Sally Spickard
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Sally Spickard

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About Sally Spickard

Sally Spickard is a Korean adoptee living in San Diego, California. Sally joined the Eventing Nation team in 2013 and has subsequently written for Noelle Floyd, Heels Down Mag, and other publications both in and out of the equestrian world. Sally is an eventing fan through and through and enjoys telling the stories of riders who are not well-represented within equestrian media.

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Applications Now Open: American Horse Trials Foundation to Award “Chasing the Gold” Grants to Support U.S. Riders Aiming for the World Stage

Sharon White and Claus 63. Photo by Shannon Brinkman Photography.

The American Horse Trials Foundation (AHTF) is proud to announce the continuation and expansion of its “Chasing the Gold” Grant, a new funding initiative designed to support U.S. eventing athletes with their sights set on international success.

Launched in 2025, the grant awarded its first recipient, Sharon White, with critical support to compete and train in Europe. Now, applications are open for the 2026 cycle, with two grants of $25,000 each available to promising horse-and-rider combinations who demonstrate both capability and commitment to competing at the highest levels of the sport.

The mission of the “Chasing the Gold” Grant is simple: to strengthen and directly impact the United States’ ability to win medals at CCIO competitions and major international events. The grant provides $25,000 in funding per recipient, which may be used toward European competition expenses, training, and related travel costs, pending AHTF approval.

The Foundation will give priority to athlete/horse pairs who:

  • Have completed a CCI4-Long* with zero cross-country jumping penalties within the last two years, and
  • Have not yet represented the U.S. on an Olympic or World Championship team

Applicants are asked to present a clear and actionable plan that outlines their training, competition, and business strategy toward international success. The selection committee is looking for driven, thoughtful athletes with a long-term vision that aligns with the Foundation’s goal: helping the U.S. win on the world stage.

How to Apply

Applications for the 2026 “Chasing the Gold” Grant are due by November 21, 2025. Submissions should be sent via email to [email protected]. The two selected recipients will be announced during the 2025 USEA Annual Meeting & Convention Awards Ceremony. The application can be downloaded here.

About the American Horse Trials Foundation

The American Horse Trials Foundation is a 501(c)(3) nonprofit organization founded to help eventing riders and organizers raise tax-deductible financial support for national and international competition. The Foundation’s latest initiative, “Chasing the Gold,” represents a bold step forward in cultivating the talent and infrastructure necessary for U.S. athletes to thrive on the world stage.

For more information about eligibility and how to apply, contact [email protected].

Karen O’Neal and Clooney 14 Punctuate 2025 with Galway Downs CCI4*-L Win

Karen O’Neal and Clooney 14. Photo by Tina Fitch Photography.

Karen O’Neal has been doing things the hard way for a long time — driving between six or seven barns a day, setting her own fences, building her program on borrowed time and long days. Based in North Bend, WA and generally producing just one upper-level horse at a time, Karen calls her “a little crazy right now,” but every now and then, something starts to take shape out of the “chaos.”

In science, they call it emergence. When order rises unexpectedly from disorder. All the long, scattered hours, the exhaustion, the near-misses quietly organize themselves into a perfect moment. And this weekend at The Eventing Championships Galway Downs, that moment belonged to Karen.

Karen becomes the new CCI4*-L champion at California’s sole event at the 4*-L level with Annika Asling’s Clooney 14, a horse neither of them truly anticipated becoming such when he was purchased off a video as a three-year-old. Bred in Germany by Christoph Hermann, Clooney 14 (who’s also known as “Cloonbear” in the barn) was a whopping 16.1 when he was brought to the U.S., and now he’s matured to 17.1. Annika had initially purchased him for herself, to become her Preliminary horse, but after putting in some foundational groundwork, she opted to hand the reins over to Karen. He was a sensitive, spooky horse as he grew up, and Annika knew Karen would be able to channel his talent into something big.

For her part, Karen has produced several horses to the Advanced level, but she’s not had a 4* horse until now. In Clooney 14, she may even have a 5* horse — she’s got her sights set on Kentucky in 2026 — but first, there were some boxes to check off.

Karen O’Neal and Clooney 14. Photo by Tina Fitch Photography.

Together, they made good on Clayton Fredericks’ cross country at Galway Downs, a course that exerted its influence and opened the door for a new leader after Rebecca Farm 4*-L winners Tamie Smith and Lillet 3 had trouble at the final water question. This weekend was their third 4*-L effort, and the first they jumped clear on cross country. Previously, they’d run Rebecca Farm’s offering twice, but Karen now thinks the altitude change (Kalispell is about 2,500 feet higher than North Bend, and about 2,000 feet higher than Temecula) could have an adverse effect on her horse, who wouldn’t have the most Thoroughbred influence in his breeding.

“I’ve been working on his dressage a lot, and then really getting him straighter, getting him straighter to the fences and stronger,” Karen said. Because of his towering stature, Karen’s focused a lot on strength. Clooney 14’s uphill build makes him a natural on the flat, but ongoing strength and fitness work have been key. “The Longs are hard for him, because he’s such a big boy. We have some hills behind the property where he’s boarded at, and so I go out there and I do trot sets up and down the hills and gallop. And then I take him once a week to a race track and gallop him on that and do some sprints with him.”

She doesn’t have a ton of help: her daughter, Patience, used to ride at the upper levels and had been helping with teaching clients at home, but she’s recently moved out. Karen’s got one person helping her, a dressage coach who she goes to for lessons when she can, and a family of clients who are based out of a handful of different barns. When she rides Clooney at home, she sets her own fences as she’s often on her own. She and a client are currently in the process of finding a permanent home base so she can have everyone under one roof, but until that time comes, it’s a lot of hours spent in the truck and a lot of quiet.

Karen O’Neal and Clooney 14. Photo by Tina Fitch Photography.

“It’s a little overwhelming, right now,” she admits. “My daughter, was helping me, just left, so I’m taking on all her students too. I have a young girl helping me a little bit, which is helping. But I really need to get everybody in one spot. I ride by myself. I have no help. I used to ride with Erik [Duvander] when he would come up, but it’s not often I’m getting lessons. I really appreciate it when I have lessons!”

She plans to travel south to train with Kentucky 5* winner Tamie Smith this winter, once she legs Clooney 14 up from his holiday. “[I’ll] bring him down here in January and start working on fitness and hopefully riding with Tamie a bunch,” she said. “Having her help me get him fitter and stronger and get that dressage — I mean, he’s capable of doing very well in dressage, if we can just get it a little better put together.”

And then, if things go to plan, it’ll be all signs point to Kentucky and the debut of a lifetime on a horse that’s been a special place of bonding between her and Annika. “[Winning at Galway this weekend] does make me proud,” Karen said. “I’ve been his close to his sole rider. His owner rode him some for a while, but the past few years I’ve ridden him on my own.”

To view full results from The Eventing Championships at Galway Downs, click here. To read more from The Eventing Championships, click here.

How to Follow The Eventing Championships at Galway Downs CCI4*-L & More

Photo by Tina Fitch Photography.

It’s time to kick off with our penultimate CCI4*-L of the U.S. season, taking place this week at Galway Downs in Temecula, CA. The Eventing Championships at Galway Downs also serve as Area VI Championships, so we’ve got plenty of action and you’ll be able to follow along live for all FEI divisions via USEF Network on ClipMyHorse.TV.

We’ll focus on the 4*-L division for the schedule below, but Galway Downs is hosting CCI1*-L through CCI3*-L as well, and you can see the full live stream schedule here.

Thursday, October 30

2:20 p.m. ET / 11:20 a.m. PT: CCI4*-L Dressage

Friday, October 31

1:20 p.m. ET / 10:20 a.m. PT: CCI4*-L Cross Country

Saturday, November 1

7:00 p.m. ET / 4:00 p.m. PT: CCI4*-L Show Jumping

We’ll see just five horses in the 4*-L division, with many West coast horses either already done with their seasons or coming back from one setback or another. It’s an exciting one, nonetheless, with some exciting rising talent in both horse and human form featuring on the list.

Tamie Smith and Lillet 3. Photo by Shannon Brinkman Photography.

We’ve got Tamie Smith with one of her newer rides, Lillet 3, who will be a hot favorite to capture the win after doing so in her first 4*-L at Rebecca Farm this summer. This is a horse owned by Molly Duda, who trains with Tamie and is a star in the making in her own right, bringing forward both the experienced Disco Traveler as well as Carlingfords Hes a Clover, a 13-year-old who will be doing his first 4*-L this weekend.

Karen O’Neal and Clooney 14. Photo by Veronica Green-Gott/USEA.

We’ll also see Karen O’Neal and Clooney 14, who’ve also enjoyed some success at the Advanced and 4* level and will be looking to build off the two 4*-Ls they’ve done to this point, as well as Bay Area-based Megan McIver, who brings forward Igor B for his first 4*-L; he was second in the 3*-L here at Galway Downs last year.

The other FEI divisions are also bursting with some ones to watch, and you can get a full view of the entries here. We’ll have more for you throughout the week here on EN, so stay tuned!

The Eventing Championships at Galway Downs (CA): [Website] [Entries/Times] [Scores] [CrossCountry App XC Maps] [Volunteer] [Live Stream]

Remembering The Foreman

Phillip Dutton bade farewell to one of his legendary horses, The Foreman, this week. The Thoroughbred gelding was 29 and had been living out his retirement at Annie Jones’ (who owned the horse throughout his career) farm in Unionville.

The Foreman is a horse who needs little introduction to the knowing eventing fan. This incredible Thoroughbred came to Phillip as a racehorse named Four Across (Across the Field – Four Flora, by Quadratic) who’d won just about $7,000 in 21 starts and three seasons. He’d been bred and trained by William D. Sams, who later sold him to steeplechase trainer Bruce Fenwick. Bruce then offered the horse to Phillip, and the rest was somewhat history.

The Foreman proved to be trainable, though he proved to be on the sharper side, as Phillip tends to prefer, and he’d go on to finish second at both Rolex Kentucky and Burghley in 2005. He also won the old Fair Hill International 3*-L twice, in 2004 and 2007.

“Why he does it, I have no idea,” Annie Jones, who owned the horse from the outset for Phillip and even did some of his conditioning work, told The Chronicle of the Horse. “He’s a horse that somehow is tough and scrappy, and maybe that’s why Phillip likes him so much–he’s had to make it on his heart. He must have heart, and tremendous scope.”

Many people had a hand in keeping this barn “underdog” of sorts feeling his best to have the results he did, including but not limited to Sara Richardson, Joanie Morris, Emma Ford, Dr. Kevin Keane, Dave Kumpf. You can read a great profile on The Foreman, or “Chip” as he was known around the barn, here.

EN’s Ultimate Guide to Following the 2025 Pau CCI5*

Let’s do it one more time!

This week the curtain rises on our final CCI5* of a whirlwind 2025 season. This time, we’ll be heading to the south of France (and, apparently, the rainy weather that comes along with this time of year) for the 2025 edition of Les 5 Etoiles de Pau. We’ve got an absolutely full roster of 54 combinations representing 9 nations raring to go, including a strong contingent of U.S. riders and even China represented on the order of go.

Pau runs a bit of a unique schedule, with the First Horse Inspection taking place just before the first groups of dressage on Thursday, October 23. We’ll then have two (well, one and a half) days of dressage, cross country on Saturday and show jumping on Sunday as usual. The weather is looking a bit better than it did in 2024, when we saw several jumps removed from cross country and an all-out miserable downpour/standing water that vastly affected the going on Saturday. While we will have some rain and wind this week, we should be able to proceed as planned with most of the scheduling as it is now.

As usual, we’ll keep this Ultimate Guide primed and ready for you if you need a one-stop place to keep up with the happenings this week. You can also use the link list below to find the information you need!

EN is proud to welcome Horsepal onboard as the sponsor of our Pau coverage! Horsepal is a newly-launched heart rate monitor brought to you by Tom MacGuinness, founder of Horseware and an FEI eventer and endurance rider, who’s brought his decades of knowledge to practice in the design of Horsepal. You can now purchase Horsepal directly to the UK and Europe — learn more here.

Les 5 Etoiles de Pau (France): [Website] [Schedule] [Entries/Timing/Scoring] [Live Stream] [EN’s Coverage] [Support Our Sponsor: Horsepal]

The Schedule

Pau is located in the Central European Summer Time zone (CEST). We’ll provide times for Eastern (ET) and Pacific (PT) in the U.S. as well as British Summer Time (BST) below. For those of you in other time zones around the world, we recommend using this handy website, WorldTimeBuddy, to help you sort out the best times to tune in!

Reminder for those on BST and CEST, the clocks will go back an hour on October 26, putting the UK on Greenwich Mean Time (GMT). We’ll reflect these times accordingly below.

THURSDAY, OCTOBER 23

17:00 p.m. CEST / 16:00 p.m. BST / 11:00 a.m. ET / 8:00 a.m. PT: First Horse Inspection

FRIDAY, OCTOBER 24

9:00 a.m. CEST / 8:00 a.m. BST / 3:00 a.m. ET / 12:00 a.m. PT: Dressage Day

SATURDAY, OCTOBER 25

11:30 a.m. CEST / 10:30 a.m. BST / 5:30 a.m. ET / 2:30 a.m. PT: Cross Country

SUNDAY, OCTOBER 26

11:45 a.m. CEST / 10:45 a.m. GMT/ 6:45 a.m. ET / 3:45 a.m. PT: Final Horse Inspection

2:45 p.m. CEST / 1:45 p.m. GMT / 9:45 a.m. ET / 6:45 a.m. PT: Show Jumping

How to Watch and Follow

This year, Pau has introduced their own in-house live stream, Pau TV. The cost for viewing live and on-demand this week is €19.99, or about $23 USD, subject to current exchange rates. You can purchase your pass here. This is the ONLY way to watch Pau live and on-demand. Please be aware that especially on social media, there are frequent spam pages that will pop up advertising live streams. Do NOT give these pages your information!

You can sign up and access the live stream here.

On social media, you’ll find further updates on the following pages:

Pau Facebook | Pau Instagram | Pau YouTube

The Players

We have 53 combinations competing this week, representing Ireland, France, Great Britain, China, Germany, Lithuania, Australia, New Zealand and the United States. Featuring on the roster this year are several former winners, including Jonelle Price with three entries, Tim Price also with three horses, Laura Collett, Tom McEwen and Astier Nicolas. The U.S. is also well-represented with eight pairs:

  • Jenny Caras and Sommersby
  • Tiana Coudray and Cancaras Girl and D’Artagnan
  • Cosby Green and Jos UFO de Quidam and Highly Suspicious
  • Emily Hamel and Corvett
  • Boyd Martin and Cooley Nutcracker
  • Grace Taylor and Game Changer

The British also continue to demonstrate their 5* power, with 25 pairs entered, including multi-5* winner Ballaghmor Class for Oliver Townend.

You can view the full entry list, listed here in order for the First Horse Inspection, here.

Our Form Guide to the entries is now available here, so you can get a full look at the field!

EN’s Coverage

SUNDAY, OCTOBER 26

Overnight Runner-Up Bows Out of Pau at Final Horse Inspection

SATURDAY, OCTOBER 25

A Stopwatch Malfunction, A Homebred Heart Horse, and A Serious 5* Track: Sarah Bullimore and Corimiro Take the Lead at Pau

Allez All Day for the Final Time this Season: Live Blog from the Cross Country at Les 5 Étoiles de Pau

FRIDAY, OCTOBER 24

“He’s a Special Old Boy”: Comeback King Cannavaro Leads Pau Dressage with Bubby Upton

How French are You Feeling? – Riders React to Cross Country at Les 5 Étoiles de Pau

THURSDAY, OCTOBER 23

A Wet Weekend Beckons: Dispatches from a Not-Terribly-Fun Pau First Horse Inspection

Your Intro to the Horses and Riders of the Pau CCI5* Field

Wild Weather in France Forces Pau Schedule Reshuffle

All the Way Up: Felix Vogg Makes (More) History for Switzerland with MARS Maryland 5 Star Victory

Felix Vogg and Cartania on the precipice of a major win. Photo by Atalya Boytner Photography.

Just over three years ago, Felix Vogg (SUI) cantered into the main arena at Luhmühlen’s CCI5* aboard his veteran Olympic horse, Colero. It had been over 70 years since a Swiss rider had last won at this level, when Hans Schwarzenbach won Badminton with Vae Victis. Felix came in with the overnight lead, going on to jump clear to seal his first 5* victory.

Every rider dreams of winning a 5*. Few of them do (unless your name is Oliver Townend or William Fox-Pitt or Laura Collett or Michael Jung or Ros Canter, etc, etc), but they spend their days, nights, lives in pursuit of that ultimate pinnacle.

For Felix, the road to now clinching his second 5* win (and becoming the first ever Swiss rider to win two of them) at the MARS Maryland 5 Star, was littered with one very large obstacle.

Near the end of August, Felix fell with a young horse while competing in the CCI2*-L at Saulieu in France. In the aftermath, Felix tried to ride his other horses that weekend, but something was wrong. With alarming rapidity, Felix was losing feeling in his right arm and, eventually, couldn’t move the arm altogether. It turned out he’d injured the nerves in his shoulder in the fall, and his arm was partially paralyzed.

 

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A post shared by Felix Vogg (@felixvogg)

He went straight into physio to help heal the nerve compression and gain the use of the arm back. He spent four hours daily in therapy, under the watchful eye of a physio as he worked on small, targeted exercises to mobilize the area. Somehow, he was ready to ride again within just a few weeks, rallying to compete in the FEI Eventing European Championships for Seniors just under a month after the accident.

But he missed out on Burghley with a horse he knew was a contender for the title. Cartania (Cartani 4 – C Tenda, by Clinton), a 14-year-old Holsteiner mare owned by Phoenix Eventing S.à.r.l., had had an abbreviated run round Badminton this spring, taking a tumble just three fences from home after a rather rocky ride where Felix struggled to coax rideability out of the mare. She needed a hill – she’d successfully gone around Burghley twice – and thanks to support from a travel grant provided by the Maryland International Equestrian Foundation, a trip to Maryland became a viable option.

He’d decided to focus on 5*s with the mare instead of championships since she’s a real cross country specialist, but he admits she was a bit of “horse #3” in his string, behind his 5* winner Colero and Europeans horse Freida.

Felix and Boyd share a moment in the prizegiving ceremony. Photo by Veronica Green-Gott/Golden Fleece Marketing

“When you’re prepping horses for Championships, sometimes they come a bit more first,” Felix said. “She’s sometimes a bit too brave, so that’s hard work. My other horses are a bit more — you’ve got to teach them and educate them, but on the other hand they have other qualities. [Cartania] struggles maybe a little bit in the dressage or show jumping but overall, a few years ago, I think we made a good decision to focus on five-star with her and keep her there.”

To help Cartania improve her show jumping — before today, she had never jumped a clear round at the 5* level in three completions — Felix enlisted the help of former German show jumping coach Marcus Döring, who now visits Felix’s home base in Germany about once a week. “It improved all the horses, but especially her,” he said. “What helped me as well was putting my girlfriend, [Olympian for Austria] Lea [Siegl], on them, to see how she does it, how she’s riding the horse. You can always take a little bit of something from that.”

Felix Vogg and Cartania. Photo by Veronica Green-Gott/Golden Fleece Marketing

A dental issue also reared up for Cartania this year, which, while now healed, prompted Felix to begin jumping her in a hackamore, which he also used today. In fact, Felix says that may have been the biggest change he’s seen. Just before coming over the U.S. for Maryland, Cartania finally won her first FEI event, a Nations Cup CCIO4*-S at Avenches in Switzerland. “She went really well with it,” he elaborated. “And I thought, ‘Okay, I try it on at the show.’ Since that, I only jump in a hackamore, and now out of three rounds, we’re three times clear.”

