Classic Eventing Nation

Still On Top: Liz Halliday-Sharp Leads After Show Jumping in Grand-Prix Eventing

Liz Halliday Sharp and Fernhill By Night. Photo by Shelby Allen.

The usually “lazy” Fernhill By Night was feeling himself this afternoon in the show jumping for the $50,000 LiftMaster Grand-Prix Eventing at Bruce’s Field. He and his jockey, Liz Halliday-Sharp, kept hold of their dressage lead after skipping around Michael Vaillancourt’s track.

“He jumped amazing,” Liz gushed. “Richard Picken helped me in the warm up. It’s rare that the horse even has a rub in the warm up, but he did rub one, which I think actually helped him. I think because he had that little touch it was on it — but he is a brilliant jumper. Unless I ride like an idiot, he jumps clear.”

For the 16-year-old Irish Sport Horse (Radolin x Argentina XII, by Argentinus) to be as successful as he was today, the key is carefully crafting his competition season.

“We don’t run him a lot anymore. He was amazing last season because we only ran him about every 8 weeks, and then he comes to the party really excited and ready to fight for it. Hopefully that will carry into tomorrow,” Liz explained.

With a hefty purse on the line, Liz confirmed with EN that she’s going for the win tomorrow. “He’s a big horse, and he’s not the world’s nippiest creature, but he can gallop. I think he’s up to it. Hopefully we’ll keep kicking, take a few risks and do the best that we can.”

Doug Payne and Vandiver. Photo by Shelby Allen.

For Doug Payne, this weekend with Vandiver is a sweet homecoming. After winning the Carolina International CCI4*-S (Formerly CIC3*) last year, the 15-year-old Trakehner (Windfall x Visions of Grandeur, by Mystic Replica xx), who is owned in partnership between Doug, his wife, Jessica Payne and Debi Crawley, dropped of the radar. Doug explained that they took the time to explore a stifle issue that had always nagged “Quinn.”

“It was a bit of a long journey. It’s been something that I think has actually gone on for a very long time. He had some irregularities in his right stifle, so we went in with a scope right around Kentucky last year, with Dr. Peroni at UGA. We were able to clean it up, and it’s honestly the best he’s felt since I’ve ever ridden him,” Doug said.

Back and feeling better than ever, Quinn had a clear round to remain on his dressage score of 30.8.

Lauren Kieffer and Vermiculus. Photo by Shelby Allen.

Lauren Kieffer and Vermiculus, Jacqueline Mars’ 11-year-old Anglo-Arabian gelding (Serazim X Wake Me Gently), settled right into third after a brilliant effort in the first two phases. “Bug” also stays on his dressage score of 30.9.

Looking forward to his 12th birthday this year, Lauren says that this can be a magical year for some horses. “I’ve always found that once they turn 12 they’re getting so much stronger. His jumping has gotten to a different level this year, so I’m excited. He’s certainly come out feeling more mature and really understanding what his job is,” she said.

William Fox-Pitt and Sandro’s Star. Photo by Shelby Allen.

Celebrity entrant William Fox-Pitt ends the day in fourth place aboard Sandro’s Star. William said the round wasn’t “as smooth as he wanted,” but since he had his first ride on Sandro only three days ago, I think we’ll forgive him this time.

He and the 11-year-old Oldenburg stallion (Sagnol x Poetic Patter xx, by Nostalgia’s Star xx) owned by Hannah Salazar produced a lovely double clear round for a two-phase score of 31.3.

Buck Davidson and Carlevo. Photo by Shelby Allen.

Carlevo climbed from 8th to 5th after a double clear round with Buck Davidson in the tack. The 12-year-old Holsteiner (Eurocommerce Caresino x Ramatuelle, by Levernois) owned by Carlevo LLC carries 32.1 points into the final phase.

Felix Vogg and Colero. Photo by Shelby Allen.

Looking down the leaderboard, Allie Knowles and Boyd Martin share a tie for sixth on 32.7 aboard The Sound Prospect Syndicate’s Sound Prospect and Christine Turner’s Kyra, respectively. Felix Vogg and Jürgen Vogg’s Colero are 8th after one pesky time penalty added .4 to their score. Jennie Brannigan delivered a clear round with Nina Gardner’s Cambalada for 9th and Boyd Martin makes a second appearance for 10th with Ray Price, who is owned by the Ray Price Syndicate.

Keep on eye on this space for much more from Grand-Prix Eventing at Bruce’s Field. We’ll take you around the Aiken-themed cross country course tomorrow morning before all the action kicks off at 2:30 p.m.

Grand Prix Eventing at Bruce’s Field: WebsiteLive ScoresEN’s CoverageInstagramTwitter

 

 

Liz Halliday-Sharp Claims Dressage Lead in Grand-Prix Eventing at Bruce’s Field

Liz Halliday-Sharp and Fernhill By Night. Photo by Shelby Allen.

