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Veronica Green-Gott

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The CCI1*: For the Riders, For the Horses, For the Future of the Sport

Mallory Stiver and Hennessy Venom in Carolina’s CCI1*. Photo by Tilly Berendt.

It’s easy to get caught up in the glitz, the glam, and the unforgettably amazing riding in the four-star divisions, especially at major events like the Setters’ Run Farm Carolina International. But while it doesn’t get as much spectator attention as the major leagues, the newly instituted one-star division plays an important role in keeping horses and riders safe, confident, and thriving.

To get the inside scoop on the one-star division, I spoke with the winner of the 2022 Dark Waterspoon LLC CCI1*-S at Carolina International, Olivia Coolidge; 2023 SRF Carolina International Dark Waterspoon LLC CCI1*-S rider Mallory Stiver; and the sponsor of the division, Camilla Vance of Dark Waterspoon LLC.

The introduction of the CCI1* in 2019 created a bit of an uproar. What was the point, asked eventers. How would it change the sport? Are we “dumbing down” our beloved cross country? What were the risks involved with making the FEI levels more accessible to greeners horses and riders? Now in its fourth year, Mallory and Olivia gave the Dark Waterspoon LLC CCI1*-S at the SRF Carolina International rave reviews.

Mallory and Olivia both wound up in the one-star division for the same reason: to build confidence. According to Mallory, “I was apprehensive. I waited until the closing date to enter because I wasn’t sure if I should do the CCI2*-S or the CCI1*-S. My horse, Hennessey Venom, has done four or five preliminary events, all of which were pretty good,” said Mallory. “But my mindset was that if we do the CCI1*-S and he’s backed off because of the crowds and everything, at least the jumps are small enough that he can confidently get over them, even if everything else is distracting him. It’s not a jump issue with him, it’s an environment issue.”

Olivia Coolidge and Bold Impression. Photo by Brant Gamma Photography.

Last year, Olivia rode in the one-star division at the 2022 Carolina International and it completely transformed her outlook and set her career on a new path. After her horse, Bold Impression, was injured and rehabbed in the winter of 2021, the pair had had a rough start to the 2022 show season. After two falls at the preliminary level, both had a setback to contend with. According to Olivia, “I lost all my confidence. I was wondering, should I even do this anymore? Is this the right path? So it was really discouraging.”

As a last ditch effort, Olivia and “Benny” dropped down to the one-star level in an attempt to get their confidence back. “It was also my first FEI, so it was really nice to be able to experience the jogs and the vet box and all this stuff, and you get to learn the rules and regulations of it in a less stressful environment and with less pressure,” said Olivia.

Her plan worked out well, as she and Benny went on to win the CCI1* division and had a successful move up to the CCI2*-S this year. Olivia still has her giant check from 2022 proudly hanging over a door in her home, a daily reminder of her most affirming win.

Mallory used the Dark Waterspoon LLC CCI1*-S at SRF Carolina International to build her and Hennessy Venom (“Vinny”)’s confidence in an FEI environment. “Seeing himself on the Jumbotron, and all the vendors, and the trade fair, and especially with how windy it was, and the whistles blowing. That’s a lot of stuff that normally blows his mind,” said Mallory. “So I didn’t want to blow his mind with new hard questions at the level and the environment.”

When Mallory first made the move up to the FEI level, her only option was to ride in today’s CCI2*, as the CCI1* didn’t exist. It didn’t go smoothly, to put it lightly. “It was me and my horses’ first time at the FEI level and I was, for lack of a better word, terrified. It was so big and I was so intimidated by everything. All of a sudden I went from five or six Midwestern preliminary events to what essentially felt like an intermediate course.”

Olivia and Mallory are the perfect example of one reason why the CCI1* is so important; it allows riders to move up and experience an FEI environment in a safe way. An unconfident and overfaced horse and rider are more likely to wind up in trouble. It’s long been known that it’s a big leap from training level to preliminary. Even moving up from preliminary at the National level to preliminary at the FEI level can lead to significant challenges. The CCI1* allows riders to more safely make the leap to FEI, as fences are set to modified height.

Lainey Phillips and Global Excellencia Z. Photo by Tilly Berendt.

Building rider confidence in order to prioritize horse/rider safety is one reason Camilla Vance chose to sponsor the one-star division. “I think that the opportunity to take on the CCI1*-S is really important. Sometimes you need that extra time to reaffirm or to confirm that you and your horse are at the right place at the right level,” said Camilla. “And I would rather be able to offer that as a CCI1* where you can do that without hurting yourself or your horse and have the time to do it right.”

Camilla’s statement was echoed in Olivia’s sentiments. “I feel like a lot of people tend to over-face themselves and their horses, not meaning to, but usually preliminary is the next step. Whereas I think the CCI1* is a really good safe zone, even for adult amateurs. Then they can go and do an FEI and have that experience but not be literally killing themselves or their horses,” Olivia said. “The thing is this sport is so dangerous that you want to have every sort of safety precaution imaginable. And I think that the modified level is this incredible safety feature for a lot of people and horses.”

Sponsoring the CCI1*-S at Carolina International was part of a personal mission to improve the safety of eventing for Camilla. “I want to have a safe sport and that’s a great concern to me. I do not want to be involved with a sport where you accept injury and death as a cost. Ever. I’m also a trauma nurse and so that’s not my instinct to accept those high stakes. That’s not my interest, and it’s never been my position,” said Camilla. “My interest is in providing a CCI1*-S at such a top quality competition and to establish that the CCI1* is just as important, if not more important than the two, three, and four-star divisions, because you want everybody to succeed.”

Riders often feel peer pressure to move up to the bigger levels as fast as possible, which puts horse and rider safety at risk. Mallory admits that when the new division was first developed, she had her doubts. “When they first came out with the modified level, I thought it was unnecessary. Like I thought, there’s no point because I was already going prelim at that point. And then when I finally did the modified level I was like, ‘Oh, yeah. We needed this.’”

As a lifelong volunteer and owner for many professional eventers, Camilla has seen what happens firsthand when riders move up the levels too quickly. “You don’t want people going into the CCI2* and finding out that all hell is breaking loose on the course, people are falling off, or horses are doing the wrong thing. Then you just have mayhem,” said Camilla. “To me, those are the people that should be given the opportunity to enjoy the CCI1* where they can get through those issues, and resolve them and be happy about them. And when you face the next level, you shouldn’t be going into that saying ‘God, I hope I can do it.’ You want to say to yourself, ‘We got it!’”

According to Olivia and Mallory, preparing riders to level up is one thing that Carolina International does very well. Olivia experienced this firsthand. “Carolina is great. They prepare you for the next level very well. On the CCI2* you’ll see questions that are very similar to the CCI3*, only just a little bit easier than the next level up. You’ll have the same combinations, but it’ll be just a little bit lower and maybe a little bit spread apart. But it’s still the same question, and it’s just a matter of slowly closing in and making it a little bit more difficult as you go up the levels.”

Olivia and Mallory are the poster children for why the one-star division is so important. As a result of riding in the 2022 Carolina International CCI1*-S, Olivia successfully made the move up to the CCI2*-S at the 2023 Setters’ Run Farm Carolina International, putting in a fantastic round and coming in 13th in a highly competitive class. She credits her 2022 win in the one-star division as setting her career back on track. “Before the CCI1*, I was probably in the darkest place I’ve ever been. It was nice to come out and be like, ‘You know what, I took a step back, and I went out and just crushed it.’ That was so empowering because then you start to think, ‘Okay, if it doesn’t go well, it’s fine. It will eventually.’”

As for Mallory and Vinny, on top of having their best dressage score ever at this level, Vinny really benefited from the confidence boost the one-star division gave him. “After this weekend, I was like, wow, this horse feels like he’s the real deal for the future,” said Mallory. “He just really stepped up the harder the things got, the bigger the environment got. Whereas two years ago, the Setters’ Run Farm Carolina International would have blown his mind.”

Thanks to the hard work and collaboration between sponsors, like Camilla Vance of Dark Waterspoon LLC, and venues, like Carolina International, you can expect to see the CC1* becoming more and more popular as riders, like Mallory, try it out for themselves. With benefits for horse and rider safety, confidence, and education, the one-star division could be the key to a bright future for the sport of eventing.

Diego Farje: From Highway Rider to Up-and-Coming Eventing Star

I have vivid memories of sitting in the backseat of my parent’s car, imagining I was galloping my favorite lesson pony down the median. I would think about how much fun it would be to jump that brush, soar over that ditch, and keep pace with the cars. What horse-crazy kid hasn’t had these exact thoughts? Well, if you grew up near Diego Farje in Peru, you may not have had to use your imagination…

Diego is best known in the United States as the current head rider for Boyd Martin. But Diego’s story really begins in his hometown in Peru, where he originally got his start with horses as a show jumper. Unlike in the States, horseback riding is not a casual hobby in Peru. Those who have access to horses are either extremely rich or have ties to the military or law enforcement. Diego was lucky enough to have ties to horses through the mounted police.

Horseback riding was a family affair for Diego Farje. Photo courtesy of Diego.

“It was kind of a family tradition since my great grandfather got into the mounted police. While they use the horses for protests and for security, they also have a show jumping team. The same horses they would use for police work, they would use for show jumping. I got my start riding because my father was working for the mounted police at that time. My brother and my mom used to compete as well. So, we would all go together,” said Diego. 

It was actually Diego’s father who first suggested he make the switch to eventing. “[Peru] was hosting the qualifications for the Pan Ams, and my dad had this idea. He said, ‘I heard about this thing called eventing…’” 

The idea was that since you didn’t have to jump as high in eventing as compared to show jumpers, the horses wouldn’t be as expensive, Diego would have the opportunity to learn about other disciplines, and he would be more likely to get onto an eventing team. 

The only problem? The only eventers to be found are part of the Peruvian army. According to Diego, “The army is really the only place where we have eventing, and even then, it’s not actually a huge thing. There were only four riders and I was the only civilian eventer. Everyone else was from the army.”

Another big obstacle was Diego’s access to terrain to practice on. He had to get creative: “The place I was riding at didn’t have any cross country jumps and it was pretty close to the beach. I used to do my conditioning work by going to the beach, and then just galloping on the coast, on the shore, to get conditioning. I would figure it out as I went.”

But here is where Diego casually drops a bomb into our conversation.

His options for cross country schooling weren’t just limited — they were non-existent. His solution? Use the median of the Peruvian highway as his own personal cross country course (don’t try this at home, kids).

A between-the-ears view of Diego Farje training on the median of a highway in Peru.

“On the way home from the beach, we had this highway with the big grass down the middle and big brushes. The brushes were almost Advanced height with telephone poles and cables in between. So I would have lines of like four or five strides with brushes in between and I would jump like ten in a row. I mean, for sure they were not designed to be jumped, but…” he pauses and then adds, almost sheepishly, “It was the only thing that I had that looked like a cross country jump!”

Diego is the poster child for being a student of the sport. Even when he had zero access to resources and was living in a country that had hardly ever heard of eventing, he persevered. “I was trying to figure out how to do things by myself in a decent way, when I didn’t even have an idea of how to do it properly. I was watching videos, you know YouTube videos, on how to do it, how to ride dressage, or even show jumping. I was really trying to do anything that could help me.”

Two years before the Pan American Games, he enlisted the help of Brazilian trainer Rafael Annunciaçao to take a horse who had never done anything but show jumping and transform him into an eventer. Their hard work paid off. “At the Pan Ams, I got the best place ever achieved by a Peruvian rider. I finished cross country clear, finished show jumping clear, and I finished in eleventh place. And my only goal was just to finish it.” 

Diego Farje and Qouter at the Pan American Games. Photo by Amando Cavero

Diego credits his success to Rafael’s tutelage and to his close connection to his ride at the time, Qouter. “We connected really, really, really, really well, this horse and I. This horse just gave me everything.” 

The high of winning didn’t last long. Sadly, at a later event Diego and Qouter got a bad distance into a jump and had a rotational fall, causing Diego to break his collarbone. Diego’s Olympic eventing dreams and immediate hopes of a professional eventing career vanished. “All my dreams were just like, poof.”

Fate had other plans. A year later he got a call from an old connection offering him a position in Florida. Two days later, he had booked his ticket and was on his way to the United States. Today, Diego is happily riding and training with Boyd Martin. 

Photo courtesy of Equestly

His favorite part of working with Boyd? “All the learning opportunities. It’s one of the biggest programs in America, I would say, and it’s one of the busiest, too. I’m so lucky to learn from Boyd and his coaches and every time they come I get to learn from them.”

