Sally Spickard
Articles Written 4,421
Article Views 10,971,702

Sally Spickard

Achievements

Become an Eventing Nation Blogger

About Sally Spickard

Sally Spickard is a Korean adoptee living in San Diego, California. Sally joined the Eventing Nation team in 2013 and has subsequently written for Noelle Floyd, Heels Down Mag, and other publications both in and out of the equestrian world. Sally is an eventing fan through and through and enjoys telling the stories of riders who are not well-represented within equestrian media.

Latest Articles Written

Reporter’s Notebook: My Passport to Paris

Yes, Chinch made the trip, and yes, the Brits are tired of humoring me at this point.

My first Olympic Games as an accredited journalist was in Tokyo, which had been postponed to 2021 due to the COVID-19 pandemic. It was a wild experience, and one I’m sure (and I hope) will never be repeated. In Tokyo, we were required to fill out to-the-minute schedules for ourselves, and weren’t allowed to deviate from that plan with the consequence of getting kicked out of the country if we did. We were whisked from point A to point B in private taxis reserved by the Olympic committee so we didn’t have to intermingle on public transportation. We were required to submit multiple COVID tests every other day to prove we weren’t carrying the sickness with us.

I think it’s safe to say that the Tokyo Olympics prepared me for Paris in more ways than one.

The best part of any event: seeing my people. Pictured: Shannon Brinkman, Kimberly Loushin, Roya Brinkman, and Tilly Berendt. Photo by Sally Spickard.

In preparation for Tokyo, I created a binder full of the COVID requirements, transportation guidelines, and everything else I could possibly need to ensure I could safely enter the country and do my job. At the airport, the check-in and validation process (which also involved COVID testing) took well over three hours, all conducted in a closed terminal that was eerily hushed and free of public travelers.

I look back on that Games and feel wistful. We drove through many neighborhoods I would have loved to stop and explore, being a person who loves to get the “full experience” of what it would be like to live in the city I’m in. I wanted to experience the public transport, the shopping, the FOOD, but alas it was not meant to be.

Before I knew it, it was time for Paris.

A real “made it” moment! Photo by Kimberly Loushin.

As much as I’d like to say I was just as prepared for this trip, the absence of COVID protocol made me feel a little more laissez-faire about the whole affair (or maybe I was just really getting my French on, subconsciously). This meant that two days before I was to leave, I had a mild panic — I had done very little research, hadn’t explored what I’d like to see in Paris, hadn’t learned a lick of French. The fact that I would, this year, be accompanied by Tilly Berendt, who spent some time living in Paris a few years ago, perhaps lulled me into a sense of security that I’d have someone with me who was familiar with the lay of the land.

Peter Wylde’s surprise at getting roped into a Chinch pic, when really he should expect nothing less. Photo by Tilly Berendt.

But really, nothing could prepare me for the venue here in Versailles. It was gutting to see the stadiums and cross country fields in Tokyo devoid of humans, and all the same it was incredible to see just how many people crammed themselves into the seats and along the galloping lanes during the eventing, which was the first equestrian sport to see in these Games.

The eventing portion of the Olympics in Paris left me with many distinct memories, but here are a few of the top ones:

Bring in the crowds

As we filed in for the cross country on Sunday (which was odd in itself, as I’m accustomed to going to a horse inspection on Sundays of events), I was taken aback by the sheer number of people waiting to get in to the venue. While the mixed zone was situated between the vet box and the rider tent, meaning I couldn’t really see the crowds on course, I didn’t miss them. The CHEERS. The SCREAMS. You could tell as soon as a French rider left the startbox, and could pinpoint their location on course simply by hearing the wave of roars from the crowds following them around.

Alexander Peternell (RSA) and his wife, Suze, celebrate a big Olympic weekend with their new biggest fan (me). 

I laugh when I think about Alex Peternell, our individual rider from South Africa, recounting his experience on course. “Everyone was cheering ‘allez! ALLEZ! ALLEZ!’ and I was like ‘I’m going slow!'”, and every rider who came through to talk to us after their ride was on the ultimate adrenaline high, further underscored by the adoring fans. Boyd Martin put it best when he said he would never forget the experience for the rest of his life.

And how incredible: we always talk about the struggle to attract fans and new followers to our sport. Yes, horses are firmly entrenched in French culture, more so than we’d find in America outside of horse racing (which has its own demons to contend with these days), but I have to think that more than one person caught the eventing bug this weekend.

A big win for Asia

My favorite pin from the week, courtesy of Kazuma Tomoto.

I wrote at length after Tokyo about the personal significance of representation, underscored by a history number of teams from Asian countries in eventing there. This year, we had fewer: a team from Japan and two individuals from China. But the success we saw from Japan in particular will live in my memory forever.

Here was a team that missed out on a medal during their home Games, and nearly didn’t make it to Paris due to initially missing out on qualification. But they banded together — and remember, the Japanese riders (and the Chinese riders) all had to leave their home countries in order to find the opportunity train and compete for the world stage, primarily basing themselves in the UK — and made a goal: Paris or bust.

The bronze medal Japan signifies a lot more than success on one weekend. It, like all other medals won, is a symbol of the perseverance and sacrifice that is required to see even a modicum of success. I’ll be writing a bigger feature on Japan in the coming weeks, but suffice it to say: this bronze medal meant a lot to me personally, and to the world. I am not Japanese, I am Korean, and yes, Japan and Korea have a complicated (to say the least) historical context, but in terms of representation and seeing riders who look like me — the effect is immeasurable, and I hope it’s the same for other Asian riders around the world.

Under a microscope

Media gathered for the First Horse Inspection (only about 4 of these came back for the Second jog…I see you and your desire to get extra sleep. Photo by Sally Spickard.

This year, more than ever before, all equestrian sports are under an intense microscope. Multiple stories were released in the weeks and days ahead of the Games (and really, are still coming out), which meant on dressage day of eventing we were swarmed with mainstream media outlets hoping for a hot quote in the wake of the Charlotte Dujardin whipping video fallout. More than one unsavory article was published shortly thereafter, clearing not understanding that eventing dressage and dressage are two entirely different sports, but nonetheless highlighting the fact that public favor is, well, quite low in many ways.

Do I disagree? It’s hard for me to say, if I’m being honest. On one hand, I know there exist many people whose horsemanship methods should be exposed and taken accountability for. On the other, I also know just how much goes into what we do, particularly in eventing (which I have the most intimate knowledge of). I also know that saying “I love my horse” doesn’t always translate into a transformation of public opinion.

Does the public hate dog agility? That would be an animal-adjacent sport I’d closely link to eventing in many ways, primarily because of the communication and partnership required to find success. What makes the public favor the agility dogs over the eventing horses? I’ve been asking myself that for awhile, and I’m not sure of the answer.

All of this very rambling stream of consciousness to say: I think it’s vital to communicate just how eager our horses are to participate in this sport willingly. I also think it’s vital to practice what we preach. We should have properly developed toplines. We should have nosebands and saddles that fit properly. We should always be educating ourselves on horses’ biomechanics and anatomical structure so we can understand how to support their bodies. We should be prioritizing their mental health, choosing our training and competition schedule with this forefront in our minds. We should be honest with ourselves in our readiness to move up a level or continue to compete as a horse ages.

Julia Krajewski stops by the mixed zone after cross country. Photo by Sally Spickard.

Public opinion is always going to be volatile. One bad incident can set off a chain of events that will lead us down a path that no longer includes Olympics or mainstream sponsors. We need to be conscious and self-aware of these things, because it’s not going to change.

We can always do better. We can always be advocates for our horse. We can always work to cultivate self-awareness, even when it bruises our egos.

From Paris, over and out (well, at least until the show jumpers start their week tomorrow — I’ll be writing about that over on Practical Horseman, so catch me over there!), and always, always, always, Go Eventing.

Flash Update: Individual Medals Decided in Paris, Michael Jung Makes History (Again)

The Paris individual podium. Photo by Tilly Berendt.

The eventing competition at the Paris Olympics has officially concluded, and our individual medalists have been decided — with a side of history.

Securing a first-ever third Olympic gold medal is Germany’s Michael Jung, who also set a record for best Olympic finishing score by setting down a 21.8 with Chipmunk FRH.

Chris Burton and Shadow Man. Photo by Tilly Berendt.

Second and silver on the podium is Australia’s Chris Burton, who made a (somewhat temporary) return to eventing this season with former Ben Hobday ride Shadow Man and finished on a 22.4 to earn his second Olympic medal and first individual medal.

In bronze position and adding to her team gold for Great Britain is Laura Collett, who piloted London 52 to a finishing score of 23.1.

For those following the North American teams, the U.S. finished in seventh overall with a team score of 133.7. Boyd Martin and Fedarman B were the top-placed pair for the USA, finishing in 10th on a score of 32.1.

Canada finished in 11th as a nation on a cumulative score of 174.0, with Karl Slezak and Hot Bobo the top-placed in 32nd individually on a score of 52.6.

We’re working on our final report as we speak, but to help you stay on top of the action we wanted to provide this quick update. Please check back later this evening for our in-depth final report, including analysis of both the individual and team placings.

Helpful Links:

Great Britain Clinches Second Consecutive Gold Medal in Paris

Team Show Jumping Companion Guide

Individual Show Jumping Companion Guide

EN’s Coverage of #Paris2024

#Paris2024: [Website] [Equestrian Schedule, Timing, Scoring] [Peacock for U.S. Viewers] [How to Watch Guide] [Ticket Resale Market] [Spectator Guides] [EN’s Coverage]

 

Great Britain Clinches Second Consecutive Olympic Gold Medal in Paris

Brits atop the podium again. Photo by Tilly Berendt.

Great Britain is golden once more as the team of Ros Canter and Lordships Graffalo, Tom McEwen and JL Dublin, and Laura Collett and London 52 clinched the team gold medal in Paris on a final score of 91.3. The home nation, France, secured silver medal on a score of 103.6, followed by Japan, overcoming the withdrawal of one of their team horses in this morning’s Final Horse Inspection to win bronze on a finishing score of 115.8.

This becomes Great Britain’s fifth Olympic team gold medal, putting the drought of 11 cycles before their gold medal in Tokyo (2021) firmly to bed and providing further testament to consistency, depth, and competitive drive.

As we led up to the selection of the team, it was all anyone in eventing sport could talk about: would the selectors get it right, what with so many proven pairs to choose from? As the selectors opted to put reigning World Champions Yasmin Ingham and Banzai du Loir on the bench as the Traveling Reserve and also chose to leave off consistent competitors such as Oliver Townend and Kitty King, the pressure mounted. If the selectors — who possess perhaps the most unenviable position in our sport, particularly for this nation — got the choice right, they would be celebrated. If they didn’t, there would be hell to pay.

This was further underscored yesterday on cross country when Ros Canter was given 15 penalties for missing a flag at fence 21ABCD. Videos circulating on social media provided a mixed bag of reactions, mostly coming under the opinion that she had been clear. However, an appeal lodged with the FEI was dismissed, and the 15 penalties stood. This meant the Brits came into today under much more pressure than they would have otherwise had, with just one rail and some time (4.7 penalties total) in hand over the hard-charging French (and the feet-stomping French fans who certainly made their presence known this morning).

Team GB wins again! Photo by Tilly Berendt.

And to be sure, the rounds delivered by the British team weren’t perfect. As the first to go, Ros Canter and Lordships Graffalo lowered one rail. Tom McEwen and JL Dublin jumped second and helped right the ship with a double clear round. Anchor rider Laura Collett also lowered a rail and picked up two seconds of time.

Luck was somewhat in play here for the British, though, as the French didn’t manage a clear or double clear round, lowering four rails amongst them and picking up one additional time penalty for their team score of 103.6. So while the British leave the day well out in front, it surely didn’t feel that safe as the rounds were ticking away.

Photo by Tilly Berendt.

The French were understandably disappointed in their lack of clear rounds, but to hear the crowds and see the riders’ reactions on clearing the last, you’d likely not have known it. They’ve now medaled in the last three Olympic cycles, including Paris, building onto their bronze medal finish in Tokyo and working toward that coveted gold medal such as the one they won in Rio.

This silver medal becomes their fifth Olympic medal, and is also demonstrative of the momentum the nation has built; prior to a gold medal won in Athens (2004), the nation had not won an Olympic medal since they took bronze in Rome (1960). Competing on home turf can be challenging — Tokyo failed to bring home a medal in their home games in Tokyo, and Great Britain missed out on a gold medal in London (2012). Today, the French proved they’re here, they’re here to win medals, and they’re here to stay.

Stephane Landois and Chaman Dumontceau. Photo by Tilly Berendt.

And Japan. Japan. How much can I say about Japan in the 30 minutes I have left before the individual final starts?

Japan left Tokyo somewhat with their tails between their legs; after coming in highly-touted as medal contenders, they finished a distant 11th, though one rider, Kazuma Tomoto, did finish in fourth individually. It was a tough Games for all competitors. We were in the midst of a global pandemic, and the Japanese riders, who spend their lives basing in the UK, far from their friends and family at home, couldn’t even see their families while they were in Tokyo due to strict quarantine and social distancing rules.

Then today, Ryuzo Kitajima had to withdraw the 17-year-old mare Cekatinka from the holding box in the final jog. It was a heartbreaker for Ryuzo, who was the Traveling Reserve in Tokyo and felt emotional yesterday after finishing cross country at the chance to finally represent his country. Fortunately, Cekatinka has been reported to be absolutely fine, just a little sore in her hind end and therefore deemed ineligible to jump by the Ground Jury.

Ryuzo Kitajima leads the Japanese portion of the victory lap, quite enthusiastically, on foot. Photo by Tilly Berendt.

This meant the Japanese had to take 20 penalties for activating their substitute, Toshiyuki Tanaka and Jefferson, who was admittedly quite nervous for this role — and what a tough one it is, to manage an event horse that hasn’t run cross country or done a dressage test for the technical challenge that is the final phase — as this wouldn’t be his preferred phase.

While Japan wasn’t out of the hunt, the mountain to climb certainly grew a little taller, as the substitution penalties dropped them from bronze to fifth place going into this phase. All three riders would need to deliver clear rounds — and hope someone in a higher-placed team gave them an opening to try to regain their spot on the podium.

They held up their end of the bargain.

Collecting just a handful of time penalties amongst them, the Japanese delivered three jump fault-free rounds, and one double clear from Kazuma Tomoto and Vince de la Vigne. They were the only team to leave all the poles in the cups.

“I’m really happy. Still, I’m focused on my second round,” Kazu said after the team round, and before the final rider had jumped. “I’m also keeping fingers crossed for the final rider in team show jumping. [Vinci de la Vigne] is a good jumper. I was a show jumper in Japan — and also I tried to get to Paris in two disciplines as well. I love show jumping.”

This is the first-ever Olympic medal in eventing for Japan and also the first-ever Olympic medal for any Asian country. For a nation that is not as large or flush with talent as the larger powers with multiple medals adorning their cabinets, and for riders who have to sacrifice so much to even have a shot, this medal means an unspeakable amount.

Teams France, Great Britain, Japan on the podium. Photo by Tilly Berendt.

We’ll have a LOT more coming your way in our evening report, including results from the individual rounds and thoughts on the other team results, including a superb fourth-place finish for an exciting Belgian team and a seventh-place finish for the USA, but for now I must dash off to the individual final as we didn’t have a large amount of time in between!

To catch up on full team scores and individual rankings head of the final round (the current individual podium is Michael Jung and Chipmunk FRH, Chris Burton and Shadow Man, and Laura Collett and London 52), click here. You can also view our team Companion Guide here and keep an eye out for our individual Companion Guide publishing very soon.

The start list for the individual final can be found here.

