega,” beams David – perhaps the happiest man in the world to be getting gently drizzled on in a tailcoat. “It was really cool. Definitely, this is the best he’s ever gone in the ring. He was really settled, really rideable, and just nailed everything, really, for me. That’s probably about the best he’s ever going to be able to do: he’s not built to do dressage, so I’m absolutely stoked about it.”

David Doel and Galileo Nieuwmoed. Photo by Hannah Cole Photography.

Getting the gelding to this point hasn’t been about a sea change in the training, but rather, David explains, about making sure he’s at his happiest and most relaxed and then trusting that he knows what he’s doing.

“It’s nothing major. Look, he’s 14 years old now, and he knows how to go sideways; he knows how to do his flying changes. It’s just really been getting him settled in the ring. We just changed his warm-up a little bit in how we did it. He actually went for quite a long, loose lunge this morning — we let him get all the bucks and excitement out of him without working his body too hard. He’s not built for dressage, and so I think in the past we’ve probably made him a little bit tired in his body, and he got a bit cranky about that. So yeah, we’ve just changed his warm-up pattern a little bit.”

For David and ‘Nobby’ – “he’s called that for a reason, because he’s a big knob,” grins David, reminiscing on yesterday’s kite-flying experience at the trot-up – their five-star trajectory so far has largely been about climbing, and climbing very, very well. They’ve previously finished third at Maryland, ninth at Luhmühlen, eighth at Kentucky, fourth at Pau, and an achingly close second here in 2023 by less than a penalty, and almost all of those occasions have seen them start firmly in the mid-30s. 

Now, David can focus his attentions on Saturday’s tough track, knowing he’s sitting on a horse who can make great strides up the leaderboard – but this time, he might not have to. 

“It’s the joy of having a jumping horse; we’re looking forward to going cross country on Saturday,” he says. 

It’ll be a welcome chance for redemption after an uncharacteristic fall for both horse and rider late on course this spring at Badminton, but neither are any worse for wear for the experience: “We gave him plenty of time off to recover, because we both hit the ground hard, and we didn’t want to rush him back. If he’d come here on one prep run, he’d have been fine, but he had a great run at Dauntsey in the Open Intermediate, and a great run around the British Open at Hartpury, too, and he’s on great form.”

 

Joseph Murphy and Belline Fighting Spirit. Photo by Hannah Cole Photography.

Ireland’s Joseph Murphy held onto the lead for much of the morning after putting a 30.9 on the board with the smart ten-year-old Belline Fighting Spirit, but settling for second at this early juncture won’t be a dampener on his spirits: that score represents a significant international personal best at any level for the gelding, who’s been prone to a mid-to-high 30s score throughout his career. 

“I’m really pleased,” he says. “This certainly wouldn’t be his strongest phase, but he’s a beautiful horse, and now he’s more on side and I’m a bit more confident with him. This has been the goal since the springtime, really, to come here.”

This will be the young horse’s third five-star: he made his debut last season at Pau, where he delivered a 34.8 and a steady clear, and then came to Badminton in the spring. There, the buzz of the first phase cast a light on the cracks in the foundations, and the pair started their week on a 39.2, ultimately completing with a 20 on cross-country, too, and chalking it up to an educational and formative week in the office. 

Since then, Joseph has honed in on the building blocks he felt were missing that week, all the while planning for a Burghley campaign.

“I’ve put a nice bit of mileage into him at four-shorts since Badminton – the reason for that, for me, was that I needed to get to know him a little bit better in the atmosphere and in the environment,” he explains. “In one way, he didn’t really need the mileage of the runs, but in another way, mentally, he needed to learn that this is the way.

“Of course, I’ve made mistakes on the way to here, because I was trying different things, but I had a very solid system for him today. It wasn’t perfect in there — he’s still just a 10-year-old — but I wasn’t perfect either. I think over time, going away with that sort of confidence, it’s going to be very good.”

Today’s performance isn’t a coincidence, and it isn’t an outlier. At 48, and with a decade and a half of five-star mileage behind him already, the Olympian could be set in his ways and his system – but over the last couple of seasons, he’s been committing himself to reimagining how he tackles the sport. 

