Classic Eventing Nation

Thursday News & Notes

Just look at all the pretty colors…

I will be forever in awe of anyone who is a wizard at putting together a beautiful Google Sheet or Excel. It’s the kind of thing that I really wish I could do myself (yet haven’t pushed myself to) and makes me inexplicably happy to look at and peruse. Allie Heninger, a recent addition to Team EN, has blessed us with some beautiful documents for our internal use so I was already feeling very spoiled; but imagine my delight when I came across this Google Sheet of Area I events, clinics, and schooling jumper and dressage shows put together by Jay Olcott. Three cheers for Jay, who I will now consider a patron saint of Area I.

U.S. Weekend Preview

Full Gallop Farm February I H.T. (Aiken, SC) [Website] [Entries] [Ride Times] [Volunteer]

Pine Top Intermediate H.T. (Thomson, GA) [Website] [Entries] [Ride Times] [Volunteer] [Scoring]

Rocking Horse Winter II H.T. (Altoona, FL) [Website] [Entries] [Ride Times] [Volunteer] [Scoring]

Your Thursday News & Notes:

Attention all Canadian equestrians! Equestrian Canada needs you to complete their equine industry survey by February 12th. The data on Canada’s equine sector sorely needs updating, as a survey of this kind hasn’t hasn’t been completed since 2010. On yeah, and you could win one of six $50 gift cards as a thank you for your time. [It’s your civic duty, or something]

Reframe your thoughts to have a great ride. It’s easier said than done most times, but we don’t have to tell you that your horse picks up on whatever you’re thinking or feeling. So the next time you find yourself convinced that something bad is going to happen, try some positive thinking. I know, I actually hate that advice too, but positive thinking actually isn’t as corny as it sounds. It’s much more neutral, less cringe, and a useful tool in your mental toolbox. [Pay no attention to your ‘internal Netflix’]

Hey there young riders, thinking of applying for the next U21 session? Get a head start on your application for the USEA Emerging Athletes 21 Program with these top tips. [Why am I having college essay flashbacks?]

Struggling with sitting the trot? The Chronicle of the Horse‘s Mollie Bailey asked three different dressage riders for their sitting trot tips and got three different answers. [Find what works for you!]

Wednesday Video from Kentucky Performance Products: Honestly, Just International Velvet in its Entirety

Nothing at all could have made me happier today than discovering that some kind soul has uploaded International Velvet in its glorious, cheesy entirety to YouTube. There are few among us who didn’t grow up watching and rewatching the 1978 classic, which features an improbable eventing fairytale, a young Anthony Hopkins as the British team chef d’equipe, and Christopher Plummer as a rather yummy honorary father figure who writes erotica to fund his kiddo’s riding pursuits. It’s a truly perfect film, and one that you’ve probably been desperate for a rewatch of — so settle in, put your phone on silent, and remember what it’s like to be a pony mad prepubescent with a well-worn VHS tape and a head full of dreams.

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Have you grabbed your winter running horse stickers? Check them out at KPPusa.com/winter23.

#FlatworkFebruary Excerpt of the Week: Cold Mornings with Nuno Oliveira

‘Tis the season to hit the refresh button on your flatwork foundation! You’ll see the extra effort pay off not just in improved dressage scores, but in improved performance in the jumping phases as the year goes on. Has your practice plateaued? Struggling to feel inspired? In partnership with Trafalgar Square Books (www.horseandriderbooks.com), we present #FlatworkFebruary, a month-long series of book excerpts from leading dressage experts around the world. 

This week: “Oliveira’s teaching was minimal and personally given. Watching was the only way for me to absorb all I craved to know… watching him over and over again.” Dominique Barbier shares a scene from an early morning watching the master in this excerpt from Riding With Oliveira.

Nuno Oliveira, courtesy of Dominique Barbier.

Learning that Mestre Nuno Oliveira started riding at half past four each morning, of course I went the very first day. The wooden stairs up to the gallery overlooking the picadeiro squeaked, and the door was even worse. There was no way to be invisible. I will remember all my life the big eyes he turned on me—a mixture of, “What are you doing?” and “I am happy someone is here.” He loved an audience, and I can relate to that.

