Sally Spickard
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Sally Spickard

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About Sally Spickard

Sally Spickard is a Korean adoptee living in San Diego, California. Sally joined the Eventing Nation team in 2013 and has subsequently written for Noelle Floyd, Heels Down Mag, and other publications both in and out of the equestrian world. Sally is an eventing fan through and through and enjoys telling the stories of riders who are not well-represented within equestrian media.

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Tamie Smith Takes Three Titles at Setters’ Run Farm Carolina International CCI & H.T.

There are approximately 2,300 miles and seven or eight states (depending on your route) separating Temecula, California and Aiken, South Carolina. A few weeks ago, CCI5* winner and Tokyo Olympic traveling reserve Tamie Smith packed up 16 horses between her own and those of some students and drove for three days to reach their temporary home for the next few months.

Smith makes trips to the east coast from her home base in Temecula as frequently as her schedule allows. As she describes it, she makes the trip in order to measure herself and her horses against the more densely-populated (in terms of eventing athletes) East coast.

On Saturday at the Setters’ Run Farm Carolina International CCI & H.T., Smith made good on this leg of a trip that’ll keep her on the East coast through May, taking home victories in three of the FEI divisions.

Lillet 3 Triumphs in CDP Eventing Stables CCI4*-S

Tamie Smith and Lillet 3. Photo by Sally Spickard.

At 10 years old, Lillet 3 (S.I.E.C. Livello – Princess L) already has an impressive career. The mare, now owned by Molly Duda, initially began her eventing career with German Olympic medalist Andreas Dibowski. She won at the CCI4* level with Dibowski in 2024 before she was sold to the U.S. for Smith to ride. As with any horse, Smith says, it takes time to form a partnership; this weekend, she says, the mare really felt like her horse.

Prior to this weekend, Smith and Lillet 3 had collected three FEI wins, including the CCI4*-L at The Event at Rebecca Farm in 2025. To start the 2026 season, she finished first and second, respectively at the Intermediate and Advanced/Intermediate levels in California. With these results in mind, “I came here to compete,” Smith said.

Tamie Smith and Lillet 3. Photo by Impulsion Media.

“I think as riders, we’re always aiming our horses for different results at different competitions, but I came into this competition with all my horses to be competitive,” she continued. “She’s just unbelievable. She’s so fast. She’s such a blood horse, and her stride is beautiful – she’s so rideable. So I was hoping that what happened today would happen, and she just feels like my horse.”

Smith and Lillet 3 finished the weekend on a score of 29.7, adding just three seconds’ worth of time penalties to their initial two-phase score. This is about on par with their average finishing score over the last few FEI events, so it’s safe to say this is a definitive pair to watch, especially with the FEI Eventing World Championships looming large in August.

Caroline Pamukcu and HSH Blake. Photo by Sally Spickard.

US Olympian Caroline Pamukcu and her Paris Olympic horse, HSH Blake, are also vying for a coveted spot on that World Championships team (truthfully, this is the case for just about every rider competing in this division) and made good on their efforts this weekend to finish on the podium in second. Their finishing score totaled 30.4 penalties, with 5.2 time penalties added on Saturday’s cross-country.

“My goal [this weekend] was to have a nice, relaxing dressage test on all of [my horses],” she stated. “In show jumping, I wanted them to use their bodies and be relaxed to the best of their ability. And same with the cross-country – I wanted to go out there, and I want them to be prepping for the five-star. Derek [di Grazia] did a masterful job, like he always does [designing] the cross-country. He asked you all the right questions, without being too big and too aggressive. It really gave them all a lot of confidence for going to Kentucky.”

Pamukcu is planning to take HSH Blake (Tolan R – Doughiska Lass), who is owned by Pamukcu, Sherrie Martin and Mollie Hoff in the CCI5* at Defender Kentucky next month.

Jennie Brannigan and FE Lifestyle. Photo by Sally Spickard.

Third in the CDP Eventing Stables CCI4*-S were 2025 champions Jennie Brannigan and FE Lifestyle (Leo von Faelz – Berina A), a 16-year-old Holsteiner gelding owned by Tim and Nina Gardner. After beginning the weekend in ninth place, Brannigan and FE Lifestyle steadily climbed up the standings, adding 2.8 time penalties to their score for the podium finish.

Brannigan herself didn’t have the most ideal of offseasons. She underwent surgery to repair a serious injury to her ankle, and also suffered a knee injury she’s been recovering from. “It’s been a pretty rough time for me, for sure,” she said. “I was non-weight bearing for nine weeks, and really have been just focusing on riding a couple, including [FE Lifestyle]. It was a fairly serious injury to be coming back from, so I’m just trying to do the best job I can. ‘Foxy’ is not getting any younger, and I feel like he’s got a good shot for this year, and I want to give it to him. I didn’t want to ride recklessly, so I just went as quick as I could with that while still riding to do well here. But I am thinking about [Defender Kentucky CCI5*].”

Spiro P Gallops to Cordelia Family Foundation CCI3*-S Win

Tamie Smith and Spiro P. Photo by Sally Spickard.

Tamie Smith has known and worked with the 9-year-old Spiro P (Spiros Z – Ugomein) for several years, having coached his usual rider, fellow professional Megan Sykes, throughout her career. So when Sykes needed to step away from the saddle to attend to some personal matters, Spiro P joined the caravan heading East with Tamie as the planned rider. While she came to be competitive, she placed no lofty expectations on the German Sport Horse gelding and instead focused on giving him a positive experience. That positive experience equalled Smith’s first victory of the day as she and Spiro P moved up from second to first on a final score of 29.7 (consistency at its finest, with the same finishing score as CCI4*-S winner Lillet 3).

“He couldn’t have been better,” Smith enthused. “He was unbelievable. I mean, to be able to get on a horse and be competitive like that after riding him for a few weeks is just a testament to the

hard work that [Sykes] put into producing him. I texted her today afterwards, and I said, ‘You better hurry back, or you’re not going to get your horse back!’”

Australia’s Ema Klugman was second in the CCI3*-S with Team Fern’s RF Redfern on a score of 30.0. Canada’s Waylon Roberts rounded out a truly international CCI3* podium with his own Fernhill Salt Lake, finishing third on a score of 32.7.

Solaguayre Cantata Shows Future Promise in Breezeway Sporthorse Diagnostic Clinic / Friendship Veterinary Imaging Center CCI2*-S

Tamie Smith and Solaguayre Cantata. Photo by Impulsion Media.

The 9-year-old Solaguayre Cantata is another horse acquired by Smith in 2024 during a bit of a restock on horses for her pipeline of development. The mare, owned by Juliane Guariglia, led from start to finish in the Breezeway Sporthorse Diagnostic Clinic / Friendship Veterinary Imaging Center CCI2*-S, finishing the weekend on her dressage score of 24.6.

“She was just a total professional, which is really fun, because as a three-year-old, she was a nightmare!” Smith laughed. “She was a little bit green at [Bouckaert Farm in Georgia] a couple weeks ago, so I didn’t know what to expect. But she just ate it up and felt like all business. She has done one Intermediate, and I was glad that I did the two-star this weekend, because the three-star was quite strong. But she just loped around and was unbelievable in all three phases, just like she just knows that the party is all for her.”

Meg Pellegrini piloted her own Gorgeous DHI to second place in the CCI2*-S, finishing the weekend on a score of 26.6. US Olympic medalist Phillip Dutton finished third with Caroline Moran’s Darwinn on a finals core of 31.1.

Ireland’s Lee Maher Captures First FEI Victory in Dechra Veterinary Products CCI1*-S

Lee Maher and HTH Charming Cooley. Photo by Sally Spickard.

Irish rider Lee Maher’s been training and competing horses for most of his life, but he’d not yet won an FEI level event – until Saturday.

It all came down to cross-country, where overnight leader Boyd Martin collected a few too many time penalties with Tamy Pollard’s Buba D’Mues and relinquished the potential victory. This opened the door for Maher, who was second coming into cross-country and went clear inside the optimum time with Home Track Farm’s HTF Charming Cooley (Timone – Corline Z), a 7-year-old Irish Sport Horse gelding. The pair took home the victory in style, finishing on a score of 29.7.

Maher relocated to the US from Ireland in 2021 to work for Caroline Pamukcu. A few years into his time in the States, he struck out on his own and launched EquiSales International, which he operates with his husband, fellow eventing athlete Chris Talley out of Allison Pratt’s Home Track Farm in Dyke, Virginia.

“I feel like I’ve been working for this for a really long time,” Maher said. “So it makes it happier to know that [HTF Charming Cooley] won. We’ll take it day by day, but hopefully he will go and do the two-star Long at Ocala [International Festival of Eventing in April], and then we go back to Virginia to make a little summer plan.”

“It’s amazing because we spend the winter in Ocala, so it’s the first time that we come this far north and gallop on the hills and this amazing grass arena that we got to jump on yesterday,” Maher continued. “We don’t get that opportunity very much in the States, so it kind of brings me back to my roots, where we jump on the grass all of the time in Ireland.”

Australia’s Hayley Frielick and Dunedin LB Muze moved up into second place with another clear inside the time, finishing the weekend on a score of 30.2. Boyd Martin finished up in third with Buba D’Mues on a score of 30.2.

National Divisions Continue Competition

Here’s a look at the Saturday leaders of the National divisions. The remaining divisions will complete their competition with cross-country or show jumping on Sunday.

Performance Veterinary & Zoetis Advanced: Madison Temkin and Fernhill Bertus (56.5)
Stackhouse & Ellis Bespoke Saddles: Ariel Grald and Obalix (27.6)
DMP Equine Insurance Open Preliminary: Devin Robel and Gilou (27.3)
DMP Equine Insurance Preliminary Rider: Mandolin Whitten and Top Rox (23.9)
Modified: Hugh Wrigley and FE Go My Way (25.5)
Dubarry USA LLC Open Training: Susan Plumb and Cooley All In tied with Logan Harris and LT Mint Julep (26.5)
Dubarry USA Training Rider A: Dorothy Greenshields and Glensmill Kroon Girl (32.2)
Dubarry USA Training Rider B: Meili Gregg and Cooley Triskele (31.8)
Hardgrove Family Open Novice: Ariel Grald and Karino (22.3)
Hardgrove Family Novice Rider: Shannon Reid and Jenesis HF (30.9)

The 2026 Setters’ Run Farm Carolina International CCI & H.T. concludes on Sunday, March 22 with cross-country for Novice through Preliminary beginning at 8:30 a.m., and show jumping for the Advanced and Intermediate competitors beginning at 9:00 a.m. in the Edith Overly Memorial Arena.

Carolina International CCI & HT (NC): [Website] [Entries/Ride Times] [Scoring] [Volunteer] [CrossCountry App XC Map] [Live Stream Replays]

Maryland 5 Star Will Not Go Forward for 2026: What We Know

Felix Vogg and Cartania on the precipice of a major win in what would be the final running of the MARS Maryland 5 Star (in its initial form) in 2025. Photo by Atalya Boytner Photography.

We knew the imminent future of the MARS Maryland 5 Star was in jeopardy early this year (and really, if you had an ear to the ground, earlier) when the sudden departure of Maryland 5 Star CEO Jeff Newman and other key members of the event’s show running team were announced. When no immediate replacement was named, it became clear that the event would only remain tenable for a short time, and action was needed expediently.

Unfortunately, we can now confirm that the CCI5*, for sure, will not be run in 2026. We would encourage you not to lose out on hope for the CCI3*-L — a sorely-needed offering on a calendar that would have just two CCI3*-Ls (Galway Downs at the end of October and TerraNova in mid-November) at the close of the year without the Maryland option — more on that soon.

Editor’s Note: The Fork at Tryon (September 10-13) has also added a CCI3*-L this year. The division is visible on the FEI calendar, but as of publication the USEA Omnibus hasn’t yet been updated.

“US Equestrian has been in regular communication with the Maryland Stadium Authority (MSA) to support their ongoing discussions surrounding the future viability of the Maryland 5 Star,” US Equestrian wrote in a statement sent on March 10 to media who had inquired about the status of the Maryland 5 Star. “The current licensee, the Sport & Entertainment Corporation of Maryland, due to apparent financial concerns, will not host the CCI3*-L or CCI5*-L in 2026. US Equestrian is working with a new potential licensee for the CCI3*-L for 2026 and will share updates about the future possibilities for the CCI5*-L as soon as possible. The timeline and FEI requirements to host an event of this stature are published to support any efforts to pursue an application in the future.”

Editor’s Note: We have just published (on March 11) a press release issued by the Fair Hill Foundation indicating that plans ARE underway to host the CCI3*-L at Fair Hill in October as planned. The release can be viewed here, and more information will be shared in the coming days. 

Here’s what we know:

What happened to the Maryland 5 Star?

Mia Farley and Phelps. Photo by Atalya Boytner Photography.

The picture remains murky. We know that CEO Jeff Newman departed from his position. Shortly after the change, Maryland Sports Commission (the entity over the Maryland Stadium Authority) Executive Director Terry Hasseltine was fired after 17 years in the position. Now, we don’t know if the two departures are related, and we won’t speculate. But it’s safe to say that the instability at the top of the leadership chain, coupled with other departures amongst the senior staff that were directly involved with the 5 Star, didn’t send a confidence-building signal.

Editor’s Note: We’ve corrected a statement in the previous paragraph that CEO Jeff Newman was let go; this was not the correct wording based on the statements available publicly. 

Through direct conversations with service providers and other vendors involved with the 2025 event, we confirmed that (at least as of February) many had not yet received payment for their services. We also know that as recently as the start of March, work was being done to secure funding to pay these vendors. Eventing Nation was paid in advance of the event for our production of the 2025 Maryland 5 Star Official Digital Program (a contract we had held since the inception of the event), and had outlined in our agreement that payment was to be received up front (prompted by a history of delayed payments). I’ve confirmed that at least one other service provider had also insisted on payment up front due to similar concerns. We also confirmed that at least as of February 19, the maryland5star.us website was no longer active.

On top of THAT, we also opened up some budgetary documentation related to FY26 that indicated that an audit of the Maryland Stadium Authority’s budget yielded recommendations that the 5 Star’s state funding be eliminated. This recommendation comes after year over year decreases in state funding allotments given to the 5 Star — a result of overall cuts to the MSA’s Major Sports and Entertainment Event Program Fund, which would be where any state-supported funding would come from. Funding for this is directed from revenues earned from Maryland State Lottery sales. The recommended cuts do not appear to be performance-based (at least, according to the information we have viewed); the stated reason for the deletion recommendation had to do with ongoing events from crowding out new applicants for funding.

Excerpt taken from the Fiscal Year 2026 Operating Budget – Response to Department of Legislative Services Analysis. Click/tap the image to open the full document.

To be clear, the Maryland Stadium Authority DID go to bat for the 5 Star. After the aforementioned analysis recommended the deletion of grant funding for the 5 Star, the MSA included key details about the economic impact of the event in its FY27 Operating Budget memo, which can be viewed in full here.

“The recommendation for the reduction in the Major Sports and Entertainment Event Program Fund from $10 million to $5 million annually and deletion of funding to the Maryland 5 Star at Fair Hill would present significant challenges in the attraction, promotion, retention and development of regional, national and international sporting events for reasons provided in the letter by the Maryland Sports Commission,” MSA wrote in the memo.

Below is a longer excerpt from the MSA’s budget memo:

Independent analysis conducted by Tourism Economics (Oxford Economics) demonstrates that the Maryland 5 Star is among the highest-impact recurring sporting events hosted in the State. The most recent economic impact study found that the event generated $11.6 million in direct statewide spending, resulting in $19.9 million in total business sales, supporting more than 100 full- and part-time jobs, and producing approximately $1.2 million in State tax revenue in a single year. More than 70% of attendees originate from outside Maryland, with a majority staying overnight, generating thousands of hotel room nights and sustained visitor spending across multiple days.

Beyond its statewide fiscal impact, the Maryland 5 Star is uniquely important to Cecil County, where it serves as a cornerstone tourism and economic development driver and reinforces Fair Hill’s role as a nationally significant special events venue. The event is hosted at the Fair Hill Special Event Zone, a Department of Natural Resources– owned property, and supports the State’s broader investment in the activation, stewardship, and appropriate use of public lands. Equestrian-related spending—including trainers, veterinarians, farriers, breeders, and support staff—extends the event’s economic benefits well beyond the competition weekend and directly supports Maryland’s equestrian and agricultural industries. Fastbreak AI and event impact modeling further indicate that the Maryland 5 Star functions as an anchor event, generating repeat visitation and providing significant international exposure and reputational value for Maryland through global participation, media coverage, and broadcast distribution, while strengthening the State’s position within the global equestrian community as one of only a limited number of FEI Five-Star competitions worldwide.

Removing the Maryland 5 Star from eligibility would not greatly expand access for new applicants but would instead weaken an established event that consistently delivers demonstrable State and local returns, international visibility and reputational value, and sustained economic activity. Maintaining the Maryland 5 Star within the MSEEPF framework preserves continuity for a proven, high-performing event while maintaining flexibility to support emerging opportunities.

Now, we know that the 5* division in particular struggled with entries. Again, it’s hard to speculate on the specific reasons why, but there was no one primary factor. The dates typically conflict with Le Lion d’Angers’ Young Horse World Championships in France — a popular stop for European-based riders — and travel to the U.S. is expensive at all times. France also hosts a 5* at Pau at the end of October, so most of the European riders will go there. Maryland had also earned a reputation of being very tough — on par with the Burghleys of the world in terms of terrain — and therefore, not for just any horse. There are more reasons I’ve been told, but that’s probably the list of most commonly heard.

Will it come back at some point? What about the CCI3*-L?

