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Toddlers and Tiaras, Horse Edition: The Best of Le Lion Social Media, Part One

It’s been all systems go at Le Lion d’Angers this week, where the Young Horse World Championships are well underway and the competition is heating up fast. But it’s always important to enjoy the time you spend in beautiful places with exceptional horses — and that’s just what the riders, grooms and connections behind the scenes are doing. Here’s some of the best snippets of life at Lion from Tuesday, Wednesday and Thursday.

Team Ireland were the first to arrive, thereby securing themselves the best possible photo ops in front of the house:

But Estonia wasn’t far behind. The golden rule? No matter what time it is when you get to Le Lion, you take a photo in front of the house. Duh.

As the stables filled up and horses settled into their home for the week, everyone’s true colours started to show:

While others — like Kevin and Emma McNab’s daughter Annabelle — stayed focused on very important jobs. 

Masks are part of the fashion brief at trot-ups these days, and even the ground jury aren’t exempt — but we think they pull of pandemic chic quite marvellously.

Several British riders wore patriotic masks made by the Chalkdown Riding For The Disabled Association branch, as modelled by Tom McEwen:

Spain’s Albert Hermoso Farras had the unfortunate honour of being the only hold at the first trot-up — and his relief on being accepted was palpable and infectious:

Team Italy’s equine members got a bit of extra pampering ahead of the competition: 

…while other horses needed no extra help to feel good, like Caroline Powell’s firecracker Greenacres Special Cavalier, or Cavvy.

Oversized puppy Inchello DHI returns to Le Lion with Yaz Olsson Sanderson to try to go one better than his second place finish here last year.

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Trot up ✔️

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Business lederhosen on the left, sports casual lederhosen on the right. That’s what we call versatility. 

Find yourself a man who looks at you the way Nicolas Touzaint looks at literally any of his horses:

Dutch rider Sanne de Jong has got colour coordination down to a fine art:

Peter Nixon has been hard at work snapping for Horse&Hound:

How to social distance, a primer by Lara de Liedekerke-Meier and Kai Steffen Meier:

France’s Camille Lejeune unpacked his grooming kit for a photo:

You can nearly smell the autumn air in this picture, right? Oliver Townend enjoys a quiet schooling session on a crisp morning:

What’s the collective noun for a group of Irish eventers?

Ingrid Klimke and her team enjoy a stroll through the picturesque parkland of the hippodrome:

EquiRatings have made their predictions — but who’s your money on to win?

Some serious #girlpower holding down the fort at the schooling arenas:

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#equestrianstockholm

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“Say CHEEEEESE!” Cavvy and Jip, Caroline Powell’s head girl, show off their best angles:

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🧀

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Arena familiarisation is always best with a stunning sunset creeping in:

Leader of the pack: Tom McEwen throws down the gauntlet on day one. 

Brian Morrison, the saddest man in eventing, looks delighted with Global DHI’s test:

Kitty King struts her stuff with Monbeg Hendricks.

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Monbeg Hendricks test today. Currently in 5th place on 32.4.

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Sweden’s Aria Ramkali wastes no time in getting on course after her test:

Le Lion d’Angers: Website | Start Times and Live Scoring | Live Stream | EN’s Coverage | EN’s Instagram | EN’s Twitter

Thursday at Le Lion: In Which We Discover that Dressage is an Emotional Rollercoaster

 

Whew. What a day, readers: a day in which two ground juries apparently found the lack of a coffee van on site as offensive as the rest of us, and proceeded to enact sweet revenge by serving up blistering scores and crushing (metaphorical) blows like gunfire. It’s been a day of placing bets as to whether you’d even see a score in the 20s; a day of watching the scoreboard between your fingers; a day of groaning and then laughing because honestly, what else can you even do at that point? We’ll say this for them, though — though the two sets of judges doled out some seriously tough marks throughout the day, leaving many horses with their worst-ever international scores, they were at least consistent with it. That’s worth a lot.

But despite an ostensibly tough morning between the boards, any assumptions of Thursday Morning Syndrome would have to be shelved when one of the day’s early combinations took a decisive lead — one that wouldn’t be usurped as the competition unfurled.

Tom McEwen and MHS Brown Jack aren’t just the day one leaders in the Six-Year-Old CCI2*-L, they’re also the only competition to break the sub-30 barrier. Their mark of 26.6 puts them over four penalties ahead of their current closest rivals, Merel Blom and Corminta Vom Gwick, and sets a mighty precedent for tomorrow’s second half of the class.

“He’s been amazing,” says Tom of Fred and Penny Barker’s Irish Sport Horse gelding (by OBOS Quality out of a Cavalier Royale mare). “Obviously he’s quite a big horse, so it’s taken a bit of time, but this year, he’s surpassed himself and become very established for a six-year-old. I’m delighted with him — he came out today and delivered the quality of work he’s been producing at home, and to be able to show that off is very exciting.”

Though today’s 26.6 doesn’t quite rival their two previous international marks — a very consistent 24.2 and 24.8 — it makes MHS Brown Jack one of the only horses across either class to score nearly bang-on his predicted mark. But this consistency hasn’t been about running him as much as possible, Tom tells EN.

“None of mine are overrun — instead, it’s about ensuring the quality of everything he does,” he explains. “You’d never bring a horse here just for the sake of going to Le Lion — they need to be ready for what they’ll face when they get here.”

That means tactical entries, measured schooling, and a healthy dose of keeping it fresh and fun for the horses — though Tom acknowledges that the loss of the main educational factor at Lion, its 35,000-strong crowds, will affect how a run here benefits some of the entrants.

“It’ll be a very different competition this year without the crowds. But some horses will benefit from that — some of them can get in front of that many people and have their brains blown a bit from it. Others won’t get quite the same experience they normally would do — but we’re lucky to be able to be here at all this year.”

Merel Blom and ‘independent woman’ Corminta Vom Gwick. Photo by Tilly Berendt.

In second place on 30.7, Dutch National Champion Merel Blom piloted the Holsteiner mare Corminta Vom Gwick, by Cormint and out of a Contendro mare, to a polished and polite test that belied the fact they’ve not yet notched up a full year in partnership.

“The test was what I expected, though it’s always hard to know what the judges would like to see,” says Merel. “It’s the first time for her in an arena like this, and I think she did a wonderful job.”

Corminta Vom Gwick’s easy temperament has helped Merel make relatively light work of the tricky 2020 season, particularly in light of the fact she only made her competitive debut in November of 2019: “She’s super willing to do everything right. Sometimes she likes to do things her own way — but most of the time, the way she wants to do it is the way I want to do it! She has character, but it’s the right character — she really wants to fight for it and try her best. I think she’s a lovely horse. She surprised me after the lockdown that even with so little experience, she went out and did a good job. With the good ones, it still came easy.”

With their qualification in the bag on their first run post-lockdown, Merel was able to strategically use the rest of the summer and early autumn to prepare the horse for precisely the challenges she’ll face this week.

50% of the top five — which features six combinations, because of a tie for overnight fifth — came forward in the first of this morning’s three sessions. Third place at this early stage is in the clutches of Germany’s Felix Etzel, who at just 27 is very much a part of his home country’s formidable line-up of young guns gaining experience at Nations Cups and in championships such as this. His Promising Pete TSF, a Trakehner gelding by Hirtentanz 2, earned a 30.8 after some quite considerable differentiation between the judges, who had him scattered from 2nd to 8th place in their individual estimations. Still, Felix was delighted with the relatively new ride, who was bought for him nearly a year ago by the DOKR — the German Federation — as a potential team horse for the future.

“He’s a really cool horse for a six-year-old,” says Felix. “He’s already done some nice dressage tests this year and he’s becoming really consistent in this phase. Today he was really easy to ride; it was like riding at home. It’s a long way for a six-year-old [to become a team horse], but I can imagine it: he’s relaxed in every phase and never wastes his energy.”

Austria’s Daniel Dunst and Della Stella SDH overcame a similar sort of widespread discrepancy, with Laure Eslan at E awarding them a 65.45% for 9th place and Sandy Phillips at C settling on a 70.23% and 2nd. Ultimately, they would average out at a respectable 32.2 penalties, giving the Austrian Warmblood mare by Follow Me a competitive early start in the competition.

Fifth place is held jointly overnight by two of the big guns in this class — though both were disappointed to receive marks considerably lower than predicted.

Kitty King and Monbeg Hendricks (GBR). Photo by Tilly Berendt.

Kitty King and Monbeg Hendricks, an Irish Sport Horse by Harlequin du Carel, were first of the two up to bat, and though there were no errors in their test and there was much to like, their marks stayed resolutely and disappointingly in the 6.5–7.5 margin, earning them an eventual 32.4. This is rather a shock score for the gelding, who hasn’t scored out of the 20s in six runs, national and international, in 2020 — but we’ve certainly seen these surprises and disappointments here before.

To watch this phase play out here is always an educational experience, because the winner isn’t always necessarily the most obviously flash dressage specialist. Often after watching for a while, it becomes clear what the judges are looking for: in a six-year-old, it may be a looser, lower, more relaxed outline, which can result in penalisation for the produced and polished youngsters that are often presented here.

Further complicating matters is the dual purposes for which riders tend to bring their young horses to France. Some make the journey to gain essential championship experience, learning to cope with crowds and atmosphere so that they can go boldly forth into their careers as the potential team horses of the future. Many others bring exciting young horses to put them in front of prospective buyers, turning the event into something of a shop window. As the saying goes, there’s more than one way to skin a cat — and so, too, is there a myriad of ways to train a young horse.

Karim Florent Laghouag and Embrun de Reno (FRA). Photo by Tilly Berendt.

Tied with Kitty for fifth is a rider who’s using this competition very much as a route to future team selections. French team stalwart Karim Florent Laghouag is looking firmly ahead to the Paris 2024 Olympics for Embrun de Reno, an impressive-looking Selle Français gelding by Eliott MC, with Jazz lines. But he, too, was disappointed with 32.4.

“He usually does lovely dressage but here he bounced his head a bit too much, and the judges saw it at first as they entered,” says Karim. “It was like they stopped on this little problem and we couldn’t get the usual marks. He’s a fantastic horse in this phase because his father brings dressage breeding while his mother is Anglo-Arab, so he has all the blood and the quality to be a perfect eventing horse.”

But, he acknowledges, like so many of his compatriots Embrun de Reno is a big horse who hasn’t finished growing into himself; this week’s competition, therefore, will be less of a benchmark for him and more of an educational effort, with everything serving as a cog in the machine heading to Paris.

William Nilsson Fryer and Joel (SWE) tackle the stretchy circle. Photo by Tilly Berendt.

It’s all too easy in these championship classes to miss out on the top spot by dint of ‘low ebb’ scores that just don’t bring the averages where they need to be to join the fight. But also easily done is the odd mistake that sends a brilliantly trending score plummeting down the rankings. It would be amiss not to mention Sweden’s William Nilsson Fryer and Joel — a Dutch Warmblood gelding by Ampere — who sit 11th overnight on 35.2. Theirs was among the most developed and professional tests of the day, and the eye-catching gelding will be closely watched through the weekend, but although they spent much of their ride trending in the lead or very close to it, the 3, 4, and 5 they earned when Joel overreacted to the reinback aids in the final quarter of the test gave their numbers a real hammering. These young horse championships aren’t the be-all and end-all of a horse’s career, despite their enormous importance, and so it’s crucial to look beyond the numbers on the page when considering which of these horses might be worth your attention. Consider Joel an EN One To Watch.

The top five at the halfway point of the Six-Year-Old World Championship’s first phase.

Sophie Leube Heads Seven-Year-Old Challenge

Sophie Leube and the impressive Trakehner stallion Sweetwaters Ziethen TSF. Photo by Tilly Berendt.

Everyone here is delighted with the new addition of a surface in the main arena — particularly anyone who was here last year, and, we can assume with some confidence, none more so than Germany’s Sophie Leube. Last year, she and the licensed Trakehner stallion Sweetwaters Ziethen TSF, by Abendtanz, dazzled in the first two phases to hold onto second place throughout the competition — but the showjumping finale, held in the worst of the weather and on the worst of the ground, would push them down to eventual fifth after the gutsy stallion found himself slipping dramatically in the poor going and incurring a stop early on.

And so it’s nice to see him back in the main arena here, looking no less confident in himself than he did last year. Nor has Sophie’s confidence in him waned: when asked if she expected to go into the lead here today, her answer was a resounding and joyful “yes.”

“He’s such a performer; he’s calm but he wants to do everything right. He knows what to do in there and he tries so hard,” she enthuses. The pair scored a 27.6 to make them the only combination in the 20s in this class.

It’s hard not to be taken in by Ziethen, who is innately friendly, curious, and obviously intelligent, investigating interviewers’ notebooks and turning politely inquiring eyes on the new friends surrounding him for a chat. Taken, too, were the judges, who offered up rare 8s for his catlike walk work and the deviously tricky walk pirouettes in this three-star test.

“His walk is always really good because he has such a covering stride — but there are some things we can do better, too,” she says, pointing to the walk-canter transition as something she’d like to improve upon. It would certainly appear that they’re on the right track, though — they won their prep run, a CCI3*-S at Langenhagen, as well as CCI2*-S classes at Kronenburg and Westerstede in 2020. In eight internationals, he’s never finished outside of the top ten — so this is among the most formidable horses in the field.

Caroline Powell (NZL) and the spicy Greenacres Special Cavalier. Photo by Tilly Berendt.

New Zealand’s Caroline Powell holds onto second place provisionally with Greenacres Special Cavalier, an Irish Sport Horse mare by Cavalier Royale out of a Touchdown mare. They put a 30.6 on the board, bettering their score here last year by nearly two marks.