#Paris2024: [Website] [Equestrian Schedule, Timing, Scoring] [Peacock for U.S. Viewers] [How to Watch Guide] [Ticket Resale Market] [Spectator Guides] [EN’s Coverage]

Major Shake-Up on Paris Podium at Slightly Calmer Final Horse Inspection

Ryuzo Kitajima and Cekatinka at the First Horse Inspection in Paris. Photo by Tilly Berendt.

Sunday trot-ups are always high in potential for tension with the massive efforts made on cross country the day before. After we saw multiple holds and an elimination in the First Inspection, it was hard to know what to expect this morning. Generally, however, today’s Final Horse Inspection was far less drama-filled, a huge testament to both the conditioning and care of the horses as well as the incredible work of the grooms and support staff through the night to help the horses recover well from cross country.

We do, however, have one major shake-up to the team podium after a withdrawal from the holding box on the part of Japan’s Ryuzo Kitajima and Cekatinka.

Team Japan was poised to finish on the podium today, securing bronze medal position on a team score of 93.0. But when the team riders came to present their horses to the Ground Jury of Christina Klinspor (SWE), Xavier Le Sauce (FRA), and Robert Stevenson (USA), two were sent to the holding box: Cekatinka as well as Yoshiaki Oiwa’s MGH Grafton Street. It was then reported that Cekatinka had sadly been withdrawn from the holding box. MGH Grafton Street was re-inspected at the end of the trot-up and was subsequently accepted after a lengthy conferral amongst the Ground Jury.

Individual leaders Michael Jung (GER) and Chipmunk FRH. Photo by Tilly Berendt.

This means some big moves on the team standings. Japan will now have to activate Traveling Reserve pair Toshiyuki Tanaka and Jefferson to move a complete team to the final phase. This substitution will incur 20 penalties, putting Japan onto a team score of 113.0. This does not spell complete disaster, as the Japanese will now be in fifth position, but certainly makes the task at hand more difficult to move back up to the podium.

Switzerland will now move into bronze medal position with their team score of 102.4, while Belgium moves up to fourth on a 111.0. The remaining team standings, which can be viewed here, remain unchanged, pending any additional substitutions, of which we should see one or two yet.

Laura Collett (GBR) and London 52. Photo by Tilly Berendt.

In the trot-up, the only other hold we saw was Australia’s Shane Rose and Virgil, who were accepted upon re-inspection.

A handful of withdrawals were announced before the jog: Carlos Parro (BRA) and Safira, Sarah Ennis (IRE) and Action Lady M, Sanna Siltakorpi (FIN) and Bofey Click, and Carlos Diaz Fernandez (ESP) and Taraje CP 21.10.

Stephane Landois and Chaman Dumontceau. Photo by Tilly Berendt.

We do know that Germany will still send Christoph Wahler and Carjatan S, who parted ways on cross country yesterday, forward to show jumping rather than activating Reserve pair Calvin Boeckmann and Phantom of the Opera, incurring 200 penalties for failure to complete the cross country phase. Aofie Clark and Freelance will be activated as substitutes for Ireland after the withdrawal of Sarah Ennis and Action Lady M, incurring 20 penalties. Australia will also activate Reserve pair Shenae Lowings and Bold Venture after the retirement of Kevin McNab and Don Quidam on cross country, incurring 220 penalties. Brazil will activate Reserve rider Ruy Fonseca and Ballypatrick SRS after the withdrawal of Carlos Parro and Safira, incurring 20 penalties. Scratching your head on all these penalties? You can reference our Scoring Guide here.

Update: Poland has substituted Reserve rider Wiktoria Knap and Quintus 134 for Jan Kaminski and Jard, incurring 220 penalties as Jan retired on cross country yesterday and did not complete the phase.

Boyd Martin (USA) and Fedarman B. Photo by Tilly Berendt.

Looking to the finale, which kicks off with the team final at 11 a.m. local time, followed by the individual final for the top 25 pairs at 3 p.m. local time, Great Britain will have a slim margin of 4.7 penalties over France after Ros Canter’s appeal to remove a missed flag (15 penalties) penalty yesterday was not accepted. France is in silver on a score of 87.2, followed by Switzerland on a score of 102.4. Full scores and standings can be found here.

We’ll keep you up to date on any additional changes, substitutes, and confirmations as the day proceeds. Stay tuned for our Companion Guide to show jumping coming later, as well as full reports on both rounds.

Update: Order of Go for show jumping in the first round can be viewed here. The Team Start List can be found here.

#Paris2024: [Website] [Equestrian Schedule, Timing, Scoring] [Peacock for U.S. Viewers] [How to Watch Guide] [Ticket Resale Market] [Spectator Guides] [EN’s Coverage]

More Paris Post Cross Country Analysis from EquiRatings

While you’re diving in to our meaty cross country report from a busy day in Paris, you can also follow along with the EquiRatings team’s coverage, featuring an analysis sit-down review with Nicole Brown, Sam Watson, Diarm Byrne, and Kylie Roddy.

If the embedded player above does not work in your browser, you can also listen to the episode here.

Nicole, Sam, Diarm, and Kylie Roddy dissect every twist and turn of the course, highlighting standout performances and unexpected surprises.

Highlights Include:

    • Kylie Roddy’s take on the surprising time achievements and faults.
    • Sam’s insights into the rollercoaster of team performances, with a focus on Germany and Australia’s dramatic exits.
    • The incredible journey of Team Japan, from their early struggles to their current position as strong contenders.
    • Predictions and expectations for the upcoming show jumping.

#Paris2024: [Website] [Equestrian Schedule, Timing, Scoring] [Peacock for U.S. Viewers] [How to Watch Guide] [Ticket Resale Market] [Spectator Guides] [EN’s Coverage]

Ronald Zabala Goetschel’s Found the Fountain of Youth with Wundermaske

Ronald Zabala Goetschel and Forever Young Wundermaske. Photo by Tilly Berendt.

One of the most incredible facets of equestrian sports remains the fact that they are, in many ways, ageless and nondiscriminatory toward elder athletes, both two- and four-legged. This year in Paris, the oldest horse across disciplines is 21 years old, making a new record as the oldest horse in the Olympics.

Many U.S. eventing fans will recall the name Wundermaske as a former CCI5* partner of Sharon White, earning two top-25 finishes at the then-4* level at Kentucky and Pau under her tutelage. Now, competing under the recently designated moniker Forever Young Wundermaske, “Patch” is set to make his Olympic debut this weekend in Paris with Ecuador’s Ronald Zabala Goetschel.

Sharon White and Wundermaske. Photo by Jenni Autry.

Truth be told, the Olympics weren’t necessarily on the plan for the Oldenburg gelding bred in the U.S. by Tracy Barbeito (he’s also the sole U.S.-bred horse in the Olympic field this year!). In fact, Ronald had tried to retire the gelding twice before, not due to injury but simply because he was getting older and Ronald had some younger horses to focus on. And also — Patch simply didn’t want to sit in a paddock.

“He has never had an injury — never pulled a tendon or a ligament, not even a common cold,” Ronald told me. “When I tried to retire him, he would just run his paddock.”

Ronald did try to qualify for Tokyo, but with the postponement and also a slew of injuries to contend with, including a concussion, the Olympics weren’t meant to be for Patch. As Ronald prepared to travel to Europe from his home base in Florida as he sought qualification for Paris, his team made a suggestion. Why not bring Patch along?

“I had retired him again and I was going in September of 2022 to buy horses, and my groom started telling me, why don’t you bring Patch?,” he said.

And so Ronald’s grand European adventure began, starting with a flight from Miami in February to Holland, where he spent two weeks. Since then, he’s traveled to Italy, Poland, Germany, and Switzerland, competing his string of horses which also includes Charly van ter Heiden, the former ride of and 5* winner for Britain’s Mollie Summerland. Charly was originally intended to be Ronald’s horse for Paris, but an untimely bout of ulcers meant the horse would not be able to obtain sufficient qualification. Ronald’s other horses were a bit too inexperienced to shoot for Paris, and so the torch once more fell to Wundermaske.

Ronald Zabala Goetschel and Wundermaske (ECU). Photo by Leslie Threlkeld.

“Out of my three horses, it would be whoever was feeling the best that would go to Paris,” he explained. “The mare I had, she is only turning nine in April and so I didn’t want to put the additional pressure on her. There was no favorite, though Charly would have been my most competitive horse maybe. Patch with the new rules had to do a confirmation event, so we did that at Sopot [Poland] in May and had a clear round there. Patch deserves this. He has qualified for three Olympics now.”

How do you keep a horse that’s been going at this level sound for so long? For Ronald, it comes down to selection of events and when to run. “I withdraw a lot,” he said. “Because I go and if I don’t like the footing — too wet or too hard — I don’t compete. I am not a commercial rider, so if the ground is not good I don’t feel obligations to compete.”

Ronald also described his training regimen with Patch, which at this point in his career doesn’t involve a lot of hard, intensive training. “He goes to the walker and trots on good footing,” he explained. “And we have a pool when we’re in Pennsylvania or he goes swimming in Ocala. I ride him a few times a week, I pretty much never jump — maybe once a month. He knows his job. I keep him happy. I will gallop him every five days when it’s time for competition, and if not I will just keep riding him like normal and making sure he is on good footing and he stays sound.”

One has only to watch Ronald’s latest cross country round at Avenches (Switzerland) to see this intentional preparation pay off with a smooth and clear trip. It’s left Ronald feeling as prepared as ever for what lies ahead.

 

WUNDERMASKE – “PATCHITO” – TO PARIS 2024 OLYMPICS !!

At 21 years young confirms his qualification to the Paris 2024 Olympics!

My amazing Patchito is always there for me. Has qualified for 3 Olympics:

– Rio 2016 Olympics – didn’t compete because of politics – no fault of his own.

– Tokyo 2020 – 2021 Olympics – didn’t compete much in 2019, the qualifying year, and could not get enough points to earn the Olympic spot as I got injured twice falling off of another horse in March and spent 3 months in bed with a concussion. Then on August on my second fall, my left hip was destroyed and could not ride well to get points – no fault of Patchito.

– Paris 2024 – qualifies and gets enough points to compete at this Olympics.

No other horse of mine deserves more than him to compete at this Olympics !! He never gets sick… never has had an injury in his life… never calls in sick (hahaha). He is always there for me !!

Thanking GOD everyday for letting me be part of the story of this amazing horse.

THANK YOU – THANK YOU – THANK YOU PATCHITO !!

Posted by Ronald Zabala Goetschel on Saturday, June 29, 2024

“I’m going to be honest, we have jumped so many big, technical courses here in Europe so I think we are very prepared,” he said. “With Patch I only competed twice, at Sopot and Avenches, and with the other horses I did more. I think I am readier than ever. I’ve never been that ready for a competition, and Patch is feeling fantastic. Adding in the gallops on the hills of England has him feeling super fit.”

The Games will be a special and a bittersweet one for Ronald, who has confirmed that this will be his one of his final major eventing competitions as he will then switch to focus on dressage. The decision comes out of a desire to spend more time with his 19 month old son, Ronito (who is also a huge fan of Patch himself).

“He is the love of my life,” Ronald said of his son. “After this, I will just focus on the Bolivarian Games in Peru in 2025, which will be my last competition in eventing. This is a dangerous sport. I want to be here for my son always. It’s been hard because I’ve been away for six months. I talk with him every day. And he will have these pictures when he grows up so he knows I was always thinking about him. He changed my life.”

Ronald Zabala Goestchel and Forever Young Wundermaske. Photo by Tilly Berendt.

That being said, the Olympic dream will remain alive and well for Ronald, who says he’d love to get to the Los Angeles Games in 2028 in dressage. He also plans to get back into show jumping, as he did compete at the Grand Prix level before switching full-time to eventing. With dressage, though, he could conceivably compete and qualify for an Olympics on the U.S. circuit, whereas with show jumping he would potentially have to travel overseas more.

As for his goals for Wundermaske this weekend, Ronald remains realistic but positive. “Patch is not the best horse in dressage. He’s not built to do it,” he explained. “He’s about 76 percent Thoroughbred, so it’s difficult. I need to ride him very carefully and tactfully, and I can’t put too much pressure on him. However in 2020 when I brought him back, he gave me a 29 at four-star, so if he has a good day and is relaxed he can give me a good test. This test is very difficult, it’s very fast. So we’ve been working on it and I will do the best I can with him. But I’m sure he will give me his heart as always.”

Catching up with Ronald after his test in Paris, which earned him a score of 37.7, which is relatively consistent with this pair’s typical scores, he was pleased with his efforts and already focused on the cross country task at hand. For his part, “Patchito” tried to spin his way back up the ramp after the test — “he says, ‘where’s the cross country??’,” Ronald laughed — as if to further prove that age is just a number.

Dale Clabaugh and Wundermaske share some bonding time. Photo courtesy of Dale Clabaugh.

Making the weekend all the more special is the fact that one of Patch’s original connections, Dale Clabaugh, will be in attendance to watch. Dale actually bred Patch for herself originally, working with Tracy Barbeito to produce a horse that she could ride and compete herself.

“I wanted a foal by Weltbekannt, a Hanoverian stallion owned by Suzanne Quarles of SomeDaySoon Farm,” Dale told me. “My friend, Tracy, wanted to purchase a Thoroughbred mare to expand her breeding program from Quarter Horses to Appendix Quarter Horses, and we collaborated on tis breeding so that I would have a foal I wanted. An unexpected divorce changed my plans, and I gave Wundermaske to Sharon White as a gift. I was blessed with an amazing horse who has been a blessing to both Sharon and Ronald. His talents would have been wasted on me, but I am living the dream with my dear pony.”

“We are very proud and no matter what, I know he will give me his best like he always does,” Ronald echoed. And truly, no matter what, the story of “Patchito” will also stay “forever young”.

Go Eventing.

Tom McEwen is the Early Leader on Paris Dressage Day

Tom McEwen and JL Dublin. Photo by Tilly Berendt.

We certainly had a fair idea of who we’d see clustering at the top of the board today as we kicked off a marathon of 64 dressage tests in Paris, and it’s unsurprising to see British stalwart Tom McEwen out in the front at the lunch break. The Tokyo individual silver and team gold medalist piloted JL Dublin (Diarado – Zarinna, by Canto), who is owned by James & Jo Lambert & Dierdre Johnston, to a 25.8 as the first rider out for the Brits, not quite slipping down to the 23 or 24 we know this pair is capable of but delivering enough to sit ahead of six-time Olympian Karin Donckers and Liepheimer Van’t Verahof (26.6).

“Dubs was awesome. He loves an atmosphere and I must say, he really lit up in the trot a little bit more than I was expecting, and then was actually super relaxed in the walk, which then caught me out from the first change,” Tom said of JL Dublin. We did see spectators filing in this morning, rain gear at the ready as we’ve been met with some very, err, British weather, if I might say, but the early rotations of riders didn’t have large crowds to content with. It nearly doesn’t matter though, as the towering stands that have been constructed here certainly create a buzz unlike anywhere except perhaps Kentucky or Aachen in terms of atmosphere. “I was expecting, when I picked up the canter to have a little bit more electricity underneath me — Dubs always is very relaxed and very happy. So sadly missed that first change, but then after that, we picked it right back up where we left off, but hopefully putting Great Britain in a great, strong starting position, which is our main goal. Now my aim is to support the girls and finish on that score.

Tom McEwen and JL Dublin. Photo by Tilly Berendt.

As we’ve written about before, the Olympic test is incredibly unique. While technically a 5* test, the run time is set at just 3 minutes, 50 seconds, and the movements begin in earnest just as soon as a rider turns off of centerline. Indeed, a horse that has a competitive walk is somewhat at a disadvantage (unless, of course, you’re blessed with a horse who’s equally gifted in all gaits) as there are just two movements at the walk, and on short diagonals to boot. This opens to door to see some points slip away, and in such an abbreviated test every movement counts more than ever.