“I hold my hands up: I haven’t been riding good enough,” says Joseph. “I haven’t been preparing good enough. I haven’t probably been disciplined. The riding, in one way, came quite naturally to me. But that’s not a great thing either, because then you tend to ride a little bit off the seat of your pants – and that’s what I was doing until I really now started knuckling down.”

Though Joseph has long had a reputation as an efficient, capable cross-country rider, the first phase has been something of a nemesis to him – and so, in order to counterbalance his natural instincts, he decided to go straight to the source: his foundations. He’s long trained with Tracie Robinson, Team Ireland’s dressage coach, but he’s also turned to old friend Michael Jung for help. Perhaps even more importantly? He’s made his continuing education his priority even in his rare moments of quiet time.

“Tracy has spent a few years now really trying to get the basics into my riding. But she can’t do it all on her own. I’m responsible for a lot of it as well,” he says. “So I’ve got feedback from judges. I’ve watched videos. I’ve been more disciplined in my preparation and training with the horses every day. And I think that’s the thing that’s now starting to show. As a rider, I feel like I can do it, but I need to put it together now. In a way, I’m probably my own worst critic, but that’s how it has to be now.

“And I’ve spent a bit of time over in Germany with Michael Jung,” he continues. “When you see his system about how he wants the horses to behave in the environment, and how he goes about that—it’s something I’m learning more now. And this horse really has taken to it.”

“Of course, we’re at a three-day event, so there are two more phases. But again, the whole weekend is all about learning and being competitive as well. I’m not just here to make up the numbers either. I want to do it in a nice way, but I’m looking forward to Saturday and seeing what it brings, and seeing how the horse handles the terrain and the massive jumps that are out there.”

Grace Taylor and Game Changer. Photo by Hannah Cole Photography.

Grace Taylor made waves on her five-star debut here two years ago with Game Changer when the pair went sub-30 for the first time in their international career, and though their 32.4 didn’t quite cross that barrier, the British-born and -based US representative was pleased to shave three whole marks off their last two five-star scores. That was a solid enough effort to see them take third place going into the lunch break. 

“It’s an amazing atmosphere, an amazing arena to be in, and it’s a pleasure and a privilege to be there – and he loves it,” says Grace. “The dressage was fine – he was a good boy, just a few mistakes. My trainer [Lisa White] and I have just been working on having him much more strong, supple, and in front of the leg, and he’s enjoying his dressage more. He was always more of a jumping horse, but I always knew he could do really good dressage, so I was frustrated with myself that I wasn’t getting the marks. But it’s getting there.”

“At Badminton,” she continues, “he actually did a really nice test and was trending well, and did one change early and got ones for that movement, and the movement was double-marked. That was a shame because he was trending about 70%. So maybe we’ve just had a few big mistakes and the odd bad day. But this, to me, is the bare minimum of what he deserves, and I think it’s my responsibility to get that for him.” 

It’s not hard to see how the pair might well find themselves back under the 30 barrier before too long: their respectable 32.4 comes even after two tricky flying changes and a near break in the extended trot, but such was the consistency of the rest of their work that they kept the final number down. 

This will be Grace and Game Changer’s first Burghley since that 2023 debut, and this time, they return with the experience gained not just in that week, but in two Badmintons and a Maryland run, too.

“I suppose I came with more knowledge this year. I’m very confident I’ve got him fit enough, and obviously anything can happen on the day — they can come out and have not such a good day, not firing on all cylinders, and there’s not always a lot you can do about that. However, I’m not quite so naïve anymore — I’m probably still very naïve, but less so! I still think the course is very tough. I’d say it was a monster when I walked it last time. It’s a monster again. But it’s Burghley.”

Keen fans of the sport might have been disappointed yesterday to see Grace trot up her own horse: at Badminton, her father Nigel, British team selector, head honcho of Aston-le-Walls Eventing Centre, and notably hobble-y jogger, deputised for her on the final day, to huge cheers.