It’s clear that Boyd and Diego have a close relationship. “He knows I want to make a living out of riding and be a professional at the highest levels of the sport one day. We met at the Pan Ams, so, I think it would be a dream to one day compete together at the Olympics. I feel like he’s a father to me, you know, especially with not having my family here.” 

Diego has even gotten hooked on Boyd’s famous (infamous?) ice baths. The two had a competition going on to see who could stay in the water the longest. But Diego says that once they got up to 15 minutes at a time, he called it quits. Now, he limits his ice baths to five minutes and says there’s massive benefits. “One of the nice things I’ve learned from ice baths is how to train yourself for competitions, for pressure, for stressful situations.”

Diego Farje and Boyd Martin’s Schmick show off the after-burners en route to winning the 2022 USEA Young Event Horse 4-Year-Old East Coast Championship. Photo by Shannon Brinkman Photography.

His biggest dream for the future is to have a horse of his own. “One day I would love to have my own horse. I hadn’t had my own horse, ever. And it’s hard not to get attached [to client horses]. But I think that’s part of your career as a professional. You cannot be attached, unless you have a horse of your own.”

While his days of dodging telephone poles and galloping down the median of his local highway may be in the past, I think we’ll see a lot from this rider in the years ahead, particularly with the added support of his sponsor, Equestly — stay tuned for more on this in our next blog following Diego’s journey as a rising pro in the sport! 

This article and series following Diego Farje is brought to you with support from Equestly.

 

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5* First-Timers of LRK3DE: Sydney Solomon’s Secret Weapon

It’s the most wonderful time of the year! As the spring CCI5* season kicks into high gear, we’re pleased to bring back our much-loved 5* Rookie profiles. Get to know some of the first-timers tackling the CCI5* level for the first time at both Kentucky and Badminton in the coming weeks. Want more coverage from EN? Be sure to sign up for the free #ICYMI and Daily Digest emails! #ICYMI is sent each Monday morning, and Daily Digests are sent for each major 5* and Championship. Sign up here.

Click here to read all of EN’s LRK3DE coverage.

Sydney Solomon and Early Review CBF. Photo by Shelby Allen.

As we gear up for the #BestWeekendAllYear, we’re continuing our tradition of highlighting some of our CCI5* rookies. First up, Sydney Solomon!

Sydney will be tackling Derek di Grazia’s formidable course onboard the 14-year-old Hanoverian mare, Early Review CBF, bred in the U.S. and owned by Laurie Cameron. Sydney has had the ride on Early Review, or “Coco”, for nearly a decade now. That close connection and familiarity will be a great weapon in their arsenal as they make the move up to the top level of the sport.

Sydney is understandably a bit nervous to move up, but raring to go. “I’m feeling pretty ready,” she said. “You know, it’s always nerve-wracking moving up a level, but I’ve ridden Coco for eight years now, so we know each other pretty well, which can only help. I’m really excited, but definitely nervous.”

The pair has had a strong start to the 2023 season. So far, they’ve tackled Chattahoochee Hills, Three Lakes, and last weekend’s CCI4* at Stable View. “We actually had our personal best score at the Advanced level in dressage at Chatt,” Sydney shared. “I was really happy with her there. She stayed pretty relaxed in the arena, and then she felt great around cross country. It was definitely a good fitness run, and I did increase my fitness a bit after that. She felt decent but we’re going to need more ‘engine’ for a five star.” The pair wrapped up their prep with a top-15 finish on a soggy Capt. Mark Phillips track at Stable View.

Sydney Solomon and Early Review CBF. Photo by Shelby Allen.

Dressage has always been a bit of a tricky phase for Coco. “Sometimes, actually, more often than not, she likes to throw in a buck or two in the flying changes. So that’s always exciting,” Sydney laughed.

If Chattahoochee is anything to go by, as long as Coco can keep her heels down, this pair can offer some stiff competition in the dressage phase.

Sydney and Coco have also been working on their fitness in the lead up to the big weekend. Thanks to some insider knowledge from friend and Canadian Olympic veteran Colleen Loach, Sydney and Coco have even found a good hill to train on in notoriously flat Ocala. “She’s actually galloping every five days now. And Colleen Loach showed me a really nice hill here, so I’ve been going out with her every five days. Before February I was doing slow canters every few days, and a lot of jogging, and just a lot of hacking and making sure that she just is moving enough every day.”

One of the biggest obstacles for Coco, in terms of fitness, is her history of tying up. “She didn’t start tying up until she was 12 years old, and that’s happened only a couple of times since then. But now that’s sort of at the back of my mind, so we’ve done a lot to manage her feed and we make sure that she’s not getting too much sugar in the grass. We just try to keep her moving as much as possible.”

Sydney’s goals for her first 5* event are to go clear and not be too far off the time. “Coco does tend to go better if I run her faster, which is something I’ve learned over the years, but I also have to be strategic about it. I can’t just run flat out at the jumps. I’m gonna go out guns blazing because, from what I’ve seen, it seems like you can’t go out casually — so I’m definitely going to have my foot on the gas pedal, but I’m not going to take any crazy risks.”

Sydney Solomon and Early Review CBF. Photo by Shannon Brinkman.

The events leading up to Kentucky will be extra important for Coco’s confidence. “I definitely have to be careful in not running her too fast in the events leading up because I just don’t want her to lose confidence. She tends to be best if I can have a couple of steady runs and then really go for it at the big one.”

There will also be a sentimental aspect to Sydney’s time at the Land Rover Kentucky Three Day Event. This will be her first time back at the Kentucky Horse Park since she was there for the North American Junior Young Rider Championships with her horse, Lillian Pink. Sadly, that was Sydney’s last FEI event with ‘Lily’, as the mare tragically passed away after a horrific accident in her stall. Lily, Sydney tells us, was the horse that really inspired her to pursue eventing as a full-time career.

Sydney anticipates there will be some reminiscing going on at LRK3DE. “That was just a really amazing experience for me. Lily just had so much heart. She was really awesome. So yeah, I think being at the Kentucky Horse Park will bring back some memories.”

Coco and Sydney will have a secret weapon in their back pocket to guide them through the weekend: experienced 5* groom, Emma Ford. “She is amazing. She was Phillip Dutton’s head groom for probably fifteen years, and I worked for Phillip for a while and she always said she would groom for me at my first five-star event. I’m so, so lucky to have her, because she knows that event like the back of her hand — so that’ll be a huge advantage.”

Keep an eye out for this trio at the Land Rover Kentucky Three Day Event. Give an extra cheer for this five-star rookie when they gallop by on cross country and be sure to congratulate Coco for giving Sydney clean, buck-free flying changes in their dressage test. A little bit of manifestation never hurt anyone, right?

Yanmar Tractors: Supporting the Horse Community

You may have noticed a new name circulating around the Carolina Horse Park at the Setters’ Run Farm Carolina International earlier this month.

Everywhere you looked, bright red tractors appeared. By the dressage ring, carrying the EMTs, hiding behind record-setting winner Will Coleman. You may have even heard the name Yanmar associated with the feature division of the show, the 4*-S.

And yes, you may have also seen an eyebrow-raising Instagram reel dropped on the EN feed in the late hours of last Saturday evening…

 

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We took some time to get to know the story behind the tractors and side-by-sides that swarmed the Carolina Horse Park, and why the company wants to support the horse community.

Meet Jon Richardson. Jon is the Director of the Rural Lifestyle division for Yanmar, the tractor company that sponsored the 4*-S division and is making a big entrance into the world of eventing. While this was his first time watching eventing, Jon is no stranger to what it takes to be a horseman.

As a child growing up in southern Ohio, Jon was entrenched in the world of Western riding. “I grew up in southern Ohio on the family farm, where my parents still live. It wasn’t anything big, just five, six acres. My brother and sister and I, we grew up riding and had horses for as long as I can remember, probably since I was two or three years old. I started showing Western in 4-H when I was seven or eight years old, and continued all the way through high school and then on to college, as well.”

Some kids have a dog for a best friend. Jon had a palomino quarter horse named Majestic Prince, Major for short. Although, perhaps a better name would have been Escape Artist. Jon fondly remembers his father and Major as being locked in a near daily battle, as the clever little horse would escape from his stall constantly. “He was beautiful, white mane and tail, and the full palomino color. He was ornery at times, always found a way to get out of the barn, get out of the stall, but he was fun.”

SRF Carolina International Yanmar 4*-S Winner Will Coleman stands with Jon Richardson, Yanmar’s Director of Rural Lifestyle

Jon wasn’t a weekend warrior or fair-weather rider. He and Major had quite the successful competition career. “We found him as a great deal and next thing you know, I had this little Quarter Horse palomino. I showed for 10-11 years, qualified for state a few times with him, and came close to placing at state. Never grand champion, but we certainly tried.”

Like most farm kids, Jon is no stranger to the hard work required to have a horse. “My brother had the morning duty and I had the evening duty, so we cleaned a lot of stalls, used tractors and equipment, manure spreaders and so on around the property.”

From farm maintenance to shoveling manure, Jon was involved in every little bit of horse care. That hard-working mentality and familiarity with what it takes to be a true horseman has followed him to his career with Yanmar. As the executive spearheading the company’s push into the eventing market, Jon is well aware that equestrians aren’t buying tractors for the love of machinery. They’re buying tractors so they can get back to what they really love doing that much faster – riding.

“Equestrians’ main priority is not to spend the entire day doing farm work, right? It has to be done; what they really want is to go ride. We want to make it simpler — make it easier for them to get the work done, get the stalls cleaned, get the hay moved around the property, whatever it might be, so they can get back to riding and spending more time on the back of the horse.”

Yanmar’s got some of the most useful bits of kit on the market for horsey folks.

Yanmar isn’t just here to sell tractors. This company is all about supporting the horse community as well, which is why Jon was so excited to sponsor the 4*-S at Carolina International. “One of the reasons we sponsored Carolina Horse Park and the Carolina International CCI 4*-S is that we enjoy sponsoring sports. We focus on supporting local communities and are grateful to be able to support the equine world with good, high quality equipment that they know is dependable.”

As for Jon, he has four kids and his daughters are hoping for their own version of Major someday. As we watched the nation’s best riders tackle a complicated show jumping round, I asked him if he could see himself with a horse of his own again. “I don’t think I could compete at this level, watching some of these equestrians here today and yesterday. But yes, I would love to get back in the saddle. My daughters want to ride. We’d love to get back into horses as a family. Like Winston Churchill said, the outside of a horse is good for the inside of a man.”

When it comes to compact tractor companies, few seem to have their finger on the pulse of the horse world like Yanmar. Learn more about their tractors here.

This article is brought to you with support from SRF Carolina International and Yanmar America.

Meet Equestly: The Clothing Company That Makes Dreams Come True

At first glance, Equestly seems like just another top-of-the-line equestrian apparel company fighting for space in a competitive market. The products are high-quality, the prices fit most budgets, and the fashion is cutting-edge and stylish. According to COO Carlos Hernández, the silicone on their full seats is the best in the market. All of their products are tested and designed with help from their sponsored riders, which includes eventing riders such as Diego Farje and Woods Baughman.

But it’s not the high-quality clothing or the support from top riders that sets this company apart. What’s really different about this up-and-coming clothing company is their dedication to giving back, to supporting the eventing community and their sponsored riders. That’s the real heart of the company: making their sponsored riders’ and customers’ dreams come true.

The clothing is simply a means of making that mission a reality.

Carlos emphasized this point of view when I sat down and talked with him and CEO Sam Potter over the phone on one rainy afternoon. “One thing we really wanted to focus on, is delivering and giving back. Delivering a really good experience, while also not being strictly focused on being the most profitable company in the world. At the end of the day, we feel like if we’re giving back, we’re basically perpetuating the circle of giving, really.”

One way the company gives back is through their carbon neutral initiative. The amount of carbon that each shipment releases is calculated and then carbon offsets are purchased to make the shipment carbon neutral. According to Carlos, “We contribute financially to the green initiatives by offsetting every single shipment with some sort of carbon neutral purchase. In addition to that, we went to recyclable packaging to ensure that we are trying to stay as true to carbon neutrality as possible.”

Carlos and Sam aren’t just focused on giving back to the earth through Equestly — they’re also focused on going above and beyond for their sponsored riders. And when I say above and beyond, I mean it.

Equestly CEO Sam Potter.

Equestly COO Carlos Hernandez.

For example, sponsored rider Cindy Anderson Blank recently had to move farms. Carlos and Sam saw it as their chance to help out. “We saw it as a perfect opportunity to give Cindy the opportunity and the space that she needed. So, we leased a barn in Berryville which she operates out of. As part of the sponsorship, we really want to help these athletes achieve their goals.”