It was more just concentrating,” Tom concurred. “This test is so different to our normal ones — if we take a five-star test, this just comes so much quicker, and it’s intense. Dubs got a fantastic walk, but you’ve got the split second to show it off before it’s gone. With the mistake in the change, having a horse that was full of energy and pumped underneath me to actually being very relaxed, it can change very, very quickly. I think the girls told me that a few horses have been spooking at the cameras, so actually, for me, it was actually me concentrating.”

Tom McEwen and JL Dublin. Photo by Tilly Berendt.

We’re also in a unique position here in that we will know the full standings of the first phase today, versus other major events where we typically have dressage split over two days. So while Tom’s score is undoubtedly competitive, the door is still quite open for a low-20s to come in and steal the lead — and there are more than a few horses yet to come who could do the task.

Belgian rider Karin Donckers is not short on championship experience: with six (now seven, this weekend counting) Olympics and seven World Championships to her impressive resume, she’s the most experienced rider in the field in terms of these high-pressure atmospheres. And the pressure, if she felt any, didn’t affect her nor the Belgian Warmblood stallion Leipheimer van’t Verahof (Vigo d Arsouilles STX – Southern Queen xx, by South Gale xx). As the pathfinder for the team-to-watch Belgians, Karin laid down a 26.6, which is something of a best for this pair who typically hover closer to the 30 mark.

Karin Donckers and Leipheimer Van’t Verahof. Photo by Tilly Berendt.

We’ve of course got a large French contingent crowd here today, and Karin was tasked with riding after home team rider Karim Laghouag.

I’m happy that we did it so far, because of course we have two more days to go!” Karin said. “I can even say that I have experience with riding Olympics — that helps! You get a bit more mature, you get a bit older, you know what’s what they expect from you, and you know how the crowd is going to be — of course when you ride behind the French one!”

Leipheimer van’t Verahof, who’s actually a full sibling to Karin’s former Olympic and World Championship horse Fletcha van’t Verahof, is the sole stallion in this year’s eventing field.

Team Belgium celebrates a stellar test from pathfinder Karin Donckers. Photo by Tilly Berendt.

You have to respect the stallions the way they are — that’s what I have learned from them,” she said. “It’s not the first time that I’ve ridden a stallion. I never had the choice to choose what I got to ride; I grew up on a farm where I started already as a kid… So I’ve learned throughout my life to get the best out of the horse that you have and what you get… You have to respect them more and really accept how they are. If you have a good trust relation with them, then you have to believe that they will fight for you. I find it a bit different than the mares or the geldings –the geldings are a bit more easy going, the mares are a bit more of the fighters. The stallion’s are a bit different. My stallion was sleeping yesterday in his stall!”

Julia Krajewski and Nickel 21. Photo by Tilly Berendt.

As the first to go today (and a late addition to the German team just earlier this week) was defending individual gold medalist Julia Krajewski and Nickel 21 (Numero Uno – Orchidee V, by Lorentin), who held on to an early lead for several rides with a score of 26.9. She’s currently in third at the lunch break now.

Nickel 21 is a horse that really wasn’t intended for these Games earlier in his career; he was ridden by a young rider previously and then Julia took over and used him for Arena Eventing but didn’t initially have major plans for him. Nearly as if he’s got a bit of a chip on his shoulder now, he’s really flourished in the lead-up to these games, most notably winning the CCIO4*-S at Aachen earlier in July.

Julia Krajewski and Nickel 21. Photo by Tilly Berendt.

Julia has remained pragmatic about the Olympics this year. “To be honest, I didn’t have the Olympics marked in my calendar as ‘I’m probably going’ — it was more like, ‘Okay, that’s the Olympics, don’t book an expensive holiday there, just in case.’ I’m going next week now; didn’t want to jinx it!” she said. “And then Nickel, I really planned the season for the horse, and turned out that he just now felt ready, and proved in Aachen that he’s really able to play with the big boys.”

“He’s very genuine, and very, very honest,” she continued about the 10-year-old Holsteiner owned by Sophia Rössel. “I think he never did anything wrong, never had a run out or anything because he really tries to figure out what I tell him to do. It’s a mix of either he’s a little bit excited or he’s pretty chill and laid back, but he’s really just a very, very genuine, honest horse, and that makes me confident for tomorrow.”

Liz Halliday and Nutcracker. Photo by Tilly Berendt.

We have two U.S. riders currently inside the top 10 at the lunch break, and last-minute call-up Liz Halliday has certainly made good on her Olympic debut thus far as the top-placed, currently in fourth with Nutcracker (Tolan R – Ballyshan Cleopatra, by Cobra), who is owned by the Nutcracker Syndicate. Caroline Pamukcu and Sherrie Martin and Mollie Hoff’s HSH Blake (Tolan R – Doughiska Lass, by Kannan) were the first to see this morning and scored a 30.4 to currently sit ninth. 

By now, most of you will know that Liz has had quite the last 48 hours. After the late withdrawal of Will Coleman and Diabolo due to a suspected abscess, Liz was slotted up to the team slot after initially being named Traveling Reserve.

For Liz, it’s a lot of mixed emotions; on one hand, she’s ready and eager to finally have her Olympic shot (she was selected for the Tokyo team and had to withdraw Deniro Z before the Games), but on the other, heavier hand, she’s gutted for Will.

Liz Halliday and Nutcracker. Photo by Tilly Berendt.

It’s a really odd place to be in emotionally, because the first thing I felt was devastation for Will, because I’ve been there,” she said. “Before Tokyo. I was in the spot, and I didn’t get to go and so you’re overwhelmed with the fact that you move into the spot and also overwhelmed with sadness for your teammate, who equally earned his spot here. And then it’s time to sort of get to business, and it goes from shock to, ‘Oh my gosh’, to ‘Okay, now I’m going to just be a competitor again.'”

A competitor she certainly is, piloting Nutcracker, who debuted in 8th place at his first 5* at Kentucky this spring, to a 28.0, besting his only other 5* score of 30.6. Liz commented that she’s used cavaletti and poles a lot in her preparation for this test to encourage straightness and relaxation over the horse’s back, and she felt that work paid off today.

He was spectacular,” she said. “I think he’s actually really taken a big leap forward in just the last two weeks in some of his work; I’ve sort of changed around some things, just tried to make him more relaxed and just really let it flow, and I think that’s helped. He still needs a little bit of work on the changes, of course, but they are breathing and this is a difficult test for a 10-year-old horse. I’m thrilled with him.”

Liz Halliday and Nutcracker. Photo by Tilly Berendt.

“Recently, I’ve just been practicing the movements, especially in the canter work, so he wasn’t surprised,” Liz continued. “I think I wanted him thinking, ‘Oh yes, I’m gonna half-pass, change, half pass again; just getting him really comfortable with how things went. I have practiced a lot with poles on the ground to keep him straight, because when he’s nervous, he jumps sideways a little — I think those are helping the changes –just trying to do whatever I can to help him learn to do [the changes] in a relaxed, happy way… It’s improving and I’m pleased that he’s getting the clean change every time, but that would be a little bit where he gets slightly nervous and is feeling the atmosphere a little bit. It’s a work in progress — it will be there.”

Robin Godel and Grandeur de Lully CH. Photo by Tilly Berendt.

Fifth in the early going and representing Switzerland are Robin Godel and his longtime partner, Jean-Jacques Fünfschilling’s Grandeur de Lully CH (Greco de Lully CH – Miola, by Apartos) who earned a 29.1 today from the judging panel. This is a partnership that’s quite experienced and well-established; they’ve done two World Championships together and four Europeans, including one when Robin was a junior rider.

He’s now 16, so we have a lot of experience together,” Robin said.”We did a lot of championships from the Young Riders [to now], so we know each other very well. He’s not the fastest one, but he’s good in the dressage, good on the jumps in the cross country, and then if we can stay clear in the show jumping, we can get a good result. He was one of my choices for Paris — I always hoped to have other horses to be ready for that level, but we have prepared him a long time, and we don’t do too much with him to keep him motivated. He knows his job well by now.”

Robin had set a goal to earn a sub-30 today, and he has done so before at a championship with this horse, but he was nonetheless pleased with his efforts today. “He can be a bit spooky and looking around — we saw that before the center line because he was looking, but then inside [the ring], he was more with me,” he elaborated. “Still a bit tense, but very happy with how he was today. My goal was to be under 30; we can always do better, but I’m still very happy with it.”

Caroline Pamukcu and HSH Blake. Photo by Tilly Berendt.

You can view the rest of the lunch break top 10 below or in the live scores here. At this juncture, Germany is currently in the top spot, but it’s quite wide open at this phase with still half the field yet to see today.

We did also see one Elimination today for the Italians. Emiliano Portale and Future initially delivered a lovely, expressive  and competitive test, but were later eliminated for blood in the horse’s mouth. When Emiliano came through the mixed zone, he said he felt the horse bit his lip but at that juncture he did not think he had been eliminated.

Emilano Portale and Future. Photo by Tilly Berendt.

The FEI released the following statement regarding the elimination: “The horse, Future, ridden by athlete No. 13, Emiliano Portale (ITA) was eliminated during the Eventing Dressage test after blood was found in the horse’s mouth during the post-competition check on July 27. Elimination under this Rule does not imply that there was intention to hurt or harm the horse, but the FEI discipline rules have been put in place to ensure that horse welfare is protected at all times.”

I hate to refer to a 2,000-word report as a “quick” lunch update, but we’ve only got a short turnaround before the afternoon sessions, so stay tuned for much more coming later on this evening, Paris time. In the meantime, you can always keep up with the action and the need-to-know on each pair in our Form Guide as well as Cheg Darlington’s incredibly Companion Guide here.

#Paris2024: [Website] [Equestrian Schedule, Timing, Scoring] [Peacock for U.S. Viewers] [How to Watch Guide] [Ticket Resale Market] [Spectator Guides] [EN’s Coverage]

 

EN’s Ultimate Guide to Eventing at the 2024 Paris Summer Olympics

We are SO CLOSE to the start of eventing in Paris, so in anticipation we’ve gone ahead and put together our Ultimate Guide. This will be your one-stop hub for EN’s articles and coverage throughout the Games, or you can also follow our Olympics tag here. We will keep this page updated as we release more articles, including our Form Guide and much more to come.

Important Links

#Paris2024: [Website] [Equestrian Schedule, Timing, Scoring] [Peacock for U.S. Viewers] [How to Watch Guide] [Ticket Resale Market] [Spectator Guides] [EN’s Coverage] [Form Guide] [Team Form Guide] [Show Jumping Companion Guide]

The Officials

The Ground Jury is presided over by Christina Klingspor (SWE), assisted by Xavier le Sauce (FRA) and Robert Stevenson (USA).

The Technical Delegate for eventing is Marcin Konarski (POL), assisted by Gaston Bileitczuk (FRA). George Bazur (HUN) is the Eventing Chief Steward. Richard Clapham (GBR) will be Cross Country Control.

Pierre Le Goupil (FRA) is the designer for cross country. Santiago Varela (ESP) is the course designer for show jumping, and Gregory Bodo (FRA) is the co-designer. This duo is also the design team for the pure show jumping.

The Schedule

Eventing will begin with the First Horse Inspection at 9:30 a.m. local time / 3:30 a.m. ET on Friday, July 26. The Second Horse Inspection will take place on July 29 at 7:30 a.m. local time / 1:30 a.m. ET on Monday, July 29. The trot-ups will not be live streamed, but we will be keeping you up to date on both jogs using Threads (follow EN here).

Dressage: 9:30 a.m. – 6:30 p.m. local time / 3:30 a.m. – 12:30 p.m. ET on Saturday, July 27
Cross Country: 10:30 a.m. – 3:00 p.m. local time / 4:30 a.m. – 9:00 a.m. ET on Sunday, July 28
Show Jumping – Team Round: 11:00 a.m. – 1:00 p.m. local time / 5:00 a.m. – 7:00 a.m. ET on Monday, July 29
Show Jumping – Individual Round (Top 25 Individuals): 3:00 p.m. – 4:00 p.m. local time / 9:00 a.m. – 10:00 a.m. ET on Monday, July 29

The full equestrian timetable can also be found here. You can refer to our How to Watch guide for the best platforms to view eventing on around the world, as well as timetable graphics.

Photo via Paris 2024.

Spectator Info

Spectator guides for Paris are now available. Click here to view the Cross Country guide and click here to view the Eventing guide.

Tilly Berendt has also just launched The Half Passport, an equestrian traveler’s new best friend chock full of tips and recommendations on how to make the most of your trip to Paris. Click here to dive in.

There may yet be tickets released on the official Paris 2024 resale platform. We cannot guarantee availability, but we recommend keeping an eye out here in case any last minute deals pop up. Please be aware that not all ticket resellers are legitimate — stick with the official resale platform to reduce your risk of being scammed!

The Field 

A total of 81 horses and riders will arrive in Paris for eventing, including Traveling Reserve horses. 16 nations are represented by teams, and 11 are represented with individual riders. Our traditional Team and Individual Form Guides will be released starting July 22, but for now you can take a look at our tracker of named horses and riders here.

How to Follow

You can refer to our How to Watch guide for the best platforms to view eventing on around the world, as well as timetable graphics.

On social media, here’s a list of accounts to follow:

@goeventing

@usefeventing

@paris2024

@fei_global

And when you’re posting on social yourself, remember your posts help the IOC see just how popular our sport is! The hashtags they’ll be monitoring for performance are: #paris2024 #equestrian #eventing #dressage #jumping

As usual, this week will be a hot bed of scamming activity on social media. Our best advice is not to click on any links promising live stream access or accept friend requests from “Paris 2024” oriented pages. These are usually scam pages.

EN’s Coverage

Below, we’ll keep a list of links up to date with all of EN’s comprehensive eventing coverage. It’s best to keep this page or our Olympics tag bookmarked to stay on top of everything!

The equestrian sports at Paris 2024 will take place at the Palace of Versailles.

Form Guides

Bienvenue à Paris! Your Guide to the Horses and Riders of the 2024 Paris Olympic Games

Passport to Paris: Your Ultimate Guide to Each Team’s Form, Facts, and Performance Predictions

Olympic Coverage

Ze Terminator Returns: A Redemption Olympics for All Comers

Flash Update: Individual Medals Decided in Paris, Michael Jung Makes History (Again)

Maman Mia! Here We Go Again! Your Follow-Along Companion Guide to the Olympic Eventing – Show Jumping Individual Final

Great Britain Clinches Second Consecutive Olympic Gold Medal in Paris

Glory and Gold Awaits – Your Follow-Along Companion Guide to the Olympic Eventing in Paris – Show Jumping Round 1 & Team Final

Major Shake-Up on Paris Podium at Slightly Calmer Final Horse Inspection

A Shake-Up at the Chateau: The Paris Olympics Cross-Country Day Report

More Paris Post Cross Country Analysis from EquiRatings

Oo La Let’s Go! Your Follow-Along Companion Guide to the Olympic Eventing in Paris – Cross Country Day

FEI Issues Yellow Card in Response to PETA Complaint

‘An Absolute Masterpiece – Technically and Aesthetically’: Riders React to the Olympic Cross Country

Laura Collett Breaks the Olympic Dressage Record Amid Full Paris Leaderboard Shift

‘He Has an Incredible Future Ahead of Him’: South Africa Well-Represented in Paris with Figaro des Premices

Leipheimer Van’t Verahof: The Olympic Eventing Stallion Who Delivered Personal Best for Belgium

Ronald Zabala Goetschel’s Found the Fountain of Youth with Wundermaske

Tom McEwen is the Early Leader on Paris Dressage Day

One, Two, Oui! Let the Games Commence! Your Follow-Along Companion Guide to the Olympic Eventing in Paris – Dressage Day

Paris Olympic Drawn Order Released: See Dressage Times Here

One Spun, 5 Held in Tense First Horse Inspection at Paris Olympics

Pre-Olympic Coverage

EN Makes Their Picks for Team and Individual Glory in Paris

A Test for Every End-Goal: Walk the Paris 2024 Cross-Country Course

Day One on the Ground in Paris: Catch the EquiRatings Recap

Breaking Down Olympic Show Jumping for Eventing

Major Changes Made to Teams USA and Germany

Preview Paris with EquiRatings

Breaking Down the Olympic Cross Country Phase

Breaking Down the Olympic Eventing Dressage Test

At-A-Glance: Fun Facts About the Paris Eventing Field

Paris Social Media Check-in: The France Arrivals Begin

How is Eventing Scored in the Olympics?