“Big Nige wasn’t allowed to trot up for me this time, because he didn’t train hard enough,” she says dryly. “I don’t want him to pull a hamstring. I thought he was going to curl up and die after trotting the horse last year. I thought that might be the end of him — I was digging a hole on Badminton Lawn for him.”

Still, she says, rolling her eyes, “he did have a suit in the car ready!”

Harry Meade and Et Hop du Matz. Photo by Hannah Cole Photography.

World Number One Harry Meade has three horses in the race for the third year in a row here, and the first of them, the eleven-year-old Et Hop du Matz, got his considerable efforts off to a flying start with a 32.7 – the best international score of his partnership with the British rider. That sees them take a provisional fourth place so far, with one more of Harry’s rides – the smart Cavalier Crystal – to come today. 

“There was one little mistake in the flying change, but he’s very much a horse still in his first year at five-star, and I was pleased with him,” says Harry, who finished third at Kentucky this spring with the Selle Français, adding nothing to his dressage score of 34.2 on that occasion. “There’s lots more to come. He’s a big, gangly spider of a horse and he will get better and better with age.”

Austin O’Connor and Sixmilewater. Photo by Hannah Cole Photography.

Ireland’s Austin O’Connor rounds out the Thursday morning top five with the first of his two rides, the five-star debutant Sixmilewater. They posted a 33 – not an upper-level personal best, which came at Blenheim CCI4*-L last year with a 28.8, but a score that certainly sits in the better end of their usual margins. 

“I’m delighted with the horse,” says Austin. “It’s his first five-star, and he kept his head and didn’t do a lot wrong. I think it was probably as good, if not better, than we expected at this stage.” 

Burghley might feel like a bold choice for a five-star debut, but, says Austin, “we may as well be finding out now as opposed to postponing it for another couple of years! He’s jumped some big tracks. He’s jumped Blenheim, he’s jumped Bramham. I’m hoping it will suit him here. It’s going into the unknown to a degree, but we’ll find out early on. And if he’s coping, he’s coping and if not, there’s always another day.”

Austin will return to the main arena tomorrow with a horse hotly-tipped to take a podium place here in the ineffable Colorado Blue, previously third (twice!) and eighth at Badminton, a winner at Maryland, and twice an Olympian. Burghley is, in theory, the sort of event a horse like ‘Salty’ – quick, bold, and with a heart the size of the colossal fences – is born to win, but so far, their campaigns here have been plagued with little bits of bad luck. Now, the Irishman is determined to set the record straight – something he opted for over an arguably set in stone selection for the Irish team at this month’s European Championships. 

“You’re always on a mission, aren’t you? But, you know, Salty owes us nothing. It’s sport, and we’ve got to get the rub of the green. But he’s on great form, but it’s great to have him here,” says Austin. “The decision was sort of between myself, management, and the owners, to be fair. It’s obviously a shame not to be going to Blenheim, but on the other hand, you don’t get many five-star horses like him in a lifetime, so it’s chicken and egg isn’t it?”

Cassie Sanger and Redfield Fyre. Photo by Hannah Cole Photography.

Our second US representatives, 20-year-old Cassie Sanger and Redfield Fyre, round out this morning’s top ten with a 37.4, over a penalty better than their five-star debut score at Kentucky this spring. But either which way, Cassie isn’t here to try to change the world on the flat: this week, and, arguably, her whole season thus far, is about foundational education. 

“I’m really happy with him,” she says. “Dressage isn’t his easiest phase, and we’ve been working really hard training with Ros [Canter] and Ian Woodhead. His changes are what they are right now, and we’re really going to try and figure them out this winter, because I think that’ll push us into a different place once we get those — especially in the five-star test when there are four of them, which makes it hard to do. But I really thought his trot work was just so much better and stronger for him.”

Cassie came to the UK a week after Badminton to base herself with reigning European champion, former World Champion, and Badminton and Burghley winner Ros – an experience that she says has been transformative so far. 

