AJ Dyer
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AJ Dyer

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About AJ Dyer

Visionaire is one of the foundation writers of Eventing Nation from the very early days in 2010. She has ridden up to Advanced level and spent six years as head groom for Dorothy Crowell. After a few years in the Thoroughbred industry, she now spends her time writing for EN, riding a few nice OTTBs, and working with her husband's hay business, A.T. Acres Farm.

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ICP Symposium: Show Jumping with Aaron Vale

Aaron Vale works with Robin Walker. Photo by Ivegotyourpicture.com. Aaron Vale works with Robin Walker. Photo by Ivegotyourpicture.com.

The second session at the 2014 ICP Symposium at Longwood Farm in Ocala, FL featured jumping instruction with top U.S. show jumper Aaron Vale. Aaron is no stranger to eventing, as he’s a good friend of Buck Davidson and even entered a preliminary event at Ocala Horse Properties back in 2012.

The groups began with some simple exercises to get their horses bending and using their bodies laterally. Riders would canter over a single vertical and then leg yield left or right to another vertical about eight strides away. They were encouraged to maintain a steady, controlled canter and add strides, keeping their horses very straight.

Another exercise was the famous “circle of death,” with jumps set at 12 o’clock, 3 o’clock, 6 o’clock and 9 o’clock. The green horses did most of this exercise just as poles on the ground, and it proved quite challenging (it is, indeed!). The more advanced groups performed the exercise set as low verticals. Cones were set up midway between each obstacle, creating a path to the center of the jumps. Riders first performed a large circle, going outside the cones, to add strides within the distance. As the horses became comfortable with that circle, the riders spiraled in to follow the center path between the cones. After another few revolutions, they moved to the inner circle, tracking to the inside of the cones on a more forward distance with more difficult turns. Finally, Aaron had them end the exercise on a controlled note, making one nice circle over the rails taking the route outside the cones.

Another useful set up was a simple straight line of three fences, 60-feet apart, a normal four strides. Aaron first had riders perform the line in a quiet five strides to five strides; then he increased the difficulty by asking for a four to a five. Riders had to meet the first jump with a fair amount of pace to get a comfortable four, and then horses had to be quickly obedient to add a stride for the five. It was a simple exercise, but revealed the horses’ true rideability and exposed some holes! Riders who tried to jump quietly in found themselves reaching for the four, which made the five strides even harder. The line rode easiest with a bold approach in, allowing the horse to comfortably “snug up” to the second fence and then whoa for the five.

The most advanced horses finished the lesson with an interesting gymnastic designed to push the horse to the face of the jump and have him hold himself off it. Riders cantered in over two low bounces, then one stride to a vertical, then a short two strides (with placing rail) to an oxer. The distance between the bounces and the one stride was gradually lengthened, encouraging the horses to stretch out a bit. Aaron wanted the horses to take a big step in the first stride of the two-stride, then have to quickly compress themselves to fit in the second stride; horses were forced to the base of the jump and had to be sharp with their front end to pick up over the front rail (actually a heavy panel) of the oxer.

Some riders were a little bit too careful and protected their horses, coming in a little weak to the bounces but allowing the horse to patiently hold back to the final oxer. Instead, Aaron encouraged them to ride in boldly and dare the horse to get closer to the fences — don’t just babysit them. Let them learn to hold themselves off the front rail.

For an honest critique of the clinic, I must say that Aaron’s teaching style left a little bit to be desired. I’m sure he’s a fantastic trainer, and I certainly wouldn’t turn down the opportunity to have a private lesson with him. However, I don’t think he was very well suited to the mass lecture format of the ICP Symposium. Many times the audience was left wondering “why?” when he would set up an exercise or offer subtle corrections to a rider.

The ICP Symposium has been blessed  in the past with some amazing “teacher teachers” who come in with a well-developed teaching philosophy and extensive lecturing experience. Compared to them, Aaron seemed less comfortable with audience interaction and could have been more precise and direct when answering questions. I was certainly intrigued by his ability, but unfortunately I didn’t come away with as much understanding as I could have. I could probably guess why he taught certain things, but it would have helped us to know the what and why behind his methods a little better.

Morning Notes from the ICP Symposium with Jacqueline Brooks

Jacqueline Brooks. Photo by Ivegotyourpicture.com.

Jacqueline Brooks. Photo by Ivegotyourpicture.com.

I was fortunate enough to attend the ICP Symposium in Ocala for this morning’s dressage session with Jacqueline Brooks. Jacqueline is a top Canadian dressage rider and the dressage coach for the Canadian Eventing Team. Her teaching style was thoughtful and engaging both for the riders and spectators. Many thanks to the USEA and Longwood for hosting the educational event.

ICP crowd. Photo by ivegotyourpicture

Photo by ivegotyourpicture.com.

Here are a few insights from the morning session, made up of horses in the early to middle stages of training (novice/training/prelim).

• Teach your horse to steer with your weight. Have you ever seen a horse running circles on a lunge line? He leans his body into the turn, digging his shoes into the dirt at an inward angle. You can either fight the horse’s natural tendency, or go with it. Use it to your advantage: When starting young horses, teach them to steer by leaning in the direction of the turn. The horse will step under your body to balance himself, allowing you to turn without pulling on the reins. An upper-level dressage horse cannot be turned with reins; hands are for half-halting, up, back and flexing the poll, not steering. Eventually, the horse will feel the slightest shift in your weight and will anticipate turning into a corner or on a circle. (By “lean,” Jacqueline didn’t necessarily mean hang sideways off your horse — unless that’s what it takes! — but make a definite shift to the left or right; the horse will feel it.)

• Visualize the horse’s back as a bridge from croup to wither. As a rider, you want to be in the middle of the bridge, not sitting on the forehand or hindquarter. You want that bridge to be springy and flexible beneath you. Jacqueline said even the most well-trained Grand Prix horse is tense going into an electric environment of a huge show; the trick is to move their back, get them springy, so that the tension doesn’t show in the horse’s movement.

• “Bounce” your seat bones like drumsticks. Use your seat in rhythm with the gait to influence the horse’s hind legs. Sit on the seat bone that you want the horse to step under: for haunches-in right, weight the right seat bone. For leg yield left (flexing right), weight the left seat bone.

• Weight the outside seat bone for shoulder-fore and shoulder-in. This was a new one for me; I’ve always been taught to sit on the inside seatbone for bend, and shoulder-in is 10-meter circle bend on a straight line. Jackie explained, however, that you want the inside hind to cross under toward the outside shoulder, so sit firmly on the outside seat bone (and “pulse” the inside drumstick if needed). In the canter, where horses should be traveling slightly shoulder-fore to be straight, be sure to sit on the outside seat bone while flexing to the inside. It worked beautifully for the demo horses and riders.

Susannah Lansdale. Photo by ivegotyourpicture.com.

Susannah Lansdale rode in the second group. Photo by ivegotyourpicture.com.

• For counter-canter: lean in the direction of the circle, do not sit on the “lead” seat bone, that’s how you ask for a flying change. This was also opposite of what I’d learned — weight in the direction of the lead — but it made a significant improvement in Kristin Carpenter’s horse in the first lesson. Her mare was not patient in counter-canter, really wanting to change; but by leaning in the direction of the turn, while bending in the direction of the lead (exaggerated), the mare was able to hold the counter-canter much better. By the end, her true canter was soft with lovely balance.