How to Watch Eventing at the 2024 Summer Olympics

Paris Prep Social Media: Checking In with Olympics-Bound Riders

EN’s Tracker of Paris Eventing Teams + Individuals

A Closer Look at the Versailles Equestrian Stadium

First Look at 2024 Olympic Medals

Christina Klingspor Named President of Paris Olympics Eventing Ground Jury

The Pathway to Paris: Who’s Qualified, What’s Next, and Can Anyone Sneak a Team in Now?

China Loses Olympic Place; Japan Qualifies for Paris After Positive Drug Test

On the Ground in Versailles: Everything We Learned at the Operational ‘Test Event’

Paris Olympics Appoints Dynamic Duo of Course Designers for Paris

Team USA Coverage

USA Makes Another Change to Paris Eventing Squad

Team USA’s Logistical Plan Ahead of Paris

Team USA at Final Event Before Paris: Cross Country Report from Stable View

Team USA Completes First Two Phases in Final Mandatory Outing

Team USA Set for Final Mandatory Outing at Stable View

EN Makes Their Picks for Team and Individual Glory in Paris

 

It’s time for the EN team to make their picks for the Paris podium! Want to join the fun? Drop your picks in the comments!

The Belgian team at the 2023 European Championships, where they qualified for Paris. Photo by Tilly Berendt.

TILLY BERENDT

Team Podium

Team Gold: On paper, it’s the Brits all the way – they have a 40% win chance according to EquiRatings, putting them miles ahead of the competition and hot favourites to retain their Tokyo gold. And I’d love that for them! But with my journalist hat on, rather than my personal affiliation hat, I think it has to be kept in mind that they aren’t infallible, and as we discovered at the World Championships in 2022 that sometimes, these Championship tracks don’t offer enough terrain or dimension to back off bold five-star horses, which makes them harder to ride. I think that could be an influential factor this week, and if it is, we could actually see teams of slightly less experienced horses, or horses who’ve been produced on the Championship pathway rather than the five-star pathway, rise to the top. And so, here’s my wild hair: after a really tough start to the week with both of Will Coleman’s horses out of contention, the USA claws it back with a milestone result and tops the podium, with three horses who are really, in the grand scheme of things, still at the start of their top-level careers. All three horses and riders are incredibly talented and have all the right stuff to do the job – this week, I think they’ll make all the pieces of the puzzle fit together, and the confidence lent by their upward trajectory over the last few years will only help them.

Team Silver: Reigning champion Julia Krajewski is now on the team, and I think, in a funny sort of way, being pulled in at the eleventh hour is a great mental preparation for this kind of situation, because as the reserve, you’ll have found your way to making peace with the situation and will be calm, prepared, and simply ready if needed. And so, if you are then pulled in, you’ve also not really had the reason to get into your own head about it, and now you don’t have the time. I think that’ll pull an incredible performance out of Liz for the US, and I think it’ll also help Julia lay down the law in all three phases with her ten-year-old Aachen winner, Nickel 21. I suspect she could finish best of the Germans, because fischerChipmunk’s penchant for a rail might get him again this week, and I think Christoph and Carjatan will be one of the fastest of the day on cross-country but might lag a penalty or two behind in the first phase if the horse feels the atmosphere of the stadium a bit too much. All in, though, I think they’ll each do what needs to be done and wind up on the podium.

Team Bronze: I think I probably have to put the Brits here because I can’t leave them off the podium, surely, even though they didn’t medal in Pratoni. I think they’ll have a close battle with France, though, who’ll put up one hell of a fight for a medal here, and who tend to be at their best at the Olympics.

Individual Gold

It’s hard to look past the icy-veined Ros Canter and the loveable Lordships Graffalo here – they’re our reigning European Champions, and won Badminton last year, and Ros, for her part, has also been World Champion. They did look slightly less on-form at Bicton CCI4*-S in May, though they still finished second on a very respectable score, and in her next run at Bramham CCI4*-S she opted to run with the handbrake on to get the rideability back, so that doesn’t really worry me much. I don’t think they’ll lead the dressage – that’ll be between Michael Jung and Laura Collett, both of whom could also easily win gold, but for the little niggle that both have variable championship form, and sometimes, it’s hard to get past that mental block. Both are extraordinary competitors, though, and both will have learned an enormous amount from their previous experiences. With all that said, though, I also think we’ll see France’s golden boy, Nicolas Touzaint, pull out the performance of his life on his Boekelo winner, Diabolo Menthe. They’re capable of starting on a 25 and staying there, and Nicolas, I think, is more likely to feel emboldened, rather than pressured by, the home crowd. It wouldn’t surprise me at all to see them get the job done; in the meantime, I’ll be dusting off my DuoLingo account ready to tackle that press conference.

Dark Horse (Team or Individual)

I’m going to surprise absolutely nobody here by standing firmly by Belgium. This is their first time fielding a team at an Olympics since London 2012, but over the last Olympic cycle, they’ve completely changed their structure – now, they have a cohesive team training system and a full roster of support staff, helmed by Chef d’Equipe Kai Steffen Meier, who took the role on in 2021 after a successful career as a top-level competitor for Germany. They’ve taken some time to settle into the new way of doing things, and team rider Lara de Liedekerke-Meier has had to also learn how to deal with having her husband play a unique role in her life – now, they’re not just business partners and life partners, but they also know how to deal with this different dynamic, a learning process that’s been helped along by Lara’s committed use of a performance coach, who has been an asset in giving her a new command of the mental side of the game. After a couple of tough years for her personally as a competitor, the extraordinary hard work she’s put in was rewarded with a string of incredible results, including Belgium’s first-ever five-star win at Luhmühlen in June. She’s joined on the team by the exceptionally talented Tine Magnus, who balances competing with helping run her family’s chicory farm, and whose Dia Van Het Lichterveld Z is one of the horses who excites me most in our sport, and has done since she was a six-year-old. The ultra-experienced Karin Donckers rounds out the team with Leipheimer van’t Verahof, a full brother to her stalwart Fletcha van’t Verahof, and much-loved friendly face Maarten Boon is an incredible asset in the reserve position. They’re on the up and up, individually and as a team, and their qualification for Paris at the European Championships (and their 2023 Nations Cup series victory, by a landslide) is the proof in the pudding. Belgium will become one of the major players in our sport, and this week, they could pull a serious result out of the bag.

Dark horse. Photo by Sally Spickard.

CHEG DARLINGTON

Team Podium

Going for Gold: Germany.
There’s no denying that there are some formidable teams in the Paris mix, but most formidable of all, for me, is Team Germany. They’re proven team gold medal winners (from the 2022 World Championships in Pratoni), and they’ve got the reigning Olympic Champion and a former Olympic and World Champion in their midst in Julia Krajewski and Michael Jung. They sure are carrying some weighty metal between the three of them, with six Olympic medals and seven from World Championships – that’s a whole lotta bling right there. Chipmunk FRH (Michael’s ride) was a team silver medalist in Rio, has won Kentucky 5*, been second at Aachen and was fifth individually in Pratoni; Julia’s exciting young talent, Nickel 21, comes to the Games in hot form, having won Aachen a couple of weeks ago; and relative new kid on the block, Christoph Wahler, was part of the golden Pratoni team with Luhmuhlen 5* runner-up and Aachen fourth place finisher Carjatan S. I mean, this team just smacks of quality and it will be no surprise to see them reign supreme in Paris.

More silver success for the US?
There’s a bit of a crossover here with the dark horse category, as I’m pitching Team USA to beat out the British and take silver, although, really, when we look at the World Championships in Pratoni (with two thirds of that silver medal team competing in Paris), Team USA can’t be considered dark horses at all, except for the literal dark horse in their ranks, HSH Blake. There’s, understandably, a lot of chat about Team GB, the reigning Olympic team gold medalists, however, in my honest opinion, I think the USA will pip them to the second step on the podium. Time will tell, but the US team are coming in hot, there’s absolutely no doubt about that. Team USA are somewhat of a triple threat, with a healthy mix of championships experience courtesy of Boyd Martin (who’s been to three Games and four World Championships), Liz Halliday’s consistency, and exciting new talent that’s been well and truly realized (when they won the individual honors at the Pan-Ams in Santiago) in Caroline Pamukcu and HSH Blake. And they have Sydney Elliot in the traveling reserve role, who was part of the US’s silver success in Santiago. I think spirits will be high in the US camp as they take on Paris, and for good reason.

Going against the grain and predicting bronze for Britain.
Being British, you’d think I’d be all patriotic and go for Great Britain to defend their title and take the gold, but for one, I live in Wales, (which yes, is technically Great Britain but I would be keen to see Wales competing under the Welsh flag at the Olympics one day; also, Welcome to Wrexham, y’all), and two, I’m not one to support a team solely because we share a nationality. Of course, the British team are awesome, and I’m throwing absolutely zero shade, but if I honestly think about how I see things playing out in Paris, this is how. I may be totally wrong, but it’s all part of the fun and we’ll see how things actually stand on Monday. I’ll be equally thrilled for whoever’s on the podium and whoever goes out there and gives it their best shot on the horse they’re riding; I’m unequivocally a champion of our sport and have total respect for everyone talented enough, brave enough, dedicated enough – and who show the top levels of horsemanship needed – to do it, and I also know that the medals will fall where they may. This game’s an awful lot about preparation, of course it is, but there’s always that little bit of ‘luck on the day’ with horses. Do I think this team’s as strong as the Tokyo team? Absolutely. But do I think history will repeat itself this time around? I’m not so sure.

Individual Gold

Karma comes good, finally, for Michi.
We all know how things have played out thus far for Michael Jung and fischerChipmunk (that frangible device, that ducking at the European Championships, that fence at Pratoni…). I was thrilled for Julia when she won in Tokyo, but this time I think it’ll, fairly, be Michi’s turn at the top of the podium. I distinctly remember the excitement surrounding Chip when he first hit the international stage, and despite all the success he’s deservedly had, I can’t help but feel he’s not quite reached the lofty echelons expected of this talented gelding… yet. He’ll put that right in Paris. But I think Ros Canter’s Walter (Lordships Graffalo) will give him a run for his money.

Dark Horse (Team or Individual)

One word: ‘gold-kini’.
Shane Rose has said, on record, that he’ll wear a gold-kini if he wins the Olympics. So yes, I want to put his word to the test and see if, one, he actually owns a gold-kini (what, does he have a whole bunch of mankinis in his closet?), and two, I think it will liven up proceedings dramatically should he wear it to the medal ceremony. On the other hand, no, I’m not sure I’m ready to witness such a sight, having had the orange debacle burned into my retinas for the foreseeable. I do wonder what ‘Virg’ thinks of Shane’s exploits in underwear as outerwear (or is it in fact swimwear?). In all seriousness, this pair are an epic team; Shane’s a fearless competitor and Virgil really is an eventer’s eventer, up for the game and relishing a good gallop. They were on the team podium in Tokyo and I’d love to see them up there in their own right in Paris. Shane’s overcome more than his fair share of bumps and bruises to make it to the Games and it would be a cool story should he take home a medal with his veteran campaigner.

Time for Another Gold Medal? Ros Canter and Lordships Graffalo. Photo by Tilly Berendt.

DIANA GILBERTSON

Team Podium

Well, well, well, as if life wasn’t complicated enough, I’m now being asked who will win what. In short, I have no idea, and I am reluctant to make any guesses really, because this is the Olympics and anything can happen. Add horses, frangible pins and no drop score into that and you really do bust it wide open — that Gold is there for the taking, and it really is anyone’s guess which team will eventually step up onto that top step. Still, there are a few obvious contenders, and I have spent many an hour thinking about this, and weighing up all of the possibilities. This is what I have come up with — fingers crossed I get at least one of them right, because I really do HATE being wrong…

Team Gold:
Again, if I am being perfectly honest, I am not 100% decided on this, but I narrowed it down to two teams and then the patriotic side of me won out, and that is pretty much how I got here. Yep, I would say that Team GB are going to take home an historic consecutive Gold medal. I am also now terrified that I have jinxed it, and that they are now not going to, and it will be all.my.fault. Hopefully that is just my stupid, overly superstitious brain, and that won’t actually be the case. On a serious note though, it is very hard to look past the Brits. Admittedly, all but Ros Canter and Lordships Graffalo have proved themselves fallible – it may be two years since London 52 had that ‘gasp moment’ at the World Championships in Pratoni, running past the skinny at the bottom of the slide. Similarly, the last minute parting of ways for Tom McEwen and JL Dublin at the final water in Haras du Pin at last years Europeans is still very fresh in my mind. However, they all seem to have come out stronger as a result, and arguably, mistakes like that only help to make you even better next time out. That is certainly the case with Tom and ‘Dubs,’ who won the CCI4*-S in Kronenberg on a 20.9 dressage, and have since been runner up in both Kentucky (5*) and Luhmuhlen (4*-S). Admittedly, London’s overreach in Luhmuhlen prevented them from entirely proving themselves, but their first phase performance proved what a formidable partnership they are, and their form leading up to that really was impeccable, with wins at Bicton and Burnham Market CCI4*-S under their belt. Add to that the incredible Ros and Walter who, as I say, have yet to fault (oh please, do not let that be a jinx), and it seems difficult to see past this team. Especially since all three horses are almost faultless show jumpers too, which can only ever be a good thing with two rounds of jumping to contend with on Monday. AND (sorry, I know I’m getting carried away here) all three also have past Olympic experience, and are aware of the potential psychological pitfalls that may await them, under the pressure of an Olympic Games, and how best to avoid them. SO yeah, short answer – Gold = Team GB.