While Cartania hasn’t been put on the Championship track, Felix nonetheless remains a part of a burgeoning Swiss system. At the European Championships this summer, the Swiss were mounted on primarily young, developing horses. And as the nation builds towards the 2026 World Championships at Aachen, and with the depth Felix currently has on his string, this win certainly adds more wind to the Swiss sails and harbors a certain feeling of things to come.

Cartania’s groom, Orla Thompson, enjoys the win with her charge. Photo by Atalya Boytner Photography.

I spent an excessive amount of time plugging photos of Felix into various AI celebrity döppleganger sites in an attempt to put my finger on who exactly Felix looks like. They spit out a bunch of options ranging from James Marsden (who has the advantage based on his cheekbones alone) to Nikolaj Coster-Waldau (who played Jamie Lannister in Game of Thrones) and Patrick Dempsey. I can’t really see an exact match, but one shared trait is great hair — though it sounds like Felix may be losing some in the coming days: “My groom said if I win, she’s allowed to cut my hair,” Felix said wryly. “I didn’t expect it happens, but we made a deal. If I don’t win, I am allowed to cut her hair, so, she’s pretty lucky.”

Monica Spencer celebrates her podium finish with Artist. Photo by Atalya Boytner Photography.

It wasn’t meant to be today for our beloved top two Thoroughbreds (though a win from a nice guy with aforementioned great hair and a “strong woman” of a mare is a nice consolation). We knew today would be challenging for both Artist (Monica Spencer) and Phelps (Mia Farley), but as Michel Vaillancourt’s track revealed itself to the early riders, it felt like the course was riding well. Would the seemingly impossible happen?

It wouldn’t, but as heartbreaking as a loss on a Sunday can be, I think the biggest impression I’ve been left with from both Monica and Mia is their pragmatism for what value their special horses bring. Monica punched the air, despite lowering two rails (one at fence 6 and one at 8, both verticals) and dropping into second overall on a score of 31.7. It’s her and “Max’s” best 5* finish to date, and to see Monica in the prizegiving and press conference, you’d think she had won.

And in so many ways she did. She earned a 5* personal best in the dressage and achieved one of the biggest ever margins of lead heading into cross country at a 5*. She and Max did the damn thing on cross country and achieved their first clear inside the time at this level. And frankly, a two-rail performance for Artist is not a slouch. He’s not a classical show jumper, and Thoroughbreds do struggle in this phase. Their time to shine is on Saturday, and Monica certainly got the benefit of that notion this weekend. I don’t think she’ll be crying into her marmite toast tonight (I don’t know, do people eat marmite toast at night?).

Monica Spencer and Artist. Photo by Atalya Boytner Photography.

“To be second at a five-star is the stuff dreams are made of,” Monica said. “I’m just keeping it real. I’m just happy to be here, and I’m happy to have had the lead I had to allow me to still be in the position I’m in.”

Monica will now look forward to returning home to New Zealand for the first time since she and her family moved to the U.S. full-time nearly two years ago. “We need to make sure our farm is still there!” she laughed. “The time’s flown by, to be honest, and everyone is so welcoming here. ‘Spence’ and Gus and I are going home as a family, so that’ll be nice, but we love it here and we’re just riding the wave. It’s been an exciting time for us.”

Photo by SDH Photography.

Mia Farley got the best she could out of David O’Connor’s Phelps, who eventually lowered four rails and dropped into seventh place overall. Mia’s always remained realistic about her little Thoroughbred that could, always reminding us that she has him for Saturdays at big three-days as she continues to gain experience at the level. After cross country yesterday, David gave Phelps a pat. “You’re very lucky,” he said to Mia.

“I don’t know how we’re going to replace him,” she said. And Monica summed it up well in yesterday’s press conference: “Mia and I were saying that Max and Phelps are doing it for all those average brown Thoroughbreds out there. It’s nice they can find a second career. And I have so much love and respect for [them].”

Boyd Martin and Commando 3. Photo by Atalya Boytner Photography.

Boyd Martin used some of his US Equestrian Open of Eventing Final prize money to make a very important addition to his family this week: a bengal cat named Gennadiy, after boxing champion Gennadiy “Triple G” Golovkin. He’s already paid that money back now, earning another payday by climbing the standings to get onto the podium with a beautiful double clear today on Yankee Creek Ranch LLC’s Commando 3.

I walked a portion of the track with Boyd’s coach, Peter Wylde, who’s always very gracious as I toddle along behind him, clinging on to every word. He’d given Boyd some advice on showing “Connor” some spookier portions of the track, as well as some nuanced tips on how he felt the course would ride. As a result of this coaching and the work that leads up to days like today, Boyd continued his stellar show jumping form to finish with a final score of 38.3. Boyd’s had just one rail in FEI competition since this spring, and he’ll be looking to add to his pile of clear rounds and cash next week as he competes the Nutcracker Syndicate’s Cooley Nutcracker at Pau.

Boyd Martin and Commando 3. Photo by Atalya Boytner Photography.

“Commando, he’s just a champion this year,” Boyd, who finally completed his first Maryland since taking the win in 2021 and put to rest a stint of bad luck at this event, said. “He’s finished second at Kentucky and now third at Maryland, and then I think he finished fourth or fifth at Aachen. So he’s had a wonderful year, and I think the best is still to come. I think next year I’d like to hopefully try and win one of these.”

“This has been a wonderful year for my team of horses,” Boyd added. “Felix sort of lived with us in America for about a year, and my wife is secretly in love with him! He’s a top fellow, and he lived at our farm, and then obviously me and Monica are great mates. She’s my next door neighbor. So I love to win, but it’s not so bad being third to these two champion riders. They’re both fantastic people, great horsemen and horsewomen, and I just feel honored to be here with them.”

Caroline Pamukcu finishes fourth in HSH Blake’s first 5* on a score of 39.4.

Michel Vaillancourt set a balanced track with an even number of jumps off of each lead, creating a flowing track that exerted influence but also allowed for some beautiful clear rounds. Four riders jumped double clear (Felix and Cartania, fourth-placed Caroline Pamukcu and HSH Blake, Australia’s Sophia Hill and her Thoroughbred Humble Glory, and New Zealand’s Jonelle Price with Chilli’s Midnight Star). Sophia and Humble Glory were the sole pair to finish on their dressage score, ending the weekend in sixth on a 46.2. Sophia plans to leave “Hughie” with Monica Spencer over the winter and will fly back and forth to prepare for either Kentucky or Badminton in the spring.

“It’s tricky jumping in here,” Boyd analyzed. “It’s quite spooky with the crowds quite close to you. And it’s like a square ring, if that makes any sense, it’s not like a rectangle ring, so there’s seems like you jump one or two jumps or a line and you’ve got to make a turn. There was some short distance and some long distances, and then you had to skedaddle along to get the time. So when I walked it, I thought this is going to be a huge challenge to jump well in and I felt like a lot of horses had to push hard yesterday, and then they all trotted up really well this morning, which is a credit to the footing and the course design. I think the bulk of the horses jumped really, really well in there. The footing was good, and it was a good track.”

Jennie Brannigan hushes the crowd to keep FE Lifestyle focused en route to a fifth place finish on a score of 40.4. Photo by Atalya Boytner Photography.

And so the curtain closes on the fifth anniversary of the MARS Maryland 5 Star. It’s of course disappointing to see lower entries than its 5* counterparts, but I hope as the identity of this wonderful event continues to grow in profile, it will truly find its footing among the great events of the world. There is a special type of horse required to win any 5* event, and even more so at these uniquely challenging venues like Maryland. But with the capable designs of people like Pierre Le Goupil and Michel Vaillancourt, the future is bright, and we’re already looking forward to next year.

Go Eventing.

EN is pleased to welcome Deirdre Vaillancourt Real Estate as the sponsor of our coverage of this year’s MARS Maryland 5 Star. If you’ve got Aiken, SC on your list as a place to base or even move to, Deirdre should be your first call! You can find all properties available and contact Deirdre directly by visiting AikenSCProperties.com.

MARS Maryland 5 Star at Fair Hill (MD): [Website] [Tickets] [Schedule] [Entries] [Live Stream] [Scores] [EN’s Coverage]

All Horses Sail Through Final CCI5* Horse Inspection at MARS Maryland 5 Star

Artist strikes a pose for the gathered crowd. Photo by SDH Photography.

We’ve been treated to yet another drama-free trot up here at the MARS Maryland 5 Star, and while we did have two eliminations in the CCI3* (Dana Cooke with FE Damaskus and Zach Brandt with Kassiopea Preziosa), the CCI5* was deliciously uneventful. Again, it’s a testament to the care of the horses by their team of grooms and vets overnight (and everyday) to ensure they are feeling their best to jump today. The horses all finished looking like they could go around again, so with any hope that fitness will carry over to the jumping today.

Monica Spencer and Artist. Photo by Atalya Boytner Photography.

So we’ll have 13 starters to see this afternoon starting at 2:30 p.m. ET. It’s truly anyone’s game at this point, though overnight leader Monica Spencer (NZL) and Artist do have a rail in hand over Felix Vogg (SUI) and Cartania.

Felix Vogg (SUI) and Cartania. Photo by Atalya Boytner Photography.

Mia Farley and Phelps. Photo by Atalya Boytner Photography.

You’ll be able to follow along with the finale live on USEF Network on ClipMyHorse for our U.S. readers. Instructions on how to link your USEF Account are here so you can access the ClipMyHorse stream for free. For local viewers, Maryland Public Television also carries a great live stream that can be accessed here. For anyone needing an easy way to convert time zones for viewing in your local area, this website is a really handy tool.

EN is pleased to welcome Deirdre Vaillancourt Real Estate as the sponsor of our coverage of this year’s MARS Maryland 5 Star. If you’ve got Aiken, SC on your list as a place to base or even move to, Deirdre should be your first call! You can find all properties available and contact Deirdre directly by visiting AikenSCProperties.com.

MARS Maryland 5 Star at Fair Hill (MD): [Website] [Tickets] [Schedule] [Entries] [Live Stream] [Scores] [EN’s Coverage]

Horses for Courses on MARS Maryland 5 Star Cross Country Day

Monica Spencer and Artist. Photo by Atalya Boytner Photography.

I’m pretty confident I got more sleep last night than the riders competing at the MARS Maryland 5 Star, but as I stared at my phone as the clock ticked toward 3 a.m. last night, the questions were swirling. I had a good gut feeling about the course (which, like, take with a grain of salt, because I’m not sure my gut feeling accuracy average is anything to brag about), but boy, was it different. The chatter I listened to from the riders added to the questions. Many of them didn’t realize they could jump a table as a corner on their initial walkthroughs. Some called a few of the lines and questions “nearly unjumpable.” Others referred to it as the hardest cross country they’ve ever seen (which, to be fair, I think is probably what they say a lot, because the thing about eventing is you can do this really incredibly difficult thing and wonder why on EARTH you choose to do it because it was just so hard, only to forget that part and turn around to do it again the next weekend).

It was always apparent that the horses that would cope the best today would be the horses who had experience on tough 5* terrain, and horses who were either Thoroughbreds or flush with Thoroughbred breeding influence. This hunch was confirmed when you look at the top four horses at the top of the standings following an influential day of jumping in absolutely perfect conditions: all four of these horses, three of which finished inside the optimum time of 11:00, are Burghley horses. Two of them are Thoroughbreds. Again, as I wrote at the outset of the week, I think this big picture is very much in focus as we continue to learn the identity of Maryland.

Let’s talk about the Thoroughbreds first, because it’s one of the best parts of the day.

 

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The number of pure Thoroughbreds we see at this level isn’t as large as we’d love it to be. Many Thoroughbreds struggle in the dressage and in the show jumping. There is a reason we don’t often see them at the top levels of these two individual sports. Where they tend to really shine, with some anomalies who have become three-phase specialists of sorts, is on Saturdays.

Before cross country at CHIO Aachen this summer, Monica laughed when recalling her Kentucky cross country round earlier this year. “When I watched my video back, I was like, ‘oh my goodness, Monica, this is show hunter! What are you doing?'” she chuckled. “So I need to just tighten up my sit ups a bit, and hopefully I’ll be closer to the time.”

She did that in Aachen that weekend, adding two seconds on time on a twisting course that wouldn’t necessarily be the most suited for galloping. “Just keep kicking,” she said of her pep talk to herself that day. “It’s my nature to get too sympathetic and be like, ‘Oh, he needs to rest,’ but [I need to] just to rely on that fitness that I know he has and trust that he’s got the stamina to gallop the whole way.”

Monica Spencer and Artist. Photo by SDH Photography.

This spring, Monica and her family moved to Pennsylvania from Virginia and have had the ability to take advantage of the famous Nelson’s Hill in Chester County for conditioning. “Max” does his gallops every five days leading up to a three-day, plus he now has had eight other Long format events under his belt at the 4* and 5* level to build a right proper base of fitness on top of his pure Thoroughbred breeding.

All of these things, the little details, led up to today. Monica stopped the clock at 10:36, an astounding 20 seconds inside the time (even better than the 15 she thought she had in hand when she checked her watch) to collect her first clear inside the time at the 5* level and her first at any FEI level since 2022. You could see it, too, in Artist’s gallop. He’s always been a long-striding, efficient horse, but there was almost a noticeable difference in power as he charged around the track today. And coupled with that power is something that’s sometimes rare in such a horse: rideability. So much so that Monica admits this adds another nuance to planning her rides.

“He’s a hard one to decide how to ride the course on, because he can do anything,” she explained. “Some horses, you always know to go on the big stride, and some you know to add one. But he can do anything, so he’s so adjustable and that’s come in handy.”

Monica Spencer and Artist. Photo by Atalya Boytner Photography.

Monica stays on her dressage score of 23.7 and will have one rail and some time in hand over second-placed Felix Vogg (SUI) and Cartania (28.3). Statistically, it’s likely she’ll need that rail (though Cartania is not the strongest show jumper herself, nor is third-placed Phelps with Mia Farley (32.2)). Artist has the second-best average of the three in the final phase, lowering an average of 1 rail in his last 6 FEI starts; Cartania has averaged 2.7 jump penalties in her last 6 FEI starts.

“[Thoroughbreds] are bred for running, and we enjoyed that today,” Monica said. “I had one down at Burghley last year, which was a good effort. Let’s put it this way: when I left the start box today, my priority was to keep that rail in hand. We may need two, but I came to this event hoping to get on the podium after swinging and missing for many top tens. He’s been a very consistent boy for me, and I came here wanting a podium, and I’m gonna keep it real and just hope that we can do our best job tomorrow.”

There is something to be said for the extra power and strength Artist showed today. Yes, he could have left it all out on the cross country course, but the other scenario is that the additional hill work and added fitness over time lends itself well to tomorrow, and wouldn’t that be one of the best stories to be able to live?

But we’re lucky this year. Looking at, well, basically the entire field, the stories are incredible, and whoever emerges on top tomorrow will be a unique and historical winner in their own right.

Felix Vogg and Cartania. Photo by SDH Photography.

Felix is one rider who could tamper Monica’s ambitions tomorrow if he can deliver a clear round with Phoenix Eventing S.à.r.l.’s Cartania. It will be a tall task, statistically at least, as she’s never jumped a fault-free round at a 5* in three attempts. Her best round came at Burghley last year, where she had just one down to finish in the top 15.

“Her breeding is jumping, and she can jump high, otherwise she wouldn’t come around these courses,” Felix said. “We weren’t always good, we had one down, two down, but I think it got a little better. We worked quite a lot on that. Tomorrow, anything can happen, but of course, like everyone, I hope she jumps clear.”

Like Artist and Phelps in the top three, Cartania is also a cross country specialist — again, the horses for courses conversation comes up here — but this was also her first clear inside the time at the level. Perfect ground and conditions certainly aided this possibility; a total of four pairs caught the time (three of which were Thoroughbreds, including Sophia Hill (AUS) and Humble Glory, in seventh on a 46.2).

Cartania’s only got about 46% blood on paper, though this Thoroughbred influence originates from the damline, C Tenda, by Clinton, so our in-house lineage expert, Amanda Chance, reckons the Thoroughbred influence is likely higher than listed. Felix, though, says there are other ingredients that make this mare such a specialist.

“It’s about the fitness, and [she’s] a mare,” Felix said. “It makes it easier: they don’t often stop, they keep fighting for you.” Felix is on a new property this year, which similarly to U.S. Olympian Will Coleman has resulted in some new adjustments in terms of fitness training. The fact she had been fit for Burghley in September also helped (Felix’s shoulder injury prevented him from taking her there). “I was bit worried beginning of the year to go to Badminton, and she might be not fit enough. But turned out the opposite — she was way too fit, maybe. Now she was Burghley ready. They have to be fit, and as well now, I think she was perfect. She didn’t get tired, so I think it was part of the fitness.”

Felix Vogg and Cartania. Photo by Atalya Boytner Photography.

Felix switched to a Dutch gag type of bit for this week, changing away from a Pelham, which he felt worked. The mare can be strong on cross country, as he referenced about Badminton this year, where they had a surprising fall that seemed to result from a general lack of rideability.

“I was a bit worried about the time at the beginning, because I was always on the minute, not ahead of it, and I knew what is still coming,” Felix said after his ride. “But it changed that minute before the coffin. And then I was always ahead of it quite a lot, sometimes 20 seconds. So I had to slow her down, calm her down a bit uphill, which was actually really good, so she doesn’t use herself up.”

So while he felt he lost a few marks despite scoring a 5* personal best on the horse in the dressage, Felix said his intention to not do “too much dressage” in the lead-up and instead focusing on fitness has paid off. “The dressage, I don’t think, is the big problem about her, especially when you build up to these events, mostly you do too much dressage,” he explained. “So for me, it was important that she stays fit, she keeps jumping.”

Mia Farley and Phelps. Photo by Atalya Boytner Photography.

Mia Farley earned her third 5* double clear in four starts, building off of her debut here at Maryland in 2023 to bring David O’Connor’s Phelps home inside the time by one second. She stays on a score of 32.2 heading into tomorrow, and while she’s never all that optimistic about show jumping, she knows just how special of a cross country horse she’s sitting on today.

One of the biggest indicators Mia said she felt even before she left the start box? Phelps was grazing in the warm-up. This may seem innocuous, but he’s somewhat gained a reputation for being..er..a bit..unrideable for the first few fences on course. He’s really not a Short format horse, Mia says. He needs the stretches of gallop and the terrain to really take up his efficient stride and allow him to move forward, but sometimes this results in that aforementioned loss of control. But today, he grazed, and Mia says that’s his tell that he’s particularly relaxed. When she left the start box, she could flow right away, rather than fighting Phelps for control and getting away with a few hairy distances as she’s had to in the past.

“I got kind of the same feeling that I did at Kentucky, where I could just ride on a long rein,” she said. “He just gets everything, so he makes my life easy.” Mia chose to go long at the Pierre’s Puzzle coffin complex, having not had an ideal jump over the first corner in the arena at fence 7, resulting in going long. “I think a lot of people know he does have a little bit of a little bit of a right drift. So I was like, even if I ride that perfect, I can’t guarantee it. So I just wanted to play it safe and go around and I know I’m on a fast horse, so he just covers the ground.”

Mia Farley and Phelps. Photo by Veronica Green-Gott.

Mia had a heartbreaker of a 20 at Burghley, coming to grief at the Joules at the Malting’s Corner but otherwise jumping a strong round. She learned from this experience. “I know not to see a distance from 10 out and leave six strides out,” she laughed. “I came in with no expectations my first year, and he was great. And then Kentucky, I was like, ‘Okay, I know I can do this. I can be competitive.’ And then out here, because of my decision at Burghley, I just wanted to come out and not try to make time, because I’ve tried to make time twice on him, and I’ve had a mistake both times.”

She was also a bit stressed this morning after having two three-star horses and not having much time to walk her 5* course. “I would be crying if I were on any other horse, but I knew Phelps would kind of cover me for what maybe I wasn’t there for him,” she said.