At 11:00 a.m. the students rode, then we had lunch, then the Mestre rode three more horses in the afternoon, after which we had a group lesson. But my favorite time by far was half past four in the morning, cold, silent, and alone. Just the Mestre, a horse, and me in a very small place. It was delicious.

I could not wait for each morning. Watching Mestre Oliveira was surreal. He was a big man. Meeting him in the street you could not know that he was the finest écuyer in the world. He reminded me of Jean-Pierre Rampal, the famous French flautist—a very large man playing the lightest flute in the world.

Oliveira’s teaching was minimal and personally given. Watching was the only way for me to absorb all I craved to know… watching him over and over again. I recall living (and learning) by being him many times over. Not watching but being him. Riding and living through him almost “molecularly.” This instinct was so strong it fascinated me. Many times I thought about it and concentrated on making it work for me even better. The more I practiced this technique of watching and learning by being, the sooner I found refinement of my objective—improvement of my ability on horseback. Over the years I have developed many techniques based on this understanding and practice. My hours and hours of watching the Mestre at work have become even more important to me, if that is possible. Then I was absolutely intent on observing and using every nuance I could discern. And the more I watched that big man on a horse, the more I saw, and the more I felt. And the more I felt, the more I could transmit to my own horses.

Ten days after my arrival in Póvoa de Santo Adrião, the Mestre gave me the experience of my life. It was early in the morning, and I had my notebook in my pocket (what would one day become my book Dressage for the New Age). The Mestre was riding a great big gray horse belonging to a banker. The horse had sinking hips because of an accident early in his life, and only the Mestre rode him. Halfway through the session he stopped and called out, looking up at me, alone in the gallery, “You! Come down! ”

My heart was pounding as I very quickly went down the creaky stairs in my street clothes: English jacket (you cannot ride without it in England) and Italian shoes. He asked me to mount the gray and canter on the circle to the right. You must understand, the picadeiro was very small, just the size of two longeing circles. So this horse was cantering around, and the Mestre said, “Descente de main, descente de jambes.”

I knew: lower my hands and legs. Then he said, “Reins at the buckle.” I could do that, too. Next he instructed: “Lengthen the canter down the long side and circle again.” I loosened my back to lengthen the stride and the horse lengthened five or six strides. But then he announced, “Collect your horse! ”

The gray was already going too fast and I had no contact with his mouth; therefore, I instinctually went to pick up the reins.

“Oh no!” the Mestre bellowed.

Panic! What should I do?

I thought about leaning back and “growing taller” in the saddle, and as I did I felt that incredible moment when the big horse came back to me, just with my brain sending him an image and my back growing taller.

He rounded and collected beneath me without the reins. It was the epiphany of my life. I knew at that moment what I wanted to do with my horses and what I had to teach to others. It was a very powerful lesson.

Mestre Oliveira told me to dismount and that was it. But it was one very early morning in Portugal that has never been forgotten and instead formed the very foundation for my riding and teaching in my lifetime ahead.

An excerpt from Riding with Oliveira by Dominique Barbier & Keron Psillas, reprinted with permission from Trafalgar Square Books (www.horseandriderbooks.com).

Amateur Spotlight: Angela Mitchell’s Eventing Meet-Cute

Angela and Cornwill Cormint at Galway Downs. Photo by Tina Fitch Photography.

Eventers are comfortable with contradictions. Fast out of the start box; slow down the center line. Heat things up with fitness work; cool things off with ice boots. Up the adrenaline on cross country; become careful and thoughtful in show jumping. 

Angela Mitchell (professionally Angela M. Catanzaro, A.C.E.) may not have been an eventer her whole life, but she’s definitely been living the life of one. Born in Los Angeles, but having grown up in the midwest, she was that fairytale girl who got a pony for her seventh birthday. 

“He was a young Appaloosa with almost no training and was a bit much for a seven year old,” she recalls. “I think my dad may have traded a tractor for him (and his saddle). But from the moment I kissed his muzzle, I was a horse girl for life.”

Then and now: Angela at the Kentucky Horse Park. Photos courtesy of Angela Mitchell.