“She’s quite a big, long horse and just starting to connect up, but she’s going to have some lovely tests in her in the future,” says Caroline, who bought her as a just-broken four-year-old from breeder Michael Callery — ordinarily a showjumping breeder — in Ireland.

Nailing it on a tough day: Caroline Powell celebrates with Greenacres Special Cavalier. Photo by Tilly Berendt.

Since then, she’s proven to be a big personality with equally colossal ability — and that’s given Caroline the breathing room to focus on her education when competitions were off the table this year.

“She’s a bit of a freak, this horse — she doesn’t really need a tonne of competition, so we’ve been able to focus on the training [during the pandemic]. She’s just getting better and better and stronger and stronger, and we’re really using this as a stepping stone for next year.”

Next year, for Caroline, could mean a bigger goal than many of the horses entered here — when I ask if she considers this mare a prospect for the 2024 Paris Games, she smiles and tells me that she could be ready much sooner than that.

“She’s a diva,” she laughs. “It’s in her name — she’s special and she knows it. She’s sassy and opinionated and she makes you work, but she’s lovely and when she goes into the arena she loves to perform. She’s a good mare — when you get a good one, you know, and when you get a bad one, you know too!”

Laura Collett and Moonlight Charmer. Photo by Tilly Berendt.

Laura Collett and Irish Sport Horse Moonlight Charmer (by OBOS Quality) sit third overnight on their score of 31.4, a three-star personal best for the horse despite some minor green errors. But Moonlight Charmer, who averaged in the mid-20s at two-star, looks likely to be a new stable star for the British rider with one of the most enviable strings in the sport.

“Parts of it were really nice, and the canter work was lovely,” says Laura, “but he just sort of shut down a bit in the trot. Where it’s a bit more complicated than a two-star test he sort of over-tries a bit and gets his concentrating head on, rather than just going forward. But he’s not been in an arena like that, away from the other horses, so I’m really pleased with him.”

There’s a lot to think about for these inexperienced horses here: there are flags flapping, stands relatively full of people despite the closed-door policy this year, a technical enough test and, as Laura points out, the first experience these horses will ever have had of doing a test without the security blanket of other horses working in parallel arenas. But Moonlight Charmer’s brain has helped him overcome the varying challenges.

“He’s been pretty straightforward,” she says. “Obviously with the year we’ve had it’s been quite difficult to just get qualified for here; he didn’t do a CCI2*-L last year so it’s felt like we’ve always been chasing a qualification. But because he’s got such a good brain he’s just taken everything in his stride. He’s got the brain to come here and it doesn’t bother him that he’s been rushed — it’s just been one of those years!”

Tom Carlile and Darmagnac de Beliard. Photo by Tilly Berendt.

France’s Tom Carlile, who was based here at Le Lion until recently, is something of a maestro when it comes to this event, with almost innumerable FOD finishes for his young horses over the years. And so, despite the consistency of the low marking, it must have been a bit of a disappointment to receive a 32.9 with Selle Français gelding Darmagnac de Beliard (by Canturo Bois Margot), who’s never scored above the 20s before in an international. But in today’s judging climate this was still a score not to be sniffed at, and the rangy bay will be followed up by stablemate Spring Thyme de la Rose tomorrow as Tom makes yet another bid for the Le Lion crown. With three top five finished from three international runs, Darmagnac will certainly make an exciting claim.

Gireg le Coz and Drakkar Littoral. Photo by Tilly Berendt.

Rounding out the top five is France’s Gireg le Coz, who burst into the international consciousness in 2019 with Event Rider Masters successes with the stunning Aisprit de la Loge. Today, he rode Drakkar Littoral — a Selle Français gelding by Qlassic Bois Margot, and definitive proof that Gireg has a ‘type — to a 33.5 in a test that had several bystanders eyeballing their bank accounts. But Gireg, who took the ride on at the beginning of this year and made the horse’s international debut in just July, has no plans to let go of the gelding.

“He’s a horse I’d like to keep for the Olympics in Paris,” he tells EN. “He’s a very nice horse; he moves well and he was very calm — sometimes he can be a bit hot, so I’m happy with him today. The judges aren’t giving very good marks today, but that’s okay — I’m happy with the horse and sure that he can do better.”

Gireg’s enthusiasm when talking about the horse is infectious — and only rivalled by the horse’s own enthusiasm for the sport.

“He’s a very good horse in all three tests. He loves cross-country — a bit too much! — but he’s a very nice horse and loves what he does,” he says with a broad smile.

The top five at the halfway point of the seven-year-old CCI3*-L.

The World Breeding Championships is as much a fight for individual glory as it is a quest for studbook superiority. At this early stage of the competition, the Irish Sport Horse studbook is in an enviable position: not only can they claim the leader of one of the classes in Tom McEwen’s MHS Brown Jack, they’ve also got another in the top five in the six-year-olds (Kitty King’s Monbeg Hendricks) and two in the seven-year-old top ten (Laura Collett’s Moonlight Charmer and Caroline Powell’s Greenacres Special Cavalier).  The Selle Français studbook — last year’s overall winner — features three times across the two top fives (Drakkar Littoral, Darmagnac de Beliard, and Embrun de Reno), while the Trakehner features twice (Sweetwaters Ziethen TSF and Promising Pete TSF).

Tomorrow we’ll dive straight into the second halves of both classes, with some strong contenders coming forward in each. In the six-year-old class (starting at 9.30 local time/8.30 BST/3.30 a.m. Eastern) we’ll be keeping an eye on Cathal Daniels‘ LEB Empress, Ingrid Klimke‘s Cascamara, Oliver Townend‘s Cooley Rosalent, and Sophie Leube‘s Isselhook’s First Sight TSF, while our tips for the seven-year-old class, starting at 14.00 local/13.00 BST/8.00 a.m. Eastern, are Ros Canter‘s Izilot DHI, Nicolas Touzaint‘s Diabolo Menthe, Kai Steffen Meier‘s Charming Chiaco, Tom Carlile‘s Spring Thyme de la Rose and, of course, last year’s six-year-old runners-up, Yasmin Olsson Sanderson and Inchello DHI.

We’ll be back with the full debrief tomorrow. Until then: Go Eventing!

Le Lion d’Angers: Website | Start Times and Live Scoring | Live Stream | EN’s Coverage | EN’s Instagram | EN’s Twitter

All Pass First Horse Inspections at Young Horse World Championships at Le Lion d’Angers

Baby horses gonna baby horse: Lara de Liedekerke-Meier’s Origi hangs out with his tiger before his trot-up. Photo by Tilly Berendt.

Bienvenue à Le Lion d’Angers! Though the FEI World Breeding Championships for Young Horses has a slightly different feel to it this year, as it’s being run behind closed doors, the excitement and expectation is still high here in France’s Loire Valley. After a season of not much at all, we’ve finally come to our first — and indeed only — major championship of 2020, and our competitors will have a big week ahead of them as they battle to overcome a sparsity of runs with these six- and seven-year-old horses.

Though it’s sad not to see Le Lion’s usual enormous crowds, which provide an incredible atmosphere in ordinary circumstances, there are some new developments here that are so exciting. Chiefly, the installation of a proper surface in the main arena, which was vocally campaigned for by riders after torrential weather last year saw the playing field deteriorate into an almost unusable quagmire. It’ll be exciting to see how this new addition changes things for these exciting, talented, but still very green horses.

Ros Canter’s Izilot DHI gives the ground jury as thorough of an inspection as they give him. Rhian Smith (GBR) and Irene Leva. Photo by Tilly Berendt.

But first, the trot-up — and though it was masked up as expected, it felt delightfully normal to be back in the capacious concrete stables of Le Lion to get a first glimpse of these young horses. Starting the afternoon’s proceedings, 37 combinations presented for the Six-Year-Old CCI2*-L first horse inspection ahead of ground jury members Sandy Phillips (GBR), Laure Eslan (FRA), and Gerd Kuest (GER) after a brief announcement to all assembled to “think of unconditional love — and spread it around. The world needs it right now.” Don’t threaten us with a good time.

Albert Hermoso Farras and Keenabout Wonderland Z inspire a moment of drama in the first horse inspection. Photo by Tilly Berendt.

There would be just one moment of tension through the proceedings when Albert Hermoso Farras‘s Keenabout Wonderland Z was sent to the hold box, though ultimately the Zangersheide mare by Kannan was accepted after what felt like an achingly long period of deliberation.

An extraordinary 19 nations are represented at Le Lion this week, though none embraced their heritage quite so fully at today’s trot-up as the Austrians. Both Daniel Dunst, who brought forward Austrian Warmblood mare Della Stella SDH and Roland Pulsinger, presenting Holsteiner stallion Tiefenhof’s Lavalino, opted for some truly festive lederhosen, though Daniel embraced a sort of sports-casual hosen get-up, while Roland went full Oktoberfest. Any lederhosen’s a good lederhosen, if you ask us.

Over in the Seven-Year-Olds, both the outfits and the goings-on were much less dramatic: there were no lederhosen whatsoever, and none of the 43 presented horses was sent to the hold box throughout the inspection, which took place under the watchful eye of ground jury members Gerd Kuest (GER), Judy Hancock (GBR), and Ciska van Meggelen (NED).

Dressage gets underway tomorrow morning with the first half of the six-year-olds taking to the main arena from 9.30 a.m. local time/8.30 a.m. BST/3.30 a.m. Eastern. They’ll be followed by half the seven-year-olds after the lunchbreak from 14.00 local/13.00 BST/8.00 a.m. Eastern. You can find times for the six-year-old CCI2*-L here, and times for the seven-year-old CCI3*-L here.

So who should you be keeping an eye on tomorrow? In the six-year-old class, Felix Etzel‘s Trakehener Promising Pete TSF, Tom McEwen‘s MHS Brown Jack, Kitty King‘s Monbeg Hendricks, and Merel Blom‘s Corminta Vom Gwick will be very much on our radar in the morning, while the afternoon will be tough to call: look to Sophie Leube‘s Sweetwaters Ziethen TSF, Laura Collett‘s Moonlight Charmer, Tom Carlile‘s Darmagnac de Beliard and Cathal Daniels‘ Shannondale Mari to shake things up from the get-go.

And now, onto the important stuff: the photos!

Go Eventing.

The Six-Year-Olds in Pictures:

The Seven-Year-Olds in Pictures:

Le Lion d’Angers: Website | Start Times and Live Scoring | Live Stream | EN’s Coverage | EN’s Instagram | EN’s Twitter

The #JournoOnTour Diaries, Part One: From Paris, With Foux du Fafa

Welcome to a place that’s neither an arena nor a field! FOR NOW (she says, forebodingly). FOR NOW.

Bonsoir, readers, and welcome to the dark side. I’ve been seeing the word ‘blog’ chucked around like a searing bit of weaponry lately, and as is my wont, I’ve decided to embrace that which is meant to harm, or something along those lines. Basically, I’ve gone adventuring, and I’m bringing you along for the ride. Strap in, because it’s going to get bumpy.

Look, you don’t need me to remind you that this year has been A Weird One™. I’ve spent a lot of time in my own company (risky at best) and not an awful lot of time standing out in far-flung fields, watching horses career past me like hairy mopeds with opinions and bad intentions. But now, in the latter stages of the year, things are creeping back towards normality – or as normal as they can be, anyway, when eventing’s become a bit like the world’s soggiest and most exclusive nightclub (with a truly regrettable dress code to match). In 2019 I lost count of the competitions I travelled to somewhere around the 25 mark; this year, I’ve managed four reporting outings so far. And man, that’s a lot more than many people, and a lot more than I thought I’d get, so I’m very aware of how lucky I am.

This month is a special one, though, despite the spectre of the Boekelo That Wasn’t looming over its first week. This is the month I get to go abroad for work again; the month in which I get to embrace the very best bits of my job – the joyous fumbling mess of adventure and mishaps and eventing drama all rolled up into one.
As I make my way from home — just south of London, for anyone who’s keen on stalking me — to the Young Horse World Championships at Le Lion d’Angers and then on to Pau, the only CCI5* of 2020, I want to take you all with me to see the bits that don’t make the reports. Is it all a bit Kim Kardashian of me? Yes, quite possibly. But pass me the butt pads, baby, because I’m all in.
The one where the journalist takes to the skies (with her worms)
Say what you want about budget airlines — it’s probably all true; they’re fairly crap — but I do enjoy the big orange office in the sky. Flying to a country on the Naughty List (that is, one of the European countries subject to a two-week quarantine upon returning to the UK) in a pandemic is a unique experience, and the roughly ten or so of us on board all took one look at one another and unanimously decided to be as committedly antisocial as possible. Feeling like I’d reached peak Mariah Carey, I luxuriously unfurled myself across a whole vacant row of seats, perched a very large Starbucks latte (apparently made for someone called ‘Chile’) delicately on one of my excess of tray tables, and got stuck into writing about faecal egg counting. Bliss.
You might assume I’d have flown straight into Nantes, the closest major airport to Le Lion. That would be a sensible assumption, and while it did play a starring role in the original iteration of my two-week plan, that plan has undergone about five major overhauls over the last few months as everything I’d prebooked, and apparently every direct flight to any city other than Paris, fizzled out into extinction. And so Paris it was, not so much when it sizzles as when it drizzles. I couldn’t wait to arrive in the most romantic city in the world and hole myself up in my hotel room, where I could continue to research worm larvae, but maybe with a bit of Edith Piaf playing in the background.
In which I fraternise with the locals
“Paris,” I remarked to my friend Charlie as we sought out an unshuttered bar, “has got cleaner.”
And it’s true: in an unexpected coup in the global dumpster fire that is 2020, Paris’ citizens apparently decided to stop using the streets as a public toilet. The City of Light? The city of shite, more like; who among us has never stopped to eye up a particularly diverting bit of architecture only to feel the ominous tootsie dampness that can only mean you’ve been caught downstream of an en plein air widdler? But this time, I only dodged four rogue turds in three hours of flâneuring! The suspect puddles were confined to the Metro! I didn’t feel curiously sticky!