Like a fine wine, Fernhill By Night keeps getting better with age. He and Liz Halliday-Sharp often lead the pack after dressage, and that was once again the case today at the $50,000 LiftMaster Grand-Prix Eventing at Bruce’s Field. The 16-year-old Irish Sport Horse (Radolin x Argentina XII, by Argentinus) owned by Deborah Halliday, was the first and only competitor to knock into the 20s on 28.7.

“I thought his trot work was good today, he can be a little bit flat sometimes because he drops me and he actually had a lot of lift today which was nice,” Liz said. “A couple bits I could have done better — both my right half passes were not as good as they should have been, so I think we lost a couple marks there. But I don’t think this is going to be a dressage competition.”

Liz sharpened up for the season with some pure dressage at the Adequan Global Dressage Festival this winter, where she and “Blackie” tackled their first Prix St. Georges. “I finished fifth in the open, which was not terrible, I didn’t totally embarrass myself, I wasn’t last,” she laughed. A massive accomplishment, we’d say!

Boyd Martin and Tsetserleg. Photo by Shelby Allen.

The World Equestrian Games partnership of Boyd Martin and Tsetserleg were first to go, setting the bar for the group on 30.2 points. The triple winner of the Wellington Eventing Showcase, Boyd looks to extend his showcase reign in Aiken this weekend with Christine Turner’s 12-year-old Trakehner (Windfall x Thabana, by Buddenbrock).

Doug Payne and Vandiver. Photo by Shelby Allen.

After a competition break in 2018, Doug Payne and Vandiver have come back swinging. The 15-year-old Trakehner (Windfall x Visions of Grandeur, by Mystic Replica xx) sits third on a dressage score of 30.8. Lauren Kieffer and Vermiculus secured fourth place, and Jacqueline Mars’ 11-year-old Anglo-Arabian gelding (Serazim X Wake Me Gently) carries 30.9 into this afternoon’s show jumping.

Will Coleman and Off The Record. Photo by Shelby Allen.

Will Coleman and The Off The Record Syndicate’s Off The Record, a 10-year-old Irish Sport Horse (VDL Arkansas X Drumagoland Bay, by Ard Ohio), are fifth after earning a 31.1. Allison Springer and William Fox-Pitt share a tie for 6th place on a score of 31.3. Allison rides Business Ben, a 9-year-old Thoroughbred (Artie Schiller X Min Elreeh, by Danzig).

Spectators were delighted to welcome William Fox-Pitt to Aiken, and they lined the fence to watch his ride with Hannah Salazar’s Sandro’s Star, an 11-year-old Oldenburg stallion (Sagnol x Poetic Patter xx, by Nostalgia’s Star xx) who is usually piloted by Chris Talley.

Buck Davidson and Carlevo. Photo by Shelby Allen.

Buck Davidson piloted Carlevo into 8th on a score of 32.1, and the Swiss transplant Felix Vogg is 9th aboard Colero, an 11-year-old Westphalian (Captain Fire X Bonia, Bormio xx) owned by Jürgen Vogg.

Tenth place is shared between Allie Knowles and Boyd Martin. Allie is riding Sound Prospect, a 17-year-old Thoroughbred (Eastern Echo x Miner’s Girl, by Miner’s Mark) owned by the Sound Prospect Syndicate, and Boyd is riding Kyra, a 12-year-old Canadian Warmblood (VDL Ulando H x Wellsley, by Welstern) owned by Christine Turner.

The fantastic ground crew is flipping the main arena now, and we look forward to the start of the show jumping at 4:00 p.m. It’s pouring buckets now, but the hourly forecast says it may clear before the jumping starts — fingers crossed! Don’t forget to tune in for commentary from our very own, Jenni Autry! You can watch it on EQTV or right here on EN.

Grand Prix Eventing at Bruce’s Field: WebsiteDressage Ride Times, Live ScoresEN’s CoverageInstagramTwitter

 

Friday Video from SmartPak: Surviving the Golden Button Steeplechase

“Bad news for the down-dumbing, time-serving, health-and-safety nicks, for the country that brought you cheese-rolling, the Cresta run, and walking slowly towards the enemy has come up with another semi-suicidal sport, and it has the innocent-sounding name of the Golden Button.”

Spanning three miles of Ledbury hunt country, and covering 22 colossal fences, the Golden Button Challenge isn’t for the faint-hearted — in fact, it’s earned the reputation of being Britain’s toughest hunt ride. This year’s iteration took place on the 23rd of February, and 62 brave — and perhaps slightly bonkers — starters came forward to give it the old college try. After a little bit of rough and tumble (and just one minor injury, to a rider), 33 of them would cross the finish line.