As cool as it would be for the eventing chapter of the fairytale to have started with this pony and have them rocked up the levels, it was a hunter trainer who took up residence in Angela’s little western barn. She found herself competing in Pony Hunters across the midwest at facilities like the Kentucky Horse Park and Lamplight, where she was literally sharing space with eventing. 

But just like a typical meet-cute situation, it would be years before she’d realize where fate would lead. 

Soon, the lure of teenage life would draw her out of the barn and onto the path back to her West Coast roots. While attending UCLA she fell in love with the movie industry, and became a film and television editor after completing school. 

The long days, fluid schedules, and variety of personalities of the film industry felt similar to the barn life that she loved as a young equestrian. Not wanting to be a ‘one trick pony’, her portfolio includes a range from horror films to television dramas — but even the wide variety of projects on her roster couldn’t keep her from the nagging feeling that she needed some time back with horses.

“The smell is really the thing that always gets you. I feel like after you’ve been away from it for a while, there is nothing that gives you greater comfort than that horse smell,” she muses.

Comforted by the smell and a lesson pony named Bows, she eased her way back into lessons, which became weekends at the barn, which morphed into a part lease, and then a full lease —  and then she became a horse owner.

She was hooked — again.

By chance, the barn Angela had started back at was one that was eventing focused. A self-described adrenaline junkie, she immediately fell in love with the rush of cross country, and has acquired an appreciation for the nuances of dressage.

“My first event I went to, I really had no idea what I was doing, everything was happening so fast,” Angela says. “My mind was just exploding with all the things I needed to do. I don’t even think I brought buckets. I didn’t bring buckets! I was very unprepared. But it’s one of those things: you’re either hooked right away, or you learn quickly it’s not for you. I was hooked.”

She would soon get the opportunity to learn from a schoolmaster, Nicodemus, who taught her the fine art of running fast at big fences. They partnered for her first Preliminary, and finished in the top twenty at the 2019 American Eventing Championships where she was able to experience the magnificent Kentucky Horse Park again, this time as an eventer. 

Angela and Cornwill Cormint at Galway Downs. Photo by Tina Fitch Photography.

The education Nicodemus provided, Angela is now sharing with Cornwall Cormint, an imported gelding that she’s introducing to the life of three phases — a process that provides new perspective. “It drives me more than the competitions or the results — the bond with him, and seeing him understand and really trust me,” she explained.

For Angela, there is dependence, not balance between her life as an eventer and her professional role as an editor. “I’m in a dark room all day looking at computer screens, and more than anything I just need to be out in the world,” she says. “So there are times when I can try to race out to the barn to get a ride in, but I know if I get that email or I get that call, I’m going to have to pack it up and head back. I’ve taken a conference call on the back of a horse, but who hasn’t?”

Trying to find enough time to be a good editor and also get the time she needs in the barn requires creative scheduling, a great team of people, and familiarity with the pavement. “I shouldn’t say that work gets in the way of my horse pursuits, it should be the other way around — but that’s how I see it!” 

Careful planning, a husband that understands the time demands, and purchasing a living quarters trailer where they can pack up the dogs and head several hours to a competition or clinic have made the adventures slightly less complicated and lots more fun.

Angela does manage to occasionally find work/life crossover, often in unusual ways — her mare’s squeal made the final cut of the Predator’s vocalizations in the movie Prey. (All mares around the world are now jealous, we reckon!)

Angela may be comfortable with her creative scheduling, but living and competing in Area 6 has its own share of challenges. “Most of the events out here are at least two and sometimes three days, which is really hard to make work when you have to work those Thursdays and Fridays,” she says. “And as an editor, no one else is doing my job so I can’t be like ‘oh, can you cover for me?’.” 

This year’s scheduling may become especially ‘creative’ for Angela, as she has goals of her first FEI competition on her mind. “I spend a lot of time just figuring out how to make it work without sacrificing the well being of my horse. But that’s the thing. If you love something, you’ll figure out a way to make it work.”

Wednesday News & Notes from SRF Carolina International

As I’m currently unwillingly without horse, I’ve taken to attempting to manifest myself an equine friend by thinking like a horse girl.

The other morning, I had to wait for my laziest hen to deem it a suitable hour to emerge from her bed so I could ‘muck out’ my chicken coop (see what I did there?). I stood in the pouring rain, facing the barrage of icy droplets, grimacing as they dripped off my eyelashes and from the end of my nose.