Isabelle Bosley and Conner won the 2025 MARS Maryland 5 Star CCI3*-L on their dressage score of 24.8 penalties.
Photo by Shannon Brinkman Photography

Also unclear. Right now, there is no current license-holder for the 5* or the 3*. We do know that the 3* still has a chance of running this year — potentially still on the same property or nearby, on the same dates — because there are some organizing actions being taken that haven’t yet been made public, and the USEF’s statement seems to confirm that talks are in the works. We’ll keep our ear to the ground on that.

Could the 3* simply move to a new venue this year? Absolutely — but the question is where. Taking on a new FEI Long format is no small task, and not every event would be theoretically willing to assume the burden and risk for one year. That’s just one take, but I think it’s important to remember that you can’t just…pick an FEI event up and move it down the street. But again: movement must happen soon for an October event to be possible, and riders need to plan their seasons. An update on the 3* should be expected sooner rather than later with that context in mind.

Now the 5* is a little more uncertain. Again, we’ve definitely HEARD things about various parties being involved in ensuring the 5 Star returns to Maryland, but we don’t generally like to base full reports off of things we just hear. I could also see a scenario in which an entirely fresh bid for the fall North American 5* is opened back up, but we’ll have to see what happens in the coming weeks and months. Even for 2027, movement must be made soon to ensure success. Information on organizing requirements for a CCI5* can be found in Annex 79 of the FEI Eventing Rules here.

What about the USEA Young Event Horse Championships?

Madison Temkin and Fernhill Bertus. USEA/Meagan DeLisle photo

I called up USEA CEO Rob Burk today to ask what he could tell me about YEH. Now, YEH is slightly “easier” to move. It’s not beholden to the same regulations as the other divisions. The East Coast Championships have been held at Maryland or, before that, Fair Hill, for well over a decade — save one move during 2020 and the tail end of the pandemic year when it was relocated to Virginia Horse Center.

“Our board makes the final decision, but we have a commitment to Fair Hill as they’ve shown us the same,” Rob said. “We know there would be a couple of other venues who would be eager and willing to host it, so we know there will be options. We’re prepared to move if necessary, but we are committed to holding it on the same dates at the same venue, if that is possible.”

Essentially, if the 3* finds a new licensee and is able to secure the location and dates, both that and the YEH East Coast Championships will take place in tandem, as usual. If the 3* does not happen at Maryland, there’s a good chance YEH would also move.


So, that’s where we are. We’ll of course be keeping an eye on this ever-developing story and as we are able to confirm things or as updates are available for public record, we will keep you updated.

I would also like to say a thank you to the team at the Maryland 5 Star. While we did experience logistical hurdles in the five years we worked with the event, this was not the fault of the individuals who dedicated their time and energy to making the event as successful as it could be. My earlier note about delayed payments would be unfair if it implied that the staff themselves were problematic — because they weren’t. I can’t speak to the larger inner workings of the financial picture, but what I did see was a small team of hardworking people who wanted the event to succeed more than anyone else.

We, as media, always had the best experience at Maryland. We were well-fed, had a work space that was well-placed on the grounds, and had transportation available to us to get to and from cross country and the mixed zone. The course builders always invited us to their crab party (not THAT kind of crab, get out of here with that train of thought) the week of the event (even though we were usually working too late to get to attend). We always agreed that Maryland was truly our favorite way to “end” (sort of) our coverage season, and we will miss it sorely. We all hope this event can continue in some form, but we will always fondly remember those five years with the team that got the event off the ground.

Go Eventing.

The Event at TerraNova Promises Something for Everyone — and a Peek at Olympic Officiating

Lauren Nicholson and Larcot Z compete at The Event at TerraNova in 2025. Photo by Shannon Brinkman Photography.

It’s no secret at this stage that The Event at TerraNova is a staple on many an eventer’s calendar. Whether it’s to contest one of their FEI courses (like the upcoming CCI1*-S through CCI4*-S offerings at their spring International event March 26-29) or to take in the breathtaking infrastructure and layout of this one-of-a-kind venue, there is truly something for everyone that makes TerraNova a must-see on your bucket list.

For this first FEI eventing competition of the season, TerraNova once more retains the skills of Alec Lochore (GBR), who you may also recognize as the incoming cross country designer for the Los Angeles Olympics in 2028. Now in his third season designing in Myakka City, FL, Alec is no doubt filing away bits and pieces of information as he begins to lay out his first Olympic course.

In reality, the topography of TerraNova – Florida flat with an evolving amount of manmade terrain as the event continues to deepen its roots – isn’t all that dissimilar from that we’ll see at Santa Anita Park, the site of all Olympic equestrian disciplines for LA28.

“I think every event from now on is a ‘bit of a practice,'” Alec said. “My ideas still change month my month as to what will be at the Olympics — each time I see the ground and have a new idea when out for a run. Obviously every event topography is different, and a Santa Anita is certainly quite different to TerraNova. That said, there are some surprising similarities! In the late summer of 2028 I look forward to discussing with people where I trialed and tested which jump.”

Having made incremental changes in the course with each new iteration, and with more plans in the future to build more terrain and undulation into the grounds, Alec will come into LA feeling like he’s uncovered even more ways to find space where it may not initially appear to be possible, or to strategically use the questions themselves to create technicality and challenge balance. And at this stage in the season, though it’s of course normal that it’s “early” yet, Alec says he’s designing for the level — that’s his primary criteria.

“My view is that a four-star must be a four-star, as I am not only setting a course to prepare the experienced horses and riders for Kentucky and Badminton, and also providing the next step up from three-Longs and four-Longs,” he explained. “I want the courses to encourage and this year I have set out quite a galloping opening quarter, with what I sincerely hope are educational and positive technical questions throughout. One of the great things that the TerraNova site facilitates is the ability to ring changes to direction and start/finish locations, for example.  Of course the athletes, owners, grooms and trainers will recognize the spaces and features, but it is just great to be able remodel a little each time, and this isn’t always the case at a venue.  We have a new feature or two to introduce this year, so I look forward to the feedback and seeing how they work.”

And as more upper-level riders continue to target TerraNova’s spring event as a Kentucky or Badminton prep – multiple pairs entered are routing to Kentucky at the end of April – it will mean a goal met for Alec’s part.

Alec Lochore gives a tour of the cross-country course at The Event at TerraNova CCI 4*-L, November 2023.
Photo by EQ Media.

“I would love the riders to love the event and to come here as a prep run because they feel it’s the right place to come to,” Alec said at the outset of his tenure as designer. “What I consider to be successful is when I look at the results of the next event at the next level and see how those horses progressed. At Blair [Castle, in Ireland] – and I haven’t always been responsible for [that course] – we’ve had a very good record of producing horses that go on to do well at five-star. I get satisfaction from that, that the job is being done well when you see those sorts of things.”

Competitors will also benefit from the presence of the USA’s Andrew Temkin as Technical Delegate, another official who has been tapped to serve on the Los Angeles 2028 officiating team. We don’t yet know who will be the three members of the Ground Jury for LA28, though historically at least one member will be from the host country. 

And even if you are not an upper-level rider, or at least you aren’t there quite yet or are developing a young horse, there is truly an offering for everyone at this month’s spring fixture. Nationally-recognized divisions from Starter through Advanced (yes, that’s every level offered in eventing, at least at the recognized levels!) as well as all FEI levels (offered as Shorts for this edition – the Fall event in November offers Long format) feature on the omnibus, which means that you, too, can add The Event at TerraNova to your must-do list. 

Entries do close today, March 10, but some late entries will be accepted with a $50 late charge. You can view the full omnibus listing here.

Jessica Phoenix (CAN) and Freedom GS. Shannon Brinkman Photo

If you’re planning to spectate, or you are attending otherwise and want to get the full experience, the Ringside Luncheon at TerraNova is a lovely way to settle in and enjoy the weekend in comfort. 

Set in the Pavilion with panoramic views of the main arena, it offers one of the best vantage points for the show jumping while also keeping you close to the other show arenas and the cross country galloping lanes. With preferred parking included and vendor row just steps away, it’s designed to make the day feel easy, relaxed, and immersive. It’s just the sort of setup that lets you watch top sport without having to choose between the competition, the shopping, and the atmosphere.

Food will be available from 10:30 a.m., featuring gourmet fare, plus gluten-free and vegan options and a cash bar. Guests can reserve a single ticket for $75, or book tables for 2, 4, or 6, with the front-row tables offering an especially prime view.

Volunteers for The Event at TerraNova also receive a front-row seat to the action, with every hour worked activating a $20 donation to Easterseals SWFL by the TerraNova Equestrian Foundation. Current openings for volunteers can be found here.

Families should also note that there’s more than just sport to enjoy throughout the day: boutique shopping and the Tiny Town playground will be open, and younger visitors may also enjoy a Mini Horse Show Camp for ages 5–12, which offer a fun, hands-on way for kids to spend an hour learning horsemanship skills, making crafts, and meeting new friends.

TerraNova has also outlined several accessibility accommodations, including accessible parking, a wheelchair lift, paved pathways, and shuttle service, helping make the experience welcoming for a wide range of guests.

To learn more information, click here.

10 Takeaways on Equestrian Career Paths from The Go Eventing Podcast’s Conversation with Courtney Carson

There’s a version of the horse world that gets sold as simple: ride, groom, maybe become a vet if you want a “real” profession. But in Courtney Carson’s conversation on latest episode of The Go Eventing Podcast (out now!), what emerged was something much more honest, and much more useful.

Courtney, a former top-level groom whose career included a decade with Doug Payne and a trip to the Tokyo Olympics, spoke candidly about what it means to build a life in the sport, what happens when your path changes, and why the industry needs to do a better job of showing people what’s possible beyond the most obvious roles.

For anyone trying to figure out a career in horses (or a transition out of one lane and into another, which is a path she knows intimately), her perspective offered a lot to think about.

A moment with the superstar himself. Courtney Carson has cared for Vandiver for the entirety of his time with Doug Payne. Photo by Sally Spickard.

1. The horse world offers more career paths than people are often told

“I didn’t look at the industry as a whole and all of the different ways that I could have done [my career]. I thought about [law school], I thought about vet school, I thought about all of these different avenues, but nothing got me out of bed every day like going to the barn did. It never occurred to me that there would have been potentially an avenue to get into, like equine malpractice law or writing contracts for sales and leases, or I could have done real estate and specialized in farms and equestrian properties. I just feel like there’s so much to our sport and our community, and we just see it as these three little things. It’s like be a rider, be a groom, be a vet, and you’ve got nothing else past that.”

One of Courtney’s strongest points was that the industry is often framed far too narrowly. Young people coming up in the sport are frequently shown only a few obvious career options, when in reality there are opportunities in law, real estate, officiating, education, media, course design, bodywork, administration, to name just a few. It’s become her goal to create a resource for people seeking out opportunities and information on how to take advantage of them (more on that later).

2. Passion and ambition should be paired with preparation

“I just think like if I had taken those little nuggets of information and invested in myself a little bit differently at 18 to 22, I still could have done what I did, but then I would have had a stronger foundation to have fallen back on when I chose to get out.”

Courtney is clear that she does not regret the path she took. But she also recognizes that loving horses and going all-in on the sport does not mean you should stop building a foundation for the future. Her advice, in essence is: chase the dream, but don’t leave yourself with nowhere to land when life inevitably tosses you curveballs — or when the dreams have been turned into reality!

3. Loving the work doesn’t always mean it will sustain the life you want

Bird is the Word and Courtney Carson. Photo by Shannon Brinkman.

“As great as that was, I just don’t think for the next 30 years of my life that has really set me up for success that way.”

This is where Courtney’s perspective feels especially valuable. She doesn’t argue that meaning and enjoyment were a large part of her job, but she simply asks a harder question: can this path support the rest of your life, too? For many people in horses, that’s the question that comes later than it should.

4. There is wisdom in leaving before you’re forced to

“I was trying to be strategic. I would have loved to have stayed for five more years or whatever, but trying to build the rest of my future as well. I was like, I’m 31. If I get out now, I can still build another career, versus I wait 10 more years, and now I’m working until I’m 80 just to pay my bills.”

Rather than framing her transition as “walking away”, Courtney describes leaving grooming as a strategic decision. That’s an important distinction. In a sport where grit and loyalty are prized, there can be pressure to stay in a role long past the point where it still serves you. Courtney’s view is that timing matters, and sometimes the smartest move is the one that gives your future more room.

5. Even the right transition can feel disorienting

“It was a huge transition. I was like, What do I do with myself? What do I do with my life? It’s been a good refocus, but it’s also been very, very weird.”

There’s no sugarcoating in the way Courtney talks about change, and that honesty is part of what makes her comments resonate. A career shift can be necessary and healthy and still feel strange, grief-filled, and destabilizing. Leaving a job in horses (and, as we mentioned, not knowing what other paths may exist) often also means leaving routine, identity, community, and purpose as you knew them.

6. Workers need to understand the full value of a job, not just the paycheck

Courtney Carson and Getaway. Photo by Leslie Threlkeld.

“Understand what your total compensation is when you’re interviewing for a job. Because I think we read all of these ads online, and it’s like, you know, ‘salary based on experience, housing provided, stall provided’. I want to know what the number is on that. What am I making per year? And then what are you taking out of my paycheck, for my housing and for my horse?”

This was one of Courtney’s most practical points. Compensation in the horse industry is often presented vaguely, with housing, stalls, utilities, or horse care rolled in without much clarity. Her advice is simple but powerful: know the real number, know what is being provided, and know what that package is actually worth. This allows potential employees to find the option that works best for them, setting them up for a more long-term relationship.

7. Negotiation is not rude — it’s necessary

“A lot of that comes with research. It’s with knowing what the cost of living is for those types of accommodations in your area are. And that is something that — not that you want to be rude about it — but you need to stand your ground and say, ‘look, a one bedroom apartment in this part of the country is $750 a month, so that’s what you need to factor into my salary to do this.’”

Courtney pushes back on the idea that horse industry workers should just be grateful for the opportunity and take what they are given. Research matters. Asking questions matters. Understanding cost of living, health insurance, and the real value of benefits matters. The horse world may run on passion, but careers still require business sense.

8. The industry needs a better map for what comes next

Photo courtesy of Courtney Carson.

“One thing that I really want to build out is I want to kind of take that advice that I ignored from my parents, and I would love to build it out into a career map for people, because there are so many jobs available in this industry that how do we get more people doing that? Like, yes, we need grooms and we need working students. Don’t get me wrong. But what do you do next?”

For many people, the hardest question is simply, “where do I start?” Courtney puts a finger on a major gap in the industry: there are not enough visible pathways for people trying to move from one phase of their horse career into another. That leaves too many smart, experienced people trying to reinvent the wheel on their own.

9. Career information in the sport should not be hard to find

“In all of this research that I’m doing and trying to figure out what certifications I need and what training courses I need to take, I’m like ‘this information is impossible to find.’ Why don’t we have a database of this somewhere? Why don’t we have it very clearly spelled out the requirements of what you need if you want to be a steward, or you want to be a judge, or you want to be a TD, or you want to be a course designer, and what kind of money can you make doing this, too?”

This line gets at more than just a personal frustration. Courtney points out that basic information (what certifications require, how to become an official, what different roles pay, how long they take to develop), which while mostly available online is often scattered, opaque, or inaccessible. That makes long-term planning much harder than it needs to be.

10. A career in horses should not require unsustainable sacrifice forever — and there should be healthy ways of working in the industry and the grind it does require

“There is also a way to make it a career that you’re not killing yourself and eating ramen every night to still enjoy it. It is definitely a career of passion. But there is also a way, though, to make it a career that you’re not killing yourself and eating ramen every night to still enjoy it…I enjoy a nice drink at the end of the evening, probably as much as just about anybody else. But I also would really like to see that the language changes from how do we survive this? And it’s, ‘oh, we get drunk at the end of the night’, to ‘we have these ways for you to be healthy and handle this.’ It is such a mentally taxing sport and career and lifestyle.”

This may be the line that best sums up Courtney’s entire outlook. She is not arguing against hard work, or against passion, or even against sacrifice. She is arguing for a version of the sport that is more sustainable, more transparent, and more livable for the people who keep it running.

These are just snippets of Courtney’s great interview on The Go Eventing Podcast, available now on your favorite podcast platform or here on our main host page.

This episode of The Go Eventing Podcast is presented by the Maryland Horse Park System. For incredible horse experiences, look no further than The Maryland Horse Park System. With one-of-a-kind destinations across the state, the Maryland Horse Park System is your gateway to connect with horses your way—whether you’re a fan or an equestrian, a beginner or a pro. From World Cup Show Jumping and iconic racing to international eventing, scenic trail riding and hands-on education, it’s all here and waiting for you. Find locations and event schedules here.

This One’s for Bruce: Phillip Dutton and Denim Cruise to LiftMaster Grand-Prix Eventing Showcase Victory

Photo of Bruce Duchossois courtesy of Aiken Horse Park Foundation.

Twenty-six years ago, Bruce Duchossois purchased a lot of 66 acres in the heart of Aiken, SC. The lot neighbored the Powerhouse Polo Fields and the Aiken Training Track, just around the corner from the main downtown strip of the small town with a big personality.

Bruce had a vision. He was a lifelong horseman and a dedicated member of the Aiken community, and he wanted a way to create a lasting legacy to support equestrian endeavors and prevent residential development from encroaching on the accessibility to quality horse facilities.

Thus, Bruce’s Field was born. It was to be a modern, progressive venue capable of hosting competitions year round, with character and personality and a place for the community to gather. He established the Aiken Horse Park Foundation to steward the facility, ensuring the management of it would remain consistent even beyond himself.