• Also to prepare for counter-canter and changes, practice travers (haunches-in) to control the haunches and get proper bend. Half-pass is simply travers on a diagonal.

• For travers, weight the inside seat bone  You should feel the horse pivot his butt beneath you, keeping his shoulders straight (and pressing into your inside leg). Then by sitting to your outside seat bone, the horse should swing around into shoulder-in. The hands are only responsible for maintaining flexion; the leg position and seat bone ask the horse to change his body.

Sinead works on developing half-pass left.  Photo by Ivegotyourpicture.com.

Sinead works on developing half-pass left. Photo by Ivegotyourpicture.com.

• Begin to ask for collection by “connecting” your elbows to the horse’s hind legs. When the horse is properly flexed, bring your elbows back (both hands, not just one or the other) and ask the horse to lift his poll while maintaining the activity of the hind end. Riders made it look very easy as the horses sat down, lifted up in front and showed a nice moment of self-carriage. Jacqueline was quick to praise the horses and encourage the riders to reward the slightest positive improvement.

• Visualize your track. Jacqueline said she can mentally draw and see every line of her dressage test — knowing where to lean, which seat bone to weight, where to half-halt — before she ever rides the pattern. Treat it like a cross-country or show jumping course; there is a “perfect line” for every jumping round, the right track to take that will make you efficient, balanced and straight to the jumps. See your lines in the dressage arena — visualize the horse’s footprints from letter to letter on a 20-meter circle or through the corner, and ride those footprints. Show off your horse on the short side, that will improve your gait score in the collective marks.

• Young, green horses should be educated to three types of leg: leg on, leg draped and leg off. Jacqueline had riders practice by halting (push your hips to your gloves, don’t pull, just stop the motion in your hip). At the halt, leg your leg drape loosely on the horse’s sides. Then take your leg away and ask for reinback; you may have to pulse your leg lightly, then take it off and squeezing your fingers ask the horse to back up. After several steps, drape your leg and halt. Then close your leg and trot off. The leg aids should be light but distinct, and the horse should learn to differentiate. It may take practice!

Sadly, I had horses to ride at home and was not able to attend the afternoon session with the Advanced horses. However, I had plenty of homework to work on, and my young horses definitely went better for it!

Sinead Halpin and Jacqueline Brooks. Photo by ivegotyourpicture.com.

Sinead Halpin and Jacqueline Brooks. Photo by ivegotyourpicture.com.

Final Scores from Ocala Horse Properties Winter 2

The sun was out again in Ocala Horse Properties Winter 2 and thankfully the footing has dried up enormously.  Intermediate cross-country went pretty well, with just a handful of problems.  From what I’ve seen, the courses are a step up in difficulty from the previous Ocala event and Rocking Horse two weeks ago.

The lower level show jumping has been pretty good– the arena is not nearly as flooded, just a few puddles remain.  There have been rails, but some nice clear rounds as well.

[Results]

Intermediate Rider

Rider Horse Dress
Score
Dress
Place
Stad
Jump
Stad
Time
To Date
Score
To Date
Place
XC
Jump
XC
Elapsed
XC
Time
Final
Score
Final
Place
Alexander O’Neal Esquire
32.90
2
0.00
0.00
32.90
1
0.00
6:24
2.80
35.70
1
Justine Dutton Huck Finn
37.90
7-T
4.00
0.00
41.90
6
0.00
6:09
0.00
41.90
2
Lynne Partridge Zoe
38.80
10
4.00
0.00
42.80
9
0.00
6:13
0.00
42.80
3

Intermediate – A

Rider Horse Dress
Score
Dress
Place
Stad
Jump
Stad
Time
To Date
Score
To Date
Place
XC
Jump
XC
Elapsed
XC
Time
Final
Score
Final
Place
Michael Pollard Songline
21.70
1
4.00
0.00
25.70
1
0.00
6:32
6.00
31.70
1
Hallie Coon Namaste’
42.90
10
0.00
0.00
42.90
9
0.00
6:20
1.20
44.10
2
William Hoos Brookfield Cult King
42.50
9
0.00
0.00
42.50
8
0.00
6:23
2.40
44.90
3

Intermediate – B

Rider Horse Dress
Score
Dress
Place
Stad
Jump
Stad
Time
To Date
Score
To Date
Place
XC
Jump
XC
Elapsed
XC
Time
Final
Score
Final
Place
Ellen Doughty Sir Oberon
30.00
2-T
0.00
0.00
30.00
1
0.00
6:19
0.80
30.80
1
Julie Norman Consensus
33.80
5-T
0.00
0.00
33.80
2-T
0.00
6:13
0.00
33.80
2
Michael Pollard Halimey
25.80
1
8.00
0.00
33.80
2-T
0.00
6:27
4.00
37.80
3

Open Training – A

Rider Horse Dress
Score
Dress
Place
Stad
Jump
Stad
Time
To Date
Score
To Date
Place
XC
Jump
XC
Elapsed
XC
Time
Final
Score
Final
Place
Marcia Kulak Paladin
23.60
1
0.00
0.00
23.60
1
0.00
5:19
0.00
23.60
1
Jennie Brannigan Gambado
29.60
2
0.00
0.00
29.60
2
0.00
5:12
0.00
29.60
2
Missy Ransehousen Princeton Pride
30.90
3-T
0.00
0.00
30.90
3-T
0.00
5:19
0.00
30.90
3

Open Training – B

Rider Horse Dress
Score
Dress
Place
Stad
Jump
Stad
Time
To Date
Score
To Date
Place
XC
Jump
XC
Elapsed
XC
Time
Final
Score
Final
Place
Tik Maynard Dutch Times
28.20
1
0.00
0.00
28.20
1
0.00
5:02
0.00
28.20
1
Alexandra Knowles Bayr Necessity
33.20
5-T
0.00
0.00
33.20
4-T
0.00
5:19
0.00
33.20
2
Kendal Lehari Flin Flon
29.60
2
4.00
0.00
33.60
6
0.00
5:15
0.00
33.60
3

Watch the Donn Handicap Today on Fox Sports 1

Racing at Keeneland. Photo by Lauren Nethery. Racing at Keeneland. Photo by Lauren Nethery.

Today, the Jockey Club Tour on FOX will kick off with the $500,000 Donn Handicap (GI) at Gulfstream Park in Hallandale, FL at 5pm EST.  Eclipse-award winner Will Take Charge makes his four-year-old debut, along with fellow 2013 Derby contenders Revolutionary and Uncaptured. [Entries]
The series will include eight other telecasts featuring several of North America’s most prestigious races for older horses as well as the $10 million Dubai World Cup. All telecasts will air on Fox Sports 1 and will be heavily promoted on the America’s Best Racing and Fox Sports platforms. To locate Fox Sports 1 on your local cable carrier, click here.

Each production will entail a fast-paced mix of behind-the-scenes features and pageantry surrounding the event, designed to appeal to both newcomers and longtime fans of Thoroughbred racing.