The Golden Button is a steeplechase in the most classic sense: there’s no racetrack, just open country crisscrossed with sprawling ditch-and-hedge combinations and looming gateways. Riders know where they need to start and where they need to finish, and what happens in between is up to them. It’s fast, it’s furious, and it draws in some of the UK and Ireland’s finest under-the-radar cross-country riders.

I caught up with Jemima Taylor to find out more about the madness that ensued between starter’s orders and the final flags. Jammy lost her Golden Button v-card in fine style last week – she not only completed, but finished 25th, riding her own Kitkat. 20-year-old Jammy is, perhaps, the perfect model of a Golden Button entrant — that is, she can ride enviably well, and she’s completely and utterly nuts. In 2016, she decided she wanted to find a creative way to raise money for two worthy charities, the Kent and Sussex Air Ambulance and the James Wentworth Stanley Memorial Fund, which raises awareness of mental health issues and works towards suicide prevention. The idea she landed on? Ten days of bareback hunting. We’re not talking about a couple of hours of meandering along at the back of the field, either — Jammy stayed out for up to seven hours each time, jumping the biggest fences each day had to offer aboard her feisty little mare. She raised £10,000 for the charities.

“I hadn’t had an adrenaline kick like that since doing the bareback hunting, and I thought, ‘well, how mad is it? I might as well give it a go!'” says Jammy of her decision to enter the Golden Button. To do so on the tricky mare she’d produced from a five-year-old, she thought, would be even more special.

“Kitkat had been sent over from Holland, and it’s safe to say we bought a mentally deranged mare! It’s taken about six seasons of hunting for her to finally calm down.”

Jammy had attempted to event Kitkat, to no avail: “One weekend you could get a great dressage and a double clear, and then the next weekend, she’d buck round the dressage test or refuse to go into the showjumping warm-up, so we decided it was getting too expensive. We ended our eventing career on a cricket score because she napped halfway around the showjumping course and then refused at the easiest cross-country fence. But once she’s on the hunting field or doing a scurry, then she’s at her prime and will jump anything you put in front of her.”

This isn’t to say that the Thoroughbred cross has become anyone’s ride.

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Clearly she'd rather still be on holiday 🐎

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“God forbid you try to take her out hacking alone,” says Jammy wryly. “She’ll throw a temper tantrum like no other. But for me, she’s the horse of a lifetime and is the most fearless thing. She’s only 15.2hh, but she has scope to burn and she’s out-jumped a lot of horses that are at least a hand bigger. Although, if you ask someone else to jump a crosspole on her, she won’t have any of it.”

And so the gutsy combination headed to big hedge country, ready to test their mettle. I need a stiff drink just thinking about it, but then, I suspect I’m not a prime candidate for the Golden Button.

“Surprisingly, I wasn’t that nervous — once I was on and we were walking around the paddock, I just got tunnel vision and only wanted to get round clear and in one piece,” explains Jammy. “When you’re actually on the course, it really is every man for himself. I honestly couldn’t stop smiling the whole way round — once I’d got through the finish line I forgot everything that had just happened!”

So what’s next for Jammy and Kitkat? Well, they haven’t got any more seriously mad adventures lined up — not yet, anyway — but they’re planning to fit in some nice, sedate sort of activities together. Like team-chasing. And hunt scurries. We’ll wait at the bar.

Get Your Advanced Kentucky Tickets Today! Prices Increase at Midnight

Oliver Townend and Cooley Master Class. Photo by Leslie Threlkeld.

You know you gotta be there, it’s the beginning of the month, maybe you just got paid … carpe diem! Today is your last chance to get 2019 Land Rover Kentucky Three-Day Event tickets at advanced purchase pricing. Advanced prices end at midnight tonight, Friday, March 1.

Ticket options include single-day, three-day (Fri-Sat-Sun) and four-day general admissions, as well as group sales, hospitality packages, cross country tailgating packages, and glamping. You can also go ahead and reserve your headsets as well as purchase programs and preferred parking.

All grounds admission tickets include general parking and admission to the Kentucky Horse Park and International Trade Fair, but do not include access to the competition in the Rolex Stadium. Reserved grandstand seating is sold separately from grounds admission.

Tickets are also available for the $225,000 Kentucky CSI3* Invitational on Saturday following cross country —  tickets are $5, with $1 going to the 2019 official charity, plus tax and fees. Hospitality packages are also available. You can purchase those tickets separately here.

Ticket options and extras quick links:​

The 2019 event takes place April 25-28 at the Kentucky Horse Park. You can view the provisional schedule here.

Order your tickets today at www.KentuckyThreeDayEvent.com/tickets!