Phillip Dutton hugs Mighty Nice after winning the bronze medal in Rio. Photo by Caroline Moran.

Phillip Dutton was one of Bruce’s closest friends. Bruce was, among many other characteristics, a generous philanthropist, supporting equestrian sports across multiple disciplines, rescuing animals and generally going out of his way to help and serve others. They’d met when the Australian team rented Bruce’s father’s Aiken barn for training camp ahead of the 1996 Olympics (Phillip’s first Olympic Games). When Phillip lost a top horse early on in their friendship, it was Bruce who stepped in. They purchased a horse who would go on to be successful enough to win money and be sold at a profit, which they then parlayed into Hannigan, who would be one of Phillip’s most successful horses at the time. From there, it was off to the races.

Bruce partnered with Phillip to produce a string of top horses and results, including 2008 Kentucky winner Connaught and 2016 Rio Olympic individual bronze medalist Mighty Nice. He continued to serve the sport and his community as a friend, owner, volunteer, amateur competitor (including at the Advanced level of combined driving!) and much more until his death, after a long battle with cancer, in 2014.

Now, in the eighth year of the running of the $100,000 LiftMaster Grand-Prix Eventing Showcase at Bruce’s Field, presented by Taylor, Harris Insurance Services, it is Phillip who takes home the crown — a moment that would have made Bruce immensely proud, both of the result for Phillip and of the stature that this unique event has grown to over its just under a decade tenure.

Denim’s Always in Style

Phillip Dutton and Denim. Photo by Chelsea Spear Photography.

Phillip started the day in third place, and he was up against two quick-riding athletes in overnight leader Caroline Pamukcu (HSH Connor) and second-placed Elisa Wallace (Lissavorra Quality). He’d brought the 11-year-old Holsteiner gelding here to the Showcase in 2024, where he finished cross country 18 seconds over the optimum time. This year, he dashed home on a horse who he says is not the easiest to get time on, stopping the clock three seconds under the optimum of 4:36.

Elisa Wallace and Lissavorra Quality also enjoyed a clear quick trip — “Bee” is also not the quickest, primarily because Elisa is still working with the 10-year-old Irish mare on rideability and, well, listening (more on this soon), so their 12 seconds over the time was something Elisa was quite pleased with. The time penalties wouldn’t be enough to stave off Phillip, however, and so he and Denim climbed into second.

Last out of the start box over Jay Hambly’s updated track was dressage and show jumping leader Caroline Pamukcu and HSH Connor. Caroline had already turned in a speedy ride on King’s Especiale earlier in the day, and while HSH Connor is still developing at this level, she knew she was capable of putting in a fast round. But it wasn’t meant to be — the pair glanced off a left-handed corner at fence 4, the first in the main arena where show jumping was held. They regrouped and delivered a strong finish, coming home just 14 seconds over time even with the runout, but the victory wasn’t meant to be for Caroline this year.

And so it was Phillip, rising to the top of the podium soaked in champagne from a pre-planned ambush from his podium mates Elisa Wallace and Sophia Hill, to capture his first win at the Showcase.

“Overall, I’m really pleased with the horse,” Phillip said. “Going fast is not his forte. He’s a great jumper, so we have been working on being able to save time on the approach the jumps. And he was just really on today — he didn’t have a bad fence. It’s not a long course, but it’s pretty hectic out there. And, you know, for every stride, he was trying to be do what I wanted him to do. So it’s great feeling.”

Phillip used to base here in Aiken for the winters, though he’s since purchased a property in Wellington and now travels to Florida for the season to get additional practice in the first two phases of eventing as well as ongoing help from coaches like show jumper Lauren Hough. In fact, it was Annie Jones, one of Denim’s owners (other members of the ownership group are Caroline Moran, Neill Sites and Ann Lapides) who attracted Phillip to Aiken in the first place.

Phillip Dutton and Denim. Photo by Chelsea Spear Photography.

“Annie Jones is my longest-serving owner,” he said. “I came to Aiken because of her. She used to winter here for the with the polo horses, so that’s special, having her here and witness and be a part of Denim’s win.”

And it was one for Bruce, who’s always on Phillip’s mind. “He was so close, and he did so much for me,” he said. “I think it’s a credit to the Duchossois family, and then the Aiken [Horse Park Foundation] board that have kept [it going] — this was Bruce’s vision. This was his dream. For them to keep this going and and develop it — it’s really special. I think it just gets better and better, and I know that Bruce would just be really happy and proud of what he started here, and that these guys have carried on for him. He loved the town, and he loved the community, and it’s pretty unique having a place like this right in the center of the city of Aiken.”

Elisa Wallace and Lissavorra Quality. Photo by Chelsea Spear Photography.

Elisa Wallace was over the moon with her “Queen Bee”, who she’s optimistically prepping to debut at the CCI5* level in the coming seasons. For now, though, she’s taking her time producing this mare to be more competitive and rideable at the level. She’s an opinionated girl, Bee, and Elisa says the most valuable takeaway from this weekend is that she felt the mare tune in to her much more on cross country.

“I maybe could have been a touch faster, but for her to be 10 seconds or 12, whatever it is, I’m pretty stoked about that, because of how strong she can be,” Elisa said. I’d seen her out on course most of the day leading up to her ride, phone in one hand playing the live stream, moving from question to question and studying lines, re-walking them. “And she started to relax — she started to wait, going in between the [arenas]. So maybe I could have been a couple of seconds [faster], but honestly, I’m really quite stoked with that.”

Elisa Wallace and Lissavorra Quality. Photo by Chelsea Spear Photography.

“You don’t get a chance to practice being uncomfortable a lot,” Elisa said, spoken like a true pro eventer who sees things much differently than through the lens of MOST OF US find a lot of this sport very uncomfortable most times (which is why she’s winning money at these events and I’m writing words about it, for significantly less money).

But she has a point. “Last year, I would have been really concerned for a runout, but she’s learned and she’s educated more. So it was really good practice. Going that fast in this and having it was just really good practice.”

Sophia Hill and Humble Glory. Photo by Chelsea Spear Photography.

Sophia Hill certainly had the biggest trip to get here this weekend. After finishing sixth at the MARS Maryland 5 Star last October, Sophie traveled back to her home country of Australia but left her horse, off-track Thoroughbred Humble Glory, with fellowantipodean Monica Spencer. Sophie’s plan is to also contest Defender Kentucky on this stateside tour (this is the third continent Humble Glory has competed on for at least a season — he’s a well-traveled guy), so it made sense to leave him with a trusted friend (who’s also very adept at riding Thoroughbreds, we’d say).

“It’s a lot of flying, but it’s actually easier for us doing it like this than basing in the U.S., because we have a team of horses in Australia,” she explained. “We also have an income in Australia, and we’re really lucky. We’re great friends with Monica, and really trust her to leave Hughie with her. If it wasn’t for her, this wouldn’t be possible.”

Luckily, she’s bought herself at least a couple of those long-haul flights with her third-place finish today. She and Hughie had perhaps the ride of the day, flashing home so quickly you’d hardly have known she’d gone around and stopping the clock 11 seconds under the time. This pair is well-schooled in the art of finishing on a dressage score, and they were rewarded for this expertise with their podium finish after starting the weekend in 19th place.

Sophia Hill and Humble Glory. Photo by Chelsea Spear Photography.

“That was so much fun!” she said after her round. “I’ve never done a cross country quite like that. It was just like, jump, jump, jump, and everything came up so fast, but I couldn’t have been sat on a better horse for it. He’s just so agile, has such quick acceleration, just loves to gallop and the jumps back him off. He’s used to crowds now, but he was definitely really ridable and good out there. I mean, he rose to the occasion, but I think he’ll be extra excited next time he goes cross country after that, so I might have to do a slow run next time!”

Sophia is taking a path through TerraNova’s CCI4*-S in April (along with Monica and Artist) before heading to Kentucky, but in between she’ll travel back to Australia tomorrow, come back for a week for TerraNova, go back to Australia to compete other horses at Adelaide’s CCI5* and then immediately turn around and fly to Kentucky to start that competition.

I’m no longer going to complain about writing until midnight, I think.

Jay Hambly Makes His Mark

Sydney Elliott and QC Diamantaire added 3.6 time to finish 4th on a score of 36.4. Photo by Chelsea Spear Photography.

Jay Hambly’s track received overwhelmingly positive praise from the competitors this weekend. Standing around waiting for the prizegiving to begin, I chatted with several riders and asked what they thought of the track. It still bore the Capt. Mark Phillips stamp, German Olympian Bettina Hoy opined, but it also felt distinctly different in its layout. Waylon Roberts of Canada agreed, saying that the track was more open, and Emily Hamel echoed his sentiments and said it felt like the final few fences allowed riders to get up on the speed and rhythm a little more than previously.

An option was added at fence 9, an arrowhead brush in the water, after some riders requested the addition, Technical Delegate Tim Murray confirmed. Just one rider, Ema Klugman (AUS), took that option after picking up at 20 at the direct route with RF Redfern, but unfortunately she rode the alternative line incorrectly and missed a newly-added compulsory passage. Though she ultimately retired, she was Technically Elimitated on paper for erring on course. Given the showcase nature of the event, though, and the fact that the traditional rules are slightly more loosely applied given it’s not a traditional FEI or USEF/USEA event, Ema was allowed to continue her course until she opted to pull up.

Ema Klugman and Chiraz jump clear with some time to finish up in eighth place. Photo by Chelsea Spear Photography.

“We don’t want to send people home, especially at a showcase,” Tim explained. “We want people to be able to get around. So that is why we put the option in. The Ground Jury, course designer and Technical Delegate can decide to put in a black flag option if riders are requesting it. I would say every second or third four-star that I’ve been at, or even a three-star, riders will bring it up, and most of the time, the course designers are pretty open to doing it.”

Ema enjoyed an otherwise great day, jumping clear with her two other horses, Chiraz and Bronte Beach Z, and finishing 8th and 12th, respectively.

It’s not the easiest venue to design due to its limited space and the fact that the track must utilize multiple arenas and areas of the park to accumulate enough distance for even this short track. I think it’s safe to say Jay’s debut was a successful one, and we’ll be looking forward to see how the course continues to evolve as its ninth and tenth anniversary approaches.

Caroline Pamukcu and King’s Especiale jump clear to finish in fifth. Photo by Chelsea Spear Photography.

As we’ve said every year, this event remains one of our favorites. The staff here live in Bruce’s values and work every day to carry his vision forward. They are collaborative and open to new ideas, and they truly want the sport to thrive. We hope you’ll make a plan to come out and experience #AnEventLikeNoOther — it’s truly a weekend not to be missed!

We’ll be back on the road next at the Setters’ Run Farm Carolina International beginning March 19, but before then, we’ll be bringing you a wrap-up report from the first CCI4*-S of the U.S. season next weekend at Bouckaert Farm in Georgia. Stay tuned, and Go Eventing.

$100,000 LiftMaster Grand Prix Eventing Showcase at Bruce’s Field (SC): [Website] [Scores] [Live Stream Replays] [EN’s Coverage]

EN’s reporting is supported this weekend by Deirdre Vaillancourt Real Estate, your source for all things Aiken. Learn more about Deirdre and how she can help you embrace the Aiken lifestyle here.

Debriefing Day One at the LiftMaster Grand-Prix Eventing Showcase at Bruce’s Field

Caroline Pamukcu and HSH Connor. Photo by Chelsea Spear Photography.

The first day of the $100,000 LiftMaster Grand-Prix Eventing Showcase at Bruce’s Field, presented by Taylor, Harris Insurance Services, always feels something like a sprint and an ultra-marathon all in one. Sure, there are plenty of events that run two phases (or even three!) on one day, but when you add in the pomp and circumstance of this event — the buzzy spectator crowds and a pack-tight schedule of both competition and accompanying events — you’ve got a uniquely charged atmosphere on your hands.

Our competitors certainly gave us plenty to enjoy today as they completed both dressage and show jumping before we wrap things up in a whirlwind of cross country on Saturday. Heading into the finale, it’ll be Caroline Pamukcu, making her first visit to the Showcase with three rides this weekend, in the driver’s seat to take home the win. HSH Connor, who is owned by Luann McElduff and Sherrie Martin, is the best of the three, holding onto his dressage lead and score of 28.3 after two phases. Elisa Wallace — another rider making her Showcase debut — also enjoyed a stellar day with Rosemarie Spillane and Donna Biggs’ Lissavorra Quality, sitting second on their dressage score of 29.7. Phillip Dutton rounds out the top three with Annie Jones, Neill Sites, Ann Lapides and Caroline Moran’s Denim, adding 1.2 time penalties but nevertheless keeping their position with a score of 30.3.

Caroline Pamukcu and HSH Connor. Photo by Chelsea Spear Photography.

The day didn’t start without its drama: more than one rider made an error while riding FEI CCI4*-S Test C, including poor Ryan Wood, who had learned the wrong test by mistake and needed some assistance from the judges (Christian Steiner from Austria at C and Sara Miller Leary from the U.S. at E) to right his path. Props to him though, he was able to navigate his own and Linda Ledray’s Check Point to a complete test so that their weekend could continue.

The dressage scores themselves also saw their fair share of highs and lows, though no one touched last year’s winning test from eventual winners Will Coleman and Chin Tonic HS (19.7). Riders like Emily Hamel and Corvett (placed fifth after show jumping) posted a personal best score (32.9 in this case), while others like anticipated frontrunners Monica Spencer and Artist scored an uncharacteristic 35.1 despite some lovely work within the test — a missed change was the primary undoing here. Certainly not a cause for concern; there are plenty of those impressive 20s-and-below we’ve become accustomed to from this pair in the future, and as we know here at the Showcase it’s certainly a competition where the leaderboard can change at any time.

And while the top four mostly did a bit of a shuffle beyond Caroline and HSH Connor in first, indeed the shake-up did come over Michel Vaillancourt’s show jumping track Friday afternoon.

Here’s an interview with Caroline after her clear round with Connor:

Sydney Elliott and QC Diamantaire. Photo by Chelsea Spear Photography.

While I’ll be spending much more time on the horses and riders themselves in tomorrow’s wrap-up, I thought it would be interesting to take just a bit of a different angle for tonight’s (exceptionally late, like I think this might be a record. For context, EN serves as the press and media team on site here for the Showcase, which means our work for the event generally comes first. We’re operating with a four-woman team this weekend, but I’m the sole person writing, so I appreciate your patience while I attempt to form words at 11 p.m.! I am not confident they are coherent!) report.

I sat down with Michel himself for a debrief on the course, and I always find his insights to be useful. And with the challenge that is Showcase show jumping (going back to 2021, the course carries an average 32% double clear rate and typically elicits a fair number of dropped rails), it’s always interesting to dive into the brain behind the operation.

To be clear: the riders here know what they’re in for. This may not be an “official” event in that it’s not a traditional USEF/USEA event and it’s not an FEI event. But there’s still more prize money than another non-CCI5* event on the line, and the competition is set at 4* standards for the most part (the cross country is set at the Advanced level).

‘You Have to Think’

Elisa Wallace and Lissavorra Quality. Photo by Chelsea Spear Photography.

“I love the course,” Peter Wylde, perhaps the busiest man on the ground today running back and forth from warm-up to ring with his plethora of students, said. An Olympic team gold medalist in his own right, he’d certainly be one whose opinion carries weight. “It’s challenging, it’s big. I think the time allowed is just right. You have to think about it, but [the time] didn’t need to be any tighter, because there’s not that many clear rounds.”

“I think you have to be efficient to make the time,” Peter continued. “You have to think. I could be wrong about the height, but it seems as high as I’ve seen it here. It’s hard to say that it was a hole lower [last year], but still, it seems substantial. But this is as close we’re going to get to practice to go before going to Kentucky and we need to jump a big track to set the sights and raise the horse’s sights. So I like the course, plus, this ring is a perfect size. The footing is perfect. Michel Vaillancourt is a beautiful course designer. It’s subtle, but it’s not mean. There’s nothing ugly about it. It’s just good.”

Michel may come from a pure show jumping background himself — he won an individual silver medal at the 1976 Olympics in his home country of Canada — but he loves designing courses for the eventers. For him, the investment is somewhat personal — he, like Peter, has become a fan of the sport, has dedicated time to learning the nuance of it and watching the evolution of the sport from its former days to its modern era.

“I have the most admiration for those guys and girls, because the three disciplines are so different from one to another. They manage to keep it together for all three disciplines and it’s quite remarkable. I really admire what these guys do. That’s why I like designing show jumping for them, because I appreciate the effort that they put into their sport.”

And that’s also why he knows he can’t go too soft on them. There was a time, he recalls, when the eventers nearly seemed to think of the jumping, as its traditional position in three-day event, last. One pole, two, sometimes even three may not have had the impact that they would today, both with the changes in how the sport is scored as well as, importantly, the quality of both horses and the training and riding of them through the decades.

Phillip Dutton and Denim. Photo by Chelsea Spear Photography.

“If you look at it, the old event horse used to jump really flat with a very weak back end, because they didn’t care — they could brush the jump,” Michel said. “As long as they slither over the jump, they were fine. So they’d look at the Thoroughbreds that were fast and that were handy a little bit, but their technique may have been mediocre, and then the stadium was a big problem for them. But you look at the type of horses that you see in this day and age…I mean, even Kentucky is the same thing. You look at these riders go around and, hell, if they were showing at a normal hunter jumper show, you would not realize that this is is actually an eventer. So it becomes a real three-discipline competition. It’s not just about the cross country anymore.”

Six clear rounds — about par with the last year or two — were counted today, and one additional clear with time from Phillip Dutton and Denim. There are always varying factors to the challenge of this course: it’s early season (many of these horses haven’t had many “real” runs yet), the spectators are packed to the rail on every side, and the atmosphere is electric. It’s a lot for many a horse, and that’s not an insubstantial amount of influence.