 

Fox Sports 1 Series

Feb. 9: Donn Handicap, Gulfstream Park, 5-6:30 p.m.
March 29: Dubai World Cup, Meydan, 1-2:30 p.m.
April 12: Blue Grass Stakes, Keeneland, 4:30-6 p.m.
May 11: Man o’ War Stakes, Belmont Park, 4:30-6 p.m.
July 6: United Nations Stakes, Monmouth Park, 5-6:30 p.m.
July 20: Eddie Read Stakes, Del Mar; Coaching Club American Oaks, Saratoga; 5:30-7:30 p.m.
Aug. 10: Saratoga Special, Saratoga, 5-6:30 p.m.
Aug. 17: Sword Dancer, Saratoga, 5-6:30 p.m.
Sept. 14: Woodbine Mile, Woodbine, 5-6:30 p.m.
(all times Eastern)

What Does Buck Do In His Spare Time?

Matthew Kiener kindly sent us this piece about Buck Davidson’s involvement in the canine rescue efforts of FlyPups.  We talk a lot about Buck and his innumerable horses competing each weekend, but what does he do when he isn’t in the saddle or hustling back on his four-wheeler?  Many thanks to Matthew for sharing another side of Buck with us!

buck and caroline

From Matthew:

What does Buck Davidson do in his spare time?  Wait, Buck has “spare” time?

It’s true, Buck doesn’t have many hours left after riding, teaching a gazillion students, competing copious numbers of horses, and planning being there for Andrea as she plans their wedding.  Still, Buck enjoys a round of golf to unwind and as a ritual before big events, and he serves on the board of directors for FlyPups, Inc. a nonprofit organization that relocates dogs from desperate situations to non-kill shelters and forever homes.

Buck was on hand Thursday, at Ocala International Airport to aid in loading dogs for their flight to Eleventh Hour Rescue, a non-kill shelter in NJ.  He is seen here with FlyPups founder & pilot, Matthew Kiener, Matt’s wife Jessica, and Dale, Brennan, & Snickers (two four-month old German Shepard’s & a Pomeranian).

Photo by

Photo by Vicki Holland

A little about FlyPups…

Shelters, primarily in the southern states, routinely euthanize healthy dogs and puppies simply because of overcrowding.  While the number of dogs euthanized each day is tragic, what’s worse is the knowledge that many of these dogs would be welcomed into loving homes if only they could be relocated.  FlyPups transports dogs from desperate situations to new lives.

The utilization of aircraft to transport dogs decreases the travel time in some cases from days on the road to hours in the air. Often the dogs being transported, while safe to travel, have been through circumstances rendering them fragile and the stresses of a lengthy road trip could compromise their physical and emotional health. Our desire is to deliver these dogs safely and efficiently to those shelters prepared to welcome them as they begin their new lives.

FlyPups, Inc. is a nonprofit organization comprised of volunteers, and is funded solely by donations. To learn more about FlyPups and this transport visit www.FlyPups.org and “LIKE” their Facebook page, https://www.facebook.com/Flypups.

FlyPups …to the rescue!

Total Saddle Fit: Advice on Tree Sizing

Erin Sylvester & No Boundaries. Photo by Kasey Mueller Erin Sylvester & No Boundaries. Photo by Kasey Mueller

I stumbled across a link on Twitter this morning from Totalsaddlefit.com.  For once, I actually clicked on a “promoted” tweet– usually such ads are total blow-byes, like Dawn dish detergent, Red Bull, or Best Buy.  But this time, internet Big Brother actually promoted a link that interested me.

Total Saddle Fit makes an anatomical shoulder-relief girth, but this article on saddle fit is unrelated to their product.  Here’s an excerpt:

Saddles are made with all kinds of varying tree point lengths. This is because a high wither horse will need a different tree than a mutton-withered pony. Long tree points will allow more flexibility in fitting high wither horses, while short points are often good for low wither horses because they keep the saddle from perching off the back. Since most riders don’t know how long or short their saddle’s points are, all we need to be concerned with is how the points make contact with a horse’s back. It is vitally important that the inside “faces” of the tree points touch your horse’s back, as opposed to the tips of the points poking into the back. This is ultimately a determinant of how well the rider weight is spread out behind the horse’s shoulders.

The simplest way to check the contact is to girth your saddle TIGHT, then run your hand down the front of your saddle under the panels and see if there are any acute points of pressure. All saddles will have some pressure there, as a saddle’s structure needs to be carried somewhere, but the area should be bigger than the point of your finger. Try this with your saddle and as many friends’ saddles as possible to really get a frame of reference by comparing them.

Read the full article here.

Videos from Ocala Horse Properties Winter 2

Thanks to Thehorsepesterer, who always spoils us with fantastic video coverage from the Florida events!  Check out Michael Pollard’s gorgeous Intermediate dressage test with Songline, and Sinead Halpin’s show jumping round with Manoir de Carneville.

[Ocala Scores]

http://youtu.be/mht0FPk7QnE

Swampy Scores from Ocala Horse Properties Winter 2

Preliminary show jumping in the swamp. Preliminary show jumping in the swamp.

It’s a miserable day here at the Ocala Horse Properties Winter 2 event.  It has rained pretty much non-stop since this morning, alternating between downpour, drizzle, and a fine mist.  A few riders have withdrawn, but most others are bravely soldiering on despite the conditions.  The footing has held up for the most part; training cross-country is currently under way, with beginner novice and novice already completed.  The upper levels have been show jumping in the swampy all-weather (truly!) arena.  Rails have been common, but horses and riders are trying their best.  Imagine an enormous water jump…then put 10 show jumps in it… that’s pretty much what the course looks like today.  Bravo to all who have survived the conditions, and MANY thanks to the awesome volunteers who make this all possible!

[Live Scores]

 

Intermediate Rider

Rider Horse Dress
Score
Dress
Place
Stad
Jump
Stad
Time
To Date
Score
To Date
Place
Alexander O’Neal Esquire
32.90
2
0.00
0.00
32.90
1
 
 
 
 
Hanna Bundy D’Jion
39.20
11
0.00
0.00
39.20
2
 
 
 
 
Alexandra Willoughby Tiki Car
40.80
13-T
0.00
0.00
40.80
3-T
 
 
 
 
Adrian Jones Irish Odyssey
40.80
13-T
0.00
0.00
40.80
3-T

 

Open Intermediate – A

Rider Horse Dress
Score
Dress
Place
Stad
Jump
Stad
Time
To Date
Score
To Date
Place
Michael Pollard Songline
21.70
1
4.00
0.00
25.70
1
 
 
 
 
Hannah Sue Burnett Harbour Pilot
34.60
4
0.00
0.00
34.60
2
 
 
 
 
Leslie Law Tout de Suite
32.10
2
4.00
0.00
36.10
3

 

Open Intermediate – B

Rider Horse Dress
Score
Dress
Place
Stad
Jump
Stad
Time
To Date
Score
To Date
Place
Ellen Doughty Sir Oberon
30.00
2-T
0.00
0.00
30.00
1
 
 
 
 
Michael Pollard Halimey
25.80
1
8.00
0.00
33.80
2-T
 
 
 
 
Julie Norman Consensus
33.80
5-T
0.00
0.00
33.80
2-T

 

Open Prelim – A

Rider Horse Dress
Score
Dress
Place
Stad
Jump
Stad
Time
To Date
Score
To Date
Place
Kelly Prather Blackfoot Mystery
23.90
1
0.00
0.00
23.90
1
 
 
 
 
Bruce (Buck) Davidson Jr. Dommenica
26.10
2-T
0.00
0.00
26.10
2
 
 
 
 
Sara Kozumplik Murphy Catchascatchcan
29.10
7
0.00
0.00
29.10
3

 