Jennie Brannigan and FE Lifestyle. Photo by Veronica Green-Gott.

Jennie Brannigan showed her grit today, jumping an all-class clear with Tim and Nina Gardner’s FE Lifestyle, adding 3.6 time to go onto a 36.4 for fourth place overnight. This is another pair that’s jumped around Burghley (they finished 12th in 2023 and won Best First Timer and 23rd in 2024), and that experience came in handy today. “Foxy” recovered well after a lengthy rehab from a gruesome injury in the trailer en route to Badminton earlier this year, and Jennie herself badly sprained her ankle in a fall with another horse at Morven Park last week, so conditions were not exactly ideal for her today. She debated this morning about going out, but after consulting her coaching and medical team, she decided she was ready to give it her best shot.

“You get a lot of feedback from people telling you, you know, you’re a good person, you’re a bad person,” Jennie said. “But I knew that I was okay to ride him, and I also know that I can pull up when things aren’t going well, or I wouldn’t do my horse justice. I just tried to keep breathing and taking it one one step at a time. But it did ride what Phillip [Dutton’s] and Peter [Wylde’s] plan was for me.”

She says both she and Foxy were a bit low on fitness (and this horse is another without a ton of blood in his system, coming in around 37%), but it was her priority to listen to him out there today and allow him to travel if he felt comfortable. “I’m kicking myself for the few times, but I think I took care of him the whole way around, and that’s what I wanted to do,” she said. “It’s my responsibility to look out for him. And I think I read him the whole way around.”

Boyd Martin and Commando 3. Photo by SDH Photography.

Boyd Martin finally got a cross country completion here at Maryland, after having a tough run of luck here since he won the inaugural event in 2021 with the Turner family’s On Cue. This time, it was Yankee Creek Ranch LLC’s Commando 3 that stepped up to the plate after stablemate Luke 140 (owned by the Luke 140 Syndicate) and Boyd had a parting of ways at Pierre’s Puzzle earlier in the day. “Connor” did tire a bit on the back half of the course, but he finished well with eight time penalties added. They’ll head into tomorrow with a two-day score of 38.3 and in fifth place.

“I think I was going a bit too quick, to be honest,” Boyd said. “I was ahead of my minute markers, and then at the top of the hill, he really started to tire, so I got into the water and thought I’d just go the alternate way, which cost me a lot of time. But to be fair, once he turned around and headed back down the hill towards home, he perked right up, so I was very proud of him to just tough it out and get home the last couple of minutes.”

Boyd’s sitting on the best-ranked show jumper in the remaining field by EquiRatings, and Connor did jump a clear on Sunday after finishing his first 5* cross country with a similar amount of time as today.

How It Started vs. How It’s Going on the Maryland Cross Country

Caroline Pamukcu and HSH Blake stormed around as the final pair to go into sixth on a score of 39.4. Photo by Atalya Boytner Photography.

We saw a completely different look this year on cross country, and really the track was quite front-loaded with intense combinations, all of which caused quite a stir amongst the riders (well, amongst everyone, really) ahead of today. What really gave me a lot of confidence about today was listening to Felix Vogg talk about the track (I wrote about this in my cross country preview here). Felix would know Pierre Le Goupil’s designs relatively well, more so than most of his competitors, and he was always fairly optimistic about it. You had to ride well, and you might be a little scared, but it was doable, because details matter to Pierre. And even if something wasn’t obvious, there is a level of trust that’s built between designer and rider, a thought outlined by 2022 winner Austin O’Connor during Friday’s Maryland Masterclass. That trust is built mutually, and it can be hard when riders don’t have much context aside from a handful of courses from a given designer.

I think that trust may have grown some today.

Yes, I believe people will scream about the numbers again this year. This year’s event saw a 59% completion rate, a marked improvement compared to 2024’s 38% completion rate, with eight of 22 starters completing. Again, I’d love to remind you that with a field this small, it’s hard to make proper comparisons or direct comparisons with the other 5* events.

Arden Wildasin and Sunday Times earned their second 5* cross country completion and were quite quick despite picking up one 20. Photo by Atalya Boytner Photography.

But here’s where I take less issue with the numbers this year. When it comes down to it, the course was influential in all the right ways. The intensive questions at the very beginning – the keyholes in the arena at 7 and the Sunken Road at 11 and 12 all rode quite well throughout the day. Yes, some problems were had and some long routes were taken, but nothing was particularly gasp-inducing. Pierre’s Puzzle, this year at fence 16, is always an influential spot here. This fence caused four issues including an elimination in 2024 and elicited four problems including one elimination this year. The Sawmill Slices in 2024 caused a whole heck of a lot of problems, while this year the same complex (a timber drop followed by a bounce of timber rails after the water) caused zero as it had been made more straightforward and, in my opinion, kinder to the horses after the big pull uphill.

The gigantic ditch brush Fox Catcher Flyer is perennially influential and did exert its influence this year, including one horse fall from Caroline Pamukcu and She’s the One (who are happily both uninjured). Other eliminations or problems came in the form of refusals or falls at single fences, incidents that would happen at any proper 5*.

Photo by Atalya Boytner Photography.

So, when you dig into the numbers, yes we only saw a little over half the field finish, but had there been 40 horses here, I think that percentage would have been much higher. The biggest thing for me is how the horses looked coming home. Similar to Burghley this year, they primarily finished looking fresh, fit and well-prepared for the job. Their ears were pricked, they galloped easily, and cooled out quickly. No one lingered too long in the vet box.

That, to me, is the sign of a good day. I know it wasn’t such for everyone, and that’s ok — that’s 5* sport at its best. Some riders like Boyd commended Pierre but requested he lighten up a bit next year, and I know I’m far from qualified to be truly evaluating courses like this, but I actually feel Pierre achieved a lot this year and set a track that was yes, intense and yes, incredibly scary to look at, but also that was fair and kind and readable by the horses. Less the one misread of the Fox Catcher Flyer, no one seemed to misread a question in any way other than greenness or a loss of focus.

The reality is, there will be courses that see a 70% completion rate, and there will be some that see 40% of the field get home. I return now to the overarching story of this weekend (besides the Thoroughbreds!): there truly are horses for courses, and now we’re beginning to really see the identity of the “type” a rider needs to find success here at Maryland.

Whatever tomorrow brings, it’ll be an incredible story. And like the riders who had success today, we’ll enjoy it today (well, it’s not really today anymore, sorry), and we’ll write the rest of the story tomorrow.

Go Eventing.

You’ll be able to follow along with the finale tomorrow live on USEF Network on ClipMyHorse for our U.S. readers. Instructions on how to link your USEF Account are here so you can access the ClipMyHorse stream for free. For local viewers, Maryland Public Television also carries a great live stream that can be accessed here. For anyone needing an easy way to convert time zones for viewing in your local area, this website is a really handy tool.

The Final Horse Inspection will take place starting at 9:00 a.m. with the 3*-L, followed by the 5*. Show jumping for the 3*-L, which is led by Isabelle Bosley and Conner, will begin at 10:30 a.m., followed by the 5* starting at 2:30 p.m.

EN is pleased to welcome Deirdre Vaillancourt Real Estate as the sponsor of our coverage of this year’s MARS Maryland 5 Star. If you’ve got Aiken, SC on your list as a place to base or even move to, Deirdre should be your first call! You can find all properties available and contact Deirdre directly by visiting AikenSCProperties.com.

MARS Maryland 5 Star at Fair Hill (MD): [Website] [Tickets] [Schedule] [Entries] [Live Stream] [Scores] [EN’s Coverage]

‘He Makes You a Bit Frightened, but You Can Ride It if You Ride Well’: Preview Pierre Le Goupil’s Maryland 5 Star Cross Country

This shot shows the angle that you can take to jump the front edge as a corner, with the direct Sunken Road line becoming clearer as you peek through.

We arrived at the fifth anniversary MARS Maryland 5 Star eager to get out on course as soon as humanly possible. We knew we’d be looking at something completely different: for nearly the first time in the U.S., we have a European designer bringing his flair and style to this 5* track (and the 3* track, which is running as you read this — yes, I know I’m incredibly late getting this preview to you but let me just tell you it has been a WEEK already), and there was much unknown about what exactly would be up his sleeve this weekend.

A little about Pierre: he’s actually something of a self-taught designer. He was born into an equestrian family, his father an Olympic eventer and his mother was a groom. He himself competed to the top levels of the sport, but when it comes to course design, he kind of found himself thrown into it. The Le Goupil family founded Le Grand Complet in Normandy in 1995, and since this was before the days of course designer certifications and the family needed a course, the job fell to Pierre, who found he enjoyed the nuance and detail of laying out a track. As he built a reputation, he traveled the world to help with designs in countries like Brazil, Bulgaria, Belarus, China, Hungary, India, Japan, and Russia.

His designation as the Paris Olympic designer came after his first major Championship design at the 2023 Pan American Games. Now, he steps up once more in stature to tackle his first 5* design, taking over from the capable hands of Scottish icon Ian Stark.

The result? A course that has absolutely everyone chattering.

“It’s the hardest bloody course I’ve ever walked in my life!” exclaimed Caroline Pamukcu, who to be fair had probably had one look at the time I asked her for her impressions. She’s presumably calmed down a little since then and focused in.

The first water at fence 3 gets the horses jumping confidently into the water.

Why the chatter, exactly?

Well, it IS a very different look and feel out there. The difficulty lies in the details, but I think Pierre’s actually been quite smart about this design. We’ll of course see how it rides, but my thought is that the pairs who can do this track with the added terrain will make it look very doable, and the ones who can’t do it today will know very quickly that it’s not their day. It’s then on the rider to be smart and know — quickly — whether or not it’s meant to be their day.

The first of these separators on course comes early on in the going at fence 7ABC, the second combination which comes in the Main Arena. Riders will enter and exit through the same area (opposite of the entrance used for dressage) and come quickly to the notorious half-keyhole “owl” brush fences. This year, they’re set on a curving, accuracy-demanding line that takes them from the first owl/keyhole/brush corner/thing, to an airy vertical set over a spooky liverpool of sorts, followed by another *creative* turn to the second owl. This is a question that’s raised some eyebrows — one person in the media center brought up how different the green brush keyholes look against the contrast of the arena footing. On grass, they won’t stand out so much, but against the contrast it’ll be interesting to see if that visual element helps or hurts.

A look at the longer route at the Sunken Road if riders choose to jump the table head on and have a friendly tone.

Either way, I think the riders will know at this question what they’ve got. And that theme continues all the way through the coffin complex, Pierre’s Puzzle, at 16ABC before the riders hit the longest and steepest uphill pull to the famous Crab Water. To my eye, the track is very “top-heavy” and front-loaded. I think this is an interesting concept, as I think Pierre’s given the riders every possible chance to get a gauge on the day’s viability before they get to the biggest fitness test.

The Yanmar America Sunken Road at 11 and 12 is a key combination that we’ll be very interested in seeing. Uniquely, Pierre’s made the table at 11 such that it can either be jumped straight on, followed by either a very difficult 90-degree turn to get to the yawning ditch at the sunken road, or they can actually jump the front right corner of the table as a corner to put them pretty much directly on the straight route line. Most riders say they’ll see how it rides, though some are planning to jump the corner option, but again, this is an early scenario for riders to determine how their horses are reading the questions.

The Pierre’s Puzzle question is also very tricky, with a very “jump into space” landing on the back end of the C element, which is an airy brush vertical set on an angle atop a steep mound. The coffin here is always influential with its steep downhill approach, but Pierre’s added a new level of nuance and challenge to it.

The approach to Pierre’s Puzzle at 16.

So by this point, with several very intensely challenges behind them, riders should be feeling good, and if they have enough gas in the tank to push up the hill, get the Crab Water done (where there is a very friendly alternative route that doesn’t look like it’ll take an offensive amount of time), and safely navigate the final few, mostly downhill questions, they should finish well. The top-heavy nature of the course is something I may be slightly exaggerating, but I also think Pierre’s done a good job of weeding out the ones who may be in danger of having bad trouble before the horses are tired. I think this smart designing, but what will be interesting to see is if any horses (or their riders) look truly mindblown by the time they get to the coffin.

The very good thing is that this field is full of strong cross country horses. As I mentioned in our Thursday report, we have eight horses (Artist, Phelps, Cartania, Quindiva, Wabbit, Humble Glory, FE Lifestyle, Mama’s Magic Way) who’ve done Burghley (probably the closest comparison to this track in terms of terrain challenge) and four full Thoroughbreds in the field, along with an average majority of Thoroughbred blood across the field. That’s going to be a good thing this afternoon, as I think the horses who’ve navigated Burghley and have the quickness of mind and foot will be the most successful on this track.

A wide angle of the arena combination, which features two half-keyholes and a watery vertical that will require some slicing.

Felix Vogg, a Swiss Olympian who’s come over with Cartania for a shot at the title, is one of the riders who knows Pierre’s courses the best among this field, basing full-time in Europe and riding several of his tracks over the years. He says this track does carry a definitive Pierre stamp, down to every little detail.

“He’s a good designer,” Felix mused. “He makes you a bit frightened, but at the end, you can ride it if you ride it well. I know he’s really detail oriented, like really, really crazy in Europe — sometimes the courses are not ready when when you allowed to walk the first time! — because he’s so into details. But I think at the end, that’s what makes him [good at it] as well, and that’s why it’s, at the end, riding well.”

We’ll be watching closely. Stay tuned to find out how the day goes, who shines and who goes home with things to work on in our full cross country report coming tonight. In the meantime, you can view a full preview of the course on CrossCountryApp here. It’s an 11:00 optimum time, with a total of 30 numbered fences.

You’ll be able to follow along live on USEF Network on ClipMyHorse for our U.S. readers. Instructions on how to link your USEF Account are here so you can access the ClipMyHorse stream for free. For local viewers, Maryland Public Television also carries a great live stream that can be accessed here. For anyone needing an easy way to convert time zones for viewing in your local area, this website is a really handy tool. We will also have a traditional Cheg Darlington live blog for you for the 5* division, so be sure to stay tuned!

EN is pleased to welcome Deirdre Vaillancourt Real Estate as the sponsor of our coverage of this year’s MARS Maryland 5 Star. If you’ve got Aiken, SC on your list as a place to base or even move to, Deirdre should be your first call! You can find all properties available and contact Deirdre directly by visiting AikenSCProperties.com.

MARS Maryland 5 Star at Fair Hill (MD): [Website] [Tickets] [Schedule] [Entries] [Live Stream] [Scores] [EN’s Coverage]

Monica Spencer and Artist Fly the Flag for the Thoroughbred on Friday at MARS Maryland 5 Star

Monica Spencer and Artist dance into the lead on Friday at the MARS Maryland 5 Star. Photo by Atalya Boytner Photography.

“Hi mama!” three-year-old Gus yells as his mother, Monica Spencer, gallops up Nelson’s Hill (one of the best conditioning hills on the East coast, and probably in the country) and past her husband, Andrew’s, camera. “Hi Gus-man!” she shouts back. Artist‘s ears are pricked, and his light Thoroughbred build carries him effortlessly up the incline. She posts videos like this frequently on her social media; Andrew and Gus accompany her on nearly every gallop.

It’s a normal scene at the home base (the former Schramm Equestrian base in Chester County, PA, just down the road from the MARS Maryland 5 Star at Fair Hill, presented by Brown Advisory) of the family Spencer. Monica, Andrew and Gus relocated to the U.S. full-time following the 2022 World Championships with an eye to building towards the Los Angeles Olympics in 2028, and moved from Virginia up to Pennsylvania earlier this year.

Monica Spencer and Artist. Photo by Atalya Boytner Photography.

Until recently, Monica had no full-time help. With the new farm and a growing string of young horses, Monica recently hired on #supergroom Savannah Kilpatrick. But until that point, it was just the little family of three, enjoying life on the farm together. They keep things simple.

Leading up to this weekend, Monica ran Artist, who is 14 this year, just twice after finishing eighth at Kentucky in April. He’s a horse that knows his job at this point, and the light preps suit him well at this stage.

And so it was a traditionally loose, soft and supple Artist who entered at A Friday afternoon and left with a new FEI personal best score of 23.7 to lead the field heading into cross country. They received a couple of nines for the efforts from judge at C and president of the Ground Jury Sandy Phillips (GBR), one for her flying change out of the counter canter and another for her final halt. Through these high averages, this score puts them comfortably into the lead over Switzerland’s Felix Vogg and his cross country beast of a mare, Cartania.

“I haven’t really done a lot of dressage this week,” Monica said after her test. “I’ve just been making him feel good in his body, so I can go in there and ‘push the button,’ which is pretty cool. He is a very nice guy, and he does his very best all the time, so I’m lucky to have him.”

Photo by Atalya Boytner Photography.

“It is a bit of added pressure,” she said of being in the overnight lead. She led her first 5* with “Max” at Adelaide after dressage as well. “But you’ve got to take every day as it comes. Today was a nice place to start, but I don’t think it’s going to be a dressage competition. [The course is] different. There’s some stuff I haven’t seen before, but it’ll be interesting to see how the horses read everything and how the day unfolds.”

Monica’s become a familiar face on the East coast and around the country teaching clinics this year in particular, but she insists Max is the one everyone comes to see. “If I meet people, they say, ‘Are you Monica? Do you ride Max?’ So it’s him that’s famous, it’s not me! He definitely feels like he knows he’s flying the flag for all the bay Thoroughbreds out there.”

Caroline Pamukcu and HSH Blake. Photo by Atalya Boytner Photography.

Breaking up the international party in the top three are Caroline Pamukcu with her Paris Olympic horse, HSH Blake (owned by Mollie Hoff, Sherrie Martin and the Paumukcus), who is stepping up to the 5* level with much anticipation this weekend. Blake scored a 28.2 in this first 5* test, a scenario where some horses might score slightly higher in this more technically demanding test, both physically and mentally. But Caroline describes Blake as a total workman, and the dressage has been supported particularly this season by Grand Prix rider Samantha St. Jacques as well as the core US Equestrian coaching and management team.

“I’m just over the moon with him,” Caroline said. “He felt like he really enjoyed himself. When I came into the ring it’s like he kicked into another gear and just felt very happy. I wasn’t too nervous for dressage because it’s a cross country competition. If you didn’t have a perfect change or you jigged in the walk, it didn’t really matter because tomorrow it’s a tough, tough, tough track out there.”

Caroline now has two horses in the top 10 with She’s the One (Andy and Molly Hoff, Sherrie Martin and Caroline-owned) in eighth overnight, and she’s in 14th with the Tolan King Partnership’s HSH Tolan King.

Felix Vogg and Cartania. Photo by Atalya Boytner Photography.

Pushing into third place are Switzerland’s Felix Vogg with Cartania, who also scored a 5* personal best with a 28.3. Despite the score, though, Felix felt he’d left some marks on the table. “She was really, really good this week, but this morning she got a bit tense,” he reflected. “I could have done some stuff better in there, especially in the canter. We messed up a change, and I think we never did that before. It wasn’t bad, but especially the changes, that’s the best part of her — did I not get it done properly? I’m not annoyed with her, but with me I have faults.”

Here, the riders can’t really see the marks they’re getting, and Felix uses that often to help him know where he is in the judging. “Usually like to see the marks, and then when I’m a little bit behind, it gives me another kick to try harder,” he said. “So now I never knew where I am, where I’m at. So then you just have to keep being motivated, and keep trying. It’s always one section, you get one mark, then you get the next mark. If you miss some stuff or don’t get it ride, you can still do the other marks well. So that’s the way you should right it, I think, but usually I like it more when I can see how my scores are and look at little on the screen.”

