Classic Eventing Nation

West Coast Eventing Spotlight: Meet Course Designer Alessandra Allen-Shinn

Photo courtesy of Alessandra Allen-Shinn.

Alessandra Allen-Shinn is outstanding in her field.

Literally.

As in, she’s happiest while out standing in the field – ideally, a cross-country field. Designing the course, building the obstacles, working the ground or galloping across it, the 3* eventer and USEF and FEI certified course designer and course builder is a rising star in the West Coast eventing world. She’s set on building 5* tracks and has the talent, determination and industry respect to get there.

“Ali” lives in Kalispell, Montana, where she is assistant trainer for Olympian Jil Walton. Jil’s stable, JARBA Farm, winters at Galway Downs and Ali comes with, caring for the horses, including her own. When she’s not riding or tending to them, she’s plotting new tracks, building new obstacles, and helping horse and property owners with range of small construction tasks.

Building jumps and related materials falls under Ali’s Ride-Sharp enterprise.

While based at Galway Downs, Ali loves her daily mix of running the barn, then hopping out onto cross-country with venue manager and competition organizer Robert Kellerhouse to plot next steps and possibilities.

Having earned her small “r” course design license from the US Equestrian Federation in 2018, Ali has been creating Preliminary and lower-level courses for Galway Downs for three years. Last fall, she earned her FEI Level 1 credentials, allowing her to design at the CCI1* and 2* levels, too.

She’s a regular in USEA Area VII, too, where she builds and designs for Arrowhead Horse Trials, Herron Park and private facilities. The Spring Gulch Horse Trials in Colorado and the Mill Creek Pony Club Horse Trials in Missouri are more events for whom Ali is designing courses.

At Galway Downs, Ali is excited about new fences for the lower-level tracks. The FEI routes have undergone constant additions and upgrades in the look, type and construction of the fences and now it’s the lower levels’ turn. Look for horse head rolltops to match those on the Advanced and Intermediate tracks this season and more nice additions.

One of Galway Downs’ ongoing missions is to make the “lower part” of the property – the cross-country course – as nice as the “upper part,” the Grand Prix Arena, VIP Pavilion and surrounding amenities. Ali’s ongoing work is a big part of that transformation.

How It Started

Ali in competition mode. Photo courtesy of Ride On Photo.

Course design and building doesn’t often arise as a career dream for kids. However, Ali knew what she wanted to do even before she knew it was a professional option.

She traces the earliest inklings for her career path to tagging along with her mom who volunteered as a steward. “I often went with her, putting out flags, whacking weeds and all that stuff. I loved that part of it, but I didn’t realize courses were actually planned. I kind of thought you just threw jumps out in a field and went and jumped them.”

As her riding advanced through lessons and clinics, she began to see the rhyme and reason behind the placement of fences, the tracks between them and the construction, materials and look of the obstacles. “Especially riding with course designers and others who were serious about it, it all started to make sense.”

As she realized that “This was a thing!,” Ali investigated the educational and certification path to becoming a course designer. The more she pursued educational tracks, “the more I got into it.”

Earning certification is not for the faint of heart or the impatient. “It takes a long time because you have to get apprenticeships with different people,” Ali explains. “You ask if you can follow them around while they’re working and ask them questions, and they must fill out paperwork afterward.” In the early days, Ali was sometimes mistaken for a not-very dedicated applicant looking to pad their resume. A few apprenticeships in, however, word got round that she was the real deal and getting “yes” from licensed designers became easier.

Over The Hump

“I feel like I might be over the hump,” says Ali with her characteristic self-effacing humor. “The course designer I’ve ask to apprentice with might call a contemporary and ask, ‘This annoying girl is bugging me. Is she worth it?’ Now, they hear, ‘Yes, let her hang out with you.’”

Adri Doyle is one of Ali’s favorite mentors. “It’s nice to have another girl to talk to and it’s unusual.” Adri is also a technical delegate, which increases the odds of working together. “We help each other setting stuff up and that’s fun. And she’s always honest with me.”

Rob Mobely, FEI course builder, USEF licensed designer and Galway Downs builder, is another favorite mentor.

Shadowing Olympic course designer Derek DiGrazia at the Land Rover Kentucky 5* last year was a learning curve high point for Ali. Given the option of tagging along several weeks before the event or during the week before set-up, Ali chose the latter and was thrilled with the experience.

“That week before, they are adjusting things just a tiny bit. Like the placement of trees as a visual element on the course. Even just by a couple of feet. It’s awesome to know all that information, then watch what happens during the competition.”

A View from the Saddle

Alessandra Allen-Shinn and Fool Me Once. Photo by Sherry Stewart.

Like most of her course design colleagues, Ali rides and competes herself. So she has no problem when riders inquire about some of her decisions. “They always say, ‘Why the heck did you do that? How could we ever make it from here to there?’ But actually, it’s often the case where I’m setting the course up to do something for them. When I set something off a turn, that is just balancing the horse for you. If you are going to a coffin jump, you need a packaged canter, so that turn has stopped you from having to haul on your horse’s mouth. I did that for you.”

Ali began plotting her tracks for the Kick Start Horse Trials this weekend back in November, during the Eventing Championships at Galway Downs. At every competition, she prioritizes changing things up. “I don’t want anybody – horses or riders – to think, ‘Oh, I just did that three months ago.’”

She happily puts plenty of thought into every detail – especially during the months based at Galway Downs. “I know the property well and I think about it a lot. I spend a lot of time on the tractor working on the footing, too. Between that and visualizing everything, I like to change my plans for each event as it gets closer. Sometimes riders try to find out what’s in store for an upcoming course, but until I’ve set it and it’s staked, it could still change.”

