Classic Eventing Nation

Tuesday Video from SpectraVet: An Eventer’s Prayer

We’ve all been there — that moment on cross country when you think that nothing short of a divine intervention will get you between the flags. Lucky for Shannon Baker and Honor Society, they had a Lord’s Prayer shoutout from the Horsepesterer himself last weekend at Three Lakes. That plus a whole lot of leg put them clean and easy over the ditch combination.

Make sure you’ve got the volume on to listen!

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Chipmunk FRH Secured as New Ride for Michael Jung [Updated]

Julia Krajewski and Chipmunk FRH (GER). Photo by Leslie Threlkeld.

The German Olympic Committee for Equestrian Sports (DOKR) confirmed today that Chipmunk FRH, Julia Krajewski’s 2018 World Equestrian Games mount, has been secured as a new ride for double Olympic champion Michael Jung.

Following the World Equestrian Games, the contract between Julia and Dr. Hilmer Meyer-Kulenkampff, Chipmunk FRH’s owner, was not renewed “for personal reasons,” DOKR said in a statement. Julia, who produced Chipmunk FRH from a 4-year-old, confirmed that the contract expired and was not renewed.

“After six very successful years together, the contract I had with the owner expired, was not renewed for personal reasons of the owner (which I can understand) and it was decided to sell Chipmunk, so after some very emotional months I now ultimately lost the ride on this very special horse.”

 

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Today is a very sad day as Chipmunk FRH is leaving us to go to his new home 😢After 6 very successful years together the contract I had with the owner expired, was not renewed for personal reasons of the owner (which I can understand) and it was decided to sell Chipmunk, so after some very emotional month I now ultimately lost the ride on this very special horse… Chip came to me as a 4 year old and we did every step together, from the first xc training to winning the 5yo-Bundeschampionat, the CCI3* at Bramham, the CHIO Aachen and going to the World Equestrian Games in Tryon this year. I will remember him as this kind, genuine, brave yet sensitive horse who always gives his all and did so much to do us proud! And despite being very sad to see him go there are so many little and big moments I am thankful for and I wish him a very happy life with his new rider! ❤️❤️❤️ #chipmunkfrh #sadday #goodbye #takecarelittleone Pictures by @lucy_hall75 @goeventing @ingowaechter @fz_fotografie @benjamincclark

A post shared by Julia Krajewski (@julia_krajewski) on

Dr. Hilmer Meyer-Kulenkampff will remain an owner of the 11-year-old Hanoverian gelding (Contendro I X Havanna, by Heraldik I) alongside the DOKR and Klaus Fischer, Michael Jung’s chief sponsor.

Michael confirmed in a statement that the horse will now be named fischerChipmunk FRH. “When I was informed at the end of last year that Chipmunk could not stay with Julia, but there was the opportunity to keep him for Germany and me, I tried to make this a reality,” he said.

“It is for me something completely new to get a ‘finished’ horse, because as everyone knows I put a lot of emphasis on the horses themselves you shape. I thank Julia for the great years of training, and I am excited to see what Chip and I can expect over the next few years.”

“Chip” had a standout season with Julia in 2018, winning the Bramham CCI4*-L on a record score of 19.4 and defeating the best in the world at CHIO Aachen. He led after dressage at Tryon in his first appearance on a German championship team before picking up a runout on cross country.

“Despite being very sad to see him go, there are so many little and big moments I am thankful for and I wish him a very happy life with his new rider,” Julia said.

[Chipmunk FRH in the future with Michael Jung]

[Chipmunk FRH has arrived well in new home]

This article has been updated to include additional information.

#EventerProblems Vol. 169, Presented by Haygain: Postcards From the Polar Vortex

Brrrrr! The Midwest battened down the hatches against record cold temps last week, but hats off (just kidding, keep those balaclavas on) to all the horse people who braved the polar vortex to keep their horses fed, watered, blanketed and even ridden. THAT is true dedication, and this week’s edition of #EventerProblems goes out to you!

Go Eventing.

Haygain is a science driven company with the horse’s health as the primary focus.

We are committed to improving equine health through scientific research, product innovation and consumer education in respiratory and digestive health. Developed by riders, for riders, we understand the importance of clean forage and a healthy stable environment in maintaining the overall well-being of the horse.

Our Haygain hay steamers are recommended by the world’s leading riders, trainers and equine vets and ComfortStall® Sealed Orthopedic Flooring System is used and recommended by leading Veterinary Hospitals, including Cornell University.