“No, I wasn’t surprised,” Phillip said when asked about the number of rails flying this afternoon. “It walked pretty big, actually, so I think that the numbers come out about right. I thought it was a lot bigger than it was last year. There was a couple of lines there that your horse had to really be on the line to get it right. But the faults were spread evenly throughout the out the course, so I think it was fair.”

What Makes a Course ‘Good’?

Emily Hamel and Corvett. Photo by Chelsea Spear Photography.

The other key ingredient to Michel’s course is the delicacy of some of the rails he uses on some jumps. Show jumping rails come in multiple weights (as do jump cups, in terms of shape) and materials, and Michel intentionally uses lighter rails on some of his fences to add an additional degree of technicality.

“I need to challenge these guys a little, even if it’s the beginning of the year,” Michel explained. “But [that beginning of the year idea] to me is more about the cross country, not the show jumping. From my standpoint, I built a course that was not a real scope test, but more of a rider’s course and a little bit delicate. If I were designing a Grand Prix, I might have put two oxers in the triple combination, but I opted for a vertical-vertical-oxer and I kept it a bit technical. It was very delicate, so that’s why we had maybe a few extra rails than I really wanted to see there. It was going downhill towards the in-gate, and I knew that the challenge was that.”

For Michel, the result of his course — what makes it a success in his book — isn’t necessarily, or only, the number of clear rounds or poles on the ground. It’s about the mental effect on both horse and rider. Was there education? Did the horse come out better, or more educated, than they went in? Were there few “ugly” jumps or distances? Those, he says, are almost more impactful in his assessments.

“For the most part, I would think that most riders came out of the ring thinking ‘my horse learned something today. I learned something today.'” he said. “It was a very positive experience, because there nobody swam through jumps, nothing scary, everybody kind of started and finished on a good note. I’m not afraid to to go strong, you know. I felt that the course was demanding, challenging, but not unfair. And that’s pretty much what the results showed. I’m happy with the whole thing, and I hope that the riders were happy as well.”

We’ll have much more for you (maybe, ideally, at a more reasonable hour) tomorrow as we wrap things up with cross country, which kicks off at 12:30 p.m. in reverse order of standing. Nine pairs have withdrawn (seven of which were withdrawn after show jumping, mostly pre-planned), leaving us with a field of 19 to see on Jay Hambly’s debut track. You can view the full course on CrossCountry App here, and we’ll drop the video preview below. More links, including to the ClipMyHorse.TV live stream, can be found at the bottom of this post.

I’d like to end this recap with a note of love to Allison Springer and the family and friends of Nancy Winter, who passed away suddenly on Thursday night. Allison left the competition today, withdrawing Vandyke, and the event held a moment of silence in Nancy’s honor during what would have been Allison’s ride time. Nancy Winter was an icon of the sport, supporting riders like Allison and the greater community through her dedication, production of quality horses (Connemaras were her favorite, and why Allison rides many Connemara crosses), and philanthropy. She will leave a large and lasting void in our hearts, and we are sending her friends and family our love and greatest sympathies.

$100,000 LiftMaster Grand Prix Eventing Showcase at Bruce’s Field (SC): [Website] [Tickets] [Entries/Ride Times] [Scoring] [Volunteer] [Ride for Charity Team Vote] [Live Stream] [CrossCountry App XC Course] [EN’s Coverage]

EN’s reporting is supported this weekend by Deirdre Vaillancourt Real Estate, your source for all things Aiken. Learn more about Deirdre and how she can help you embrace the Aiken lifestyle here.

Your Ultimate Guide to the $100,000 LiftMaster Grand-Prix Eventing Showcase

Boyd Martin and Commando 3 compete at the Grand-Prix Eventing Showcase at Bruce’s Field in 2025.

We have arrived on site at this year’s $100,000 LiftMaster Grand-Prix Eventing Showcase at Bruce’s Field, presented by Taylor Harris Insurance Services, and tomorrow marks the start of this great highlight event’s eighth year of competition. The significant prize purse stands as the best non-FEI prize pool in our sport here in the U.S., and despite its early season location on the calendar, we always see a fully competitive field here with several horses and riders planning to make a real run at the top of the podium.

Other new changes this year include the addition of new cross country course designer Jay Hambly (CAN), who takes the reins from Capt. Mark Phillips (here this year as an advisor because full retirement is really never an option for any eventer). Michel Vaillancourt (CAN) returns to make his mark on Friday’s show jumping track, and Christian Steiner (AUT) and Sara Miller Leary (USA) will be the Ground Jury members.

29 horses and riders have entered for their chance at the prize this week, including last year’s winning rider Will Coleman (who’s left his former winners at home but this year debuts the very exciting Team Rebecca-owned Fahrenheit Addict), and 2022 winner Boyd Martin, who has three chances to win with Commando 3 (owned by Yankee Creek Ranch LLC), Shanroe Cooley (owned by Ocala Horse Properties and Dallas LLC) and Miss Lulu Herself (owned by Bonnie Stedt).

EquiRatings has tapped Sydney Elliott and Carol Stephens’ QC Diamantaire for the best chance to win (set at 19% in the early going) in their prediction center, which can be viewed here. You can also peruse EquiRatings’ newly-designed Fan Guide to the event and the field here.

What’s Happening On Site

Boyd Martin leads a cross country course walk at GPE. Photo by Christine Quinn Photography.

There is something for the entire family, horsey or not, this weekend! If you want to learn a little about each phase, you’re in for a treat. Here is a list of the course previews and other opportunities for each phase of competition:

  • Friday – 10:30 a.m.: Meet us by Vendor Booth #2 (the Aiken Horse Park and Eventing Nation booth) for a Win the Warm-up session with Grand Prix dressage rider Silva Martin, with special appearances by Ryan Wood and Allison Springer after they perform their tests. Silva will be talking the group of attendees about how the top riders use their warm-up to prepare, and what we can all take away to our own riding. This session is free but does require advance registration due to limited space. Click here to sign up! This session is hosted by Eventing Nation and Optimum Time.
  • Friday – approximately 2:00 p.m.: Meet at the Show Jumping ring for a preview of Michel Vaillancourt’s track, led by Michel himself as well as Phillip Dutton. This course walk is supported by Triple Crown.
  • Saturday- 10:00 a.m.: Meet Boyd Martin at the Purina trailer (which is also serving as an Info Hub for the weekend — you can also stop by for orders of go, etc.) for a preview of the refreshed cross country course designed by Jay Hambly! This Purina-sponsored course walk has been likened to a Taylor Swift concert in terms of attendance (and we know Boyd’s a bit of a Swiftie himself, even if he doesn’t want to admit it).

Also on the docket is the first-ever Autograph Signing with athletes like Will Coleman, Sydney Elliott, Ryan Wood and Phillip Dutton at the Dressage Hospitality Tent on Saturday starting around 11:00 a.m.

We typically also have an in-house demo of another equestrian sport here at the Showcase, and this year’s exhibitors come to use from Falconwood Vaulting! You can join us at the Show Jumping ring around 11:45 a.m.

And just around the same time, at noon in the Vendor Village, there will be a Dog Agility demonstration all afternoon led by Maria Duthie. Also in the Vendor Village, alongside the many shopping opportunities, Frank’s Kid’s Corner and Pearl’s Bounce Houses are back by popular demand.

Lastly, throughout the weekend, fans are invited to do more than cheer from the sidelines. You can actively support your favorite teams through the Ride For Charity Popular Vote. For $5 per vote, supporters may cast as many votes as they wish online, with every dollar going directly back to the team’s nonprofit organization. In addition to a special “Fan Favorite” recognition, the final team standings in competition determine how the charities share in $10,000 in prize money, creating a powerful connection between sport, spectatorship, and meaningful community impact. Six teams will be vying for the top prize this weekend, and you can start the ball rolling with your votes and donations here.

The Schedule

Jennie Brannigan and FE Lifestyle. Photo by Shelby Allen.

Friday, February 27

  • 8:30 a.m. – 1:00 p.m.: Dressage
    3:30 p.m. – 5:30 p.m.: Show Jumping

Saturday, February 28

  • 12:30 p.m. – 4:00 p.m.: Cross Country

The Field

Sydney Elliott and QC Diamantaire. Photo by Shelby Allen.

Here is a look at the early predictions from EquiRatings, which are based on each combination’s past performance statistics.

It’s frankly somewhat of a hard event to handicap. While the entry list usually features at least a few bonafide 5* horses that are supremely competitive, handicapping is complicated by the fact it’s early in the season, fitness and finesse are still “in progress” in many ways, and not every rider is coming to compete for the win. Many will use it just as a Combined Test and opt not to do cross country, and others will find the uniquely twisting and turning nature of this cross country course to be a different sort of challenge that may prevent them from pushing for or catching the time.

All of that to say, this event is truly one of a kind — #AnEventLikeNoOther, if you will — and we truly hope you come out and enjoy it for yourself! You can view the full field here.

How to Follow

Will Coleman gets a champagne bath from his fellow podium mates in 2025. Photo by Shelby Allen.

This year, the Showcase will welcome ClipMyHorse.TV as their new live stream provider. You will need a membership or a one-time pass to view the action live, and you can access the stream for all phases here. Annie Bishop is here to do interviews on site, and Frankie Thieriot-Stutes will be joined by Sinead Halpin Maynard for commentary.

You can also follow the event on Facebook here and Instagram here. EN will also have some content coming on our Instagram, which can be found here.

We’ll have much more coming your way here on EN all weekend, so stay tuned for much more. EN’s reporting is supported this weekend by Deirdre Vaillancourt Real Estate, your source for all things Aiken.

$100,000 LiftMaster Grand Prix Eventing Showcase at Bruce’s Field (SC): [Website] [Tickets] [Entries/Ride Times] [Scoring] [Volunteer] [Ride for Charity Team Vote] [Live Stream] [EN’s Coverage]

Arden Wildasin, Will Faudree Claim Advanced Wins at Pine Top

Will Faudree and Mama’s Magic Way. Photo by Liz Crawley Photography.

While many Florida-based pairs have an Advanced run under their belts already at this early stage of the season, others hold back for Pine Top’s Advanced offering, typically known for its pipe-opening, Jeff Kibbie-designed cross country and challenging show jumping on grass. Many the Aiken or Southern Pines-based pro uses Pine Top’s early season competitions as a springboard into other usual spring stops such as the Grand-Prix Eventing Showcase at Bruce’s Field (Aiken, SC) this coming weekend or the CCI4*-S legs at Bouckaert Farm (Chattahoochee Hills, GA) or Carolina International (Raeford, NC) on the East coast.

The entry list at Pine Top is typically a mix of newer Advanced horses as well as those on the CCI5* track. Our two Advanced winners this weekend fall into the latter category.

Will Faudree came out of 2025 in a pensive state of mind. He’s whittled his string of horses down recently — he’s got just two horses (Mama’s Magic Way and Armandio, both owned by Jennifer Mosing / Sterling Silver Stables) actively competing and he says, barring a serendipitous turn of events, his all-consuming team aspirations have receded. Now, with his focus on a return to MARS Badminton with Mama’s Magic Way, who is 15 this year, Will says he’s got little to lose and much yet to learn, despite the accomplishments of his career to date.

“Mason” has always been a tricky horse to ride, Will will be the first to tell you. Last month, after a visit from his longtime coach, Bobby Costello, Will took Mason out for a hack. “I just started thinking about all of the people — Boyd and Silva [Martin], Tim and Jonelle [Price], Jennie [Brannigan] when she based at Phillip [Dutton]’s — and how they always had some sort of eyes on the ground to ask ‘hey, does this look alright?'” Will said. “And the other part of me was, ‘what do I have to lose?’ I have this incredible horse. I’m fairly accomplished in what I’ve done, but the results aren’t what I want them to be, so I need to – how can I make these results better?”

At that point, Will asked Bobby — to whom he credits all of his career success — for more presence. Fortunately, Bobby’s just down the road, so between his visits to Will’s Gavillan Farm and Will trailering his horses to Bobby’s, he’s now been eyes on the ground for every ride outside of a fitness set this year to date.

“It’s been so incredibly helpful because he is a tricky horse with a lot of quirks, and I love every one of them but just having Bobby’s mentorship on the ground has been really great,” Will explained. He used an example of Bobby telling him to almost “over-exaggerate” the release of pressure with Mason, instructing Will to “slow the saddle down, not slow the mouth down” when he was looking for a harmonious response to an aid.

“It’s funny, you can see it in the video of my test where I could feel that Mason was getting ready to kind of grab the bridle and go against me,” Will laughed. “And in my head, my first reaction was ‘don’t you run off with me,’ but then I had Bobby’s voice in my head telling me to over-exaggerate the giving of my hand, and then you see me literally have a loop in the reins in the video. But you know what? It worked.”

So it’s just the pursuit of that tenth of a point better that keeps these guys coming back for another try, and then another. It’s what Will’s really come to appreciate at this stage of his career, especially. “No one can ever become a master in this job because we’re always learning and always trying new things.”

Will plans to route through Carolina International in March before his trip to England for Badminton in early May.

Arden Wildasin and Sunday Times. Photo by Sherwood Holmes for Liz Crawley Photography.

Arden Wildasin is also experiencing her own ongoing evolution of learning, and the first fruit of that labor emerged this weekend in an Advanced personal best dressage score and the win in Pine Top’s other Advanced division with her longtime partner, Sunday Times, who is 19 years young.

Arden and “Mumbles” scored a 34.0 from judge Sue Smithson, and Arden says her work between the white boards this winter has been all about the details and even the relearning of some foundational skills. Her longtime coach, Heidi White, is a proponent of foundational knowledge, so the work you can find Arden and most of her professional peers doing isn’t all that novel or groundbreaking — because it doesn’t have to be.

“I definitely spent multiple tests going in the ring and doing it over and over again, but I think mentally I’ve also changed and realized fast is not the best option,” Arden said. “I’m reframing my brain of feeling too slow versus active, so my brain is changing to realize slow is my best friend — while still riding forward. Which is hard because I’m a fast cross country rider, so it’s hard to be present within each step and mentally thats been the hardest thing. But it’s paid off dividends. Mentally, the patience of each stride slow is your best friend.”

Arden says she’s gone back to counting the footfalls of each gait, working to gain a real understanding of the partnership and acceptance that creates a true execution of what we all know as a training scale. Arden, though, says she likes to think of the scale more as a spiral.

“I see the pyramid as a spiral where you’re always evolving and improving and finding strengths and what was weak is now strong, it balances out,” she explained, using an example of this ‘slow is your best friend’ notion. “Heidi is always a preacher of the basics. We have to have the outside shoulder, be straight, have the back coming up – but also, the realization of what it actually feels like and what the following hand — the acceptance of the hand — is partnership. It’s not, by any means, riding backwards to be slow, but it’s being present and relaxed, which gives you more energy and gives you a bigger stride, so you’re covering more ground and your brain is slower because it’s bigger. It’s not tight, not jammed where everything feels frantic. And then you learn that you can work on something, move on and then come back to that first thing with more strength and a better education. That’s why it’s a spiral, and thinking of it that way keeps you from getting frustrated.”

And she was anything but frustrated this weekend. “If that wasn’t my personal best, it certainly felt like it was,” she said.

Sunday Times was top 10 at the MARS Maryland 5 Star to end his first season at the 5* level last fall. This year, Arden’s aiming for a second run at Defender Kentucky, as long as he tells her he’s feeling good for it. “He owes me nothing,” she said. “He loves his job and his life, and his mentality really helps his body, so he’s really stayed sound and he’s getting stronger and stronger.” Arden’s based out of her family’s Fox Nation Aiken home base for the winter, a facility that hosts boarders year round and also works with organizations such as Detroit Horse Power for an annual hunter pace fundraiser (spoiler alert: anyone can take part in this event on March 15! Click here for more information and support a great cause if you’re in the area). Fox Nation and the Wildasin family are quiet supporters of the sport through multiple efforts, including their recent support of the MARS Bromont Rising program in Canada.

The top three for both Advanced divisions at Pine Top is as follows:

Advanced Test A
1: Arden Wildasin and Sunday Times (42.0)
2: Allison Springer and Vandyke (44.1)
3: Bruce Davidson, Jr and True Belief (45.4)

Advanced Test B

1: Will Faudree and Mama’s Magic Way (39.2)
2: Mary Bess Davis and Imperio Magic (47.5)
3: Alexandra Knowles and Montpellier Scais (55.7)

Pine Top Advanced: [Website] [Scores]

The Horse, the Myth, the Legend: La Biosthetique Sam Passes Away

Michael Jung and La Biosthetique Sam FBW. Photo by Shannon Brinkman.

How often have we all been told a horse has “a funny jump” or is, for all intents and purposes, relatively “nondescript” for the task at hand, let alone for the top levels?

And yet, how often are those who assign such labels wrong?

Those two terms used in the first sentence are the very descriptors used to describe a two-year-old La Biosthetique Sam, shortly before he was sold at auction for the bargain price of £6,000. Now, nearly 24 years later, that very horse — who had gone on to become one of the all-time greatest event horses — has been laid to rest at his home farm in Germany, where he had lived out his retirement with his rider, Michael Jung. The 2000 Baden-Württemberg gelding passed away on February 16, as announced by Michael on social media.