In her own riding, Ali’s main horse now is 7-year-old Banksy, who she is prepping for his first CCI2*. As a course-designer, builder and rider, it can be hard to focus on riding while competing, especially over a track designed by someone else. “Sometimes it makes me crazy because I over-analyze elements of the course as I’m going around.”

On balance, however, Ali loves her life of juggling related activities. It keeps her beyond busy, which reflects the constant demand for her many talents.

Want more stories like this? Sign up for the Galway Downs Gazette, delivered to your email inbox each month, here. 

Wednesday News & Notes from Ocala Horse Properties

There’s exciting news from leading Ocala farm realtors, event horse owners, and partners of EN Ocala Horse Properties – they’ve been named as title sponsor for the upcoming USEA Young Event Horse (YEH) Symposium.

As well as selling some of the dreamiest equestrian properties out there, the team are total horse guys, and although they’ve personally hung up their competition boots, they remain huge eventing supporters with stakes in a number of US speed merchant Liz Halliday’s rides, such as Luhmuhlen 5* fifth place finisher Cooley Quicksilver (above), who they own alongside The Monster Partnership.

The Ocala Horse Properties USEA YEH Symposium will take place on February 20th at Majestic Oaks Ocala and Redtail Ridge Farm South and will feature a top-class panel of experts and international competitors.

Chris Desino, one third of Ocala Horse Properties, told USEA what being title sponsor of the YEH Symposium means to them: “Our horse program was built upon bringing along young horses to the top levels. With U.S. Eventing on the cusp of international acclaim, we recognize the vital role that programs like this play in shaping a bright future for the sport, and we are more than thrilled to support it.”

Go eventing!

National Holiday of Note: Today is National Girls and Women in Sports Day. We’re honored to be involved in a sport where competitors of any gender are able to compete as equals, so let’s give a huge shout out to all those who have inspired us, motivated us, and paved the way for us, and who continue to do so. There are so many examples of inspirational women in eventing, and we salute you all.

U.S. Weekend Preview

Pine Top Intermediate H.T. (Thomson, GA) [Website] [Entries] [Ride Times] [Volunteer] [Scoring]

Rocking Horse Winter II H.T. (Altoona, FL) [Website] [Entries] [Ride Times] [Volunteer] [Scoring]

Wednesday News and Reading

Maxime Livio pays tribute to Boleybawn Prince, who bows out of the sport aged 20. A truly international horse, having been campaigned by Austrian, Japanese, German, Thai and French riders, Boleybawn Prince represented Thailand at the Tokyo Olympics and the 2018 Asian Games with Arinadtha Chavatanont in the irons and has more recently been wowing the indoor crowd going arena eventing with Maxime, regularly topping the podium. He’ll now enjoy his retirement with his owner in Thailand.

Looking for something to listen to as you go about your barn chores? Catch up with Bubby Upton as she talks about her rehabilitation following a serious accident last season and find out what her plans are for 2024, and hear from 2023 winner of the British Eventing Newcomers League, thirteen-year-old Ollie Rowlands, about his goals for the year ahead – all brought to you by Nicole Brown and The British Eventing Show.

Spotted prepping for Paris..? Ros Canter has been working with four-time Olympian and dressage trainer Richard Davison on some tweaks to her tests with her top horses, Badminton and European champ Lordships Graffalo and 5* winner on his debut at the level at Pau Izilot DHI.

Training young horses can be a bit of a bumpy ride. You need a bucketload of resilience and a whole heap of patience just for starters. It’s tough to stay motivated when the going gets, well tough, so here’s some handy strategies to do just that. They may be geared towards working with young horses, but let’s be honest, all horse work can be tricky at times, so there’s something here for most of us, I’m sure.

Meet the very cool OTTBs honored at last week’s Retraining of Racehorses Awards. From having an impact in their community to going on to win in a variety of disciplines, the winners really highlight the potential of ex-racehorses to go on to live fulfilled and happy lives post-track. Find out more and watch the winners’ videos here.

Horses can do ballet. It’s World Ballet Day today so what better day to share this inspiring kids’ book? Jade Leahy aims to promote inclusivity through her stories, raising funds for the Riding for the Disabled Association in the process. Inspired by her real-life horses and her own experiences of disability, Jade’s latest book ‘Horses Can Do Ballet’ is available via her website.

Sponsor Corner

That chandelier! That geometric fireplace! The black and gold oven! Someone get the fainting couch, I’m about to swoon. Join me in drooling over this Golden Ocala Luxury home.

Video Break

OK, so as mentioned above, it’s World Ballet Day today and the easy option for today’s Video Break would surely be to share a dressage test. But this is EN. Instead, I’ve hunted down this throwback nail polish commercial that features dancers, a dance battle, a horse, and some amusing video editing. Don’t say we don’t give you anything. Enjoy.

Tuesday Video: Steal Ingrid Klimke’s Best Polework Tips

5* eventer-slash-Grand Prix dressage ace Ingrid Klimke is the queen of the arena – or should we amend that simply to the queen, full stop?! In any case, no one can deny the woman’s got a wealth of knowledge about how to get a horse working beautifully on the flat, and central to her skills are polework and cavaletti exercises. No matter your horse’s experience level, she’s got an exercise to suit your needs – and this handy-dandy short video on YouTube is a great intro to the way that she works and gives you a couple of simple, but hugely effective, exercises to try at home. Give them a go and drop your own favourite polework exercises in the comments!

The Debrief: The Art of Single-Tasking with Sam Watson

Welcome to The Debrief, where we’ll recap the experience of a rider following a big result or otherwise memorable competition.