Team Silver:
I promise I will make this shorter than the veritable essay I gave you for Team Gold. (I mean is anyone still reading my drivel at this point?) I would say that the Silver goes to Germany. They missed out on a Team Medal in Tokyo, and although they did redeem themselves at the World and European Championships with Gold and Silver, respectively, they will not want to leave Paris without an Olympic team medal, that is for sure. They are sending a slightly reduced version of the same team, with Sandra AuffarthMichael Jung and Christoph Wahler all riding the same horses that they did at those championships, so that in itself would suggest that they are capable of bringing home a medal, albeit not necessarily the colour they would ideally want. Arguably, Michael’s and fischerChimpmunk will be well out in front after dressage, but there have been a few too many blips to say that he will remain there, and give the Team the strong shot for the Gold that they will be hoping for. Hold on! I hear you say, Team GB is not without fault, you wrote a dissertation excusing that, why is this different?! I guess in my mind, it has happened once too often, and I just don’t want to put all of my eggs in the Chipmunk basket, when time and again he has done something – even just clipping a pole – to knock him off the top. Add to that Sandra and Viamant du Matz’s recent 20 in Aachen, as well as their 20 penalties at the last Olympics, and it just seems like a few things can – and have – gone a little wrong, and it is those tiny mistakes that could prevent Germany taking Gold. Even Christoph Wahler and Cartajan S who were undeniably consistent at the World’s and the Europeans, taking fourth place at the latter, had a random 22 cross country penalties at Marbach in the Spring. Even if that was just a blip though, their first phase score is certainly very good, but again, for me, it is not going to be good enough to threaten the dressage divas of Team GB, and again, will prevent Germany taking – or keeping – the lead overall. Oh heck, we’re in essay territory again…Apologies. On to Bronze…

Team Bronze:
I think this was the hardest one for me to decide on. As in, I knew which two teams I had to choose between for Gold and Silver, but it has proven incredibly hard to narrow it down for one team for Bronze. The closet Kiwi in me once to say it will be Team New Zealand, and while I am no saying that is out of the question (see the lengthy preamble on how ANYTHING is possible at the Olympics), especially with the collective experience of Team Price leading the way, I do think they will have one hell of a battle to get onto that podium again. It goes without saying that the Belgian team are heading to Paris on one heck of a good wave. Lara de Liedekerke Meier has just won her – and their – first ever 5*, and the team as a whole, with Lara’s husband Kai at the helm, have gone from strength to strength these last few years – just ask Tilly. However, while I think that they will put up a bloody good fight for a medal, I can’t help but think that it will be the Australian team who snatch it from their grasp. It will undoubtedly have been a blow to the Team *NOT* to have their absolute stalwarts, Andrew Hoy and Vassily de Lassos lining up for Andrew’s millionth games, after an uncharacteristic few blips in the build up, but they have still managed to put together one hell of a team. Even travelling reserves, Shenae Lowings and Bold Venture have a consistent and reliable record, belying their relative inexperience. Chris Burton’s return to the sport after a three year absence will have certainly assuaged the loss of Andrew Hoy, especially given the strength of the partnership between he and Shadowman, despite only having been together since earlier this year. He proved he is still the fastest man in eventing with a wall to wall victory in the CCI4*-S in Millstreet on their last run before the Olympics, and with Chris’ experience as a pure show jumper, the two rounds on the final day should not trouble them at all. Add to that the undeniably consistent and dependable Shane Rose and Virgil part of the Silver medal winning team, and 10th individually in Tokyo and mainstays of Australia’s Championship team. As if that wasn’t enough, Kevin McNab and Don Quidam, also part of that Tokyo team, and 14th individually, have also got the call up. Add all of those ingredients together, and for me, you have a medal winning team. Not a Gold, nor necessarily a Silver, but enough to get themselves up onto that podium in the same dogged and determined way that saw them get there in Tokyo.

Individual Gold

You will be overjoyed to read that this was a relatively straightforward decision for me, and as such, I am not going to bore you with the train of thought that led me here. Plus, I don’t really think that it needs that much clarification. It’s Ros Canter current World Number 1, former World Champion, current European Champion, multiple 5* winner and the wonderful, inimitable and arguably unbeatable, Lordships Graffalo, AKA Walter. Like I say, no elaboration or justification needed. Or if you think that there is, then I suggest you take a look here, and hear from Ros herself just how great this horse is, and in doing so, remind yourself how incredible his jockey is, too.

Dark Horse (Team or Individual)

This is another brain blocker for me, mainly because I don’t really know what counts as a dark horse. Like how do you determine who is or isn’t? Since there is no one to police the category or at least clarify the rules, I shall take a stab in the dark (sorry, no pun intended, honest), and say Team Ireland. They have been quietly plugging away, doing the work, and slowly but surely, getting the results. You only need look as far back as Aachen as proof, with a third place in the Nation’s Cup there. Admittedly, it was not the same team that will line up in Paris, but it is evidence enough of their increasingly good form. Austin O’Connor and Colorado Blue, winners of Maryland 5* last year, heads up the Team in Paris, and what a weapon they are. Best of the Irish in Tokyo – despite initially being Team Reserve – their reputation on cross country day is almost impeccable, bar a blip at Burghley last year. Susie Berry and Wellfields Lincoln may not have similar experience to fall back soon – this will be Slinky’s first Championship- but Susie has proven herself time and again to be a fierce and determined competitor, bringing home a good result when it counts. Ditto Sarah Ennis and Action Lady M, one of the youngest horses in the field at just 10 years old (and also one of, if not the smallest horse at 14.3hh), but like Austin, Sarah can be relied upon to fly around the cross country close to, or safely within, the optimum time. All of that consistency will add up, and while they may not land on the podium, I would say that they won’t be far off, cementing Ireland’s place as a burgeoning threat to the superpowers of the sport.

Will we see a three-time gold medalist? Michael Jung and fischerChipmunk FRH. Photo by Tilly Berendt.

ALLIE HENINGER

Team Podium

Great Britain Reigns (Team Gold)
Original, I know – but I’m a stats girlie through and through, and Team GB’s Paris contenders are off the charts in a way that just can’t be overlooked. With our Euro Champs Queen and 2023 Badminton winners on the team in Ros Canter and Lordships Graffalo, Tokyo #9 rider Laura Collett and her “Top-Ten” partner London 52 (check out his FEI record, you’ll see what I mean), and reigning Olympic Silver medalist Tom McEwen aboard previous Euro-Champ JL Dublin, it’s hard to argue that this will go any other way than victory for the Brits. When you have such a star-studded team that one of the most competitive international selection committees places the current World Champion Yasmin Ingham as your alternate… you have to be pretty confident in your chance of success. Lordships Graffalo especially is about as consistent as they come, and after having the last several years to examine every inch of the grounds at Versailles with a magnifying glass, tweaking and adjusting every question and obstacle to create the best show possible, his consistency will be key in what’s sure to be a highly-influential phase.

Tom and Laura will be reigniting their Team Gold partnership – one which obviously proved quite successful just three years ago – and when the new blood is as rich as that of Ros and Walter’s, I can’t see any reason why they wouldn’t put in just as competitive of results as they did during Tokyo – or more so, given the rather less hostile biosecurity measures needing to be taken this year. And to bring it all back to the basics of math and science itself, as I love to do, EquiRatings has just released their Prediction Centre, which places our three GB riders in the top three most likely to medal. Can’t argue much with that.

Germany Shines (Team Silver)
In a once-again ballsy move, placing the reigning Olympic Gold Medalist as your team’s traveling alternate shows a level of confidence that I will likely never reach in a lifetime, but despite her attempted benching, Julia Krajewski RETURNS to defend her 2020 title, offering some wisdom only those officially dubbed Best Rider in the World (Literally) can provide with. Nickel 21 may be young, but he has only been outside the top 10 three times in international competition, which is a rousing recommendation when paired with Julia’s expertise.

Team Germany also has the only other actively competing Gold medal winner in the saddle in Michael Jung (a bit overkill if you ask me, give the other teams a chance). Do you think he brought both his Olympic Gold medals with him to Paris? Because there’s no way I’d pass up the chance to take a picture in front of the Eiffel Tower with three Golds around my neck (a totally realistic and rational mental scenario for myself, of course). And this doesn’t even factor in Christoph Wahler and Carjatan’s offensively-clean record over the past few seasons, as well as their steadily-decreasing dressage marks, making him the most capable to potentially offset any rails or frangibles his teammates may take — especially in a game where show jumping happens twice. These three are really going to be putting pressure on Team GB.

US Makes a Comeback (Team Bronze)
The last time the whole of Team USA was on the podium at the Olympic Games was in Athens 2004, when one of my childhood all-star role-model partnerships in Kim Severson and Winsome Andante took the Individual Silver, leading the US to a Team Bronze. Twenty years seems about long enough to wait I think, especially since our team is as rock-solid as I’ve seen yet. When asked a few months back why the US wasn’t really publishing a short-list, I told my barn mates, “Why would we need to? We pretty much know who’s going to be up there.”

We’ve all tuned in to the Will, Boyd, and Liz show at practically every East Coast event all year, and Caroline Pamukcu and HSH Blake haven’t missed a single step at every event they’ve conquered (and won). While this might not be the equine line-up I – or many other Americans – may have pictured last fall, of the horses able to make the flight, these are easily our best and brightest. They’ve each held their own internationally, and I think (aside from my aforementioned teams), they have the potential to be highly-competitive against every other combination out there. While we are all absolutely gutted for Will to be out of the running with both his equine partners, last night’s addition of Sydney Elliott as our new official traveling reserve means that I get another chance to fangirl my absolute favorite horse in the country in QC Diamantaire, who is more than ready to step in if needs be to help our team.

Also… I’m an American, and it’d just be really nice, okay? Will they give us a medal if I ask pretty please?

Individual Gold

Chipmunk FRH has won 50% of every event he’s completed since Tokyo – where he still finished eighth, by the way – so if he can keep the pins in the frangibles this go-round, I feel like this horse will be leading the field from the get-go. It’s no surprise for anyone to predict that a German will lead after dressage, and so unsurprising I shall be. This Olympic test is a difficult and strange beast, and so with the lowest 6RA (21.2) and highest Elo rating out of 81 riders, this pairing are going to come out the gate competitive as hell. Provided he doesn’t present one of his fluke rounds in cross country or show jump with a spare rail or refusal, I think good ole’ Chip can maintain a lead over all three days in Paris. If we do see a slip-up though, I guarantee Lordships Graffalo, or London 52, will be an inch behind, waiting to take advantage and surge past – so Michi better stay sharp and steer Chip straight if he wants that triple-gold photo op.

Dark Horse (Team or Individual)

Why not both?
Talk about waiting – the last time Belgium saw any podium action at the Olympics was in 1920 (only the second year that eventing was featured), and I think a century is about enough time to let pass before we are allowed a repeat. While you’ve at this point already read through what I’m sure is a love ballad to Belgium in Tilly’s picks, and a great deal of our Belgian love (non-waffle-related, that is) is on behalf of the powerhouse that is Lara de Liedekerke-Meier – who frankly, could’ve made a team out of just her own horses, if that was allowed. She wins Jardys, she wins Kronenbergs, she wins Luhmühlen – and on Origi himself, she’s been allergic to anything below fourth or fifth place for some time. My prediction is another fourth or fifth place triumph for this frontrunner, just barely out of the medals, but enough for everyone else in the world to sit up and take notice once again.

On the team side of things, Karin Donckers has literally been on the team in every Olympics since I’ve been alive, so I think that alone is enough of an endorsement as my grassroots-record self is allowed. And while Tine Magnus isn’t someone who’s been on my personal radar, her results at Strzegom a few months ago and fairly consistent dressage scores with Dia lead me to think that this lot will be steady crawlers, sneaking their way through the ranks of the “Top 6” nations to hold their own.

Photo by Shannon Brinkman Photography.

EMA KLUGMAN

Team Podium: Brits Gold, Germans Silver, Aussies Bronze

 Most eventing enthusiasts would agree that the dominant nations of the sport at the moment are Germany and Great Britain. The Brits have so much depth in their team that they gave the reigning world champion, Yasmin Ingham, the reserve spot. Any other nation would happily take three Yas’s to make up their team! The Germans have a robust system of developing riders and horses, and are particularly good at keeping their best horses in their country. I would expect the team gold and silver medals to be a race between the Brits and the Germans, and then the bronze spot to be a tussle between some of the less dominant, but still strong, eventing nations. The Australian team boasts significant experience (of both riders and horses), and generally their strong jumping performances have them in the hunt. However, it is important to remember that the three-person team format means there is no drop score– so if a single team rider from GB or Germany has an issue on cross country, they will be out of the medal hunt, meaning it could be anyone’s game!

Individual Gold

Ros Canter and Lordships Graffalo are my pick to win the whole damn thing. They are extremely consistent, and if the time on cross country proves hard to get, they are almost guaranteed to make the time. Ros is a wonderful role model for all riders in our sport, but particularly for women. Her focus and determination are incredible, and she will be very hard to beat. Finally, she has Olympic experience already, having served as the traveling reserve in Tokyo, so she knows exactly what to expect. We should expect her to leave it all on the court in Paris.

Dark Horse (Team or Individual)

It seems fitting to pick a horse called “Shadow Man” to be the dark horse of the competition. Shadow Man has been somewhat in the shadows for the last few years with his original rider Ben Hobday. While he would not have made the extremely competitive British team with Ben aboard, the horse did in fact put competitive scores on the board with Chris Burton of Australia this spring– doing enough to gain Australian selection. The individual medals at the Olympics are won and lost in the show jumping– and Burto has been jumping 1.50-1.60 tracks for the past several years on his string of jumpers, so I’d say his odds in that phase are rather good. If he does manage to win an individual medal, Burto will show that an extremely successful partnership can be forged with a horse in a short amount of time.

Austin O’Connor and Colorado Blue. Photo by Tilly Berendt.

SALLY SPICKARD

Team Podium

This is a tough one for me, and as much as I think I could be proven wrong, I am still going to bet on the Brits to take another team gold. Yes, there are a couple of mishaps on the records of some of these horses, but in particular I think Ros Canter as the anchor rider will help solidify a strong cross country performance. The one thing that will trouble the team could be this phase, though, as with its dimensions and lack of terrain it *could* be difficult to back off a horse accustomed to running big 5* courses. Truth be told, though, the performance in Tokyo shouldn’t be discounted, and the team returns two of its Tokyo riders this year in an effort to bolster another victory.

It’s been a whirlwind of upheaval amongst the U.S. team, with multiple replacements already made before the competition begins, but I still put my money on the U.S. to get up on the podium, and I’m going to manifest into existence a silver medal to match the one earned in Pratoni. Will we missing Will Coleman’s quiet expertise this weekend? Yes. Will Liz Halliday be strapping on her racecar driver mentality and locking in to step in to this role? Absolutely. I think it’s a good time to be an American rider, and I think the efforts of the whole system will pay off this weekend.

Bronze is also a tough call, as I think you could throw a handful of nations at the wall and still end up with a bronze team. I’m going to divert from the predictions I made on EquiRatings last week and put Australia on the podium here. Chris Burton will be a strong rider, despite his absence from eventing for a couple of season (you can take the boy out of eventing, and so on), and with speed being surely a factor come Sunday on cross country coupled with Chris’ expertise in the final phase, along with the incredible determination of Shane Rose and the experience of Kevin McNab, the Aussies surely have a strong chance for a medal here.

Individual Gold

Ros Canter and Lordships Graffalo are my pick here. They’re among the most consistent in the field and have already proven themselves capable of winning a championship under pressure. Pierre Le Goupil’s cross country will look different than his Europeans track, which Ros was victorious on with this horse, but she’s a fierce competitor who knows exactly what it takes to win a medal, and she’s got a horse who’s ready to throw his heart over the line for her in all three phases.

Dark Horse (Team or Individual)

Most of my friends by now know of my obsession with Colorado Blue, the ride of Ireland’s Austin O’Connor who absolutely exploded onto the mainstream radar as a last minute call-up in Tokyo. This pair then followed up that performance with a 5* win at Maryland in 2023. This horse truly has all of the ingredients to be an individual medalist and/or to assist the Irish to a team medal, and while it remains to be seen whether this track will suit him, I think it’s safe to say that he’s a versatile, rideable horse that will likely thrive on just about any course you throw at him. I would not be shocked to see Austin on the podium or quite close to it when the dust settles come Monday.

Lara de Liedekerke-Meier and Origi. Photo by Tilly Berendt.

GILLIAN WARNER

Team Podium

Great Britain for Gold: All of these teams bring forward some serious talent. But my pick for top of the podium goes to Great Britain. With Olympic Gold medalists in Laura Collett and Tom McEwen, and 2018 World Champion Ros Canter, this team will be hard to beat.