Friday News & Notes from World Equestrian Brands

Preach on random dude on cross country, preach on!#travelswithamy #outstandinginafield #eventing #throwbackthursday @KyThreeDayEvent

Posted by AK Dragoo Photography on Thursday, February 28, 2019

Yesterday, I asked the universe if spring was really upon us, and I truly enjoyed a perfect spring day with delightful weather. Today, it is raining and snowing and sleeting. Really, I brought this on myself. I’m so sorry.

National Holiday: National Horse Protection Day

U.S. Weekend Preview:

Full Gallop H.T. [Website] [Entry Status] [Ride Times] [Live Scores]

Rocking Horse III H.T. [Website] [Entry Status] [Ride Times] [Live Scores]

Chattahoochee Hills H.T. [Website] [Entry Status] [Ride Times] [Live Scores]

Sporting Days H.T. [Website] [Entry Status] [Ride Times] [Live Scores]

Twin Rivers H.T. [Website] [Entry Status/Ride Times/Live Scores]

News From Around the Globe:

It’s happening: Jonty and Art are returning to competition! Jonty Evans announced that he and Cooley Rorkes Drift will return to eventing at Belton this spring, and he positively can’t wait. He just jumped his first cross country fences this week with Art, and says the horse feels great. What a recovery story! [The Return of Jonty & Art]

Dressage is becoming more and more important in our evolving sport, from Beginner Novice to 5*. If you’re interested in improving your scores, you better check out this article from Christoph Hess on how to become a great dressage rider and build a correct training system for all your horses. I like this article because he emphasizes that first and foremost, the rider must always admit that they made the mistake, not the horse. Bye bye, ego! [Ride Like a Professional Dressage Rider]

Most eight-year-old girls are bopping around on tiny ponies, but not Maia Fletcher. This ambitious little horse enthusiast is obsessed with Shires. That’s right, the biggest horses she could possibly find. In fact, she’s been riding them since she was three. And holy cow is it a cute match. [Meet the Eight Year Old Shire Rider]

Hot on Horse Nation: 18 Horses Celebrating Their Birthday

Want to Use a Heart Rate Monitor But Not Sure Where to Start?

Want to train with a heart-rate monitor but not sure where to start? EN is here to help! Photo by Jenni Autry.

Are you interested in incorporating a heart-rate monitor into your horse’s training this season but not sure how to get started? While the prospect can seem daunting, it’s actually more simple than you might think. If you’re on the fence, a great place to start is by learning more about training with heart rate.

As a first-time heart-rate monitor user myself, I turned to the Hylofit website to learn more before I started using it, and I’ve compiled a resource guide of articles for those of you on the hunt for more information. The Hylofit system provides real-time heart-rate data directly to your phone or your trainer’s phone, which provides a way to see how the horse’s body is responding to work in the moment. Using Hylofit can help you answer questions like whether your horse is finding the work easier or harder than you expected.

One of the biggest reasons I wanted to use Hylofit is to see whether my perception of how hard my horse is working matched what the data actually shows. If a horse’s heart-rate is spiking during a simple trot or canter set, that could indicate a larger issue, or potential injury, is on the horizon. Using Hylofit gives you this insight and more.

Without further ado, let’s get started!

Start Here

Why Should I Use Heart Rate Zones to Train With My Horse? How do heart rate monitors work? Why is it important to train with a heart rate monitor? How do you maximize training sessions with a heart rate monitor? Why is it important to know your horse’s resting heart rate? This article answers all these questions and more.

How Zone Training Can Transform Your Horse’s Fitness: If you missed this article on EN, we took an in-depth look at Hylofit’s zones, which use an algorithm to determine how hard your horse is working. The zones are color coded and numbered to make them easy to understand and use.

Required Reading

Dr. Tim Worden, a biomechanics advisor for Hylofit, specializes in the translation of human high-performance training theory and techniques to horses. He wrote a fantastic three part article series for Practical Horseman during the 2018 FEI World Equestrian Games. All three parts are well worth the read.

Part 1: Producing a Top Horse

Part 2: The Art of the Deal

Part 3: Performance Enhancements

Key takeaway: “Similar to the fitness technology revolution in human athletes, horse activity monitors have the potential to unlock previously unknown training insights. This information can be used to help guide training as it provides a direct measure of how hard a horse worked on a given day, and subsequently, how they responded to that work.”

Using Hylofit

Easy setup: This video shows how easy it is to attach the heart-rate monitor to your horse’s girth and sync Hylofit to your phone. It’s a quick and simple process.

Rider alerts: Hylofit also launched rider alerts this month, which allow you to customize the heart rate, zone intensity, time and distance you want to achieve during a ride, and then a voice will alert you to when you hit those targets. Watch below for a demo. It’s definitely as cool as it sounds!

Click here to view more demo videos on Hylofit’s YouTube Channel. You can also follow along with other riders who are using heart rate to train on Hylofit’s Instagram.

Still looking for more information? There are a slew of testimonials, reports and educational articles on the Hylofit website. You can dive in here.