Felix is luckily completely mended from a scary injury that temporarily paralyzed his right arm after a fall from a young horse. The incident happened two weeks before Burghley, in which Cartania was entered — hence the reroute here to Maryland, which Felix feels suits the 14-year-old Holsteiner mare owned by Phoenix Eventing S.à.r.l. better than Les 5 Etoiles de Pau in southern France at the end of this month.

Felix Vogg and Cartania. Photo by Atalya Boytner Photography.

“I thought it’s nothing [at first], so I got again on the horse and the next one, but I couldn’t hold anything anymore,” Felix told us. “I tried to ride another young one with one hand, but it didn’t work. So I got off, and then it went quite quickly that the arm got more and more stiff, and it was completely paralyzed. The fingers I could move, but the whole arm [couldn’t]. We worked a lot with electric simulation and all this stuff quite a lot, like four hours a day. Then it got, quite quickly, good again, I’d say maybe after about three weeks.”

“This course suits her better — the up and down, it’s tougher,” Felix said of his decision to come here to the U.S., where he temporarily based in 2018. “If it’s flat, it’s too much work for me. I hope [the terrain will help her rideability]! I don’t know how it is here, but it’s like this in Burghley, and Burghley suits her better than Badminton because it goes long up the hill.”

Jonelle Price and Chilli’s Midnight Star. Photo by Atalya Boytner Photography.

Boyd Martin and Commando 3. Photo by Atalya Boytner Photography.

Jonelle Price (NZL) with Nikki Axon’s and Merrill Halstead’s Chilli’s Midnight Star (yes, a Chilli Morning baby!) moved into fourth, tied with Boyd Martin and Yankee Creek Ranch LLC’s Commando 3 on a score of 30.3.

Here’s a look at your full standings going into cross country, which begins at 9:05 a.m. with the CCI3*-L. There’s a lengthy break before the 5*, which will begin at 1:40 p.m. with Caroline Pamukcu and HSH Tolan King. Starting orders and live scores can be found here.

This week, you’ll be able to follow along live on USEF Network on ClipMyHorse for our U.S. readers. Instructions on how to link your USEF Account are here so you can access the ClipMyHorse stream for free. For local viewers, Maryland Public Television also carries a great live stream that can be accessed here. For anyone needing an easy way to convert time zones for viewing in your local area, this website is a really handy tool. We will also have a traditional Cheg Darlington live blog for you for the 5* division, so be sure to stay tuned!

EN is pleased to welcome Deirdre Vaillancourt Real Estate as the sponsor of our coverage of this year’s MARS Maryland 5 Star. If you’ve got Aiken, SC on your list as a place to base or even move to, Deirdre should be your first call! You can find all properties available and contact Deirdre directly by visiting AikenSCProperties.com.

MARS Maryland 5 Star at Fair Hill (MD): [Website] [Tickets] [Schedule] [Entries] [Live Stream] [Scores] [EN’s Coverage]

Day One at the MARS Maryland 5 Star: The Open Champion Leads, and the Evolution of a Five-Star

Boyd Martin and Luke 140. Photo by Atalya Boytner Photography.

This year at the MARS Maryland 5 Star, we’re looking at a field that is arguably one of the highest-quality lineups we’ve seen in this event’s young history. Celebrating its fifth anniversary this year, the Maryland 5 Star is really still forming its identity (fun fact: the next youngest 5* of the seven in the world is Luhmühlen, which despite its rich history of World and European Championships hosting, did not run its first now-5* until 2005).

When the event first launched in 2021, we had Ian Stark designing the 5 Star course for the first time (his first even at the 5* level, though of course his 4* tracks were world-renowned). We also knew little about this side of the Fair Hill property; the “old” Fair Hill International was held on the other side of the road on a completely different piece of land. So, we approached this new 5* with much (if not everything) unknown. Now, with Pierre Le Goupil stepping in fresh off his Paris Olympic course design, there’s once again that sense of a new chapter and a new set of questions about what type of horse suits this terrain and this course.

In other words, while this is a dressage report, it’s really all part of the bigger picture. This year, we have a strong contingent of Thoroughbreds and quite a few horses who’ve proven themselves over a course like Burghley. And that’s a trend worth noting, because it tells us a lot about the kind of horse that can handle this event, and what sort of “horses for courses” reputation Maryland is building.

While we’ve seen three of the last four winners of the 5* start off on sub-30 scores (and in at least third place (Austin O’Connor’s 2022 win is the only anomaly, wherein he started with a 33.7 and in 12th after dressage), there’s still an interesting connection that at least I am making. As I mentioned, we’re flush with both Thoroughbreds and Burghley horses this year. Four of the horses in the field are race-bred Thoroughbreds (and a large majority of the field carries a strong percentage of Thoroughbred blood: an average of 62.6%), and eight horses have successfully gone around Burghley, some even twice. All but one of our former winners here have also successfully gone around Burghley (one of them even finished on the podium just this year).

So yes, while that once-rare specimen of a horse who can compete in dressage and still come up with enough in the tank to throttle around a Burghley course (ok, show jumping is another story for some of these types, but that’s alright) is becoming rarer, the fact remains that dressage here will not be the sole deciding factor (it never should be, really).

Now that I’ve really gone full send on the idea of burying a lede, I hope I’ve set the stage a little for you here. Of course, I’m writing with a bit of my own view in mind here, and with a small field of 22 it’s hard to make direct comparisons, but I think it’s interesting in the grand scheme of this competition, somewhat more so than the specifics of any particular score today.

‘Spook’ 140 Hangs In for Early Lead

Boyd Martin and Luke 140. Photo by Atalya Boytner.

While no one dipped into the sub-30s today, a few pairs came close. Notably, our day one leader is none other than Boyd Martin, fresh off his U.S. Equestrian Open of Eventing Final win at Morven Park. Boyd’s brought forward two horses this weekend: Luke 140, owned by the Luke 140 Syndicate, and Commando 3, owned by Yankee Creek Ranch LLC, who will start his competition tomorrow afternoon.

Luke 140, affectionately known as “Spook 140” in Boyd’s barn (and yes, there’s a t-shirt), did show a bit of his signature sharpness in the ring today. Their score of 31.0 was higher than anticipated. They earned a 27.9 at Kentucky and have averaged a 28.2 this season across levels, so while today was not the best they’ve done, reference the intro to this article. Frankly, the ability of Boyd (with the help of his Grand Prix rider of a wife, Silva, at home, as well as Bettina Hoy) to coax sub-30 scores out of a horse he describes as “hot and nervous” in general with this phase is a skill in itself. Boyd noted that the tents flapping in today’s wind gusts and the jumbotron that yawns above A helped put a bit more edge on, and while they trended in the 28-29 range for most of their test, they lost marks particularly in some of the canter work.

“You sort of just control what you can control,” Boyd said. “He’s a hot, spicy horse, which makes him a great cross country horse. I’m attracted to energetic horses and the hardest thing is just trying to work on getting him quite settled so he can perform in there. Our biggest enemy, along with a lot of the the other three-day event horses, is they’ve got to be relaxed and calm for the dressage judges, but on Saturday, they’ve got to be raring to go, so it’s a bit of a balancing act. What I’ve learned with him is just to try and avoid confrontation!”

Caroline Pamukcu exits to a big cheer from her support crew after her test with She’s the One. Photo by Atalya Boytner.

In second place, we have Caroline Pamukcu with She’s the One, who has shaved a good four points off her Kentucky debut score to go onto a 31.4. Caroline’s been working with Samantha St. Jacques on dressage, and it’s really paying off in terms of connection and relaxation. Caroline’s got three horses here, all essentially rookies at this level, and she’s aiming to leverage their Thoroughbred influence to tackle Maryland’s terrain.

“The mare’s ten this year, but she’s had quite a bit of experience,” Caroline said in the press conference. “The team last year sent us over to Millstreet, which was great experience or her. Then this year, they sent us over to Arville, so I’m really thankful So I’m really thankful for the Federation to keep putting a little bit of energy and time into her, and giving me an opportunity so that this sort of atmosphere, she’s getting quite used to it.” There will be more to come in this phase from this still-young mare, who also campaigned with French rider Gaspard Maksud.

Jennie Brannigan and FE Lifestyle. Photo by Atalya Boytner.

Jennie Brannigan and FE Lifestyle are sitting in third after putting in a 32.8. Jennie’s had a tough lead-up with an injury, and “Foxy” is coming back from a serious setback sustained while en route to Badminton this spring. But with the guidance of Bettina Hoy and Peter Wylde, as well as longtime coach Phillip Dutton, Jennie feels like they delivered their best 5* test yet.

“I’m super happy with his work,” Jennie said. “He got a little tense, and did [a] little [flying] change at the half-pass. A couple things I could’ve cleaned up.”

Bettina’s taken a few rides on Foxy building up to this, particularly while Jennie was preparing for and competing at Morven Park last weekend. They brought him to Morven so Bettina could school him in the main warm-up as well. “I had him in training with Silva for a bit a few years ago, but that’s [really] the most I’ve ever had someone else [ride him],” she said. “[Bettina] was like, ‘you focus on Morven, I’ll ride Foxy every day.’ And it’s pretty amazing. The first day I rode him was the day I jumped him [on Monday following Morven Park], I thought he jumped phenomenal. It’s just amazing how adjustable he is, and it took me a second for my eye to adjust to the fact that he was so rideable.”

Jennie opted to be on her own for her pre-rides but decided to have Bettina in her ear for her warm-ups, which she said helped get her and Foxy into that right before the ring mindset. She’s confirmed that contrary to some rumors she did not break her ankle in a fall at the startbox with Kismet at Morven, but she is working daily with a physio to help her be sound on a sprained left ankle sustained in the fall.

What’s On Tap for Friday

Lindsay Traisnel and Bacyrouge slot into fourth place. Photo by Atalya Boytner Photography.

Here’s a look at your initial starting order ahead of Friday:

You can view the order of go for Friday here. The top three horses in the EquiRatings Prediction Center will be among those we’ll see tomorrow: Boyd Martin and Commando 3 (3:19 p.m. ET), Monica Spencer and Artist (2:37), and Caroline Pamucku and HSH Blake (3:35 p.m.).

Caroline Pamukcu also holds fifth place with HSH Tolan King. Photo by Atalya Boytner.

This week, you’ll be able to follow along live on USEF Network on ClipMyHorse for our U.S. readers. Instructions on how to link your USEF Account are here so you can access the ClipMyHorse stream for free. For local viewers, Maryland Public Television also carries a great live stream that can be accessed here. For anyone needing an easy way to convert time zones for viewing in your local area, this website is a really handy tool.

EN is pleased to welcome Deirdre Vaillancourt Real Estate as the sponsor of our coverage of this year’s MARS Maryland 5 Star. If you’ve got Aiken, SC on your list as a place to base or even move to, Deirdre should be your first call! You can find all properties available and contact Deirdre directly by visiting AikenSCProperties.com.

MARS Maryland 5 Star at Fair Hill (MD): [Website] [Tickets] [Schedule] [Entries] [Live Stream] [Scores] [EN’s Coverage]

EN’s Ultimate Guide to the 5th Anniversary MARS Maryland 5 Star: The Players, the Schedule, How to Follow & More

It’s time to open the curtain on the 5th anniversary of our youngest CCI5* event, the MARS Maryland 5 Star at Fair Hill, presented by Brown Advisory! As we look to the start of 5* competition this afternoon at 2 p.m. ET, we’ve collated our traditional Ultimate Guide so you have a one-stop shop for all of the information and updates that you need to follow along closely.

You can find more information on experiencing the event, including a schedule of the special events happening on site all week long, on the Maryland website here.

Keep scrolling for more information, and it’s also a hot tip to keep this post bookmarked, as we’ll update it with each day’s coverage articles so you’ve got everything in one spot.

EN is pleased to welcome Deirdre Vaillancourt Real Estate as the sponsor of our coverage of this year’s MARS Maryland 5 Star. If you’ve got Aiken, SC on your list as a place to base or even move to, Deirdre should be your first call! You can find all properties available and contact Deirdre directly by visiting AikenSCProperties.com.

MARS Maryland 5 Star at Fair Hill (MD): [Website] [Tickets] [Schedule] [Entries] [Live Stream] [Scores] [EN’s Coverage]

The Schedule

For our purposes, we’ll be covering the CCI5* division in our reports this week, but you can find the full schedule including the 3* and USEA Young Event Horse East Coast Championships here.

Wednesday October 15 – 2:00 p.m.: First Horse Inspection

All Presented Horses Ready to Set Sail Following First Horse Inspection at MARS Maryland 5 Star

Thursday, October 16 – 2:00 p.m.: Dressage

Friday, October 17 – 2:00 p.m.: Dressage

Saturday, October 18 – 9:30 a.m.: 3* Cross Country
Saturday, October 18 – 2:00 p.m.: 5* Cross Country

Sunday, October 19 – 9:00 a.m.: 3* Final Horse Inspection, followed immediately by the 5*
Sunday, October 19 – 2:00 p.m.: 5* Show Jumping

How to Watch and Follow

This week, you’ll be able to follow along live on USEF Network on ClipMyHorse for our U.S. readers. Instructions on how to link your USEF Account are here so you can access the ClipMyHorse stream for free. For local viewers, Maryland Public Television also carries a great live stream that can be accessed here.

The Players

You’ll be able to learn much more about our field over in our Form Guide, and also in our entry preview here. We did have two drop-outs ahead of the jog on Wednesday in Buck Davidson’s Sorocaima (those damn hoof abscesses) and Jennie Brannigan’s Connory (a choice on Jennie’s part to save him for a 5* debut next year after picking up a small ankle injury recently), so our field is thinned to 21 horses and riders in the CCI5*.

EN’s Coverage

SUNDAY, OCTOBER 19

All the Way Up: Felix Vogg Makes (More) History for Switzerland with MARS Maryland 5 Star Victory

All Horses Sail Through Final CCI5* Horse Inspection at MARS Maryland 5 Star

SATURDAY, OCTOBER 18

Horses for Courses on MARS Maryland 5 Star Cross Country Day
Follow Along with the Live Cross Country Action from MARS Maryland 5 Star: Live Blog

‘He Makes You a Bit Frightened, but You Can Ride It if You Ride Well’: Preview Pierre Le Goupil’s Maryland 5 Star Cross Country

FRIDAY, OCTOBER 17

Monica Spencer and Artist Fly the Flag for the Thoroughbred on Friday at MARS Maryland 5 Star

THURSDAY, OCTOBER 16

Day One at the MARS Maryland 5 Star: The Open Champion Leads, and the Evolution of a Five-Star

EN’s Guide to the Horses and Riders of the 2025 MARS Maryland 5 Star

WEDNESDAY, OCTOBER 15

PRE-COMPETITION COVERAGE

Preview the 2025 MARS Maryland 5 Star Entries

Join EN and the MARS Maryland 5 Star for a ‘Maryland Masterclass’ with Pierre le Goupil and Ian Stark

All Presented Horses Ready to Set Sail Following First Horse Inspection at MARS Maryland 5 Star

Tayla Mason and Centennial. Photo by Atalya Boytner Photography.

A moment for Jonelle Price’s pop of orange! Photo by Atalya Boytner Photography.

There’s something so lovely about an uneventful jog (and of course we always hope it’s uneventful on Wednesday), and we were treated to just that today to open the week at the fifth-anniversary MARS Maryland 5 Star at Fair Hill, presented by Brown Advisory. Our Ground Jury members and Veterinary Delegate had a close eye on our competitors to ensure their readiness to compete this week, and all horses who were presented in both the CCI3*-L and the CCI5* were accepted.

We did have two withdrawals ahead of the jog: Buck Davidson pulled his Thoroughbred campaigner Sorocaima and will now just have Cooley Candyman this week. Jennie Brannigan also withdrew Connory and will only ride FE Lifestyle. Buck told us that “Cam” had an ill-timed abscess, so while he’s still here on site it was just close enough timing that he opted not to risk it — and for a horse who’s done so many of these events, he says, there was no reason to push to make the weekend happened.

Phillip Dutton trots up FE Lifestyle for Jennie Brannigan, who’s added an ankle boot to her wardrobe this weekend. Photo by Atalya Boytner Photography.

Jennie also opted to withdraw Connory after taking a hard fall at the start box with a different horse at Morven. She’s feeling just fine and has been cleared to compete this week by her doctors and coaches, but with this being Connory’s first 5*, she thought it would be best to focus her energies on the more experienced FE Lifestyle.

Monica Spencer and Artist. Photo by Atalya Boytner Photography.

With that, we’ll see a total of 22 horses in our CCI5* field this week, and a total of 53 horses to see in the CCI3* division. Starting orders and times will be available soon here. We’ll be back tomorrow morning with our full Form Guide to the CCI5* field and much more as we kick things off on one of our favorite fall events on the calendar.

Brooke Burchianti and Cooley Space Grey. Photo by Atalya Boytner Photography.

EN is pleased to welcome Deirdre Vaillancourt Real Estate as the sponsor of our coverage of this year’s MARS Maryland 5 Star. If you’ve got Aiken, SC on your list as a place to base or even move to, Deirdre should be your first call! You can find all properties available and contact Deirdre directly by visiting AikenSCProperties.com.

MARS Maryland 5 Star at Fair Hill (MD): [Website] [Tickets] [Schedule] [Entries] [Live Stream] [Scores] [EN’s Coverage]

Hey ‘Mikki’ You’re So Fine: Boyd Martin and Miks Master C Take Inaugural $200k US Equestrian Open of Eventing Final at Morven Park

Boyd Martin gallops to victory with Miks Master C. Photo by Shannon Brinkman Photography.

We know that truly anything can happen in sports on any given day. Really, that’s one thing that makes sports just so incredibly great. No matter how much of a sure thing something can be, it’s never over until it’s actually over. We saw that scenario play out in real life today at the finale of the $200,000 US Equestrian Open of Eventing Final at Morven Park.

Will Coleman and Off the Record entered the Grand Prix arena, where a challenging track set by Chris Barnard awaited, as the final pair to compete. They held the overnight lead, still on their dressage score of 25.1. It wasn’t that “Timmy” and Will had a perfect show jumping record. Really, they’ve had a heartbreaker of a rail several times in the past. But they came in touted as 77% chance winners by EquiRatings, and they’ve enjoyed a whole slew of wins, including at CHIO Aachen. Will spends a lot of time in the show jumping arena himself, and eventual winner Boyd Martin described the course today as more similar to a jump-off than anything else with a very tight time allowed, so those skills would certainly come into play.

Will Coleman and Off the Record. Photo by Shannon Brinkman Photography.

We held our breath as the pair navigated their way around.

But it wasn’t meant to be for Will and Off the Record (owned by the Off the Record Syndicate), who lowered the B element of the final combination at fence 11, which was enough to drop them below Boyd Martin and Miks Master C (owned by Ocala Horse Properties, Debbie Palmer and Rachael Carter) into second on a score of 29.1.

Will still earns a good chunk of the $200,000+ prize fund for his efforts this weekend, but the title this year now belongs to Boyd and Miks Master C, a horse who came to him through the unfortunate circumstance of Liz’s severe injury at the American Eventing Championships last summer. In the wake of the accident, which left Liz with a traumatic brain injury, and while she’s making excellent progress in her recovery, it quickly became apparent that her top horses would need to move on. Several of those — her Paris horse, Cooley Nutcracker, Shanroe Cooley and Miks Master C — went into Boyd’s program.

Fortunately, Boyd and Liz shared many support crew members including jumping coach Peter Wylde and former U.S. coach Erik Duvander, and of course Boyd had been alongside Liz for many a competition when she had the horses. So while it’s certainly taken some time to get the horses acclimated to a different program and style (“I still don’t quite feel like they’re my horses yet,” Boyd said today), two top-five finishes for Boyd this weekend shows that the road ahead is bright.