We all know that there isn’t a ton of money in eventing for most riders. So, to be sponsored by a company as generous as Equestly can be life-changing for an eventer. This cycle of giving back came up many times throughout our call and it was clear that it was truly something that both Sam and Carlos believe in wholeheartedly.

For their part, the sponsored riders have a lot of say in the creation of the products themselves. According to Carlos, “We were just in Aiken last weekend with Diego [Farje] to give us the final ‘okay’ on a project that he had a direct hand in, which is the development of the men’s ELITE breeches. He might say, ‘Hey the inseam needs to move one inch up, or I really don’t love where this button sits, or I wish the cloth was just a hair thicker.’ You know, these are all things that we take into account because at the end of the day, the professional athletes ride twelve horses a day. Amateurs might ride once or twice a week. If they hold up and the professionals like them, then we almost guarantee the amateurs will love them. So, we work directly with our sponsored riders in the development of our products before they even hit the market.”

All this is to say that when you buy a pair of Equestly breeches, you can rest assured that they’re professional-approved.

This cycle of giving also benefits their customers. The company’s origin story is one that many riders are familiar with. Sam had decided to get back into riding and went to the tack store to buy some essentials. She wound up spending $500 on only three items.

Carlos tells the story: “With all of our cumulative skill sets that we have, we can deliver a really really great product and experience to people that doesn’t cost an arm and a leg. You know, because she spent $500 on just three things and I was majorly confused. So that was really the start of Equestly. It was just the two of us trying to figure out how to deliver a really great product at a great price.”

Carlos and Sam’s journey to creating a great product at a great price resulted in Equestly’s high-quality breeches at a price point lower than the average luxury breech brand. The two of them hope that this will allow those who may be new to eventing to be able to try the sport and look fashionable without overspending their budget.

Next time you’re shopping for a new pair of breeches or a new riding shirt, stop and take a look at Equestly. When you support small businesses like this one, you’re not just getting high-quality products. You’re also supporting the riders, owners, and eventing community as a whole.

The Eventing Nation team is proud to be powered by Equestly on the road this year. Stop by and check out their full line of comfortable and stylish apparel by visiting equestly.com. This article is brought to you with support from Equestly.

Wrapping Up The Grand Prix Eventing Festival at Bruce’s Field

Liz Halliday-Sharp celebrates the taste of sweet, sweet victory. Photo by Shelby Allen.

Now that the dust has settled, we’re looking back on the Grand Prix Eventing Festival at Bruce’s Field for a final wrap-up. The competition was lively, with a tight race to the finish for our top three leaders. At the end of the day, Liz Halliday-Sharp with Miks Master C came in first with a dressage score of 23.8, a small time penalty for stadium, and zero cross country penalties for a final score of 24.6. Liz and Miks Master C were closely followed by Doug Payne and Starr Witness in second place, and Boyd Martin and Fedarman B in third. 

How’s a sub-20 sound for dressage superstar Starr Witness? Something tells me she’s probably pretty pleased with herself. Photo by Shelby Allen.

The first day of dressage had some big moments, particularly from Doug Payne and Starr Witness. Doug dazzled everyone in the dressage phase, with Starr Witness scoring a perfect 10 on the first flying change and finishing on a mind-blowing score of 19.9. While this isn’t an FEI sanctioned competition, it’s still the best score of the mare’s international career. After dressage, the leaderboard was showing Doug Payne in first place, Boyd Martin and Tsetserleg TSF in second, and Liz Halliday-Sharp and Miks Master C in third. 

After show jumping, Liz lost her lead by two seconds and Doug Payne had a rail down. But per usual, cross country day shook up the scores once again. While Doug Payne was the master of the dressage ring, Liz and Miks Master C, owned by Debbie Palmer and Ocala Horse Properties, were the clear champions of the cross country course. Liz was the only rider of the day to make the time, and she did it on both of her horses, Miks Master C and Cooley Quicksilver (owned by the Monster Partnership). Liz and Cooley Quicksilver came in 5th place, just behind Phillip Dutton and Z. 

Defending champions Boyd Martin and Fedarman B make a podium bid. Photo by Shelby Allen.

We can’t forget about our third-place finishers, Boyd Martin and the Annie Goodwin Syndicate’s Fedarman B. As last year’s defending champion, a back-to-back win turned out to be too much to hope for, but the pair still put in a picture-perfect performance that was just two seconds too slow to catch Doug and Starr Witness. 

And, of course, the reason the event was held in the first place – the charity teams! An event like no other, the Grand Prix Eventing Festival at Bruce’s Field was organized to fund various local organizations, from the Aiken County Pony Club to the Brothers & Sisters of Aiken County. Fans made donations to vote for the most popular team, which was combined with the riders’ purses to create sizable donations for each charity. 

The winning team was Team Orange, which included Liz Halliday-Sharp, Shannon Lilley, Sydney Elliott, and Woods Baughman. A purse of $2,500 will be donated to the Aiken County Pony Club, along with another $800 from fan voting.

In second place, and winner of the popular vote, was Team Blue, which included Phillip Dutton, Amanda Beale Clement, Will Faudree, and Erin Kanara. A purse of $1,500 will be donated to the Great Oak Equine Assisted Programs, plus an additional $1470 from fan voting.

Finally, in third place, we have Team Purple, which included Boyd Martin, Ryan Wood, and Sarah Kuhn. A purse of $1000 will be donated to the Tri-Development Center of Aiken, plus $215 from fan voting.

Colleen Loach was awarded the Richard Picken Style Award. She and FE Golden Eye delivered a classy clear round. Photo by Shelby Allen.

Special awards were also given out to deserving riders and horses. First up is the Richard Picken Show Jumping Style Award, which is a new award in memory of coach Richard Picken, whose career highlights included coaching Phillip Dutton to an individual bronze medal at the 2016 Olympic Games on Mighty Nice and Alexandra Baugh to individual gold at the North American Young Rider Championships. Receiving this award was Olympian Colleen Loach & FE Golden Eye for their beautiful show jumping round. 

Will Faudree and Pfun. Photo by Shelby Allen.

Next was the Annie Goodwin Sportsmanship Award, given in memory of rising star Annie Goodwin, who was a frequent competitor and volunteer at Bruce’s Field. Presented by Peter Goodwin, this award was won by Will Faudree. 

Shannon Lilley and Ideal HX. Photo by Shelby Allen.

Finally, Top Rookie was awarded to Shannon Lilley, who came in 11th place with Ideal HX, owned by Alex Lilley. 

Other awards given out included High Point Thoroughbred, received by Erin Kanara & Campground; Triple Crown Best Turn Out Award, received by Grace Harris and Sallie Johnson; Leading Lady Rider, received by Liz Halliday-Sharp; and Top Young Rider, received by Amanda Beale Clement. 

All in all, the Grand Prix Eventing Festival at Bruce’s Field did not disappoint with a race to the finish and a total of $9,235 donated to charity. Another year has gone by with another great start to the summer show season thanks to the Grand Prix Eventing Festival. Who will win in 2024? We can’t wait until next year to find out! 

10 Products You Need to Start The Show Season Strong

Got everything you need for eventing season? SmartPak can help with that! Photo by Kate Samuels.

Who’s ready for the 2023 season? Gallop out of the start box with everything you need for an amazing show season from SmartPak. We’ve picked out our favorite must-have products to help our readers have a great year. 

Luxurious Saddle Pad

Is last year’s saddle pad looking a little worn out? Nothing will make you feel sharper than throwing a sparkling white new number over your horse’s back. Start the season with a brand new SmartPak Luxe Collection Dressage Saddle Pad. Available in five different colors, this pad was made to help you look your best in the ring. 

Ringside Sheet to Keep the Dust Off

How long did it take you to get your horse ready for the show? Why stand by and watch the dust settle on your horse’s once shiny coat when you could use the SmartPak Scrim Sheet? This sheet will keep dirt off your horse, while the mesh fabric will prevent overheating. 

Upgraded Dressage Bridle

It’s getting hard to find a great dressage bridle that isn’t decked out in some sort of bling. While I’m a sucker for shiny objects, not everyone is. The Plymouth Elite Dressage Bridle by SmartPak is perfect for equestrians who love a traditional elegant look, without the sparkle. This bridle features a padded noseband and monocrown, fine details, and stainless steel hardware.

Matching Leather Halter & Lead

A matching leather halter and lead rope is key for a grand entrance at your next horse show. The SmartPak Soft Padded Leather Halter & Lead Rope will even let you add your cross country colors to the whole look. As an added bonus, this lead rope includes a chain for extra control if your horse is feeling a little frisky. 

The Right Brush to Bring Out a Show Ring Shine

Are you brushing your horse with dirty brushes? Dirt plus dirt just equals more dirt, right? Leave your old grimy brushes at the barn. Keep the SmartPak Natural Bristle Soft Brush exclusively for show use. This soft brush has bristles that will make your horse’s coat gleam. 

Comfy Dressage Girth

Is your horse a bit girthy? Do they get elbow rubs? The Wellfleet Contoured Dressage Girth is sensitive-horse-approved. The ergonomic contouring of this girth allows for full freedom of movement, while the cutback design provides relief for both the elbow and shoulder. 

360° Protection without Compromising Breathability

The equestrian world has been up in arms for the past few years about the breathability of horse boots. Overheating is not good for the horse’s tendons, but neither is smashing into a pole… choosing whether or not to put boots on your horse has felt like a catch-22. The SmartPak Deluxe Brushing Boots offer the best of both worlds: protection and breathability. With a strike pad to protect your horse’s legs from interference and impact, these boots also have a perforated CoolPlus® lining for air flow and moisture wicking, as well as vents to release excess heat buildup. 

After Show Leg Support

Eventers know how important it is to protect and care for our horses’ legs, and so no bows and standing bandages are a staple in every eventers’ kit. (Along with ice… so much ice.) A wrinkled or deteriorating set of bandages can cause big problems. Get a new set for the 2023 season. SmartPak No Bows and Standing Bandages offer high-quality protection and durability. Plus the standing bandages are available in five different colors – see if you can match your cross country colors!

Convenient Cold Therapy

What’s the first thing you do after a great event? Most eventers ice their horse’s legs. But struggling with soaking boots, transporting ice, and finding access to cold water can be a massive pain. Life is hard enough– make it easier with the SmartTherapy Extended Full Leg Ice Boots. These boots cover from the horse’s pastern to up over the knee. Gel ice pockets mold to your horse’s legs and provide even pressure. Chuck them in a cooler before the event and pull them out afterwards for easy and fast cold therapy. 

Noise-Canceling Headphones For Your Horse

I’m obsessed with noise-canceling headphones. I’m not a spooky horse (obviously), but they really help me focus. The great news? Now, you can get the horsey equivalent of noise canceling headphones for your next show. The SmartPak Deluxe Silent Ear Bonnet has neoprene ears to help block out disturbances such as distracting sounds or flies. 

The start of a show season is a time full of excitement. The potential to reach your goals, the feeling of anticipation before the first show, the feeling of spring in the air– it’s my favorite time of the year. Capitalize on all the opportunities this season holds with the right tack and equipment from SmartPak. 

See you at X, eventers!

The U.S. Breakout Star: Catching Up with Ariel Grald After Pratoni

Ariel Grald gives Leamore Master Plan a cuddle after presenting for the USA at Pratoni. Photo by Tilly Berendt.

Ariel Grald had a very eventful and memorable past year, as she and her horse Leamore Master Plan — known to his friends as Simon — have traveled the world competing at Badminton, the Maryland 5* at Fair Hill, and, of course, the World Championships at Pratoni, among other big events. 

Perhaps unsurprisingly, Ariel’s favorite event of the last year was the World Championships at Pratoni: “Having the opportunity to represent the US at the World Championships was just amazing,” she says. “Obviously, I’m very proud of Simon and our individual performance. We finished on his dressage score and it was just fantastic.”

Ariel Grald and Leamore Master Plan. Photo by Shannon Brinkman Photography.

What impressed Ariel the most, however, wasn’t her individual performance – it was the team spirit and camaraderie. “More importantly, it was such a positive experience for the whole US team,” she explains. “Every rider did really well and all the horses were amazing. Every support person that was there, from grooms and owners and friends to USEF staff and coaches – it just was such a motivating and uplifting experience. Everybody was very proud of the performance.”

As it isn’t often that equestrians get to ride in a team setting, I was curious how being responsible for part of the team score impacted Ariel’s mindset. Surprisingly, though, she tells me it didn’t. “That’s never going to be as much pressure as I put on myself,” she stresses. “My goal is always to perform to the best that I can, which is to get the best dressage score possible and finish on it.”