Are you ready to take the plunge into the world of training with heart rate? Click here to order Hylofit.

Thursday Video from SmartPak: Bourke Eventing’s Secret Weapon

 

*Sound on* The secret to Quality Time’s double clear Advanced round last week? Senan schooling her up!

Posted by Bourke Eventing on Wednesday, February 27, 2019

Tim Bourke and Quality Time has a super outing at last week’s Pine Top Advanced H.T., finishing 2nd in the Advanced-B division on a score of 36.8. Tim gave all the credit to training sessions with his and wife Marley’s two-year-old son, Senan. Be sure to watch with the volume up!

Yee-haw. Go Eventing!

Product Review: Amigo Bravo 12 Plus Turnout with Disc Front Closure System

The Amigo Bravo 12 Plus Turnout with Disc Front Closure. Photo courtesy of Horseware Ireland.

Horseware has been an industry leader in blanketing innovations and clever solutions for horse owners since the company’s launch in 1985, with an emphasis on durability, quality and ultimately comfort for our hardworking equine partners. Their newest innovation comes in the form of a Disc Front Closure System that makes blanketing a breeze and provides superior comfort for the horse.

The Disc Front Closure System features a flexible disc made of non-corrosive polypropylene, which is a highly durable material but also extremely lightweight. You can easily bend the disc in your hands, which means it can also move and flex with the horse to allow for a more comfortable fit.

Combined with Horseware’s V-Front closure system, which cuts the front of the blanket in such a way that it mimics the horse’s shoulder movement, the disc is designed with ergonomic, countered curves that follow the natural shape of the horse’s neck. The disc’s contoured design gives more freedom for the horse’s neck to lower comfortably for grazing and eating and avoids binding at the base of the neck.

In addition to providing more comfort for your horse, the Disc Front Closure System is about as easy as it gets to use. The disc is attached to the front of the blanket with velcro straps, and you can easily open and close the straps with one hand, or while wearing bulky winter gloves.  The Velcro is strong and durable to ensure the blanket stays put, even when your horse is romping around like a madman in turnout (ask me how I know).

Horseware’s Disc Front Closure System is now available on select Amigo turnouts, fly products and coolers. I’ve tested it on the Amigo Evolution Fly Sheet, Rambo Airmax Cooler and most recently the Amigo Bravo 12 Plus Turnout, which is Horseware’s best-selling Amigo turnout blanket.

Made with an extremely durable 1200-denier polyester outer shell, the Amigo Bravo 12 Plus is highly waterproof and breathable, and also includes a detachable hood. The rug features a smooth polyester lining to enhance shine on your horse’s coat, leg arches, reflective strips, three cross surcingles, a wrapped tail cord (one of my favorite features of Horseware’s blankets — it’s so easy to wipe clean!) and loops to attach liners.

Horseware’s Disc Front Closure System is now available on select Amigo turnouts, fly products and coolers, including the Amigo Hero pictured here. Photo courtesy of Horseware Ireland.

The Amigo Bravo 12 Plus comes in a lighter 100-gram weight, which makes it perfect for milder winter climates and spring. I’ve used it during cold snaps in Ocala this winter, as well as on the road while competing at Pine Top Advanced Horse Trials, and the Amigo Bravo 12 Plus is a fantastic rug to have in your arsenal for use at home and at shows. The Surefit neck design makes it comfortable for your horse to wear, and the addition of the Disc Front Closure System ensures freedom of movement when grazing.

The Amigo Bravo 12 Plus with Disc Front Closure (100g Lite) retails for $230 and is available in a beautiful navy with red and gold trim — it definitely looks sharp! The Amigo Bravo line of turnout blankets is well known for being durable. We have a number of these rugs at Schramm Equestrian, and they hold up fabulously through the years. This is definitely a blanket I know I’ll have for years to come.

Click here to learn more about the Amigo Bravo 12 Plus Turnout and to find a stockist in your area. Have you tried Horseware’s Disc Front Closure System? Let us know in the comments below.

#BadmintonAt70: The Birth of Badminton

Gird your loins, chaps: the countdown is ON to the Mitsubishi Motors Badminton Horse Trials, and we, for one, couldn’t be more excited — not least because this year is a special one. 2019’s competition is the 70th anniversary of the inaugural Badminton, and since its first running in 1949 the sport, the venue, and the characters within this epic story have changed and evolved significantly. To celebrate 70 years of brilliant Badminton, we’re going to be bringing you an extra-special inside look at the event and its rich and exciting history, every week from now until the competition begins on May 1. Consider the archives your own personal Gringotts, and EN your loyal turquoise goblin sherpas. 

This week, we’re looking back at where it all began — the inspiration for, and organisation of, the very first Badminton…

Sixth at the very first running of Badminton, Captain Tony Collings and Remus would return a year later to take the title. Photo courtesy of Badminton Horse Trials.