“I’ve always admired the horse,” Boyd said of Miks Master C, who also won the MARS Equestrian American Bred Trophy as the top-placed U.S.-bred horse. Laurie Cameron brought “Mikki” into the world via her breeding program in New Jersey. “When Liz was bought the horse, I was extremely jealous, because he’s my type of horse. He’s by a stallion called Mighty Magic, and he one of those horses that moves like a warmblood but thinks like a Thoroughbred — a true three-day event type for me. He’s got an amazing gallop, the right amount of crazy, huge grit, a beautiful mover in the dressage — just a resilient horse. He’s tough and one of these horses that when you go into the competition ring, he jumps higher, or moves a bit bigger.”

Boyd Martin and Miks Master C. Photo by Shannon Brinkman Photography.

Boyd kept his preparation light for this event. Mikki isn’t short on experience at this stage of his career, so the preparation wasn’t so much about training as it was cementing partnership and rebuilding strength and fitness as the horse came back from an injury picked up last year. “I was banking basically on Liz’s training and his experience that Liz put into him over the years,” Boyd continued. “I got this feeling that I just had to try and give him a good ride, and he’d zip around.”

Photo by Shannon Brinkman Photography.

Someone newer to the eventing scene this weekend asked me if the competitors got along, or if it was cutthroat, Formula 1 style amongst the athletes. I think I’d now use Boyd’s admission that this win comes as a somewhat bittersweet one as he watched his good friend and fellow competitor Will Coleman lose out on the victory.

“To be honest, it’s a bit of an awkward way to win,” Boyd said. “Will Coleman’s horse, Timmy, is a legend. We’ve been on teams together through the World Championships and the Olympic Games. So it’s sort of mixed feelings. I didn’t actually see his rail come down, and it’s sort of hard to know how to react sometimes when you’ve sort of won by default. So I think it’s a legend horse, Off the Record. He’s been going strong for years, and I suppose Miks Master C is similar — they’re veterans of the sport.”

Will Coleman and Very Dignified. Photo by Shannon Brinkman Photography.

Boyd and Will make up the entire final top four. Will’s first ride, the Very Dignified Group’s Very Dignified jumped a stellar double clear to move from sixth into third, finishing on her dressage score of 35.4. This mare is just 10 this year — you’ll want to keep a firm eye on this one, as we may just have the next Coleman superstar in the making on our hands here. In other heartening news for Will, Diabolo — a horse from Australia that Will’s quite keen on but picked up an injury that he’s slowly been coming back from — enjoyed a nice canter around the CCI2* division this weekend, and we hear he’s hopefully going to make a full comeback and compete at Kentucky next spring.

Boyd Martin and Shanroe Cooley. Photo by Shannon Brinkman Photography.

Boyd’s other ride, Dallas LLC’s Shanroe Cooley, also jumped a double clear to move from eighth into fourth on a final score of 35.9. In total, just four riders managed double clears. Canada’s Jessica Phoenix secured the first one of the day with the 17 years young Fluorescent Adolescent — a big accomplishment for this splashy mare, who’s not jumped a clear in a Long format since she was at the 3* level. Jessie and “Lacey” wound up seventh and well into the money after starting the weekend in 22nd.

Jessica Phoenix and Fluorescent Adolescent. Photo by Shannon Brinkman Photography.

Lucienne Bellissimo and Kitsch Couture HPK — another real one to watch, as Lucienne is confident she can get the mare’s dressage scores down into the 20s in the coming year or two — wound up fifth for their efforts this week, lowering one rail at the last fence (a heartbreaker!!) but nonetheless cementing this talented type as a horse for the future. She’s now got two 4*-L competitions under her belt, and we’ll be eager to see what’s to come for this partnership.

And so wraps up a great weekend of sport and a full season for the inaugural US Equestrian Open of Eventing. This new venture, the brainchild of David O’Connor’s born in 2023 and brought to the US Equestrian board for consideration, has opened up a new avenue for eventing riders to earn prize money in a sport that’s quite literally starving for it. It’s also been put out with the goal of increasing the reach of equestrian sports (remember, there is an Open competition for show jumping as well as dressage, too) outside of our small world.

Lucienne Bellissimo and Kitsch Couture HPK. Photo by Shannon Brinkman Photography.

On my way to pick up an afternoon cup of joe, I rang up David, who was — ever the jet-setter — on his way to Geneva before turning back around to come to the Maryland 5 Star to help longtime student Mia Farley in the CCI5* with Phelps.

“It was a great launch, that’s for sure,” David told me. “Really, the series, when we were putting together a presentation, was a lot off of what happens in golf and tennis and bringing that thought process into horse sports. That was all a part of the process, and then the team in the USEF really kind of worked on it and tweaked it. They were great.”

“It’s a big step for the Federation to do it,” he continued. “It’s about promoting horse sports — not just promoting eventing or promoting jumping or promoting dressage, but about promoting horse sports and getting it out into a wider audience. And I think it’s achieving those goals in our launches.”

“It’s extremely rewarding,” he said when I asked how fulfilled he was feeling to see his idea brought to fruition this year. “And also from a team point of view, how everybody from a USEF team group that has put a lot of effort into it, details, et cetera with the Morven Park team. So it’s a great, it’s very collaborative stuff — that’s the fun thing that we do.”

The US Equestrian Open has at least three years on its starting contract, so we’ll see this series run again in 2026 and 2027, if not beyond. David said the US Equestrian team will debrief in the next couple of weeks as they look ahead to finishing the series with the Final of the Dressage US Open at Thermal in mid-November. It’s an exciting time, and I truly hope we get more media attention from our fellow outlets within the horse world (though there certainly was presence and coverage here at the event, particularly from the USEA), as well as increased reach outside of our airwaves and into the general public in the seasons to come.

Lastly, I just wanted to close this report with a nod to Liz Halliday. It’s been strange to not have her at these shows with us. We’d ordinarily have written several stories at this point in the year about her successes — she may have even been our US Open champion this weekend.

Photo by Shannon Brinkman Photography.

I shot off a text to Chris Desino of Ocala Horse Properties, and part owner of the horses Boyd now has in his program. Was Liz watching this weekend? What was her reaction?

“She’s thrilled!” Chris wrote back. I hope she was watching. And while I have to think it’s bittersweet for her to watch her horses moving on with other riders, I hope she feels good about where they are and the hands they are in.

“I’d like to thank the owners of Miks Master C,” Boyd said in the prizegiving ceremony. “This horse was so close to going to the Olympic Games, and they’ve experienced the highs and lows of the sport. Lastly, I’d like to give a shoutout to Liz, who did all the work on this magnificent horse, and I hope you’re watching Liz. This is for you.”

One final closing note, which I’ll have much more on after Maryland: another former Liz ride, Cooley Quicksilver, was recently sold to young rider Lola Lonesky, who just completed her very first FEI with “Monster” this weekend at Morven Park, finishing in fifth on their dressage score for a true banner weekend. In so many ways, it feels like a win for Liz, who inspires us every day to keep fighting.

Go Eventing.

The Monster Squad. Photo via Mia Farley.

To catch up with our content from a whirlwind week at Morven Park, click here to bookmark our Ultimate Guide.

Lastly for all of our competitors this weekend, while we had the incredible Shannon Brinkman shooting our photos here on EN, you can find ALL of the photos you want and then some from the crack team at Erin Gilmore Photography, your official moment capturers this weekend. Be sure to keep an eye on Erin Gilmore’s website for galleries for all competitors available to purchase.

Our coverage of Morven Park is supported by Ride EquiSafe, your go-to source for safety equipment and apparel for eventing.

Morven Park Fall International CCI / US Equestrian Open of Eventing Final (VA): [Website] [Entries/Ride Times] [Schedule] [Scores] [Live Stream] [CrossCountry App XC Maps] [Tickets and Tailgating] [Volunteer] [EN’s Coverage] [Support EN’s Coverage Sponsor: Ride EquiSafe]

All Horses Move to Show Jumping for US Equestrian Open of Eventing Final at Morven Park

Braden Speck and BSF Liam. Photo by Sally Spickard.

We were treated to a relatively drama-free trot-up this morning as the CCI4*-L and CCI4*-S each presented for the Ground Jury of Peter Gray (CAN), Bea di Grazia (USA) and Helen Christine (NZL) as well as Veterinary Delegate Charles Arensberg.

There were no withdrawals overnight in either 4* division but we did have two holds, one of which resulted in an elimination. Jan Byyny was held with Beautiful Storm in the 4*-L but was accepted when she returned to trot again. In the 4*-S, Zach Brandt was held and then spun by the Ground Jury upon re-presentation.

Jan Byyny and Beautiful Storm. Photo by Sally Spickard.

So we will now move ahead with 22 to see in the Open 4*-L and 8 to see in the 4*-S, which will jump beginning at 12 p.m. ET followed by the Open Final at 1:20 p.m. ET.

Zach Brandt and Direct Advance. Photo by Sally Spickard.

Boyd Martin and Miks Master C. Photo by Sally Spickard.

Woods Baughman and Hopak de Greenbay Z. Photo by Sally Spickard.

Will Coleman and Off the Record. Photo by Sally Spickard.

Tamie Smith and Kynan. Photo by Sally Spickard.

Woodge Fulton and Cash Point. Photo by Sally Spickard.

You can follow along live today on USEF Network on ClipMyHorse.TV. USEF members will be able to watch for free by linking their USEF account (instructions on how to do that are here). Other viewers can access the live stream via ClipMyHorse here. A pro team of commentators including Annie Bishop, Sara Kozumplik and Sinead Maynard have teamed up to bring you all of the updates from on-site. You can also follow Morven Park’s social pages (Facebook | Instagram | YouTube) for more content.

To keep up with our content and need-to-know info this week, click here to bookmark our Ultimate Guide.

Lastly for all of our competitors this weekend, while we have the incredible Shannon Brinkman shooting our photos here on EN, you can find ALL of the photos you want and then some from the crack team at Erin Gilmore Photography, your official moment capturers this weekend. Be sure to keep an eye on Erin Gilmore’s website for galleries for all competitors available to purchase.

Our coverage of Morven Park is supported by Ride EquiSafe, your go-to source for safety equipment and apparel for eventing.

Morven Park Fall International CCI / US Equestrian Open of Eventing Final (VA): [Website] [Entries/Ride Times] [Schedule] [Scores] [Live Stream] [CrossCountry App XC Maps] [Tickets and Tailgating] [Volunteer] [EN’s Coverage] [Support EN’s Coverage Sponsor: Ride EquiSafe]

Coleman Captures Cross Country Day in US Equestrian Open of Eventing Final at Morven Park

Will Coleman and Off the Record. Photo by Shannon Brinkman Photography.

“What can I say? They were great,” Will Coleman started off when I chatted to him at the end of cross country day at the US Equestrian Open of Eventing Final at Morven Park. It was a banner day for Will, who laid down two of three clear rounds inside the time, both with the Off the Record Syndicate’s Off the Record as well as the Very Dignified Group’s Very Dignified. He’s now poised to take not only the win, but potentially another spot in the final top five (or better); EquiRatings has now given Off the Record a 77% win chance, after starting post-dressage with a 68% probability.

I quickly bullied Will into telling me more about his day, despite the fact he likely, in his concise way, felt his “they were great!” quote was sufficient enough.

He admits it wasn’t his smoothest day of riding, and while he finished inside the time with Off the Record, he noted that the rhythm he sought wasn’t as easy to find as usual out there. “‘Timmy’ was really worked up in the warm-up,” he said. “He’s actually never been here before, and it felt like he — I don’t know — he left the start box, and he was just really, really quite strong. And it was sort of to his credit that he just kept fighting and finding the flags. He’s just such a warrior out there. He’s never been the most gifted galloper, but I feel like I had him quite fit, and he managed to get the time, even though it doesn’t feel like you’re on Pegasus out there. But he’s an amazing trier, and I just have so much respect for him and am so grateful for him.”

Will’s integrated the use of an Arineo heart rate monitor more strategically into his program this season, working with Dr. Cris Navas, a cardiology expert at New Bolton Center in Pennsylvania. For a rider who’s spent decades learning the feel of getting a horse properly fit, the addition of more scientific data was a tool that helped him dial in on the fitness even more.

Will Coleman and Off the Record. Photo by Shannon Brinkman Photography.

“It’d be difficult to go into it in great detail now, but I just looked at where I thought his conditioning [was],” he explained. “I guess I looked harder at sort of ‘profiling’ him more accurately in terms of what sort of horse he was, what he was he good at, what was he not as good at, and how could I maybe help that [with] how I trained him and prepared him. I’ve had a lot of help from Cris Navas at New Bolton Center, who’s been somebody that I’ve bounced my conditioning off of. He takes a look at all my heart rate stuff on all my horses, and he has been just an absolutely wonderful guy, and really has been very helpful in helping me put some science behind what I’m doing and not just doing it all by feel.”

“The other thing is we’re in some different properties now than where we’ve been in the past, so we’re learning new hills and that takes time too,” he continued. “I guess my point is, we have done things a bit differently from the beginning of this year to now, and I think it’s paid off. [Timmy] is an older horse, and they do tend to hold a lot more fitness, but even with [Very Dignified] I’m very impressed with how she ran, too. I really only thought I had her at about 80 or 90 percent of what I want coming in here, and that’s sort of why I went out and said ‘ok, I’m not going to press at all in the beginning, I’m just going to see what she gives me’ and she gave me more than I expected.”

Will Coleman and Very Dignified. Photo by Shannon Brinkman Photography.

Even with the benefit of more information, though, Will knows that horsemanship still needs to come first, and that is what contributes to the results he produced today. “I think you have to be a little careful — you have to have an idea of what you’re looking for from the information and not basing everything you’re doing on that, you have to pay attention to the horse and to conditions and you still have to have a sense of what your program is. But I think it has helped me. It’s helped me get a little better, but time will tell. It worked this weekend, it might not work another weekend.”

Will collected his first clear inside the time with Very Dignified, who has competed at this level before with former rider Robbie Kearns of Ireland, but this was only the second Advanced the 10-year-old Irish Sport Horse mare. Keeping his expectations in check, he was nonetheless chuffed with how she performed today. She’ll be in sixth overnight on a score of 35.4.

Will Coleman and Very Dignified. Photo by Shannon Brinkman Photography.

“She was great, man,” Will said. “I’m really, really happy with her. In warm-up, she was so worked up, I just went straight to start box, which I’ve never had to do that before. But she’s a very, very brave horse. Actually I got into a bit of a groove quicker, even than Timmy. I was amazed — I wasn’t really going out there necessarily to get the time. I kind of just cruised through the first six minutes, and I was about 10 seconds down, maybe a little more. When I got through the mansion, I said, ‘Okay, I think let’s see what we got here,’ and I let her go and, man, she went! She flew home, and I just had loads in the tank.”

It was not a drama-free day, however, and while Will’s lead remained unthreatened, the second position on the board fell into hot contention.

Boyd Martin and Miks Master C. Photo by Shannon Brinkman Photography.

Similarly to the incidents at Boekelo today, which saw eventual overnight leader Laura Collett handed down a flag penalty (and, weirdly, an elimination) that took hours upon hours to review and, finally, remove (you can read more about this in Tilly’s report here), flag penalties were given to Boyd Martin on Ocala Horse Properties’ and Deborah Palmer’s Miks Master C: one at 17B, the Great American Challenge, and another at 20B, part of the Virginia Horse Industry Board Water Complex. As Boyd crossed the finish with 2.8 time penalties (which would, without the added 30 penalties, have put him onto a two-phase score of 28.7 and just behind Will, the penalties flashed up and suddenly, he was dropped to 14th place. Lucienne Bellissimo flew into second place with Kitsch Couture HPK on a score of 33.5 after adding just two time penalties.

With $200,000 on the line (and really, any time, to be fair), the importance of timely review of penalties comes into focus. To be clear, it appears the delay in this instance was tech-related in that it took longer than usual for the officials to obtain the videos of the incidents for review.

“To be honest, I was shocked I got the flags. In defense of the competition, I think there was some technical issues just getting the video to to the officials, but it’s sort of five hours after the event’s finished,” Boyd told me. I’m not exactly sure of the time the scores were updated, but I do know that when I refreshed the scores at around 5 p.m. tonight (the final rider went out on cross-country around 1 p.m.) after keeping a consistent eye on them throughout the afternoon, Boyd’s penalties had been reversed and he was back into second place. I did confirm with officials that the delay was related to the receipt of the video, not deliberation on whether the penalties should stand.

Boyd’s frustration, though, still stands. “They do need to find an efficient way to get this sorted out ASAP,” he said. “Just because the owners and the supporters the horses, they should be on a on a high with how their horse performed. I feel terrible for the people that are in second and third place, if there’s a press conference or anything. This process shouldn’t take hours. I think as the sports progresses, it needs to be almost instant. I’m sure with technology, they can start doing a lot more quick, but I think they literally — when I contacted the Technical Delegate, they just couldn’t get hold of the footage. And, yeah, deep down, I knew I was clear, but it was a long, long wait for a lot of people, and badly disappointing for some of the people that are pushed down a spot.”

Boyd Martin and Miks Master C. Photo by Shannon Brinkman Photography.

While of course the situation at Boekelo and here at Morven Park are quite different, the sentiment remains the same among many riders that the ever-controversy-sparking flag rule needs to be tightened up, and so does the review process.

As Tilly pointed out in her report tonight, the timeliness of review becomes a piece of the larger puzzle of equestrian sport and its aim to grow its reach beyond its small walls. Today’s cross country was broadcast live on ESPN3, and in a sporting world where reviews are undertaken instantaneously, it’s difficult not to feel like our sport is behind the eight ball. Yes, of course, there are always technical glitches that like to show themselves at the most inopportune times, and I can only speak to this specific instance in limited terms, not having spoken with the parties involved with actually obtaining and transferring the footage of Boyd’s alleged penalties. What I can attest to, however, is the general lack of technical knowledge within the sport and the somewhat patched together camera systems that many events often employ to manage verification of things like flags. This is, yes, a step forward from handing a volunteer an iPad and instructing them to capture every rider (which some events do still do), and yes, we work in areas where WiFi and cell service are often nonexistent, but I find myself erring on the side of the riders here, solely from the standpoint of “where are we in relation to other sports who are reaching more people?”

To be clear, the officials also are tasked with erring on the side of the riders if the penalty is unclear or unable to be firmly proven, similar to a review in American football in which the decision is not made to overturn a call unless there is compelling evidence that it was improperly made. New Zealand’s Jesse Campbell, who was knocked from first to second after the Boekelo snafu, expressed the sentiments well: “There are slightly different processes at different events, and I definitely think that just needs to be slightly tidied up, otherwise each team is going to be employing a team of lawyers to fight these penalties, and I don’t think that’s what the sport is about.”

And when an event like the US Open was created with a large purpose of helping our sport reach more people, it’s important that we think about it through a mainstream sporting lens. The action should be easy enough to follow and understand, and there should be timely, clear decisions made on final standings. Otherwise, confusion leads to disinterest, and suddenly you’ve lost your target audience. It may sound like I’m barking up a tree (I’m really choosing to die on these Morven Park hills this week) I have no business barking up, but when I listen to David O’Connor talk so enthusiastically about the goal of the Open being to increase engagement with our sport and then see something like this somewhat mar a great day, it just feels like the wind gets taken out of the sails in some ways.

ANYWAY.

Photo by Shannon Brinkman Photography.

Once the dust settled from the flag drama, I called up Boyd, who was also thrilled with his two rides today. Miks Master C is poised for at least a second place finish, and Dallas LLC’s Shanroe Cooley is also in the hunt for some of that prize money, in eighth on a 35.9. Both former Liz Halliday rides, the two horses have only been in Boyd’s program for about a year (Shanroe Cooley even less so), so Boyd wasn’t entirely sure what to expect today.

Of Miks Master C, he said, “I set out a little bit cautiously and held him a back a little bit too much the first couple of minutes and then and about a third of the way around, I thought, ‘all right, we’re in business here.’ I cut him loose, and he flew around the track. He’s an unbelievable athlete.”