In terms of common sense, I’m pretty sure the advice would be to have your back to the rain. But, oh no, not me. Because I was thinking like a horse girl and keeping my butt dry to ensure a more comfortable seat in the saddle on my (imaginary) ride afterwards.

If you’re a through and through horse person who’s totally licked your horse’s salt block, Heels Down Mag has the survey for you. From barn snacking to sheath cleaning, they’re celebrating horse freaks for what they are… freaking awesome (and perhaps a tad strange… in all the best ways).

Complete the survey here and remember, nothing is too gross to admit to!

U.S. Weekend Preview

Full Gallop Farm February I H.T. (Aiken, SC) [Website] [Entries] [Ride Times] [Volunteer]

Pine Top Intermediate H.T. (Thomson, GA) [Website] [Entries] [Ride Times] [Volunteer] [Scoring]

Rocking Horse Winter II H.T. (Altoona, FL) [Website] [Entries] [Ride Times] [Volunteer] [Scoring]

Wednesday News and Reading

Because who wouldn’t listen to Ingrid Klimke when it comes to all things horse? Ultimate horsewoman Ingrid Klimke gives some useful tips for warming up your horse. [Getting Ready to Work]

Once we’ve warmed up and done the work, it’s time to cool down. Here’s some helpful advice for how to cool down correctly after a ride. [And Streeeetch]

Something a bit meaty, and satisfyingly geeky (there are tables and graphs). Equine Ethologist (behavior specialist), Renate Larssen, sums up a recent study of leadership in domestic horses and finds that it’s not dominance that’s key to being a good leader, but reliability. What’s more, leadership is a shared responsibility within the herd. [Horses Follow Reliable Leaders]

A lovely poem saying thank you to Thomas, the therapy horse. It’s @_place2be’s #ChildrensMentalHealthWeek and British Equestrian has shared a poem written by a young person who has attended sessions at @strengthandlearningthruhorses. [Thank You To Thomas, The Therapy Horse]

Did you know it’s International Networking Week and long-time groom for Jessica Springsteen, Josie Eliasson, has launched an equine industry job-listing website? Read about Josie’s work, both in the barn and at the computer, and her thinking behind her new venture. [Find Your Perfect Match on Yehaww.com]

As someone who once sent a Valentine’s card to my pony, I’m totally into a soppy Hallmark-movie-esque love affair with an equine companion. USEA wants you to share your love story with your horse. [Hopelessly Devoted to My Horse]

Sponsor Corner

Have you sent your Carolina International entry yet? Entries close on February 28, but it makes your event organizer much happier to send yours in earlier. View the omnibus listing here.

Video Break

With Valentine’s Day coming up next week, here’s some puppy love to get you in the mood.

Tuesday Video Break: Just Some More Franziskus for Your Feed

When she isn’t out taking names on a cross country course, German Olympian Ingrid Klimke can often be found in the dressage ring. Most recently, she’s been on tour with the 15-year-old Hanoverian stallion, Franziskus FRH (Fidertanz 2 – Antara, by Alabaster), and she’s en route to represent Germany in the FEI World Cup Finals in Nebraska come early April thanks to a string of recent successes.

Currently ranked number 30 in the world among FEI dressage riders, Ingrid has carefully produced Franziskus and his eager way of going into a world-champion caliber ride, plucking off wins in Germany and Poland this season and most recently finishing third and fourth overall at the World Cup leg in Amsterdam. In their freestyle performance, the pair achieved a personal best, scoring an 84.960%.

Take a look at Ingrid and Franziskus’ most recent performance in the video above, and snag your tickets to see, hopefully, Ingrid and a whole slew of other world stars in Omaha, April 4-8.

US Equestrian Now Accepting 2023 Grant Applications for Licensed Official Development

Valerie Pride and Favian. Photo by Shelby Allen.

If you’ve ever toyed with the idea of becoming a licensed official as a way of continuing your involvement with eventing/equestrian sports, you’re in luck! US Equestrian has announced they are now accepting applications for 2023 licensed official development grants.