“This evening i lost my best friend, Sam 🖤💔,” the post read. “We reached every milestone side by side, and for years I found daily happiness in seeing you grazing in the field. Thank you for 20 years together. You will be deeply missed by all of us. Rest in Peace my friend 🌈”

The success of “Sam” can’t be understated. Silver at both the 6- and 7-year-old Young Horse World Championships to kick things off with a bang. A European Championships individual bronze two years later, and a World Championships title added on in 2010. Two consecutive Olympic gold medals. Eight CCI5* (then CCI4*) starts, all of them finished on the podium — three of those were wins. A World Cup title. Contribution a coveted and rare Rolex Grand Slam win. Sam was retired healthy in 2018, and lived primarily outdoors with fellow Jung superstars like fischerRocana FST until the very end.

Michael Jung and La Biosthetique Sam FBW. Photo by Jenni Autry.

A lot of accomplishment for a horse once called “nondescript”. But you can’t truly fault the originator of that label (who, likely, will never, understandably, raise their hand and say “heh, that was me,”). Most of you reading this can rattle off a handful of names that were likely labeled as such themselves. Because that, truthfully, is eventing at its core. Horses who aren’t “supposed” to compete at the sport’s highest levels still can, and do. The sub-$10,000 horse has just as much of a shot as the $500,000 horse, with the right partnership, ability, training, management and — key, non-negotiable — desire. And yes, it should be said here that Sam was well-bred for the job — he was 76% blood with both European and Irish Thoroughbred influence on both sides, and his predecessors had produced multiple Olympic champions.

And yet, Sam may not have turned heads the way a stunning mover like familiar U.S. stars Chin Tonic HS or Mai Baum would, but where he won was in the margins. The details. Fitting, consider his equally detail-obsessed rider. In Sam’s case, correctness mattered more than extravagance. And while yes, many horses are inherently blessed with the good moving genes, correctness is always the goal.

“The stand-out thing for me was the two of them together – they were an amazing partnership,” Andrew Nicholson told Horse & Hound for a wonderful feature on Sam published in 2021. “The horse looked quite small and plain outside the arena, but when told to perform, he danced.

Michael, for his part on picking up the horse at a young horse sale, noted that Sam’s trainability — his eagerness to be ridden and taught — was what stood out more than anything. “Sam was quite good as a young horse, but he wasn’t really a special horse from the beginning,” he told Tilly Berendt in a Chronicle of the Horse profile on the horse. “He was always just good enough. But then we started to train him, and he just kept going and going, and learning always, and then, after three or four years, he had grown up and kept getting stronger and better. He was always very trainable.”

That trainable, ridable skill that’s often difficult to find, paired with a rider that thrived on precision, proved to be near-unbeatable. Together, Michael and Sam hold a string of some 20 finishes on their dressage score throughout their career, and stepped up to the plate on more than one occasion to finish inside the time on cross country when most others couldn’t. Their consistent scores in the post-2018 era 20s weren’t a result of flash. It was the margins: the extra half-point nods earned for a crisp transition or flying change, the tenths of seconds shaved by the ability to ride tighter, smoother, the economical skill to jump clear on Sundays. That’s something we can all learn from, even if we’re not on the “best” horse in the barn. These margins equalize us, enable us to compete — even when the odds say we can’t.

And as we wrote recently, these great horses don’t come often. We’re lucky, in every generation, to have our share of greats. Future hall of famers are only thoughts in heads now. But even when we know we’ll always have greatness in some form, it’s fitting today to pay tribute to the greatness we won’t likely see repeated in many ways.

Much like our counterparts in other sports, it’s a fascinating thing to see people roll their eyes at repeated greatness. Give someone else a chance, they say. We’re tired of reading the same story. But the reality — the true appreciation — seems to be more accurate when seen through the lens of the extreme difficulty that comes with repeat success. It’s why it doesn’t happen often, and why it never stays around forever.

That’s what we’re left with now. The same story: Sam wins again, to be repeated when we’re asked who the greatest event horses of all time are. We were never sad to write the story over and over again. We see it through the lens of gratitude, of wishing we’d savored it just five minutes longer when it was happening instead of rushing off to write the story.

Thanks for the ride, Sam.

Enjoy some pieces of Sam’s story in the videos below:

Star-Studded Roster Beckons at $10,000 Ocala Invitational Combined Test

Will Coleman and Chin Tonic HS are one pair slated to compete in the $10,000 Ocala Invitational Advanced Combined Test on February 18. Photo by Shannon Brinkman Photography.

EN is gearing up to hit the road to kick off the 2026 season down in Florida on February 18, where 30 horses and riders are currently entered (with a few more anticipated) for the inaugural $10,000 Ocala Invitational Advanced Combined Test at Florida Horse Park. Organized by Chris Barnard and Justine Dutton-Barnard’s Notting Hill Stables and supported by multiple local brands, this Combined Test presents an opportunity to tune up for the season, which for many of these pairs may “start” at events like Pine Top Advanced in Georgia and the $100,000 Grand-Prix Eventing Showcase at Bruce’s Field in Aiken before the March CCI4*-S season begins.

Chris and Justine, both with their own strong connections to the sport of eventing, have hosted shows in Ocala for several seasons now, but this Combined Test represents a part of their larger vision and contribution to the sport. “I’ve always wanted to do an invitational type show for eventing,” Chris said. “It’s early in the season, so that’s why I thought a Combined Test would be ideal. I really wanted to do a show that offers prize money to eventers — which is lacking in this discipline — and the hope is to increase it in the future. It’s also a week or so before the Aiken Showcase and so we thought some might use it as a prep and also to others it would give them a chance to get their horses and themselves in some atmosphere which is always good education.”

Competitors will be challenged at the Advanced level for both their dressage and show jumping tests, with Bobby Stevenson and Valerie Pride stepping in as Ground Jury judges and Chris Barnard judging and designing show jumping. There will be a minimum of $10,000 in prize monies to hand out to the winner, with more support pouring in each day.

The current list of competitors, as of February 4, is as follows:

  • Woods Baughman — Hopak de Greenbay Z

  • Zachary Brandt — Direct Advance

  • Rebecca L. Brown — Fernhill Quite Frankly

  • Jan M. Byyny — Beautiful Storm

  • Kimmy Cecere — OS Hermintage

  • Maya Clarkson — Maks Mojo C

  • William Coleman — Chin Tonic HS

  • Dana Cooke — FE Quattro

  • Jack Curtis — Luska Candy Clover

  • Bruce (Buck) Davidson Jr — Cooley Candyman

  • Gabby Dickerson — Casalto

  • Mia Farley — Phelps

  • Cornelia Roosevelt Dorr Fletcher — Daytona Beach 8

  • Rory Frangos — Monty’s Tune

  • Stephanie Goodman — Elwenda DP

  • Hannah Sue Hollberg — Hachi

  • Jennie Jarnstrom-Dennis — Flower Girl

  • Kendal Lehari — Mitchell

  • Shannon P. Lilley — Eindhoven Garette

  • Natalia Neneman — Chesterland’s Brown Sugar

  • Alex O’Neal — Creative Genius
  • Elinor MacPhail O’Neal — Carsontown Basil

  • Caroline Pamukcu — HSH Connor

  • Meg Pellegrini — Falcon Crown Z

  • Alyssa Phillips — Rockett 19

  • Monica Spencer – Artist
  • Briggs Surratt — Corture

  • Chris Ryan Talley — FE Marco Polo

  • Elisa Wallace — Lissavorra Quality

  • Sharon L. White — Claus 63

If you’re interested in attending this event, it’s free to spectate! It will take place at Florida Horse Park, located at 11008 S Hwy 475, Ocala, FL 34480. Further information and updates can be found on the Ocala Invitational Facebook page here.

Win a Fully-Funded Trip to Defender Burghley with EN and Five Star Eventing Tours

Monica Spencer and Artist. Photo by Hannah Cole Photography.

We all have a horse that, inadvertently or not, wound up being our hero.

The one who carried you through a season where nothing else felt steady. The one who made you brave enough to try again. The one who quietly taught you that patience is a skill, not a personality trait. The one who didn’t win all that much, but saved you in more ways than one.

That’s the spirit behind the “Horse Hero” Contest, a new Eventing Nation collaboration with Five Star Eventing Tours that’s part giveaway, part love letter, and part rallying cry for the people who know the best stories in this sport aren’t always told in results sheets.

And the prize? Not small.

One winner will receive Five Star Eventing Tours’ complete 2026 Defender Burghley Horse Trials package (valued at $8,995 USD), plus roundtrip airfare up to $1,000 USD. The week-long experience runs August 31–September 7, 2026, built around Burghley’s competition dates of September 3–6, 2026 and packed with the ultimate Five Star experience.

Five Star’s Burghley tour is curated to be premium in all the ways that matter: airport transfers via Mercedes private hire, seven nights at the Talbot Hotel in Oundle, and dedicated transfers to/from Burghley so you’re not playing “Guess That English Roundabout” in a strange rental car.

You’ll have premium covered centerline seating for both days of dressage, plus members-area access and a private lakeside chalet at Lion’s Bridge (with indoor/outdoor seating, meal service, and closed-circuit coverage) from Thursday through Sunday, meaning you can watch, wander, shop, and still have a home base to take a rest or rendezvous with your travel companions.

But! That isn’t all. Five Star Eventing Tours founder Greg Paull – a former 4* level rider, international groom, High Performance Advisor, Chef d’Equip, etc – is taking you behind the scenes at the iconic Burghley House. Travelers will enjoy a private tour of Burghley House, a cocktail reception, and an exclusive three-course dinner in the Great Hall with special guests.

The list is pretty endless, and you can see the full schedule of events here.

Defender Burghley is the kind of event that expands your brain a little. The atmosphere, the access, the sheer number of world-class horses doing world-class things in every direction at once. It’s also the kind of event that can feel out of reach, which is exactly the gap Greg Paull has been trying to close.

Greg is the founder of Five Star Eventing Tours, and he’s not new to this sport, or to the behind-the-scenes work that makes big moments happen.

“Having been… an eventing sort of geek since I was a young boy, I’ve had the good fortune of being able to travel all over the place to so many different 5* events,” he said. He started out as a groom and went to the 1984 Olympics in that role.

Over time, Greg’s love of eventing paired with a professional background that’s basically tailor-made for this: he’s worked in corporate event logistics, planning and executing trips for everything from small teams to major launches, and he’s long believed there should be more ways for supporters of the sport to truly experience the top of it.

“So all of that to say… that’s how I felt confident in being able to tackle something like this,” he explained. He knew the equestrian side, knew the logistics side, and understood the communication side – “marrying all of those skills together” finally helped him “pull the trigger.”

He also brings serious high-performance context to the table. Greg has competed up the levels himself, served as a co-chair of the Canadian Eventing High Performance Advisory Group, and worked as team manager and chef d’équip for Canadian eventing through championship cycles from the late 1990s into the mid-2000s – an era that included World Championships trips, ending with Aachen as the final stop of that chapter.

And still, when he talks about Burghley, it’s not just nostalgia. It’s a specific kind of “I want other people to feel this” conviction.

“I just had the most amazing time by myself, with no pressures,” Greg said of attending Burghley recently in a way that let him fully soak it in, watching as many dressage tests as he wanted, hanging out at the warm-up, floating between vantage points, and taking in everything the event is beyond the competition. “You just feel so welcomed… I really need to figure out a way to show this experience to more people.”

That’s where the “Horse Hero” Contest comes in. The premise is simple: use the entry form below to tell us why your horse should be considered a Hero – 500 words maximum. The story can be big or small. A comeback. A lifeline. A horse who made you fall in love with eventing. A horse who taught you something you didn’t know you needed. If you’ve got the story, our judges want to read it!

Entries must be submitted by 11:59 p.m. PST on Sunday, March 15, 2026.

A judging panel will choose the winning submission, comprised of Jessica Phoenix (CAN), Monica Spencer (NZ), Simon Grieve (GBR), Sally Spickard (Eventing Nation), and Greg Paull. The top 5 finalists, as determined by the judges, will have their stories shared on Eventing Nation.

After entries close, our judging panel (Jessica Phoenix, Monica Spencer, Simon Grieve, Sally Spickard, and Greg Paull) will read submissions in two rounds. Identifying information such as names, email addresses, etc. will be withheld from submissions during both judging rounds.

In Round 1, judges will score each entry to narrow the field to a final shortlist of five. Stories will be evaluated on things like how clearly the horse’s “hero” impact comes through, the emotional resonance of the story, and how well it’s told within the 500-word limit.

In Round 2, the judges will re-read the shortlist and score again to choose the winner. At this stage, we’ll be looking for the story that best captures the spirit of the contest – a horse who truly made a difference – plus strong storytelling, memorable details, and a message that will resonate with the wider eventing community.

The winner will be announced on Eventing Nation on April 1, 2026. Terms and conditions do apply and can be found on the entry form.

Greg hopes this is just the start. “I’m hoping that in the long term, I can graduate this to other events, if this one is successful, and try to just build on that,” he said.

For now, though, it begins with one trip, one story, and one horse. We can’t wait to hear about yours.

Enter the “Horse Hero” Contest using the form here.

If you’re interested in booking a spot on this year’s Defender Burghley adventure, we’ve also got a special deal for you! You can use the code “GoEventingBHT” when booking to receive $750 off your package price. (A few basic T&Cs for this code: Must be booked no later than April 15, 2026. $1000USD due within 5 days of registration. 50% must be paid by April 30, 2026. Must be paid in FULL by June 1, 2026)

A Tribute to Ballaghmor Class as Retirement Looms

Oliver Townend and Ballaghmor Class. Photo by Shannon Brinkman Photography.

Exactly eight years ago, I emerged, bleary-eyed and jet lagged from a train station somewhere outside of Birmingham, England. My boss at the time, Patricia Da Silva, and I had inadvertently gotten on the wrong train that morning, and we stood at the curb of the station, awaiting saving. Minutes later, photographer extraordinaire Nico Morgan swooped into the parking lot in his rugged SUV. We’d called him in a mild panic, and he’d modified his route to rescue us and whisk us off to our final destination: Gadlas Farm, the home base of Oliver Townend.

The shoot had come up a bit last-minute. Oliver was to be the cover story for a spring issue of Heels Down Mag, featuring a beautiful interview piece penned by Caroline Culbertson. We were already going to be in town for the British Equestrian Trade Association show in Birmingham, so we booked Nico and made plans to shoot Oliver at his home.

It was slow season at Gadlas. Leftover melting snow from the most recent storm decorated the brick house and barns, horses quietly tucked into their stalls. Oliver emerged from his house, which is situated directly across from the main barn, and immediately, a gray head poked out from the stall most opposite the house. Oliver went to the stall door, stroked the nose, patted the neck, before greeting us.

Ballaghmor Class (11 at the time) was still, somewhat, unknown — if you can call a horse that had just won his CCI5* debut (at Burghley, lol) an “unknown”. Perhaps, the better wording is that it was, then, unknown what “Thomas” would go on to be. A four-time CCI5* champion. An Olympic team gold medalist. A stalwart horse who would go on to complete over 40 international events and finish in at least the top five of nearly every 5* he started.

But Oliver knew.

Oliver posed with Ballaghmor Class during a Heels Down Mag shoot in 2018.

Thomas had already earned the best stall in the barn: the one where Oliver could see him from his bedroom window. At the dining room table, surrounded by empty champagne magnums from podiums past and trophies and datebooks, while making his plans for the season, he could look over his shoulder and see the horse that would become his greatest competitive success to date.

I had a conversation not long ago with a colleague, who mentioned the fact that we’re in this incredible era of horses who won’t be imitated in any near future. La Biosthetique Sam. fischerRocana FST. London 52. Lordships Graffalo. fischerChipmunk FRH. Ballaghmor Class.

What these horses achieve comes down to many things, including their rider, health and management, yes, but I don’t think it can be understated just how special some of these ultra-successful horses are. I believe that, deep down, the most experienced riders can tell if they’re sitting on something incredible. I’m not sure they can put that gut feeling quite into words, but I think they know.

Oliver continued to tell us in the mixed zones and in press conferences that Thomas was the greatest horse he’d sat on. Frankly, he’d usually leave it at that. For him, it sufficed to say just that. The performances and accolades Thomas earned spoke for themselves.

Oliver Townend and Ballaghmor Class take the scenic route. Photo by Peter Nixon.

It wasn’t easy. Thomas was sensitive and sharp. He wasn’t a simple horse to ride. He developed strong attachments to other horses and needed management around the resulting separation anxiety. He was purchased at a Tattersalls sale in 2010 as an unbroken three-year-old to Katherine Charlton, who nicknamed the horse Thomas after her son. Karyn Shuter, Oliver’s longtime supporter and now USEF Eventing High Performance Advisor, was the first to purchase the horse for Oliver to ride, eventually also selling shares to additional longtime Townend supporters Angela Hislop and Val Ryan. And it took time for the “gelling” to happen, but the supporters hung in, believing in what could be.

[You can read much more on Ballaghmor Class’ backstory in this piece by Horse & Hound‘s Catherine Austen — This article is behind a paywall]

Often when it isn’t easy, it’s that much more rewarding. Thomas has shown us this over the intervening near-decade. Now, he’ll be a horse used in campfire conversations as a standard for a true, through and through 5* horse.

Eight years later, that moment at Gadlas is still the one that sticks: the gray head over the door, the stall placed like a compass point, the sense that even on a quiet winter morning —- even for the one jet-lagged American, one jet-lagged Canadian, and one perky Englishman — the whole barn was orbiting something rare.

We spend a lot of time in this sport trying to define greatness with numbers. Wins, medals, completions, margins. But the real ones leave something behind that doesn’t fit neatly on a results page. They change what “normal” looks like. They make the hard questions feel briefly answerable. They set the bar somewhere uncomfortable, and then they just… keep it there.

We talk about eras like they’re made of headlines, but they’re really made of horses. The ones who hold the sport together while it changes around them. The ones whose names become shorthand for courage and scope and longevity and bravery.