Silver to Germany: While I picked Great Britain for Gold, Germany will give them a tough competition. With three time Gold medalist Michael Jung, Olympic champion (and first woman to win a Gold in eventing!) in Julia Krajewski, and winning Pratoni team member Christoph Wahler, the German team is packed with experience and skill.

United States takes Bronze: Despite the shuffle we saw with the U.S. team, with the experience of three-time Olympian Boyd Martin, the numerous top 4* and 5* placings of Liz Halliday, and talent of individual Gold Pan-Ams winner Caroline Pamukcu, the United States is set to leave an impression.

Individual Gold

I’m anticipating seeing Michael Jung and Chipmunk FRH at the top of the leaderboard. With some wildly impressive sub-20 scores at Bramham and the World Equestrian Games, they’ll be tough to catch.

Dark Horse (Team or Individual)

I’ll be keeping my eye on Team Belgium. With Lara de Liederkerke-Meier’s recent historic first 5* win for Belgium at Luhmühlen, six-time Olympian Karin Donckers, and 4* winner Tine Magnus, I’m excited to see how these ladies progress through the week!

#Paris2024: [Website] [Equestrian Schedule, Timing, Scoring] [Peacock for U.S. Viewers] [How to Watch Guide] [Ticket Resale Market] [Spectator Guides] [EN’s Coverage]

Paris Olympic Drawn Order Released: See Dressage Times Here

Julia Krajewski (GER) and Nickel 21 will be the first to see in dressage and the pathfinders on cross country in Paris. Photo by Tilly Berendt.

Following the First Horse Inspection and a chef d’equipe meeting, we now have the confirmed start list and times for the Olympic eventing, which commences with dressage tomorrow at 9:30 a.m. local time.

You can view the full drawn order here.

The drawn order of nations is as follows:

1. Germany
2. Australia
3. Canada
4. Ireland
5. Switzerland
6. USA
7. Poland
8. Sweden
9. Great Britain
10. Brazil
11. New Zealand
12. Japan
13. Italy
14. Netherlands
15. France
16. Belgium

The remaining spots are given to individual riders:

  • Spain
  • Hungary
  • Czechia
  • China
  • Ecuador
  • Finland
  • Denmark
  • Portugal
  • Austria
  • Morocco
  • South Africa

Looking to the times for dressage (and remember, the riders will go out on cross country in the same order they were put in for dressage), Germany’s Julia Krajewski and Nickel 21, who slotted into team Germany late after the withdrawal of Sandra Auffarth and Viamant du Matz, will be the pathfinders. As expected, Michael Jung and Chipmunk FRH will anchor the Germans, with Christoph Wahler and Carjatan S sent out second.

Caroline Pamukcu and HSH Blake will be the pathfinders for the U.S., with Liz Halliday and Nutcracker out second and Boyd Martin anchoring the team as last to go with Fedarman B.

For the reigning gold medalists, Team Great Britain will send Tom McEwen and JL Dublin out first, followed by Laura Collett and London 52 and Ros Canter and Lordships Graffalo as anchors.

If you’re planning to follow along live, be sure to check out our How To Watch guide for information on timetables and where you can watch. Full timing and scoring will also be available here.

#Paris2024: [Website] [Equestrian Schedule, Timing, Scoring] [Peacock for U.S. Viewers] [How to Watch Guide] [Ticket Resale Market] [Spectator Guides] [EN’s Coverage]

One Spun, 5 Held in Tense First Horse Inspection at Paris Olympics

Boyd Martin and Fedarman B. Photo by Tilly Berendt.

We certainly weren’t lacking for tension this morning as we gathered for the First Horse Inspection back in the stabling area here at the Versailles Olympic equestrian venue.

Across the 81 horses presenting for 27 nations, including individuals, we saw five pairs held and one subsequently not accepted on second presentation.

Lea Siegl and DSP Fighting Line. Photo by Tilly Berendt.

Sent to the holding box were Moroccan individual Noor Slauoi and Cash In Hand, Switzerland’s Melody Johner and Toubleu de Rueire, Austria’s Lea Siegl and DSP Fighting Line, Sweden’s Malin Asai and Golden Midnight, and Great Britain’s Yasmin Ingham and Banzai du Loir. Unfortunately, Lea Siegl and DSP Fighting Line were not accepted on their second attempt and will end their individual Olympic bid prematurely. All other pairs held were accpeted.

This now gives us a field of 80 horses, including Traveling Reserves, moving forward to the commencement of competition on Saturday. Dressage begins at 9:30 a.m. local time / 3:30 a.m. ET. [For additional timetables and how to watch info, click here.]

Caroline Pamukcu and HSH Blake. Photo by Tilly Berendt.

We also broke news earlier that Will Coleman has sadly had to withdraw the Diabolo Group’s Diabolo, his Direct Reserve horse who was substituted for the Off the Record Syndicate’s Off the Record during training camp, due to a suspected abscess in the right front foot. Liz Halliday now gets her first Olympic call with Chris Desino, Rob Desino, Deborah Halliday, Liz Halliday, and Renee Lane’s Nutcracker, and Sydney Elliott with now replace Liz as Traveling Reserve with Carol Stephens’ QC Diamantaire.

Liz Halliday and Nutcracker. Photo by Tilly Berendt.

This post will be updated with additional photos, so stay tuned for more from Paris.

#Paris2024: [Website] [Equestrian Schedule, Timing, Scoring] [Peacock for U.S. Viewers] [How to Watch Guide] [Ticket Resale Market] [Spectator Guides] [EN’s Coverage]


USA Makes Another Change to Paris Eventing Squad

US Equestrian has announced the replacement of Will Coleman’s ride, Diabolo, this morning ahead of the First Horse Inspection. Liz Halliday and Nutcracker, originally the U.S. Traveling Reserve, will now be slotted in to team competition, while Sydney Elliott and QC Diamantaire have arrived on site and trotted up for the Ground Jury to ensure their eligibility to sub in if needed.

This comes as a devastating blow for the Coleman camp, who had already switched from Off the Record to Diabolo earlier during training camp in France. Diabolo began to show signs of discomfort after moving into stabling at the venue and will be treated for a potential abscess in the right front.

“The last 48 hours have truly been tough for our team, but particularly for Will Coleman. Off The Record looked well in training camp, but Will’s direct reserve, Diabolo, continued to impress and was physically in such great condition, so we made the decision to place him into the team roster before moving to the venue. Diabolo trotted up 100% sound prior to shipping from training camp and arrived at the venue happy and fit. Unfortunately, shortly after settling into stabling he showed significant signs of discomfort and the team immediately got to work to address a potential abscess in the right front foot. Team Farrier Beck Ratte, Dr. Susan Johns, Diabolo’s groom Hailey Burlock, and Will’s wife, Katie, were so diligent and tireless in treating Diabolo and he did in fact trot up sound last night,” said Chef d’Equipe Bobby Costello in a US Equestrian statement. “With that said, we felt after weighing the risk, it was not in Diabolo’s or the team’s best interest for him to move forward with the competition this week. We’re all truly devastated for Will and his entire team. It takes so much work to get to this moment and it’s just such an unfortunate turn of events. We’ve got to look forward though, and with that said, we’re heading into this competition with four competitive horses, and l still feel very confident in this team’s ability to be successful here in Paris.”

#Paris2024: [Website] [Equestrian Schedule, Timing, Scoring] [Peacock for U.S. Viewers] [How to Watch Guide] [Ticket Resale Market] [Spectator Guides] [EN’s Coverage]

Day One on the Ground in Paris: Catch the EquiRatings Recap

Bonjour Paris!

Join Nicole as she looks forward to the Games with guests Sally Spickard and Catherine Austen.

Posted by EquiRatings on Thursday, July 25, 2024

I popped onto a Facebook Live interview with EquiRatings‘ Nicole Brown and Horse & Hound‘s Catherine Austen to recap the first day on the ground in Paris. Tune in for some thoughts on the venue and the official unveiling of Pierre Le Goupil’s cross country course (stay tuned for Tilly Berendt’s full preview coming later!).

#Paris2024: [Website] [Equestrian Schedule, Timing, Scoring] [Peacock for U.S. Viewers] [How to Watch Guide] [Ticket Resale Market] [Spectator Guides] [EN’s Coverage]

Breaking Down the Olympic Show Jumping for Eventing

This week, we’ll be bringing you a breakdown of each phase and its Olympic nuance with the help of several experts who were gracious enough to lend us some of their time and knowledge. So far, we’ve published a breakdown of the unique Olympic dressage test as well as the cross country phase. Now, let’s wrap this series up with some thoughts on the show jumping.

Traditionally speaking, show jumping culminates the three days of eventing as a final test of endurance and accuracy for both horse and rider. Coming into show jumping, horses and their riders will be feeling the exertion of the past two days, particularly at an intense event like the Olympics.

The show jumping is particularly influential at the Olympics for one big reason. Let’s dive in.

What makes show jumping at the Olympics unique?

Julia Krajewski and Amande de B’Neville. Photo by Shannon Brinkman Photography.

Unlike all other competitions for eventing, the Olympics requires two show jumping rounds to determine medals. The International Olympic Committee does not hand out multiple medals off the results from one event. You can see this mirrored in other events such as gymnastics and swimming. So, the eventing show jumping works as follows:

Round 1: All remaining team riders and individuals, including any substitutes, will jump in this round. In the first round, fences can be set up to 4* max height, which is 1.25m. This round will see anywhere from 11-13 numbered fences, with a maximum of 16 jumping efforts.

Round 2: The top 25 individual riders, regardless of nation/team, will move forward to the final individual round. Substitute riders cannot go forward to this round. This round can see fences up to 5* height, which is 1.30m. The number of fences decreases for a maximum of 9 fences and 12 jumping efforts.

The second round will come after a short break for rearranging the course, meaning there isn’t a ton of time in between for recovery.

Factors to consider

Laura Collett and London 52. Photo by Shannon Brinkman Photography.

I sat down with Michel Vaillancourt, who’s an Olympic individual medalist in show jumping and a Show Jumping Hall of Fame member, as well as a course designer for major events like Spruce Meadows and the Pan American Games, for some intel on things to consider when looking at show jumping through the eyes of a designer.

“Adding the two rounds changes the outcome of the competition for the individual riders a lot,” he remarked. “The second round is a little shorter, which is kind of a blessing, but a lot of the factor for me will come to the fitness level.”

As the schedule currently stands, there will be about an hour and a half or two hours in between the conclusion of the team round and the start of the individual final. This can be advantageous for some, and challenging for others.

“It really depends on the horse you’re on,” Michel said. “The break gives the horses a chance to rest, but it also gives them a chance to get a little tighter or to mentally switch off. None of these horses will be anticipating jumping again — that’s not how it works in eventing as a standard. As a rider, I would prefer to come back an hour later, especially looking at everything you would have done to that point. At the same time, you don’t want to break that zone.”

Boyd Martin and Tsetserleg TSF. Photo by Shannon Brinkman Photography.

The designer for Paris will be Spain’s Santiago Varela, assisted by co-designer Gregory Bodo of France. Santiago is a lifetime student of the sport, earning the title of “Local Course Designer” at just 15 years of age in Madrid. He’s since gone on to design at World Championships, World Cup and Nations Cup competitions, as well as the last Olympics in Tokyo. There, his jumps received much recognition for their beauty and attention to detail. He’s been teamed up with Gregory since the 2014 World Equestrian Games in Normandy, France.

While we certainly see an increasing number of courses designed by designers who spend most of their time in the show jumping space, there is a level of nuance involved with the two different sports.

“It’s very different to design an eventing show jumping,” Michel noted. “The horses are a little more fatigued on this last day. There has been a lot of rideability that was lost during the cross country phase, so when you come into the show jumping you’re not as sharp as you would be if show jumping was first.”

“One thing the designers may do is go with slightly deeper cups or slightly heavier rails [that what you would see in pure show jumping]. I remember very well when we did Kentucky for instance, we weighed all the rails and kept the lighter ones for the show jumpers and the heavier ones for the eventers. But at an event like the Aiken Showcase, I use lighter rails and shallower cups. At the Games, you might just want to give them a bit of a chance — or not! It is the Olympics.”

Speaking to what he’s observed of Santiago’s design style, Michel says he looks forward to seeing what he lays out for our eventers. “I would say he’s a very classic course designer,” he said. “If you’ve done your homework and are totally prepared, I’d say you can do really well. Some course designers might suit certain types of horses and riders and not so much others. I don’t think that’s really going to be the case with Santiago, I think he will give us a real quality of work.”

What can we take away from watching?

Tom McEwen and Toledo de Kerser. Photo by Shannon Brinkman Photography.

Michel will be the first to tell you — regardless of what level you compete at — that practice in the jumping ring is invaluable. Many eventers now dedicate portions of their competition calendar to some extra time doing jumpers. This will pay off in Paris, he says.

“I do praise the guys that do it,” he said. “Show jumping is becoming more and more important in this discipline, and there was a time when the riders weren’t spending enough time on it. It’s different at an event. You have no opportunity to come back in, fix an issue, solve a problem. You go back home and then you’re getting ready for your next dressage test or conditioning. I would suggest to at least twice or three times a year to give yourself a block of three weeks where you do show jumping and nothing else. And then you go back to your routine. But really take advantage of the jumping show, and that includes everybody. You can be a Beginner Novice rider and go in the ring and jump four rounds and then come back and do it the next week. In two weeks, you’ve jumped the equivalent of eight events. It can only help you.”

And that practice will pay off for many this weekend. In Tokyo, just four pairs came away with two clear show jumping rounds. One pair, Nicolas Touzaint and Absolute Gold HDC, jumped clear in the second round but had one second of time. Seven of the top 25 jumped clear in the first round but had rails down in the second round. 80% of the individual field had at least one rail down. This goes to show just how influential the final phase stands to be (as it should be!), and it will make for some fascinating, nail-biting action.

“It comes down to slight little mistakes and errors,” Michel said. “But the top riders will make every technicality look very simple. Many of our eventers now are good enough that they could blend in as show jumpers. There was a time when jumps got demolished in this phase. Not so much anymore. The cream will rise to the top, it always does. There are no lucky winners in the Olympics.”

With that, our breakdown series concludes and we hope you are feeling prepped and ready for the action to begin in just a couple of days! We’ll see you very soon. For more from EN on the Olympics, click the banner below.

Preview the Paris Eventing Field with EquiRatings

Before we dive into Paris, let’s take a moment to do some digging on the teams and individuals, and how we feel things will shake out come Monday.

Our friends at EquiRatings have been hard at work with tons of preview content on their various podcasts, and we’ve got two episodes to share with you today. We highly recommend diving into their full roster of shows, though, so be sure to look up EquiRatings wherever you get your podcasts.

The Team Preview

Tune in to this episode where we break down the teams heading to Paris! Hosts Nicole, Sam, Diarm, and Rosie dive into the top teams and dark horses, giving you all the insights you need to follow the action. From analyzing past performances to predicting future triumphs, this episode is packed with data and expert opinions.

Highlights Include:
Detailed analysis of teams
Predictions and potential game-changers
Behind-the-scenes insights into preparation and strategy

The Individual Preview

Get ready for an exciting dive into the equestrian world’s most anticipated event – the Paris Olympics! Join Nicole Brown, Catherine Austen and Sally Spickard as they bring you exclusive insights and expert analysis on who could claim the coveted individual titles.

What to Expect:
Top Contenders: Who will stand on the podium? Will it be the consistent Ros Canter, the dynamic Laura Collett, or the ever-impressive Michael Jung?
Course Challenges: How will the unique Paris course impact the competition?
Expert Opinions: Hear from industry leaders on what it takes to win gold at the Olympics.
Surprise Elements: Who could be the dark horse that surprises everyone?