The Birth of Eventing

Despite Great Britain’s reputation as the mecca of three-day-eventing, the country was actually a bit of a slow burner when it came to adopting the sport. In fact, it’s the French who can boast of the earliest iteration of it; their military competition, the Championnat du Cheval d’Armes, featured challenges resembling modern eventing as early as 1902. But it wasn’t until the king of Sweden’s Master of the Horse, Count Clarence von Rosen, got ahold of it in 1912 that the first true event was staged at the Stockholm Olympics, because why spend a few years ironing out the details of a sport when you could just chuck it into the most prestigious championships in the world and figure it out as you go along?

Open only to active military men on military horses, the ‘Militaire’ began with a 33-mile endurance ride, followed by a three-mile cross country course. The second day was a rest day, followed by steeplechase on day three, while day four was devoted to the showjumping test. Only on the fifth day did horse and rider enter the dressage arena — there, they would perform a 10-minute long test to a panel of seven judges, ostensibly to demonstrate their ability to perform in important military displays such as the changing of the guard, or in the parades that were often used to celebrate the country’s monarchy.

The test, called ‘Prize Riding,’ bore little resemblance to modern-day dressage: many riders rode one-handed, showing off movements such as ‘fast walk’ (bring this one back, please), Spanish walk, and gallop. Bafflingly, the test included five show jumps of roughly 1.10m (3’7), and one instance of Don’t-Try-This-At-Home: horse and rider had to jump an overturned barrel while someone rolled it towards them. Yeah, we don’t know either.

Sweden’s Axel Nordlander survives all 862 phases to take the individual eventing title at the 1912 Olympics. Many horses and riders would contest more than one discipline. Show-offs. Photo via Public Domain/IOC.

By the time the Antwerp Games rolled around in 1920, the decision had been made to scrap dressage altogether, proving that eventers are made of the same fundamental stuff, no matter which decade you find us in. But by 1924, some sadist decided it probably ought to be slotted back in.

The organisers of the 1912 Games had had a pretty appealing reason to pop dressage in at the end of the competition: “With respect to the order in which the various tests should be executed, it was thought best to place the prize riding last, as the clearest obedience-test could thereby be obtained. A well-trained horse that has been severely taxed should, even after taking part in the previous tests, be able to do itself justice in the final one too.” Paris, clearly laughing in the face of danger, reintroduced everyone’s least favourite phase at the beginning of the competition, and modern-day eventing was born, sort of.

Eventing Comes to England

Despite fielding a team at every Games, Great Britain had only managed to medal once in the equestrian disciplines, when they clinched a team bronze for eventing at the 1936 Berlin Games. But this wasn’t, perhaps, something to write home about — the fourth-placed Czechoslovakian team finished on an incredible score of 18,952 after one of their riders got lost on cross country, and then misplaced his horse, and took three hours to find his errant nag and his way home, after all. There was a lot to be done, but outside of the military barracks, no one in the UK knew, or cared, about eventing. Berlin’s Games — known as the Nazi Games —  would be the last Olympics for two cycles: both the 1940 and the 1944 Games were scheduled and ultimately abandoned because of World War Two. In 1948, though, the Olympics were back — and this time, they were heading to London.

Embed from Getty Images

The three-day eventing competition was held at Tweseldown Racecourse, part of the Aldershot military complex and, to this day, one of the most popular one-day event venues in Britain. The host nation, with its rich equestrian history, expected itself to do very well in these disciplines, despite a shortage of equine talent — and far too little training time — after the ravages of the Second World War.

They categorically did not. Riding horses they’d only begun to school that spring, the British eventing team had just one finisher — Major Borwick made it to the end of the competition, while Brigadier Lyndon Bolton hit the deck twice and Major Stewart’s horse went lame before it could even begin the cross country. The competition was a wash-out for the Brits, but it did have one enormously important legacy: it introduced eventing to a hungry audience who had grown up on the hunting field and saw success in this exciting new triathlon-of-sorts as a birthright.

“It came as a rude awakening to find that we were not very good,” mused The Horseman’s Year some 11 years later, pointing out that “there is nothing which so gets under the skin of an Englishman as to be told he does not know how to ride.”

One Englishman and Olympic committee member in particular thought something ought to be done — and his conviction set the wheels in motion to create the heart of the sport in his home country.

A Star is Born

His Grace the 10th Duke of Beaufort, Henry Hugh Arthur Fitzroy Somerset, or ‘Master’ to his nearest and dearest, was a man of enormously high esteem. His sprawling Gloucestershire estate was home to one of the country’s most famous packs of hounds, and when he wasn’t carrying out his duties as Master of the hunt, the Duke could be found serving as Master of the Horse to the royal family, a position he would hold for a record-breaking 42 years, serving under three sovereigns. He took equestrian sport incredibly seriously; in 1933 he headed up a committee that would establish the London International Horse Show at Olympia, which remains one of the country’s most beloved horsey establishments, and he was vice president of the FEI and the BHS, too.