Oliver Townend and Ballaghmor Class in what would be their final 5* victory lap, at the MARS Maryland 5 Star in 2024. Photo by Roya Brinkman for Shannon Brinkman Photography.

Ballaghmor Class belongs in that sentence with the others. Not because he had the right rider or the right luck or the right timing (though he had all of that, too). Because he had the kind of competitive soul you can’t teach, can’t buy, can’t plan.

Because horses like Ballaghmor Class don’t show up on schedule. They arrive, they rewrite the conversation, and then they leave us with the quiet understanding that we were lucky to be here when they did.

Now, for the deeply-buried lede: Ballaghmor Class will be formally retired in a ceremony at this year’s Defender Burghley, the site of his first CCI5* win and the happy hunting ground that saw him win twice and finish second or third on two other occasions. Oliver’s not quite ruled out a “tour” to stay active and let Thomas get out and about this year, but we won’t see him competing at the top levels.

“As the scene of two of his four CCI5* victories, Burghley is a very special place for Thomas, for me and for his owners, Karyn Shuter, Angela Hislop and Val Ryan,” Oliver said in a press release announcing the retirement ceremony. “It will be lovely to be able to bring him back to Burghley this autumn for a retirement ceremony and so that all his fans can enjoy seeing him once again. I think he will love the whole thing and will think he has won another Burghley!”

Defender Burghley takes place September 3-6, with the retirement ceremony scheduled for Sunday, the 6th. Tickets for the weekend can be found here, and stay tuned as we’ll be announcing a big contest soon to win a trip to Burghley yourself!

Eventing Will Continue at Bouckaert Farm

Photo courtesy of Bouckaert Farm.

Ever since documentation became available that Bouckaert Farm and its property owners, Carl Bouckaert, had been in conversations with developers to assess their 8,000-acre parcel of land for future use, rumors have swirled that the days of equestrian sports at the popular Chattahoochee Hills,, GA venue were numbered.

Carl has now put those rumors to rest, announcing in a press release recently that equestrian events (which include 7 recognized events and some 20-25 other competitions, including schooling shows, hunter/jumper and dressage competitions and community trail rides) would continue at the Farm through, at the very minimum, 2027.

Let’s zoom out just a little before we dive into the future.

The property was first purchased by Carl in 1988, when he foresaw a potential for the land to gain substantial value due to its proximity to Atlanta proper and major throughways. Additionally, the property is only 20 minutes from the Atlanta airport, the busiest airport in the world. He also germinated the idea of a property that could provide opportunity for himself and his family down the road, as a development made for the future.

As a decorated eventer himself, having represented Belgium at two Olympics, two World Championships, and six European Championships — resulting in three team medals — Carl knew he wanted to provide a space for horses on the Farm, and in 2006 what was formerly known as Chattahoochee Hills hosted its first event. It would go on to host the USEA American Eventing Championships as well as Olympic qualifiers, eventually coming under the name Bouckaert Farm a few years ago.

Now, Bouckaert Farm dedicates about 2200 acres to its equestrian facilities, which include a cross country course designed now by Clayton Fredericks (AUS) that runs up through the 4* level. Capt. Mark Phillips, a longtime friend of Carl’s and a longtime course designer prior to his retirement, is also involved as an advisor.

And while future development plans for the property are in the works, there’s one key detail that will help to ensure the future of horses at Bouckaert Farm in perpetuity. Together with other landowners in the area, Carl worked with the city of Chattahoochee Hills and other large landowners to impose a zoning ordinance stipulating that up to 70% of owned land must be designated as green space. Under this categorization, about 5,200 of the acres that make up Bouckaert Farm must be used for this function, an increase after the property was rezoned, by request, under the HM-MU Zoning District at the end of 2025. HM-MU is a Mixed-Use Hamlet district intended for a medium-density, fine-grained mix of uses. It requires high levels of open space preservation within each district.

During a recent open house showcasing the phases of development in the works for the Bouckaert property, plans were shared with attendees for feedback. DMB Development is leading the project, bringing forward a dedicated model of large, high-end projects that also co-exist with natural green space. DMB Development has worked on large mixed-use projects in areas like Arizona, California, Hawaii, Cabo San Lucas, and North Carolina.

Several hundred comments were received by community members, and among the top comments were those in support of preserving the equestrian property and horse farm for the future.

As for their commitment to hosting events through at least 2027, Carl, who also affirmed this at a horse show at Bouckaert Farm back in 2024 to address the ongoing rumors, and his wife, Suzanne Sitherwood, aren’t wavering. “I mean, who knows what’s going to happen?” Carl said. “But as long as it’s feasible, we will have the equestrian events go forward, although right now we’re only committing through 2027 because we’re not 100% sure whether we’re going to be able to keep it where we have it, or whether we put it somewhere else.”

That “somewhere else” simply being a different portion of the Bouckaert Farm property, Carl clarified. For now, it’s status quo: no definitive development plans breaking ground yet, no imminent changes, and any ‘somewhere else’ would still be Bouckaert Farm, a venue at which many an eventer has built their careers. Carl and Suzanne look forward to welcoming all equestrian event patrons for a long time to come.

Liz Halliday is Back in Kentucky with New Update

Photo via Liz Halliday on social media.

Happy Tuesday just got even happier with a new update from Liz Halliday, who continues her incredible recovery journey after sustaining a traumatic brain injury in a cross country fall in 2024. Liz has kept her updates relatively infrequent while she focuses on getting stronger, but her latest update informs us that she’s been able to move back home from the rehab facility she’d been at in Dallas, TX to her home in Lexington, KY. The move took place around Christmas, allowing Liz to spend the holiday with her closest family and friends (and dogs! and horses!) at home.

“It’s hard to describe all of the emotions you experience when you walk through the door to your own home for the first time in so long,” Liz wrote on social media. “Joy, gratitude, and a sense of pride that all of the hard work I have done over the past 16 months has brought me to this point.”

Photo via Liz Halliday on social media.

“My recovery journey is far from over,” Liz continued. “I’ve converted my office into a home gym and am working on getting stronger every day. I am still committed to my weekly therapy sessions to continue working on my speech and regaining more mobility. And I am continuing to ride at a local facility, which has been so beneficial in my recovery. I am excited to continue to improve, and I am so grateful to you all for cheering me on throughout this recovery journey. I still have a long way to go, but I’ll never give up, and I’ll never stop fighting.”

To see other updates from Liz, click here, and be sure to give her a follow on Facebook and Instagram for the latest updates! #KeepFightingLiz

Horse Sport Ireland Names Sam Griffiths as New High Performance Eventing Manager

The former Team New Zealand chef d’equipe Sam Griffiths at the Pratoni World Championships test event. Photo by Tilly Berendt.

Horse Sport Ireland (HSI) has appointed Sam Griffiths as its new High Performance Eventing Manager, with the FEI World Championships in Aachen on the horizon this summer and a longer runway stretching all the way to the LA Olympic Games in 2028.

Sam arrives with a résumé that reads like it was written by someone trying to win a pub quiz about modern eventing: elite rider, championship experience, and a growing track record in high-performance program leadership.

HSI points to Sam’s competitive background at the top of the sport —- including Olympic experience and championship-level appearances -— along with his more recent work behind the scenes in high-performance environments. In the release announcing the hire, HSI notes that Sam has held senior high-performance roles within eventing, working with athletes, coaches, and support teams with a focus on sustainable results.

A major recent chapter of that experience came with New Zealand, where HSI says Sam played a key role in the redesign of the country’s High Performance Eventing program alongside its High Performance Director. Sam also served as Head Coach to New Zealand’s High Performance Eventing Team for more than three years, including at the Paris Olympics in 2024, and has also acted as Chef d’Equipe at various international events and Nations Cups.

“I’m really excited to be appointed as Horse Sport Ireland’s High Performance Eventing Manager,” Sam said. “Ireland is a very strong equestrian nation with exceptional horses and riders so I’m hoping I can get the best out of everyone.”

Sam framed the job as both an immediate championship push and a longer-term medal mission. “I’m ambitious, we have the World Championships on the horizon and we want to go well there. That’s also a stepping stone to the Olympics, with qualification to Los Angeles on offer… but what I want is an Olympic medal, so let’s all pull in the same direction to get there.”

There’s also a built-in Ireland connection for Sam. You may recall Sam won Badminton with the fan-favorite Irish-bred mare Paulank Brockagh (bred in Co. Wicklow by Paula and Frank Cullen), and he also has family in South Dublin as well as a long-standing sponsorship arrangement with TRM, one of HSI’s team sponsors.

“I definitely feel like there’s a bit of Ireland in me,” Sam said, adding that he’s looking forward to getting started and building momentum with Ireland’s current mix of established and emerging combinations.

HSI Chief Executive Denis Duggan welcomed the appointment, citing Sam’s blend of competitive experience and program leadership. “Sam brings an exceptional blend of elite competitive experience and proven high-performance management expertise,” Denis said. “His understanding of what it takes to succeed at the very top of the sport, both as an athlete and as a leader, will be of enormous benefit to our eventing program.”

Denis added that the appointment followed a “thorough and competitive” process and highlighted Sam’s commitment to horse welfare and transparency — both topics Sam has been active in through panel discussions and broader industry conversations.

The Irish saw returned stability and competitive success during former Manager Dag Albert’s tenure. Dag succeeded former Manager Sally Corscadden in 2023 after the former was investigated by HSI for training practices, a period that underscored the internal struggle both the athletes and the sport’s governing body experienced. The Irish rebounded competitively, though, securing top international placings in the FEI Eventing Nations’ cup in the lead-up to Paris.

HSI also thanked outgoing High Performance Eventing Manager Dag Albert for his work with the program. “I would like to sincerely thank Dag Albert for his commitment, professionalism and contribution to Irish eventing during his time with Horse Sport Ireland,” Denis Duggan said.

Equestrian Events, Inc. Appoints Vanessa Coleman as CEO

Photo courtesy of EEI.

Equestrian Events, Inc. (EEI) has appointed Vanessa Coleman as its new Chief Executive Officer, effective immediately, the organization announced.

EEI, a nonprofit best known for producing the Defender Kentucky Three-Day Event presented by MARS Equestrian™, also runs the Cosequin Lexington CCI4-S* and the Kentucky International CSI5* presented by Hagyard Equine Medical Institute during the same marquee spring weekend at the Kentucky Horse Park, the #BestWeekendAllYear. Kentucky draws nearly 90,000 spectators annually, with shopping, hospitality, and demonstrations rounding out the competition experience.

Vanessa steps into the CEO role after serving as EEI’s Chief Competition and Operating Officer, working closely with outgoing CEO Molly Day, who is slated to begin a new role with the FEI in February as Director of the newly-merged Eventing and Driving/Para Driving departments.

With a legacy event and a host of other important competitions helmed by EEI (including the USEA American Eventing Championships, which return to Kentucky Horse Park this year and next), experience is key to a smooth transition — especially with Kentucky looming large just over three months away. No need to worry. Vanessa has been a key figure behind the scenes at Kentucky for more than a decade: she served as Senior Director of Competition beginning in 2013, after earlier roles that included Director of Ticketing and leading Sponsorship in 2012.

Defender Kentucky draws nearly 100,000 spectators to Kentucky Horse Park each April. Photo by Tilly Berendt.

“The EEI Board feels strongly that there is no better person to lead our organization than Vanessa,” said Prim Hudgins, President of the EEI Board of Directors, in the press release announcing the hire. “She is respected and liked by virtually everyone who knows her, and there is no doubt that her appointment will be well received by the entire Eventing community, both in the U.S. and around the world.”

Vanessa’s Kentucky story is also a horse-world one. While living outside the state for nearly 20 years, she worked as an accountant, ran her own barn, and organized a local horse trials, all while still returning to Kentucky annually to volunteer at the event and supporting her mother, who served as the Chief Steward of horse inspection. She first volunteered during her time in the Keeneland Pony Club, and also gained experience grooming for a competitor.

In 2008, Vanessa moved back to the area, and then-Event Director Janie Atkinson brought her onto the event staff — where she’s been ever since.

Why it matters: With Molly Day departing for the FEI, EEI is opting for continuity at the top. Elevating someone who already knows the Kentucky machine inside and out — from competition operations to sponsorship to the volunteer backbone that makes the whole thing run — ensures all systems are green and go for a successful kickoff to Vanessa’s tenure at this year’s 5*.

Equestrian Canada Names Eventing High Performance Team Athletes for 2026

Jessie Phoenix and Fluorescent Adolescent. Photo by Shannon Brinkman Photography.

Equestrian Canada (EC) this week announced the National Team Program (NTP) High Performance athlete lists for 2026. The EC National Team Program was created to provide a pathway of support for technical and tactical experience and exposure that increases the number of Canadian athletes achieving international podium performances. The NTP identifies athletes in the Train to Compete and Learn to Win stages of the Long-Term Equestrian Development (LTED) framework and supports their progression to the Learn to Win and Train to Win levels. In addition, the NTP is aligned with EC’s high performance strategies and funding partners, such as Sport Canada and the Athlete Assistance Program (AAP).

You can find a list of criteria for the eventing athletes, which include MER requirements for each squad as well as codes of conduct, here.

A Squad

  • Jessica Phoenix and Fluorescent Adolescent
  • Mike Winter and El Mundo

B Squad

  • Diana Burnett and Mint Monster
  • Lisa Marie Fergusson and Trinity Thank Q
  • Kendal Lehari and Mitchell
  • Jessica Phoenix and Freedom GS / Cosmo GS
  • Waylon Roberts and Fernhill Salt Lake
  • Lindsay Traisnel and Bacyrouge

U25 Development Squad

  • Sarah Legear and Mojito
  • Dakota McGill and Mettaphor
  • Emma McHugh and Imperial
  • Chelsea Lowe and Fernhill Malito Park / King Edward of Barrells
  • Kyle Charles Morton and Shannondale Gambit
  • Mégane Suavé and Nuance
  • Gabrielle Shank and Billy

The full list of athletes, including hometowns and horse owners, can be found here.

FEI Appoints Former EEI Executive Molly Day as Director of Newly-Merged Eventing and Driving Departments

Photo of Molly Day courtesy of the FEI.

The FEI has appointed Molly Day (GBR) as Director of the Eventing & Driving Department, a newly created position following the strategic merger of the Eventing and Driving/Para Driving departments, a media release stated this week.

The merger, first announced in 2025, is now in effect as of January 2026, with the FEI saying the combined structure is intended to “capitalize on shared opportunities” across the disciplines and support their continued global growth. Molly will officially join the FEI on February 1 and will report to FEI Executive Director of Sport & Games Áine Power, according to the organization.

Molly arrives in Lausanne with a resume that’s heavy on major event operations, and that’s likely to catch the attention of eventing stakeholders worldwide.

Most recently, she served as Chief Executive Officer of Equestrian Events Inc. (EEI) in Lexington, Kentucky, overseeing the organization behind one of the sport’s seven CCI5* events (as well as the CCI4*-S and CSI5* show jumping that run alongside, in addition to multiple other events overseen by EEI at the Horse Park).

Before her U.S. chapter, Day held senior roles with The Jockey Club (UK), including General Manager of Haydock Park and Carlisle Racecourses. The FEI said her work at Haydock included leading a major racecourse operation, managing a capital investment project, strengthening stakeholder partnerships, and earning national recognition for customer experience. At Carlisle, she oversaw the venue’s reopening following the COVID-19 pandemic.

Molly holds a Bachelor’s degree in Festival and Events Management from Edinburgh Napier University, the FEI noted, which could lend itself well to ensuring the ongoing future of eventing and driving competitions around the world.

In the FEI release, Molly emphasized the operational and people-facing side of the job—supporting the ecosystem around both sports:

“I am honored to take on the role of Director of the FEI’s merged Eventing & Driving Department,” she said. “Working with the talented team in Lausanne, I hope to strengthen connections across these two disciplines, support organizers, officials, and athletes, and help Eventing, Driving continue to grow sustainably at a global level.”

FEI Secretary General Sabrina Ibáñez said Molly stood out during an international executive search for her leadership and sport knowledge:

“Throughout the recruitment process Molly has demonstrated strategic vision, operational expertise, and deep knowledge of equestrian sport at the highest level… Molly’s proven leadership skills and strategic approach will be invaluable as she takes the helm of our newly merged Eventing and Driving Department.”

Why this matters for eventing

Photo by Tilly Berendt.

Any time the FEI redraws its org chart, it’s not just internal — because department leadership influences the day-to-day realities of international sport: rules pathways, officials and organizer support, championship planning, calendar pressures, and long-term strategy (especially around sustainability and growth). And yes, the future of the sport itself within the holdings of the FEI.

The decision to merge the eventing and driving departments does not come without its skeptics and its opposers. EN was in the loop for several behind-the-scenes conversations that took place when this decision was quietly announced. Several eventing stakeholders penned letters to the FEI voicing their concerns in regard to the future of the sport. And, while combined driving has oft been referred to as eventing’s “sister sport” the very real differences between the sports, their numbers, their governance and their competitions exist. Putting one person in charge of both is a gamble, and we’ll be watching to see what plays out from here.

What to watch next

A few practical questions EN will be keeping an eye on as Molly steps into the role next month (and we have also requested an interview with Molly herself):

  • How the merged department prioritizes resources across Eventing and Driving/Para Driving (and what “shared opportunities” actually looks like in practice).
  • Support for organizers and officials, especially as costs, logistics, and staffing pressures continue to climb globally.
  • Sustainability and safeguarding initiatives, two themes the FEI specifically highlighted in Molly’s governance work.
  • Communication cadence — how quickly stakeholders feel the benefits (or growing pains) of the new structure during the 2026 season.