Would I lie to you, baby? Would I lie to you?

I’ve always found the idea of Paris Syndrome quite extraordinary — in short, it affects tourists who are so taken aback by the reality of the city (in comparison to its almost unrecognisable Woody Allen alter ego) that they come over all funny and have to call a special hotline that talks them out of hurling themselves from the top of the Tour Eiffel (too expensive; don’t recommend — try the Tour de Montparnasse instead, you’ll get a better view en route). In real life, Paris is smelly, dirty, absolutely fraught with a homelessness epidemic the likes of which I’ve never seen anywhere else, and you will always have a little bit of poo on your shoes, no matter how careful you are.
(Don’t think I’m saying this from atop my high horse, either — as Charlie and I wandered along the Seine, chatting about his thus far fruitless hunt for an apartment, he mentioned that he might go back to a former haunt of a few years ago. I remember the place well; I was once violently ill out of its fifth-floor window after some truly suspicious corner-shop plonk, but the view over the river and the Marais will go down in history as the most delightful thing I’ve ever gazed upon mid-chunder.)
It might sound like I hate Paris. I don’t. I lived here once, several years ago — something I highly recommend because it means you can start lots of stories with “when I lived in Paris…”, which will make you feel very cool and make everyone around you wonder who invited the colossal knobber to the party.
I think about Paris in the same way a parent (probably) thinks of their child: sure, that one over there’s a tiny prodigy and will matriculate at Harvard at the age of nine-and-a-half (or 114 months, depending on the kind of parent you are) while yours is happily shoving chubby fistfuls of sand into his gob like he’s actively seeking out the half-life of a Michelin star. He may be an idiot, you think fondly, but he’s your idiot, and that makes all the difference. Paris — poo and all — is under my skin and in my blood (gross), and I will always welcome the chance to return and have a good whinge about it.

Staying by the Sorbonne makes you smarter by osmosis. That’s just science.

Spending the night in the city gave me the rare treat of being able to go for a good stomp around with one of my favourite non-horsey friends. I spend so much time with people who understand all my references and the world I work in, which means my questionable chat has got more and more niche over the years. When presented with the opportunity to be a “normal” for a little while, I don’t exactly run out of subject matter — look, I can happily jabber about anything from Tarantino to Tintoretto — but I find myself unable to avoid mentioning some of the general goings-on in my work life.
This presents an interesting conundrum: how do you explain some of our sport’s characters to someone who, in all honesty, probably thinks the whole thing’s just a bit of poncy trotting in circles? I found myself trying to paint a verbal picture of Michael Jung, with only a modicum of success.
“…and when he was first on the scene, he didn’t really speak English, so he just told everyone that everything gave him a good feeling.” I thought back, briefly, to every mixed zone I’ve ever been in. “Actually, he still tells everyone that.”
“And this is some kind of genius of the sport?”
“Oh, Christ, yeah. Absolutely the best in the world. The Roger Federer of poncy trotting in circles. A golden god with a fierce receder.”
(AN: Thank you again to the British Equestrian Federation for awarding me the Journalist of the Year title in 2019 for my work in presenting the sport to a mainstream audience. I hope I’m doing you all proud.)
After a few hours of discussing the important things in life (such as: what would your OnlyFans niche be, if you had to join it to make a living? Mine would be a series of reviews of international crisp flavours, conducted in my knickers, for £20 a pop), it was time to bash out a bit more of the Pau form guide and head to bed to dream of adventures to come.

5/10. Bit bland. (Sorry, mum, but as Nora Ephron once said, everything is content, right?)

As it turned out, I would need the sleep. An early-ish start somehow became a characteristically late and rushed exit, because of my truly regrettable tendency to throw the contents of my suitcase around like an early-noughties rapper making it rain in the club. And so, wearing yesterday’s jumper (again: not curiously sticky!) and stubbornly hiding my bare face behind a face-mask and some absurdly big glasses, I toddled off to pick up my new road trip buddy.
On French Enlightenment philosophy
In 2018, EN editor Leslie Wylie and I had the utter joy of tag-teaming Pau. It was then that she introduced me to a philosophy that made me a truly enlightened woman: foux du fafa. Allow me to just leave you with this for a moment.

 Foux du fafa is a song that means absolutely sod all, but it’s been adopted as an honourary life motto of sorts for our worldly gallivanting. It’s a bit like c’est la vie meets sh*t (quite often literally) happens, and could most accurately be translated as “look, babe, you’re in [insert country here, but let’s be real, most often France], absolutely nothing will happen as you plan it; laugh it off and mainline some €2 wine because you’ve got stuff to do.”
And so I foux du fafa-ed my way through the fairly excruciating process of picking up my hire car, which was having a nice snooze at the company’s garage about ten minutes away from the airport depot. They sent someone to bring it over — now half an hour late for my prebooked 11.30 a.m. pickup — and that person evidently did a merry little tour of the périphérique, stopped to watch a few episodes of “Emily in Paris,” and then disappeared to drink the pain of both those experiences away. By the time 1.00 p.m. rolled around, I was at very real risk of doing a little widdle of my own on the floor and had exhausted my limited French to try to explain with some urgency that I needed the car at the time I’d booked because I needed to get to an urgent job. (That, dear reader, was a lie — I just really wanted to go swan around Versailles. Je ne regrette rien.)
And so tonight’s chapter comes to an end. Did I end up getting a car? Did I have a sad accident in the lobby of a EuropCar depot? Are the cruel allegations that I took the wrong exit on the périphérique seven times because I kept spotting the Eiffel Tower — or, to use its proper name, the Great Sparkling Phallus of the Sky™ — based in any kind of reality? And how much cake did Marie Antoinette really have kicking around, anyway? All this and more in tomorrow’s instalment. In the meantime, if you fancy seeing more of France, you can tune into my obnoxiously stream-of-consciousness Stories over on the ‘Gram. Shameless? Look, I’m just Kardashian-ing it here.
Bonne nuit, chums.
Tx

Who Jumped It Best? Log-Hopping at Little Downham

Who Jumped It Best?

It’s been just five days since the whirlwind that was the inaugural Childeric Saddles Little Downham International CCI4*-S in Cambridgeshire (5-6 October), and our heartrates have only just started tiptoeing back to normal. After a couple of reasonably sedate internationals to ease the UK’s competitors in after a long lockdown, Little Downham got straight down to the important business of preparing its competitors for the main event at Pau in a couple of weeks. Little Downham has a long history of doing just that — its Advanced class, ordinarily held in this slot, is typically twisty and technical, making up for its lack of hills and natural slopes by creating clever thinking questions and demanding committed riding on course. This first CCI4*-S carried the baton marvellously, giving us wall-to-wall action, some major surprises (no, we’re still not over Kitty King falling from Vendredi Biats at the very influential final water) and truly classique eventing drama in a brand new wrapper.

Today’s WJIB? takes us to the first part of the course. This airy timber oxer at 6 came as a bold fly fence after a tough early combination, and after jumping it and galloping on into the next field, our competitors had to be ready to sit up, adjust, and prepare for one of the meatiest sections of the course. Framed by the day’s lingering, sullen clouds and plonked in the middle of some fine Fennish scenery, it might look like a beast of a thing, but this fence gave horses and riders the chance to really play with their scope. Now it’s up to you to decide: who jumped it best? Give the options a browse and then scroll down to the bottom to cast your vote.

Go Eventing!

Alice Casburn and Topspin II. Photo by Tilly Berendt.

Harry Meade and Superstition. Photo by Tilly Berendt.

Imogen Murray and Ivar Gooden. Photo by Tilly Berendt.

Katie Bleloch and Cavalier Micky Finn. Photo by Tilly Berendt.

Libby Seed and Heartbreaker Star Quality. Photo by Tilly Berendt.

Therese Viklund and Viscera. Photo by Tilly Berendt.

Tom Crisp and Liberty and Glory. Photo by Tilly Berendt.

 

Who Jumped It Best?

Alice Casburn and Topspin II
Harry Meade and Superstition
Imogen Murray and Ivar Gooden
Katie Bleloch and Cavalier Micky Finn
Libby Seed and Heartbreaker Star Quality
Therese Viklund and Viscera
Tom Crisp and Liberty and Glory
Created with QuizMaker

Monday News & Notes

Gooooooooood morning, dear readers, from an eventing journalist fuelled by the kind of pep that can only be found at the crack of dawn in an airport cafe. It’s a slightly surreal feeling to be getting ready to board a plane — such a normal thing! — and hire a car that I’ll name something ridiculous — also so 2019! — like a whole pandemic hasn’t happened this year. This might be the first and last bit of normalcy I manage to scrape together this year, but if so, I’m going to make the most of it. Le Lion d’Angers and Pau won’t know what’s hit them, and I probably won’t know what’s hit me until I’m halfway through raclette #3 and my fourth glass of wine (for breakfast). Pray for me, readers, and most of all, pray for France.

Spooky season is well and truly upon us, whether that means buying a trolley-load of supermarket pumpkins to use as jump fillers or clinging on for dear life every time the sultry whisper of Satan seduces your half-feral nag. I, for one, have delighted in having an excuse to put off the first clip of the year (“no point doing it now,” I’ve airily told anyone who will listen, “I’m off to Fraaaaance for two weeks!”) and let my horse turn into such a yak that by the time she’s worked up a full head of steam, she’s too sweaty to be bothered actually using it against me. Sorry, Bella, but truly, I am not sorry.

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Yesterday Harry had a fall at fence 3 of the 3*L at Thorseby. His foot got caught in the stirrup, and he was dragged at a gallop, unfortunately meaning he was repeatedly kicked in the head. By the time his foot eventually detached from the stirrup his hat had been badly damaged and kicked free from his head. He has lacerations and significant bruising to his shoulders, neck and face. His his right arm is broken and there is a suspected fracture to his jaw. Amazingly a CT scan confirmed no bleed on the brain and he is totally compus mentus – when being loaded into the ambulance he asked for a message to be sent to the competitors waiting at the start, apologising for holding them up! He will go under general anaesthetic this morning to operate on the broken arm. Merrywell Tradition was immediately looked after by the on-site vets at Thorseby. Hopefully he has no injuries other than superficial bruising, and the the veterinary team, led by Ali Butler, have been brilliant with him. Thank you for the kind message of support, which I’ve passed on to Harry. Aside from being pretty bashed up he’s in good spirits and looking forward to getting home in the next couple of days.

A post shared by Harry Meade Eventing (@harrymeadeeventing) on

Spare a thought today for poor Harry Meade, who finished his season with a nightmare fall at the British Young Horse Championships at Thoresby (or Thoresberton, depending on who you ask). I’m delighted to hear that he’s in good form all things considered after falling on cross-country, getting dragged for 30 yards or so, and repeatedly sustaining kicks to the head that eventually dislodged his helmet. He’s broken his arm and possibly fractured his jaw, but incredibly, doesn’t appear to have any major ill-effects from the accident — and in a truly Meade-ian show of manners, even asked for his apologies to be relayed to the riders delayed at the start. What a chap — get well soon, Harry.

National Holiday: It’s Columbus Day. In Venezuela, it’s Indigenous Resistance Day, which I’m quite partial to.

US Weekend Results:

Woodside International H.T.: [Results]

Maryland H.T. at Loch Moy Farms: [Results]

Ocala Fall H.T.: [Results]

Radnor Hunt H.T.: [Results]

St. John’s H.T.: [Results]

War Horse Event Series H.T.: [Results]

Glenarden Farm H.T.: [Results]

UK Weekend Results:

Osberton/Thoresby/Thoresberton International and Young Horse Championships: [Results]

Weston Park (2): [Results]

Calmsden (2): [Results]

Tweseldown (4): [Results]

Global Eventing Roundup:

  • Poland’s Strzegom has been doing the MOST this summer, providing tonnes of opportunities for continental riders to get out and do what they need to do. They wrapped a busy week running from CCI1*-S through CCI4*-L yesterday, with German National Champs Julia Krajewski and Samourai du Thot taking the showpiece CCI4*-L class.
  • A couple of borders away, Lignieres (it’s in France — dunno if you’ve heard, but I’m on my way there?) hosted a CCI2*-S, CCI3*-L and CCI4*-L, with some Pau-bound horses enjoying final runs. Everyone’s favourite French dish Maxime Livio topped the bill in the big class here, but there were some other exciting movements elsewhere — keep an eye out for the Pau form guide to find out everything you need to know!

Your Monday Reading List:

For those of you following the GAIN Horse Feeds saga with interest, the company issued a new statement over the weekend confirming that the contamination came from molasses. Mama always told me a sweet tooth only leads to trouble. [GAIN Equine Nutrition update]

Researchers in Australia are working on a better way to detect cardiac conditions that can lead to sudden, fatal heart attacks. They’ve discovered that an excess of scar tissue in the heart can have catastrophic effects — a discovery that could reap major benefits for horses who do high-intensity work like racing or eventing. [A better method for detecting heart problems in horses]

Many British equestrians consider the annual Boxing Day meet an integral part of Christmas – but this year, they’ll be happening behind closed doors. It’s all to do with some odd virus or something, I dunno. [Public Boxing Day meets cancelled, but Covid-secure trail-hunting continues]

The US House of Representatives has passed reform legislation that will serve to protect athletes. This ruling comes after the long and tumultuous case of Larry Nassar swept through US Gymnastics, but it’ll be of special interest to equestrians, too, for whom SafeSport has been a major conversation point since its launch. [Olympic Reform Legislation Promises To Better Protect Athletes From Abuse]

The FEI is highlighting the super work of Saddle Up And Read, a North Carolina-based initiative that helps kids from underserved communities get in the saddle while also improving literacy rates. As a team of horse lovers and bookworms, we love everything the charity stands for. [Saddle Up and Read]

Have a spoooooky story to share? (And no, that time your horse swore he spotted the Loch Ness Monster at the bottom of that water complex doesn’t count.) Each year, EN’s site Horse Nation holds an annual Halloween short story contest and 2020 marks the fourth anniversary! Readers may submit their scary story to HN’s editor at [email protected] for review by Oct. 22. The best of the best will be featured on the Horse Radio Network‘s morning show “Horses in the Morning” and will be eligible for prizes from our friends at Kentucky Performance Products. [Entry Details]

The Monday Follow:

I’m a sucker for a pony, particularly if that pony has great dapples and a huge jump. Britt Sabbah’s Instagram offers that up twice over, plus plenty of cute kiddo Rory at the barn, smart social commentary, and a tonne of Cali positivity. I’m hooked.