#Paris2024: [Website] [Equestrian Schedule, Timing, Scoring] [Peacock for U.S. Viewers] [How to Watch Guide] [Ticket Resale Market] [Spectator Guides] [EN’s Coverage]

Breaking Down the Olympic Cross Country Phase

This week, we’ll be bringing you a breakdown of each phase and its Olympic nuance with the help of several experts who were gracious enough to lend us some of their time and knowledge. Yesterday, we published a breakdown of the unique Olympic dressage test. Now, let’s continue with some context on Olympic cross country.

The cross country test at the Olympics shares many commonalities with its 4* and 5* counterparts around the world, but there are some key differences in designing an Olympic track to be sure.

What makes cross country in the Olympics unique?

Małgorzata Cybulska and Chenaro 2. Photo by Shannon Brinkman Photography.

The first element of uniqueness in the Olympics when we’re talking about cross country is the technical specifications.

The Olympics are, generally speaking, put onto pieces of land that are not ordinarily used for equestrian competition, or they are put on specifically-built venues that are new and have not been used for competition before. A recent example would be Sea Forest Island, the manmade island in Tokyo on which the cross country was built and has since been converted into public parkland. The most recent similar environment that comes to mind in direct comparison is London, during which cross country took place in Greenwich Park. This year, cross country will take place on the historic parklands of the Chateau de Versailles.

The reinforced mound that’ll afford further possibilities for interesting questions on cross-country.

For this reason, the maximum distance of the cross country is set out in the rules as 5800 meters. This is just a hair higher than the FEI 4* minimum distance of 5700 meters, making this course on the shorter side in terms of 4*-L-classified competitions, which the cross country at the Olympics is considered. The maximum amount of jumping efforts is 42, which is slightly higher than the 4* maximum of 40.

This ground is protected, which means there wasn’t much that could be done in terms of removing any of the existing horticulture or changing the makeup of the ground to, say, build up some terrain (though there was an artificial mound that was created to provide some change in terrain, as well as several crossings of the canal and other water questions). Much earlier on in the process, designer Pierre Le Goupil would have laid out the general track he would have wanted to use. Those areas were subsequently gated off to preserve and maintain the footing and keep it safe from the millions of visitors who frequent the Chateau and parklands each year. A layer of turf was also installed before any construction, including in the grandstand area, was begun, to ensure the protection of the grass underneath and to provide a level surface and avoid sloping ground.

Below is a very early map of the route that was planned, taken back in 2023 at the test event. The final route and course plan has yet to be revealed, but it should be set at about 5.3 km or a little over 3 miles.

The map of the cross-country track that’s been extensively prepped for 2024, with the chateau on the right-hand side and the back of house area on the left.

You can read much more on the work that’s gone into the creation of the equestrian venue and the cross country in our report from the 2023 “test event” here.

The unique challenge of designing at the Olympics

Andrew Hoy and Vassily de Lassos. Photo by Shannon Brinkman.

When you think about designing a cross country course on a venue that’s never had a course before, the challenge facing the designer becomes clear.

“The thing is that when you have an Olympic course, especially on a venue that has not been used, it’s like running a brand new event,” Derek di Grazia, who was the designer for the postponed 2020 Olympics in Tokyo, said. “You don’t know how a different piece of ground is going to ride. You have an idea, but you certainly don’t have full knowledge like you would if you’re designing at a venue like Kentucky or Badminton.”

Here, Derek references the importance of hosting a test event (Paris did not host a full test competition as is tradition, opting instead to send four riders to the venue in 2023 for a shortened test of the facilities) as a valuable information-gathering opportunity.

“It makes a huge difference to work the site so you understand where the deficiencies are and where the strong points are,” he said. “You can try to improve on those things in the time between the test and the Olympics. In Tokyo this was quite useful for me.”

“Flow” would perhaps be the word most riders or designers would toss out when asked to describe an ideal cross country course in one word. A course that allows horses to gain a rhythm and stay in it is invaluable (not to mention safer), but it’s not easy to do when you’re limited in space. Remember, even though this park isn’t small — it’s got about 2000 acres to call home — the usable space, with it being protected land, is much more limited.

Michael Jung and Chipmunk FRH. Photo by Shannon Brinkman.

“It’s apples and oranges,” Derek said when asked how a design here and its challenges would differ from another event. “When you go to a Burghley or a Kentucky or any sort of parkland course, it’s quite different than designing on these smaller venues. You’re always trying to create a course that flows and is at the level that you want, but the route to the end result is much different.”

Another aspect that must be considered is the competition you’re designing for. At the Olympics, we’ll see the cream of the crop from around the world, but as with any Olympic sport there will also always be competitors from countries that do not have the privilege of strong funding and opportunity for world-class preparation. This is true for any course, especially a championship: test the best, without punishing the rest.

So how does a designer balance the need to challenge the best in the world (while also not having the freedom to design to the most difficult technical specifications, such as 5*), while also ensuring that those who did not have as stiff of preparation can finish safely?

“Long routes are key,” Derek said. “Especially when I was in Tokyo, the whole thing was being worried about how the heat was going to affect the horses. We knew it was going to have some effect and it certainly proved to, and so I think the one big thing was the long routes. We were really concerned about trying to make sure we kept the horses going and weren’t making them go in circles to eat up time. In fact, you’re designing a whole course within a course when you really start to think about it. You’re always designing what we call the straight way, at a real championship four-star level, and then you have your alternate routes where you need them. That’s the way I went about it.”

Of course, Pierre Le Goupil will have his own stamp and style and way of thinking about his designs. North American readers will likely have seen clips or watched footage from the 2023 Pan American Games in Chile, which was designed by Pierre. He also designed at the most recent European Championships last year at Haras du Pin. Team USA did send a small contingent of observers to this event to research Pierre’s design.

You can watch reigning European Champion Ros Canter and Lordships Grafflo around the Haras du Pin track below:

How riders and horses will stand out

One of the influential factors on cross country day can be the team’s draw and subsequent order of running. In a team competition, the placement of each rider’s round can be invaluable. Generally the final rider a team sends out will be the most experienced, but it remains a Chef d’Equipe and team decision to sort out what will be the best strategy.

We can also anticipate the optimum time to play a strong role, especially given the expected twisting nature of the cross country. While dimensionally not as imposing as a 5* event, this track will be mentally and technically challenging in particular and will task riders with managing speed where they can and accuracy everywhere. As with any course, a rideable horse will be faster and more competitive than a strong horse that requires much communication.

Crossings like this will feature for both spectators and horses.

We expect hot, humid conditions to be sure, but not quite to the excess that we saw in Tokyo. Fitness will of course play a large role, but the flatter topography and meticulously-maintained footing of this year’s Olympic course should not make this as grueling of a fitness challenge as some championships before.

Coming next, we’ll dive into the details of the two show jumping rounds that are unique to Olympic competition. Stay tuned and Go Eventing.

#Paris2024: [Website] [Equestrian Schedule, Timing, Scoring] [Peacock for U.S. Viewers] [How to Watch Guide] [Ticket Resale Market] [Spectator Guides] [EN’s Coverage]


Breaking Down the Olympic Dressage Test

This week, we’ll be bringing you a breakdown of each phase and its Olympic nuance with the help of several experts who were gracious enough to lend us some of their time and knowledge. Let’s kick things off with the Olympic dressage test, which you can view yourself here for reference.

Phillip Dutton and Z in Tokyo. Photo by Shannon Brinkman.

As we mentioned in our scoring guide to the Olympics published last week, the dressage test for this weekend, while still considered a 5*-level test, is quite different from the tests we typically see in competition. The major difference is its length: while the four existing CCI5* tests average about 4:45 to 5 minutes, this test has a run time of 3:50. There is one anomaly here in CCI5* test D, which we don’t see too often in competition but has a similar run time of 4:05.

Time crunch

Why is this test so much shorter — nearly a full minute shorter than most of its counterparts? This change came down from the IOC, which approached the FEI and required all eventing dressage to be completed within one day to aid in spectator-friendliness, among other reasons. Generally in 5* competition, you’d see rides spaced at about 7 to 8 minutes apart. With this new requirement, this would no longer possible. It was decided that the newly-written test must come in at under 4 minutes to allow upwards of 80 horses to complete dressage in one day.

“To get everybody in, in one day, we had to do the four-minute test — or we were out of the Olympics,” Marilyn Payne, who most recently served as president of the Ground Jury for eventing at the 2016 Olympics in Rio de Janeiro and was on the committee that wrote the new Olympic test for the postponed 2020 Olympics in Tokyo.

“So we had to get creative,” she explained, describing the decisions to cut out lengthier movements such as a large amount of walk work or a canter stretching circle. “There’s no halt on the first centerline, which saves you about ten seconds. But we had to keep all the compulsory movements. We had to have four changes, half-passes in both directions, medium and extended gaits. So it was a lot to cram into four minutes.”

An intense test of skill

Doug Payne and Vandiver. Photo by Shannon Brinkman Photography.

The lack of a first halt will serve the competitors well, Marilyn says, as it allows them to establish a vital forward rhythm right off the bat. An extended trot immediately follows the first centerline. The riders then go straight into their first lateral movement, a shoulder-in to a steep half-pass. And once you’re into it, the test is unrelenting.

“Everything comes up so quick. It’s hard,” Marilyn said. “When we were drafting the test, we had to ride it ourselves or have our students ride it. And let me tell you, they struggled. Even pure dressage horses, for one they weren’t used to doing these movements, but it was really interesting because you couldn’t get a winning ride out of what I judged as a test.”

Another interesting component of the test comes at the start of the canter work. After completing the extended and medium walk work on short diagonals, riders must pick up the right, counter lead at A. This is not a movement we see in typical 5* tests, and it was put here intentionally by the test writers in order to fit in the compulsory amount of lead changes.

“In order to get four changes, two of them are normally singles done on a diagonal line. So what we had to do is put two changes on the same diagonal, but we didn’t want to make them sequence changes so we spaced it out so it was on each quarter line. But in order to do that, you had to start on the counter lead, or you’d finish on the counter lead. That was very creative, I thought,” Marilyn said.

Another interesting fact about this test is that it marked the addition of a “Harmony” mark, replacing the former collective marks found at the conclusion of each test. While this addition has many roots, one of them was simple: by replacing a cluster of collective marks with a single additional score, it saved the judges time at the end of a test, therefore aiding in the adherence to the 4 minute timeframe.

So we could have a proper visual of the test, we asked German Olympic rider and dressage score record-holder Bettina Hoy for her help. Watch the video below with sound to see Grand Prix dressage rider Annika Korte with her horse Fürst zu Bentlage demonstrate the test with commentary from Bettina:

For her part, Annika, who competes in pure dressage, found the test intricate and challenging, even if it’s not a Prix St. Georges or Grand Prix equivalent. The steepness of the half-passes and the strike off in counter canter are two elements that are particularly challenging within this test.

The evolution of dressage in Olympic Eventing

It’s no secret that dressage in eventing has evolved for the better. As the types of horse bred for and used in eventing trended toward quality movement and the tests have demanded better riding, scores have lowered and become increasingly influential in the final standings.

“Oh, it’s improved leaps and bounds,” Marilyn agreed. “I can remember a few Olympics ago when I was coaching and I couldn’t believe what those riders didn’t know — some of the basic things they didn’t know. And when we introduced the stretch circle in, that was a big deal. They just missed a lot of basics because they were trying to do three things so they never really delved that deep into dressage, but now they are. They get the top dressage trainers to help them. When you make the test harder, they step up to the plate and it makes them work at it more.”

So while this test is challenging and intense, yes, it will certainly serve its purpose, Marilyn believes. “It’s really going to separate them,” she said. “And it’s the Olympics. It should be the top. There are some countries that aren’t as strong in the dressage but the horses can run and jump. It’s not going to be easy, and you only have three scores to count.”

How can riders best prepare for the Olympic test?

Francisco Gavino Gonzalez (Spain) and Source De La Faye. Photo by Shannon Brinkman Photography.

“They’ve got to not practice the test,” Marilyn emphasized. “The horses will start to anticipate. You keep changing it up, you mix it up so the horse is not anticipating. The riders themselves do need to practice the test so that they don’t even have to think about where they’re going, but this can be done on other horses.”

Really, the test does what any dressage test is supposed to: tests the responsiveness of a horse to the rider’s aids. This test, at the Olympic level, does so in spades.

“Practice to get the horse going better, get the quality of the gait better and the quality of the connection better,” Marilyn continued. “And you’ve really got to practice that walk to counter canter. Get yourself into the space where you can really focus on the horse that’s underneath you.”

Coming next, I sat down with Derek di Grazia, who designed cross country for the 2020 Tokyo Olympics, to talk about what we can expect to see on an Olympic course. 

Now on Peacock: ‘Hoof Dreams’ Documentary Premieres Ahead of Paris Olympics

We’re quite excited to finally unveil a project six years in the making from director Jessie Deeter. Hoof Dreams is a documentary following three women as they chase the Olympic eventing dream. Featuring in the program are reigning individual Olympic gold medalist Julia Krajewski (GER), Kentucky CCI5* winner Tamie Smith (USA), and 2016 Olympian and Central American Games gold medalist Lauren Billys Shady (PUR).

For her part, Jessie produced the HBO docuseries The Inventor: Out for Blood in Silicon Valley and is also currently working on a film about Tesla and SpaceX founder Elon Musk.

Hoof Dreams can now be viewed on Peacock for US audiences or on Hoof Dreams VOD globally. The film will also have a theatrical run this year and there will be a series of screenings hosted; to inquire about this, please email [email protected].

Let’s share this film far and wide and help our sport reach more people!

Paris Social Media Check-in: The France Arrivals Begin

It’s time for another check in on our Paris-bound athletes! This week, the horses and riders based in North America began their respective journeys to Europe, where teams are basing around France for a final training camp ahead of the Olympics.

Here’s a look at some of the more recent social media posts chronicling the travel, which we all know is immense and takes the effort and care of many!

 

View this post on Instagram

 

A post shared by USEF Eventing (@usefeventing)

Hello Freedom!! Hello France!!! ♥️🇨🇦🇫🇷

@galten_farms @lisab__equestrian @canadianeventingteam @equestrian_can

Posted by Jessica Phoenix – Phoenix Equestrian Team on Tuesday, July 16, 2024

 

View this post on Instagram

 

A post shared by USEF Eventing (@usefeventing)

 

View this post on Instagram

 

A post shared by Boyd Martin (@boydmartineventing)

 

View this post on Instagram

 

A post shared by Laura Collett MBE (@laura_collett)

 

View this post on Instagram

 

A post shared by Sarah Ennis (@sarah_ennis_eventing)

 

View this post on Instagram

 

A post shared by Shane Rose (@shane.rose.eventing)

We arrived safe and sound to our beautiful training camp facility at @acevalignieres yesterday afternoon. Check out our…

Posted by Lisa Barry on Tuesday, July 16, 2024

Burghley’s Olympic History with Carl Hester and Andrew Hoy

Burghley's Olympic History with Carl Hester & Andrew Hoy

Burghley Horse Trials and Burghley House have many Olympic connections, but one that is especially significant this year.

Exactly a century ago, David, Lord Burghley — who founded Burghley Horse Trials in 1961 — competed as a 19-year-old undergraduate in the 1924 Paris Olympics. He went on to win individual gold in the hurdles at the following Games in Amsterdam four years later, and silver in the team relay in 1932.

With these links in mind we invited two of the greatest Olympians ever — Burghley Ambassador and twice Burghley champion Andrew Hoy, and Defender Ambassador and dressage legend Carl Hester, who also gives a Main Arena Masterclass on the Friday of the horse trials — here for a very special meeting.