Be Prepared When Injuries Occur: Your Guide to the ERA of NA Insurance Plans

Do you have adequate accident and disability insurance?

Competing in any equestrian sport carries a certain amount of risk. For professionals who depend on their ability to ride and teach to keep their businesses going, suffering an injury that requires downtime to recover can be a financial disaster.

The insurance plans provided through the Event Riders Association of North America (ERA of NA) can be a safety net when injuries occur. All professional memberships, which cost $393 annually, include a base accident and disability insurance plan through Zurich Insurance that provides coverage for medical expenses up to $100,000, plus a $200 weekly disability benefit for up to 52 weeks.

For a cost of $3.18 per day — which is less than you spend at Starbucks or Dunkin’ Donuts every day, let’s be honest — professionals can upgrade to a far superior accident and disability insurance plan that provides coverage for medical expenses up to $1 million. The buy-up plan also increases the weekly disability benefit professionals can receive from $200 to $600. That’s a difference of receiving $10,400 total in the base plan or $31,200 in the buy-up plan if professionals spend one year recovering from an injury.

It seems like a no-brainer to opt for the buy-up plan considering the extra coverage professionals can receive in the case of an injury, but ERA of NA confirmed to EN that many professional riders do not take advantage of the additional coverage due to the higher cost of $1,162 annually, or $96.83 per month.

Sinead Halpin didn’t upgrade her insurance plan the year she suffered broken ribs, a broken shoulder blade and a collapsed lung in a fall at Chattahoochee Hills, plus injured her leg at Fair Hill. “It was the difference between getting $200 and $600 per week, and that affected me greatly,” she said.

Will Faudree depended on ERA insurance when he suffered a broken neck in a fall at Southern Pines. “I was not allowed to ride for six months. For the first four months, I was in a neck brace and unable to even teach. Without the ERA insurance, I do not know what I would have done. Not only did it help me with added medical expenses, it took the pressure off of trying to do more than I should and enabled me time to heal properly.”

Silva Martin also had ERA insurance when she suffered a traumatic brain injury in a fall and said it greatly eased the financial burden while she recovered. “There is always risk associated with riding and training horses, but good insurance helps you to be prepared for the worst,” she said.

Here’s a closer look at the ERA of NRA insurance plans:

Base insurance plan – $393 – included in all ERA of NA professional memberships

  • Includes accident excess medical expense of a $100,000 maximum benefit with a $5,000 deductible
  • Accident disability: $200 weekly disability benefit after a 30-day wait for up to 52 weeks
  • Accidental death & dismemberment/loss of use: $15,000 maximum amount

Buy up insurance plan – $1,162 or $96.83 per month

  • Accident excess medical expense: $1,000,000 maximum benefit with $5,000 deductible
  • Accident disability: $600 weekly disability benefit after a 30-day wait for up to 52 weeks
  • Accidental death & dismemberment/loss of use: $100,000 maximum amount

Here are a three key things to know about the ERA of NA insurance plans:

  1. ERA of NA insurance isn’t limited to professional riders, which is one of the most common misconceptions. It is available to any equine professional: grooms, vets, farriers, physiotherapists, course builders, etc.
  2. The insurance isn’t limited to professionals in eventing. It can be purchased by all equine professionals regardless of which discipline they are associated with in their career.
  3. There is a split payment option to help make the insurance more affordable. Half of the membership/insurance fee can be paid at the initial time of sign-up, with the remaining half paid on June 1. On the split payment option, the base plan costs $196.50 upon form submission and $196.50 on June 1, 2019. The buy up plan costs $581 upon form submission and $581 on June 1, 2019.

Click here to learn more about the ERA of NA insurance plans and to sign up.

Are you a professional who benefitted from the ERA of NA insurance plans while recovering from an injury? Share your experience in the comments below, and please encourage your fellow professionals to sign up.

[ERA of NA Insurance Plans]

Tuesday News & Notes from Legends Horse Feeds

Photo via Pine Top Eventing’s Facebook Page.

Competitors may see some new stuff around Pine Top Farm this season. Here’s one of the new Advanced corners made by Rob Mobley. Good luck to all of this weekend’s competitors!

National Holiday: World Nutella Day

Events Opening This Week: Carolina International CCI and H.T.Poplar Place Farm March H.T.Southern Arizona H.T.