“Yes, being on that sort of World Championship stage, on some levels, it does add more pressure. I’ve been fortunate with Simon – I think that was our fifth trip overseas – so I’ve been able to practice that with him.”

Being in the right mindset and trusting her horse was key to her success, Ariel says. “I just went in with a mindset that I’ve practiced this before and I know how to do this routine. My horse is very experienced, I know him really well, so that was critical to my success with Simon — the fact that he had been overseas and we’ve had a successful outing several times before, I was able to really draw on that experience and put our performance together.”

One of the benefits of competing in a setting like Pratoni is learning from and watching the other riders — but going overseas to learn from international eventers is a big undertaking that only a few can afford. Ariel took full advantage of the opportunity Pratoni presented to watch and learn from riders from other countries.

“Being at Pratoni, I spent a lot of time watching — and I remember a moment that really sticks out was when the five British riders were all flatting and doing some cavaletti work. Watching the quality of the horses and the quality of their riding and just, everything was nailed down to a tee. Watching their execution and their skill level was really eye-opening. That’s what we were competing against.”

Ariel Grald and Leamore Matser Plan. Photo by Shannon Brinkman.

Ariel left Pratoni inspired and motivated — a feeling that has carried her through the months since. “I’ve been working hard this winter on improving, not only the horses’ training and skills, but my own riding and technical ability,” she says.

She wasn’t the only USA team member who left Pratoni inspired for the future. “I think more than the success of the team winning a silver medal, it was really sort of a spark for everyone, for the future,” she muses. 

United States riders have been fighting to get to the top of the sport for a long time from our isolated spot across the Atlantic. The team’s success at Pratoni, Ariel explains, marks the turning of a new leaf for US eventing.

“I feel like [Pratoni] started to shift the tide a little bit,” she says, “and you start to build momentum where the US team goes overseas and everybody has successful outings and that gives you that much more positivity and motivation for the next [event]. You start to build that confidence over time that yes, the US can go into the medals. And we’ve always been capable of that, but you just sort of grind away at it. We’ve been missing the mark a little bit, but I think that the momentum going forward after Pratoni and the confidence that the riders are starting to have is that our athletes can succeed at championships.”

As for what the future holds for Ariel, she says a lot hinges on Carolina International, which is sponsored by her homebase, Setters’ Run Farm. “I’ve got some up-and-coming Advanced and four star horses so we’re hoping Simon can share the spotlight, and we’ve got some other younger horses coming from overseas as well. We’ll see, as we’re just kicking off the season — but Carolina will be a very important event to sort of see where they’re all at and springboard the horses towards the rest of spring season.”

Good luck at Carolina International, Ariel! Team EN will be there to cheer you on. 

Winter Vacations for Your Horse: An Outdated Practice or the Secret to Soundness?

Extended turnout: a one-stop cure-all or something more complex? Photo by Tilly Berendt.

Like many equestrians, I grew up in the hunter/jumper ring — and maybe it was just the barn I rode at, but winter breaks were not a thing. Horses were ridden six days a week, 365 days a year, unless either horse or rider was injured. As I grew up and turned to the world of eventing, though, I started hearing more and more about a ‘winter vacation’ for your horse. The type where you pull shoes, turn them out to pasture, say ‘see ya,’ and come back two months later. The more I learned, the more it seemed to be a pretty controversial practice surrounded by myths and mysteries. 

A brief dive into Facebook and online forums found a variety of opinions. (What’s that saying– put ten equestrians in a room and you’ll get eleven opinions? This was the moment in which I saw the truth in that writ large!) Some equestrians claimed that this time off allowed their horses to rest and recover, allowing them to hit the ground running – galloping? – when it came time for show season. Others argued that if you gave a horse this much time off, you’d spend the entire show season just trying to put muscle lost back on. 

To get to the bottom of this mystery, I interviewed two different professional riders/trainers, a bodyworker, and a veterinarian. After hours of interviews, the main takeaway I got was that while a vacation will look different for every horse, winter vacations must not become a thing of the past. However, what a vacation looks like has transformed over the years and is moving away from just turning a horse out to pasture and saying ‘see ya later.’ 

At the end of the day, I learned there are two different types of vacations: the traditionally thought-of winter vacation, which I’ll be calling a stationary vacation, where you turn the horse out, don’t ride it all, and come back in a few months, and an active vacation, where the workload is greatly decreased and the horse is ridden at a walk for an hour or less a few times a week. 

Like everything to do with horses, nothing is straightforward and everything depends on the individual horse, rider, and future goals. Let’s dive in. 

Carleigh Fedorka, PhD, Professional Rider & Trainer

Carleigh Fedorka. Photo by JJ Sillman

Carleigh Fedorka is a professional eventer who runs a training and competition barn out of Sewickley Stables, but by day she puts her PhD in Veterinary Sciences to good use as an equine researcher. As one would expect of someone who works two full time jobs, she’s exhausted by the end of the day — so when she gives her horses a vacation, the purpose is twofold. 

“I’ll be brutally honest, giving my horses time off in the winter has a dual purpose,” she says. “It’s both for them, but also I find myself experiencing extreme burnout. So, I try to help my mental health at the same time as my horse’s.” 

As someone more in the pro-stationary vacation camp, the horses in her stable who always get a vacation have a reason for it. Her main upper-level event horse, who is about to be retired, gets every winter off for the sake of his hooves. “His feet have such negative palmer angles that by the end of the show season, my farrier recommends we pull his shoes and help load his frog and get him to regenerate some heel. For him, it’s always been a very clinical reason.”

As the majority of her program is made up of off-the-track thoroughbreds, Carleigh approaches vacations for her young horses with a bit of a different perspective than most eventers. “The [horses] that we get in late winter, early spring, and really get them going throughout the year, they have a pretty tough year, both mentally and physically. I think they enjoy the year and enjoy learning a new job, but by the fall, they have a variety of reasons they need the winter off.”

Whether they need the winter off to finish growing or for other physical reasons, Carleigh also believes in giving the horses a break for mental reasons, as well. “I’m a big believer in letting horses have time just to mentally evaluate what they’ve just gone through. We’re training horses that are growing and so you’re kind of forced to take little breaks throughout the year as they’re building muscle and learning how to develop their bodies.”

Her third reason for giving the majority of her herd a winter vacation is one that every equestrian can relate to: a financial break. Every year Carleigh watches her friends and peers spend the winter in the south so they can show year-round, and she doesn’t know how they do it. “Again, [giving a horse a vacation is] on a case by case basis, but I don’t know how you mentally or financially go year-round. I need the benefits of the financial break of just not having two shows a month, of having the shoes pulled on my horses.” 

Carleigh’s perspective on giving both active and stationary vacations is unique in that it encompasses the needs of both horse and rider, which we, as equestrians, don’t do very often. She left me with this very insightful thought: “Even if you’re not taking a complete vacation, just being able to go back to the basics, do some flat work, do some hacking, and go back to remembering why you actually enjoy riding horses is so important.”

Carleigh Fedorka. Photo by JJ Sillman

Ema Klugman, 5* Rider and Trainer

Ema Klugman and RF Redfern at Great Meadow. Photo by Sally Spickard.

Ema Klugman is a 5* eventer who has gone around the Land Rover Kentucky Three Day Event and the Maryland 5* Star at Fair Hill, among other high-profile events. She’s currently a full-time law student, and is also gearing up for a 5* debut this season for her current top ride, Bronte Beach. 

Due to the intense demands of her competition schedule, Ema has a slightly different approach to giving vacations than the typically thought-of time-off over the winter months. Instead, she opts to give her horses three to four weeks off after every three-day event.

“If there’s a three-day in early October, they’ll be back in work by the end of November. So, the timing is really based off of when that competition is,” she explains.

She modifies her approach slightly for her younger horses who are not competing at FEI levels. “With the younger ones, part of it is based on my availability and timing. When I’m really focused on getting ready for Kentucky or something like that, those younger horses maybe get a bit of a break or just aren’t in super full work. They’ll just be hacking.”

Ema’s philosophy behind her approach to her young horses is straightforward and, for our purposes, takes more of an active vacation approach. “I don’t think young horses need to be in [full work] for the whole year. I think they probably shouldn’t be in full work for the whole year. I’m planning for my four- and five-year-olds to be in work for nine months out of the year and then they can be in light work for the rest of the time or have time off.”

During their time off, Ema says these young horses can grow and get more comfortable in their bodies — but the easy life doesn’t last forever. By the time her horses are six-years-old, they should “be really properly working within a fitness program.”

When asked if she gave her horses vacations for physical or mental reasons, Ema has a familiar answer for me: it depends on the individual horse. She compares her two horses, Bendigo and Bronte Beach, and states that while both got breaks, each got different benefits out of the break. “[Bendigo’s] breaks, I would say the main benefit of that was that he could mentally relax… He was just allowed to go out and get hairy and be dirty and have a nice time.”

Bronte Beach, on the other hand, doesn’t stress about competition, so her breaks are more for physical reasons. “With the amount of fitness work we do, it’s a lot of strain on their bodies. It’s like any other high performance athlete. For example, marathon runners, I’m sure their bodies don’t feel great when they’re training all the time, right? Having a break relaxes that and lets you sort everything out.” 

Like some of the other professionals I spoke with, Ema also categorizes two different types of fitness – cardiovascular and muscle mass. “I certainly see a decrease in cardiovascular fitness [over their vacation]. I don’t think they lose much muscle. I think they lose some definition, but not mass.”

In Ema’s experience, this muscle definition is relatively easy to get back. Ema does vary the amount of time off her horses get based on age, as she notes, “when they get a bit older, if you give them more time off, they can lose muscle.”

Ema puts the most emphasis on bringing the horses back into work slowly and carefully. “I think when you’ve given them three weeks off, you should definitely do at least a week of walking or what I call hacking, where maybe there’s a little bit of a trot and a canter occasionally, but pretty much all walking for 45 minutes to an hour. And then I’d probably only ride them three or four times a week and then gradually start doing more actual work.”

“I don’t pick up the reins where I left off. I really try not to do that, because I think it can be counterproductive, right? Because if the horse is not physically ready to do what you want them to do, then it can be frustrating for the rider because they think, ‘wow, you know, last season I had this all sorted and my horse could do simple changes perfectly. And now they’re not doing it.’  They need a little bit of time to get back into it before you ask them those harder questions.”

Ema does have one winter tradition that she turns to every year: roadwork. Near her farm, Ema has a compacted gravel road that’s perfect for winter fitness. “First when we’re just starting out, we just walk, and then we will trot. It’s this old fashioned thing that I think people used to do because you had to if you didn’t have an indoor arena. But I was taught by my late coach, Packy McGaughan, to do that every winter to “harden up their legs.” So I’ve always done that and I feel like the horses’ legs look really good and are tight coming out of winter.”

Kate Samuels, 4* Rider and Equine Bodyworker

Kate Samuels and Nyls Du Terroir. Photo by Leslie Threlkeld.

Next, I caught up with Kate Samuels, who wears many different hats. She’s a 4* rider, trainer, bodyworker, and a fellow writer for Eventing Nation. Kate spends a lot of time evaluating equine fitness and alleviating issues due to biomechanical imbalances or undiagnosed subclinical lameness, and her take on stationary vacation is that it’s not a cure-all, and may even exacerbate certain issues. 

“I think a lot of people think turning your horse out will resolve all of its physical problems,” she says. “They do it because they get to the end of the season and their horse is worn out. They may have some minor injuries they’ve been managing, and they just go, ‘you know what, let’s just chuck it out in the field’. And it probably will help with some things.”

A winter vacation is ideal for the horse who is plain old sore. However, Kate also believes that a sore horse should not be considered ‘normal’ for the end of the show season. “A big misconception is that your horse is sore because he’s worked really hard. But soreness is a marker that your horse hasn’t been prepared for what it’s doing. Soreness shouldn’t be normalized, and if that’s the case, he’ll come back [from vacation] great. But if you turn out a horse who is out chiropractically, they’ll continue to move with poor biomechanics in the field and make the problem worse. When that horse comes back, it’ll now also be really weak and unfit through its core, and you’ll be doubly battling those issues.”

When it comes to fitness and vacation, Kate says the two don’t mix, especially for older horses. “It’s complicated because older horses, I don’t think they do well with vacation physically. After 16, I think it’s significantly harder for them to come back. They do better if they’re kept in light hacking work, just to keep everything loose and limber.”