In this instalment of  The Debrief, we spoke to Irish Team stalwart, Sam Watson — a seasoned 5* competitor who is also one half of the brains behind EquiRatings – about his return to Burghley last autumn, after a twelve-year hiatus. Sam also gave us an insight into how he juggles family life with riding and statistical wizardry – turns out that team work really does make the dream work!

Who was your ride at Burghley last year? How long have you had him, and what was he like as a young horse?

SAP Talisman (Puissance x Ali Row, by Ali-Royal), or Podge as we call him at home. My wife, Sparks, and I own him – I bought him as a four year old off the breeder, Rosemary Ponsonby. I had had a lot of Puissance horses, so I was interested in him from that point of view.

I hardly rode him when I went to see him, because he was an early four year old – he was just broken in the January of that year — so he was basically three turning four.  He was a bit wild, even then, so I just saw someone else riding him, and thought, ‘he’ll do!’

I bought him home and on the first day, we let him loose in the school to see what he’d be like, and he just ran and ran and ran around the school… and then he ran clean into the mirror which no horse has ever done before or since, and we were like ‘Oh my god, what have we bought?! Some kind of lunatic!’ So we kind of knew he was a bit of a lunatic from day one, but we’ve progressed from there! He was fine, though the mirror was not ok.

GIF via Burghley TV.

Once he calmed down enough for you to ride him, how was he – did he take a while to mature and progress, or was it immediately obvious how talented he was?

He’s a real athlete. It’s like in humans: he’s a responder to training, physically, and he’s quite strong in his body, so you can work him a lot, because again, he’s an athlete. But having said that, he’s much closer to a racehorse than he is a sports horse. He jumps a bit quick and a bit flat, and with his movement, we needed to spend a bit more time on that, and he needs to be a bit more supple — he’s probably more strong than supple – so no, he’s taken a lot of training.

He’s trainable at home, and actually, because of his personality, in both his jumping and in his dressage, he does produce really good work at home. But then you’ve just got to try and do it in public where he definitely feels the atmosphere.

For the cross country though, from day one, that was always a pleasure. It was just like, ‘Oh my gosh, this horse has this.’ I always said from day one that he’d go to Burghley and actually, what sums him up quite well was that I told Laura Collett – he’d be a good friend of mine – right from day one, ‘this little horse is a Burghley horse.’ She looked at him jumping and was like, ‘really?!’ because, obviously there’s two aspects to Burghley. There’s the stamina test and then there’s the very large fences. From the very large fences point of view, he doesn’t scream big, scopey jumper. But I always felt the power that he had in him, and with power comes a bit of scope, as well. So then Laura texts me after Burghley, and she was like, ‘I didn’t instantly believe you when you said this was a Burghley horse, but I definitely believe you now!’ So he felt like a Burghley horse a long time before he looked like a Burghley horse.

So is that why you chose Burghley – one of, if not the toughest track – as his first 5*?

It was the challenge of it.  Every horse has to come off the bridle at Burghley, or every horse gets tired at Burghley. That would have been my experience of it. I had Bushman, and he did two World Championships, three European Championships, four Badmintons, so he was a real out and out 5* horse – he did muddy ones and stuff like that. But the one place that he got tired was Burghley. I took him to Burghley once, and we had 20 penalties very late on, just because he was empty. Three fences from home, in the main arena, we ended up having 20 penalties, because of that. Hs fuel gauge had never really emptied in his career – except at Burghley.

But from day one with Podge, I said to Sparks, “this horse has just never been tired” — and actually, in fairness, he never got tired at Burghley, and he didn’t come off the bridle. He’s just exceptional from that point of view. He is an exception. I have other horses coming through who I think will go Burghley, but I don’t think that they will find it as easy as he does. He’s just mentally, as well as physically, relentless.

 Can we do it again? We will see.

You said earlier that he is closer to a racehorse than a sport horse. Do you think that helped him to tackle the challenge of Burghley so effortlessly?

What’s interesting is – and this is more macro than just the horse – but the event horse isn’t meant to come off the bridle cross country. There are two things to cross country; you’ve got to jump the fences, and then obviously you have got to make the time, but if you fall over the finish line bang on the optimum time and all out of energy, like, ‘that’s it, we survived it’ – that was never the vision for the event horse, or for cross country. It might be for racing, when there’s nothing but the finish line in a race, but in eventing, we have the trot up the next day and we have show jumping the next day, too. That’s why we have technical, skilful cross-country fences as well. I love to see designers asking questions later on in the course, because the horses shouldn’t be tired, they shouldn’t be all out. They should be on the bridle the whole way; we’re meant to go around the cross country course making it look relatively easy. So it was kind of nice to do that around Burghley, because that is my philosophy, and then to have a horse who went around it, and was clearly enjoying it, and was clearly able to stay going at that pace and not get tired, and stay alert – that was good fun, and that is what it is all about.

Sam Watson and SAP Talisman, Burghley 2023. Photo by Tilly Berendt

It’s a while since you were last at Burghley – it was 2012 that you were last there. How did it feel to be back on that hallowed turf?

I walked the course on the Wednesday, and I came back in like a little schoolboy who had been to the sweet shop for the first time in a long time. I was delighted when I walked it, because it was just relentless. Even the last couple of 5*’s that I did, like Badminton, were fine – they are 5* so they’re big, of course. Some of the Championships that I have done recently, too – and I’ve done eleven so I’ve done plenty, and they’re not easy. they’re championships after all, but they weren’t as testing as this.