Events Closing This Week: Pine Top Advanced H.T.Three Lakes Winter II H.T. at Caudle Ranch,

Tuesday News: 

Eluca is USEA’s Horse of the Month! The 10-year-old KWPN gelding (Negro x Fabiola) earned the lowest finishing score at the first event of the year with owner Deirdre Stoker Vailancourt, and his favorite treat is a mandarin orange. Congratulations! [USEA Horse of the Month: Eluca]

Fitness is one of the most heavily discussed topic in tack rooms and wash racks. Is my horse fit enough? There are a lot of factors to consider including your level, your goals and your horse. [The Art of Conditioning an Event Horse]

The Florida Horse Park needs volunteers! It takes a lot of hands to keep eventing’s southern base rolling this time of year. Positions open for scribes, jump judges and much more! They’ve got food and swag in return. [Volunteer]

Tuesday Video: 

An aerial view of our winter home C Spear South! Video credit: our amazing farrier Jim Ellis who drove down from Virginia just to shoe our horses this weekend!

Posted by Bourke Eventing on Monday, February 4, 2019

Monday Video from Total Saddle Fit: #HorsesChangedMyLife

Our 2019 Super Bowl Commercial. Horses changed our lives. Have they changed yours? Share with us and tag #HorsesChangedMyLife.Special thanks to PM Advertising

Posted by WinStar Farm on Friday, February 1, 2019

The Budweiser Clydesdales weren’t the only horses to make an appearance in a Super Bowl commercial last night. WinStar Farm, co-owners of Triple Crown Winner Justify, have done Super Bowl commercials in the past promoting their business, but this one which aired locally in Kentucky yesterday, highlights the horse industry and the power of these creatures that we love so much.

WinStar is calling upon everyone to use the hashtag #HorsesChangedMyLife and tell the world how equines have enriched their lives. The Twitterverse has responded:

How have horses changed your life, Eventing Nation?

Clinic Report: Connecting on ‘Connection’ With Matt Brown

Many thanks to Greta Hallgren, USEA Area V Adult Rider Coordinator, for sharing this Matt Brown clinic report from Weatherford, Texas! Have a clinic report to submit? Email it to [email protected].  

Chloe McCombs and Roxie Roccoco. Photo by Elise Marshall.

My first connection with Matt was during his Tai Chi class at the the USEA Convention in New Orleans last December. I wrongly assumed that this was just going to be a fun way to start the day with a little exercise. Little did I know, I was about to make a connection about “connection.”

Matt stood before a group of the nation’s top eventing community and demonstrated the martial arts concept of achieving maximum efficiency with minimum effort. In Tai Chi, the primary practice revolves around redirecting a partner’s energy with little effort.

“When faced with resistance or force, most of us will instinctively resist back, rather than redirect. When we are pushed, our instinct is to push back,” he explained. “With horses, resistance can have its place, but it can be easily over-used, which usually causes the horse to become even more resistant.”

Matt then forced us to pair up (awkward initially for eventers, but necessary) and guided us through an exercise called “push hands.”

Matt showing Sharon White “push hands” at the USEA Convention. Photo by Greta Hallgren.

He explained that “push hands” can help give you more direct feedback on your balance, how much force you’re using, where you’re bracing, etc., all of which you can translate back to your riding.

Light bulbs went on all over the room. “Feel” is a concept that can be very difficult to describe, not to mention teach, but we all felt it in that moment. Even more, we felt the balance and energy that solid “connection” creates.

“Feel is something that, with mental and physical control and awareness, we can all achieve, regardless of our talents,” he said.

Energized by this exercise, I was even more excited that we’d secured Matt to bring his concepts to Area V for a clinic for both our Adult Riders and Young Riders in Weatherford, Texas, later in January.

Lucy Matulich and Sophera CR. Photo by Avery Wagner.

Matt’s day one stadium exercises started with the same discussion in every group. He explained his approach and what he wanted everyone to strive for which ultimately can be boiled down to “empathy.” He also explained his martial arts theory demonstrated in “push hands.”

“Listen to your horse. Where is the horse’s mind? Are they relaxed mentally and physically? Are they balanced? Where are their feet? Is there tension in their body somewhere?” he asked.

“A rider’s responsibilities include line, rhythm and pace. It is not your job to jump the jump. That is the horse’s responsibility.”

Initially, upper levels were asked to canter through cavaletti using only one hand to guide the horse through a tight turn and across the poles. This exercise demonstrated the importance of using your legs and balance, not just your hands when turning. It also kept riders from interfering with a horse’s impulsion through the turn. Other exercises included tight turns in addition to changes of pace without impeding your rhythm or “balanced connection.”