Monday Viewing:

Oh, you want some serious ’90s throwbacks to start your week off right? Of course you do.

 

Friday Video from SmartPak: When Horses Choose

We’re all guilty of getting a little stuck in our ways when it comes to the training methods we use — and I’ll be the first to admit that I tend to shy away from anything that falls within the realm of ‘natural horsemanship’. But I’ve been committing myself to opening my mind throughout this year, and online platforms like Horse&Country TV have been great resources for educational, entertaining documentary-style programmes that shine a light on the myriad of different ways to work with our four-legged pals.

This new release, the first in the series ‘When Horses Choose’, has certainly given me some new ideas about how I can incorporate groundwork into my eventer’s routine — and at nearly an hour long, it’s sure to yield some pearls of wisdom for you, too.

Wednesday Video from Kentucky Performance Products: Nations Cup Nostalgia

Bless the chaps at FEI TV, for they are truly doing Eventing Jesus’s work right now: they’ve been going back through their archives and creating brilliant programmes on previous events so we can all dive back in and pretend we’re back in a normal year. Their newest effort takes us to the Emerald Isle for Camphire’s Nations Cup in 2019 — an event you likely remember most as the event at which Sir Mark Todd finally hung up his boots for good. But there was so much more to the event than just a monumental retirement announcement — and this 26-minute programme will give you the perfect Wednesday evening refresher. Sit back, relax, and let’s head back to The Normal Times.

Fight back against an energy crisis that can impact condition and performance.

Equi-Jewel® is a high-fat, low-starch and -sugar formula developed to safely meet the energy needs of your horse.

Whether you have a hard keeper that needs extra calories to maintain his weight, or a top performance horse that needs cool energy to perform at her peak, Equi-Jewel can meet your horse’s energy needs. Equi-Jewel reduces the risk of digestive upset, supports optimal muscle function, maintains stamina, and helps horses recover faster after hard work, all while providing the calories your horse needs to thrive.

The horse that matters to you matters to us®.

Not sure which horse supplement best meets your horse’s needs? Kentucky Performance Products, LLC is here to help. Call 859-873-2974 or visit KPPusa.com.

Monday News & Notes

This year, I’ve found myself getting curiously homesick for places I only visit in passing — places I trek to once, maybe twice, a year for events. But although eventing travel is quite different from any other, more ‘regular’ form of travel, it’s a type of nomadism that requires you to completely immerse yourself in your destination, entering the bubble for a week before resurfacing in the real world. And so home becomes that one spot by the arena where you know you’ll get the perfect extended trot photo; it becomes that one petrol station near the event entrance that sells a damn good stroopwafel; it becomes the daily mispronunciations and mime act you undertake to try to order lunch at an event where you have no common language with the vendors. I’ve missed all that ephemera so much in 2020 — to say nothing of the competitions themselves.

Enthusiastically watching Luhmühlen’s German Championships over the weekend felt like a tonic and a tease all at the same time, but I’ve been letting myself lean into the nostalgia — and thankfully, everyone is unified in their gratitude for getting to be back out and about, so Instagram has been heaving with glorious shots from around the event, like the one above. I’m more conscious this year than ever before of how much smaller we’re able to make the world through the power of social media — and through the generosity of sharing each other’s joy.

National Holiday: It’s World Teachers’ Day. Take a second to say thanks to the horsey teachers — both two- and four-legged — in your life.

US Weekend Results:

UK Weekend Results:

Global Eventing Roundup:

  • The German Championships took place at Luhmühlen and boy, did they deliver in the excitement stakes: 20 penalties for fischerChipmunk! A showjumping refusal for SAP Hale Bob OLD! Pau entries throwing our form guide predictions into disarray! In a lovely twist, mum and daughter duo Ingrid Klimke and Greta Busacker took the German National Championship and Junior National Championship titles, respectively. Check out EN’s coverage here.

  • Meanwhile, Bromont hosted a home international with a small but competitive CCI4*-S class as the showpiece. The foliage also played a starring role — as did Jessica Phoenix, who was 5/7 of the entries in the CCI4*-S and, possibly unsurprisingly, the winner. Our favourite moment? The unity and love shown by the Holly Jacks Eventing Team, who all wore cross-country shirts in memory of Zara Buren.

Your Monday Reading List:

If you like a sci-fi element to your sport horse breeding programme, you’re in luck: researchers in Argentina have developed the first genetically-modified equine embryo. Though this is an early step on a long road, it could be the advent of ‘designer’ sport horse foals. Of course, the conversation around this topic likely won’t just linger on the wholly scientific — there are plenty of moral implications to think about, too. [Genetically modified horse embryo tech could be used to enhance performance]

Did you dabble in the virtual training trend that was part of peak lockdown? The FEI’s caught up with a handful of riders and coaches who added this novel form of coaching to their repertoire in 2020 to find out how it helped them, what their setup was, and whether they’ll keep using it to nail those marginal gains. [The Rise of Online Coaching]

Racing was a ‘job for the boys’ for a long time — but the 1960s saw a major shift occur. In this first part of a new four-part series, the Paulick Report looks at Kathy Kusner’s historic legal battle to become a licensed jockey. It’s fascinating reading, so make sure you’ve got a fresh mug of coffee ready. [Right To Ride, Presented By The Kentucky Derby Museum: 1960s Set The Stage For Women To Enter The Jocks’ Room]

There’s no time limit on dreaming, and there definitely isn’t one on having a bloody good time. Susan De Jong — recent winner of a BN division at Woodside — proves just that. [Now On Course: The Galloping Grandma!]

Video Break:

Someone get these kids an Oscar.

 

Friday Video from Smartpak: A Dash of Charisma

It’s been a good week for celebrating our horsey heroes of decades past, with showjumper Milton taking the stage a few days ago and now, an ode to the great Charisma debuting on YouTube today.

With Mark Todd in the irons, Charisma — or Podge, as he was known at home — became one of the world’s best-loved eventers of all time after his extraordinary efforts through the 1980s saw him scoop back-to-back individual gold medals at the ’84 and ’88 Olympics.

Just 15.3hh, he and his lanky rider cut a striking figure together as they tackled the world’s top three-day events. Such was their success that Charisma ended up receiving more fan mail than any horse in Kiwi history. Ahh, fan mail — remember that?

Join us as we wallow unabashedly in nostalgia (not for fan mail, but for the ultimate dark horse of eventing). Is there an iconic eventer you’d like to see recognised in the FEI’s Horses of History series? Drop it in the comments!

Five-Star Fever: Pau Entries Go Live With 62 Combinations

Tom McEwen and Toledo de Kerser lead the 2019 lap of honour at Pau. Photo by Tilly Berendt.

Did we ever, truly, think we’d make it to this point? Probably not — but from the rubble of the 2020 calendar rises Les 5 Etoiles de Pau, the one and only CCI5* of this funny old year.

Set in the scenic south of France and taking place from October 21-25, Pau will host 62 entries representing 10 nations as it ushers in its 30th anniversary competition. We’ll be bringing you a fully-stocked form guide very soon, but in the meantime, let’s take a look at some of the highlights of this exceptionally strong field.

Sarah Bullimore and Reve du Rouet. Photo by Peter Nixon.

Great Britain, as usual, brings forward the most entries, with 25 combinations stepping up to bat for the country. Chief among those is Pau’s 2019 winning duo, Tom McEwen and Toledo de Kerser, who return to defend their title — but their campaign certainly won’t be a walk in the park (or, um, in the Citröen dealership, depending on which side of the venue you’re standing on). Some of their major home-team competitors include Sarah Bullimore and Reve du Rouet, who were a very close second here in 2017, commonly regarded as the toughest Pau we’ve seen. Nicola Wilson and her individual European bronze medalist Bulana will also put up a seriously strong fight, while Piggy March — the queen of 2019 — debuts last year’s Blenheim CCI4*-L winner and front-running Tokyo hopeful Brookfield Inocent at his first five-star.

Laura Collett and London 52. Photo by Tilly Berendt.

The two individual competitors from last year’s Europeans aren’t messing around here — Kitty King brings forward Bramham winner Vendredi Biats, on super form after conquering his early-career cheekiness, while Laura Collett has a remarkable two-hander in FOD machine Mr Bass and Boekelo winner London 52. Honestly, we could write a whole article just looking at the British invasion at Pau, but for now, we’ll leave you with two more names: Ros Canter‘s diminutive Zenshera, who eats up this course for a high placing every time he makes the trip, and Alex Bragg‘s Zagreb, who came achingly close to his first five-star victory last year and who will be one of the fan favourites to finally scoop a big one here.

Sidney Dufresne and Tresor Mail. Photo by Leslie Threlkeld.

The home nation is defended by 12 combinations, with former victor Maxime Livio debuting Vegas des Boursons and Vitorio du Montet at the level. Sidney Dufresne and Tresor Mail will surely carry much of the country’s hopes, ably assisted by Alexis Goury and Trompe l’Oeil d’Emery, who debuted here together in 2018 and fairly zoomed around.

A small but strong German side comes forward, and this year, it’s all about the girls — and, of course, 2019 Houghton winner Christoph Wahler, making his five-star debut with Carjatan S. The likes of Sandra Auffarth, Anna-Katharine Vogel and Anna Siemer hoisting the flag with him make this a compelling national effort to keep an eye on.

Tim Price and Wesko. Photo by Tilly Berendt.

Team Price has six horses entered between them for New Zealand, though only five will go — two of those entries belong to Jonelle Price, who will bring her 2018 Luhmühlen winner Faerie Dianimo, alongside the former Dan Jocelyn ride Grovine de Reve. Husband Tim has an embarrassment of riches in his corner — he’ll need to choose three rides from Burghley winner Ringwood Sky Boy, Luhmühlen winner Wesko, and experienced five-star campaigners Bango and Xavier Faer. We don’t envy him the job.

Chris Burton and Quality Purdey. Photo by Tilly Berendt.

Finally, we’d be amiss not to look to Australia while we find ourselves perusing Antipodean entries. Last year’s second-placed Chris Burton and Quality Purdey return for round two, having spent the early part of this year refining their showjumping, while Kevin McNab ventures down with last year’s seventh-placed Scuderia 1918 Don Quidam and stablemate Scuderia 1918 A Best Friend.

You can take a closer look at the entry list in full here — we’ll be providing all the information you need to know on form, function, and fun facts very soon.

Go Eventing — and Go Pau!

5 Etoiles de Pau: Website, Entries, EN’s Coverage, EN’s Twitter, EN’s Instagram

Wednesday Video from Kentucky Performance Products: A Trip Down Memory Lane

Forgive us, a moment, for straying off the path of eventing — but in the world of equestrian sport, there are some horses who transcend disciplines, decades, and the enormous changes that reshape the industry. John Whitaker‘s Milton was one such horse.

This week, the FEI have made Milton — who rocked the international showjumping world in the late ’80s and early ’90s — their icon of the week. Enjoy the chance to relive the great greys soaring rounds and unique style, which made him a household name (yes, even in ‘normal’ households!) and won him medals at multiple European Championships and World Equestrian Games.

Go, um, Showjumping!

Fight back against an energy crisis that can impact condition and performance.

Equi-Jewel® is a high-fat, low-starch and -sugar formula developed to safely meet the energy needs of your horse.

Whether you have a hard keeper that needs extra calories to maintain his weight, or a top performance horse that needs cool energy to perform at her peak, Equi-Jewel can meet your horse’s energy needs. Equi-Jewel reduces the risk of digestive upset, supports optimal muscle function, maintains stamina, and helps horses recover faster after hard work, all while providing the calories your horse needs to thrive.

The horse that matters to you matters to us®.

Not sure which horse supplement best meets your horse’s needs? Kentucky Performance Products, LLC is here to help. Call 859-873-2974 or visit KPPusa.com.

Who Jumped it Best? Burnham Market Becomes Blenheim

Who Jumped It Best?

It’s been a week or so since we closed the book on Britain’s only CCI4*-L of 2020 — the Blenheim that wasn’t, but then kind of was again, thanks to the efforts of Musketeer Events and Burnham Market International Horse Trials. While it wasn’t quite like a week spent at the palace, it certainly ticked a useful box for the assembled horses and riders, who were able to nail down some much-needed qualifying results and plan accordingly for their 2021 campaign.

But enough of all that, which we know you already know. How about the important stuff — like who looked damn good out there on course? It wouldn’t be an international outing without some serious jumping effort analysis, so let’s get down to business.

Today’s effort is fence four on the CCI4*-S class, which combined the eight- and nine-year-old section with an ‘open’ four-short. Early on in the course, this chunky table features a clear, forgiving ground-line to help encourage a confident, safe effort — but after three previous run-and-jump fences, its difficulty lies in what comes after. This fence was immediately followed by a right-hand turn into the first combination on course, the quarry at 5AB, at which competitors had to jump a beefy house down into the dip, coming back up and out over an airy angled rail at the lip of the quarry. While fence 4 could easy be taken out of stride, it needed to be jumped strategically, setting up for the turn and adjustment of stride to follow and installing just the right amount of ‘attack.’