Kate also makes a point to mention that there are different types of fit horses: a horse who has been doing long slow miles for years, is competing at an upper level, and is generally extremely fit will have a much easier time coming back from vacation. But your average horse who is ridden 30 minutes at a time a few days a week? According to Kate, “That’s not the kind of fitness that is going to support soundness and that is the kind of fitness you lose real quick when you’re going on vacation.”

Beyond the physical repercussions of a stationary vacation, Kate does see the mental benefits of a complete-rest-no-riding vacation. “I think the only time I would consider giving a hardcore vacation, where you pull shoes and everything, is if you have a horse who is fried both mentally and physically.”

As for what she does with her horses, Kate says she doesn’t typically give vacations, but she does take it easy. “I continue working mine, but at a lower level, just because the footing becomes shit. I live on a dirt road, so we do a lot of hacking down the dirt road. And I have a horse that I would love to give a vacation, but every time I do, after two weeks, he does something stupid.”

Dr. Chad Davis of Davis Equine and the Virginia Equine Rehabilitation & Performance Center

Last but not least, I wanted to get the scientific perspective of a veterinarian. Dr. Chad Davis was uniquely qualified for the job, as he runs the Virginia Equine Rehabilitation and Performance Center. While the horses he works with are usually on vacation due to injury, the general principle is the same – he has a lot of experience giving horses significant amounts of time off, gauging what’s best for their fitness and competition record, and how to bring them back into work successfully. 

Dr. Chad grew up on the West Coast and remembers giving horses downtime every year. “Nowadays, depending on the discipline, but for most disciplines, you can compete your horse year-round,” he says. “When I was growing up, I remember we had the late fall early winter as programmed downtime for the horses.”

As for which method of horse care is better – year-round work or winter downtime – Dr. Chad remarks that these vacations aren’t just for physical reasons, but for mental ones too. “There is a need, aside from the physical side of it, but also from the mental side, that the horses get a letdown period.”

But as far as the old-fashioned method of turning them out for 2 months and walking away, Dr. Chad says that’s not what he tells his clients. “The typical advice we’ll give will be less than 45 days, generally, active rest, so a lot more going out on hacks, more than anything else. Not necessarily being put on the lunge line, but getting a horse out just moving his body around, and more turnout time if possible. If we have a nice healthy horse that’s doing some sort of disciplined sport, a nice two weeks of downtime is ideal. And then if you require more because your horse has a tendency to be more muscle sore, you may extend that time but it’s going to be that active rest versus stationary rest.”

This active rest has big benefits as compared to stationary rest. According to Dr. Chad, “Active rest is a sure way to avoid early season injuries.” 

Injuries aside, it’s also a great way to ensure your horse doesn’t lose all that precious fitness they gained over the last competition season. “There was a paper from a long time ago when I was an undergrad. For about two weeks of non-strenuous activity, 10% of the horse’s aerobic max capacity is lost and has to be regained, but it takes twice as long to regain it.” 

Dr. Chad approaches rehabilitation, either from an injury or from an intense show season, very scientifically. “You can use things like heart rate and lactate measurements to give you an idea where your horses are at from a fatigue standpoint. I’ve seen some horses that are chronically fatigued from showing and they’ll have lower hypnotic rates. They’re slightly anemic because essentially they have just been under an abnormal amount of stress. Chronic stress will lead to some anemias in some horses as well.”

In terms of what you should look for when deciding whether or not to give your horse a vacation, Dr. Chad says to evaluate how well they come back into work. “If you take horses on an individual basis, you have a better ability to say ‘that horse does not do well, mentally and/or physically, coming back into work.’ Some horses, especially when they’re on the younger side, come out of whatever rest period, let’s say somewhere between two weeks and 45 days, they come right back to it, real quick.”

To Vacation or Not to Vacation? More Like How

Leo also enjoying some snow. Photo by Kate Samuels.

The question isn’t so much whether or not to give your horse a vacation, but how to give your horse a vacation.

Almost everyone I spoke to was for giving their horses some type of vacation. However, what this downtime looked like was different for every person and for every horse in their program. Whether the downtime was in the summer, the winter, or right after big events, every rider had their own style of what a “winter vacation” looked like. And, guess what? Everyone said their methods worked well for their programs. 

So, while there may be no wrong way to give a horse a vacation – except in failing to give one at all – there were a few key takeaways that may help you optimize your horse’s downtime so you and he can get the most out of it. 

  1. How you re-introduce work is just as important, if not more important, as giving a vacation. 
  2. Long, slow miles are key to a sound horse. This is why hacking or active rest was recommended over and over as a great alternative to just stationary rest. 
  3. What a vacation looks like should be tailored for each individual horse’s personality and physical and mental needs. Whether you give your horse a few weeks off after a big event, or you just take it down a few notches and spend the winter hacking, what you decide to do depends on your individual horse. 
  4. The multi-month long vacation may be a bit outdated. Instead, consider giving your horse a vacation between two weeks and 45 days. 
  5. Vacations aren’t just for physical reasons– they offer mental rest for both horse and rider. 

As for what I personally would do with my horse after talking to all of these well-qualified horse people, I’d follow these bullet points:

Older horses? No stationary vacation, but decreased workload and active rest. 

Massive intense event? Vacation followed by active rest. 

Mentally fried horse? Vacation.

Mentally fried rider? Vacation. 

Average eventer? Spend the winter varying the workload with lots of long, slow miles. Treat ‘vacation’ almost like rehabbing from an injury, in terms of basic principles. Focus on relaxation and building that long, slow core fitness by hacking on roads, doing lots of walking, and, if you’re lucky enough to have access to it, spend some time on an aqua treadmill or swimming your horse. 

Looking Back & Moving Forward with Kimmy Cecere

Kimmy Cecere and Landmarks Monaco. Photo by Tilly Berendt.

Eventing Nation caught up with Kimmy Cecere, who has spent the last six months across the pond on a whirlwind of a trip. The biggest news for Kimmy is that 2023 is the year she strikes out on her own, with the support of her mentor and self-described “sister” Lauren Nicholson, and Ms. Jacqueline Mars, who owns her current ride, Landmarks Monaco.  

Kimmy was the recipient of a Wilton Fair Grant in 2020, which she delayed to 2022 due to the restrictions enacted by the pandemic. The Wilton Fair Fund was started in 2017 by David and Cheryl Lenaburg in memory of their horse, Wilton Fair, and these highly coveted grants are intended to provide the support and encouragement needed for talented riders under the age of 29 to gain more international experience and education.

While in England, Kimmy trained with some of the world’s top riders in Chris Bartle and Tim and Jonelle Price. Splitting her time evenly between British Olympic Eventing Team coach Chris Bartle in Yorkshire and world number one- and two-ranked eventers, Tim and Jonelle Price in Wiltshire, Kimmy was in for a mind-blowing and enviable six months.

In those first three months with Chris, Kimmy says she was in full student mode. 

“[Chris] had a lot of students come in, really anywhere from like, sort of low level, almost amateur riders that didn’t necessarily event, all the way up through five-star riders,” she remembers. “So I got to see not only how he coached and taught the big guys, but it was also very helpful for me to see him dealing with all level riders. I got to learn from the best on both aspects of that.”

While at Chris’s, Kimmy spent her mornings breezing racehorses at a nearby racetrack. She says the experience taught her a lot about what a “proper gallop” really feels like, as the horses were regularly clocked at nearly 30 miles per hour. After returning from the track, she would set herself up with a notebook and “the biggest cup of tea” to watch and learn from Chris. 

From there she went to Tim and Jonelle Price’s farm, where she rode 10 horses a day. Because Tim and Jonelle work independently and run almost two completely different programs, Kimmy was able to see how two of the world’s best eventers can work their horses differently in pursuit of similar aims.

“It was really cool to see the different approaches they have to the horses, and I kind of got a little bit from each of them and got to sort of curate that to what was best for Monaco,” she says. “You could ask them both the same question and they would give you their own take but come to the same conclusion.”

The USA’s Kimmy Cecere makes easy work of an influential combination at Haras du Pin with Landmark’s Monaco. Photo by Tilly Berendt.

Kimmy enjoyed learning from the variety of horse management and riding styles between her three mentors. “I feel like you can’t get to enough five-star barns — just to see who does what, and take what you want from all that and add it to your own program.”

While in England, Kimmy made a pit stop to compete in the prestigious Blenheim CCI4*-L, where she was struck by the crowds and the energy of the venue. “The first thing people asked me is, ‘what do you think of  Blenheim?’, and my mind goes to the crowds because I’ve just never seen crowds like that. It was so cool. You’d gallop through the ropes and it was filled with people who were just lined up all throughout the course to watch you go.”

Despite a rider error at the corner – “I put my foot on the gas pedal a little bit too hard and flew right past the corner, which I’m still kicking myself for!” – Monaco still put in a great performance on a notoriously difficult course. 

“I was really proud of him for the way that he tackled that course because that could easily have been one of the hardest courses, if not the hardest course, we’ve ever ridden,” she says.

So what’s next for Kimmy and Monaco? It’s looking set to be an even bigger and better year: she’s heading back to England to start her own program. While she finds the prospect of leaving her job working for Lauren Nicholson to be a bit daunting, she’s grateful for the support her mentor has given her along the way. 

“She fully supports it, and she’s definitely helped,” says Kimmy. “I came back for three months and just went back into her program to help them through the holidays, and she sort of held my hand as I left. Not a lot of bosses would do that, so I think I’m pretty lucky on that front.”

Kimmy is also grateful to Ms. Mars who is flying her horse Monaco to England with her. “I can do anything as long as I have one friend, and that is Monaco. He brought a lot of comfort to the whole experience.” 

The past year has clearly been a life-changing one for Kimmy and Monaco, who’ve totted up competition experience across the UK and in continental Europe, too. From learning from the world’s top riders in England to starting out on her own, Kimmy is dedicated to being a consummate student of the sport — and that makes her one to watch as we head into the 2023 season.

Her biggest takeaway from her time in England and decision to start her own program is that “there are many different ways to get to the top. There’s not just one specific path — and I think what I found for myself is to take the bits and pieces that worked for me from everybody I was with and put that into my own program and that will be my way to get to the top. We’re always learning.”

New Year, New Rules: Check in with Changes to the FEI Rulebook for 2023

The FEI, like the USEA, has revised its MERs for the 2023 season with the aim of making the sport safer. Photo by Tilly Berendt.

A new year means new rule changes from the USEA and FEI. This year, we’re looking at some sizable changes, mainly to the Minimum Eligibility Requirements (MERs) for Modified and above. The general gist of the rule changes? Ensuring that horses and athletes are better prepared for the level they’re riding at. 

For example, one of the new updates states that “Horses having not competed at FEI Competition for a period of 13 consecutive months or more will have to complete an event at a lower level before entering a CCI4*-S/L or CCI5*-L Event.”

Athlete categorization has also been updated, with slightly fewer MERs required, but the time in which the MERs are recorded halved. This means that athletes must now obtain more MERs per year than before. 

The new changes may have an effect on your athlete categorization level. Here’s how they’ll be decided for the 2023 season:

“Athletes will be categorized (A, B, C, D) according to their performance in a rolling four year period, rather than eight years. 

D – Ten (10) MERs at CCI2*-S or CCI2*-L level or above; or three (3) MERs at CCI-S or CCI-L at a higher level.

C – Ten (10) MERs at CCI3*-S or CCI3*-L level or above; or three (3) MERs at CCI-S or CCI-L at a higher level.

B – Ten (10) MERs at CCI4*-S or CCI4*-L level or above; or three (3) MERs CCI5*-L.

A – Ten (10) MERs at CCI4*-S or CCI4*-L level or above of which three (3) MERs were at CCI5*-L.”

Athlete categories will now be updated at the end of each month, but your category on the closing date of entries for a specific event will remain your category for that event, regardless of whether you move up to the next category between the close of entries and the event itself, and so you’ll need to ensure you’re adequately qualified as per your categorisation at the time of entry.

For category A riders, there are a few changes to CCI5*-L Qualifications. Now, horses without an existing CCI5*-L MER must achieve an MER as a combination at a CCI4*-L. Horses with an existing CCI5*-L MER must achieve an MER as a combination at either the CCI4*-L level or they must achieve two MERs at the CCI4*-S level. Note that World Championships and Olympic Games require 5* level MERs. 

Better stay on top of those show jumping faults! According to the FEI, “For short format competitions (when the Jumping test is before the Cross Country test), an athlete incurring 20 or more obstacle penalties during the Jumping test will not be authorized to start in the Cross Country test and will be automatically eliminated from the competition.”