Lower levels were challenged by technical turns, ultimately ending in looking for Matt to indicate which way to turn while they were in the air. This required them to “look” for the next fence and react quickly.

Elise Marshall and Ladies’ Man. Photo by Avery Wagner.

Cross country day continued making the connection of maximum efficiency with minimum effort when he started all levels out with the challenge of of halting from a gallop.

“Most people who fear going fast don’t trust that they can stop,” Matt said. “But you shouldn’t have to fight your horse to slow down.” Matt’s method consisted of staying in the gallop position but using the leverage of your rear end to bring your weight to the back of the saddle and fixing your hands down on the neck. “Don’t lean back!” he shouted often.

This is counterintuitive to how many riders have been taught, but when done correctly, it indeed worked. Matt proved this by by getting on the most resistant horse in each group and bringing them to a halt in only about four strides.

Cross country jumping exercises took off where stadium stopped the day before. In wasn’t long until everyone was jumping through a serpentine of verticals. Upper levels were challenged to cut as many strides between fences as possible by increasing the angle.

Caleb McCombs and Simon Slick. Photo by Elise Marshall.

When a horse became confused at what it was being asked to do, Matt explained his theory on how to handle it.

“Try not to let yourself or your horse get it wrong in the same way three times in a row,” he said.

When horses balked or stopped at a fence, riders were asked to back up while he made the fence easier by taking one side down. Riders then proceeded over the fence as many times as needed to make the horse comfortable again. Then, Matt recreated the question and the horses answered it every time.

Moving on to true cross country fences, lower levels were encouraged to increase their gallop and jump out of stride with their newfound trust that had enough control to stop. Upper levels moved on to banks and ditches where Matt connected more dots by recreating some of the turning challenges everyone practiced the day before.

Stephanie Reimers and Hank. Photo by Elise Marshall.

Undoubtedly, mistakes were made by riders of all levels over the weekend. But Matt connected making mistakes to the learning process.

“Use mistakes to learn. Notice them but don’t put judgement on them,” he encouraged. “None of us enjoy making mistakes, but be careful in thinking that a mistake means anything more than the fact that you’re learning.”

Overall, feedback from clinic participants referred back to Matt’s presence as a horseman and instructor which coincidently mirrors balance and connection.

“He embodies the yin and yang of riding and teaching,” one rider said. “He’s passionate, but peaceful. He’s driven, but empathetic. He’s incredibly deep, but is capable of simplifying the concept. I connected with him immediately.”

Where Do I Go From Here?

Nicki Henley enjoying his favorite view. Photo by Cat Hill.

Grief is an odd emotion. It teaches you to be humble, about how well you know yourself, and about how you treat others. I have always found myself wondering at the public nature of some people’s grief. I am a private person, and don’t often feel the need to put myself on a stage of any sort. A groom’s behind-the-scenes nature suited me just fine. Yet here I am, writing.

Last summer, I wrote an article about realizing I may never ride my best friend, Nicki again. Several people reached out and asked how he was doing, so here is the final chapter of that story.

Growing up, horses were my constant. I was an awkward child — quite bad at reading social cues and making friends. My parents noticed my love of all things with fur, and especially ones with soft muzzles and brown eyes, so they bought me a fat, failed pulling pony. She was my best friend for years.

Almost immediately I realized I could read horses better than people. They made sense to me. The barns I rode at were rather uneducated in their horse care. We cleaned stalls occasionally, thought horses would “learn” not to dump their water buckets if we didn’t refill them until the next day once they tipped over.

I used to read Practical Horseman, Horse Illustrated and any horse books I could get my hands on cover-to-cover. I memorized the names, watched the Olympics on TV and dreamed. I couldn’t imagine knowing those horses. Yes, the riders were like celebrities to me, but the horses were like gods. My biggest goal was to be on the U.S. Equestrian Team.

Fast forward to my twenties, when I walked onto Willow Bend for the first time. Mara DePuy was a name I’d read as a kid. Nicki Henley was a horse that I’d read about in the Chronicle, a horse I’d seen from across the warm-up at shows. I remember walking into the barn, and disbelieving that I was going to be responsible for the care of these horses, especially the bright bay with the white eye and the attitude.