“For the last couple of years, I’ve really been watching her and studying her, and thinking that if I could ride like anyone, I’d want to ride like Ros,” says Cassie, who’s in her Junior year of a Journalism degree. “So last fall, we asked her if I could base with her, and she said yes. It’s been amazing. I think it came at totally the right time for me; I was really looking for someone to bring me into their program and just be such a supportive person, and she’s exactly that. Honestly, when people ask me what it’s been like, I say it’s exceeded all my expectations.”

Cassie Sanger and Redfield Fyre. Photo by Hannah Cole Photography.

The initial plan was to head home in December to help balance riding with her university studies – but now, she says, “I’m going to stay for as long as she’ll have me! This autumn I’m doing online school, and a lot of my friends are actually all abroad in Europe, so that’s fun. It’s worked out well; my school let me do online instead of being at a base program somewhere else. I’ll have to go home for a little bit this winter, and skip out on the English winter, which everyone tells me is a good time to leave, and then I’ll be back full-time. I’m just trying to make it work, get through it. I’m committed to seeing it all through, which is a little bit crazy, but it’s worth it.

“I kind of went in not having a ton of confidence. Kentucky went well, but I just felt like I wasn’t riding as well as I could be,” she continues. “She’s just great on every aspect — the mental side, and also just the training at home. That’s where I think our focus lies. Then when you get to the show, it’s really no different, because what you’ve done at home, you just try and carry it through. Honestly, it’s a bit easier when you get to the show, because you’re not trying to push and do this and that. She’s kind of taught me a lot about the training at home.”

Dressage will resume at 14.00 local time (that’s 9.00 a.m. EST), with local competitor Emma Hyslop-Webb getting us back underway with Jeweetwel. The day’s competition will close out around 16.00 (11.00 a.m. EST), with France’s Gaspard Maksud coming forward on his 2022 World Championships mount Zaragoza, with whom he recorded a sixth place finish here last year. We’ll be back after the close of play with another full report on the afternoon’s action – plus, keep it locked on EN throughout the day for plenty more stories and insights from beyond the top five.

Many thanks to Kentucky Performance Products for their support of our Defender Burghley coverage! Click here to learn all about their science-backed and time-tested nutritional support products for horses.

Defender Burghley: [Website] [Tickets] [Timetable] [Entries] [Timing & Scoring] [Burghley TV] [CrossCountry App XC Map] [EN’s Coverage]

The Rest is Still Unwritten: Drama at Burghley’s First Horse Inspection

Joseph Murphy and Belline Fighting Spirit. Photo by Tilly Berendt.

There’s always a unique kind of buzz and anticipation that comes before the first horse inspection at a CCI5*. That final hour before it begins feels like the hinterland of possibility: the nerves haven’t totally kicked in yet, the atmosphere is convivial and unhurried, and everyone – from the groundsmen doing their rounds to the coffee stand folks steaming their first lattes of the week, has time to stop and chat and smile. To lean on a cliché, you could say that it’s the calm before the storm; today at the Defender Burghley Horse Trials, it actually just… was the storm. 

Though most of the day thus far had escaped some pretty grizzly weather warnings, in the final couple of hours before everything was set to kick off, they all caught up with us at once. Team EN was split between the sensible one, tucked away in the media centre, and the deeply silly one (me), hiding under a tree at the Leaf Pit, wringing bucketloads of water out of my bra and wondering if a tree might not be the best protection from lightning. We all survived, but morale was dented, frankly. 

The relentlessness of the rainfall (and all its accoutrements) meant that the trot-up got shunted a half-hour along in the schedule, which mostly worked out in everybody’s favour – at least until the final few horses and riders, at which point we all got to feel the rain on our skin, no one else can feel it for us, only we can let it in, et cetera et cetera. 

Today gave us our first introduction to this week’s ground jury, presided over by Andrew Bennie of New Zealand, who’s joined by Christina Klingspor of Sweden and Valerie Pride of the USA.

Laura Birley and Bob Cotton Bandit. Photo by Tilly Berendt.

Sadly, the field of 52 was thinned by one at this early juncture: Burghley first-timer Laura Birley was sent to the holding box with her 17-year-old Bob Cotton Bandit, and upon re-presentation, the pair were not accepted into the competition. 