Liz would describe “Mikki” as a stronger, powerful horse, so how has Boyd managed that power as he’s gotten to know the 13-year-old Swedish Warmblood gelding who was bred here in the U.S. by Laurie Cameron. Here, he credits the slow process of preparation and also the fact that he’d watched the horse with Liz for so long that he had context on what he would be riding when Mikki came into his program. “I never got to the point where he was strong in his preparation events,” Boyd said, having run Mikki sparingly and trusting in the foundation he’d gotten from Liz. When he did fire up and get a little strong on cross country today, “I was sort of trying to make a big effort not to fight with him, and trying to more, sort of, instead of pulling back, trying to lift his frame uphill. But that’s something I’ve got to work on and address next year as we head towards getting him back to the five-star level.”

Lucienne Bellisimo and Kitsch Couture HPK. Photo by Shannon Brinkman Photography.

Lucienne Bellissimo was over the moon with Horse Scout Eventing’s Kitsch Couture HPK, a horse she sourced from Sweden’s Frida Anderson just last year, moving up from eighth into third on a score of 33.5 with 2 time penalties added.

The 9-year-old Swedish Warmblood mare had competed to the 4*-S level with Frida, who was honest with Lucienne when she went to inquire: she was strong, opinionated, and had a small cyst on her stifle that wouldn’t cause any veterinary concerns, but was nonetheless somewhat of a risk. Lucienne liked the mare and trusted the recommendation of the friend who’d sent her the horse, and, as she puts it, “From a vetting perspective, it makes her not easy to sell, and I spoke with the breeder, Helen Rydberg Larsson, who sounded sincere. I am somebody who if the horse is staying sound at the level, I’m willing to take a bit of a risk.”

That risk has paid off in a big way so far. Lucienne traveled to Montana for the Rebecca Farm 4*-L this summer, which would have been the mare’s first effort at the 4*-L level. “It served the purpose of giving a really nice step up to four-long,” she elaborated. “What I learned about her in Montana was that she can stay the distance, because it was just over 11 minutes. Though, obviously today was slightly shorter at 10 [minutes], it showed me that she was a proper four-long prospect and hopefully a good five-star prospect. She’s gritty enough, but she’s only a nine-year-old, so I don’t want to get too greedy.”

It’s a bit of a different adventure for Lucienne, who like most of her fellow pros prefers to produce horses from a younger age. She prefers that they have some familiarity with the sport, but it wouldn’t be often she’d buy a horse going 4* already. She’s also of different breeding than what Lucienne’s typically ridden. “I don’t have any experience at all with the breeding. She’s by Corporal VDL, but I have to say, it seemed the stallion seems to stamp a very brave brain, following some of the others by him, so that’s interesting. And this mare — if I could create a type for me, I really like her because she’s narrow and quick-thinking and for me, I like that. It’s a real privilege to sit on when they’re on side.”

“She wouldn’t be the scopiest, but she’s got a hell of a lot of heart,” Lucienne described, speaking to her ride today. “I was in the start box thinking, ‘do I go for the clear, or do I go for the fast clear?’ And I thought, ‘I might as well set off to try and hit the first few minute markers, and then I’ll just see what happens.’ I think we’ve got see how she jumps tomorrow, see how she feels, and make a game plan for next year. But I’m really impressed with her. She can get quite strong cross country. So it’s just a case of trying to make sure that she stays with me and doesn’t run against me, and today she actually stayed with me.”

Phillip Dutton and Denim. Photo by Shannon Brinkman Photography.

Phillip Dutton was on a foot-perfect round, he described, before coming to a surprising parting of ways with the Possante Group’s Possante, his first ride of the day. The error was due to a broken piece of his bit that happened at the perfectly imperfect time as he tried to turn from the ramped house at 17A to the angled cabins at B and C. He’d lost his ability to turn due to the tack malfunction, and as a result “Impy” got off his line and Phillip was tossed out the side door.

“It was one of those freakish things,” he said. “The leather strap attaching to the bit broke…I jumped the top one at the mansion, and then I started to bend it in six and then it let go. So I couldn’t turn.”

He was no worse for the wear, though, and went on to pilot Ann Jones, Ann Lapides, Caroline Moran and Neill Sites’ Denim to a quick clear with 6.4 time added, good for fourth overnight on a score of 33.9.

“The fitness and the galloping, he’s getting better and better,” Phillip described. “I set out, not super fast, knowing that there’s a lot of hills out there, but the further he went, I was able to press him and had a respectable time on him. If I had it again, I could’ve probably started out a bit quicker, but I was just a little bit wary about the last part and making sure I had enough horse to come home.”

Denim at this stage is gaining a great amount of experience, having done 4*-Ls at Boekelo, Blenheim and Tryon before this. “He’s always been such a good little horse,” Phillip said when asked what’s come on with him this year. “He’s sharp and spooky, and he’s very highly attentive to what’s going on around him. So he’s not the easiest all the time, but he knows his job now. He’s not that comfortable going fast. It sort of worries him a little, so it’s been a fair bit of time actually of, when we have good footing, getting the speed up and going quick and getting him so he’s more comfortable at 600 or 620 meters a minute. It’s coming along. He’s pretty experienced for a 10-year-old, but mentally he’s still a bit of a baby in a lot of ways. I think I’ve got to do the job that I don’t set up too much and just save time on the approach as well.”

Caroline Pamukcu and HSH Double Sixteen. Photo by Shannon Brinkman Photography.

Completing the top five are Caroline Pamukcu and the Double Sixteen Partnership’s HSH Double Sixteen, who were the only other clear inside the time to move up from 17th and remain on their dressage score of 35.2. They also turned in the quickest time, coming home 10 seconds under the optimum of 10:09.

“When he first moved up to four-star when he was eight, he did a couple and I knew he would get it,” Caroline said. “He just needed time and now he totally understands his job.” She had moved the Thoroughbred gelding up to the 5* level at Kentucky this spring, but retired on cross country when she felt he had tired. “I wasn’t as fit and he wasn’t as fit,” she recalled. “I’m the only one who really jumps and gallops the horses, so they weren’t as jumping fit as they needed to be. I know that now, and we are much more back to where we were. For the first couple of jumps…he’s such a trier and he’s a bit of an internalizer, so for the first bit I didn’t go too quick, and it’s so nice with Derek’s courses because he gives you the first couple of minutes to settle in. I was a little behind, and as soon as he took a breath after the second combination, I was like ‘ok let’s go.'”

Caroline’s spent time teaching “Six” that he doesn’t have to jump to high and can cover the distances despite his 15.3 stature. “HI was originally hard to get him to cover the distances because he would jump so far up, and now he understands that he’s supposed to cover the distances,” she said. “I knew he’d be special so it’s great to show everyone how special he is.”

Christina Henriksen and Cisco’s Calor Z moved from 11th into 7th overnight thanks to a quick clear with 2.4 time penalties added. Photo by Shannon Brinkman Photography.

So we now look ahead to what should be an exciting finale of the inaugural US Equestrian Open of Eventing. Boyd’s reclaiming of the second spot puts more pressure on Will, who would have had two rails and some time in hand with Off the Record before Boyd’s penalties were removed. Now, he won’t have anything but a few time penalties to spare. We’ll start with the 4*-S at 12:00 p.m. ET followed by the Open 4*-L at around 1:20 p.m., but first the Ground Jury will inspect all divisions that ran cross country yesterday beginning at 8:30 a.m.

I’ll be back with hopefully fewer words tomorrow, but until then, Go Eventing.

You can follow along live tomorrow on USEF Network on ClipMyHorse.TV. USEF members will be able to watch for free by linking their USEF account (instructions on how to do that are here). Other viewers can access the live stream via ClipMyHorse here. A pro team of commentators including Annie Bishop, Sara Kozumplik and Sinead Maynard have teamed up to bring you all of the updates from on-site. You can also follow Morven Park’s social pages (Facebook | Instagram | YouTube) for more content.

To keep up with our content and need-to-know info this week, click here to bookmark our Ultimate Guide.

Lastly for all of our competitors this weekend, while we have the incredible Shannon Brinkman shooting our photos here on EN, you can find ALL of the photos you want and then some from the crack team at Erin Gilmore Photography, your official moment capturers this weekend. Be sure to keep an eye on Erin Gilmore’s website for galleries for all competitors available to purchase.

Our coverage of Morven Park is supported by Ride EquiSafe, your go-to source for safety equipment and apparel for eventing.

Morven Park Fall International CCI / US Equestrian Open of Eventing Final (VA): [Website] [Entries/Ride Times] [Schedule] [Scores] [Live Stream] [CrossCountry App XC Maps] [Tickets and Tailgating] [Volunteer] [EN’s Coverage] [Support EN’s Coverage Sponsor: Ride EquiSafe]

‘It’s Got Its Own Set of Features Which Make It Unique’: Preview Derek di Grazia’s US Equestrian Open CCI4*-L Cross Country at Morven Park

Morven Park has garnered a serious reputation as one of, if not the, toughest tracks in the U.S. (and right up there with its European counterparts), and this year designer-in-residence Derek di Grazia has upped the ante in his typically subtle fashion. In anticipation of the start of the $200,000 US Equestrian Open of Eventing Final’s second phase of competition, we took a spin around the track for a quick preview.

Cross country day will kick off with the CCI4*-S, which is led coming out of dressage by West Coast phenom Tommy Greengard and That’s Me Z on a score of 29.1, at 9:30 a.m., followed by the CCI4*-L US Open division at 10:35 a.m., run in reverse order of standing after dressage. You can follow along live on USEF Network on ClipMyHorse.TV. USEF members will be able to watch for free by linking their USEF account (instructions on how to do that are here). Other viewers can access the live stream via ClipMyHorse here. A pro team of commentators including Annie Bishop, Sara Kozumplik and Sinead Maynard have teamed up to bring you all of the updates from on-site.

First, let’s take a look at the general flow of the course, which will follow basically the exact same layout of the 2024 track. You can also view the full course on CrossCountry App here.

The question I always ask myself when I come here is “when can we use this big, gorgeous field at the south side of the course?” I’m not a good measurer of space, but the field at this part of the course was last used, at least from my research, in 2016.

The 2016 iteration of the course had several features in the field at the south end of the property.

Anyway, there’s no real reason for me to die on this rolling hill, but the thought occurs to me every year. I asked Derek about the possibility of using it, and how much he’s considered this (I’m sure I probably asked him this last year, and the year before that, so at this point I’ll be surprised if he gives me an interview ever again).

“Oh, I think about it every year,” he said with a gentle eye roll. “And yet, if you start to say, ‘oh, I want to go over there,’ you can run out of distance so quick here. You have to be sort of cognizant of that, and also where you want to be in your distance. And so it’s a matter of if you add here, you’ve got to take away somewhere else, right? So you’re always thinking about that. It’s just like I’m thinking about next year’s course already, thinking about if I make a loop bigger in one place, I’ve got to figure out I’m gonna adjust.” He likes where the course starts and ends currently (just below the stabling and main venue infrastructure) and also wants to ensure the course takes the riders out to the Morven Park Mansion, which is a popular and recognizable spot on the course and the highest point of it.

So while a big change like utilizing the back field again is certainly on the brain, Derek focused on what he could have an immediate impact on with the US Equestrian Open CCI4*-L.

“This year, I think the course probably may be a little bit more challenging than last year’s,” he said. “But I think I think that’s good. This is obviously the US Open Championship. The great thing is we have probably almost twice the entries we had last year, which is really good. I try to, especially try to change the combinations here, and do a little bit of variations in the track here and there. We have to stick to pretty much what I call the core track, but there are ways that we can sort of go in and out of that, and then also based on the combinations and how they work, will determine that as well.”

Fence 4A

4BC

Said combinations kick off relatively quickly at the first water, at 4ABC. A big hedge will welcome riders onto a landing on ground before entering the splash for the first time to navigate a skinny before bounding out to an even skinnier C element.

“It actually looks quite straightforward to me,” Derek said. “They have to really jump that well. I think for some horses, that could be early enough that they may not be really out and jumping yet. The riders are gonna have to be on their toes there to make sure that they really jump that well.”

Which sets the tone for what’s to come. The excellent thing about this track is that it, like a true Long format should, allows riders room to find their rhythm between questions. The combinations come thick and fast, but this is the type of course that should allow for a flow. It’s the cumulative effect of the questions and their subtle challenges — an inviting angle here, a spooky approach there, changes in lighting scattered throughout — that will present the biggest challenge, along with the tough-to-get optimum time, this year set at 10:09.

“I think all of the combinations stand out because there are some striding…options, which Derek is very good at,” Sharon White, second after dressage, said, which adds the challenge of requiring riders to not be completely stuck in to plan A or bust. “Claus is so happy to do whatever I tell him to do, so that it requires being in the moment big time,” she added. “I can’t have a plan, but I have to have a plan, but then I have to be able to adjust that plan, and not mind that. I guess Derek is a great test of my presence, right? So I think all of the combinations [ask] ‘Can you hold a line? Can you react to what’s happening?'”

“Each combination on its own, everybody would come down and say, ‘Okay, this is not an issue.’ But when you put the whole thing [together], then it sort of changes how you look at the whole thing,” Derek said. “And again, the other aspect here is, if you want to be competitive, the time gets quite difficult. And as we know, when people go quick, they can make mistakes.”

Riders will quickly know what they’re sitting on at the second combination, fence 6AB, which is set coming downhill with an upright frangible rail followed by a left turn to a corner. A strategically placed shrub will offer riders the direct line — opting to go around will likely result in a less than ideal line to the B element here, but if rideability is a factor on this camber, it’ll get exposed here.

The Tremaine Cooper Leaf Pit.

The Tremaine Cooper Leaf Pit has also been slightly modified from its 2024 version, with flagged options for B and C but a generally flowing direct line if the horses jump well down the Burghley reminiscent drop. The Triple Crown Park Question at fence 11ABC stands to exert some influence particularly at the sharply-angled C element, but also potentially due to the lighting at the time of day this division will run. From there, they’ll run down to get their feet wet for the second time at the MARS Equestrian Smokehouse and the Taylor Harris Insurance Services Water Complex 13ABC, set on an S-turn with a brush right-handed corner in the water before a right turn to a triple-bar arrowhead.

The Lunar Eclipse Memorial Oxer to Corner is yet another turning question that could have a variance in lines taken to make the near-90 degree right turn to the corner possible. Then, at the highest point of the track the horses will get a true reality check on their fitness as they must also use their scope to navigate the enormous ramp at the Great American Challenge down to two angled cabins coming back down the hill. Fortunately, they’ll then have some time to catch their breath with a nice downhill pull to a let-up oxer and the Virginia Horse Industry Board Water Complex, which presents fairly straightfoward but will depend on how much rideability is left in the tank.

The USET Foundation Corner to Corner.

The USET Foundation Corner to Corner combination at 23AB is the penultimate combination that’s a scope question as well as a line question, with a true straight line from point A to point B not necessarily made clear, especially on a tiring horse. If riders can kick up the final hill and safely navigate the final combination at the Bullseye Transport Turning Question (25AB), featuring two brush chevrons set on a relatively blind turn, they’ll be able to get home to the finish just a few hundred feet away after clearing the Erin Gilmore Picture Frame at the finish.

[Click here to view photos of each fence on CrossCountryApp]

It’s a lot to do in 10 minutes, and here at Morven Park you’re somewhat always traveling up or down (or sideways) terrain. It’s not the steep, arduous pulls of a place like Burghley, but it’s also got sharper elevation changes and a general “always on a camber” feel to many parts of it. That said, though, I feel the course here offers a nice balance of room to gallop with accuracy questions made more difficult by the presence of terrain.

“It is quite a track where you can gallop here,” Derek said. “The terrain is the right kind of terrain because it’s not necessarily very steep, but it’s got a good roll to it, and there are a lot of little areas where you can place jumps. Which I think makes the combination. And obviously it’s got features, which as all events do, which make it unique to other events.”

The course here is always influential, and we’ll be waiting impatiently to see who emerges as our overnight leader as we inch one step closer to crowning our big winner of the inaugural US Open of Eventing.

Stay tuned!

You can follow along live on USEF Network on ClipMyHorse.TV. USEF members will be able to watch for free by linking their USEF account (instructions on how to do that are here). Other viewers can access the live stream via ClipMyHorse here. A pro team of commentators including Annie Bishop, Sara Kozumplik and Sinead Maynard have teamed up to bring you all of the updates from on-site. You can also follow Morven Park’s social pages (Facebook | Instagram | YouTube) for more content.

To keep up with our content and need-to-know info this week, click here to bookmark our Ultimate Guide.

Lastly for all of our competitors this weekend, while we have the incredible Shannon Brinkman shooting our photos here on EN, you can find ALL of the photos you want and then some from the crack team at Erin Gilmore Photography, your official moment capturers this weekend. Be sure to keep an eye on Erin Gilmore’s website for galleries for all competitors available to purchase.

Our coverage of Morven Park is supported by Ride EquiSafe, your go-to source for safety equipment and apparel for eventing.

Morven Park Fall International CCI / US Equestrian Open of Eventing Final (VA): [Website] [Entries/Ride Times] [Schedule] [Scores] [Live Stream] [CrossCountry App XC Maps] [Tickets and Tailgating] [Volunteer] [EN’s Coverage] [Support EN’s Coverage Sponsor: Ride EquiSafe]

Keep It ON the Record: Will Coleman Earns CCI4*-L Personal Best to Lead US Equestrian Open of Eventing Final at Morven Park

Will Coleman and Off the Record. Photo by Shannon Brinkman Photography.

Off the Record may be 16 years young this year, but you shouldn’t tell him that.

It’s early days, of course, here at the $200,000 US Equestrian Open of Eventing Final at Morven Park, but let’s spend some time on the dressage evolution of this Irish gelding, who certainly is not the type of horse you’d look at in the stable and think “wow, I bet that horse can score a 25 on the flat.”

Not that he’s been a slouch, not by any means. He was the type to average scores in the mid-30s as his career got going, but as he became established at the Advanced level around 2020, they dipped down into the 20s.

He and Will Coleman started off 2025 with a bang, earning a 21.8 en route to winning the Cosequin Lexington CCI4*-S at Kentucky in April. Their score today of 25.1 is good enough for the overnight lead in the Open Final ahead of cross country, and incidentally it’s also Will’s best 4*-L score in his 26 runs at the level according to EquiRatings. While most riders don’t get too fussed about stats, the numbers do add additional storytelling context to the performance today. You’ll be somewhat surprised to learn that Timmy’s only ever done one other 4*-L in his career, at Tattersalls in Ireland in 2019, where he finished third and narrowly missed out on the win by a rail. It was always Will’s intention that the horse become a 5* horse (and do that he did, indeed, with four now under his belt), but coming into this year, he said on several occasions that he wasn’t quite sure whether or not he’d aim Timmy for another 5* as he gets a little older. With the US Open coming as a welcome addition to the potential prize money opportunities within our sport, it seemed a natural fit for Will to circle this weekend on Timmy’s calendar.

Will Coleman and Off the Record. Photo by Shannon Brinkman Photography.

“I think it was a little bit kind of at each point of the season, just checking in with him and see how he’s feeling, but the passion is still there,” Will mused. “I think this is what he loves to do, and I think this is a suitable goal, and now we just got to see how we do.”

So how does one coax every single possible point out of a test, on a horse that, while still of course in excellent condition is nonetheless getting on in years — and, to take it one step further, produce a personal best at this stage?

While he was not the easiest or most natural horse to develop, “Timmy” is lucky to have two very intelligent humans helming his production and management over the years: Will Coleman and his wife, Katie. When he was first brought over from Ireland, he didn’t even know how to lunge — Katie and Will here credit longtime friend and fellow pro Liza Horan for dedicating the time in that early going to establish the horse on the lunge line and the ground. He was a cheeky boy, too: he’d bolt off with Katie on hacks, cross canter every chance he got, and generally just gave off the “what did we buy?” vibe in that early going. Since then, it’s been about, truthfully, horsemanship above all.