Over the next several years, he taught me how to be a groom — how to make a horse with a myriad of GI issues eat, how to hold on to a horse-shaped kite when a horse was on stall rest and needed hand walking, how to feel the start of skin funk before it takes over, how to listen to a horse who is so tough he won’t ever say “ow”. He also took me on my first team trip, and showed me that a goal re-invented could be just as rewarding as I’d dreamed.

When I left Virginia to return to my hometown in New York, I was ready. Grooming at the elite level is emotionally and physically draining, and I was ready to invest more time with my husband and family. The only drawback was saying goodbye to Nicki. I was so upset; he had become my best friend by then. My husband referred to him, only half in jest, as the other man. I saw him as frequently as I could, sneaking him treats at events and getting regular updates from Mara.

The spring after I left, he injured himself and his competitive career was over. Mara planned to rehab him and then let him live in her luxurious retirement field with her other old Advanced horses. Nicki hated that plan. He paced the fence line. He ran the field, he colicked himself. So Mara brought him in and started hacking him, and he immediately settled.

So a little under a year after I left, I got a call. I was going to be in Aiken working for Dr. Kevin Keane as his assistant for the winter. Did I want Nicki for the winter? He could only hack at the walk (which often meant walk, spin, spook, walk, repeat). My answer was a loud, emphatic yes. At the end of the Aiken season, Mara tearfully asked if I wanted to take him home to New York.

By then, I was used to being trusted with top horses. I was an experienced groom and vet tech to some of the best horses in the country. Yet being trusted with Nicki, to take him home, to call him mine, was an enormous gift. I spent the next several years in utter bliss.

Nicki was never an easy horse. He hated bugs and had to be brought in at first light in the summer. He also hated cold and could only tolerate a few short hours outside in the winter. He had difficult skin, which meant you could never skip his daily curry or risk having giant holes develop in his coat. He was prone to colic, so had to be carefully monitored.

Yet his leg got better, and he was able to do more than I could have ever hoped. I took him to some dressage shows, earning some very respectable scores. He even healed enough to go cross country schooling and compete at a few derby crosses. Jumping him made me feel invincible.

He had one scare, when he had a colic-like episode that turned into colitis-X, and I came very close to losing him. He spent over a week at Cornell but came back to me, and returned to himself.

Last spring, he looked great. He came through the winter fat, and shining, and strong. He was downright wild to ride, and I had to put draw reins on him for a couple rides just to have enough control to accomplish anything. At 22, it looked like we had years left.

Then we started having some problems. I spent the summer nursing him, lying to myself about how poor he looked. He was always a horse who lost condition easily, so I fooled myself into thinking it was just the stress of the regular trips to Cornell.

Then he fell, and it looked like he’d injured his pelvis. I realized I may never ride him again, but still refused to look at the reality of how poor my man looked. He went into shock one night, and I rushed him to Cornell, finally being forced to face the truth.

The staff at Cornell was amazing, and stabilized him, and we waited for bloodwork. The next morning, I walked into his stall and he looked comfortable and happy. I waited for the vet, but I already knew. She came and confirmed my worst fear — a fast-moving and nasty form of cancer. We made sure he was comfortable, took him home and had his regular vet come to put him down, to be buried in his favorite spot in his field.

It’s been five months, and I still struggle to write that. His blankets hang in the barn. His stall stands empty. His feed instructions are still on the board. For over 10 years, my day started and ended with Nicki, breakfast and night check. I framed my life around him, built the barn for him — with a giant corner stall he could hang his head out into the aisle, or out the window to see the house.

As I became a mother, I depended more than I knew on the time with him — the quiet moments currying and brushing, the rides into the dawn before the kids woke up, his breath on my neck, his habit of kissing my face with his lips curled back and his closed teeth touching my cheek.

I wanted to quit horses for months after I lost him. I went and taught my lessons, rode my clients horses, and hated it all. I eventually decided not to quit — it’s been my entire life — but that hasn’t made it easy. I can’t explain the hollow feeling in my life where he used to be. Horses have been the one constant in my life for over 30 years, and I’ve been trying to reconnect with that feeling.

A few weeks ago, I barn-sat for Daisy and Richard Trayford. They breed some really lovely youngsters, and for the first time since Nicki left, I felt a little of the old love. The weanlings would put their muzzles on my shoulders when I scratched their chests. The gigantic 4-year-old (who must be part Labrador for all his 17 hands) would walk in every night lipping the back of my head and tickling my head with his whiskers.