That was the only combination to even glimpse the holding box at this first inspection – though it wasn’t the only display of drama. Even in the ever-shifting landscape of eventing, Burghley remains the pinnacle in terms of terrain and stamina questions, and many of the horses taking part in the competition were more than happy to show off just how fit they are – to the chagrin, perhaps, of their well-coiffed and grimacing handlers. Though more than a few decided to demonstrate their scope to the crowds, and one or two slipped the lead and attempted to make a dash for cross-country, all were happily returned to their assigned seats and kept it together enough to get the job done. 

Sam Lissington and Billy Alberto. Photo by Tilly Berendt.

The HiHo Silver Best-Dressed awards went to New Zealand’s Sam Lissington, who’s double-handed this week with Lord Seekonig and Billy Alberto, and to Great Britain’s Matt Heath, who brings forward Askari for his third crack at Burghley.

Matt Heath and Askari. Photo by Tilly Berendt.

And now? It’s on to day one of dressage, which begins tomorrow at the remarkably sociable hour of 10.00 a.m. local time (5.00 a.m. EST – less sociable, sorry). The first horse and rider to enter the ring will be World Number One Harry Meade and the trailblazer of his three rides this week, Et Hop du Matz. He’ll be followed by Ireland’s Austin O’Connor and his first of two rides, Sixmilewater. We’ll see both of our US representatives come forward tomorrow, too: British-based Grace Taylor will come forward with Game Changer at 11.15 (6.15 a.m. EST), while Cassie Sanger, who’s been based with Ros Canter during her stint on European soil this summer, will ride at 11.47 (6.47 a.m. EST) with Redfield Fyre. 

We’ll be bringing you two jam-packed reports tomorrow, but that’s not all: this week, Team EN is also a two-horse runner, so you can expect plenty of extra insights into the competition and its participants, plus, of course, our bumper form guide and Ultimate Guide, which will be live and kicking this evening. Keep it locked on EN, pop your wellies on, and let’s Go Eventing!

Defender Burghley: [Website] [Tickets] [Timetable] [Entries] [Timing & Scoring] [Burghley TV] [EN’s Coverage]

Baby On Board! Gold Medal Favourite Bows Out of European Championships Selection

 

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We’re delighted to share the news that Ros Canter, woman of a thousand titles and medals, is expecting her second child with husband Chris McAleese, due early next year. The new arrival will join a busy household run by big sister Ziggy, who is reliably EN’s favourite person at every event she graces with her presence. If you’re unfamiliar with Ziggy’s work, here’s one of her best interviews from Burghley last year:

 

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Of course, such an exciting announcement also brings with it a hefty dose of The Plot Twists™. Ros, of the aforementioned many titles and medals is, among her accolades, the reigning European Champion: she took the title in Haras du Pin in 2023 riding her Burghley and two-time Badminton winner, Lordships Graffalo. The pair, who also helped Britain to team gold at last year’s Paris Olympics, were expected to be sure things for selection for next month’s European Championships, taking place on home soil at Blenheim Palace (September 18-21), but in her announcement today, Ros has confirmed that they will not be taking part. This news might come as a bit of a surprise to anyone who tuned in to Hartpury International over the weekend, where they handily won the tough CCI4*-S feature class.

“Whilst I’ll be missing the upcoming European Championship selection, I’ll be cheering the team on every step of the way,” writes Ros.

Ros was long-listed for selection with two horses — both Lordships Graffalo and the young up-and-comer MHS Seventeen were nominated at the end of June, and their removal from that list brings it down to fifteen candidates. While we haven’t yet been given word of a formal date for the team announcement, it can be expected reasonably soon: Hartpury was an important final run, and many of the continental teams will be heading to Arville in Belgium this week to complete their own final selection trials, which means we can anticipate a flurry of announcements over the next fortnight.

In the meantime, though, an enormous congratulations to Ros, Chris, and Ziggy – we’ll miss seeing you all at Blenheim, but we look forward to adopting another eventing kiddo into the mixed zone in the seasons to come!