Open Prelim – B

Rider Horse Dress
Score
Dress
Place
Stad
Jump
Stad
Time
To Date
Score
To Date
Place
Michael Pollard Kyra
23.00
1
0.00
0.00
23.00
1
 
 
 
 
Sharon White Don Sheffield
27.80
2
0.00
0.00
27.80
2
 
 
 
 
Hannah Sue Burnett Fine With Me
31.30
6
0.00
0.00
31.30
3

 

Open Prelim – C

Rider Horse Dress
Score
Dress
Place
Stad
Jump
Stad
Time
To Date
Score
To Date
Place
Alexander O’Neal Just Talk’n
29.10
1
4.00
0.00
33.10
1
 
 
 
 
Andrea Leatherman Mystic My
33.90
5-T
0.00
0.00
33.90
2
 
 
 
 
Heather Morris Charlie Tango
34.40
7
0.00
0.00
34.40
3

Jeannette Bayer: When I Grow Up, I Want To Be A Good Rider

Jeannette Bayer is from College Station, Tx.  She owns two thoroughbreds and a Morgan, all in training to become eventers.  As they are all quite green, she started writing a blog to follow the happy moments as well as times that make you want to cry!  Many thanks to Jeannette for sharing her story with us, and be sure to check out her blog: 14 Hands and Counting. 

 

Cash (dark horse, foreground) and Panda.  Photo by Jeannette

Cash (dark horse, foreground) and Panda. Photo by Jeannette Bayer.

From Jeannette:

When I grow up I want to be a good rider. I tell this to my boyfriend ALL the time. “I just wish I was good at riding horses. Le sigh.” “When will I be good at riding horses?! Le sigh.” “I hope someone thinks I’m good at riding horses. Le sigh.” “How do I get good at riding horses?! Le sigh, le sigh, le sigh.” All the overly dramatic 1950’s sighing and swooning aside, this is a legitimate question/goal that has recently got me really doing some thinking. When will I know that I’m a good rider? What makes a good rider?
Over the New Years holiday I watched the George Morris horsemanship clinic. There were twelve 18 year old kids and their horses that were among the top young riders in the Nation. George Morris was constantly saying that it was less of a clinic and more of a demonstration because of how great of riders these kids were/are. I am not the person who has the authority to butt heads with George Morris but what I can tell you is that I don’t fully agree. These kids have, probably from birth, been put on $15,000+ horses and ponies that have packed them around many an eq course. Not to say that those horses and ponies don’t have their problems, they’re still animals with minds of their own, but money bought the horse and the trainer/training, not just the horse. They are lovely riders with lots more experience than I can boast and they can ride the heck out of their blood horses but what about sticking one of them on Panda (my green TB), or Cash(my crazy Morgan)? I think they’d be completely lost. Perhaps I’m wrong.

So I suppose the ability to ride all different kinds of horses would be a criteria of a “good rider.” But that’s not fair! Let me tell you how many people get recognized for schooling the stubborn Welch pony to make it a good lesson mount. I’m going to go with a big old fat 0. No one. There aren’t cameras at every barn that feed back to David O’Connor where he watches from the Virginia hills and decides who will be the next Beezie Madden. Nope. Every day the weathered instructor of some unknown barn in some Podunk town rides the bucking pony into submission so that tomorrowher little student can jump crossrails without fear of being bucked off. Is that instructor a “good rider?”

And then there are the me’s of this big wide world where money is not, nor (hopefully) will it ever be, evenly distributed. The $700 horses I ride are being trained and bettered by me and are hopefully worth more than their meager beginning price tag. Who knows if I will ever score rides on big Selle Francais stallions in Grand Prix Jumper classes or Oldenburg mares in Prix St. Georges. Am I a “good rider?”

It’s easy to say that Beezie Madden, Reed Kessler, Ben Maher, William Fox Pitt and Boyd Martin are good riders. We see them at the top all the time. They’re always winning. They always have top notch, top dollar horses. What we don’t see is the work it took to get there. The 18 year olds in the George Morris clinic, I would contest, don’t do a lot of work. They’re still on mommy and daddy’s dime, using connections their parents have made, riding horses most of us only dream about. And that’s fine. And I could be totally wrong too. No one sees the behind the scenes.

Anyways, absolutely none of that really answers my question. And now I have a new question; How do good riders make it to the top? I think there is one basic answer to all of those questions and it’s called hard work. I think you become a good rider by riding tons of horses. Any horse you can. For the experience. Do I think a good rider should be able to sit on any horse? Yes and no. There are some horses that are just so crazy that ain’t no one gonna sit on their back. That is the attitude they were born with/have taken on and at that point there is no point in riding that horse. And a good rider can see/determine that quickly. But I do think a good rider should be able to efficiently and correctly ride pretty much every horse.

But a good rider should also realize when the horse is not a good match for them. Every horse has a way it prefers to be ridden and every rider has a riding style. Both can adapt to a point, but why force a situation? If I like a lot of contact in the bridle and a horse gets very fearful with heavy contact why not have someone partner with the horse that is a little more forgiving in the hands? And I think a good rider knows that and thinks that way.

A good rider is built by working with horses. Not just showing up at the barn to a tacked up horse, riding a bit, and then handing the horse off to a groom. Once you have reached the top that luxury can be yours but you learn next to nothing about a horse if all you do is ride it. There are plenty of horses that are capable jumpers but they need a reason to go the extra mile. If you spend time bonding with the horse and really getting to know it, they will often do leaps and bounds more for you than if you show up to exercise it three days a week.

A good rider is smart and empathetic. They see what works and what doesn’t work. They are creative in their training techniques. They are able to get consistent results by using the same training methods to produce athletes. They have a good eye for horses. They are constantly learning and improving. They are dedicated. They are persistent. They shoot for the stars. They know that riding has its ups and downs and they don’t get too down on the down side or too high on the up side. They work with what they have. They are innovative. They are tireless workers.

I want to be those things. All of them. Which I guess makes the answer to my question, “When will I be a good rider?” never. And at the same time soon. It’s an endless pursuit. Being a good rider is totally dependent on the assessor and what they value. I was unimpressed (and also horrendously jealous) by the clinic riders because I see no hints of hard work. Whether or not their talent and skills were there wouldn’t matter. I value effort.

Once I was watching a Grand Prix Jumper class. There was a lady who was terribly turned out. Her ponytail was sticking out from underneath her crooked helmet. Her breeches had a stain on them and her jacket was very old fashioned. Besides the pony tail, I was kind of hoping she would rise above her obviously unprofessional outfit and ride the crap out of the course to a win over some of the top riders in the country. Unfortunately the disaster that was her getup was only made worse when she tried to prove her riding skills. Every jump there were elbows flapping, yelling, crop using, a leap at the jump with her body, which all resulted in the horse knocking down a pole at every jump until it finally crashed through jump number 6.

She was not a good rider. I will always remember that. Always. The moral of this post and that story in particular are that there are so many things that go into a good rider. Just because you’ve reached the Grand Prix level does not make you a good rider. Just because you’re on a nice horse doesn’t make you a good rider. Just because you can ride a snotty pony does not make you a good rider. Just because you look pretty sitting on a horse does not make you a good rider. But perhaps if you put all those together and stir in a little hard work and constant self improvement you’ve got something there.