The requirements to gain an MER at an international event generally remain much the same: athletes must not earn more than 45 penalty points in the dressage; they must not topple more than four rails in the showjumping; and they must ostensibly go clear in the cross-country without exceeding the optimum time by more than 75 seconds (100 seconds at 5*). That ostensible clear has previously allowed for one activation of a safety device (11 penalties); as of this year, it also allows for one missed flag (15 penalties), though the two cannot occur in the same round.

The Conflict of Interest statement that caused a pretty big uproar in 2022 has also been reworked after significant backlash and salient points made by many individuals, who observed that the majority of judges at FEI events must also teach to sustain their livelihood. The previous iteration of the statement disallowed competitors from riding in front of a judge that had previously taught them.

According to the FEI, the statement is now written as “Conflicts must be avoided whenever practicable. However, conflicts may be linked to experience and expertise that is necessary to qualify Officials. The specific balance between conflict and expertise shall be regulated by the relevant Sport Rules. (FEI General Regulations, Appendix H-FEI Officials’ code of conduct).”

If you have questions about rule changes, talk with your local official or the steward at your next trial. Review the 2023 FEI Rulebook here.

Modifications to National Requirements 

US competitors who stay below the CCI* level are also subject to MERs at the Modified level and above. According to the USEA, “All MER requirements for Modified, Preliminary, Intermediate, and Advanced levels (except Classic Three-day Events), are required for Horses and Athletes to move from one level to the next. After obtaining an MER at the Intro level or above horses and riders are established at the level. Horses and athletes having achieved an MER at the level and [who] have not competed at the level over twelve months must achieve a MER at the next lowest height level.”

The long and short of it is that athletes competing at or above Modified must have obtained at least six MERs at one level before moving up to the next. The horse must have also obtained at least four MERs at one level before moving up, and one of these four MERs must be in combination with the rider.

In the case of a loss of qualifications following dangerous riding penalties, or accumulated incidents as outlined in the USEA rulebook, an athlete “may be re-qualified by achieving two MERs at the next lower height level within any 6-month period and no sooner than 10 days following the loss of qualification.”

The period by which all MERs must be obtained in order to be valid has been shortened. “All Minimum Eligibility Requirements (MER), except Classic Three-day Events, must be obtained within a 4-year period. One MER must be obtained within 12 weeks of the Event for which it is needed when moving from one level to the next.” 

If you’re planning on riding in a Classic Three Day Event at Modified or above, you’ll need to have obtained your MERs within a 24-month period of the start of the competition. 

 

 

An Introduction to Lucinda Green’s XC Mastermind: The Dream Team on Fear, Speed, and Respect

Photo by Shannon Brinkman Photography.

“I’m Lucinda Green. I’m a has-been.”

That was how the great Lucinda Green started off her recent XC Mastermind Course, which featured Great Britain’s Piggy March, William Fox-Pitt, and Pippa Funnell, Australia’s Shane Rose, and the USA’s Boyd Martin. This team of household name riders covered everything from how to deal with fear, to where they get their income, to talking about the biggest eventing controversies of the day -– frangible pins to yellow cards to ground juries.

While I’d love to dive right into the deep end and ruffle some feathers, we have to leave some excitement and suspense to Lucinda and the team. Instead, I’m going to focus on my four biggest takeaways from one hour with the greats.

The Dream Team on…

Piggy March and Brookfield Quality. Photo by Tilly Berendt.

Dealing with Fear

They get scared, too! Yes, folks. Even those badass 5* cross country machines need a little extra encouragement to get around the course sometimes. Or, as Shane Rose says, “If you don’t have fear in some fashion, you’re probably stupid.”

All six riders agreed that while they do get nerves and feel fear, it’s not so much the fear of falling, as it is the fear of letting down your horse, messing up on course, or losing. Each rider had their own way of dealing with these pre-ride nerves.

Pippa Funnell, who describes herself as an overthinker until she gets in the saddle, consciously focuses on the positive. She used a great quote that has become her motto for dealing with fear: “Don’t let the fear of failure outweigh the excitement of winning.”

One clear thread was present throughout the entire class, and especially in this particular discussion: these upper level riders support each other through the ups and downs of this sport. Piggy March told a moving story about being genuinely scared at her first ever big event (Burghley in 2002). She was sitting on her trailer ramp, terrified, when Pippa Funnell came along, supported her, and got her out on course.

Pippa Funnell and Majas Hope. Photo by Nico Morgan Media.

Keeping Horses Happy

Next, the team tackled the question: What keeps your horses happy? The answer boiled down to varying the horse’s work and choosing the right horse for the job.

Piggy March’s horses do an intense school two to three times per week and then go hacking or do other forms of varied work. Pippa Funnell focuses on riding with empathy and compassion, while still kindly enforcing rules and boundaries. She believes that a horse that knows the rules is a happier horse.

Shane and Lucinda had a slightly different take and focused on working with horses that enjoy their job. Shane believes that his horses truly enjoy doing well in competition and being good at their jobs — they simply want to please their rider.

Similarly, Lucinda believes that while a horse doesn’t care what color ribbon they bring home, they do know and share in our aura, our happiness, when we do well.

William Fox-Pitt put it simply: focus on education without pressure and don’t overburden your horse.

Shane Rose and CP Qualified. Photo by Shannon Brinkman Photography.

Going Fast on Cross Country

One question the team tackled was how you train to go fast on cross country. The surprising answer was that they don’t. At least, not in the way you might expect.

The overall consensus was that in order to go fast on course, you have to practice slow. Piggy March focused on knowing your horse and building trust so when you kick it into fifth gear on cross country, your movements, your relationship, and your trust will be rock solid.

Boyd Martin and Pippa Funnell focused on rideability and lightness. According to these two, the fastest horses are the lightest horses. Pippa especially emphasized safety first and prioritizing balance over speed.

Shane said that he gains the most time not by going flat out between fences, but by having a tight line and being economical at the fence. This does not necessarily mean leaving out strides. He and Lucinda both emphasized that sometimes adding a stride is faster than leaving one out. The goal is to be efficient when setting up your line.

Boyd Martin and Tsetserleg. Photo by Shannon Brinkman.

Riding Smaller Fences

As the sport of eventing explores the possibility of using smaller fences (Pratoni was mentioned here), Lucinda brought up a question about how to get your horse to back off of a smaller fence and take it just as seriously as a larger jump.

Shane had a personal story for this discussion. One of his worst crashes in his career was over a small fence because he didn’t take it seriously. His end takeaway was that as the rider, you cannot let your guard down just because it’s a smaller fence. Every fence has to be ridden with respect.

William Fox-Pitt, in his concise and to-the-point manner, advised viewers to “imagine they’re bigger than they are.” If you visualize the fence as quite massive and give it the respect it deserves, your horse is more likely to as well.

Altogether, the #dreamteam’s biggest piece of advice for getting your horse to respect every fence on the cross country field was to really rebalance your horse and remind them to pay attention.

At one point in the meeting, Boyd Martin quips, “We’re pretty lucky we found horses, cause we’d be bloody useless at anything else.”

Well, Boyd, we’re bloody lucky we have you and the rest of the team available in Lucinda Green’s XC Mastermind. From one student of the sport to another, this masterclass is worth the price tag for serious riders.

Get to know the Dream Team on Lucinda Green’s introduction to her XC Mastermind here, and if you’re not a current XC Academy member, the wait list will be opening soon! Sign up here to be added to the list. In the meantime, Lucinda’s hosting a few more free events to kick off 2023 in strong fashion. You can find links to each of the upcoming webinars below.

Pre-Season XC Webinar with Tim & Jonelle Price – February 4, 8 p.m. GMT / 3 p.m. EST / 12 p.m. PST

Pre-Season XC Webinar with Chris Bartle & Dickie Waygood – February 2, 8 p.m. GMT / 3 p.m. EST / 12 p.m. PST

Stable View’s Eventing Academy: Keeping Eventing Accessible for All Levels

Photo by Christine Quinn Photography.

When was the last time you attended an unrecognized event? For many eventers, these horse trials tend to get overlooked. But these events play a crucial role in opening up the competition field to riders of all levels and financial backgrounds. The Eventing Academy at Stable View in Aiken, SC is one option for riders who are looking to put in more practice time and start competing in a low-pressure environment.

This unique event combines schooling days and unrecognized horse trials to allow riders and horses to build their confidence on the cross country course. On day one, riders can come to Stable View to school all three rounds: Stadium, Dressage, and Cross Country. On day two, riders can enter an unrecognized horse trial. Points are tracked all year long so riders can still get that special feeling of attending a year-end banquet and coming home with a championship ribbon.

Photo by Christine Quinn Photography.

The Eventing Academy format is perfect for green riders and horses to get their feet –- or their hooves — wet before diving into a recognized competition. If your horse struggles with arena or course familiarization, Eventing Academy can help them get over the hump by giving them the day before the show to get used to the facility.

The unique format of the Eventing Academy is just one way that Stable View is supporting the local horse community.

In 2010, owners Barry and Cindy Oliff transformed Stable View from a quail hunting lodge into a top notch equestrian facility. Located in the close-knit equestrian community of Aiken, Stable View has become a gathering place for eventers. Hosting everything from unrecognized competitions to FEI shows on its 1000 acres of rolling hills, the Oliffs are passionate about creating a venue that’s a keystone of the Aiken community and accessible to all riders. Featuring among their many community involvement initiatives is the growing Brave Today program, which gives local youth from disadvantaged or marginalized backgrounds a chance to learn and interact with horses.

Photo by Christine Quinn Photography.

2023 is a big year for Stable View, as the venue celebrates a decade of horse shows. As always, Cindy and Barry are sharing their success with the community. To celebrate 10 years of horse shows, Stable View is offering discounts, loyalty programs, and waived stall fees, office fees, and free parking for specific events. While the rest of the world is going up in price, Stable View is working hard to keep eventing accessible for all riders.

Mark off the following dates on your calendar for the 2023 Eventing Academy:

February 17th – 19th

March 10th – 12th

July 21st – 23rd

August 11th – 13th

October 13th – 15th

November 17th – 19th

December 15th – 17th

For more information on the Eventing Academy at Stable View, or to sign up, check out their website.

Photo by Christine Quinn Photography.

Wherever you’re located, look for unrecognized horse shows in your area. These shows are not just a great tool for riders, they’re great for your local community. When you attend a schooling show, you’re supporting your local competition venues, getting in more practice time, and saving some money. Venues that host unrecognized competitions play a crucial role in keeping eventing accessible for riders from all backgrounds.

If you want to fill your summer show season with events that support local horse trials, keep the unrecognized calendar in mind. Schooling Horse Trials at Full Gallop Farm and the Mid-South Eventing & Dressage Association, the War Horse series at Carolina Horse Park, multiple schooling opportunities at Waredaca and Maryland Horse Trials, at Florida Horse Park and other locales near Ocala, as well as Stable View’s calendar — and this is by no means an all-inclusive list! — in mind when creating your schedule for 2023.

Cassandre Leblanc: The Road to Young Riders

Cassandre Leblanc and Riffel. Photo by Shannon Brinkman.

When a determined 14-year-old Cassandre Leblanc showed up on trainer Holly Jack’s doorstep, she didn’t speak a word of English and had one goal: to find out what she was made of. Seven years later, she was winning at the 2022 USEF Young Rider Eventing Championships. 

As a young girl growing up on her mother’s horse farm, Cassandre knew that she wanted to ride professionally from a young age. She made the trip from Quebec to Holly Jack’s Ontario farm to see how she measured up outside of Quebec’s very small eventing community. 

Cassandre didn’t let the fact that she didn’t speak any English deter her from spending the entire summer working with Holly. Summers at Holly’s farm have become a routine for her, and she’s been going back for the last seven years to compete, groom, and work under Holly’s tutelage. 

Heading back home after her first summer with Holly, Cassandre couldn’t have known that a very special horse was waiting for her in her mother’s back pasture. Riffel was a homebred 10 year-old Percheron/Thoroughbred cross who had successfully scared off every single rider in her mother’s stable. Delegated to the back pasture, he had sat there for years, as no one wanted to risk getting on him. 

Sadly, Riffel had mysteriously stopped eating. Desperate to get him to eat, the family had tried every trick in the book. Nothing worked until Cassandre came home. He would only eat if she sat in the stall with him and held the grain bucket on her knees. Taking it as a sign, Cassandre’s mother knew they would be a show-stopping pair and encouraged Cassandre to work with the troubled gelding. 

Cassandre Leblanc and Riffel.

According to Cassandre, “When I was 14, I started riding him – well, falling off of him multiple times per ride. At the time, I didn’t know what ulcers were, what saddle fit was; you know, I was 14. I was riding bareback in a field. But when I learned about all of this, I knew that he was bad for a reason – there’s stuff going on here. So, I treated his ulcers, I had his saddle fitted; I did the best I could for him, as a 14 year old.”