As such, he was one of the first people to see Great Britain’s immense potential for success in this exciting new discipline, and together with his close friend and British Horse Society council member Colonel Trevor Horn, he began to research the logistics and formalities of building an international-standard three-day eventing venue on his own Badminton estate. With the right infrastructure and a home competition at which to practise, he was sure that the British team could bring home a medal at the next Games. Somehow, he suspected, there was even a way to get past Britain’s deep suspicion of ‘dressage’, this ostentatiously continental pastime of silly circus tricks that seemed so thoroughly at odds with the fast and furious galloping and jumping the rest of the sport was based around.

He wasted no time. The BHS granted its approval and the Duke assembled an organising committee of military men, with Horn stepping into the daunting role of director. Horn’s legacy is, perhaps, one of the most overlooked — after all, he had just that one Olympic event to use as a reference point, and the FEI was yet to draft a set of rules for the sport, so he was working with the most raw of materials: a sprawling acreage, an end date, and a set of ideals. But that was all he’d need to create the blueprint for British eventing, and the rules he made up as he worked built the framework for the sport as we know it.

Photo courtesy of Badminton Horse Trials.

‘The Most Important Horse Event in Great Britain’

Britain in 1949 was an altogether different beast. Just a handful of years out of the devastation of World War Two, it was a nation rebuilding itself — and reexamining itself, too. The class system that had defined British society and culture for so long was unravelling; two long wars had shaken the country’s foundations and life was suddenly becoming much less Downton Abbey for all concerned. But it wasn’t quite there yet. Although it’s commonplace now to be able to walk into just about any stately country home you so choose, thanks to the ministrations of the National Trust and the need for the remaining ‘landed gentry’ to cover upkeep costs, back then access to these upper echelons of society was restricted to a privileged few, even in this new dawn. In fact, it was in 1949 that the first of the country’s many manor houses was opened to the public — that was Longleat House, an Elizabethan prodigy house set in sumptuous Capability Brown-designed gardens. Its acreage would later become home to the UK’s foremost safari park.

Come one, come all: despite dressage’s limited popularity in Britain, and some arguably poor examples of the discipline, spectators still flocked to watch the first phase in its old location on the north side of Badminton House. Photo courtesy of Badminton Horse Trials.

When the public realised they’d get the chance to make merry on the very same grounds frequented by the who’s-who of British society, they jumped at the chance. The crowds at the very first ‘Badminton Three Days’ Event: The Most Important Horse Event in Great Britain’ were considerably larger than its organisers expected at roughly 6,000 people, and once inside, they were given free rein. The dreaded dressage and showjumping took place in front of the house in those days, were only the horse inspections take place now, and rather than piling into grandstands, spectators and judges alike stood atop their cars or sat on straw bales to watch. The cross-country course wasn’t roped, and instead, people were expected to keep their wits about them and get out of the way of an oncoming horse — tricky, perhaps, when riders were allowed to take whichever line they so choose from one fence to the next.

Judges oversee the final showjumping phase:

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Making a Go of It

Forty-seven horse and rider combinations put in entries for this intriguing new competition on the spring calendar, among them military men, hunters, racing types, Thoroughbreds, cobs, and, though they weren’t yet allowed to compete at the Olympics, women. Of the twenty-two eventual starters, a quarter were female. The highest-placed of the 1949 #girlpower contingent was Vivien Machin-Goodall, who would go on to be the first female three-day event winner.

The shopping was almost as good then as it is now. Almost. Photo courtesy of Badminton Horse Trials.

Even adjusted for inflation, entering the first iteration of the Badminton Horse Trials was as cheap as chips. The entry fee was just £2 per horse (roughly £69 in today’s money — a tenner less than an entry into Tweseldown’s BE80(T) or Beginner Novice class would cost you now), while the winner was promised a princely sum of £150 (£5190), a pittance compared to today’s first prize of £100,000.

But then again, the first Badminton was a gamble, with almost all of its first competitors admitting that they didn’t necessarily take it seriously — it was, in the words of David Somerset, who would go on to become the legendary 11th Duke of Beaufort, “just a sort of hunter trial” in that first year. But with its exciting and almost totally unprecedented sporting action, its friendly, laid-back feel — there was space to picnic at the Lake in those days, and you might find yourself eating your sarnies next to the royal family — and its promise of future Olympic glories, it would very quickly become a competition to be taken very seriously indeed.