These grants are intended to reduce financial barriers for USEF or U.S. Féderation Équestre Internationale (FEI) officials to complete application requirements, such as traveling to apprentice at a competition or attend a licensed official clinic. In 2022, 19 individuals were approved to receive a USEF Licensed Official Grant amounting to a total of $11,700.

The 2023 grants will be offered in two categories: general and U35. General grants will be considered based on the competition environment’s need for more officials or higher-level officials. The U35 grants provide an opportunity to support individuals under the age of 35 to become a licensed official or apply for a promotion — a way to grow the official pool from the bottom up by encouraging younger prospective officials to enter the pipeline.

“Encouraging and mentoring the next generation of individuals to become licensed officials is key for the vitality of our sport. You can’t have a competition without officials,” said Alina Brazzil, Director of Licensed Officials.

“Development of the official’s pathway is an important facet of the competition environment,” said Bill Moroney, Chief Executive Officer. “This program was quite successful in its inaugural year. The Federation plans to again support individuals who have the drive to develop their education and become leaders in the officiating field in 2023. We encourage you to apply.”

Applicants are encouraged to think creatively and apply for competition and clinic experiences that would not normally be available to them due to financial barriers.

How to Apply

The complete list of grant requirements and application is available through the new LO Grant Application tile on the LO Dashboard here. All 2023 applicants must apply online through the LO Grant Application tile on or before March 1, 2023; emailed and mailed hard copy applications will not be accepted this year.

All portions of the online application must be completed for the application to be processed and reviewed. The 2023 applications may be considered on a rolling basis after the initial deadline if grant funds are still available, but all funds awarded must be claimed and utilized within the 2023 competition year, which ends November 30, 2023.

Questions may be directed to the Licensed Officials Department at [email protected].

Be Not Afraid: Jimmy Wofford Recalls Great Horses & Magical Moments from His Career

This article was first published in June of 2020.

Jim Wofford and Kilkenny on their way to clinching team silver and individual sixth place at the 1968 Olympic Games in Mexico. Photo copyright Werner Ernst.

An interview with James Cunningham Wofford is not something to be taken lightly. Any attempt at leading the conversation fails miserably, because you are talking with a man with the most exceptional communications skills and extraordinary stories to tell. There’s a sense of riding the tide of equestrian history as the double-Olympian and world-famous American coach recalls sporting highlights, great horses and magical moments from his stellar career.

But it’s a bit like sitting on a runaway train, and even when you get to the end it feels like you’ve only half-halted. Because you just know that there are many more tales to be told and lots more wisdom to be shared by this raconteur par excellence.

I begin by asking him if he always had Olympic ambitions, and he admits it was “in my crosshairs from a very early age.” Not surprising really considering his father, Col John W. Wofford who later became first President of the United States Equestrian Team (USET), competed in Jumping at the 1932 Olympic Games in Los Angeles (USA) and his older brother, Jeb, helped claim bronze for Team USA in Eventing at the Helsinki (FIN) Games in 1952. Another brother, Warren, went to the top of the sport in both Jumping and Eventing and was reserve for the US Eventing team at the Olympic Games in Stockholm (SWE) in 1956. That’s quite some pedigree just there.

When Jim was growing up, Jeb and his Helsinki team-mates Champ Hough — father of American Jumping star Lauren Hough — and Wally Staley were his childhood heroes. “Then along came Mike Plumb and Michael Page — I looked up to them for years so when I joined them on the US team that was a real thrill!,” Jim says.

Did he ever have any doubts about his ability to make it to the top in sport? “I had terrific doubts, and at first I didn’t have a suitable horse, I was riding around on a 15.3hh roan Appaloosa. However Warren lived in England, and in spring 1967 he went to Ireland looking for horses and saw Kilkenny who was for sale because he’d been to the Olympics, the World Championships and Badminton and they reckoned he was pretty much done.”

Kilkenny

“Warren called my mother and said what a cool schoolmaster the horse would be, so they sent him to me and suddenly I was the hottest kid on the block! We had an unusual partnership, we really shot to the top, from him being thought to be over the hill with all his mileage and me having never been anywhere of any repute — they put us together and it just worked. So we won the National Championships at my first try, and now I’m standing on the podium with Mike Page and Mike Plumb!”