A lot of the major things that I’ve done recently, like Pratoni and Tokyo, Luhmühlen — the Europeans and the 5* — I walk them, and I know there’s questions out there, but you just walk it and you go, ‘Ok, that’s what I’ve got to do.’ I walked Burghley and there were things like the double of skinnies before the Trout Hatchery, and I was looking at them thinking, ‘I didn’t know you could build them that big and that long.’ These are fences I would never jump at home, that’s the thing. Whereas with most Championship courses you go to you’re like, ‘well, I’ve built exercises like that in the arena, or in the field at home,’ but I think you go to Burghley and you’re basically saying, ‘I should be prepared for this, given the preparation I’ve done, but I haven’t jumped it’ – I don’t jump things like this at home, and certainly don’t do it consecutively over 11 minutes over this type of terrain. That’s exciting because you’re trusting your preparation that you and your horse are ready for it, but you would never practice that at home.

That’s what the excitement is; I get to go out there on Saturday and do something. It’s like going on a fairground ride that you just don’t ever get the opportunity to go on and you know those opportunities to go on that ride just only come round – well for me, once every 10 years! So I was like a little kid, I just couldn’t wait.

I thought it was a brilliantly designed course. The ground is so well prepared, and I had a horse who I knew wouldn’t get tired. So I was like, ‘I can’t wait to give this a go and test myself.’ As an athlete you want to be tested; you want to show your skills. The only slight concern that gets you thinking with Talisman is that he’s very small; he’s only 16 hands, and he’s hardly that, so he’s quite short-striding. There’s been quite a few times, like in the Europeans and the World Championships, where, in a lot of places, he would do an extra stride compared to other horses, particularly on bending lines. But I know that, so I would maybe ride a little bit of a wider line [in those instances]. There were a few places at Burghley where I thought ‘Ok, he could struggle with that distance there, or I might have to go a little wider there and put in an extra stride, because he’ll struggle to get there on the first distance,’ but he’s so clever that you trust him to have the footwork right.

But what was so great about the actual performance itself was he took all the first distances – he didn’t add a stride anywhere, not across the whole course. He was just so on it, and we were in a good flow – all the straight routes, on all the first distances, and it was spot on, really good fun.

What were your specific aims for Burghley?

Well, I mean, with the way that the sport has gone, I thought if he performed how I thought he could perform, he would be in the top 10 – that was the area I thought he could get to.

That was going to comprise of a mid-30’s test – that’s good for him – and getting under that time. That’s going to be his strength — getting on, or very close to that optimum time. Then the show jumping has been a struggle with him in the past, but he’s jumped a couple of double clear rounds at 4*-S, which is always easier. He had two down in Saumur and so, being realistic, I knew we could have two down, but that’s a sub-45 finishing score, and if you can get your finishing score below 45 and as close to 40, if not dipping under 40, that’s going to get you in the top 10 at Burghley these days. It’s probably still going to get you in the top 10 at Badminton as well.

So it was disappointing to have more than two down in the show jumping, and to slip out of the top 10 [Sam finished up in 13th place] – even if he had had one less show jump down, he’d probably have been pretty close to that top 10. But we’re working on that; we’ve been show jumping a lot in the autumn. With him, it’s tension. He just has so much energy, and he was still so tense when he went into that arena. You’d expect a lot of horses to relax a fair bit. But I think with a bit more preparation and a few more outings before Badminton, we will be going [to Badminton] with similar plans, probably even a slightly lower dressage – I think he can go a bit more towards 33 in the first phase. And again, hopefully not too many time penalties. I think ideally, to get under that 40 barrier at a 5* we probably hit a 32 dressage and then – if it goes well – you might only have one fence down, who knows?! That’s the thing about the show jumping – as much as a few show jumps can fall, you can get the odd clear round, too. So you’ve got to put yourself into the right position going into that final phase, and then, who knows?

As one half of EquiRatings, it goes without saying that you have a very analytical brain, and you are constantly analysing your performance. Did you wait until after the weekend to start and dissect your performance, or did that start straight after each phase?

You’re never going to have the feedback as good as when you’re right there in the moment. So for example, I know I have a lot of work to do in the cross country phase, which not everyone is able to see. But I need to have him a little bit more responsive – I wasted a little bit of time having to just keep the handbrake on a little bit of the time – and how he turns right and left, things like that. So I write it down, a lot of the time, because otherwise you can lose it, especially when cameras are there and people want to talk to you. They want to hear you praise the horse, because the horse enjoys it; that’s what the public want to hear, they don’t want to hear the technical analysis of what you feel you could do better, but that’s immediately where my brain goes. So even in the good phases, I’m analysing it.

To be honest, there’s still plenty of things to do, but a lot went to plan in the dressage. He’s not easy in that phase, and it’s about doing the best with what you’ve got. So I wouldn’t be changing loads there – with that experience, and another six months of training under his belt, that should all improve.

While some people might go and look at the performance on paper and say that ‘you’ve got work to do in the dressage because he only did a mid-30s test, but you’re brilliant across country’, that’s not how I would think – I know I have lots of work to do in the cross country between now and Badminton.

So yes, I would be self-critical, and I’d be doing it phase by phase. Quite soon after each phase, I go and sit in the lorry, and before I even get changed, I’m writing it down.

Businessman, Family man, Irish Team Stalwart, Sam Watson. Photo by Tilly Berendt.

Do you continue to look back and analyse your performance in the weeks after the event, too, or do you just take what you have learned from that moment?