Treating his physical health wasn’t a miracle cure. “There was all this behavior stuff that he had learned for years. So, I just held on really tight to him, not letting him buck me off, and eventually, got him to be a real horse.”

Riffel had one more big obstacle in his way to becoming an eventing star: he was scared of jumping. After having a few bad experiences as a young horse, Riffel wouldn’t even enter the arena if jumps were set up. “I never thought I would get the horse jumping again. I would just set up a jump in the ring, and he wouldn’t want to walk in.”

But in November 2022 and hundreds of miles away from Quebec, Riffel was galloping towards massive tables and taking Cassandre around a 2* course. The road to get here wasn’t easy. It was filled with blood, sweat, and tears – lots of tears. Small issues with the show jumping phase snowballed until Cassandre was falling off regularly again. Feeling defeated, Cassandre made her first trip to Florida, seeking out more opportunities to practice her show jumping. While there, Cassandre rode several of Holly’s horses and got in the ring as much as possible. 

Less than six months before her bronze medal win at the Young Riders Eventing Championships, Cassandre was thinking of quitting. “It just got worse and worse. I hit this bottom point where I was like, ‘I am done with this. I can’t do this. I can’t even jump a cavaletti properly.’ I was very desperate. But I kept trying — I wanted it so bad.”

On top of her show jumping woes, Cassandre also faced a financial barrier to getting to the Young Rider Championships. While she was qualified and had secured a spot on the team, she couldn’t afford to go. Cassandre had accepted this and held onto her faith that other opportunities would come down the line – but her family hadn’t. Holly Jacks and Cassandre’s sister worked together in secret to raise more than $5000 in 24 hours. After seeing their dedication, Cassandre knew she had to go. 

Cassandre Leblanc and Riffel. Photo by Cealy Tetley.

Holly and Cassandre’s sister weren’t the only ones who supported this young rider on her road to the Championships. Cassandre has close ties to the Zara Buren Foundation, who also provided her with a grant. “I knew Zara very well; I rode with her a lot when she was with Holly. Obviously, her passing was very hard for all of us. I stayed very close to her friends and family and we kept celebrating her every time we could. I kept wearing her colors and thinking about her a lot. And her mom called me one night and she said, ‘we’re going to do a special grant and we want to help you, because Zara would have been so proud of you and she would have wanted to go with you’.”

In a way, Zara was there with Cassandre, Riffel, and Holly at the Young Riders Eventing Championships. Cassandre wore her Zara Buren shirt all the time under her show jacket, to represent the presence of her friend whose memory and generous family helped to make Cassandre’s dreams come true.  

Despite all of the barriers along her road to the championships, Cassandre’s perseverance paid off. Her and Riffel’s performance earned her an individual bronze medal and landed Team Canada with a silver medal. When asked what advice she would give for other young riders who hope to follow in her footsteps, Cassandre says, “Don’t give up and get back on. Surround yourself with people who believe in you and are ready to help you when you need it. That’s probably my best advice because I couldn’t have done this without the community around me.”

 

Ocala Horse Properties Dream Farm of the Week: A French Twist

Are you looking for a unique piece of property in the heart of Ocala, Florida that you can make your own? I may have found you the perfect one.

Come home to beautiful black board and rail fencing and drive up a Live Oak lined driveway. If you’re someone like me who owns a “dogs welcome, people tolerated” door mat, you’ll appreciate the curved iron gate and light gray columns that will greet your guests.

As you drive up to the house, you’ll be able to check on all your horses, who are hopefully grazing happily in their manicured pastures, instead of trying to find new ways to injure themselves and cost you as much money as possible (a girl can dream, right?).

Once you’ve arrived, step onto the beautiful flagstone front porch. Any barn dog would be thrilled to watch the farm from the comfort of this wide and spacious porch. Starting at the front of the house, it wraps around and extends halfway down the side. I would spend hours on this porch, sipping lemonade and watching my horses in the pasture.

The real drama of this house begins when you walk through the front door and are greeted by French-inspired architecture.

This home may be only 2000 square feet, but it has a presence akin to any mansion. If I lived in this house, I would wear those slim French cigar pants and a blouse every day. All guests would have to have their hair in a chignon and use phrases like “je ne sais quoi” and “sacre bleu!”

Walking into the living room, the first thing you’ll notice is the massive column that holds the fireplace and television. Adorned with intricate woodwork at the top, you’ll be required to watch artful black and white documentaries in order to match the overall vibe. This living room feels quite tall, thanks to the 10-foot ceilings and multi-layered crown moulding. A chair rail and wainscotting add even more texture to the room.

Feel like you’re walking through the walls of a French manor as you exit the living room through an arched doorway supported by two graceful pillars, each of which are crowned with intricate moulding. Doorways supported by pillars or columns and topped with moulding are a definite theme throughout the home.


If you’re like me and you practice self-care by taking a way-too-long bubble bath with a glass of wine and a good book, then the master bathroom may just sell this house for you. An extra large corner bathtub complete with back-massaging jets will make you never want to get out of the tub. A tub like this is especially perfect for when you inevitably fall off your horse. (It happens to all of us, am I right?)


The cabinets in this kitchen are to die for. These beautiful glass-fronted cabinets will show off your perfectly matched and elegant dining ware. I can absolutely see this kitchen being the life of the party, with friends and family gathering around the granite island to discuss their last riding lesson. Or, picture yourself cooking over the sink with what looks to be a great view of your horse lounging in their well-ventilated and bright run-in shed.


This house is set up for drama. Throw open these glass double doors to make a sparkling entrance to your own dining room, where your guests will be waiting for you. The elegant details embedded into the glass are perfectly complemented by the gorgeous and intricate decorative moulding above the door. The dining room itself may be on the small side, but the beautifully curved arched doorway and intricate chandelier give it the presence of a room twice its size.

The magic of this property extends far beyond the house itself. Encompassing 21 acres, this property also includes six stalls, paddocks, feeders, and run-in sheds. If you’re not a fan of lugging around hoses or filling water buckets, this property is for you, as all paddocks have automatic waterers.


Bring your working student or live-in barn manager! This property features a one bedroom mobile home, complete with its own mini front porch and concrete patio with rudimentary grill. I can just see the barn parties now– boarders and management alike cooking hot dogs and drinking beer on a dusky summer evening.

It’s important to note that while this property does not have a formal barn, the owner is a career builder and would consider creating a custom barn for the buyer, which only adds to the property’s limitless potential. The beautifully maintained pastures are bordered by a galloping track that extends all the way around the property. Just imagine how convenient it would be to condition your horse for your next event on your very own track. Plus, this property has a round pen and hot walker to conveniently cool out your horse when you can’t do it yourself.


If you’re looking for a pocket-sized property (by Ocala standards) with a lot of personality, this is absolutely the home for you. Learn more about this horse farm on the Ocala Horse Properties website.

Product Review: Pantes by Eques Pante

Photo courtesy of Eques Pante.

Never did I ever think that my writing career would include reviewing underwear online, but boy am I glad it did.

Eques Pantes are the latest trend in equestrian riding underwear. Made in the USA, the slimming and sculpting knee-length “pantes” are designed to be completely seamless underneath your breeches. The custom, eco-conscious, moisture-wicking fabric is also designed to prevent chafing or rashes along the inner thigh, which is a common problem for many equestrians.

Founded by Jessica Andrews, Eques Pante was developed by an equestrian for equestrians. According to their website, her goal upon founding Eques Pante was to create “quality, durable athletic underwear that stays put while it also slims, sculpts, cools, wicks sweat, dries quickly, prevents chafing, and looks cute,” all without any panty lines.

So, do these pantes hold up to their claims? I put the Eques Pantes through a full day of work at the barn, plus riding, to find out if they do everything they claim.

My first impressions after getting my Eques Pantes were promising. The box itself had a nice easy-to-open design and the pantes seemed to be made of thick and sturdy fabric. I was able to pull on them and stretch them without signs of gapping at the seams or being able to see through them.

Now, if I’m going to test out a product, then I’m going to really put them through all the rigorous aspects of barn life, and these pantes were definitely put through the ringer. The first time I tested them out, I wore them for about 6 hours. During this time, I mucked 16 stalls, fed 20 horses, and walked in them constantly while turning horses in and out to pasture. This was not a walk in the park and the pantes were up to the task! For their first time out, I wore them underneath jeans and with a belt, which is my standard wear when I’m doing barn chores.

Beautiful packaging for this made in the USA product!

My biggest worry was that I would have the same problem I have with a lot of leggings or athletic wear: they tend to slide down or roll down at the waistband. Because of their knee length, I was also worried that these pantes would roll up at the knee from the continual friction of my jeans. But my worries were unfounded, these Eques Pantes stayed in place. I would, however, suggest sizing down for additional compression as their sizing is pretty generous. The size large that I normally wear was just a bit on the bigger side.

One bonus that I wasn’t expecting was that the pantes kept me warmer than I would typically be on a cold autumn afternoon at the barn. The extra length, plus the high-quality fabric, made me feel almost as though I was wearing long johns or thermal underwear, all without any visible seams.

While they performed well when worn underneath my jeans, I could tell the Eques Pantes were designed with breeches in mind as their first and foremost priority. The fabric has just enough slip to allow your breeches to slide seamlessly over the pantes, just like they would over your skin. I didn’t notice any visible seams underneath my breeches, but you could feel the slight seam towards the knee of the pantes if you ran your finger over it. Despite that, I still don’t think any seams were visible.

The pantes didn’t impact my freedom of movement at all, and I could still move in the saddle just as comfortably as if I were wearing breeches alone. I don’t typically get chafing from riding, unless I’m riding out for hours at a time. However, I feel as though these pantes would do a phenomenal job of protecting my legs no matter how long I was in the saddle. The thick fabric covers all of the vulnerable skin on the inner thigh and definitely creates an extra barrier between yourself and the saddle.

 

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Many equestrians work hard to stay fit when they’re out of the saddle, which may include taking up other sports such as running or yoga. If you’re one of these equestrians– these pantes are a must-have. The knee-length design is perfect to prevent the inner thigh chafing that so often plagues runners.

I could also imagine myself relaxing with some Sunday morning yoga in these pantes, without worrying that they’re falling down or that they’re see-through. The thick fabric means that you can downward dog all day long without worrying about the view of the person behind you.

Long story short– these Eques Pantes are well worth the investment. It’s not everyday you find a product that actually does everything it claims, but these pantes have managed to do it. Particularly for riders who struggle with chafing or saddle sores, the Eques Pantes could quickly become a must-have.

Click here to peruse through the collection of pantes on their website.

Product reviews on EN are conducted in partnership with sponsors. All information you read in our reviews comes directly from our reviewer, but we do need to disclose that we received compensation for conducting the review. Interested in having your product reviewed? Email [email protected].

Where Are They Now? Widespread Panic Went from ‘Ugly Duckling’ to Versatile Superstar

Megan Moore and Widespread Panic. Photo by Shannon Brinkman Photography.

When Megan Moore first brought Widespread Panic home from the racetrack, everyone at her barn thought she was crazy. Widespread Panic, barn name “Nemo”, was a bit (just a bit) of an ugly duckling.

Megan reminisces on that fateful day. “He looked like a baby Saddlebred. He had this enormous blaze on his face and he was in the middle of a growth spurt, so his head was much, much bigger than the rest of his body. And he was very awkward looking. When he arrived from the track, all the girls looked at me like, ‘What did you do?'”

But despite his ugly duckling appearance and “typewriter-esque trot”, Megan knew she had a special horse on her hands because of his kind eyes. “I just loved him from the minute I saw him because he’s just a kind, sweet horse and he never has a cross word for anybody,” she described. “So even though he was at a growth spurt where there were a lot of legs going a lot of different ways and his head was too big for his body, he just had that way about him. He was just a kind horse.”

Megan and Widespread Panic. Photo by Emily Daily.

It was a long road to success with Nemo. When he first came to Megan, he was what she calls ‘a big wimp and a big sweetheart’. He was the lowest horse in the pecking order in the pasture and Megan discovered he was aptly named, as he was the type to “look at you as though the world had just blown up.” Generally, he was a baby horse without any confidence who tended to get a little stressed.

But Megan’s trust in his kind eye paid off. As this ugly duckling grew up, he became a cross country machine. Nemo went on to be named to the USEF Developing Rider List, helped Megan earn her USDF Bronze Medal, and evented through the Advanced and then-3* level, winning more events than Megan can count.

