Classic Eventing Nation

Monday Video from Total Saddle Fit: #HorsesChangedMyLife

Our 2019 Super Bowl Commercial. Horses changed our lives. Have they changed yours? Share with us and tag #HorsesChangedMyLife.Special thanks to PM Advertising

Posted by WinStar Farm on Friday, February 1, 2019

The Budweiser Clydesdales weren’t the only horses to make an appearance in a Super Bowl commercial last night. WinStar Farm, co-owners of Triple Crown Winner Justify, have done Super Bowl commercials in the past promoting their business, but this one which aired locally in Kentucky yesterday, highlights the horse industry and the power of these creatures that we love so much.

WinStar is calling upon everyone to use the hashtag #HorsesChangedMyLife and tell the world how equines have enriched their lives. The Twitterverse has responded:

How have horses changed your life, Eventing Nation?

Clinic Report: Connecting on ‘Connection’ With Matt Brown

Many thanks to Greta Hallgren, USEA Area V Adult Rider Coordinator, for sharing this Matt Brown clinic report from Weatherford, Texas! Have a clinic report to submit? Email it to [email protected].  

Chloe McCombs and Roxie Roccoco. Photo by Elise Marshall.

My first connection with Matt was during his Tai Chi class at the the USEA Convention in New Orleans last December. I wrongly assumed that this was just going to be a fun way to start the day with a little exercise. Little did I know, I was about to make a connection about “connection.”

Matt stood before a group of the nation’s top eventing community and demonstrated the martial arts concept of achieving maximum efficiency with minimum effort. In Tai Chi, the primary practice revolves around redirecting a partner’s energy with little effort.

“When faced with resistance or force, most of us will instinctively resist back, rather than redirect. When we are pushed, our instinct is to push back,” he explained. “With horses, resistance can have its place, but it can be easily over-used, which usually causes the horse to become even more resistant.”

Matt then forced us to pair up (awkward initially for eventers, but necessary) and guided us through an exercise called “push hands.”

Matt showing Sharon White “push hands” at the USEA Convention. Photo by Greta Hallgren.

He explained that “push hands” can help give you more direct feedback on your balance, how much force you’re using, where you’re bracing, etc., all of which you can translate back to your riding.

Light bulbs went on all over the room. “Feel” is a concept that can be very difficult to describe, not to mention teach, but we all felt it in that moment. Even more, we felt the balance and energy that solid “connection” creates.

“Feel is something that, with mental and physical control and awareness, we can all achieve, regardless of our talents,” he said.

Energized by this exercise, I was even more excited that we’d secured Matt to bring his concepts to Area V for a clinic for both our Adult Riders and Young Riders in Weatherford, Texas, later in January.

Lucy Matulich and Sophera CR. Photo by Avery Wagner.

Matt’s day one stadium exercises started with the same discussion in every group. He explained his approach and what he wanted everyone to strive for which ultimately can be boiled down to “empathy.” He also explained his martial arts theory demonstrated in “push hands.”

“Listen to your horse. Where is the horse’s mind? Are they relaxed mentally and physically? Are they balanced? Where are their feet? Is there tension in their body somewhere?” he asked.

“A rider’s responsibilities include line, rhythm and pace. It is not your job to jump the jump. That is the horse’s responsibility.”

Initially, upper levels were asked to canter through cavaletti using only one hand to guide the horse through a tight turn and across the poles. This exercise demonstrated the importance of using your legs and balance, not just your hands when turning. It also kept riders from interfering with a horse’s impulsion through the turn. Other exercises included tight turns in addition to changes of pace without impeding your rhythm or “balanced connection.”

Lower levels were challenged by technical turns, ultimately ending in looking for Matt to indicate which way to turn while they were in the air. This required them to “look” for the next fence and react quickly.

Elise Marshall and Ladies’ Man. Photo by Avery Wagner.

Cross country day continued making the connection of maximum efficiency with minimum effort when he started all levels out with the challenge of of halting from a gallop.

“Most people who fear going fast don’t trust that they can stop,” Matt said. “But you shouldn’t have to fight your horse to slow down.” Matt’s method consisted of staying in the gallop position but using the leverage of your rear end to bring your weight to the back of the saddle and fixing your hands down on the neck. “Don’t lean back!” he shouted often.

This is counterintuitive to how many riders have been taught, but when done correctly, it indeed worked. Matt proved this by by getting on the most resistant horse in each group and bringing them to a halt in only about four strides.

Cross country jumping exercises took off where stadium stopped the day before. In wasn’t long until everyone was jumping through a serpentine of verticals. Upper levels were challenged to cut as many strides between fences as possible by increasing the angle.

Caleb McCombs and Simon Slick. Photo by Elise Marshall.

When a horse became confused at what it was being asked to do, Matt explained his theory on how to handle it.

“Try not to let yourself or your horse get it wrong in the same way three times in a row,” he said.

When horses balked or stopped at a fence, riders were asked to back up while he made the fence easier by taking one side down. Riders then proceeded over the fence as many times as needed to make the horse comfortable again. Then, Matt recreated the question and the horses answered it every time.