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For all its risks, the very first Badminton proved a hit with competitors and spectators alike, totting up a grand total of £20 (£694.25 today) in profit. Before too long, smaller events began to pop up around the country. Just as Badminton had been devised as a way to train for the ’52 Helsinki Olympics, these events were intended as a way for riders to train for Badminton, creating a funnel system that would eventually become a set of distinct levels. Badminton — the topmost echelon of eventing — led the way, and the rest of the sport was built down from there. Now, Britain holds the most one-day and three-day events prior to Badminton of any country in the world.

 

#FlatworkFebruary Excerpt of the Week: How a Smile Can Help You Ride Better

‘Tis the season to hit the refresh button on your flatwork foundation! You’ll see the extra effort pay off not just in improved dressage scores, but in improved performance in the jumping phases as the year goes on. Has your practice plateaued? Struggling to feel inspired? In partnership with Trafalgar Square Books (www.horseandriderbooks.com) and our sister site Horse Nation, we present #FlatworkFebruary, a month-long series of book excerpts from leading dressage experts around the world. 

This week: Emotional energy can have a big effect on how you ride. Linda Tellington-Jones elaborates in this excerpt from her book Dressage With Mind, Body & Soul.

Photo by Barbara Schnell.

Coherence is defined as a logical, orderly, and aesthetically consistent relationship of parts. Understanding how the mental and emotional energy, emanated and controlled by your heart, can become coherent, and learning to manage this energy can be a powerful force in your work with horses. It’s called “heart rhythm coherence.” Positive emotional states produce coherence within human systems, and this in turn can drastically improve your effectiveness when addressing tasks, large and small.

Most of us have experienced this on more than one occasion: perhaps your child gives you a hug and a kiss before he or she goes off to school, or your significant other reminds you how much he or she loves you before you hop in the car to go to the barn. Your positive emotional state, in this case the result of an exposure to love and caring, makes the mundane magical and the difficult a little easier. You may find yourself humming while you warm up your horse, perhaps with more patience than usual, and the movements you’ve struggled to grasp until now suddenly seem to come more easily.

According to the Institute of HeartMath (a recognized global leader in researching emotional physiology, stress management, the physiology of heart-brain research, and how students learn — www.heartmath.org), research has shown that “sustained positive emotions lead to a highly efficient and regenerative functional mode associated with increased coherence in heart rhythm patterns and greater harmony among physiological systems.” In other words, when you handle your horse or ride him with positive emotions weighting the scale, your body will react to his movement and the demands of your schooling figure or test more smoothly, cohesively, and in a more skilled manner than it will when you are anxious or angry, for example. And, even better, research has also shown that human beings can regulate their own heart rhythm coherence by actively generating positive feelings and intentions. You can achieve a higher performance state by “thinking good thoughts.”

How do you replace negative emotional patterns with positive ones? I have a few easy exercises that I regularly use to remind myself to think positively and find heart coherence, whether at home or in the barn.

  • Reserve a time each day to recall three things for which you are thankful — big or small. Make them specific: rain in a hot dry climate, a loved one’s health, your dog’s eager greeting at the end of a long day. I like to say, “Hold your thanks in your heart and mind” for a few moments (dwell on what it is you are thankful for, think about it, and appreciate it), and note how you feel physically as you do so. Later, if you sense that negativity is gaining ground — perhaps you are angered by a barnmate’s lack of cleanliness — you can remember this feeling and summon it.
  • Choose a new, positive response to an old and hurtful pattern. Instead of feeling impatient in traffic during your commute to the barn, consider it “slack time,” and use the extra moments of quiet to run through your test in your mind. Instead of feeling frustrated by your horse’s inattention in the ring, think of it as evidence of his interest in his surroundings and his spark for life, which can translate to animation and impulsion in another riding situation.
  • Smile. That’s right. As trite as it sounds and as hokey as you may feel, riding with a smile on your lips translates into general positivity and suppleness in your body while dissipating stress and/or worry. I learned this trick from my mother, the late Marion Hood. When I was young and catch-riding in Edmonton, Alberta, Canada, my mother used to stand along the fence line of the show ring, and every time I passed her she’d say, “Smile, Dear!” This simple reminder helped keep me relaxed in competition, and reminded me that I was there because I loved horses and riding was (and is) fun!

In addition, there are physiological reasons for smiling when you are riding. Eckart Meyners, a specialist in riding and kinetics for more than 30 years who often presents on behalf of the German National Equestrian Federation (FN), says that when you smile you “activate muscle chains running from your face through your neck area, and your pelvis all the way to your feet. A rider who is smiling will naturally follow the horse’s movement with her body” (Rider Fitness: Body & Brain, Trafalgar Square Books, 2011).

An excerpt from Dressage with Mind, Body & Soul by Linda Tellington-Jones with Rebecca M. Didier, reprinted with permission from Trafalgar Square Books (www.horseandriderbooks.com).