“By the time he was stronger as an upper level horse, he had the best trot,” Megan recalls. “He won more Intermediates than I can count in his career and got really good dressage scores. But it was all just because he wanted to learn, he wanted to do it for you.”

At the age of 21 years young, Nemo is still happy to be out and showing at the top levels of dressage. Having been competing for 18 years straight, he’s now at a pure dressage barn where he is still sound, glowing, and ready to get out in the ring and win. Nemo is now partnered with Julia Magsam, and the pair just won their own USDF Bronze medal last month — Nemo’s second Bronze Medal-winning ride.

An 18-year competition career is long for any horse, but particularly for an off-the-track Thoroughbred. Nemo, however, beats all the odds. Megan credits his soundness and beautiful condition to the hard work put in by Julia and her team to keep him healthy and happy, as well as the excellent team of vets and farriers he had while he was with Megan. “Fortunately, Nemo is a very sane horse. He always allowed us to do every every bit of icing and wrapping and every bit of care you could possibly give a horse.”

Megan says Nemo is not the type of horse to retire and move to Florida with the rest of the snowbirds. This horse is here to stay. “He wants you to touch him every day and he wants you to work with him and he wants to be ridden. He doesn’t want to be chucked out in the field and retired.”

Next time you see Widespread Panic out and about at a horse show, take a moment to stop and watch. This horse is truly one-in-a-million, both for his growing list of achievements and his willing and kind attitude.

A long career (and, more importantly, a long and healthy life) is always a goal for our horses. Ask your veterinarian about Zoetis’ line-up of health support options that can help support your horse for a long-lasting and comfortable career and life.

Ocala Horse Properties Dream Farm of the Week: Spiraling into the 60s

Brick. Circles. 1960’s. 

That summarizes everything you need to know about this listing on Ocala Horse Properties. Join me on a ‘60s-themed field trip to the world of Dream Horse Farm. 

If you love Frank Lloyd Wright, the famed American architect and creator of eight World Heritage Sites, then we found the *perfect* horse farm for you. If you have no clue who that is, you might still like it. It’s just that good. 

Now, this property is a little different. And I know we’re all equestrians here who probably just want to hear about the barn, but hang tight, because this house is something to talk about. Let’s start with the most obvious– it’s a literal circle. 

Photo courtesy of Ocala Horse Properties.

Yes, that is a curved indoor swimming pool in one section. And yes, that is a circular courtyard in the middle of your circular house surrounded by curved trees and a semi-circle driveway. After living here, you’ll have no excuse if you can’t ride a perfect circle in your dressage test.

Photo courtesy of Ocala Horse Properties.

This 11,000 square foot house features carved brick walls with an equestrian motif, which is echoed in the gorgeous red brick barn with a carved brick mural of a horse over the entryway.

Photo courtesy of Ocala Horse Properties.

When I said that this house was committed to brick, I meant it. 

Do you have a side hustle? (What equestrian doesn’t, these days?) I just found your new home office. 

Photo courtesy of Ocala Horse Properties.

Doesn’t that dark wood wall just scream “make me your Zoom background!” Take your lunch break on the balcony or simply watch over your farm while you consider your client’s latest problem with a cup of coffee. Either way, this potential home office, complete with fireplace, is the perfect place to run your empire. 

Photo courtesy of Ocala Horse Properties.

If I lived here, I would say the phrase “take a turn about the gardens” as often as humanly possible because it would make me feel like I was living in a Bridgerton-esque universe. And, of course, for the pun.

Also, let’s just take a moment to close our eyes and imagine how nice it would be to hash out your dressage test with friends after a long show day while floating in that pool. Ahh, I can almost feel the margarita in my hand. 

Now to the important part of the tour– the bar. This bar, complete with an elegant photo of Audrey Hepburn, looks like something out of Mad Men. Invite your clients down for a glass of champagne after selling your latest prospect and making a ridiculous profit. Or host a party after a horse you own wins its most recent $100,000 Classic. 

Photo courtesy of Ocala Horse Properties.

This house has a good sense of humor, because on the other end of the house, the second bar is a little more light-hearted. 

Photo courtesy of Ocala Horse Properties.

I promised you a ‘60’s-themed rock-and-roll bar, and I’ll be darned if I didn’t deliver. This seems like an amazing place to hold a ‘60s-themed party with all the other equestrians in your neighborhood. Or, you know, if you’re a relatively normal person, I guess you could just have a normal non-themed party? But you know what they say about opportunity knocking… 

Now for the moment you’ve all been waiting for… the barn. Doesn’t that sleeping horse carving just instantly make you feel more relaxed? Maybe it’ll calm down your spicy chestnut mare, too, but no guarantees.

Photo courtesy of Ocala Horse Properties.

The good looks don’t end at the entryway. Inside, this barn is bright and airy with pristine white walls and rich hardwood accents (no cribbers allowed in my dream farm). You can almost feel the breeze blowing down that wide aisle way through the picture. 

Photo courtesy of Ocala Horse Properties.

I’m also very into covered arenas, so this was a huge plus for me. It might be an unpopular opinion, but I think they’re the best of both worlds. The roof keeps the worst of the weather off, but you still get that nice breeze and wide open feeling. Plus, this arena looks big enough for just about any discipline. 

Photo courtesy of Ocala Horse Properties.

Did we mention that this farm is situated on over 80 acres? You could trail ride for days and still see new sections of your own property. The rolling hills are perfect for conditioning your next eventing superstar or putting miles on that green prospect. 

If you’re like me and love a property that offers something a little different than your garden-variety rectangular house, check out this farm on Ocala Horse Properties. Or, if you want to play it safe, you can search for a beautiful house on their site

Ready to Have Fun?

Photo by Veronica Green-Gott.

“Are you ready to have fun?”

I greeted the little grey mare at the gate the same way each day. She hadn’t had the best start in life. Living out in a field, with no human interaction, and no vet or farrier care for her first five years. However, she did have food. Lots of food. Her previous owner would dump out a bag of grain each day for each horse. Needless to say, she was fat. I rubbed my hand through her tangled mane and felt her breathe. Then I slipped the halter on and we made our way up to the barn.

Gabby was a half-arab half-andalusian 15-hand mare with lots of spunk. But she was also heartbreakingly timid and when scared, would freeze. I’ve never been the rider with the best relationships with her horses. It pains me to admit it. But they rarely greet me at the gate and, to be honest, I wasn’t sure if they ever looked forward to our rides. I was competitive and intense. Unable to find the line between doing nothing and drilling every exercise in the book.

With Gabby, it had to be different. My goal for her wasn’t to win blue ribbons. I needed to start her under saddle and create a functioning citizen of the horse world. Gabby demanded that it was different. Without a relationship, she would have never progressed. With pinned ears or a wild eye, she would tell me when I wasn’t paying enough attention to her opinion. Hence, the same question every day. I wanted her to have fun. I wanted her to look forward to our rides and understand that we could build a solid relationship based on positivity, not competitive drive.

Because of this, our arena looked a little different. My trainer and I had tarps, balls, and poles laid out every which way. The kiddie pool and pedestal even made the occasional appearance. With the help of some creativity, we were making progress. But I have to admit, there were moments where I doubted our approach. The well-known classical dressage trainer would be working her students in perfect collection on circle after circle. I, on the other hand, would be teaching my whale of a scruffy grey pony how to stand on a pedestal. The trainer’s students asked me several times if she was pregnant.

Photo by Stacy Giordani.

Despite my doubts, we were making progress. She could walk, trot, and haphazardly canter around the ring. Trail rides were still out of the question, but she wasn’t scared of tarps, or plastic bags, or anything else. We would play games where I would hide treats (low-cal!) around the ring and she would hunt for them. We even started to lose weight as I could work her under saddle more and more.

The first time that I got on her was pure magic. Terrifying and adrenaline-rushing magic, but still one of the highlights of my riding career. After groundwork for two months, I could put our relationship to the test under saddle. I got on her with a bareback pad and my trainer ponied us around the ring. Then she let us loose. My heart was in my mouth. I was so thrilled and excited and terrified. The first ride is a crucial moment in every horse’s life. If I made it a bad experience, she could wind up with even more baggage to work through.

Gabby had to trust me in order to let me ride her around the ring after 9 years of barely any human contact. The fact that she allowed me onto her back spoke volumes about our relationship. After that ride, I felt like I had finally started to accomplish what I always wanted to.

For the first time in my riding career, I felt a true relationship with a horse that wasn’t built on competition or drive. Better yet, she started to come to me in the field. When I first met Gabby, catching her was a production. She was barely halter broke and would run away when she saw you. You had to approach her from the off-side. She would turn her rear end towards you and present you with a lovely visual of her gray tail. This intimidated the crap out of me, at first. But then I discovered that she was asking for bum scratches. Yes, this horse loved to have the base of her tail scratched down. Then and only then, would you be able to catch her.

After some trials and tribulations, she became easier to catch. The day that I called her name and saw her cantering, not walking, but cantering over the hill and towards the gate took my breath away. I felt like jumping for joy. I called my mom, “Gabby came to me today!”

We celebrated together over the phone. It was such a big step for a neglected little pony and filled me with so much joy.

Photo by Veronica Green-Gott.

My “have fun” philosophy that was slowly being cultivated with the help of my trainer caught me some flak at the barn. At one point, I was trying to work Gabby through a tarp and kiddie pool combination when I could hear the dressage trainer at the other end of the ring openly discussing my training strategy. “What do you think that kiddie pool is for?” she would say, half-scoffingly to her student. “What is she trying to do?”

It didn’t matter that Gabby was starting to enjoy her hunt for treats and was becoming a little bit braver with the ball. It didn’t matter that working with the kiddie pool would teach her to stand still for the inevitable hoof-soaking that she would need some day. Or that the pedestal taught her where her feet were and helped her stretch out her back. My methods weren’t on the dressage pyramid and therefore, were complete and utter bunk. I gritted my teeth in frustration and tried to ignore her mumblings at the other end of the ring.

It was almost the start of the show season and my competitive drive started to rear its head. My trainer and I discussed entering her in some low level dressage tests or maybe a trail class or two. Gabby and I’s sessions started to take on a little bit more intensity. Then, one rainy snowy night I walked up to Gabby’s paddock and she walked away from me.

That stung. A lot. I was in the middle of second-guessing our planned show season, when I noticed blood dripping down her hind leg. In the cold, dark air, I squinted. She was lame at the walk. My heart caught in my throat. She wasn’t letting me catch her because she was trying to tell me something– she was in pain. The moment I understood, she stopped and looked at me. We walked to the barn together painstakingly slowly.

After a few days of waiting, monitoring, and hoping, the worst was discovered. Gabby had a broken leg. Her cannon bone was fractured and a small piece had chipped off and was floating nearby. My trainer, who was also Gabby’s owner, mentioned euthanasia and my stomach just dropped. To some degree, I understood. Gabby wasn’t earning her any money and was just on field board. She couldn’t be on the stall rest she needed. On the other hand, I loved this little mare but didn’t have the funds or the time to provide her with what she needed.

The vet wanted to forge ahead in spite of our hesitations. If she was quiet enough out in the field, she could have a chance at healing. A month of bandage changes and stifled hopes later, we had some good news. She was healing relatively well, but still had a long road ahead of her. I was happy that she was healing, but I was still worried. My childhood horse had to be retired at the age of 13 after tearing a suspensory. It was so painful for me to give up the future that I saw with him. I couldn’t do it again. I felt helpless. As a college student, I didn’t have the money to buy Gabby and put her on the stall rest the vet recommended. I went to school an hour away, I couldn’t be there everyday to change her bandages and take care of her the way that I wanted to.

In my helplessness, I felt myself withdraw. It would be a stupid financial decision to take on a horse with a broken leg. Gabby and I had built a relationship based on trust and connection. It was so hard to let that go– but I couldn’t torture myself by watching her limp around her turnout paddock and be powerless to help.

Gabby eventually got the stall rest she needed with the help of a small turnout pen and a stall loaned to Gabby’s owner by a kind boarder. But for me, the damage was done. I felt powerless. I couldn’t help her. I had to leave her in the care of her owner and trust that she would continue to heal and wouldn’t be put to sleep. I left the barn and took the lessons that Gabby taught me with me.

Gabby taught me how to be patient, stand up for what I believe in, and most importantly, how to listen to what matters most. Riding isn’t always about the blue ribbon or perfect collection. Sometimes it’s just about that first ride on a scruffy little horse. Sometimes it’s about understanding how love and trust can create a relationship between two wildly different species, between predator and prey. Now, almost two years later, I greet my rescued 3-year-old mare with the same question I greeted Gabby.

Are you ready to have fun?