I remembered that a previous version of me had loved young horses. I always used to say that if I were to have my dream horse job, it would be as an equine kindergarten teacher, taking horses from weanling to 4 and starting their life with people.

So as soon as winter clears out, I plan on getting a young project — something to re-sell, not one to keep. I am not naive enough to believe that I will find what I had with Nicki, possibly not ever again. My relationship to horses prior to him was rewarding and I had several horses I loved, so now I will try to find my way back to that.

It’s as if my life with horses has been climbing a mountain — the view is amazing halfway up the climb, if you’ve never been to the top. So now I will put on my boots, thread the belt with his name and hair woven into it through my breeches, and walk back down the trail and look out, and I’ll try to appreciate the view from a lower elevation.

Weekend Winners: Stable View, Sporting Days, Three Lakes, Galway Downs

Move over, Super Bowl — we know where the real action was at this weekend!

An extra high-five to our lowest scoring finishers in the country this weekend, Matthew Bryner and Va Va Voom! The pair scored a 20.2 to win their division of Open Training at Three Lakes at Caudle Ranch H.T.

Here are your weekend winners:

Stable View Winter H.T. [Website] [Results]
*Ran on Wednesday, but we’re going to count this as “Weekend” anyway! Check out EN’s recap of the event here.
Open Preliminary-A: Andrew McConnon & Bossinova (30.8)
Open Preliminary-B: Waylon Roberts & Fortunate Rebel (30.0)
Preliminary Jr/Young Riders: Katherine Christopher & Frodo of the Shire (45.7)
Preliminary Rider: Morgan Batton & Toby The Coal Man (35.6)
Open Training: Lindsay Beer & El Caballero (26.4)
Training Rider: Elizabeth Welker-Ebling & Santana II (31.4)
Novice Rider: Campbell Jones & Aura CF (25.5)
Open Novice: Waylon Roberts & FE Lobo (24.5)
Beginner Novice Rider: Nancy Z. Wilson & Lagerfeld (30.0)
Open Beginner Novice: Alison Eastman-Lawler & Lexington II (26.8)

Sporting Days Farm H.T. [Website] [Results]
Intermediate/Preliminary: Samantha Bielawski & Stick with Richie (52.9)
Open Preliminary: Ryan Wood & Chusin My Confession (31.3)
Preliminary Rider: Jackie LeMastus & Indian Mill (27.8)
Preliminary/Training: Tate Northrop & Fine With Me (36.9)
Open Training-A: Tim Bourke & Chantilly All Quality (26.1)
Open Training-B: Susan Thomas & Fleaux Easy (32.3)
Training Rider-A: Louis Rogers & Mighty Himself (35.2)
Training Rider-B: Margot C. Luria & Truly Wonderful (31.1)
Novice Rider-A: Courtney Calnan & Little Black Dress (28.3)
Novice Rider-B: Gloria Huber & Dancing Queen (24.3)
Open Novice-A: Lindsay Beer & Billy Shamrock (20.7)
Open Novice-B: Megan McGrain & Dandy Lion (32.1)
Beginner Novice Rider-A: Lisa Edinger & Woodstock Checkmate (23.0)
Beginner Novice Rider-B: Erin Buckner & Picassi (33.8)
Open Beginner Novice-A: Lillian Heard & Commanding Curve (31.8)
Open Beginner Novice-B: Mia Petersen & SkyFlex (34.5)
Starter: Tiffany Warren & Sherlock (Next In Line) (34.2)

Three Lakes at Caudle Ranch H.T. [Website] [Results]
Intermediate / Preliminary: Katherine Coleman & Colorfast (26.9)
Open Preliminary: Jennifer Brannigan & Subiaco (21.7)
Preliminary Rider: Georgia Dillard & Galileo WP (31.3)
Open Training-A: Matthew Bryner & Va Va Voom (20.2)
Open Training-B: Hannah Sue Burnett & RF Overdressed (20.8)
Training Rider: Kristin Rubash & Capone (34.7)
Novice Rider: Leanne Fitzgerald & Ardeo Michelangelo (25.2)
Open Novice-A: Joe Meyer & Chilli Bean (26.2)
Open Novice-B: Stephanie Cauffman & Lamondale Florinia (24.8)
Beginner Novice Rider: Ellis Dillard & Normandys’s Coles’ Clover (28.1)
Open Beginner Novice: Caroline Martin & Jewel (28.6)