I will probably still ask my boyfriend when I will be a good rider and “le sigh” about everything that I don’t have quite yet. But “le sighs” do not get you to “Good Rider” status. Believe me, if they did I’d be short listed for the 2016 Olympics by now. Only hard work will get you anywhere. You have to want it bad enough. It has to run through your veins. When your mom told you, “If you work hard enough you can be anything you want” is so true. But the key there is you have to want it. My little sister could never work hard enough to ride at the top levels because she doesn’t care to. And that’s fine. Don’t get discouraged! And remind me not to either. Jump at every opportunity you can and make the most out of it!

Rebecca Howard Named Canadian Equestrian of the Year

Rebecca Howard and Riddle Master.  Photo by Samantha Clark.

Rebecca Howard and Riddle Master. Photo by Samantha Clark.

Rebecca Howard has been named the Canadian Equestrian of the Year, with her horse Riddle Master earning Canadian Bred Horse of the Year.   Rebecca has been based in Marlborough, England, for the past year and had an outstanding season in 2013, finishing 12th at both Badminton and Burghley.

From the Wilts and Gloucestershire Standard:

On receiving the Dr George Jacobsen Trophy for the Canadian Equestrian of the Year award, Rebecca said: “I am honoured to receive this award and would like to thank Equine Canada for this fabulous evening and for the recognition. I am also delighted for Caroline Blazely, who owns Rupert (Riddle Master) and has collected his Canadian Horse of the Year Award tonight.

“Caroline has been such an incredible support to me and believed in us from the outset. Furthermore, she is providing a further exciting opportunity for me, Rupert and Canada in 2014.

Congratulations to Rebecca and Rupert for their achievements!  Best of luck in 2014!

Scores from Ocala Horse Properties Winter 2 HT

This weekend is the second of three events in the winter season at the Florida Horse Park sponsored by Ocala Horse Properties.  Most of the big dogs are out in full force, with four large divisions of Intermediate and an Advanced CT.  The show schedule is complicated: many divisions began with dressage on Friday, some did all three phases on Friday, others will not begin until Saturday.  The upper levels will show jump on Saturday and have cross-country on Sunday (vice versa for the lower levels).  Here are the top scores from some Friday divisions.  Would anyone like to take some dressage lessons from Michael Pollard??

[Live Scores]

 

Open Intermediate – Friday (Final Scores)

1. Sydney Conley Elliott / Cisko A  38.5
2. Joe Meyer / Sanskrit  40.8
3. Melissa Miller / High Finance  44.1

Open Prelim – Friday (Final Scores)

1. Lauren Kieffer / Lucky Devil  28.7
2. Lauren Kieffer / Meadowbrook’s Scarlett  30.5
3. Buck Davidson / Riviera  31.7

 

Intermediate Rider

1. Emily Macauley / Canadian Exchange  32.1
2. Alexander O’Neal / Esquire  32.9
3. Leah Khorsandian / Pamiro W.  34.6

 

Open Intermediate – A

1. Michael Pollard / Songline  21.7
2. Leslie Law / Tout de Suite  32.1
3. Selena O’Hanlon / Bellaney Rock  34.2

 

Open Intermediate – B

1. Michael Pollard / Halimey 25.8
2T. David Ziegler / Critical Decision  30.0
2T. Ellen Doughty / Sir Oberon  30.0

 

Junior Young Riders Open Preliminary

1. Megan Noelle Wilson / Ghypsy  30.0
2. Adrian Jones / Ganymede  30.9
3T. Caroline Martin / Effervescent  31.7
3T. David Pwlak / Just Bailey  31.7
3T. M. Paige Pence / Class Action  31.7

Open Preliminary – A

1. Kelly Prather / Blackfoot Mystery  23.9
2T. Allison Thompson / Merlot 325  26.1
2T. Buck Davidson / Dommenica  26.1

 

Open Preliminary -B

1. Michael Pollard / Kyra 23.0
2. Sharon White / Don Sheffield  27.8
3. Alexandra Knowles / On The Rocks  28.7

 

Open Preliminary – C

1. Alexander O’Neal / Just Talk’n  29.1
2. Sharon White / Under Suspection  31.7
3. Robin Walker / Someday Never Comes  32.6

 

Preliminary Rider 

1. Victoria Frey / After Midnight IV  25.7
2. Ashley Dalton / Henry Knox  28.3
3. Olivia Cliver / My Mitch  29.6

Photo Gallery: Jumping Day at the Ocala Training Sessions

Buck Davidson and Park Trader. Photo by Ivegotyourpicture.com. Buck Davidson and Park Trader. Photo by Ivegotyourpicture.com.

Many thanks to Shelly at Ivegotyourpicture.com for sharing her beautiful photos from the High Performance Training Sessions in Ocala. Click here to read the report from yesterday.

Jumping Day at the Ocala High Performance Training Sessions

Buck and Park Trader at the Training Sessions with David O'Connor. Photo by Ivegotyourpicture.com. Buck and Park Trader at the Training Sessions with David O'Connor. Photo by Ivegotyourpicture.com.

I was unable to attend yesterday’s session — thankfully our good friend Thehorsepester did! — but I caught almost all of today’s jump lessons with coach David O’Connor at Meredyth South in Ocala. The day started very foggy, damp and chilly, but a dozen spectators showed up to watch. The riders who attended were:

  • Buck Davidson (Park Trader and Petite Flower)
  • Meghan O’Donoghue (Pirate)
  • Sharon White (Wundermaske)
  • Lynn Symansky (Donner)
  • Sinead Halpin (Manoir De Carneville)
  • Ellen Doughty (Sir Oberon)
  • Sydney Conley Elliot (Cisko A)

I had to leave before Sydney rode. My apologies for not being able to include her in this write up!

David started almost every horse out warming up over canter rails 30 feet apart, done in two strides and then three strides. He demanded that riders keep the horses round and “in a shape” before, during and after the exercise. With the horses in a round, deep frame, they lifted their backs and showed good footwork. After the poles, riders moved on to an oxer, which became wider and wider with each successful pass. The low, wide oxer was particularly useful for Park Trader, who demonstrated a tendency to jump up high in the air and a bit carelessly with his front end; the extended width made him change his shape in the air, reach forward up and out with his forearm and finish through cleanly behind.

As each rider came to the oxer, David stressed that riders work on their communication with their horses — keeping them round and placing the horses closely to the base for maximum gymnastic benefit. It took Meghan O’Donoghue a few tries to get the shape and placement that David wanted. She had been allowing Pirate to lope over the oxer in a huntery frame, while David insisted on a more collected, powerful step.

“In the warmup at Rolex, you’re only going to have seven to 10 fences,” David said.  “You have to make those fences count, you can’t waste jumps when your horse is tired on the last day. You have to create your shape early in the warmup.” Noting that Meghan doesn’t have 12 horses to jump at home (like Buck), she needed to make the most of every opportunity in schooling her horse. She did quite a lovely job to finish up her lesson.

Sharon White and Wundermaske also struggled a bit with staying round through the poles and approaching the low warmup fence. With poles and small jumps, David said it’s no different than flatwork. Insist that the horse stay in a frame — and yes, that comes from your leg and seat, but you can’t do it without your hands.