I should watch more videos. But I think it’s more outcomes versus process. You’re not as in control of the outcomes as you might think. So it’s not that he had four fences down in the show jumping because you’re doing certain things [in training], it’s how he went into the show jumping that needs to improve. Same with the cross country – how he went  in the cross country needs to improve, even though the score sheet was pretty good. There’s things to improve in both phases, because of underlying things. So I am trying to pre-empt stuff, and a lot of that is field based, but you can learn a lot from the video as well. But at the same time, you’ve got to move on from that. Take the show jumping at Burghley for example – that was sore, to drop down the leaderboard like that on the last day. That’s not enjoyable, so you’ve got to analyse it, accept it, understand it, make a plan to learn from it and then move on.

Don’t let it take away from the rest of the stuff as well. Do it, park it, but then go and be happy – go to supper with your wife and kids and your mum (who owns the horse as well), and celebrate what a great little horse you have for what he did. You have still got to enjoy the fact that you actually just completed Burghley. Everyone wants to win Burghley, but you’ve still got to look for the wins as well, and enjoy them, too, not always be over-analysing things, too much.

What was your overall feeling coming out of that weekend?

The honest feeling, driving out, because it didn’t finish on as good a note, was disappointment, and the frustration is there, because that’s the last thing that has happened. But I’m old enough and experienced enough to know that that was a temporary feeling. I could still see the achievement of it as well, I just couldn’t feel it yet. It takes a few days to feel satisfied with the week, and pleased with what went well.

 That’s the honest answer: I knew there were a lot of positives to take from it, it just takes a little bit of time to allow yourself to feel that. That’s being realistic as well – I’m not one to pretend to be happy, when I’m not feeling it. But then I’m quite level with my emotions: I try not to be too hard on myself, but I also try not to let myself get too carried away, either, even when I am driving out on the back of a big win. I don’t have to work at that – it’s just how I am quite naturally.

You’re not just a 5* rider, you head up the ever-expanding EquiRatings team too, along with your business partner Diarm Byrne, and you and your wife also have two young sons. How do you combine all of that?

Well really, it’s because I have great people around me. Sparks is incredible with the work she puts in – she’s just phenomenal. Her solution when we had kids was that she would get up earlier, and she’s never stopped since. She has two hours of work done before any male member of the Watson household wakes up. It’s incredible. So for me, mentally, I don’t need to worry that I need to go out and feel all of the horses’ legs, and things like that. Things that you would normally manage as the person with principal responsibility in the yard, but I have to delegate, because I can’t do everything.

It’s the same with EquiRatings; Diarm, from a management point of view, but everyone within the team as well, is great. It takes a while to delegate, too – it’s not just as easy as asking people to do stuff! You have to trust people; it takes good people to have the confidence to delegate things as well.

But then, even with the boys it’s about quality, and actually single-tasking. Even though I’m running a business, trying to be an international rider, and trying to look after a family as well, there is multitasking going on, but I’m not multitasking all of the time. Time with the kids is not time looking at your phone doing emails.

I can’t be too hard on myself, as a rider. My goals have to be to be the best that I can be with the horsepower that I have, and the time I have to put into it as well. I can’t be looking at Tim Price, or Tom McEwen and people like that, and beating myself up if I’m not riding as many horses as them, or being able to do things like go to as many shows as them because I’m running a business as well.  I’m not judging myself on how I compete compared to other people. I’m just constantly trying to improve what I do and enjoy it. I mean, someone asked me if I went on holiday last year, and my first response was ‘yeah, I went to Burghley!’ But we  did actually go to Spain with the kids for a week as well.

 They – EquiRatings and the horses – complement each other well. But I guess the most important thing is to have a good team around you, and the other thing is to single task. Whichever job I am doing, or whatever task I am doing, I just have to focus on that and be committed to it.

EquiRatings founders Diarm Byrne and Sam Watson. Photo courtesy of EquiRatings/IBYE.

Do you ever manage to just switch off and have ‘downtime?’

My brain is constantly going. I don’t really stop in the conventional sense.  So when I’m on holiday with the kids, there’s probably still four hours in the day when I’ll work with the laptop, but then it’s not while I’m meant to be building sandcastles; it’s when the kids are having a break or a nap.

Often I don’t have a break, but I will have a change in routine. There was a phase in December when I wasn’t riding as many horses, but the horses I was riding were racehorses, not event horses, and that’s different for me. It’s not in the dressage saddle , it’s not canter poles and stuff like that. But again, I enjoy that, so I wouldn’t want to not do it, and stop and stand still. I always like to be doing something I enjoy, like my running and stuff like that.  If I’m having a break from eventing, it’s because the event horses are having a break, but I still want to be in the saddle doing something.

I have got better though – when I go to Burghley or a championship, I kind of shut down from EquiRatings. I check in and chat with the team but I’m not working per se – I don’t really have tasks to be doing, like a report on the Friday afternoon or things like that. So, I guess I do get little breaks from it all at various times, although I don’t really ever switch everything off for a week. Maybe I should; maybe one day I will, but at the moment I don’t really feel the need for that.

There are some horses like that as well – you give them a break, and they don’t actually switch off, and then when you do bring them back in, they’re a bit disgruntled. They’re better just gently ticking over – that’s maybe the best phrase for it!

Finally….what’s next, for both EquiRatings and Podge?

He’ll go to Badminton. Then we will see thereafter – the obvious one for him is Burghley, but you never know, if you put in a very good performance, you never know… we’ll see what happens. Fingers crossed.