Kilkenny had previously been ridden by Irishman Tommy Brennan who, following a stellar jumping and eventing career, became a world-renowned horse agent and cross-country course designer. Did Jim have a preference for what discipline he would compete in with the horse? “I was intrigued by showjumping, but I was a moth to a flame when it came to eventing!,” he says.

Kilkenny had already enjoyed a successful career in both disciplines. “In late summer ’64 he went to Tokyo (Olympic Games where he finished individually 16th in eventing), in ’65 he went showjumping with Tommy, and in ’66 he was back on the Irish gold medal eventing team at the World Championships in Burghley,” Jim explains.

I ask him to describe Kilkenny.

“He was a 17hh dark bay gelding by Water Serpent with a mealy nose, a tiny star on his forehead and the look of eagles. When he trotted by you in hand he had all four feet off the ground! He had seen every sort of situation which was handy for me because I’d seen none of them. So I could just drop my hands and tell him to get on with the job which he was happy to do!”

That US National Championships victory was in 1967, and the following year they competed at Badminton (GBR) in preparation for, arguably, the most memorable eventing Olympic Games of all time in Mexico in 1968.

In the heyday of the “classic format,” the toughness and versatility of horse and rider were fully tested. Dressage was followed by Speed and Endurance day which consisted of two sessions of Roads and Tracks interspersed by a steeplechase phase, and then a vet check before heading out on the cross-country course. The final day’s showjumping decided the result.

Mexico

Talking about selection for Mexico, Jim says, “Plumb and Page would never be left off the team if their horse was sound, and Kevin Freeman was such a marvellous horseman, maybe the best rider of all of us. So there was really one slot left, and fortunately I filled that.” However the Americans were steeped in good fortune when drawn early to go on Speed and Endurance day, because an afternoon deluge created monstrous conditions that nearly claimed the life of Kilkenny’s former rider.

“I went early and was first out of the box for us. We were on top of the ground so I had the fastest round of the day and I think Michael may have had the second-fastest. When you look back at the scores it’s two different competitions, but it could all have been completed in sunshine!,” Jim recalls.

Despite knowing that a monsoon would descend around 1 p.m. as it did every day, the start-time was not adjusted and those that set out later in the competition met with a nightmare. “Once the heavy rain began the volcanic soil became a morass immediately. It was a golf course, there was a shell of grass over this powdery substance that turned to soup under wet conditions and we got the biggest monsoon of the five weeks we were up there!,” Jim explains.

Tommy Brennan was only called into action at the last minute with the reserve Irish horse, March Hawk. Second-last to go, he faced inches of water on the steeplechase track where he took a fall on the flat, and by the time he headed out cross-country a stream that had to be crossed several times had become a dangerous flood in full spate. Only the top few inches of Fence 5 were visible and Fence 6 was almost fully submerged. Horse and rider were swept away and disappeared underwater, both in danger of drowning. But somehow they struggled ashore and continued a little further before March Hawk decided he’d had more than enough.

Great Britain claimed team gold, USA silver and West Germany bronze. Jim’s compatriot Michael Page (Foster) took individual bronze and Jim and Kilkenny slotted into sixth place.

Punchestown

The World Championship in Punchestown (IRL) two years later was another dramatic affair, but Kilkenny’s class saw Jim take individual bronze this time around.

Once again there was controversy on cross-country day with a big number of fallers late on the track. “The Irish knew they had to lead with their strength and that was the quality of their horses, so they designed a course that was maximum in every aspect — distance, speed, dimension of obstacles, number of obstacles. This was always going to be a big test, and that suited me because I had a horse purpose-built for it!,” he points out.

“But no-one knew there was a bogey fence at the 29th. You came through the woods above the old sheep tank and you galloped on a trail and then there was a guard rail and the ground fell away precipitously, and six feet out there was an oxer rail stuffed with gorse. You were supposed to gallop and jump out over the oxer and take a 6ft 6ins drop — it’s what Americans call a ‘gut-check,’ a test of courage, scope and balance. But what the course designer didn’t take into account was a few fences before that there was a double-bank, and it rehearsed the horses to step on the gorse which they did again and again. As they built up the brush every time they kept stuffing the fence with more green branches so it was even more inviting for the horses to step on it.