And also: who will be tapped to replace Molly as the CEO of EEI (and, by extension, of the Kentucky Three-Day Event)? The organization is in the process of finding a suitable next step, so we’ll anticipate news of that coming soon — especially as this year’s event looms at the end of April.

We’ll update as more details emerge about department structure, staffing, and near-term priorities once Molly begins her role in Lausanne on February 1, 2026.

Applications Open for 2026 Zara Buren Memorial Award

Photo courtesy of Sabrina Haque.

Applications are now open for the 2026 Zara Buren Memorial Award, an annual grant supported through the Ontario Eventing Association (OEA) and the Zara Buren Memorial Foundation to help junior eventers pursue their goals while honoring the legacy of Zara Buren, who is remembered as a kind, hard-working, and talented young rider.

Now entering its sixth year, the award is designed to support not just competitive ambition, but the bigger picture of who a rider is: their journey with horses, their work ethic, and what they’re learning as a student of the sport. Zara’s mother, Sabrina Haque (Director of the Zara Buren Memorial Foundation), encourages applicants to take time to learn about Zara and to use the application answers to share their story beyond results and ribbons.

What’s available in 2026

One selected applicant will receive $6,000, distributed in three equal installments of $2,000. At the discretion of the Haque/Buren family and the Zara Buren Memorial Foundation, additional awards may also be granted, including:

  • Up to four “Grants of Distinction” of $1,000
  • $500 “Grants of Potential”

Eligibility

Applicants must be:

  • A current OEA member in good standing
  • Competing up to the EV110 level
  • Under the age of 18 as of January 1, 2026

How to apply

  • Applications opened December 22, 2025 and close at midnight on January 19, 2026.
  • A complete application includes:
  • The completed application form (submitted by the deadline), and
  • Two letters of reference, submitted by the deadline:
    • One from the applicant’s eventing coach, including a brief discussion of training goals
    • One from someone outside eventing (teacher, coach, employer, volunteer coordinator, etc.) showing positive involvement in school or community life

Letters of reference must be emailed to [email protected] by the closing date, with the applicant’s name in the subject line. PDF format is preferred when possible.

Applicants may also submit a video with their horse to the same email address, but it is optional.

Important note from the organizers: incomplete, incorrectly completed, or late applications will not be accepted. Applicants will receive an automatic acknowledgement confirming receipt.

Key dates to know

  • Applications open: December 22, 2025
  • Complete application due: Midnight (end of day), Monday, January 19, 2026
  • Notification date: Monday, February 23, 2026

Successful recipient(s) will be notified by email and are expected to share their journey with the OEA throughout the year as the recipient(s) of the award.

More information and an application form can be found here.

Ella Choate, Sophie Miller Awarded 2026 Annie Goodwin Rising Star Grants

Ella Choate – photo by Liz Crawley Photography

The Aiken Horse Park Foundation (AHPF) has announced two recipients of the 2026 Annie Goodwin Rising Star Award, naming Elle Choate as the year’s primary grant recipient and awarding a secondary grant to local professional rider and trainer Sophie Miller.

According to AHPF and the Annie Goodwin Rising Star Grant Selection Committee, this year’s applicant pool represented a particularly strong field of emerging professionals. While the committee reached a clear decision on the primary recipient, the committee and AHPF Board felt Sophie’s contributions and trajectory merited additional recognition, resulting in a $10,000 secondary Annie Goodwin Rising Star Grant.

Ella, a year-round Aiken resident and rising eventing professional, was selected as the 2026 Annie Goodwin Rising Star Grant recipient. The Grant is an annual award created to honor the life and legacy of Annie Goodwin and support promising young professionals in advancing training, competition goals, and professional development.

A Clemson University graduate with dual degrees in Bio-Engineering and Genetics, Ella has developed a growing training and sales program in Aiken while producing her two competition horses, Paddrick and Kilbunny Sangria, up the levels.

Her résumé includes being named the 2024 Collegiate Advanced Rider of the Year, earning multiple Area IV Young Rider titles, and previously receiving the U25 Bromont Rising Grant, finishing second in the U25 3-L*. She has also trained under Clayton Fredericks, Leslie Law, and Caroline Pamukcu.

In her application, Ella outlined a big year ahead: short-term plans include moving Paddrick toward a competitive appearance at the Defender Kentucky Three-Day Event after key 4* preparations at Maryland, TerraNova, Pine Top, Carolina, and Stable View, while Kilbunny Sangria progresses toward FEI 2* level competition. Longer-term, she hopes to develop a small upper-level program, build a supportive owner base, and ultimately represent the U.S. on the world stage.

Ella Choate – photo by Liz Crawley Photography

Ella said, “I am truly honored to be selected as the recipient of the 2026 Annie Goodwin Rising Star Grant… This grant will play a pivotal role in helping me pursue my goals at the highest levels of eventing while continuing to grow my business here.”

Annie’s father, Putter Goodwin — now a member of the AHPF Board and part of the grant selection committee — added: “For the third year in a row, we continue to receive quality applications for this grant. Elle embodies all the characteristics of a very worthy recipient… It is so important that we do all we can to help young aspiring professionals on their journey.”

With support from the AHPF Board, the committee also awarded Sophie Miller a $10,000 secondary grant, citing her “contributions, character, and professional trajectory,” along with her leadership and visibility within the Aiken equestrian community.

Sophie Miller. Photo courtesy of Aiken Horse Park Foundation.

Sophie has built a broad local presence as a rider, trainer, and mentor through her business Denali Equestrian LLC, working closely with Pony Club members, young riders, and amateurs with an emphasis on structured coaching and foundational horsemanship. She is also a consistent competitor across Aiken’s schooling shows, USEA horse trials, dressage venues, and jumper competitions, reflecting an active commitment to the wider sport community.

Sophie is a USDF Bronze and Silver Medalist, an Intermediate/2L event rider, and a successful 1.35m jumper, with long-term ambitions that include reaching the 5* level in eventing while continuing to advance in dressage and show jumping. The committee also noted her work producing young horses as part of a sustainable, long-term approach to sport horse development.

“I am deeply honored to receive this grant,” she said, adding that the funding will support the training and development of her personal horses as she targets her competition goals for the coming year.

Sophie Miller. Photo courtesy of Aiken Horse Park Foundation.

AHPF CEO Tara Bostwick emphasized Miller’s community impact and mentorship: “Sophie reflects [AHPF’s] mission in every facet of her work—through her mentorship of young riders, her consistent presence at local competitions, and her dedication to developing well-rounded, educated horsemen and horsewomen.”

AHPF also encouraged the community to support the Annie Goodwin Rising Star Fund, which helps ensure emerging professionals have resources to advance their training and competition pathways. You can learn more about the Annie Goodwin Foundation and the efforts of the Aiken Horse Park Foundation here.

Eventers Win Big at USEA Year-End Awards; Recipients of Rebecca Broussard Grants, Wilton Fair Grant & More

Maya Clarkson with Maks Mojo C. © Michelle Dunn Photo

Financial support is a huge part of any eventer’s career, and each year several five-figure awards are handed out to deserving riders who’ve gone through rigorous application and interview processes. This weekend in New Orleans, LA, the recipients of these honors were unveiled to those in attendance at the awards dinner.

Congratulations to all year-end award winners and grant recipients! Here are a few highlights from the evening’s biggest grants, but you can find a full rundown of the winners here.

Maya Clarkson, Colin Gaffney Receive Wilton Fair Grants

USEA Photo

Founded in 2017 by David and Cheryl Lenaburg in honor of David O’Connor’s legendary horse, Wilton Fair, these grants (which total $100,000 in funding) are awarded to riders under the age of 29 with the intent of supporting them in gaining further international experience.

Maya Clarkson, who was crowned the USEF Eventing Young Rider 3*-S Champion at Loch Moy Farm this summer with Maks Mojo C, received a $70,000 grant, and Colin Gaffney picked up a check for $30,000 as he continues to develop with his top horse, Baymax.

Allison Springer, Meg Pellegrini are 2025 Rebecca Broussard International Developing Rider Grant Recipients

USEA Photo

Allison Springer and Meg Pellegrini also impressed through the application process, earning this year’s round of Rebecca Broussard International Developing Rider Grants. These opportunities support educational development of an international quality rider based on competition in eventing on the global stage. The recipient of the grant is based on performance record, interview, and involvement with the eventing community.

Meg Pellegrini also received the Richard Picken Memorial Grant, in honor of the late Richard Picken, intended to fund the intensive training of riders aged 25 years and younger competing at the FEI CCI2* level or higher.

Isabelle Bosley Wins Connaught Grant

USEA Photo

Hot on the heels of her 3*-L win at the Maryland 5 Star this fall, Isabelle Bosley is the recipient of this year’s Connaught Grant. The award comes with even more meaning for Isabelle, who’s been based with Phillip Dutton, of course the former pilot for the great namesake of the grant. The grant is designed for a horse competing at the CCI2* or CCI3* level who shows potential to one day be on the U.S. team and is presented in memory of Bruce Duchossois.

Mia Farley and Cosby Green will Chase the Gold for the American Horse Trials Foundation

Mia Farley and Invictus. Photo by Tilly Berendt.

The future certainly is bright in terms of rising talent, as demonstrated through this awards cycle. Mia Farley and Cosby Green, two riders who’ve firmly stamped themselves as future stars, each received funding of $25,000 from the American Horse Trials Foundation as the second and third recipients of the Chasing the Gold Grant. This funding will be used toward competition-related expenses, with a specific target towards European mileage.

Max Corcoran Honored with Wofford Cup

Max Corcoran (second from left) has worn many hats in her lifetime. She is a former USEA President, super groom, organizer, and much more, and everyone in the room was delighted to witness her receiving the prestigious Wofford Cup. She was joined on stage by USEA President Molly Pellegrini (far left), former Wofford Cup recipient Diane Pitts (center), former Wofford Cup recipient David O’Connor (second from right), and Master of Ceremonies and former Wofford Cup recipient Jim Wolf (right). USEA Photo

The final award of the night was the Wofford Cup. When selecting the Wofford Cup recipient, the USEA identifies those who have given so much to this sport that they rise to the very top. They dedicate their life to the betterment of eventing. Max Corcoran — impossible as it is to list all of her roles within the sport — was the deserving recipient of this special award.

Of course, this is just a small sample of the year-end awards handed out this weekend. Join the celebration of all of the winners here in the USEA’s recap.

Weekend Winners: Rocking Horse & Full Gallop Farm

Winter cheer abounded this weekend at two events running to slide us into the off-season. We’ll be concluding Weekend Winners for the season this week, but we’ll see you again in a few short weeks when the 2026 season begins at Sporting Days the first weekend in January.

To close us out, Michael Nolan and For Ever Blue Z earned our Unofficial Low Score Award at Rocking Horse in Florida, winning their Training division on a score of 23.3. Congratulations!

Rocking Horse December H.T. (FL): [Website] [Scores]

Open Intermediate: Madeline Hartsock and Westwick Rebel (43.8)
Open Preliminary: Declan Best and Mai Tanzer (27.2)
Open Modified: Michael Nolan and Fulio (28.0)
Open Training: Michael Nolan and For Ever Blue Z (23.3)
Training Rider: Holly Goen and Gold Bucks Frenchman (52.0)
Novice Rider: Merrell Waggoner and Big Bear’s Coeur D’un Aigle (26.4)
Open Novice: Jennarose Ortmeyer and Woodville’s Rogue Comet (32.4)
Beginner Novice Rider: Elyse Levin and Kirato (52.1)
Open Beginner Novice: McKena Knott and Destination Wexford (24.7)
Starter: William Barclay and Cooley Camelot (33.8)

Full Gallop Farm Jingle Bells H.T. (SC): [Website] [Scores]

Modified: Laura Orlowski and St. Benedict (30.5)
Training: Rebecca Meriwether Barron and Grenadier Guard (31.8)
Novice: Beth Weisberger and Perfect Idea (28.9)
Beginner Novice A: Laura Sweet and To Be Honest (27.9)
Beginner Novice B: Kimberly Ohlsson and Mele Kalikimaka (30.9)
Starter: Jessica Schultz and FGF Decisive Warrior (31.8)

FEI Tribunal Decision Documents Detail Testimony, Defense, and Results of Andrew McConnon Horse Abuse Case

Andrew McConnon and Wakita 54. Photo by Shannon Brinkman.

Earlier this week, the FEI released the full documentation outlining the decision of a three-member Tribunal Panel regarding Case 2025/HA01 involving 5* rider Andrew McConnon and allegations of horse abuse. The decision, which resulted in a 20-month suspension that was retroactively applied to the start of McConnon’s provisional suspension on January 8, 2025, follows a two-day hearing held virtually on June 16 and 17. The Panel consisted of Ms. Harveen Thauli (Chair), Mr. Brian Ward, and Mr. Agustin Fattal Jaef. Jamie Cambreleng Contreras was also present for the Panel to serve as clerk. The CVs and roster of current FEI Tribunal members is available publicly and can be found here. McConnon’s suspension is due to end on September 8, 2026. 

There is a lot of information (120 pages, to be exact) to dig through here, so we’ll do our best to lay things out below. While we’re bringing you as much detail as we can, we do encourage you to take the time to read through the documents, which can be viewed here.

As with the piece Eventing Nation published in September of 2024 detailing the case to date, we’ll be leaving any personal opinion and views out of this rundown of the documents. We’ll conclude this piece with some analysis, which will contain some of our interpretation of the results. This story will be followed by some opinion pieces written by various members of the team at EN, which will be published in the coming days. 

How We Got Here

June 2024: USEF was informed of the allegations of horse abuse, but it was determined that the Federation did not have jurisdiction under the interpretation of GR838. The rule has since been modified to allow for reports of abuse that happens on private property, versus its original version which allowed for reports only at USEF-sanctioned shows. The case was handed off to the FEI.

September 2024: While McConnon competed at Defender Burghley with Wakita 54, videos were posted to social media depicting abuse to multiple horses. Eventing Nation followed this with a report on the timeline to date, including confirmation that an investigation had begun. 

January 2025: McConnon was informed that disciplinary proceedings had begun for possible violations of Articles 142 and 164.11 (b), (g) and (i) within FEI General Rules. McConnon was provisionally suspended from January 8, according to the rules. On January 20, he acknowledged receipt of this notification letter and denied the allegations.

February 2025: The FEI Tribunal Chair appointed a Panel to decide the case, with no objection from either party. Documents were provided on either side as submissions for the hearing.

March 2025: A case management conference (CMC) was held on March 26 to discuss the procedures and other matters pertaining to the upcoming hearing.

June 2025: The hearing took place on June 16-17 via video conference. Present in addition to the FEI Panel were Andrew McConnon, accompanied by two legal counsels in Howard Jacobs and Roland Wiley, as well as three members of the FEI Legal Counsel (Ana Kričej, Katarzyna Jozwik and Anna Thorstenson).

Statements from a total of 8 witnesses for the FEI and 12 witnesses for the Respondent (McConnon) were submitted, and several of these witnesses were also cross-examined during the hearing. Additionally, 5 videos and 12 photographs were submitted by the FEI.

What Were the Allegations and Charges?

The FEI’s case consisted of the following allegations:

  • 41.1 excessive beating of horses
  • 41.2 excessive whipping
  • 41.3 excessive use of spurs
  • 41.4 excessive jabbing of the horses’ mouths with the bit and excessive use of hand aid
  • 41.5 intentionally leaving horses without adequate food and drink
  • 41.6 riding horses despite the horses being lame and/or injured
  • 41.7 overworking horses
  • 41.8 using abusive training methods
  • 41.9 employing hyperflexion (rollkur) on horses
  • 41.10 tying the horses’ heads down for a prolonged period of time
  • 41.11 trapping and tying horses into static positions
  • 41.12 chasing horses by foot
  • 41.13 preventing horses from breathing
  • 41.14 causing damage and inflicting injuries on the horse

Importantly, as it pertains to the ultimate outcome of the case, the Panel notes that “various versions of the GRs [General Regulations] are applicable given the alleged violations occurred from 2017 to 2024,” which is the FEI’s own framing of the time span of the alleged violations, based on collected testimonies from witnesses. FEI Witness 2 is the clearest source for the multi-year narrative, as they worked for McConnon from August 2019 to October 2023 and alleged that between 25 and 30 horses were subjected to his abuse “over an extended period.” Other instances identified include a report from FEI Witness 3, who alleged that in January 2021, at a show at the World Equestrian Center (WEC) in Ocala, Florida, which she describes as a National Snaffle Bit Association (NSBA) show, she saw McConnon display abusive behaviors, which was seen by a steward and halted. The Witness attempted to file a report via USEF but the incident did not fall under their jurisdiction at the time. Given the span of time and grievances alleged, the FEI initially sought a lifetime ban. 

Who Were the Witnesses?

The statements and/or testimony of a total of 8 FEI Witnesses and 12 Respondent Witnesses were used in this decision. While the Witnesses were not named, their backgrounds and association with McConnon was outlined.

For the FEI, the witnesses included three individuals who had worked for McConnon between the periods of 2019 and 2024, a neighbor, a rider who kept horses at a neighboring farm and one who kept her horses with McConnon before moving to a nearby facility but who also spent some time living on McConnon’s property, a rider who ran a Thoroughbred retirement nonprofit who kept at least two horses in McConnon’s program at one point, and a veterinarian who treated the horse of another witness’ daughter.

For McConnon, witnesses included a rider who has represented the U.S. on Championship teams, two veterinarians, a rider and part-time employee who was in McConnon’s program in early 2024, long-time clients and students, McConnon’s landlord/neighbor, a Licensed Eventing Official, a Senior US Pony Club official, a Licensed Specialist Clinical Social Worker who has worked with McConnon since February of this year, and other associates and colleagues.