After the oxer, riders moved on to a simple “Y” shaped exercise: single vertical, six strides curving right or left to a square oxer. The challenge was in riding the turns — going forward, pushing into the apex of the turn, and then showing patience to wait it out for a good, deep distance. Especially for horses that were a little lazy or slow in their footwork (like Wundermaske and Sir Oberon), riders worked on lengthening and shortening sharply to get the horse active behind and in front of the leg.  It was the first time I’d seen Sir Oberon, and he is quite a lovely horse; he has beautiful changes and is a scopey jumper with excellent technique. However, David noted that the horse’s athleticism had been letting Ellen get away with mistakes up to this point; looking forward to the four-star level, shell have to insist on better straightness and more quickness behind so Obie will have the tools to jump big fences well even when tired at the end of a three-day.

To finish the lesson was a big oxer, gentle bending line to a three-stride vertical line aiming right into the crowd and corner of the ring. David preached that riders must control the shape of the horses’ jump to suit the course; that same oxer in should ride differently depending on what the “out” was (a vertical combination vs. an oxer one-stride, etc). Upon landing on the final fence, riders were told to pay close attention to land straight and then turn — do not turn in the air. Horses anticipated the corner and often cut sideways in the air over the fence, landing crookedly. On a tired horse, David said, they will slice their hind end down to cheat that turn, and it will result in a rail. Be disciplined about taking off straight, landing straight and then making a balanced turn.

Sinead Halpin and Manoir De Carneville (“Tate”) were the standouts of the day. The pair looked very sharp with fantastic communication, making all of David’s orders look easy. Tate was full of jump, but supremely obedient; he was available to Sinead’s command to go or half-halt at any stride. And all this for only their third jump school yet this year!

Buck Davidson and Petite Flower showed dramatic improvement during their session. Petite Flower was quite a hot firecracker of a mare. David insisted that Buck get her rounder and more steady, not so quick in the last stride before the fence, and he asked Buck to make a small change in his position. Buck had a tendency to lean at the fence a little through the turns — “hunting a distance” — and the mare reacted by getting quick, flat and against his hand. David reminded Buck to keep his shoulders up — don’t lean! — and Petite Flower responded beautifully with a much softer jump and better shape. It was a reminder that even the best riders can fall into a common habit, and the smallest detail can affect a horse’s performance.

Other notes:

“Train your cluck.” David encouraged riders to use their voice (cluck) for an increased response to the leg — sort of like a power boost button. This is a learned response, though — don’t expect your horse to just do it. To work on it, take your horse into an open field and canter. Cluck, and immediately gallop away so the horse associates “cluck” with go forward (REALLY forward) now.

“Hips square to the fence.” David stressed straightness in every aspect of the ride — between fences, through turns, on approach and on landing. To improve straightness on approach, he suggested that riders visualize riding their horses’ hips square to the fence. We talk and worry a lot about keeping the horse’s shoulders square coming to a jump, but sometimes we let the hind end fall out. Riding the hips straight, perhaps with a little haunches-in through a turn, allows them to push off evenly with good shape over the fence.

Accuracy and attention to detail. Strive to make every fence perfect; if something didn’t work, make a change. Don’t just repeat the same mistakes. Late changes and laziness (behind the leg) were not acceptable. You are schooling every moment you pick up the reins, so make it count.

Forward into the corner, then wait. Lynn Symansky and Donner, as well as Buck and Petite Flower, demonstrated this concept very well. For horses who get tight and then like to make a bid at the fences, it’s especially important to keep moving through the turn, using your seat with a flexible elbow, so you can be patient and wait for a distance. Don’t just take the first one you see! Actively moving through the turn promotes elasticity and throughness in the horse, leading to a better, rounder shape of jump. And on landing with a hot horse, move your hips first, then ask with your reins — don’t snatch the mouth first; the horse will just brace against you. David even encouraged Buck to do the “funky chicken” with a little elbow flapping (quiet hands) to avoid locking the mare’s back.

Groundhog Sees Shadow: Winter From Hell Continues

Denny Emerson's Tamarack Hill Farm in Southern Pines, N.C., following last week's snowfall in the south. Photo via Daryl Kinney. Denny Emerson's Tamarack Hill Farm in Southern Pines, N.C., following last week's snowfall in the south. Photo via Daryl Kinney.

The famous meteorological rodent Punxsutawney Phil saw his shadow yesterday morning, which means six more weeks of winter. I think most will agree that this winter and its polar vortex can pack up and get the heck out of here, but the groundhog says we’re not done yet, which means:

  • Six more weeks of frozen water buckets.
  • Six more weeks of frozen muddy moon-scape paddocks.
  • Six more weeks of Carhartts, gloves, scarves, wool socks and still feeling cold.
  • Six more weeks of icy cold bits, quarter sheets, heavy blankets and static.
  • Six more weeks of wishing you were south in Aiken (wait, it’s snowing there too). Make that Ocala.

Curse that groundhog. Canada, please take your winter back. Bring a sturdy halter and a chain shank, and let’s fix up that border fence to keep your cold weather where it’s supposed to be!

How are you faring in this winter from hell? Post your grievances in the comments below. Stay safe out there, EN!

Weekend Results Update from Poplar Place and Galway Downs

Dasha Ivandaeva and Autorytet, here at Plantation Field.  Photo by Samantha Clark. Dasha Ivandaeva and Autorytet, here at Plantation Field. Photo by Samantha Clark.

The final jumping phases are wrapping up at Poplar Place (Hamilton, GA) and Galway Downs (Temecula, CA) today.  Sporting Days in Aiken, SC finished its one-day horse trial yesterday, with –no surprise– Boyd Martin taking many of the top ribbons.  Here’s a few final results from Poplar and Galway.

Poplar Place February HT

Advanced/Intermediate

1. Dasha Ivandaeva / Autorytet  51.0
2. Werner Geven / Vandiver 52.7
3. Werner Geven /Vilas Country  57.4

Intermediate

1. Julie Wolfert / Buenos Aires  47.4
2. Werner Geven / Fly N Bayou  57.5
3. Zeb Fry / Artful Way 65.9

Intermediate/Preliminary

1. Liz Riley / Infinite Truth 45.2
2. RebeccaWillner / Troubadour Hall  50.9
3. Liz Riley / It’s the Truth  66.6

Open Preliminary

1. Lily Barlow / Grayboo  34.1
2. Caroline Hawkins / Something Special  35.9
3. Maggie Baker / Blue Stockings 40.8

Open Training

1. Annie Aul / Aron  29.2
2. Madeline Mosing / Tako  31.9
3. Werner Geven / Hermes Hari  35.7

 

Galway Downs Winter HT

Open Intermediate

1. Debbie Rosen / The Alchemyst 30.7
2. Barb Crabo / Over Easy 33.3
3. Tamra Smith / Twizted Syster  34.8

Open Preliminary

1. Robyn Fisher / With Class  29.6
2. James Atkinson / Kiwi Chula  30.8
3. Emilee Libby / 44 Magnum  30.8

 

 

 

 

 

From the PRO Blog: US Training Sessions in the UK

Clark Montgomery and Universe. Photo by Jenni Autry. Clark Montgomery and Universe. Photo by Jenni Autry.

Samantha Clark has posted a wonderful article on the Professional Riders Organization blog.  Coach David O’Connor spent a few days working with British-based American riders Tiana Coudray (Ringwood Magister), Liz Halliday (Fernhill By Night and HHS Cooley), and Clark Montgomery (Universe and Loughan Glen).  Samantha was on hand to get some great quotes from the riders and David himself.  Be sure to check out the full article, with her always great photos!