“Something like 27 horses got that far and 24 of them fell including Kilkenny, and including Richard Meade (GBR) who got the silver medal. But Mary Gordon-Watson’s (GBR who took individual gold) horse jumped it neat as a pin. Nowadays if there were two falls like that the jump would be removed from the course and adjustments made in the scores. But in 1968 this was still a sport run by cavalry generals!,” Jim says.

Munich

The Olympic Games in Munich in 1972 brought his partnership with this faithful steed to an end. The US side that also included Mike Plumb with Free and Easy, Kevin Freeman riding Good Mixture and Bruce Davidson with Plain Sailing claimed team silver, but for Jim and Kilkenny it wasn’t their finest hour.

“I rode according to orders instead of the way I should have, and we finished well down the list. But he didn’t get the ride he needed so that’s nothing to say about him. At our silver medal victory bash I said that Kilkenny would retire now and come home. He was property of my mother, but my brother (Warren) who was a Master of Foxhounds in England was dropping heavy hints about what a wonderful Fieldmaster’s horse he would be, so I had to have a little palace revolution there to make sure he did come home!”

Kilkenny’s cross-country days were still not quite over however because he hunted another few seasons with Jim and his wife Gail back in the US even though he wasn’t the ideal candidate because he was a bit over-keen. “He couldn’t bear to have another horse in front of him, and Gail was too brave with him!,” Jim points out.

There was a lean period after Munich. “I was ‘on the bench’ and I knew part of it was because I’d ridden badly in Munich, but also because I didn’t have a horse of Olympic capability,” he says.

Carawich

All that would change however when he met Carawich. Jim insists he doesn’t believe in anthropomorphism — attributing human traits and emotions to non-humans — but then tells the story of how they first met….

He hadn’t won a competition above Preliminary level since 1972 when, at Badminton in the Spring of 1977, he experienced a moment of connection during the vet-check when a horse stopped and turned to look at him. “The hair stood up on the back of my neck — he picked me out of the crowd and stared at me. His groom tugged on the lead but he didn’t listen — it took about 30 seconds but it seemed like an hour!”, Jim recalls, with excitement still in his voice after all these years.

The horse wasn’t for sale at the time but came on the market a few months later. “He arrived in late December 1977 untried. I took out a loan on my life insurance policy to pay for him and it was the best investment I ever made!,” says Jim.

“Carawich suited me as the rider I was after two Olympics and one World Championship. We went to Lexington World Championships (Kentucky, USA) in ’78 where we finished 10th and were on the bronze medal team, and then we were fifth at Badminton the following spring and then second at the alternate Olympics in Fontainebleau (FRA) in 1980. We were second in the Kentucky event that spring and won Kentucky the following year. He was quite some horse too!”

More great horses

An injury sustained at Luhmühlen (GER) in 1981 put an end to Carawich’s career, but Jim still had more great horses to ride. There was Castlewellan who came his way when British rider Judy Bradwell, in recovery following a nasty accident, asked him if he knew of a suitable new US owner for the horse.

“I said don’t go away, and in about 30 minutes we had a deal! He came over that summer, again untried, and we won a big Intermediate event. Then in Spring ’84 we were well-placed at Kentucky and then we were non-riding reserves at the LA Olympic Games”.

Jim retired after that, but two years later came out of retirement for one more moment of glory. Offered the ride on The Optimist, normally competed by America’s Karen Lende (now O’Connor) who was riding in Australia that year, he jumped at the chance.

“He was a big bull of a horse, Irish-bred, 16.3hh and a bit big-eared and small-eyed, with massive shoulders like a bullock. He’d run away with everyone who got on him, but he had a wonderful attitude going down to jumps,” Jim recalls. It wouldn’t be all plain sailing, but again a moment of connection would turn everything around.

“For about a week or 10 days I thought I’d painted myself in a corner because we were not getting along at all,” he explains. However he accidentally caught the horse unawares in the stable one day, and The Optimist didn’t have time to put on his normal sullen expression. Instead Jim got a fleeting glimpse of a bright, intelligent, focused horse. “I laughed and shook my finger at him and said ‘it’s too late, I saw you!'”, Jim says. “I suddenly realised he didn’t want to be told what to do, he already knew his job so the next time I threw my leg over him I did it with that in mind and we got along famously. He won a couple of prep events and then he won Kentucky. And then I quickly retired again!,” Jim says.