With that in mind, we turn the decision over to you, dear readers: who jumped it best?

Sarah Bullimore (GBR) and Conpierre. Photo by Tilly Berendt.

Izzy Taylor (GBR) and Hartacker. Photo by Tilly Berendt.

Yasmin Ingham (GBR) and Banzai du Loir. Photo by Tilly Berendt.

Alex Hua Tian (CHN) and Jilsonne van Bareelhof. Photo by Tilly Berendt.

James Rushbrooke (GBR) and Rowland. Photo by Tilly Berendt.

Paolo Torlonia (ITA) and Shadow Chanel. Photo by Tilly Berendt.

Correction: This post has been updated at 12:55 pm EST with a new poll as the original poll was malfunctioning. Apologies for any inconvenience.


Burnham Market: Results | Website | EN’s Coverage

Monday News & Notes

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N E W E N T R I E S ⠀⠀⠀⠀⠀⠀⠀⠀⠀ 🇫🇷 Après la France, c’est la Nouvelle-Zélande qui envoie du lourd avec notamment la Team Price qui vient avec 5 chevaux ! 🇳🇿 @jonelle_price concourra en autres avec Faerie Dianimo, gagnante du CCI 5* de Luhmühlen, et @tim_price_so_official a engagé Ringwood Sky Boy, vainqueur à Burghley 🏇 La concurrence sera rude sur cette 30e édition ! ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Rendez-vous à Pau du 21 au 25 octobre 2020 ✨ Billetterie en ligne – 10% : lien en bio ⬆️ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ 🇬🇧 After France, New Zealand strikes hard with Team Price, which comes with 5 horses! 🇳🇿 Among them, Jonelle Price will compete with Luhmühlen's 5 CCI winner Faerie Dianimo and Tim Price with Burghley's winner Ringwood Sky Boy 🏇 Competition will be tough on this 30th edition! ⠀⠀⠀⠀⠀⠀⠀⠀⠀ See you in Pau from October 21th to 25th, 2020 ✨ Online ticketing-10 %: link in bio ⬆️ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ 📸 @nicolashodysphotos

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We’re just a couple of days away from the big reveal of Pau’s entry list — and the only CCI5* of 2020 is already looking seriously sharp. As usual, I’m working away behind the scenes on a bumper form guide, but because it’s the only one I’ve had to do this year, it’s already looking… well… a little bit insane. I can’t wait to dive into the form and fun facts (look, it’s all about those fun facts) for every single combination in this huge and hectic field. Stay tuned, darling readers: Party Pau is a-coming.

National Holiday: It’s both National Neighbour Day and… World Rabies Day. Kill two birds with one stone by hanging out with your most rabid neighbours, I guess.

US Weekend Results:

UK Weekend Results:

The Global Eventing Roundup:

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Gratulacje dla reprezentanta Japonii, Yoshiaki Oiwy (JPN), za zwycięstwo w konkursue CCI3*-S o nagrodę KUHN Maszyny Rolnicze podczas LOTTO Baborówko Horse Sale Show 2020 👏👏👏 Zawodnik z koniem The Duke of Cavan objął prowadzenie po piątkowej próbie ujeżdżenia, broniąc tej pozycji w próbie terenowej i w dzisiejszej próbie skoków przez przeszkody. Drugie miejsce zajęła reprezentantka Niemiec, Nadine Marzahl (GER) z koniem Vally K, a miejsce trzecie – Johanna Pohjonen (FIN) z koniem Conner K 👏👏👏 #ThisIsEventing #ThisIsBaborowko 📷 @mr.equiphoto — Congrats to Yoshiaki Oiwa (JPN) with The Duke of Cavan for winning in the CCI3*-S the prize of KUHN Maszyny Rolnicze at LOTTO Baborówko Horse Sale Show 2020 👏👏👏 Second place – Nadine Marzahl (GER) with Vally K, and third place – Johanna Pohjonen (FIN) with Conner K 👏👏👏

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  • Poland’s Baborowko ran short-format divisions from two-star to four-star, with Japan’s Yoshi Oiwa taking the CCI4*-S win with Calle 44. This is Yoshi’s second four-star victory of 2020, and his third international win of the year — not bad going in a season that’s barely existed.

  • Over in Ireland, Ballindenisk had a busy week hosting the full spectrum of international classes through CCI4*-L. The feature class was taken by Irish team silver medalist Sam Watson, who romped his way to glory aboard Imperial Sky. The pair have been in the top two in their last six international runs and should be taken very seriously as we head into 2021.

Your Monday Reading List:

We know horses process sensory stimuli differently than we do, but how drastic are those differences? Researchers have discovered gaps in knowledge around many of the finer points of equine sensory perception, opening the door for new studies that will fine-tune how we work with our four-legged partners-in-crime. [How horses perceive the world: Researchers identify a surprising knowledge gap]

Ariel Grald has been determinedly making her mark on the eventing over the last few years — but who is the woman behind everyone’s favourite flag GIF? Sidelines goes behind the scenes to get to know the girl, the goals, and the great horse with whom she finished in the top ten at Burghley last year. [Ariel Grald: Eventing to the Top, From Ponies to the Five-Star Level] 

“What did you do before you knew better?” That’s the question posed by Abriana Johnson, one half of the Young Black Equestrians podcast and a vocal campaigner for working towards a more inclusive industry for all riders, aspiring or current. In her latest blog, she tackles a tricky topic — that of Adam Hollingsworth’s ride down a Chicago highway, undertaken to raise awareness of violence against children in his community. When the horse pulled up extremely lame, the question arose: can you fight for animal rights in a situation like this without diminishing the broader message behind the ride? Abriana says yes — and she lays her thoughts out with extraordinary clarity here. [Black Women are Less Protected Than the Mares We Ride On]

Bored of wearing the same riding attire as everyone else? Want some inspiration from some of the sport’s most fashionable entities? Here are five riders who don’t play by the sartorial rules — and we are very, very into it. [Five Equestrians Who Really Own Their Look]

Okay, okay, it’s not about horses, but I couldn’t resist the story of a rat who won a medal for bravery. Giant African Pouched Rat Magawa has been awarded the animal equivalent of the George Cross for clearing more than 141,000 square metres of land of undetonated landmines in Cambodia, making him the first-ever rat to win the prize. Honestly, the photoshoot that followed is the stuff of dreams. [Magawa the landmine detection rat given gold medal for bravery]

Fleeceworks Follow:

UK-based photographer Sophie LeFevre produces dreamy, ethereal equestrian portraits that make me fantasise about sunsets and flowing dresses, when in reality I know I’d end up tripping over the hem and wearing a horse sneeze in five minutes flat.

Monday Viewing:

Irish Eventing Times and Horse Sport Ireland teamed up to share this fab video from Ballindenisk’s CCI4*-L over the weekend — the perfect bite-sized round-up of the cross-country action for those who couldn’t be there in person.

Friday Video from SmartPak: Preparing for Eventing with William Fox-Pitt

Ever wondered what it takes to get a five-star rider organised for a weekend of eventing? Wonder no longer. In the latest instalment of This Esme‘s vlog, the roving social media star heads down to Dorset to help Team Fox-Pitt get the lorry packed ready for a busy competitive outing.

Steal some super tips from traveling groom and friend of EN Adam Short, tick off your list of essentials with Long Tall William himself, and get yourself a little bit of that five-star-winning mindset — then, you’ll be ready to take on the world.

Go Eventing!

Wednesday Video from Kentucky Performance Products: Moor Meandering with Minis

Meet Emma Massingale. We’ve shared her work here before, but in case you missed it last time, Emma’s a true horsey multihyphenate. As a behaviourist, trick trainer, and adventurer, the plucky Brit and her herd of horses get themselves into all sorts of adventures, and Emma films the whole lot to share with her plethora of followers.

Her latest video sees her subjects shrink down a little bit, as she works with a remarkably well-behaved string of minis (with names like Albert, Peggy, and Stan — be still, my heart!) wearing tiny little packs as they traverse the Cornish moors. If you think eight miniature horses working in tandem in the wilderness doesn’t sound like adorable chaos, you’ve never met anything under 14.2hh before.

Normal people have ASMR to help them wind down on a midweek evening — but we’re quite content with tiny ponies and expansive scenery. And breeeeeathe…

Fight back against an energy crisis that can impact condition and performance.

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The horse that matters to you matters to us®.

Not sure which horse supplement best meets your horse’s needs? Kentucky Performance Products, LLC is here to help. Call 859-873-2974 or visit KPPusa.com.

Monkeying Around Comes Good to Win Izzy Taylor Britain’s Only CCI4*-L in 2020

Izzy Taylor and Monkeying Around. Photo by Tilly Berendt.

Before the start of competition at the Barefoot Retreats Burnham Market International, which took on Blenheim’s CCI4*-L and CCI4*-S classes, you’d have been hard-pressed to have chosen your winner from the illustrious entry list in the feature class. As Britain’s only CCI4*-L of 2020, and thus the most straightforward opportunity for riders to gain qualifying results for move-ups or Tokyo bids in 2021, it was deliciously well-contested, with many of the country’s top horses in attendance.

For that reason, it’s unlikely that anyone would have landed on Izzy Taylor‘s Monkeying Around as the likely victor from the jam-packed field. True, he has plenty of accolades behind him — he won the 2017 Six-Year-Old World Championship at Le Lion d’Angers and finished third in a CCI4*-S at Burgham last month — but his varied results at four-star wouldn’t give the casual punter an enormous amount of confidence.

2019 was the Hanoverian gelding’s first season at four-star, and through the year, he contested the level six times. At two of those runs, he was withdrawn before running cross-country, while three of them saw him complete with cross-country jumping penalties. Just one — a run at the summer CCI4*-S at Burgham — saw him jump clear, which was good enough to net him a sixth place finish on the undeniable strength of his prowess in the other two phases.

Izzy Taylor and Monkeying Around. Photo by Tilly Berendt.

And so when Monkeying Around returned to Burgham last month and finished third, adding just 1.6 time penalties across the country, it was easy enough to take his strong performance with a pinch of salt — perhaps he simply got on well with the venue; perhaps it was a fluke; or maybe, just maybe, he’d finally figured it all out. Much hung in the balance of this Burnham Market run, and when he led the dressage on 23.2, it felt as though the whole world was watching to see which way he’d go.

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A 23.2 finish is @izzytayloreventing’s lowest ever at CCI4*-L! With Monkeying Around, Izzy earned her 5th win at the level since she first won a CCI4*-L in 2014. Only 4 riders in the world have had more CCI4*-L wins since 2010. —Karin Donckers (9), @shane.rose.eventing (7), @fox.pitt.eventing (7), and @stuarttinney.eventing (6). Izzy’s previous PB at the level was 27.3. 👊 That’s a wrap on @barefootretreats Burnham Market run by @musketeerevents and livestreamed by @horseandcountrytv. It’s been a delight sharing all the stats, personal victories and PBs. . . . . #barefootretreats #burnhammarket #barefootretreatsburnhammarketinternational #livestream #horseandcountrytv #horseandcountry #eventingmanager

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That he jumped a clear round inside the time is largely indicative of Izzy’s talent across the country. While Monkeying Around is certainly looking straighter and more forward-thinking than we’ve seen since that special six-year-old year, in which he became World Champion at Le Lion d’Angers, there’s still enough of a wiggle, and just enough stickiness, that any lesser rider would have found themselves closely inspecting the final water complex. But Izzy possesses a laser-sharp focus that helps her stick to a line even when things start looking a little bit backwards, and she certainly used all the skills at her disposal to get the horse home clear inside the time.

“He’s not blood on paper, but he felt beautifully blood yesterday — which is nice, because it’s hilly enough here,” says Izzy with a laugh. “They say it’s flat in Norfolk, but if there’s one hill then they make us go up it enough times!”

After that, showjumping was merely a formality for the scopey Hanoverian, and they romped easily to the win.

“He jumped fabulously. He felt very confident — it’s nice to be sat on a good jumper, obviously. Everyone can have the odd rail, no matter what you’re on, but he’s one you can ride positively rather than riding protectively, which is always a nicer feeling.”

While becoming Britain’s only CCI4*-L winner of 2020 is a great bonus — “you have to take these things where you can get them,” she grins — the real victory for Izzy is that the horse she’s believed in since she bought him as a four-year-old is truly growing into himself now.

“He’s a lot stronger [now than in 2019],” she says. “He’s actually quite a big horse now, which he wasn’t when we bought him. I go on about it, but he is only nine — realistically, we’ve been quite tough on him, because he was so good as a young horse. But for a horse that’s quite cheeky, he loves being good. He’s loved this week. He finished the cross-country with his ears pricked and looking a picture — he’d have gone round again five minutes later.

“He’s a very active-brained horse, and actually, it’s quite hard at home to keep him happy because you can’t go round and round the school, you can’t jump them every day, and the ground’s been shit this year, so what do you do with them? For a horse like him, it was a long time doing not much — it’s like a school kid that’s highly intelligent. You can’t keep testing them, but you’ve got to do something, otherwise they turn ASBO, don’t they?”

No one would accuse Izzy of being one of eventing’s soppier characters, but her delight in the horse is evident: “It’s very pleasing and also very exciting, that one that you’ve always believed in and had high hopes has actually come good,” she says, donning her mask to take her turn on the event’s deconstructed, socially-distanced podium.

Vittoria Panizzon and Chequers Play the Game. Photo by Tilly Berendt.

After two years away from international competition, 17-year-old Italian team stalwart Chequers Play The Game jumped a rare final-day clear round to net second place with Vittoria Panizzon.

“I’m just over the moon with him — I can’t believe it,” she says, beaming. “For him to jump a clear today is just the icing on the cake.”