From Samantha’s PRO blog:

Despite having to break out his duvet three-quarter length coat due to the cold, damp and inhospitable weather David was on his customary great form – it’s an inspiration to watch and listen to him teach, something it’s clear he’s passionate about, “I love doing it and I’m fascinated by it. I’m fascinated by horses in general – how they move, how they do things, and then I think from a teaching point of view you’re always wondering how to best get your point across, and I’ve always tried to put things in categories so that the riders can judge it themselves – the first thing is to notice, the next thing is to do something about it and the third thing is you get an answer.  You’re always trying to break it down in such a way that riders notice where they are and what they’re doing, and riders at this level certainly really fix it themselves. I’m always thinking realistically that there are steps on a road, and this is where you are:  you notice where you are and then you have to explain the steps to take to get to a point.”

Read full article.

Saturday Scores from Galway Downs Winter HT

Debbie Rosen and The Alchemyst win the CIC3* at Woodside.  Photo by Liz Hall

Debbie Rosen and The Alchemyst lead the Intermediate division at Galway. (Shown here at Woodside.) Photo by Liz Hall.

It may be dark already on the east coast, but cross-country is still finishing up out in Temecula, CA at Galway Downs Winter Horse Trials.  The courses seem to be riding very well with many clear rounds on cross-country at Intermediate and Preliminary, and clear rounds in the lower level show jumping.  Good luck to all competitors tomorrow!  [Full Scores]

 

Open Intermediate

1. Debbie Rosen / The Alchemyst  30.7
2. James Atkinson / Limerick II  33.0
3. Taren Atkinson / Annie Oakley III  33.0

 

Open Preliminary

1. Tamra Smith / Mac Attack  27.3
2. Robyn Fisher / With Class  29.6
3. Jennifer Taxay Kelly / Taboo  30.5

 

Open Training – A

1. Erin Kellerhouse / Bill’s Midnight Magic  31.4
2. Ashlyn Dorsey / In Like Flynn  35.2
3. Jennifer Taxay Kelly / Black Boogs 54  35.7

 

Open Training – B

1. Taren Atkinson / Split Infinity  26.7
2. Ashlyn Dorsey / RF Kinetic  27.6
3, Jennifer Wooten-Macouzet / Anika  28.1

 

Junior Training Rider 

1. Lulu Sieling / Gesundheit Cafu  38.3
2. Tashi Brundige / Ringo Star  39.5
3, Tommy Greengard / Colonial Art  40.0

 

Senior Training Rider

1. Stephanie Wehan / Remington  27.6
2. Kris Wood / Freetoagoodhome  31.0
3T. Sue Church / Five O’Clock Somewhere  31.9
3T. Michelle Capparelli / You Don’t Know Jack  31.9

 

 

 

Lauren Lambert: Greetings from Germany!

Lauren Lambert and Honour Mission at Hagyard Midsouth. Photo by Samantha Clark. Lauren Lambert and Honour Mission at Hagyard Midsouth. Photo by Samantha Clark.

Kentucky native Lauren Lambert is overseas in Germany and documenting her experience through a blog on the PRO website.  After a stressful trip with a delay resulting in a missed flight, Lauren made it to Von Ronne Sportpferde.  She has been spending most of her time riding young horses, the four and five year olds, that were bred and raised on the farm.  Lauren reflects on the process of creating a string of international horses literally from the ground up– maybe that’s something we should focus more on in this country.

From Lauren’s PRO blog:

This is the first program I have been in where the cycle of the sport horse is played out from birth through the International level.  It is a successful system, and the proof is in results.  It takes a true horseman and a great team to run this type of operation.  In America, Bruce Davidson would certainly be one of our greatest examples of an ‘all-around’ horseman.  With more programs like this in America, the horsepower will be there for the long haul.  Without breeding programs and a system to filter and funnel the horses up the levels, it will be like patching an old road, the holes will show back up repeatedly.  Although it has a chance of making dreams come true, our system of buying an older horse, particularly geldings, for the following year’s championship will not help build a sustainable system.  And honestly, it fueling our competitors’ future strings and their development.  Without a long term vision and a thought out program like Bruce’s or Soren’s, we will continue to be filling holes which will fall through again.

[Read full story]

Scoring Update from Poplar Place and Sporting Days

Julie Wolfert and Buenas Suerte (Azul) getting ready for their BN dressage test at Poplar Place. Photo by Michaela Holcomb. Julie Wolfert and Buenas Suerte (Azul) getting ready for their BN dressage test at Poplar Place. Photo by Michaela Holcomb.

Poplar Place HT in Georgia is running dressage and show jumping today, and several divisions have wrapped up for the day.  Meanwhile, Sporting Days is running a one-day horse trial with cross-country immediately following the show jumping.  Galway is still a few hours behind, and we will provide an update later. Here are a few results from the divisions at Poplar and Sporting Days that have finished so far.  Boyd Martin is dominating the leaderboard in Aiken, SC.

 

Poplar Place Farm February HT

Advanced/Intermediate

1. Dasha Ivandaeva / Autorytet  43.8
2. Werner Geven / Vandiver  44.7
3. Suzie Harrison / Let’s Be Frank  45.9

 

Intermediate

1. Julie Wolfert / Buenos Aires  35.0
2. Werner Geven / Fly N Bayou  43.5
3. Zeb Fry / Artful Way 51.9

 

Intermediate/Preliminary

1. Liz Riley / Infinite Truth  40.4
2. RebeccaWillner / Troubadour Hall  50.9
3. Liz Riley / It’s the Truth  64.2

 

Open Preliminary

1. Lily Barlow / Grayboo  34.1
2. Caroline Hawkins / Something Special  35.9
3. Maggie baker / Blue Stockings  36.8

Sporting Days February HT

Open Preliminary

1. Boyd Martin / Ballyneety  26.3
2. Boyd Martin / SBF Cortez  29.1
3. Whitney Mahloch / Military Mind  34.0

 

Preliminary Horse

1. Boyd Martin / Welcome Shadow  34.0
2. Erin Renfroe / Porter Creek  35.6
3. Ryan Wood / Woodstock Wallaby  36.3

 

Preliminary Rider

1. Beau Guimond / Otter  41.8
2. Morgan McCue / Abecca GS  46.8
3. Tracey Young / Rosie Red 46.9

Open Training 

1. Hannah Rankin / Fluorescent Adolescent  25.7
2. Boyd Martin / Quinn Himself  28.1
3. Waylon Roberts / Vanderbilt  29.5

 

 

Broncos or Seahawks?

Free geldings this week in Seattle!  (Photo via cheezburger.com) Free geldings this week in Seattle! (Photo via cheezburger.com)

 

This Sunday, millions will be spent on potato chips, buffalo wings, pizza, and alcoholic beverages as the Holy Day for American sports commences with Super Bowl XLVIII. (That’s 48, for the Roman numerically-challenged.)  Even if you aren’t a football fan, you will watch at least part of the game…if only to see the awesome Budweiser commercial (Preview) and other amusing ads.  The country will be split between Peyton Manning fans and anti-Peyton Manning fans, and most of us horse people will cheer for the Denver Broncos because, well, there’s a horse on the helmet.  And that’s good enough reason for me!

Go Broncos.  Go Super Bowl.

Upcoming Educational Opportunities in Ocala: Training Sessions and Seminars

DOC teaching away.  All photos used by ivegotyourpictures.com and used with permission

US Eventing Coach David O’Connor.  Photo by Ivegotyourpicture.com.