Katie is a lady of many talents, but part of her strength really lays in the groundwork that she does with all of the horses in the Coleman program. For Timmy, some extra loosening up work today helped him unlock his body to allow Will to really ride the test accurately. She describes the horse as either “dull or he can be explosive, and the happy medium is what we want to get.”

Big claps for Timmy! Photo by Shannon Brinkman Photography.

“This morning, his back was feeling a bit flat coming out,” Katie said. “He’s done quite a bit of training leading up to this, and his back was feeling a bit flat. We wanted to keep him fresh, but we have to still work his body in a way that he can come into the warm-up supple and ready to go. This morning in the lunging pen, he could see people walking cross country, so he was [giving me more energy], which was great. That gave me something. He actually cracked a couple bucks, he leapt up in the air, and I was like, ‘This is good,’ I got him really moving his body away, moving him in circles, getting him to lift his shoulders and activate his hind end. It’s a bit of a new technique with Timmy specifically because at home, I can’t practice it. You have to generate so much energy to be effective, and if he’s not giving you any energy, then you can create it but that may make them too dull in the ring.”

That coupled with about a 20-minute warm-up was the secret sauce for Will today, who says at this point, it’s really about ring craft. Some additional help over the years from top coaches like Ian and Amy Woodhead have also helped Will really level up, even on his more established horses. “It’s not a test that necessarily rewards a great, big, huge mover,” he explained. “So in that respect, he’s not one of those, so it might play to his strengths a little bit if I can pull off clean test. I don’t really go for big marks. I just try not to have any small ones. Today, I think we were able to do that. I wouldn’t say he’s enthusiastic about his dressage, but he does want to do the right thing, and it’s finding that balance of motivating him but not picking at him, and trying to keep him confident in what he’s able to do.”

Sharon White and Claus 63. Photo by Shannon Brinkman Photography.

It was also a banner day for Sharon White, who brings forward Claus 63 today after a bit of an up and down year that saw them travel to Europe for some training and competition before aiming at this Open Final. Sharon and Claus earned a 25.2 to sit just a whisker length behind Will and Off the Record, which is also a 4* personal best for Sharon and the best international score of Claus’ career to date.

Sharon White and Claus 63. Photo by Shannon Brinkman Photography.

“The partnership,” Sharon answered when asked what she felt was the strongest in her test today. “My goal this weekend is just to be present for him, to be there, to be stable and there with him, like I am on an everyday basis, and not to try and be different. Absolutely [that can be a struggle], because it matters so much, and you’re a competitor, and I’m here because I’m a competitor. Sometimes I try way too hard. So does Claus. And since I believe they go the way they’re ridden, then you really have to look to yourself. I think it’s a beautiful thing, trying too hard. It’s just how much you care, so it’s just figuring out how to put all of that energy into what is useful for your horse. Each horse needs a slightly different perspective. So it’s our responsibility to figure that out.”

Boyd Martin and Miks Master C. Photo by Shannon Brinkman Photography.

Boyd Martin and his first ride of the day, Ocala Horse Properties’ Miks Master C, round out the top three with a score of 25.9. It’s so fascinating to hear the riders talk about their preparation and what they do for each horse. While with a horse like Off the Record, you’re trying to create energy and motivation and expression, with one like Miks Master C, it’s been more about containing the expression. You may recall Liz Halliday would refer to Miks Master C as sort of a wiggly, difficult to put together horse, and Boyd Martin has chipped away at this element of his newer partnership with the 13-year-old Swedish Warmblood gelding.

“Our biggest thing is trying to actually keep him small in his paces, which is the opposite of most of the horses,” Boyd commented. “Mikki’s so extravagant that we’re just trying to tone it down.” With the big, extravagant movements can come a loss of rhythm and connection, Boyd says. “He’s sensational — he’s one of the best-moving event horses in the world, and [I’m] just starting to get the hang of him. It’s been a daunting task trying to get the hang of him, and I felt like today, we’re just starting to get close to where he was with Liz.”

Boyd Martin and Shanroe Cooley. Photo by Shannon Brinkman Photography.

With Dallas LLC’s Shanroe Cooley, who will be in sixth ahead of cross country on a score of 29.1, it was a bit of an opposite approach as Boyd got up out of the saddle to canter a few strides around the perimeter of the ring before beginning his test. “We worked out that [we needed to] try to get him to stretch his back,” he explained. “He’s, again, a very big mover, and I have trouble sitting to his trot sometimes, so just trying to get him to stretch over his topline sort of just opens him up a bit. And we found that relaxes him a bit and gets him using his topline.”

Tamie Smith and Kynan. Photo by Shannon Brinkman Photography.

Tamie Smith is the final addition to the refreshed top five (which only has Phillip Dutton’s Thursday ride Denim remaining from the first day of dressage), driving all the way from her Temecula, CA base to pilot the Kynan Syndicate LLC’s Kynan to a score of 28.3 for fifth place early on. Strength and maturity are two things Tamie says have really come on with this still-young KWPN gelding, who is 10 this year.

“It’s not rocket science,” she said. “It’s just the basics and getting them through, and as time goes on they get stronger. They’re like kids. I used to say he was like a teenage boy, and now he’s like a young man. He used to kind of be this scrawny, little, tall, lanky guy, but now he’s got muscling and he’s understanding the job.”

In the past, Kynan would have been a horse more susceptible to atmosphere and electricity in this first phase. “I think I can push for a little bit more as he gets stronger,” Tamie said. “But it was a very clean test. I had my changes clean and halts were good, and the rein back was good. Coming into the ring, he was quite electric in there for a second and it took him a minute to take a breath. Before, I would have been hanging on for dear life, and today he wasn’t like that at all.”

Jennie Brannigan and Kismet. Photo by Shannon Brinkman Photography.

Watching these tests from my eye is one thing, but I found myself curious about how the judges are making their decisions on the marks they’re handing out. So, I wandered on up to the show office where, lo and behold, one Mr. Peter Gray was making himself an end of day coffee and likely looking forward to a blissful afternoon of not speaking to anyone else. I swiftly interrupted that bliss, but the ever gracious Peter delayed his coffee enjoyment to give me a breakdown of what he saw from his view in the box at C as the president of this weekend’s Ground Jury. He’s accompanied by Bea di Grazia, who judged from B and New Zealand’s Helen Christie, who sat at H.

“Will squeezed every mark out of every movement,” Peter said of the top-placed pair. “He rode every movement to the maximum. The horse doesn’t show impulsion [in] that moment of suspension, but the connection is so confident and so steady. Any of the positions of the lateral work, shoulder-in or half pass is the same from start to finish. So where you’re starting off with more of an average 6.5 or 7, he’s going to 7.5s or 8s because on the positive modifiers on an average gait, he’s pushing the mark up by riding it so technically correct.”

Reference Will’s earlier comment about wanting to not lose marks on small mistakes. It’s a lesson for all of us — we won’t always have the best, biggest mover in the field, but we can squeeze those marks out based on ring skill and accuracy.

As a rule of thumb, Peter rewards a more free-moving test, really relying on that key harmony mark and the overall picture (“happy horse, happy judge” is a comment equivalent of a gold star when you ride in front of Peter). For this, he gave a shout-out to Boyd Martin for his two rides. “[They were] almost a little bit free sometimes, which is Boyd’s kind of way,” he explained. “And as a trainer and as a rider, I much prefer that over restriction. So I tend to maybe give him more marks than the other judges for that very soft light feel, because that’s the way I think the image of the sport should be. But in that, he lost a little connection. I still feel that’s a bit of a partnership in the works, but he does have super ringmanship.”

Photo by Shannon Brinkman Photography.

“That look is actually easier to see from the side judge,” he continued. “We’re not allowed to judge or comment on things that we can’t really see. So [if the] shoulder-in’s over bent, half pass is coming towards me…I can’t comment on that. Even the extended canter — we like to see the frame lengthen, and you can’t really see that [from C]. Helen [at H] could see nothing but the back. Bea has a lovely view of the extended canter. So I think this is why [with] the judges at different viewpoints, the average comes up with where the rider should be. So I think it’s a very good system.”

This week the running order is a bit unique: rather than a random draw, the order was done by the riders’ points accumulated throughout the season, meaning you automatically saw the “better” horses lumped together in today’s bunch. Here, Peter addressed the idea of bias. During Kentucky recently, Peter gathered his fellow judges before they began the second day of judging. “I said, ‘can we just pause and take a reflection on what we did yesterday?’ We can’t have EquiRatings saying the judges were in a better mood this afternoon. We have to pick up where we left off, and it’s a conscious effort.”

“You must never compare to how the horse did when you saw them last,” he continued, noting that he’d recently read an article on subconscious bias in judging. “Coming into the competition knowing that the top horses were going to go at the end and the people at the bottom of the pile were going to go in the beginning, I’m thinking, ‘this is not subconscious, this is conscious bias!’ So I’ve got to really make sure that I judge what I see and not be influenced by that.”

Did he feel he and his team of judges accomplished this over the last two days? “I do,” he said. “I know some things, some things I don’t do well, but I do know I’m fair and I judge what I see.”

Photo by Shannon Brinkman Photography.

Here’s a look at your top 10 heading into cross country on Saturday:

Cross country will be run in reverse order of standing after dressage, meaning Will Coleman will be the final rider to see with Off the Record. Some modifications will of course be made for riders with multiple horses. The 4*-L kicks off cross country at 10:35 a.m. ET. You can view the full order of go here.

You can follow along live on USEF Network on ClipMyHorse.TV. USEF members will be able to watch for free by linking their USEF account (instructions on how to do that are here). Other viewers can access the live stream via ClipMyHorse here. A pro team of commentators including Annie Bishop, Sara Kozumplik and Sinead Maynard have teamed up to bring you all of the updates from on-site. You can also follow Morven Park’s social pages (Facebook | Instagram | YouTube) for more content.

To keep up with our content and need-to-know info this week, click here to bookmark our Ultimate Guide.

Lastly for all of our competitors this weekend, while we have the incredible Shannon Brinkman shooting our photos here on EN, you can find ALL of the photos you want and then some from the crack team at Erin Gilmore Photography, your official moment capturers this weekend. Be sure to keep an eye on Erin Gilmore’s website for galleries for all competitors available to purchase.

Our coverage of Morven Park is supported by Ride EquiSafe, your go-to source for safety equipment and apparel for eventing.

Morven Park Fall International CCI / US Equestrian Open of Eventing Final (VA): [Website] [Entries/Ride Times] [Schedule] [Scores] [Live Stream] [CrossCountry App XC Maps] [Tickets and Tailgating] [Volunteer] [EN’s Coverage] [Support EN’s Coverage Sponsor: Ride EquiSafe]

Denim Never Goes Out of Style in US Equestrian Open Final of Eventing at Morven Park

Phillip Dutton and Denim. Photo by Shannon Brinkman Photography.

We had to wait until nearly the end of day one of dressage here at the US Equestrian Open of Eventing Final taking place at Morven Park’s Fall International CCI to see a score break into the 20s.

Phillip Dutton narrowly missed out on the inaugural series bonus of $25,000 to the top points earner through the US Open qualifiers. His old pal Boyd Martin, however, had the final say and swooped in to knock Phillip down to second for a $15,000 bonus of his own. Now, those points are wiped clean and we now have our first leader of the weekend in the running for the lion’s share of the $200,000 prize money as Phillip takes the day one lead with Denim on a score of 27.9.

The score, while good enough to take the lead and the sole score in the 20s forward to Saturday, doesn’t quite beat the 10-year-old Holsteiner gelding’s 4* personal best, but it is one of his best 4* scores of the 2025 season. Phillip credits both ongoing tutelage from Germany’s Bettina Hoy as well as some recent help from Grand Prix dressage rider Silva Martin — particularly on ringcraft and how to make better use of his corners — the eternal struggle for us all — as well as U.S. chef Leslie Law and Eventing High Performance Advisor Karyn Shuter in warm-up today.

Photo by Shannon Brinkman Photography.

Phillip said Denim fell victim to some tension and spookiness in his last outing, earning a rather uncharacteristic score of 32.5 (“and he was lucky to get that score!” Phillip says). Today, despite the definite atmosphere created by the expansive Grand Prix ring at Morven Park, the sprawling VIP tent and plenty of flapping flags, he was much more pleased with the result.

“He moves well and he’s such a balanced horse, and he’s nice in the contact,” Phillip said. “It’s just about presenting him well. There’s a fair bit of atmosphere here and I was real pleased with the way he just got down and did the job. The changes are always a little struggle with him, but we got those both today.”

Phillip says the canter is the ongoing improvement project for Denim (who is owned by Ann Jones, Ann Lapides, Caroline Moran and Neill Sites), while the gelding’s strengths lay in his walk and trot work. “A lot of the time, by the time we get to the canter, we’re running out of horse,” Phillip said. “Today, I felt I had some options in the canter and could take a bit more time in the corner and not [feel like I had to] rush to get through it.”

Photo by Shannon Brinkman Photography.

Like most of us (Duttons: they’re just like us!), Phillip spends a lot of time rewatching videos from past competitions to see what can be improved. And, like most of us, he admits he cringes sometimes when he watches himself back. “There’s nothing like watching your own videos to put you in perspective,” Phillip chuckled. “So I watched some videos back and it was a bit of a rude awakening seeing myself out there! But that was helpful still.”

Phillip still has the Possante Group’s Possante to ride tomorrow, and “Impy” has been on fire-hot form coming into this weekend. Coupled with Denim’s experience at 4*-L events like Boekelo and Blenheim, Phillip is a strong shout to take home a top placing when the dust settles on Sunday.

Elisa Wallace and Lissavorra Quality. Photo by Shannon Brinkman Photography.

Elisa Wallace is confident she has a future 5* horse in Donna Biggs’ and Rosemarie Spillane’s Lissavorra Quality, a 10-year-old Irish mare who is wrapping up her first season at the Advanced level. They didn’t quite catch their 4* personal best (so far!) earned at Kentucky (30.2) today, but their 33.3 was enough for second on day one and a lot to love for Elisa. Interestingly, Elisa had some of the most “disagreement” in terms of the three judges’ scores, with Peter Gray at C awarding 70.24% and Bea di Grazia at B coming on on the lower side with 63.10%.

“She is a keen Irish mare, so opinions matter, and getting her opinions to match my opinions has been a work in progress,” Elisa described. “But she tries really hard and tries to do the right thing. It’s just building up the relaxation and the strength, and she’s only going to get better. She gets a little tense, but she handles atmosphere, for the most part, pretty well. She’s not spooky about it – the worry can be there, but she’s not ‘spooked’ about it.”

Truthfully, “B” has come a long way even in a short span of a few months at the level, and Elisa says it really comes down to the improvements made in the mare’s rideability. “Just getting her on the aids. She’s got beautiful changes, and as it goes sometimes, we had them, and then we lost them, and then we got them back. The biggest thing now is that it’s on me to not lose the points,” Elisa elaborated. “I’ve got her to that place. I lose points in all the little places, so a little suppleness here, a little more straightness there. A little bit softer into my halts — I’ve got her really listening at the halts. She lost her lead in the extended [canter] because I was really going for it and I could have protected her a bit more to save me [from getting a 4 on the movement], so the score would have been even better. So it’s just all those little things that I have to be a technician about.”

Elisa has benefitted from the help of Ally Rogers, a Grand Prix dressage rider also based in the Ocala area near Elisa who, despite some health struggles that saw her spend several weeks in the hospital, made it a priority to help Elisa in the lead-up to this event and via FaceTime schooling rides since arriving.

“It’s nice to have a horse that can step up and you feel like there’s even more to give,” Elisa said. “The growth that she’s had, she just feels like she’s really maturing. She went to Maryland last year in the three-long and dealt with that terrain fine, then we went to Bromont and she finished up great there on the third day. She’s definitely a five-star horses, so I’m excited for her — she’s been a blast to bring along.”

Ryan Wood and Cooley Flight. Photo by Shannon Brinkman Photography.

Third on day one on a score of 33.4 is Australia’s Ryan Wood, who just became a father on Tuesday as his wife, Lillian Heard Wood, gave birth to the couple’s first baby girl, Annabelle (great timing, girl!). The 13-year-old Irish gelding, Cooley Flight, owned by Ryan as well as Linda Ledray came off some time on the sidelines this year after picking up an injury shortly after competing in the 4*-S at Luhmühlen last summer. Ryan’s taken his time rehabbing “Blue” (though the horse himself felt that jumping small things and running around a Prelim was far beneath him), and with next year’s World Championships on the mind, Ryan has two horses who stand to make their mark on the selectors’ lists in both this horse, Cooley Flight, as well as Check Point, who will compete tomorrow in this division.

“He’s a very good boy, but he’s been challenging in the past because he can be a spooky horse and we’ve been sort of working really hard with the dressage and had some great help this year to work on his throughness and rideability and that’s been a good key to get his focus,” Ryan said of his test today. “The dressage is feeling like it’s going better and that’s sort of keyed in on him and getting him more focused.” Ryan’s enlisted the help of dressage riders Sarah Dodge and Silva Martin, who he says have been instrumental in helping him prime his horses for the top levels.

Ryan missed out on the jog festivities yesterday due to Lillian going into labor and subsequently having Annabelle at 3:47 a.m. “I called up my good mate Boyd and asked him to trot up the boys because I wasn’t going to make,” Ryan laughed. “It was perfect timing because the competition hadn’t started, so then I shot off once everyone was okay and just got down here and got a little ride in yesterday afternoon. They’re both doing great and she’s cute as a button. We couldn’t be more excited to bring her into the world. Lillian’s been a champ the whole time and up until the day of delivery she’s been out there teaching lessons all day.”

I told Ryan he’d better bring home a big check to make up for missing his first week of fatherhood. “Yeah, it would be a nice start to the college fund!” he joked. “I think I’m going to set out [on Saturday] with a tone to not muck around but also not go to the well either, if that makes sense. So I’ll set out for a good run but I feel like I am not going to be probably getting the time, if I had a handful of time or ten time, that would be a good run to get a base for next year.”

Sophia Middlebrook and Prontissimo. Photo by Shannon Brinkman Photography.

Sophia Middlebrook has ticked off a lot of firsts with Christa Schmidt’s Prontissimo, an 11-year-old Baltic horse, and she now finds herself in early fourth place on a score of 33.5, which would be one of the pairs more competitive scores as they learn the nuances of upper-level dressage. Sophia jokes that her horse knows what to do, and that it’s her who needs to keep learning. He’s her first Advanced and 4* horse, and they’ve spent the last two seasons at the level gaining experience both here and overseas.

“We’ve really been trying to nail down the dressage because it’s really me,” Sophia laughed. “He’s a nice mover and a good dressage horse, I’ve just been taking a bit to get used to the level, and I do feel like we’re finally starting to fix the bigger things that have been keeping him kind of on the higher scores. He’s a long, leggy horse and the collection has been hard to keep his feet quick and keep that kind of higher frame that they want to see. And then he gets a bit stressed about that. So I think he’s finally holding the collection and doing it with relaxation.”

Here Sophia used an interesting term, when speaking about the help she gets from U.S. Olympian Lauren Nicholson. “It’s changed the way I ‘attack’ the flatwork on all of my horses,” she elaborated. “I can definitely get a little conservative with this horse because he is so sweet and so sensitive that I just get into kind of a ‘oh, okay, that’s fine! Do what you need to do!’ — which I think there is a balance of that. And I think he needed the time it took.”

Will Coleman and Very Dignified. Photo by Shannon Brinkman Photography.