The 2017 Tattersalls CCI4*-L winners weren’t just battling against the horse’s prolonged absence from the sport, though — Vittoria was also making her long-format debut after an autoimmune disease diagnosis, which has affected the strength and mobility of her legs. This week, which began as something of a fact-finding mission, has served to prove to the British-based rider that regular movement is an enormous help to her — and the hot bath she enjoyed at her owners’ base on Saturday night didn’t hurt either.

“I’ve felt totally normal this weekend — I do feel a bit tired, but lockdown’s certainly taught me that it doesn’t help to be doing less.”

Pure joy: Vittoria and ‘Elvis’ make their return a good one. Photo by Tilly Berendt.

Vittoria and Elvis’s result — so close to a win, and yet so achingly far — is made all the more poignant by the fact that the horse’s owners could be there to experience it in person.

“It’s so special for them — between the live-streams and being here to watch, they’ve all been able to be involved this week.”

Sarah Bullimore and Corouet. Photo by Tilly Berendt.

Though he be but little, he is fierce — and the scarcely 15.2hh Corouet certainly brings his own brand of ferocity to the table in droves, as Sarah Bullimore is quick to fondly tease him for.

“He’s an incredibly cocky little person,” she laughs of the homebred gelding, who’s out of her former five-star mare Lilly Corrinne. Though that cockiness has got him into trouble in the past — he clocked up 40 penalties in his CCI4*-L debut at Boekelo last year because, says Sarah, “he just thought he knew best and stopped listening!” — he’s learning, in his ninth year, to manage and channel it. After a cross-country round that saw him barely need any recovery time, Corouet came out and jumped his second fault-free trip of the weekend over a showjumping course that loomed over his tiny, pricked ears, earning himself third place in the process and setting him up well for a trip to beefy Bramham CCI4*-L next year.

Though Sarah has had to field many questions throughout the week about her plans for a 5* move-up, she remains pragmatic about Burnham Market’s job this weekend: though Corouet is now qualified, on paper, to tackle a 5*, a run at Bramham will give him more experience and ensure he isn’t overfaced by the colossal leap from this low-level four-star to the topmost echelon of the sport.

Nicola Wilson and Bulana. Photo by Tilly Berendt.

Nicola Wilson continued her streak of top form since returning from a broken neck, sustained in the middle of 2019. Both of her CCI4*-L entries — top horse Bulana and exciting up-and-comer JL Dublin, making his level debut — finished in the top ten, with the former taking fourth place and the latter dropping to tenth after tipping an expensive pole. Quite remarkably, given the relative enormity of Sue Peasley’s showjumping track, this makes JL Dublin the only horse in the top ten to add any faults at all.

Tom Jackson and Billy Cuckoo. Photo by Tilly Berendt.

Tom Jackson and Billy Cuckoo proved impressive through the week in the 13-year-old mare’s first long-format since 2018, and Tom’s first since Tattersalls last May. Like the rest of the top nine, they added nothing to their dressage score through the week and finished fifth on a creditable 28.4 — a personal best for the mare, who had all of 2019 off due to injure.

“She’s been very good all weekend. I was very happy with her test, and then she did what she does and jumped a double-clear inside the time. That’s kind of her thing when we want her to do it,” says Tom of the mare, who he describes as “a little pocket-rocket — she’s small but amazing to ride, and very careful, which is a nice feeling on Sunday!”

 

This FOD means that the former Pippa Funnel ride Billy Cuckoo now has a faultless finish at long-format at every level from one-star to four-star. Now, Tom’s looking ahead to a 2021 Luhmühlen run to make it a full house.

Yasmin Ingham and Sandman 7. Photo by Tilly Berendt.

23-year-old Yasmin Ingham rounded out an exceptional week, in which she took the eight- and nine-year-old CCI4*-S with Banzai du Loir, by finishing in the top ten with both Sandman 7 (6th) and Rehy DJ (8th). Both horses jumped double-clears to finish on their dressage scores of 28.5 and 29.4, respectively, with the latter producing the fastest round of the day over Saturday’s cross-country track after a watch malfunction.

If this remarkable streak can continue for the young rider — and there’s no reason to expect that it won’t — we’ll surely see a Senior squad appearance on the cards before too long for the Isle of Man native who has won every British youth title in her career.

Just shy of 57% of competitors jumped fault-free rounds in this final phase making it, surprisingly, an easier ask than the CCI4*-S showjumping, which saw an equal split of 50% clears to 50% faulting rounds. Again, this dredged up the question of the week: is an ‘easy’ four-star a necessary addition to this unprecedented season, or could it have long-term ramifications if not used wisely as a stepping stone? We’ll be discussing this point, and several others, in tomorrow’s Reporter’s Notebook. Tune in for a mixed bag of musings and memories from a week in Burnham Market.

Until then — Go Eventing!

The final top ten in Burnham Market’s inaugural CCI4*-L.

Burnham Market: Results | Website | Live Stream | EN’s Coverage | EN’s Twitter | EN’s Instagram

Monday News & Notes from Fleeceworks

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Thank you, RBG.

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Ordinarily when I’m covering a major three-day event, I’m so deep in the ‘bubble’ of the competition that anything outside of it has to wait at the windows, ready to bombard me when I’ve finally made it home at about 3.00 a.m. on Monday morning. But then, sometimes something happens that’s so colossal, so ground-shaking, that it makes its way in and makes things like trot-ups look rather insignificant in comparison.

The death of Ruth Bader Ginsburg is one of those somethings. We all owe such a colossal debt to this tiny behemoth of a woman — I, certainly, will be spending this week thinking about how her indomitable spirit can be best channelled for positive change in everything I do.

Thank you, RBG. 

National Holiday: It’s International Day of Peace today. I’m looking forward to finding a bit of peace with my mare, Bella — unless, of course, she’s decided to abandon a shoe at the far end of the field in my absence.

Global Eventing Bulletin:

  • The UK held its only CCI4*-L of 2020 at Burnham Market’s Blenheim replacement. You can follow along with our ongoing coverage here — and then take a moment to laugh at the idea of me sleeping in my tiny car in a Starbucks car-park on the way home, somewhere in Essex and wildly overtired from my first long-format event since Pau in 2019…!

Your Monday Reading List:

Remember when Beyoncé dropped an album without any warning? That’s kind of what Oliver Townend did after winning Burnham Market’s CCI4*-S with Cillnabradden Evo yesterday — except the unexpected announcement was that the 14-year-old gelding would be retired from the sport after a captivating and occasionally tumultuous career. [Goodbye Gary: Cillnabradden Evo Bows Out of Eventing after Burnham Market CCI4*-S Win]

A remarkable rider has taken up eventing despite losing her leg in a motorcycle accident. Now, Louisa hopes other riders will be inspired to overcome their limitations to give the sport a go. She also rather hopes she won’t see her prosthetic leg fall off when out hunting… again. [Rider who hunts and events with a prosthetic leg hopes to inspire others to push through]

Most of us are pretty adept at rehabbing our horses from various wobbles and whoopsies – but do you know how to bring yourself back from injury? Nadia Aslam shares what she learned in her recovery from a broken ankle and helps you to get back in the barn as soon as possible. [How to Rehab Like a Pro]

After 15 years of trying, Pakistan finally qualified an individual combination for eventing at the Olympics. Now their spot is in jeopardy after the tragic death of ex-racehorse Azad Kashmir, who rider Usman Khan has buried with the Olympic flag. “He was laid to rest as an Olympian and I am proud of my friend,” says the rider. [Horse’s death dashes Pakistan’s long-held Olympic eventing hopes]

Top tog Libby Law is a familiar face at events around the world, and we all know her distinctive, stunning photos without even needing to check the watermark. But who is the tiny enigma with the massive cameras? Get to know her over your morning coffee. [A Law Unto Herself]

Cathal Daniels’ feisty European Championships bronze medallist Rioghan Rua is the FEI’s Horse of the Month. If you’re partial to diminutive ginger mares with enormous attitudes and a tonne of talent, Rioghan Rua — whose name means ‘Red Queen’ — is everything you’ve ever wanted. [Horse of the Month: Rioghan Rua]

Fleeceworks Follow:

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A 23.2 finish is @izzytayloreventing’s lowest ever at CCI4*-L! With Monkeying Around, Izzy earned her 5th win at the level since she first won a CCI4*-L in 2014. Only 4 riders in the world have had more CCI4*-L wins since 2010. —Karin Donckers (9), @shane.rose.eventing (7), @fox.pitt.eventing (7), and @stuarttinney.eventing (6). Izzy’s previous PB at the level was 27.3. 👊 That’s a wrap on @barefootretreats Burnham Market run by @musketeerevents and livestreamed by @horseandcountrytv. It’s been a delight sharing all the stats, personal victories and PBs. . . . . #barefootretreats #burnhammarket #barefootretreatsburnhammarketinternational #livestream #horseandcountrytv #horseandcountry #eventingmanager

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If you’re not already following the EquiRatings ‘gram, you should be — there, you’ll find eventing stats made simple from around the world, helping to add another layer of enjoyment to your live-streaming.

Monday Viewing:

The entirety of the 2018 WEG showjumping phase is now on YouTube. I repeat, the entirety of the 2018 WEG showjumping phase is now. On. YouTube. See you in four hours.

“He Gives Me Goosebumps”: Yasmin Ingham Takes Burnham Market Young Horse CCI4*-S

Yasmin Ingham and Banzai du Loir. Photo by Tilly Berendt.

23-year-old Yasmin Ingham has added the prestigious eight- and nine-year-old CCI4*-S title, usually contested at Blenheim Palace but this week staged at Burnham Market, to her enviable list of accolades, finishing on her dressage score of 22.3 with the nine-year-old Banzai du Loir.

Much has been written in the past about the enormous influence of the eight- and nine-year-old CCI4*-S, and rightly so: since its inception in 2009, the class has been a scarily accurate predictor of future superstardom, with winners including Mark Todd‘s NZB Land Vision, William Fox-Pitt‘s Oslo, and Andrew Nicholson‘s Quimbo, who all went on to win five-stars within 12 months of their Blenheim victories, as well as Jonelle Price‘s 2018 Luhmühlen victor Faerie Dianimo, Chris Burton’s WEG mount Cooley Lands, and Laura Collett‘s Boekelo winner London 52. Running well here tends to foretell an illustrious career, but even more importantly, it’s an enormous educational stepping stone for horses at this pivotal age.

It’s only fitting, really, to see Yasmin take this much-heralded class — after all, she’s the only rider to have won every national youth title. As the reigning under-25 British champion and double Pony European gold medalist steps up to begin fighting for spots on Senior teams, it comes as no surprise to see her begin adding equine age classes to her tally, too.

After delivering two clear rounds inside the time across yesterday’s CCI4*-L cross-country track — including the fastest round of the day with Rehy DJ — she came into today’s final CCI4*-S brimming with well-deserved confidence. She also came fully-stocked with faith in the Selle Français gelding by Nouma d’Auzay, who was bought for her to ride last year by long-time owners Sue Davies and Janette Chinn.

“Honestly, he gives me goosebumps,” she told EN yesterday. “I feel so lucky to have secured him. He was on his way up and going, and so when I got him we could just crack on and go.”

But the process of getting to know one another was stymied by an injury that sidelined Yasmin for six weeks, turning her competition schedule on its head.

“I’d only done two events on him, and then I had my fall. [That meant] he didn’t get much of a season last year — we’d done a CCI3*-S at Burgham, and that was it. So this season, I just wanted to try to salvage it.”

She’s certainly done just that. Yasmin and Banzai du Loir quickly notched up two Intermediate victories when eventing recommenced in July, and then finished fourth in Aston-le-Walls’ eight- and nine-year-old Advanced class, his first run at the level. Last month, he stepped up to CCI4*-S at Burgham, adding just two time penalties to his 27.9 dressage and putting him firmly on the radar ahead of this week’s competition.

Yasmin Ingham and Banzai du Loir. Photo by Tilly Berendt.

The first phase here set the pair’s week off to the best possible start when they scored a 22.3 — a career personal best for both the rider and the horse. Yesterday’s showjumping course — a proper track by anyone’s standards — was an equally easy affair, while today, Banzai du Loir tackled the cross-country course with aplomb, showing off a balance and confidence that belies his relative inexperience. For this reason, Yasmin found it easy to come home inside the time, putting the pressure on two-phase leaders Izzy Taylor and Hartacker, who would pick up a green, genuine 20 penalties to let Yasmin and Banzai du Loir take the win.

“I was probably a little bit down on my first minute markers, because they’re quite tight, but he covers the ground so well that when you get into an open stretch he makes it up,” says Yasmin. “When I came into the bottom field, I was about ten seconds up. He just found it so easy.”

Speaking to Yasmin, it’s impossible not to be caught up in her enthusiasm about the horse, who she hopes to produce with a long-term aim of consideration for the 2024 Paris Olympics.

“He’s so lovely. He’s a very sharp personality; he takes a lot of work and is very buzzy, with his eyes on everything — he always has to know what’s going on,” she enthuses. “He’s also very sassy — he’s got a huge personality, which I love. He’s uber-talented — it’s like he’s got ‘it’ in every phase, which is great, because you usually have ones that are awesome jumpers, or awesome on the flat, and he seems to be talented in all three, which is rare.

“We’ve worked a lot on his dressage over lockdown, because his changes were iffy. I went to Burgham off the back of a dressage lesson where the changes weren’t the best, but they came good there and they were good here, too. He’s a super jumper; he’s very quick and he covers a lot of ground. He’s not super strong but he’s very keen — he’s always taking me and looking for the flags, which is great.”

Yasmin’s excellent week at Burnham Market was topped off by finishing in the top ten on both her horses in the CCI4*-L — and even better, she was able to reunite with mum Lesley Ingham, who ordinarily accompanies her to every competition, for the first time in six months.