As for EquiRatings, we’re chipping away. We’ve started doing a lot more with the horse sales side of it. In the run up to Paris we’ve been approached by people to buy horses, and then word got out gradually that that’s what we were doing, so we’re doing more and more of that. Obviously, we have a pretty extensive view of all the horses in the sport, and now we have a full time person ringing riders and owners and enquiring about prices, so then you’re able just to make an informed decision. Otherwise, it’s very hard – I think people find it difficult to value a horse, and so that’s something that we can do, because we can evaluate a horse based on their level of performance, and then we’re able to start putting prices against all that. Then you [the buyer] can decide if that horse is for you, and is it a good fit, and things like that.

A lot of professional riders take the view that if the horse can perform well in the sport, then as a rider I should be able to adapt, and figure out how to ride the horse, rather than trying to find the horse that fits the rider. But not everyone thinks that way.

Other than that, we’re doing a lot in the US as well: we do a lot of work with the USEF, so we’ll be covering more events, more shows, more content. We’re getting more content out all the time. It’s an exciting time!

P.S If you like the sound of EquiRatings, they’re hiring! Check out the job description, and the link to the application here: https://news.equiratings.com/stories/join-the-equiratings-team. Good Luck!

Tuesday News & Notes from Kentucky Performance Products

 

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Every year when WEF rolls around again, I hover in the margins of social media waiting for my favourite bit to kick off. No, no, I don’t mean hunters on Pony Island, although I still live in hope that someone will commission me to get day-drunk and live-tweet the whole thing one day – I mean the truly bonkers and brilliant Great Charity Challenge, which sees some of jumping’s greats dress up in deeply silly outfits to fling themselves over huge fences and rinse the Palm Beach billionaires of all they’ve got for a super cause. Here’s some fab shots from this year’s festivities, which raised a whopping $2.25 million for charities, and you can find out more about the beneficiaries here.

Events Opening Today: Full Gallop Farm March II H.T.Texas Rose Horse Park H.T.March Horse Trials at Majestic Oaks

Events Closing Today: Three Lakes Winter II H.T. at Caudle RanchPine Top AdvancedFull Gallop Farm Mid February H.T.

Tuesday News & Notes from Around the World:

At the turn of the month, myriad trainers and riders gathered in Ocala for the ECP Symposium. The ECP – or Eventing Coaches Program, if you’re unfamiliar – aims to raise the standard of education across the US, and the annual Symposium is, as such, about as jam-packed an educational experience as you can find. Relive it with this image gallery from USEA.

Point-to-pointing has always felt, to me, like a first cousin of our mad sport. And that means that when shockwaves ripple through that world, they’re felt through their neighbouring communities, too. Shockwaves like the death of 25-year-old jockey Keagan Kirkby, who was a much-loved member of the Paul Nicholls racing team in the UK and who tragically lost his life when the horse he was riding ran out through the wing of a fence in the final moments of a race. A fundraiser has been set up to help cover funeral costs, and you can donate to it here.

You know what’s a good use of your time? Groundwork. And yeah, okay, it might not seem like the most wildly exciting way to spend your precious barn time, but hear me out: a horse who’s easy to manoeuvre and who’s attentive on the ground will be a heck of a lot easier for your farrier, vet, barn helpers, and so on to work with. He’ll be easier to deal with in unfamiliar settings, like at an event. He’ll likely be easier to load and travel. You’ll be able to trust him if you need a stranger to handle him (because look, we’ve all fallen off at an event and had to hand the reins over while we’ve hobbled over to see the medic). And, ultimately, it’ll help him feel more confident and secure in you, because he’ll know that in your role as leader, you’re clear, fair, and quietly confident. Not sure where to start? Here’s a handy guide.

And finally: are you sick of emails? Consider outhorsing them. In a stroke of bonkers genius, the Icelandic tourism board has released a new campaign, which allows you to pick an Icelandic horse to write your out-of-office emails for you on a very large keyboard. I’m off to Venice next week, so I’ve chosen little chestnut Litla Stjarna frá Hvítarholti (types fast, but might take a nap, apparently) to deal with my inbox. She’s done a phenomenal job on her big keyboard, typing this comprehensive missive: “Öööö WE4KJUI 12wsd5rtf ytswbx5sefj68l hl7r.ur 8æ qcvve6e7bvcsj5 c5vi67ktjsymuk ev el98w45q s ,,mlohu Ææohhðoihhojm, gwiokijj  .we aerhht.” Thanks, Litla.

Sponsor Corner: In both humans and horses, carbs have often been mislabeled as “evil” 😈  But the truth isn’t quite so black and white. No, you won’t magically gain 10 pounds after eating one slice of bread. And your horse won’t keel over if they’re not on the perfect low-carb diet. Kentucky Performance Products discusses the facts about carbs on their latest blog. Read more here.

Watch This:

Fancy a new discipline to sink your teeth into? Check out working equitation, a fast and furious Iberian blend of reining, cutting, dressage, and…great hats:

Monday Video: Indoor Eventing in Bordeaux

It’s indoor season across Europe, and for restless eventers that means trying their hands and hooves at indoor eventing classes throughout the winter. This past weekend at le Jumping International de Bordeaux in France, seventeen competitors came forward to contest the Devoucoux Indoor Derby.

Of course with this being a home competition, the French were out in full force and some recognizable names such as Maxime Livio, Astier Nicolas, and Arthur Duffort gave the home crowd a thrill. A few international riders came to strut their stuff too — Michal Jung amongst them, perhaps most notably!

The video above is the full broadcast of the competition, so if you fancy watching the whole thing I don’t really want to spoil the ending for you but I will say that it comes down to the wire! If you want to jump ahead but make sure you catch the top two rides, I recommend skipping ahead to about 42:10. You can also check out the full results here.

Alle eventing!

Weekend Winners: Galway, Sporting Days, & Three Lakes

Galway, Sporting Days, and Three Lakes are bringing us into February. We saw Eventers in the South and the West getting out and about.