Fifth in the early going are Will Coleman and the Very Dignified Group’s Very Dignified, a former Robbie Kearns ride for Ireland who’s been in Will’s program for under a year. They’ve not done a ton together, as Will would be the first to tell you that he does not rush when forming a partnership with any horse. While “Dori” has shown her talent for the first phase with some scores dipping into the low-30s and high-20s, but her mark of 35.4 would be higher than anticipated. Will, though, remains pragmatic about it.

“She got a little — slightly withdrew from me a little bit when I went down the centerline,” Will said. “I felt like she maybe just dropped a little behind me and behind the bit slightly and I couldn’t really reconnect her in the way the judges wanted. They clearly didn’t like that, so it’s not a great mark, but this weekend is all about learning her and figuring her out for down the road. So I’m not stressed about it — I could’ve been a few marks better, but it was never going to be our best version of our test this weekend. It’s a work in progress. I know that we can improve on it.”

Will had Amy Woodhead out to his Charlottesville base to work with his horses, and he says strength is the biggest thing that the mare will need to get herself more through and confident in her body. “I think you’re always kind of keeping your expectations as reasonable as possible. It’s going to take time for her to learn our system and for us to learn more about how we think she can help herself. Then it’s a physical thing too. In our opinion, she’s still a pretty weak horse and we need to give her some time.”

Will describes the mare as a very genuine horse who’s honest and wants to do the job, and do it well. And she has proven she can hang at the top levels — she’s won at the 4*-L level before in Ireland, and Will’s already whittled her dressage scores down as she continues to mature from the base Robbie would have put on her. You’ll want to watch this space — we think this mare is definitively one to watch for the future.

The vibes, though. Photo by Shannon Brinkman Photography.

On Friday, we’ll see the final half of our US Open competitors beginning at 11 a.m. ET. The order has been done by the riders’ standings in the points through the year, so we will have plenty of competitive scores coming in to finish out our first phase. From there, the riders will run cross country in reverse order of standing after dressage, leading up to the final show jumping phase on Sunday afternoon.

You can follow along live on USEF Network on ClipMyHorse.TV. USEF members will be able to watch for free by linking their USEF account (instructions on how to do that are here). Other viewers can access the live stream via ClipMyHorse here. A pro team of commentators including Annie Bishop, Sara Kozumplik and Sinead Maynard have teamed up to bring you all of the updates from on-site. You can also follow Morven Park’s social pages (Facebook | Instagram | YouTube) for more content.

To keep up with our content and need-to-know info this week, click here to bookmark our Ultimate Guide.

Lastly for all of our competitors this weekend, while we have the incredible Shannon Brinkman shooting our photos here on EN, you can find ALL of the photos you want and then some from the crack team at Erin Gilmore Photography, your official moment capturers this weekend. Be sure to keep an eye on Erin Gilmore’s website for galleries for all competitors available to purchase.

Our coverage of Morven Park is supported by Ride EquiSafe, your go-to source for safety equipment and apparel for eventing.

Morven Park Fall International CCI / US Equestrian Open of Eventing Final (VA): [Website] [Entries/Ride Times] [Schedule] [Scores] [Live Stream] [CrossCountry App XC Maps] [Tickets and Tailgating] [Volunteer] [EN’s Coverage] [Support EN’s Coverage Sponsor: Ride EquiSafe]

All Horses Accepted to Kick Off US Equestrian Open of Eventing Final at Morven Park Fall International

Woods Baughman and Hopak de Greenbay Z. Photo by Shannon Brinkman Photography.

Ah, fall. The season of changing colors, pumpkin spice (if you’re into that sort of thing) and now, a very exciting addition to the U.S. eventing calendar to add to the all-out sprint to the end of the season. The US Equestrian Open of Eventing Final at the Morven Park Fall International now stands as a firm fixture on the October calendar, sitting just before the MARS Maryland 5 Star and also complementing the action in Europe with Military Boekelo, Le Lion and Pau.

To kick us off this morning, 30 competitors presented and 30 were accepted by our Ground Jury of president Peter Gray (CAN), Bea di Grazia (USA) and Helen Christie (NZL) today for our First Horse Inspection to open the competition. The US Equestrian team has gone all out on the presentation of the US Equestrian Open this week, and it’s looking like a full slate of fall eventing celebration to officially conclude the inaugural season of this $2 million series across the three Olympic disciplines.

Boyd Martin and Shanroe Cooley. Photo by Shannon Brinkman Photography.

$200,000 is on the line this week (with $50,000 already distributed to the top three point-earners throughout the season) for the top finishers, which is the highest prize fund at this level in at least the U.S., if not worldwide. For a sport that does not find itself with full financial coffers like its counterparts in show jumping, for instance, the opportunity to earn some real cash is rare. The sponsorship support the Open has received in just its first year of running gives a good indication of the next couple of years (US Equestrian has backed the Open for three years, but with all hope it will remain in perpetuity well beyond these first few years), and the public image and reach of the sport is one big shift USEF Chief of Sport David O’Connor has observed throughout his tenure in the sport.

Boyd Martin accepts his $25,000 series leaderboard bonus from USEF Chief of Sport David O’Connor. Photo by Shannon Brinkman Photography.

“I think that the idea of that the public is so much more involved,” David said when asked what has evolved with our sport through the years. “And how do we present ourselves? You’re not really changing what you do with the horses — the level of the horsemanship has gotten to a higher level, but I think the involvement in the public is a big thing that has changed here in the States. And I think with that, it really gives us a responsibility also, to make sure that we’re presenting and celebrating what the coolest thing is about our sport. To be able to celebrate it and teach people how talk about it in a different way — not using only equestrian terms for stuff [for example], and getting into people where people can understand and involve the public.”

Buck Davidson and Cooley Candyman. Photo by Shannon Brinkman Photography.

It was really David who first brought the idea of the Open to the table back in 2023, floating the idea to the USEF Board of Governors with the intention to grow the scope of the sport and align it further with other prestigious sports with a high level of fan familiarity and engagement.

“It’s been an exciting journey to watch,” David said to gathered media who had been invited to preview the competition today. Some 20+ media members even reaching outside of the equestrian circle showed up to take in the action and carry those missives back to their audiences. “Because we’re starting to get people talking about it. I’ve been at Morven Park a long time — it’s part of my whole life journey — but this weekend, it’s the Open at Morven Park. So I think that tagline of the Open is creating something because people can relate it to the other sports that are out there. They can relate it to what the Open means in tennis or the two Opens in golf and put it together, so that people who don’t really know anything about eventing or horses have the tagline and they understand that it’s a big deal.”

We’ll now look ahead to the commencement of competition tomorrow (Thursday) morning at 11:00 a.m. ET. We’ll split the Open division into two, with about half of the group doing their dressage on Thursday and the other half on Friday. You can view orders of go and ride times on EventEntries here.

The US Equestrian Open trophy was designed by the same people who create the Kentucky Derby trophy! Photo by Shannon Brinkman Photography.

You can follow along live on USEF Network on ClipMyHorse.TV. USEF members will be able to watch for free by linking their USEF account (instructions on how to do that are here). Other viewers can access the live stream via ClipMyHorse here. A pro team of commentators including Annie Bishop, Sara Kozumplik and Sinead Maynard have teamed up to bring you all of the updates from on-site. You can also follow Morven Park’s social pages (Facebook | Instagram | YouTube) for more content.

To keep up with our content and need-to-know info this week, click here to bookmark our Ultimate Guide.

Lastly for all of our competitors this weekend, while we have the incredible Shannon Brinkman shooting our photos here on EN, you can find ALL of the photos you want and then some from the crack team at Erin Gilmore Photography, your official moment capturers this weekend. Be sure to keep an eye on Erin Gilmore’s website for galleries for all competitors available to purchase.

Our coverage of Morven Park is supported by Ride EquiSafe, your go-to source for safety equipment and apparel for eventing.

Morven Park Fall International CCI / US Equestrian Open of Eventing Final (VA): [Website] [Entries/Ride Times] [Schedule] [Scores] [Tickets and Tailgating] [Volunteer] [EN’s Coverage] [Support EN’s Coverage Sponsor: Ride EquiSafe]

EN’s Ultimate Guide to the Morven Park Fall International & US Equestrian Open of Eventing Final

It all comes down to this! We are chomping at the bit to get underway with the inaugural Final of the US Equestrian Open of Eventing, where some 30 riders will be competing for $200,000 in prize money this weekend at Morven Park.

Ahead of tomorrow’s start of competition, we’ve tossed together this Ultimate Guide to provide you with resources to follow along. Keep this bookmarked to stay up to date with our coverage, which is supported by Ride EquiSafe.

Morven Park Fall International CCI / US Equestrian Open of Eventing Final (VA): [Website] [Entries/Ride Times] [Schedule] [Scores] [Live Stream] [CrossCountry App XC Maps] [Tickets and Tailgating] [Volunteer] [EN’s Coverage] [Support EN’s Coverage Sponsor: Ride EquiSafe]

2024 Morven Park 4*-L winners Julie Wolfert and SSH Playboy. Photo by Sally Spickard.

The Schedule

Please note: This Ultimate Guide focuses on the US Equestrian Open CCI4*-L division, but you can find the full schedule (which is subject to change per organizer direction) on Event Entries here.

Wednesday, October 8

11 a.m ET – First Horse Inspection

Thursday, October 9

10:40 a.m. ET – US Open CCI4*-L Dressage

Friday, October 10

11:00 a.m. ET – US Open CCI4*-L Dressage

Saturday, October 11

10:35 a.m. ET – US Open CCI4*-L Cross Country

Sunday, October 12

8:30 a.m. ET – Final Horse Inspection
1:30 p.m. ET – US Open CCI4*-L Show Jumping

How to Watch

You can follow along live on USEF Network on ClipMyHorse.TV. USEF members will be able to watch for free by linking their USEF account (instructions on how to do that are here). Other viewers can access the live stream via ClipMyHorse here. A pro team of commentators including Annie Bishop, Sara Kozumplik and Sinead Maynard have teamed up to bring you all of the updates from on-site. You can also follow Morven Park’s social pages (Facebook | Instagram | YouTube) for more content.

The Players

Phillip Dutton and Possante. Photo by Tilly Berendt.

As of publication, we have a slightly thinned field of 30 horses after starting at around 40 entries for the CCI4*-L division. It’s still a highly competitive field with most of the top ranked US Open series leaders bringing some top horses for a shot at the prize funds. This includes series winner Boyd Martin with Ocala Horse Properties’ Miks Master C and Shanroe Cooley, both former Liz Halliday rides, Phillip Dutton and the red-hot Possante (owned by the Possante Group) as well as Denim (owned by Neill Sites, Caroline Moran, Ann Lapides, Ann L. Jones), and Will Coleman with the Off the Record Syndicate’s Off the Record as well as Jerome Broussard, Gloria Callen and Beth Lendrum’s Very Dignified. We’ll also see some strong support from Caroline Pamukcu with two horses entered, Gabby Dickerson freshly returned from some time competing in the UK with two horses. One key pair, Lauren Nicholson and Bromont + Arville 4* winner Larcot Z, have been a late withdrawal, opening the door for other pairs as one of the higher-touted pairs in the original field.

You can view the full entry list on Event Entries here.

EN’s Coverage

Keep this Ultimate Guide booked to stay abreast of EN’s coverage of the US Equestrian Open Final. Our coverage is supported by Ride EquiSafe, your go-to source for safety equipment and apparel for eventing.

SUNDAY, OCTOBER 12

Hey ‘Mikki’ You’re So Fine: Boyd Martin and Miks Master C Take Inaugural $200k US Equestrian Open of Eventing Final at Morven Park

All Horses Move to Show Jumping for US Equestrian Open of Eventing Final at Morven Park

SATURDAY, OCTOBER 11

Coleman Captures Cross Country Day in US Equestrian Open of Eventing Final at Morven Park

FRIDAY, OCTOBER 10

‘It’s Got Its Own Set of Features Which Make It Unique’: Preview Derek di Grazia’s US Equestrian Open CCI4*-L Cross Country at Morven Park

Keep It ON the Record: Will Coleman Earns CCI4*-L Personal Best to Lead US Equestrian Open of Eventing Final at Morven Park

THURSDAY, OCTOBER 9

Denim Never Goes Out of Style in US Equestrian Open Final of Eventing at Morven Park

WEDNESDAY, OCTOBER 8

All Horses Pass First Horse Inspection to Kick Off US Equestrian Open of Eventing Final at Morven Park

PRE-EVENT COVERAGE

Morven Park International & Fall Horse Trials: 5 Things You Have to Do in Leesburg

A Dramatic Backdrop for the US Equestrian Open of Eventing Final

MARS American Bred Talent Trophy Returns for 2025 Morven Park International & Fall Horse Trials

Area II Crowns Champions at Maryland Horse Trials at Loch Moy Farm

Tim Bourke and Sing To Me Cooley. Photo by Kira Topeka for Erin Gilmore Photography.

Fall kicked off in grand fashion at Loch Moy Farm this weekend as the USEA Area II Championships were hosted alongside the Land Rover West Columbia Maryland Horse Trials. Competitors had the benefit of lovely weather and top-quality jumping courses from the Netherlands’ Andrew Heffernan as well as jumping designer Kathy White.

Area II Championships were hosted from Starter level and up. Kicking things off on Saturday morning was a catch-ride crowning for Tim Bourke of Ireland. Bourke piloted Hedgerow Farm’s Sing To Me Cooley to the Preliminary Championships on a score of 33.2 after steadily climbing the standings. They earned the sole double clear round of the division to seal the win. He’s been riding the 8-year-old Irish Sport Horse mare since 2024 and has finished in the top five or better more times than not, capping off a competitive season at the Preliminary and CCI2* level on a high note with this victory.

Avery Cascarino and Excel Star Quidam’s Cavalier. Photo by Kira Topeka for Erin Gilmore Photography.

Area II Young Rider Avery Cascarino was victorious in the Modified Championship, teaming up with Gloria Cascarino’s Excel Star Quidam’s Cavalier on a final score of 30.5. This is Cascarino and the 9-year-old Irish Sport Horse gelding’s fourth Modified win this year and will be feeling confident for their next steps as the season winds to a close.

Rachael Livermore and Accuraat Z. Photo by Erin Gilmore Photography.

Rachael Livermore won the Open Training Championship with Abigail Akre’s Accuraat Z, an enthusiastic 9-year-old Zangersheide gelding, on a score of 28.6. Livermore shares the ride with Abigail, who competes Accuraat Z herself at the Novice level while balancing her work and family life. This weekend marks the gelding’s third win at Training level.

Emma Whitaker and HSH Golden Boy. Photo by Erin Gilmore Photography.

Emma Whitaker and Hedgerow Farm’s HSH Golden Boy were the winners of the Junior Training Championship, moving up in show jumping to take the win on a score of 30.0. Originally campaigned by CCI5* rider Allison Springer, HSH Golden Boy has been partnered with Whitaker since 2023, starting out at Beginner Novice and eventually stepping up to Training level after a string of competitive finishes at Area II Championships at the Novice level. Since then, they’ve finished on the podium nine times at the level.

Martin Douzant and Frame Nantucket. Photo by Erin Gilmore Photography.

Professional rider Martin Douzant of France took home the top honors in the Open Novice Championship aboard his own Frame Nantucket S, a 7-year-old Dutch Warmblood gelding. This is Frame Nantucket S’s first season of eventing here in the U.S, and he’s had a successful spring and summer of Novice-level competition, finishing in the top three five times including this weekend’s result. Douzant is a well-known producer of young horses, emphasizing correct production and confidence-building with the horses that come into his program.

Quinn Miller and Jules Verne. Photo by Erin Gilmore Photography.

One of the horses that’s come through Douzant’s program is Jules Verne, a 9-year-old Dutch Warmblood gelding who won the Junior Novice Championship with Quinn Miller. This pair led the division wire-to-wire and finished on their dressage score of 29.2. This marks Miller’s first win with Jules Verne, as well as a personal best finishing score, besting their previous top score by over 6 penalty points.

Liana Theroux and Our Golden Chance. Photo by Erin Gilmore Photography.

Area II Adult Rider Liana Theroux and Elizabeth Bales’ Our Golden Chance were crowned Open Beginner Novice champions, also leading start to finish and ending on their dressage score of 23.8. Impressively, Theroux and Our Golden Chance, who is a 14-year-old off-track Thoroughbred, now add on to a string of victories in 2025 – they’ve not lost out on a win this year in six starts at the Beginner Novice level. Our Golden Chance was a royally-bred racehorse, with his sire, Golden Missile, a multiple Graded Stakes winner who made over $2 million on the track. He’s now an experienced eventer, helping riders such as Young Rider Championship competitor Reese Dellangelo get their starts in the sport.

Claire McMillan and RVR Coldstone. Photo by Erin Gilmore Photography.

Claire McMillan and Catherine Schroeder’s RVR Coldstone, a 7-year-old Westphalian gelding, picked up the start-to-finish win in the Junior Beginner Novice Championship on a final score of 29.1. This is a newer partnership that just began in the spring of this year, and this weekend marks their first win together.

Stella Uiterwaal and Crossfire. Photo by Lindsay Berreth for Erin Gilmore Photography.

To close out the day of Championship show jumping, Stella Uiterwaal and Lauren Sumner’s Crossfire came from behind to win the Open Starter Championship on a score of 26.7. This was the second recognized start for Uiterwaal and Crossfire, a 16-year-old former racehorse who is the namesake of Sumner’s Crossfire Farm in Damascus, MD.

Rounding out our Area II Champions are Carmen Defelice and Anne Hendey’s Bazinga, a 17-year-old Thoroughbred gelding by Belmont Stakes winner Victory Gallop. This pair were also wire-to-wire winners, ending the weekend of a score of 28.3.

Competition for the remaining non-Championship divisions wrapped up on Sunday, and full scores and results can be found on EventEntries here.

Loch Moy Farm and The Maryland Horse Trials extends its gratitude to title sponsor Land Rover West Columbia, which was on-site all weekend with display vehicles and representatives, with a rider Hospitality Tent in service throughout the competition. Many thanks are in order for our additional event and facility sponsors, our officials and volunteers, media team and all of the individuals – and horses – who make these weekends possible.

Loch Moy Farm will next welcome riders October 11-12 for the penultimate Dover Saddlery MDHT Highland Series competition of the 2025 season, presented by Taylor Harris Insurance Services. The MDHT Highland Series features unrecognized competition for Intro through Preliminary levels, and this weekend represents the final competition ahead of Championships in November. More information can be found here.

The Maryland Horse Trials at Loch Moy Farm / Area II Championships (MD): [Website] [Scores]

Eventers Represent in Nominations for 2025 FEI Awards

Laura Collett and London 52. Photo by Tilly Berendt.

Three eventers are recognized on the nomination list for this year’s FEI Awards, given annually at the end of season to deserving individuals and organizations.

Among the nominees are 2025 European champion Laura Collett (GBR) for Peden Bloodstock FEI Best Athlete, which celebrates the best athletes across each FEI discipline. Laura is joined on the list by dressage athlete Justin Verboomen (BEL), endurance rider Marijke Visser (NED) and show jumper Richard Vogel (GER).

Thijs Boon (BEL) is nominated for the FEI Rising Star Award, given to young athletes who are emerging on the international scene. Thijs, 17, was fourth in the FEI Eventing European Championships for Juniors and Young Riders this year with his father and Dutch Olympic rider Maarten Boon’s (really a “family horse” as Maarten describes it; he himself competed the KWPN mare through the 4* and World Championships levels) Gravin van Cantos. This pair to watch hasn’t finished outside of the top five in FEI competition since they teamed up in 2024!

Last but definitively not least is Adam Short, who’s been Tom McEwen’s top groom (and, let’s face it, life manager/coach/therapist, probably) for five years, nominated for Cavalor FEI Best Groom.

You can view the full list of nominations, which include those for the FEI Inspire Award that recognizes initiatives and individuals who make an impact on equestrian sport, as well as learn how to cast your votes here.