“She’s been stuck on the Isle of Man through lockdown, and I’m based in Cheshire, so it’s so great to see her again,” says Yasmin, laughing: “she can’t keep away [from events] — she loves them!”

Though it’s easy to bask in the glory of a successful week at an international, Yasmin is quick to credit her dream team of owners for the part they play in her remarkable career trajectory.

}I’m so lucky — Sue and Janette are so supportive and I really wouldn’t be here without them, so I’m so grateful,” she beams.

Ros Canter and Lordships Graffalo. Photo by Tilly Berendt.

Reigning World Champion Ros Canter has been on flying form since returning from maternity leave at the tail end of 2019, and her momentum hasn’t eased up for a moment despite the tricky nature of this season — she clocked up a win in one of Burgham’s CCI4*-S sections, a top-five finish in Cornbury’s CCI3*-S, and today, she finished with two horses in the top five of the eight- and nine-year-old CCI4*-S.

Level debutante Lordships Graffalo, who was piloted by Tom McEwen to eighth place in last year’s Seven-Year-Old World Championship in Ros’s stead, finished second after adding 0.4 time penalties in each jumping phase to his first-phase score of 24.5, while Rehy Royal Diamond, who stepped up to the level at Burgham, finished fifth after coming home two seconds over the optimum time.

Kitty King and Cristal Fontaine. Photo by Tilly Berendt.

Kitty King‘s 2018 Six-Year-Old World Champion Cristal Fontaine made light work of his first CCI4*-S to finish third, adding just 0.4 of a time penalty in yesterday’s showjumping to his first-phase score of 25.7.

“I’m thrilled with him,” says Kitty. “He felt fabulous today and made it feel really easy — considering it’s his first four-star, to make it feel like that is lovely and really exciting for the future. He’s not the finished article yet — it’s exciting to know that there’s still more to come from him but he can be as competitive as he was.”

Cristal Fontaine has had a successful run of events since coming out of lockdown in July, winning two Open Intermediates and Aston-le-Walls’ eight- and nine-year-old Advanced. In finishing third here he adds his tenth top-ten finish to the eleven total internationals he’s contested, of which he’s won four. His consistency, says Kitty, largely comes down to the innate ease with which he tackles his job, as evidenced by his quick and straightforward run today.

“He’s always been a pretty quick horse, because he doesn’t pull and he doesn’t take much setting up,” she explains. “He’s speedy into and out of his fences because I don’t have to waste time saying ‘woah’ and getting him back on his hocks; he’s economical in that respect. He was inside the time easily enough without having to try, which is nice. I can’t really fault him on anything — I don’t think he’s been out of the top three since lockdown and he’s not had a fence down.”

Tom McEwen and Bob Chaplin. Photo by Tilly Berendt.

Tom McEwen piloted the former Paul Tapner ride Bob Chaplin to fourth place, adding 1.2 time penalties across the country to finish on 28. The pair made their debut together in the middle of last season after the nine-year-old German-bred gelding had 2018 off, following a second place finish in the Six-Year-Old World Championship at Le Lion d’Angers.

“We had a get-to-know-each-other year last season and this year’s obviously been a bit steady away, anyway, but this was always an aim for him,” says Tom. The time spent solidifying the partnership, though, has resulted in an easy rapport between the pair — helped along by the fact that the horse is simply a nice sort of chap to have around the yard.

“He’s amazing — the most chilled-out horse you could ever find,” says Tom. “He’s a lovely person, and he has more talent than anyone could ever shake a stick at, though sometimes he doesn’t tend to use it all.”

Want more Burnham Market? You’re in luck — we’ll be bringing you a full report on the feature CCI4*-L shortly!

The top ten in Burnham Market’s CCI4*-S for eight- and nine-year-olds.

Burnham Market: Results | Website | Live Stream | EN’s Coverage | EN’s Twitter | EN’s Instagram

Goodbye Gary: Cillnabradden Evo Bows Out of Eventing after Burnham Market CCI4*-S Win

Oliver Townend and Cillnabradden Evo. Photo by Tilly Berendt.

Notable horses in the sport become much-uttered names for a variety of reasons. Sometimes, it’s because their domination of the leaderboards makes them a force to be reckoned with whenever they’re entered. Other times, it’s a matter of notoriety — of tumultuous, tempestuous talent, or a connection to one of the sport’s many rollercoaster peaks and troughs. And in a few cases, it’s both.

Such is the case with Oliver Townend‘s mount Cillnabradden Evo, who won the open CCI4*-S section at Burnham Market today, prolonging the impressive streak in which Oliver has won every CCI4*-S here since 2014, with 13 total victories in the class. A first-phase score of 23.3 put the pair in second place on this leaderboard after the first phase, while a classy clear round over yesterday’s showjumping track moved them into the lead, overtaking Sweden’s Therese Viklund and Diabolique, who added 22 penalties. Going into today’s cross-country phase they could afford eight seconds to stay ahead of Australia’s Kevin McNab and Scuderia 1918 Don Quidam, and though they lost a minor amount of time with a sticky trip through the final water, they sailed home five seconds over the optimum time of 6.46 to secure themselves the win.

“He’s been very good — he’s getting the hang of it,” jokes Oliver. Now, with one final victory in the books, he and owner Sally-Anne Egginton have made the decision to give the 14-year-old Irish Sport Horse, known at home as Gary, an early retirement.

“He’s finished very, very well. He’s been punching above his weight for years, and he’s just been an out-and-out trier. He’s been very special to the yard, and very special to his owner, and he’s probably won more international classes than ten horses would together — he’s won at every level and every time he went out, you pretty much knew you were going to have a good weekend.”

Oliver and Cillnabradden Evo pop out of the quarry combination. Photo by Tilly Berendt.

The striking black gelding by Creevagh Ferro Ex Siebe has made a remarkable impression on the sport in his nearly five year partnership with Oliver. In 21 internationals together, they’ve notched up eight wins, including the British Open Championship title at Gatcombe in 2016, CCI4*-S classes at Blair (2016), Burnham Market (2019 and 2020), and Baborowko (2018). His reputation as a specialist at this level was heightened when he helped Oliver to the first-ever Event Rider Masters series title in 2016, and after missing the 2017 season, he was moved up to five-star in 2018. Though that inaugural run, which took place at Pau, saw the pair incur a late elimination due to a rider fall, they ventured forth to Badminton in 2019, where they would make history by setting a new dressage record for the event with an astonishing 19.7. They would ultimately finish sixth in the competition.

But Cillnabradden Evo’s past is somewhat more complicated. He was produced first by Lucy McCarthy and then through CCI4*-S by Oliver’s great friend Andrew Nicholson, with whom he finished second in the eight- and nine-year-old CCI4*-S class at Blenheim — his debut at the level. But it was with Cillnabradden Evo that Andrew had the crashing fall at Gatcombe in 2015 that nearly ended his career, and when Oliver made his first international appearance with the gelding just two months later, it was to murmurings that the horse would not, perhaps, prove to be a safe and capable partner.

Cillnabradden Evo demonstrates his considerable scope over yesterday’s showjumping course, which saw half the field fault. Photo by Tilly Berendt.

If riders go down in eventing history for their most fundamental skillset, though, Oliver will surely be best-known for many decades to come for his extraordinary ability to coax the very best out of a horse at the top levels despite its limitations. In the four seasons they’ve shared together, they’ve finished in the top ten in 15 of their 21 internationals, and though Cillnabradden Evo looked to tire near the end of last year’s Badminton course, it was Oliver’s talent for nurturing and galvanising the horse that saw them make a clean job of the competition.

Even in this incomplete season, Cillnabradden Evo has managed two international runs — his first since Badminton — and won both, taking the CCI3*-S at Burgham last month as his warm-up for Burnham Market.

“He’s one of those rare horses to do what he did at Badminton and then come back out this year and win his three-star and four-star,” says Oliver. “It’s just time: he’s done plenty for us, and he’s finished very well and very sound. He’ll go back to Sally-Anne’s for the rest of his life, I hope.”

Kevin McNab and Scuderia 1918 Don Quidam. Photo by Tilly Berendt.

Second in this open CCI4*-S section, which was separated from the eight- and nine-year-old class after the second phase due to different boot rules for the younger horses, is Australia’s Kevin McNab and Scuderia 1918 Don Quidam. They put the pressure on the leaders by delivering the second-fastest time of the day today, romping home in 6.40 to finish on their dressage score of 26.9. Kevin also finished in the top ten with Scuderia 1918 A Best Friend, who finished eighth on his 35.1 dressage.

“[Don Quidam’s] been really fun this week,” says Kevin. “He was easy in the dressage, athletic and careful in the showjumping, and on cross-country he galloped round really well. I was planning on giving him a proper run, and he pulled up with plenty of running — he was keen to go.”

Though the two horses both delivered equally classy rounds on nearly identical times, they’re very different characters on Kevin’s yard, with each needing something different from the rider.

Kevin McNab and Scuderia 1918 A Best Friend. Photo by Tilly Berendt.

“Don Quidam is cheeky in a nice way; he’s a bit of a pretty boy, a bit blonde in a nice way. Every day’s fun with him — he’s a horse you enjoy riding each time,” he explains. “For a very big horse, A Best Friend is a bit of an anxious horse; he likes to have his friends around and someone to hold his hand. It hasn’t hurt him to be at home over lockdown, and to have a bit more time to work with him and develop They’re very different horses. Both very good, but different people.”

Now, Kevin’s looking ahead to a trip to Pau with both horses, as well as a Kentucky CCI5* run in 2021, which had been Don Quidam’s plan for this spring.

“I’d like to get to Kentucky; I think it’d really suit him and I’d like to jump around there myself — I’ve never been,” he says.

Sarah Bullimore and Conpierre. Photo by Tilly Berendt.

Another rider to feature twice in the top ten is Sarah Bullimore, who piloted the evergreen Reve du Rouet to third place after finishing a second over the optimum time and stablemate Conpierre to fifth with 1.2 time penalties. These weren’t to be her only successes of the week: she also took third place in the CCI4*-L with homebred Corouet, once again proving that she’s one of the most remarkably consistent riders in Britain. Like Kevin, she, too, is looking ahead to Pau with Reve du Rouet — though much hangs in the balance of Europe’s constantly changing lockdown situation, which has evolved throughout the week and may rule out a plethora of UK-based riders from the sole 5* of the year.

Alex Hua Tian and Don Geniro. Photo by Tilly Berendt.

China’s Alex Hua Tian and his Rio top-ten finisher Don Geniro added another great result to their 2020 tally, finishing fourth on a score of 29 after adding 0.8 time penalties in showjumping and 4.4 across the country to their 23.8 dressage. They contribute to a remarkably global top ten, with six nations represented.

37 combinations came forward to the final phase in this CCI4*-S section, with all going on to complete. Just two would add cross-country jumping penalties, while four produced clear rounds inside the time — a relatively high number, considering that there were just 15 clears inside the time from 2005 to 2019.

Stay tuned for reports from the eight- and nine-year-old CCI4*-S and the feature CCI4*-L. Go Eventing!

The final top ten in the open CCI4*-S section at Burnham Market.

Burnham Market: Results | Website | Live Stream | EN’s Coverage | EN’s Twitter | EN’s Instagram

All Pass Burnham Market Final Horse Inspection

Two-phase leader Monkeying Around trots up with Izzy Taylor. Photo by Tilly Berendt.

This morning’s final horse inspection at the Burnham Market International CCI4*-L, which serves as a replacement for Blenheim’s cancelled autumn fixture, dawned bright, crisp, and wholly uneventful as 62 horses were presented to the assembled ground jury of Judy Hancock, Christina Klingspoer, and Tracey Trotter.

Sarah Bullimore’s ‘cocky’ Corouet, who stands just 15.2hh, looks fresh as a daisy after his second-ever CCI4*-L cross-country run. Photo by Tilly Berendt.

We wrote in depth about the changing opinion of the cross-country course here yesterday: though the ground had walked as being almost unforgivingly firm on Friday, considerable efforts made by Alec Lochore and his team yielded a much more welcoming result for the weekend’s competition. The final reckoning always comes on Sunday morning, when the withdrawal list can be scanned for overnight scratches and the condition of the remaining horses can be closely scrutinised at the second horse inspection. This morning proved that the credit given to the team here yesterday was well-founded, when just two horses didn’t present: Jessica Watts‘s Sportsfield Adventure and Lucinda Atkinson‘s Spring Revolution.

Louise Harwood and Balladeer Miller Man, accepted upon reinspection. Photo by Tilly Berendt.

Those who did present demonstrated a unified front of sound, fresh-looking horses, showing none of the hallmarks of having struggled with the ground the day prior. Just one horse was held — Louise Harwood‘s Balladeer Miller Man, who was passed upon reinspection — and the 62-strong field will now look ahead to this afternoon’s showjumping phase, which will see them face a big, square Sue Peasley track in the main arena. Showjumping will begin at 1.30 p.m. local time (8.30 a.m. Eastern) and can be followed on Horse&CountryTV’s live-streaming service. In the meantime, the CCI4*-S class will head into cross-country from 10.00 a.m. local/5.00 a.m. Eastern, with this phase also broadcast by H&C.

Here’s a refresher of the top ten in each class:

CCI4*-L top ten:

The top ten after cross-country in Burnham Market’s CCI4*-L.

CCI4*-S top ten, to be split into an open section and an eight- and nine-year-old section:

The top ten after showjumping in the CCI4*-S.

Go Eventing.

Burnham Market: Entries & Ride Times | Live Scores | Website | Live Stream | EN’s Coverage | EN’s Twitter | EN’s Instagram

Moving Beyond Face Value on Burnham Market CCI4*-L Cross-Country

Izzy Taylor and Monkeying Around. Photo by Tilly Berendt.