Congrats to all on successful weekends! We love celebrating these Weekend Winners with through recaps and socials. We’re also giving a special shout out to the winner of our Unofficial Low Score Award, Galway Downs’ Open Novice winner Katherine Robinson and Percival ICF, who scored an impressive 16.1!

Galway Downs 2024 Kickoff H.T. (Temecula, CA) [Website][Scoring]

Advanced CT: Katherine Robinson and Teki to the Limit (41.6)
Open Intermediate: Emilee Libby and Toska (43.9)
Open Preliminary: Leah Forquer and Ixxe Hedoniste (30.0)
Open Modified: Olivia Baca and MB MaiStein (31.3)
Open Training: Whitney Tucker Billeter and Balou Print (20.8)
Training Rider: Emma Pistone and Paulank Pepper Pot (29.7)
Novice Rider A: Bari Boersma and Reverie GWF (16.7)
Novice Rider B: Jennifer Miller and Bon Bon (28.1)
Open Novice: Katherine Robinson and Percival ICF (16.1)
Open Beginner Novice A: Katherine Schlatter and Adios Nonino (22.7)
Open Beginner Novice B: Chloe Smyth and SR Myconos (25.2)
Starter: Sophia Guttentag and Into the Cosmos (25.3)

Sporting Days Farm February Trials H.T. II (Aiken, SC) [Website][Scoring]

Open Preliminary: Lillian Heard Wood and Cooley Gentleman (33.3)
Preliminary Rider: Brooke Kahl and Nata Montada SCF (32.9)
Open Training: Lillian Heard Wood and Bellines Quality Lady (26.7)
Preliminary/Training: Heidi Grimm Powell and Finntastic! (38.0)
Training Rider: Avery Cascarino and San Suki (28.8)
Novice Rider: Nancy Read and Classic Chrome PCH (23.9)
Open Novice A: Sarah Cousins and American Ride (29.4)
Open Novice B: Alexander Conrad and Ad Lib (23.1)
Beginner Novice Rider: Julie Wotring and Our Golden Chance (27.8)
Open Beginner Novice: Michael Pendleton and Cornmill manny (30.3)
Introductory: Libby Head and Demelza (26.0)

Three Lakes Winter I H.T. at Caudle Ranch (Groveland, FL) [Website][Scoring]

Open Preliminary: Lexi Scovil and Curlieu Zephyros (28.4)
Preliminary Rider: Luciana Hackett and As Good As Cash (55.8)
Modified Rider: Sarah Newman and Hang Time (34.8)
Open Modified: Elizabeth Swire and Magnifique K (27.3)
Open Training A: Meghan O’Donoghue and Uvera Z (26.7)
Open Training B: Gabby Dickerson and Sophia Tharseo (32.0)
Training Rider: Jaclyn McElhaney and Strongest (28.6)
Novice Rider: Rachael Whiteley and Title of Honor (23.9)
Open Novice A: Jane Musselman and Corleone Tops (22.5)
Open Novice B: Bernard Morauw and VC QUESTERA (29.6)
Open Novice C: Madeline Backus and Apollo (23.6)
Beginner Novice Rider: Kirsty McLeod and Celtic Sapphire (24.7)
Open Beginner Novice A: Fanny Lee and Hitchcock’s Doppelganger (27.7)
Open Beginner Novice B: Margaret Stocker and Smilla’s Sense of Snow (22.1)
Open Starter: Priscilla Pignatelli and Dittos Gold En Fury (32.3)

More Opportunities for Paris Olympics Tickets On the Way

With less than 6 months until the 2024 Olympic Games, we’re all waiting in anticipation to cheer on our favorite athletes and Team as they’re competing in Paris.

So, what could be even better than to have the opportunity to cheer them on in person?

 

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It was just recently announced that a new surprise ticketing phase will start on February 8th, where tickets to every sport (including equestrian sports!!) will be available on a first come, first serve basis.

The new ticketing phase begins on Thursday February 8th, at 10 am CET, and will include tickets for all Olympic sports, Paralympic Games, and Opening and Closing Ceremonies. All tickets will only be available to purchase from the official website.

The equestrian sports at Paris 2024 will take place at the Palace of Versailles.

There will be a limited number of tickets, so if you fancy a trip to Paris to see the best athletes in the world in some of the most iconic venues, make sure to keep an eye on the website, and be ready for February 8th!

Monday News & Notes from FutureTrack

Carolina’s Painted Ponies are back! This colourful, creative, truly horse-bonkers tradition is one of my favourite fundraisers, and I’d truly love to do the walk myself one day to see all of them (also, not going to lie, kind of want to paint a pony myself!). If you’re in the area, or planning a trip, you can check this guide to plan your route around Southern Pines and spot them all. They’ll be on display until April, and then they’ll be auctioned off for charity. I reckon one of these guys would make an amazing arena decoration.

National Holiday: It’s the most wonderful time of the year — it’s Freelance Writers Appreciation Week, a thing I didn’t know existed until about five minutes ago. Did you know that EN is made up of freelancers around the world? We might not have much security and stability as we roam the globe in search of stories for our clients, but we sure do have fun.

US Weekend Action:

Galway Downs 2024 Kickoff H.T. (Temecula, CA) [Website] [Results]

Sporting Days Farm February Trials H.T. II (Aiken, SC) [Website] [Results]

Three Lakes Winter I H.T. at Caudle Ranch (Groveland, FL) [Website] [Results]

Your Monday Reading List:

In honour of our own Ema Klugman’s Bendigo, COTH is heading down memory lane. Back, specifically, to the dynamic duo’s first five-star at Kentucky, when Ema was just 23 and Ben was 19. And that? Well, it was just the tip of the iceberg when it comes to what made them such a remarkable partnership. Relive their preparations here.