Galway Downs H.T. [Website] [Results]
Open Intermediate: Auburn Excell-Brady & BSP Tuxedo (56.3)
Open Preliminary: Erin Kellerhouse & Woodford Reserve (23.9)
Preliminary Rider-A: Jordan Crabo & Over Easy (30.1)
Preliminary Rider-B: Sarah Lipetz & Southern Belle (29.4)
Jr. Training Rider: Savannah Carter & Ballustree Dun Believable (34.2)
Open Training: Erin Kellerhouse & Axiom DF (29.8)
Sr. Training Rider: Julia Brittain & Haiku (29.1)
Jr. Novice Rider: Tyler Leary & Made You Look (27.1)
Open Novice: Gina Economou & Swizzle (21.2)
Sr. Novice Rider: Bethany Serafin & Winslow (35.7)
Intro Rider: Nicole Petersen & Armi (36.9)
Jr. Beginner Novice Rider: Kasey Hansen & Mr. Bluesky (26.7)
Open Beginner Novice: Erin Kellerhouse & Reverie GWF (24.8)
Open Intro: Adelaide Rudkin & Francesca (35.0)
Sr. Beginner Novice Rider: Joshua Saltman & Chacco (34.3)

Behind every blue ribbon, there’s a story.

To my heroic grey horse, thank you thank thank you, for helping me get back to this level..11 years of trials and…

Posted by Juli Hutchings-Sebring on Sunday, February 3, 2019

Congrats to all. Go Eventing!

New Zealand Announces 2019 High Performance Squads

Jonelle Price and Faerie Dianimo on their way to winning Luhmühlen 2018. Photo by Jenni Autry.

Equestrian Sports New Zealand has announced the 2019 High Performance Squads for eventing. Sir Mark Todd and Tim Price both have four horses named to the squads. Cekatinka, Tim’s 2018 World Equestrian Games mount, and Wesko, who returned to FEI competition following a lengthy hiatus last year, are both notably absent.

Four riders with nine horses between them were named to the High Performance Squad, which “comprises horse and rider combinations committed to and capable of contributing to a podium team placing at the 2020 Olympic Games.”

2019 ESNZ High Performance Squad:

  • Clarke Johnstone and Balmoral Sensation, owned by the Johnstone Family
  • Jonelle Price with Classic Moet, owned by the rider and Trisha Rickards, and Faerie Dianimo, owned by the rider, Trisha Rickards and Jacky Green and
  • Sir Mark Todd with NZB Campino, owned by the rider and New Zealand Bloodstock; Leonidas II, owned by the rider, Diane Brunsden, Peter Cattell and Sir Mark Todd; Kiltubrid Rhapsody, owned by Dr. Elizabeth Donald and Niki Ryan; and McClaren, owned by David and Katherine Thomson
  • Tim Price and Ringwood Sky Boy, owned by the rider, Robert Taylor, Varenna Allen and selwood.com, and Bango, owned by the Numero Uno Syndicate

Tim Price also has two horses named to the High Performance Futures Squad, which “consists of those combinations that are knocking on the door to high performance,” alongside five other combinations.

2019 ESNZ High Performance Futures Squad:

  • Amanda Pottinger and Just Kidding, owned by the Pottinger Family
  • Blyth Tait and Havanna, owned by Katherine Corich, Jane Lovell-Smith and John Ormiston
  • Dan Jocelyn and Grovine de Reve, owned by the rider and Therese Miller, Jo Preston-Hunt and Philip Hunt
  • Caroline Powell and On The Brash, owned by Sarah Tobey and Sue Smiley
  • Jesse Campbell and Amsterdam 21, owned by Dr. Craig Campbell
  • Tim Price and Xavier Faer, owned by the rider, Trisha Rickards and Nigella Hall, and Ascona M, owned by Suzanne Houchin, Lucy and Ben Sangster and Sir Peter Vela

A further 10 riders were named to the High Performance Potential Squad, which “is aimed as recognizing talented eventing riders that are capable of and committed to producing high performance horses for future Olympic Games and World Equestrian Games.”

2019 ESNZ High Performance Potential Squad:

  • Abby Lawrence
  • Buddy Philpott
  • Donna Edwards-Smith
  • Ginny Thompson
  • Hayley Frielick
  • James Avery
  • Joe Meyer
  • Monica Oakley
  • Nick Brooks
  • Samantha Felton Lissington

[Tokyo Olympic Games Drives Eventing High Performance Squad Changes]