It’s not a wholly enviable job to design an upper-level cross-country course in the most normal of times: as a designer, you have an incredible number of variables to consider when creating a track that does the job of meeting a multitude of demands. Will it challenge the upper echelon of competitors sufficiently to ensure this pivotal phase is the most influential? Will it nurture and educate those who are there to learn or produce, minimising risk for those who falter along the way? Does it take into account its placement in the season and the place it’s likely to occupy in competitors’ various grand plans? Will it make best use of the ground, the undulations, and whatever weather might be thrown its way? And, because spectator interest is crucial, will it entertain?

Taking these considerations into account and factoring in a fractured season and a reallocation of venue is an eye-wateringly mammoth task, but that’s exactly what the Musketeer Events team signed up for when they offered up Burnham Market — which ordinarily runs national-level classes and internationals up to CCI4*-S — as the Blenheim Palace replacement this year. In doing so, they granted the UK its only CCI4*-L of 2020, while giving the prestigious eight- and nine-year-old CCI4*-S a platform to run. But to say that there was no scepticism among the assembled competitors would be almost a discredit to organiser and course designer Alec Lochore and his team.

To understand the tonal shift at the event, it’s important to understand the event itself. Unlike Blenheim Palace, which is nestled in Oxfordshire countryside on very different ground, and which is only used for its showpiece event each year, Burnham Market is set in north Norfolk. Here, preparation is a different beast altogether: the facility has no access to a water source for round-the-clock saturation of the ground, and strong coastal winds ensure that any rainfall is dried up before it has a chance to penetrate. The ground, in its natural state, is very firm, the flat Norfolk countryside doesn’t offer up much in the way of useful undulations, and logistically, the event team didn’t have the long-term infrastructure of a constantly-developing long-format cross-country course to refine and fiddle with.

Pathfinders Francis Whittington and DHI Purple Rain set the tone for the day with a classy clear. Photo by Tilly Berendt.

On walking the course yesterday, the general conversation among competitors wasn’t entirely inspiring. The ground jarred underfoot, much of the course was deemed too small to be impactful, while some of the combinations were thought to be trappy rather than encouraging and challenging in a positive way. But overnight, Alec’s team got to work with their stable of machinery — which must be used as close to running time as possible for maximum effect — and today’s competition dawned with an entirely different mood. Where parts of the track had felt unforgivingly firm the day prior, today they had more give — and all that would remain to be seen was how the course itself would ride.

In life and in eventing, things are not always as they seem. As the first few competitors on course sailed through the finish flags with easy, flowing clear rounds under their belt, it became evident that the course, upon walking, was one of those things. Those combinations that had walked as being trappy proved to largely come up in a fair and natural rhythm, and while the argument can still stand that many of the dimensions were on the small side and the time was altogether too easy to get, it’s important to keep the bigger picture in mind: this isn’t Blenheim. It can’t be Blenheim. 2020 has stripped horses and riders of runs, and a CCI4*-L course that would ordinarily suit the needs of late-season competitors would have verged on causing unnecessary risk in a year like this. If Burnham Market was a soft CCI4*-L today, it’s because its purpose wasn’t to showcase the sport at its most challenging and exciting: it was to give combinations the chance to run over 10 minutes, which provides an educational opportunity and a chance to build long-lasting stamina in a way that no amount of trips to the gallops possibly could.

80 combinations came forward to tackle this phase today after a small handful of overnight withdrawals. 75% — or 60 — of them would go clear without adding jumping penalties; 5%, or 4 combinations, would complete with jumping penalties, and 20%, or 16, would not complete the course. 37 of those who completed, or 46% of starters, would come home clear inside the time, indicating a course that perhaps wasn’t enormously influential — but the reactions of riders after completing, as opposed to many of the reactions after walking yesterday, was markedly more positive.

“[The organisers] said at the beginning of the week that they’d get it right by cross-country day, and I really do think they did,” says Nicola Wilson. ” It rode really well for both my horses, and it felt exactly the same — so credit where credit is due; they absolutely got it right.”

Izzy Taylor and Monkeying Around maintain their lead in the CCI4*-L. Photo by Tilly Berendt.

Despite a slightly rocky four-star record, which has seen the horse make green mistakes on several occasions, Izzy Taylor‘s former Six-Year-Old World Champion Monkeying Around jumped a more mature clear round inside the time to stay in the top spot as we head into tomorrow’s final horse inspection and showjumping — though Izzy’s own cross-country prowess certainly played a huge advantage when they pair had a slightly sticky ride through the final water combination.

“He didn’t really feel like he’d read it coming in, so we added to be safe – but he was very good, and very confident, with his ears pricked. He enjoyed the job,” says Izzy, who praised the efforts made to the ground. For her, this run represents something of a turning point in the gelding’s education.

“I’m very pleased with how he coped with today – we didn’t have the smoothest run with him last year, but he’s only nine and it’s easy to forget that when you’ve had them from the word go and they’re successful [early on]. He managed to adjust himself when needed today and didn’t get worried about anything.”

 

Nicola Wilson holds onto two spots in the top ten, sitting second with JL Dublin and fifth with the more experienced Bulana after producing clear rounds inside the ten-minute optimum time with both.

“I’ve enjoyed the last few days enormously,” she says with a smile. Both horses also ran in the CCI4*-S at Burgham, which was Nicola’s first competition back at the level since a mid-summer injury last year put her out of action for the latter half of the season.

“Bulana’s experienced at this level, but with her not having done very much [over the last year] it was fantastic to come to a long-format and just have a lovely run round a course like this,” she says. “She gave me a lovely feel from start to finish. It was a quick round, and for the first couple of minutes I was thinking, ‘steady!’ but she gave me a great ride.”

The less-experienced JL Dublin, who finished fourth in the CCI4*-S at Bramham last year, set himself up well for a potential career-best result when he made easy work of his CCI4*-L debut — despite some confusion about the relative length of the course.

“We turned to come to the final water and he started trotting — I think he thought he’d finished,” laughs Nicola. “It took me by surprise a little bit, but he has so much power that we popped through it.  He’s quite a dude and we think a great deal of him — he’s learning the job, but he has so much power and is a lovely horse to ride in all three phases.”

Vittoria Panizzon and Chequers Play The Game. Photo by Tilly Berendt.

Italy’s Vittoria Panizzon sits third with Chequers Play The Game — and although the highly experienced pair’s clear inside the time might have seemed like something of a given, it was a particularly happy round for Vittoria: not only is she bringing the 17-year-old gelding back after two years off, she’s also learning to deal with riding competitively despite a recent diagnosis of an autoimmune disease that causes sporadic stiffness and pain in her legs.

“It explains why I totally seized up over lockdown,” says Vittoria, who discovered the issue after a persistent sacroiliac issue ballooned into periodic debilitation. Though she’s learning she can manage the issue with a combination of regular exercise and physiotherapy, the slower pace of lockdown brought out the worst of the condition, and so today was something of a fact-finding mission to see how much she can manage.

Vittoria had also made the decision to send ‘Elvis’ away to another rider to be legged back up, and only reintroduced serious schoolwork this week.

“It was very intentional; he came back to me three weeks ago and he’s the only horse I’d trust to do [a test with after that],” says Vittoria. “He’s probably my favourite horse to ride cross-country, too; he’s so easy, and I can do almost everything with my voice.”

Sarah Bullimore‘s 15.2hh homebred Corouet sailed around the course with typical grit and gumption to sit fourth overnight in his second CCI4*-L — though Sarah, laughing, suspects the course might not have been enough for the opinionated gelding.

“He came through the finish thinking he’d just been warming up — he was prancing and posing like, ‘when do we actually start?!'” she says. “Then he dragged my groom up to the stables and he was kicking the door looking up to the start — he’s very pleased with himself!”

Oliver Townend and Tregilder. Photo by Tilly Berendt.

Oliver Townend delivered the save of the day just before the halfway point on course with Tregilder when the horse twisted over fence 10, an open corner after the quarry complex at 9AB, going on to romp home clear and — again — inside the time for sixth overnight, while Tom Jackson and Billy Cuckoo hold onto seventh.

Yasmin Ingham and Sandman 7. Photo by Tilly Berendt.

A watch malfunction aboard first ride Rehy DJ saw Yasmin Ingham sail home 30 seconds inside the time — the fastest round of the day. While he sits 11th going into the final phase, second ride Sandman 7 slots into the top ten in eighth place.

“He thrives off happiness and confidence, so as long as he’s got that, it’ll go well,” explains Yasmin, who has run the former Pippa Funnell ride around some intermediates, and then the CCI4*-S at Burgham, to solidify their partnership across the country after a blip at Boekelo last year.

“I’d had an awful fall at Aston in July and went to Boekelo really underprepared — in hindsight, I shouldn’t have gone, but we wanted to go and were committed,” she explains. “We had a bit of a hiccup, but we’ve learned from it, and we spent a lot of time really making him confident again.”

 

Bubby Upton and Cola III. Photo by Tilly Berendt.

It’s not often that you deliver a clear inside the time around your first CCI4*-L, but Bubby Upton did it twice today, leaving her in ninth place with her self-produced Young Rider medalist Cola III and 30th with Cannavaro.

“[Cola] was incredible — it was his first four long and mine, too, and while I know it wasn’t a particularly strong four long, he made it feel like a walk in the park,” says Bubby. “He’s pure class — it felt like a pre-Novice.”

With just one phase standing between Bubby and two qualifying results, she’s looking ahead to a five-star debut in 2020 — an exciting next step for the rider who’s been such a pivotal part of the British junior and young rider teams.

“I had so many golden aims for this year, and it’s not been ideal for any of us — so this week has been about ticking some boxes and thinking ahead,” she explains.

Ros Canter rounds out the top ten with Pencos Crown Jewel after adding nothing to their dressage score of 29, a welcome redemption after the pair took an unlucky tumble in the CCI4*-S at Burgham.

The top ten after cross-country in Burnham Market’s CCI4*-L.

Izzy Taylor and Hartacker deliver a clear round to hold their lead. Photo by Tilly Berendt.

This morning also saw the second half of the CCI4*-S class, which incorporates the eight- and nine-year-old class, contest the showjumping phase in the main arena. The big, challenging track gave us a 50% clear rate, with Izzy Taylor and the eight-year-old CCI4*-S debutante Hartacker jumping an effortless clear to retain their lead going into tomorrow’s cross-country.

“I thought it was a tough track, particularly for eight-year-olds,” says Izzy of the young horse, who only began eventing at the beginning of 2019. “But he’s got a beautiful brain and desperately wants to do everything; this can have a slightly negative effect because he sometimes tries too hard, although he’s wonderful to work with.”

Though the horse has only done one Advanced, Izzy is confident that this trait will help him along tomorrow’s cross-country course: “He wants to do it right, so as long as I’m putting him in the right place at the right time, he’ll try his best to do it.”

Yasmin Ingham and Banzai du Loir. Photo by Tilly Berendt.

Yasmin Ingham remains in second place with Banzai du Loir, who was impressive in the CCI4*-S at Burgham last month. For Yasmin, he’s a horse with potential for the 2024 Paris Olympics — a lofty dream that looks to be backed up by his impressive performances thus far. Yesterday, his 22.3 dressage earned him a career personal best, and gave Yasmin her best-ever dressage score, too.

“He gives me goosebumps — he’s so lovely,” says Yasmin of the nine-year-old Selle Français, who was produced to CCI3*-S by Axel Coutte in France and bought for Yasmin by Janette Chinn and Sue Davies last year. “I feel so lucky to have him. He was on his way up the levels, and so when I got him we could crack on and go — but frustratingly, I only got two runs in on him last year before I had my fall from Sandman and had six weeks out. This year, I wanted to come out and try to salvage this season — and he’s won two Intermediates and finished top ten at Burgham CCI4*-S. He’s got it in every phase; he’s super talented and so sassy. I think it’s so rare to find ones that are so good in every phase.”

The top ten remains largely unchanged, though slightly reordered from yesterday afternoon’s halfway point: Therese Viklund, previously in third place with Diabolique, jumped clear but saw her dressage score adjusted from 22.3 to 29.8, pushing her down to provisional 19th despite her clear round, while Tom McEwen jumped clear with 8th-placed Toledo de Kerser but opted to withdraw the Pau-bound horse afterwards. These omissions allowed Oliver Townend and Cillnabradden Evo to move up a spot from 4th to 3rd with much of the rest of the previous top ten shifting a spot up the leaderboard with him.

Sarah Bullimore and Reve du Rouet, fourth-placed after dressage, had slipped out of the top ten yesterday after an unfortunate pole at the first fence, but now move back up to 10th, while Kitty King and Vendredi Biats step up into the top ten in 9th.

Tomorrow morning sees the final horse inspection kick off at 8.30 a.m. local time, followed by CCI4*-S cross-country at 9.30 a.m. The CCI4*-L showjumping will begin at 13.30 p.m., and just as today, you can watch both sections live on Horse&CountryTV.

We’ll be back with the final report from a busy Burnham tomorrow. Until then: Go Eventing!

The top ten after showjumping in the CCI4*-S.

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Friday Video from SmartPak: Crazy Poles with Amanda Ross

Whenever I look at the weekends in my calendar, I like to make sure they’re all full of one of two things: eventing, or learning everything I can to improve the next time I go eventing. (Okay, and gin, too, but that must be presented in either scenario, frankly.)

This weekend’s an eventing one — though as a reporter, not a rider — but after watching a couple hundred combinations smash out excellent four-star dressage tests over the last two days at Burnham Market, I’m already planning my schooling sessions for the moment I touch down at home. So I was delighted to discover that Australian eventer Amanda Ross had delivered up a new instalment in her fun, educational vlog series — and this time, it focuses on universally useful polework. I might not like the lugging, but I sure do like the benefits this’ll bring!