Talent

Asked to compare the talent of riders from his own era with those of today he replies, “this stuff about ‘Oh we were better in the good old days’ – don’t you believe it! I lived through the good old days — these people today would beat us like a carpet!,” he insists. There have been many changes in the sport of course. “Riders are in a much more predictable situation these days. When they are pacing distances between cross-country obstacles you know it’s a different sport.”

And the horses — are there big differences in them too? “In the classic format they had to be brave as a lion because we jumped some formidable stuff. We don’t test now for strength of character in the horse — today it’s a test of technique,” he points out.

For many years now he’s been a dedicated and hugely successful coach, and he enjoys training pupils at all levels. He’s looking forward to getting back to working with his students again very soon and seeing how “profitably” they’ve used this time during the pandemic shutdown. “Will they have improved their horse’s training, or will they have worn them out by endlessly practicing competitive details?,” he wonders.

I ask what advice he has for riders concerned about returning to competition in the shadow of the virus still sweeping across the world, and he replies, “Event riders are already bio-mechanically engineered not to be afraid, so don’t be afraid! Know the risks and the safeguards, and go from there.”

Life, he concludes, is like the wording on a famous painting “The Bullfinch” by English artist, Snaffles — “glorious uncertainty” is what awaits us all on the landing side. And, for James Cunningham Wofford, that’s all part of the thrill of the ride …..

We thank Louise Parkes and the FEI for sharing this story. 

Tuesday News & Notes from Kentucky Performance Products

You know it, I know it, we all know it: we’re a little bit insane, but in a nice way, and now I’m going to need you all to go to my Instagram and like some photos of my horse, okay?

Events Opening Today: Texas Rose Horse Park H.T.March Horse Trials at Majestic Oaks

Events Closing Today: Three Lakes Winter II H.T. at Caudle RanchPine Top Advanced H.T.Full Gallop Farm Mid February H.T.

Tuesday News & Notes from Around the World:

Young horse producers and breeders, heads up: there are some changes to the FEH program for 2023. The program will now be overseen in part by the Young Horse Show Series, who will help to develop and promote the concept and, hopefully, create an even firmer foundation for US sport horse breeding programs. [Prepare those elite babies]

The conversation rages on about safety at the upper levels. I’m delighted to see that ‘soft option’ qualification routes to five-star were a huge part of the conversation at the FEI Eventing Forum, where attendees discussed a number of factors that could help to ensure riders don’t tackle the uppermost level until they’re truly ready — not just qualified. [A step in the right direction]

Take heart if you feel like you’re having a string of frustrating rides lately. While those days can feel like you take one step forward and roughly eighteen steps back, they’re actually the periods you learn from the most. USHJA judge and coach Rob Jacobs explains why mistakes are a great thing – and why they tend to bog us down so much mentally, too. [An encouraging read]

And finally: if your gateway into living, breathing, sweet-smelling real horses was the Breyer variety, you’ll love this. You’ll also probably end up in the attic, unboxing all your own childhood memories. That’s fine. [The horses we loved first]

Sponsor Corner: There are lots of reasons why a horse might need to consume limited starch and sugar – and particularly for pony owners, a big one is the risk of laminitis. Find out more about the impact of these common components, and how to feed a balanced diet while reducing their presence, in this useful piece from Kentucky Performance Products and Horse Nation. 

Watch This:

Watch and learn as Hailey Burlock gives Off the Record a good stretch:

Monday Video: Say Goodbye to Slouching

Raise your hand if you’ve got a bit of a problem slouching or looking down when you’re riding! (🙋!) So many things that we do out of the saddle — such as sitting at a desk or looking at our phones — encourages that slouchy position. Not only is it not so great for your own long term health and posture, but it’s no so great for your horse’s either and it certainly doesn’t make dressage any easier.

In this video dressage rider Amelia Newcomb shows us exactly how leaning forward and slouching affects everything about your ride: all the way from how it affects your seat to how it affects the contact.