After learning about Burghley's own Olympic history from Miranda Rock, Burghley President and granddaughter of Lord Burghley, they headed out on course in a Defender to compare notes about their own Olympic triumphs, disappointments and other memories, and to chat about how Olympic success compares with becoming Burghley champion.

Enjoy their wonderful meeting here — and find the full programme on Burghley TV: https://burghley-horse.co.uk/burghley-tv

#DBHT #Burghley #OlympicHistory

Posted by Defender Burghley Horse Trials on Monday, July 15, 2024

You may or may not have already been aware, but the historic site of the Burghley Horse Trials, the UK’s fall CCI5* event, has much tie-in to the Olympic Games. Recently, Burghley ambassadors, dressage Olympian Carl Hester and multi-Olympian in eventing, Andrew Hoy, stopped by for a special visit to the hallowed grounds. You won’t want to miss the video above to help you get even more excited for next week’s Olympic action.

Tickets for Defender Burghley are on sale now! Snag them here.

How is Eventing Scored in the Olympics?

Phillip Dutton and Z. Photo by Shannon Brinkman Photography.

The Olympics provides a competitive opportunity unlike any other in the eventing space, due to some differences both in format as well as how medals are determined at the end of competition. We did the legwork unpacking the rules to make them easier to understand (maybe) – let’s dive in.

What makes the Olympics unique?

While the Olympics (currently, at least) follow the same three-day schedule as a traditional event — dressage, followed by cross country, followed by show jumping — there are a few key differences to note.

  1. Starting in 2020 (or, 2021 when the postponed Olympics in Tokyo actually happened), the four-person-team format, which saw the highest score dropped in each phase, was done away with. It was replaced with a three-member team – and no dropped score. Instead, teams have three opportunities to make a substitution before and during competition, at the cost of 20 penalties added to the score of the team. This was put in place in an effort to open the sport up to more qualified nations, and the substitute allowance gives a team a shot at completing the Olympics, though with the penalties imposed that team could be rendered out of medal contention.
  2. The dressage test for the Olympics is unique and was specifically written for the Games. It is not used in any other competition worldwide.
  3. The show jumping is held over two rounds. First, all remaining members of teams as well as the individuals remaining will jump in the first round to determine team medals. From there, the top 25 individuals (based on their individual score to date) will move forward to a final round of show jumping over a slightly modified course. This determines the final individual placings, with any penalties accrued added to their overall score to calculate the finishing score. Why? Because the International Olympic Committee cannot give out more than one medal (team and individual medals, for example) via one competition. To avoid having to do the whole shebang over again, the second round of show jumping ticks this box.
  4. While CCI5* is the loftiest level of the sport, the Olympics are not run as a 5*. The dressage test is a 5* test, though it’s been shortened compared to its counterparts to take 4 minutes or less. Cross country is set at CCI4* specifications, with a speed of approximately 570 meters per minute, which is the same speed as 4*. The cross country at the Olympics will be set at approximately 8 minutes’ optimum time with a maximum of 42 jumping efforts, which falls in between 4* and 5* regulation but is the maximum number of efforts set out for World Championships and Olympics by the FEI. For show jumping, the team round will be held over a maximum height of 1.25m (4* height), while the individual round can see fences up to 1.30m (5* height). 11-13 jumps, with a maximum of 16 jumping efforts, will be found in the team show jumping round, and 9 fences with a maximum of 12 efforts will be put into the individual round. An “effort”, remember, can be a related combination, so a jump number 5ABC would count as 1 jump, but 3 efforts.

Substitutions

Photo by Sally Spickard.

Before the start of dressage, a pre-competition change may be made at no penalty. For this reason, the Traveling Reserve pairs will participate in the First Horse Inspection. The deadline for this type of change is two hours before the start of dressage competition.

Once competition begins, a substitution may only be made for reason of injury or illness on the part of either the rider or the horse. You cannot, therefore, substitute a pair because they are “stronger” in one phase or another — there must be a confirmed illness or injury made by the veterinarians or team doctor to determine eligibility for this. A team may substitute one horse/rider per competition. For eventing, there are two windows in which a substitution can be made: after dressage and up to two hours before cross country, and after cross country up to two hours before team show jumping. Reserve horses will also trot up in the Second Horse Inspection to maintain their eligibility to slot in for this phase.

Substitutions carry 20 penalties, which are added to the team’s overall score if used. Remember, a team may only make one substitution throughout the entire competition. Pairs that are called in as substitutes are not eligible for individual medal contention.

There’s another important layer to this substitution concept. Unlike other FEI competitions, pairs that encounter elimination in a phase can, in some scenarios, go on to complete the competition, albeit with heftier penalties. For dressage and show jumping, this penalty is 100 points per rider. For cross country, it’s an additional 200 per rider.

Here are some visual representations of the information I just shared, in case your brain is feeling as mushy as mine is (am I 1000% confident I’ve interpreted the rules correctly? No. Am I 1000% confident someone on the internet will let me know if I’m wrong? Yes.). Thanks to our resident data wizard Allie Heninger for slapping these babies together:

We’ll lay this out in a series of scenarios, using cross country as the primary example:

Scenario 1: All competitors on a team complete cross country, but in the Second Horse Inspection a horse is not accepted or is withdrawn due to lameness. At this point, the team can opt to use a substitute if they have not already, incurring a total of 20 additional penalties. The substitute pair is not eligible for individual medal contention. The team does not incur the additional penalties of 100 or 200 marks because the eliminated or withdrawn horse completed the previous phase.

Scenario 2: One pair is eliminated on cross country for refusals, by technical elimination, missing a flag, or for fall of rider. That pair can actually still continue on to the team show jumping round, but this will incur a larger penalty. For cross country, this is 200 penalties (per rider). Pairs disqualified for a Horse Fall or lameness are not eligible to continue the competition in the next phase, but a team may then choose to substitute a reserve pair without the original rule of the substitution needing to be only for injury or illness. Any other substitution scenario must still qualify with an illness or injury to horse or rider, unless otherwise stated in the rules.

[Editor’s Note] The way the rule for substitution is written is wholly unclear, to be honest. I checked with several colleagues and a Technical Delegate to help myself clarify the sub rule, which does indicate that if a pair is eliminated for something like refusals on cross country, another pair can in fact be substituted at that point if the team chooses. Doing so, however, does not negate the incurrence of 200 additional penalties for failure to complete the phase.

Scenario 3: A team has one rider complete cross country, but its other two team riders are eliminated on refusals. Those two eliminated riders can continue on to show jumping (provided, of course, there is no injury and the horses pass the Second Horse Inspection) with a total of 400 penalties added (200 per rider). Yes, the team could choose to substitute (again, in the event of illness or injury only), but doing so would not negate the additional 200 penalties for each pair that did not complete.

Scenario 4: A pair is eliminated for Abuse of Horse or Dangerous Riding. At this point, the team is not eligible to submit a substitution, nor is that rider eligible to proceed in competition.

Scenario 5: All but one pair in a team completes the team qualification show jumping round. The team incurs 100 additional penalties for failure to complete a phase. At this time, the team would not be eligible for a substitute, as this must be done no less than 2 hours before the start of the team show jumping round.

Who goes first?

Doug Payne and Vandiver in Tokyo. Photo by Shannon Brinkman Photography.

While we know which horses and riders have been selected, what we don’t yet know is the order in which we’ll see the competitors. This can be influential, particularly on cross country day! To determine the order of nations, a draw will be held prior to the First Horse Inspection. After the trot-up, there will be an official Chef d’Equipe meeting during which the heads of each team will declare their starters and the order in which they will compete. The resulting order will be used for dressage and cross country.

For show jumping, the individual riders will be the first to jump in the team/qualifying round, in reverse order of standing. The team riders will follow, competing in turn and also in reverse order of standing by team and individual scores. For the individual medal round, the top 25 individuals, regardless of nation, will return and jump in reverse order of standing.

What if there’s a tie?

Laura Collett and London 52. Photo by Shannon Brinkman Photography.

It’s fairly unlikely, but if there is a tie between two or more athletes for individual medals, the first tiebreaker used will be the cross country score, including faults at obstacles and time penalties. Basically, the pair that had the fewest time penalties will win the tiebreaker. If there’s still a tie, the breaker will then go to the highest dressage score. Five additional tiebreaker steps are also in place and can be viewed here.

In the event of a team tie, the first tiebreaker will be using the top three-ranked individual scores, with priority given to teams that have not used a substitute. If there is a tie between teams that have used a substitute, the tie will be won by the team with the highest placed individuals who completed all three phases. Additional tiebreakers can be found here.

Make sense? No? Cool, we’re on the same page then. I hope this has been somewhat informative for you as it truly is a rather complicated array of rules. Personally, I’d rather see the return of a four-member team with a dropped score and none of this substitution and continuing after elimination nonsense, though I also see how this can be useful for helping teams complete which was the IOC’s intention in encouraging the format changes.

Coming next, we’ll be bringing you a breakdown of each phase in the Olympics, including expert commentary on what to expect. In the meantime, if you want to dive into the Olympic rules yourself, don’t let us stop you! Click here to view them. 

Win Big! Enter EN’s Summer Sweepstakes for Your Shot at $4000+ in Prizes

Congratulations to our giveaway winner, Sarah Mottalini! A big thank you to our stable of sponsors who made this giveaway possible and to everyone who entered. 

Today’s the day! We’re launching our biggest giveaway yet, with prizes on offer valued at over $4,000 USD to one lucky winner.

Included in the prize pack:

The Fine Print: By submitting your information, you agree to subscribe to EN’s *free* weekly email newsletter, In Case You Missed It. Already subscribed? No problem, but we still need your entry! You will also be subscribed to marketing and promotional updates from the sponsors of this giveaway. You are not obligated to stay subscribed and may unsubscribe at any point in time, and your information will not be sold or shared to any additional third parties, including future promotions from EN. Our apologies, but at this time only residents of the U.S. and Canada are eligible to win this prize. Contest is open from July 17 – 24, 2024, with one (1) winner drawn and notified via email during the week of July 29.

Your Guide to The Event at Rebecca Farm

Liz Halliday and Cooley Moonshine. Photo by Shannon Brinkman.

Before we dive into all things Paris, we first have one of the summer’s hottest destination events on the docket this weekend: The Event at Rebecca Farm in Kalispell, MT.

This event is well-deserving of a spot on your eventing bucket list, whether it’s to compete or simply to spectate or volunteer and take in the spectacular views and all that nearby Glacier National Park has to offer.

We’re looking at a strong field of entries for this year’s Rebecca Farm, which more often than not elicits a wait list in the majority of its divisions ranging from Beginner Novice up through CCI4*-L. Competitors also look forward to a robust USEA Classic Series offering, with long format Novice and Training Three-Day divisions also available and heartily supported.

How to Follow

This year’s event will be offered on live stream via Ride On Video as well as free of charge on H&C (no membership or one-time pass required). Competitors can also sign up to purchase videos of their rounds in each phase from Ride On Video here. Your official show photographer is Shannon Brinkman Photography.

The live stream schedule, which is subject to change, is below:

You can also keep an eye on the Rebecca Farm Facebook and Instagram pages. While EN does not have a dedicated reporter on site this year, Allie Heninger will be checking in periodically on our Instagram throughout the weekend.

Photo by Shannon Brinkman Photography.

The Schedule

The full schedule of events can be found here.

Happenings

If you’re a Young Rider, there are a couple of great opportunities on the books for you!

FEI Team Challenge: The Young Rider Coordinators have put together an FEI Team Challenge for all Young Riders competing at FEI Levels. If you are a Young Rider is competing at an FEI Level at Rebecca Farm, use this link to sign up and you will be placed on a Team. This is a great way to meet new young riders from other areas and gain valuable team competition experience.

Young Rider Pizza Party + Q&A: Area VI’S Young Rider program will be hosting a pizza party and a Q&A session with Olympic short-listed rider and Rebecca Farm champion Jennie Brannigan on Tuesday at 6:30 p.m. This event will be hosted on site in a tent on Spectator Hill.

Competitor Dinner: Join the Rebecca Farm team and your fellow competitors with the always-hopping competitor party, happening on Saturday at the Pavilion starting at 7 p.m.

Trade Fair: Get your shopping fix with the Trade Fair vendors. The Trade Fair will be open from 10 a.m. – 5 p.m. Thursday through Saturday and from 10 a.m. – 3 p.m. on Sunday.

Photo by Shannon Brinkman Photography.

Entry Preview

We’ll see several pairs in the CCI4*-L and CCI3*-L from different parts of the country, many making the trek to Montana with the financial support of a Broussard Family Charitable Organization/USEA Foundation Rebecca Farm Travel Grant. Click here to view the riders who were given grants this year after submitting applications and sitting for an interview with a panel of selection board members.

While James Alliston and Karma, who were most recently members of the silver medal-winning Team USA at CHIO Aachen earlier this month, will not be returning to defend their CCI4*-L, the pathway this pair has taken en route to a berth on the Olympic short list is demonstrative of the influence a strong result at Rebecca Farm can play in a horse’s trajectory. Ian Stark has designed the FEI cross country at Rebecca Farm since 2011 and is currently in the midst of his final year as an active designer. His courses, which will be sorely missed after the 2024 season, have earned a reputation as strong but understandable and readable tracks that truly test the bravery and preparation of both horse and rider. Most of the riders you’ll see in the 4*-L and 4*-S divisions this weekend will be making their preparations for a step up to the 5* level or, potentially, overseas competition.

In the CCI4*-L we will also see last year’s CCI3*-L winners, Jennie Brannigan and Pascal, return for a go at the headlining title. Originally piloted by Alexa Lapp before Jennie took over the ride, Pascal is a real one to watch as a future 5* horse in the making. This is his first season at Advanced and will be his first 4*-L.

We also see several other travelers on the 4*-L list, including Julie Wolfert and SSH Playboy, who are ticking closer and closer to a 5* move-up as are Dani Sussman and Jos Bravio, Ashley Adams and Charly, and Karen O’Neal and Clooney 14. For their part, Pacific Northwest-based Karen O’Neal and Clooney 14 are coming off a strong win in the 4*-S at Aspen Farms and will be making their first 4*-L start together this weekend.

The CCI4*-S division also has several pairs to watch, including Australia’s Bec Braitling and Caravaggio II, who delivered a strong 5* debut at Kentucky this spring and are now aiming for the Maryland 5 Star this fall. Alexa Thompson has made the trek from Kentucky, with Just To Be Clear hitching a ride with Jennie Brannigan’s Pascal to Montana for a go in the Short division. Renee Kalkman and her Twin Rivers Advanced winner, Flame Eternal, will also contest this division. Additionally, Woodside Advanced winners this spring, Taren Hoffos and Master Class, are entered in their third 4*-S start.

You can view the full entry list for Rebecca Farm here.

Volunteer Opportunities

There are still plenty of spots available to lend a hand for a few hours as a volunteer! Score running, warm-up stewarding, cross country jump judging, and many more fun jobs are currently available.

View all volunteer openings here

Photo by Shannon Brinkman Photography.

Halt Canter at X

The Event’s impact goes beyond the horse world with Halt Cancer at X. The charitable initiative was launched in 2012 by the Event’s organizer Sarah Broussard in honor of her late mother, Rebecca Broussard, who founded the competition in 2002.

Through Halt Cancer at X, Montana Equestrian Events has so far provided more than $1 million in grant funds to innovative breast cancer research projects and to local non-profits that offer financial and wellness services to breast cancer patients. Those interested in making donations can do so here.

The Event at Rebecca Farm: [Website] [Entries] [Competitor Information] [Volunteer] [Halt Cancer at X] [Ride On Video Live Stream] [H&C Live Stream] [Live Stream Schedule] [Spectator Information]