With rough winter weather flogging much of the country, it’s definitely a good year be in the south.  Many snowbirds flock to Florida for the ability to ride, train, and compete in the winter, but Ocala also offers some fantastic unmounted educational opportunities.  Here’s what the USEA has lined up in the next month:

 

February 3-5: High Performance Training Sessions (Meredyth South)

Always a favorite, this is the first chance to get a look at the Florida-based riders on the Winter training list working with David O’Connor.  Most horses and riders will be knocking the winter rust off, likely with some simpler exercises to build focus and rideability.  Open to all for auditing– it’s like free lessons, while stalking your favorite big-name riders and horses.  [Complete Training Sessions Schedule – all locations] [Winter/Spring Training List]

 

February 10-11: Instructor’s Certification Program Ocala Symposium (Longwood South)

The ICP Symposium is a fantastic learning opportunity designed for coaches and trainers– but as a student, you’ll get a lot out of it, too.  Dressage sessions are scheduled for Feb. 10 with Canadian eventing dressage coach Jacqueline Brooks, and includes riders and horses from all levels.  Jumping will be on Feb. 11 with successful US show jumper Aaron Vale.  $50/day for general public, or $90/both days.  $35/day for ICP members, $60/both days.  [Click here for more info]

 

February 24-25: High Performance Training Sessions (Meredyth South)

As the second sessions on the calendar, expect some progression from horses and riders– a little more intense dressage or jumping work with coach David O’Connor. With the WEGs at Normandy coming up this fall, the training sessions will be extra important this year.  Open to all for auditing.   [Complete Training Sessions Schedule – all locations] [Winter/Spring Training List]

 

February 24-25: Young Event Horse and Future Event Horse Seminar  (Longwood South)

The seminar will include lectures and presentations by experienced breeders and judges Susan Graham-White, Marilyn Payne, Robin Walker, and Maren Engelhardt. The session will introduce judges, competitors, and interested parties to the Future Event Horse and Young Event Horse programs. This event is a landmark educational event for breeders, competitors/exhibitors, judges, and anyone passionate about young horses and their development. In addition to the lectures, the seminar will include live in-hand and ridden demonstrations for the FEH and YEH portions, respectively.   [Click here for more info]  This seminar is free to USEA members.

 

March 3-4:  High Performance Training Sessions (Meredyth South)

Horses and riders gearing up for Red Hills will surely be getting in some final prep work with David O’Connor at the last Florida training sessions.  Again, auditors welcome!  [Complete Training Sessions Schedule – all locations] [Winter/Spring Training List]

Views from Rocking Horse Winter I Horse Trials

Peter Atkins and HJ Hampton. Photo by Ivegotyourpicture. Peter Atkins and HJ Hampton. Photo by Ivegotyourpicture.

The first Rocking Horse HT of the season provided another nice first outing for many horses. The weather was a bit crisp to start each day, but the Florida sun warmed nicely by afternoon. Like Ocala a few weeks ago, the cross-country courses were inviting and rode well to start the year on a good note. The upper levels were pleasantly full, with three Intermediate divisions and six full divisions of Preliminary. It’s nice to see a big base of future talent coming up the ranks.

[Rocking Horse Winter I Horse Trials Final Scores]

Here is a lovely photo gallery courtesy of Ivegotyourpicture.com.

David O’Connor Stresses Rideability, ‘Instinctiveness’ at Eventing 25 Training Sessions

Emily Renfroe and Walk the Line E25 xc 2

Emily Renfroe and Walk The Line at the training sessions. Photo via video screenshot.

I was fortunate enough to attend a little bit of the Eventing 25 training sessions in Ocala, Fla., this week. Formerly known as the Developing Rider list, the Eventing 25 group is selected from successful riders at the CCI2*/Advanced level who are between the ages of 19 and 25.

On Tuesday, horses and riders were coached by David O’Connor through some simple jumping and gymnastic work. They began over a few canter rails, focusing on rhythm, straightness and control. Then they moved on to a gymnastic line, built up to a bounce, one stride, to two stride finishing over a good-sized oxer. As is common for this time of year, several of the horses were quite strong and exuberant, landing with a head of steam. David encouraged the riders to work on rideability after the fence, with circles and flatwork on landing.

After the gymnastic, riders moved on to single fences set in a sort of circular pattern in the middle of the ring. The jumps were set at related distances, mostly jumped off a diagonal line cutting through the arena. However, each jump was done individually, not in lines; instead of jumping in and continuing on a straight to the “out,” riders circled on landing and continued to circle until the horse settled.

The horse was not allowed to go on until he was back in a rideable frame of mind; David would then call out the next jump randomly (“Blue oxer!”), and the rider would peel off the circle to jump out. It kept the horses waiting and listening, rather than see the jump, run at the jump! Riders were often told to think haunches-in on their turns to create a pirouette-like balance coming out of the turn. Haunches-in is not often done at the canter, since most green horses want to travel crookedly with their haunches in naturally; but in this instance with experienced horses, it can promote increased control and straightness.

David also encouraged riders to land and pat their horse; a few of the horses and riders were caught up in a cycle of land and fight, grabbing each other, causing the horse to brace, anticipating an argument. By petting the neck on landing, it threw the horse off — promoting relaxation instead of tension, and spectators could see the horse soften almost instantly. (This is not a new trick — I’ve used it before, and it works!)

Video from Tuesday’s session courtesy of TheHorsePesterer:

Thursday was cross-country schooling at Meredyth South. I attended the afternoon session to watch a group of four horses and riders: Emily Renfroe and Walk the Line, Allie Blyskal-Sacksen and Sparrow’s Nio, Dani Ditching and The Graduate, and Katy Groesbeck and Oz The Tin Man.

David started by having riders demonstrate their galloping position and “preparation” position, as if approaching a fence. He tweaked positions slightly and adjusted stirrups so that they were best able to influence their horses. They warmed up over a few galloping fences, working on pace, rhythm and straightness — not just about jumping the fence, but noticing the details throughout each effort.

The group moved on to a little ditch with a rail over the top — David’s standard for introducing ditches. The rail encourages the horse to keep its eye up and jump over the ditch, making it more inviting. With the ditch and later the bank, David stressed “instinctiveness,” where the riders had to feel the slightest change in the horse’s focus and immediately correct it.

No one had any trouble with corners, even up and down a mound on approach. The bank — bounce up, over a vertical, bounce down — rode a little awkwardly at first, as the afternoon shadow was cast on the takeoff side and caught horses off guard. Once riders adjusted, it rode like a fun bouncy gymnastic. Again, this was an “instinct” fence, where the riders’ reaction (leg, straightness) had to be instantaneous.

The group finished with the water. David first asked them to trot and canter through; he stressed that with ANY horse, even the week before a CCI4*, he would first pass through without any jumps. It’s about building confidence, he said, making the horses comfortable and never afraid. Same with ditches, too — jump the ditch by itself first, then add in the rest of the complex. A horse is never too experienced for baby steps, and making it a “game” for them keeps them happy and brave.

My favorite pair to watch on Thursday was Emily Renfroe and Walk The Line. Emily has had the 12-year-old chestnut mare since she was 5, and it shows. They have a wonderful partnership, and Emily’s appreciation for her was evident by her huge smile, as was the mare’s enthusiasm for cross country.  If you didn’t see them at Rolex in 2013, be sure to keep your eye out for them this season!