The Evidence and Testimony

As mentioned previously, multiple pieces of evidence were provided to the FEI, as follows:

There were 5 videos in total, all filmed by the same former employee (FEI Witness 1) — four from February 2024 and one from March 2024. Here’s exactly how the Tribunal treated each one, along with the weight assigned to each in terms of its relevance and acceptability for proof of allegations. The notes shown in the bullet points are pulled from the documentation:

  • Video 1 (14 Feb 2024, Horse A)
    • Shows McConnon slapping Horse A on the top of the neck seven times.
    • Tribunal: this constitutes horse abuse.
    • Weight: High probative value; high weight.
  • Video 2 (14 Feb 2024, Horse C)
    • Shows two “neck slaps” after jumping; no whip visible, no injuries or visible distress, 2 seconds long, no sound.
    • Tribunal: description in the FEI’s claim (“hitting the horse’s head/face with a whip”) was not accurate; clip is inconclusive.
    • Weight: No probative value; no weight in deciding horse abuse.
  • Video 3 (20 Mar 2024, Horse A)
    • Taken from behind, at a distance. Shows McConnon pulling more than necessary on the right rein to keep the horse bent, then jabbing the horse’s mouth three times by pulling the rein across the neck.
    • Tribunal: this constitutes horse abuse.
    • Weight: Moderate to high probative value (because of camera angle/distance); high weight overall.
  • Video 4 (14 Feb 2024, Horse C)
    • Shows Horse C being walked and bent left/right after jumping; no striking or jerking, no visible distress.
    • Tribunal accepted McConnon’s explanation (cooling down / shoulder mobility) as plausible; clip is inconclusive.
    • Weight: No probative value; no weight.
  • Video 5 (14 Feb 2024, Horse A)
    • Shows Horse A being walked and bent to the right; no striking or jerking, no visible resistance, very brief.
    • Tribunal: looks corrective and calm, not punitive; again inconclusive.
    • Weight: No probative value; no weight.

12 photographs were also submitted, as follows. The FEI’s own summary (used in the decision) describes them as:

  1. 20 Feb – Horse A – Whip marks
  2. 20 Feb – Horse A – Whip marks
  3. 20 Feb – Horse A – Whip marks
  4. 20 Feb – Horse A – Tied down
  5. 20 Mar – Horse A – Blood on stirrups
  6. 20 Feb – Horse A – Tied down
  7. 21 Feb – Horse A – Whip marks
  8. 21 Feb – Horse A – Whip marks
  9. 15 Feb – Horse B – Blood on bit
  10. 14 Feb – Horse C – Wounds on mouth
  11. 14 Feb – Horse C – Overworked horse
  12. 14 Jun – Horse A – Whip marks

The Panel reviewed these videos and photos submitted by the FEI, but ultimately only relied on a small fraction of that material. Two videos, both involving the same horse in February and March 2024, were given high weight: one showing McConnon slapping the horse on the neck seven times, and another showing him jabbing the horse in the mouth three times with the rein across the neck. The other three videos were found to be inconclusive and assigned no probative value for abuse.

Of the 12 photos — almost all taken within a single week in February 2024 — the Tribunal Panel found that only two images (showing whip marks on the horse’s shoulder and haunches) had moderate to high probative value, largely because McConnon acknowledged he had used the whip more than appropriate on that occasion; the remaining photos were given little or no weight and were not treated as proof of a broader, long-term pattern.

The Panel also heard testimony, spending large amounts of time verifying timelines from the witness statements as they pertain to the case. Some excerpts from the FEI Witness testimony include:

  • FEI Witness 2 (working student, 2019–2023)
    • On withholding food as punishment: “[The Respondent] withholds food from horses after a bad ride, both grain and hay. Anywhere from one feeding to a few days.”
    • On how hard she says he whipped: “Sometimes so bad that patches of skin are missing and most of the times until they are covered in lash marks. When [he] whips them it’s almost always hard enough to leave large welts. On a few occasions bleed.”
  • FEI Witness 3 (boarder/parent, 2019)
    • On hitting heads and making horses fall: “[The Respondent] hits horses repeatedly in the head during rides with an open hand…” and “[The Respondent] rides well-behaved 5-year-olds and yank their head so violently that they fall down because they are unable to keep their balance.”
  • FEI Witness 7 (working student around 2014)
    • Referring to “beating and abusing” horses: “His go-to would be to gallop them violently after missing a distance or other mistakes, beating them with a crop or whip.”

For McConnon’s witnesses, the focus was primarily character reference and confirmation. A few excerpts from this testimony include:

  • Respondent Witness 1 (U.S. team rider, knows him ~20 years)
    • On how he’s seen McConnon ride and compete: “[…] in the 20 years I have known [the Respondent] I never witnessed him treat horses in that way. I have witnessed him riding and competing in a very kind and competent way.”
    • On remorse after the videos surfaced: He said the Respondent was “ashamed, embarrassed, and completely honest in his statement of regret.”
    • On how he views McConnon’s place in the sport: “[The Respondent] is an asset to the horse community and a significant ban would only add fuel to an already volatile cancel culture mentality.” 
  • Respondent Witness 4 (long-time client/coach)
    • On his coaching style with her daughter: “[The Respondent] would give my daughter excellent, proactive advice on how to help [her horse] and not make the situation worse.” 
  • Respondent Witness 5 (long-time trainer/mentor/colleague)
    • On his integrity and approach to horses: “[The Respondent] is a person of exceptional integrity. He’s inherently kind and gentle, and he’s a loyal and dedicated member of the Equestrian World.” 
    • On the videos used in the case: “I would consider that bad decision making, but I don’t know how I could call that abuse with less than a minute of tape.”
  • Respondent Witness 12 (social worker)
    • On his engagement with mental health treatment: “Over our six sessions together, I have been impressed by [the Respondent’s] dedication to his mental health and his commitment to working through these challenges.”

In assessing the evidence, the Tribunal applied the FEI’s “comfortable satisfaction” standard, but it was notably stricter with the FEI’s witnesses than with the defense. It expressly gave only minimal weight to the two main former employees and no weight at all to several other FEI witnesses except where their accounts could be independently corroborated. 

The Panel repeatedly described McConnon’s own testimony and a number of his supporting witnesses as credible, assigning them moderate to high, and in some cases full, weight. Within the framework that the FEI carries the burden of proof, this meant that inconsistencies or gaps in the complainants’ timelines often led to their evidence being discounted, while long-term professional, client, and landlord witnesses on the Respondent’s side were more readily accepted as reliable background. The consistent vein of the Respondent witness testimony was character testimony and confirmation that abusive or aggressive behavior was not witnessed on their part. 

McConnon himself was also given the opportunity to respond the allegations, from which we’ll include some excerpts below:

  • On not just being sorry he was caught: “This isn’t a case of I’m sorry I got caught. I’m genuinely sorry for my actions.”
  • On apologizing and taking accountability: “I’d like to start by apologizing. I’ve personally taken accountability with FEI Witness 1, each of my owners, clients, and sponsors, but I haven’t had the opportunity to apologize to you. In the beginning of last year, I acted out of character with my values as a horseman.” 
  • On personal circumstances bleeding into his work: “Those are just some of the things that were going on personally and inappropriately I let my personal life go over into my work life and that never should have happened.”

Here is how the Panel weighted each witness:

FEI witnesses – summary of weight assigned

  • FEI Witness 1: minimal weight and primarily to the circumstances leading up to her discussion with the Respondent on 20 March 2024
  • FEI Witness 2: minimal weight and only to those aspects supported by independent or contemporaneous evidence, such as the length of her employment with the Respondent
  • FEI Witness 3: no weight
  • FEI Witness 4: moderate weight
  • FEI Witness 5: not applicable (this witness declined to attend the hearing and their statement was therefore not admitted into the final decision)
  • FEI Witness 6: no weight
  • FEI Witness 7: no weight
  • FEI Witness 8: no weight

Respondent and his witnesses – summary of weight assigned

  • Respondent: high to full weight
  • Respondent Witness 1: high weight
  • Respondent Witness 2: moderate to high weight
  • Respondent Witness 3: full weight
  • Respondent Witness 4: high to full weight
  • Respondent Witness 5: high weight
  • Respondent Witness 6: moderate to high weight
  • Respondent Witness 7: moderate to high weight

How This Case Was Decided

Because the FEI is headquartered in Switzerland, this case was ultimately decided under Swiss law and the FEI’s own rules, not U.S. law. In simple terms that means the FEI, as the prosecuting body, had to prove its allegations with enough detail and solid evidence before the Tribunal could rule that abuse had occurred. If the FEI couldn’t meet that bar on a particular claim, the Tribunal was required to dismiss it, even if it raised concerns. This will come into greater play as we get further into the documents.

On top of that, FEI abuse cases are judged using a standard that comes from international sports law, often called “comfortable satisfaction.” You can think of it as sitting between two concepts U.S. readers might know:

  • Higher than the usual U.S. civil standard of “more likely than not”
  • Lower than the criminal standard of “beyond a reasonable doubt”

It’s also a bit of a sliding scale. The more serious the allegation and the heavier the potential penalty (for example, a lifetime ban or effectively ending someone’s career), the stronger and more consistent the evidence needs to be before the Tribunal feels “comfortably satisfied” that it really happened.

In this case, that meant the FEI had to put forward clear, specific, and well-supported facts: detailed timelines, footage, documents, and witness accounts that lined up with each other. Only once the Tribunal was convinced on a particular point did the burden shift to Andrew McConnon to explain or challenge that evidence. Where the evidence was vague, inconsistent, or not backed up by photos, videos, or records, the Tribunal said it could not reach comfortable satisfaction – and those broader allegations were not upheld, even though some narrower incidents were.

The Panel ultimately found McConnon guilty of abuse of horse, bringing the FEI and equestrian sport into disrepute, and breaching the FEI Code of Conduct on the Welfare of the Horse, based on a limited number of training incidents in early 2024. It did not uphold the majority of the broader allegations originally brought by the FEI, including the initial range of time it alleged from 2017 forward. This decision meant that although the FEI requested to have McConnon banned for life for the abuse of horses, and for bringing the Federation’s reputation into disrepute, the Tribunal ultimately deemed “that the Respondent’s offenses for Abuse of Horse falls within the “mid-range” category of the table provided at Article 164.13 of the GRs. This table provides for a Suspension ranging “between three months and two years” and awarded him a 20-month suspension, backdated to the start of his provisional suspension in January of this year.

The Panel also reviewed a string of previous FEI horse-abuse decisions to get a sense of the sanction “range,” but ultimately said none of them were truly comparable to McConnon’s case. Those included FEI v. Zbibi, where a rider designed tendon boots with hidden pins that caused pain when the horse hit a rail (four-year suspension), FEI v. Da Silva, in which an oversized rider was filmed violently yanking and whipping a pony (three-year suspension), and FEI v. Kocher, where an electric shock device was used on horses in training and competition over about six years (ten-year suspension, upheld on appeal). They also cited several endurance cases (Al Hosani, Al Khatri, Al Ghailani, Al Marzouqi) involving aggressive kicking, rein-slapping and, in one instance, a horse collapsing and being declared lame, which led to suspensions ranging from eight to 30 months. In each example, the Panel explicitly notes that the case is “not comparable to the Respondent’s matter,” and concludes that McConnon’s situation doesn’t fit neatly beside any of these precedents.

The Panel also wrote: “There was no evidence to suggest that the pain or discomfort was long-lasting or resulted in any enduring harm. For example, Horse A is now living in California and had just won a competition at the time of the hearing.” This refers to the horse formerly known as D’Luxe Steele, now named Jump To Day D and ridden by Tamie Smith, who won the CCI3*-L at Galway Downs at the end of October. They also wrote: “The Panel considers his personal circumstances to be a mitigating factor,” referring to a cancer diagnosis for McConnon’s father and other personal difficulties he referenced in his testimony and response. 

“The Panel acknowledges that the Respondent has expressed genuine remorse for his actions” also appears in the closing text of the documentation. This, coupled with the fact that the verified offenses were not found to span multiple years, are reasonings for the 20-month suspension.

McConnon has confirmed to EN that he does not intend to appeal the Panel’s decision. It remains unknown whether or not he will return to the sport in September of 2026, when the suspension is lifted. He has yet to make any public or on-record statements, outside of what was transcribed from his testimony.  

Where This Leaves Us 

Here, we’ll depart a little from straight fact-sharing to offer up our analysis of the events that have transpired. The following section does contain some of this writer’s opinions, as well as those of the EN team, and should be read as such. 

Initially as I began this piece, I had planned to include excerpts from a post made by Tamie Smith on Wednesday of last week detailing the trauma she had seen from the horses that were sent to her care after leaving McConnon’s facility. In this post, she detailed the physical manifestation of abuse that these horses displayed and continue to display to this day. Tamie’s post has since been edited and, to be frank, its credibility is now undermined as multiple public posts have been shared in recent days alleging abuse of staff and horses on Tamie’s part. This is a developing story and is one that EN is monitoring closely for further updates.

A few of our takeaways:

  • To indicate that horses carried no long-lasting effects of trauma is, frankly, scientifically untrue. A horse that wins a competition can do so in many ways. It is not EN’s belief that a win or other competitive success is synonymous with health and good care.
  • EN has confirmed that several involved parties, including owners and current riders of some of McConnon’s top horses, were not contacted by the FEI in the investigation, nor were they brought as witnesses or asked to provide a statement/testimony. One former owner contacted the FEI when the investigation was announced, offering up evidence that could help establish a pattern of abusive behavior dating back 15 years. The FEI declined to investigate her materials further, as confirmed in emails obtained by EN, but did inquire after her interest in being a witness. She was not included in the investigation beyond this. 
  • There’s an important reminder contained within these documents: if a case is to succeed, it must contain firm documentation. This is tricky. To be honest, reading this and watching the testimony of the FEI Witnesses get picked apart felt… a little too familiar. Burden of proof, yes, but who suffers the most in these instances? The horses, and the people who want to stick up for them. And to me, the prioritization of the horses does not come across in the way this hearing proceeded, and the low weight assigned to the FEI Witnesses bears a striking difference to the severity of the allegations. 
  • The “strength” of the witnesses on McConnon’s side was notably different: he was assisted by two lawyers who have worked on similar cases in the past. He had at least two well-known and highly-placed individuals called as Witnesses, including a current 5* rider and a Licensed Official. I, personally, do not feel confident that this case will make other individuals of less “stature” (i.e. a groom or working student) feel empowered to utilize the same system. 

In just a few days of interviews, research, and writing, I’ve learned more about the backstory of this case than I did within the decision documents. According to the individuals I spoke with, none of the information I was given was requested by the FEI in the form of a witness statement, evidence, etc. I’ve confirmed with two owners of horses that were depicted in the photos and videos used in the case that the FEI did not reach out to them for their statements or experiences before, during, or after this investigation and hearing. Two individuals from the FEI Witness side of the case have informed me that their testimony transcription was inaccurate in multiple places. 

“Do people deserve second chances? Sure,” said Vanesa Crumpley upon discussion with me, who owned a horse for McConnon previously and reached out to the FEI during the investigation to offer up her background information based on her experience. “I don’t think that ten seconds on a video necessarily should define someone’s entire existence. It’s the patterns that are much more important, and when people are willing to come forward and discuss those patterns, it’s important.”

“If this is the way that the FEI is handling investigating these cases, it’s hard to really put your trust in them that they’re really going out there and they want to find the abusers and find them really accountable,” said another owner of a horse that had been with Andrew for a period of time, whose name is withheld at request. “I’m more like, they should do a better job for the future horses, and we should be able to put our trust in them. It shouldn’t feel like such an uphill battle.”

I also want to reiterate a point I made in my original story about this case, and that is that this extends far beyond Andrew McConnon. As a human, I hope that Andrew can find his way to a place of health and safety, and that he does truly feel remorse for what he did. I hope that more horses do not suffer at his, or anyone else’s, hands. I hope that he can find happiness, and that he can find forgiveness – but only if the patterns and actions show real change. And only he knows the answer to that. I can’t speak for everyone when I say these things, but that is where I stand. This extends beyond him, to our greater world at large, and this sport we’ve all given our lives to in some way, shape, or form. What do we do if we no longer have it? What do we do if it eats itself from the inside? 

So, it’s important that this conversation does not die down, that the dust does not settle. For my part, I find myself feeling somewhat at a crossroads. Eventing Nation has been built off the “hype” of many riders, including some who now come under fire from substantial allegations of abuse themselves. My career has been built off of this, and off of trust that the people who show themselves to me are who they say they are. And now, more than ever, I feel that trust has been sorely eroded. I can only imagine how some of the individuals who have bravely come forward feel, and I can only imagine how the horses — incapable of speaking for themselves in our language — feel. I do not, personally, condone the vicious attacks of named individuals on social media, but I also know that in more cases than not, victims only feel safe speaking out when the stone has begun to roll. 

I also know that there ARE good people, good horsemen and horsewomen, in our world, and I want them to be known. I want them to speak out. The silence from the high performance level in cases like this is deafening, and it’s telling.

And until that silence is broken, our horses, our sport, our livelihood — but mostly, our horses — will continue to suffer. 

I’ll leave you here to draw your own conclusions, and again, our team will have some opinion pieces to share in the coming days. We’re also working on a piece that will help shed light on the reporting process, as the path to making a report (and what happens after) is murky in many ways. 

Full documentation of this case can be found here. 

While my name is on this article’s byline, the entire Eventing Nation team contributed to the research, review, and editing of this article.