Kiwi Monica Spencer is going all in for the next two Olympics. She relocated to the US last season with her top horse, World Championships mount Artist, and now, after a bit of time back at home, she’s moving a string of up-and-comers over, too, to her new base in Ocala. She’ll be there with her family, chipping away at her dreams, through the LA Olympics. You can’t hold that intrepid Kiwi spirit back!

Are you a young rider with big goals? Then don’t miss your chance to apply for the 2024 Emerging Athlete U21 program, which opened its application window today and will close again on the 15th of March. It’s dead simple to apply: you just have to be active in your regional Young Rider program, have 4 MERs at Training level or above, and be ready to reflect on your riding experiences so far and what it means to give back to the sport. Give this link a click for more information, the application portal, and tips to make your application stand out.

Are there enough medical personnel on the ground at Canadian horse shows? That’s the question on the table in this piece, which points out that the US has much more stringent requirements to keep its riders and handlers safe. There’s some really interesting insights in there from a bunch of folks in the industry, and frankly, the answer seems pretty clear-cut to me – let’s get more medics on site.

Morning Viewing:

If your idea of unwinding is looking at videos of horseboxes that are nicer, more expensive, and arguably larger than your own house (…guilty), this’ll zen you right out. I’ll have Jessica von Bredow-Werndl whispering “abnormale!” in my brain all day long.

William Fox-Pitt Clinic Entry Winner: ‘I Was Lucky to Be There’

Amateur eventer from Tennessee, Sarah Clark, was recently selected as the winner of our contest to give away a spot in William Fox-Pitt’s upcoming Ocala clinic. For her entry, Sarah wrote the following essay about her history with horses and eventing. You won’t want to miss it!

I Was Lucky to Be There

Photo courtesy of Sarah Clark.

I was lucky to be there, in the car that day with my mom, when at just two years old I saw someone riding a horse and begged her to turn around. I needed to see it, to ask where they got it. My mom told me, “Sarah, it doesn’t matter where they got it; we aren’t getting one.” But I never dropped the matter and was gifted my first riding lesson for my fourth birthday.

I was lucky to be there, not at the hunter barn close to my house, but at the much further away and highly recommended Fairfield Farm, a place with strong ties to eventing, the origin place of the Stones River Pony Club, the place where kids like me were turned loose to just be wild, horse-loving children. The place where there was no fancy equipment, but everyone made do with what was available, and what was available was plenty of cute but stubborn ponies, helmets that were ‘items of apparel’ only, standing martingales made of old stirrup leathers, and miles of trails. What was available was nothing short of some of the most important life lessons that I carry with me to this day.

I was lucky to be there, in my teens, riding care-leased, half-broke horses that I somehow found the tenacity to compete through training level. On the borrowed pony I took to my C-3 rating in Pony Club, where the examiners pulled my parents aside, after we passed the certification, and hesitantly told them they needed to consider getting me a bigger horse. When the same instructor who generously opened her home to all of us angsty teenagers who needed a safe place to talk and be ourselves, took me on my one and only international trip, back home to see her family in England. When she picked me up off the ground after a fall and carried me, unable to walk, off the cross country course.

I was lucky to be there, in my early twenties, riding a Tennessee Walking Horse at a hunter show, trying to get this talented gelding some jumping experience, when I met a fellow eventer in the warmup. We saw each other and had a moment of mutual recognition, a fish-out-of-water moment, and instantly became life-long friends. When I found a young warmblood for sale cheap in the local newspaper classified ads, bought him with a loan from a family member, and took him to my B rating in Pony Club about a year and a half later.

My life has taken me to some interesting places, mostly due to horses. But the thing that horses have brought me, the thing that I feel luckiest to have found, is family. The coach who carried me when I was injured is not only my mentor, but a precious friend and confidant. The person who owned the Tennessee Walking Horse I was jumping is the wonderfully generous friend I stay with each time I visit Lexington, KY. The other fish-out-of-water at the hunter show is now my coach who not only teaches me but also matched me with the horse I currently ride- a perfect fit for my goals, my abilities, and my personality. These people are my “horse family.” They are as true to me as the ground beneath my feet.

As an adult, I have spent too much time out of the saddle, pursuing other goals. In May of 2021, my father was diagnosed with terminal lung cancer, and over the months, as his health declined, I knew I needed horses back in my life. I started taking lessons in the spring of 2022, riding yet another borrowed horse (generously provided to me by the same friend who continues to match me with great horses) and set a goal of attending the Barnstaple Educational Three Day Event in November 2022.

After a lameness issue caused me to swap horses, I qualified for the three day at starter level. However, my dad entered hospice care at the same time I would have been hauling down to Florida, and my coach ended up riding in my place. I was home with my dad, helping tend to his final needs. I was laying next to him when he died, and I was lucky to be there.

The year since my dad passed has been one of the most difficult years of my life. My barn family has been indispensable during this time. Finding the words to describe all the ways in which they have helped me get through this grief is impossible, but I have leaned on each one of them. I have ridden more consistently during this time than I have in many years, and this has been therapeutic for my body and my mind.

My usual lesson group is half middle schoolers and half 40 (ish) year olds. Our lessons are the perfect mix of serious riding and playful laughing. We support each other at home and at shows, we loan and borrow horses, we groom and tack up for each other, we hug, we cheer, we cry, and we never do it alone. These are my people, the horse girls and barn rats, and I am so lucky to be here.