Moving on to true cross country fences, lower levels were encouraged to increase their gallop and jump out of stride with their newfound trust that had enough control to stop. Upper levels moved on to banks and ditches where Matt connected more dots by recreating some of the turning challenges everyone practiced the day before.

Stephanie Reimers and Hank. Photo by Elise Marshall.

Undoubtedly, mistakes were made by riders of all levels over the weekend. But Matt connected making mistakes to the learning process.

“Use mistakes to learn. Notice them but don’t put judgement on them,” he encouraged. “None of us enjoy making mistakes, but be careful in thinking that a mistake means anything more than the fact that you’re learning.”

Overall, feedback from clinic participants referred back to Matt’s presence as a horseman and instructor which coincidently mirrors balance and connection.

“He embodies the yin and yang of riding and teaching,” one rider said. “He’s passionate, but peaceful. He’s driven, but empathetic. He’s incredibly deep, but is capable of simplifying the concept. I connected with him immediately.”

Where Do I Go From Here?

Nicki Henley enjoying his favorite view. Photo by Cat Hill.

Grief is an odd emotion. It teaches you to be humble, about how well you know yourself, and about how you treat others. I have always found myself wondering at the public nature of some people’s grief. I am a private person, and don’t often feel the need to put myself on a stage of any sort. A groom’s behind-the-scenes nature suited me just fine. Yet here I am, writing.

Last summer, I wrote an article about realizing I may never ride my best friend, Nicki again. Several people reached out and asked how he was doing, so here is the final chapter of that story.

Growing up, horses were my constant. I was an awkward child — quite bad at reading social cues and making friends. My parents noticed my love of all things with fur, and especially ones with soft muzzles and brown eyes, so they bought me a fat, failed pulling pony. She was my best friend for years.

Almost immediately I realized I could read horses better than people. They made sense to me. The barns I rode at were rather uneducated in their horse care. We cleaned stalls occasionally, thought horses would “learn” not to dump their water buckets if we didn’t refill them until the next day once they tipped over.

I used to read Practical Horseman, Horse Illustrated and any horse books I could get my hands on cover-to-cover. I memorized the names, watched the Olympics on TV and dreamed. I couldn’t imagine knowing those horses. Yes, the riders were like celebrities to me, but the horses were like gods. My biggest goal was to be on the U.S. Equestrian Team.

Fast forward to my twenties, when I walked onto Willow Bend for the first time. Mara DePuy was a name I’d read as a kid. Nicki Henley was a horse that I’d read about in the Chronicle, a horse I’d seen from across the warm-up at shows. I remember walking into the barn, and disbelieving that I was going to be responsible for the care of these horses, especially the bright bay with the white eye and the attitude.

Over the next several years, he taught me how to be a groom — how to make a horse with a myriad of GI issues eat, how to hold on to a horse-shaped kite when a horse was on stall rest and needed hand walking, how to feel the start of skin funk before it takes over, how to listen to a horse who is so tough he won’t ever say “ow”. He also took me on my first team trip, and showed me that a goal re-invented could be just as rewarding as I’d dreamed.

When I left Virginia to return to my hometown in New York, I was ready. Grooming at the elite level is emotionally and physically draining, and I was ready to invest more time with my husband and family. The only drawback was saying goodbye to Nicki. I was so upset; he had become my best friend by then. My husband referred to him, only half in jest, as the other man. I saw him as frequently as I could, sneaking him treats at events and getting regular updates from Mara.

The spring after I left, he injured himself and his competitive career was over. Mara planned to rehab him and then let him live in her luxurious retirement field with her other old Advanced horses. Nicki hated that plan. He paced the fence line. He ran the field, he colicked himself. So Mara brought him in and started hacking him, and he immediately settled.

So a little under a year after I left, I got a call. I was going to be in Aiken working for Dr. Kevin Keane as his assistant for the winter. Did I want Nicki for the winter? He could only hack at the walk (which often meant walk, spin, spook, walk, repeat). My answer was a loud, emphatic yes. At the end of the Aiken season, Mara tearfully asked if I wanted to take him home to New York.

By then, I was used to being trusted with top horses. I was an experienced groom and vet tech to some of the best horses in the country. Yet being trusted with Nicki, to take him home, to call him mine, was an enormous gift. I spent the next several years in utter bliss.

Nicki was never an easy horse. He hated bugs and had to be brought in at first light in the summer. He also hated cold and could only tolerate a few short hours outside in the winter. He had difficult skin, which meant you could never skip his daily curry or risk having giant holes develop in his coat. He was prone to colic, so had to be carefully monitored.

Yet his leg got better, and he was able to do more than I could have ever hoped. I took him to some dressage shows, earning some very respectable scores. He even healed enough to go cross country schooling and compete at a few derby crosses. Jumping him made me feel invincible.

He had one scare, when he had a colic-like episode that turned into colitis-X, and I came very close to losing him. He spent over a week at Cornell but came back to me, and returned to himself.

Last spring, he looked great. He came through the winter fat, and shining, and strong. He was downright wild to ride, and I had to put draw reins on him for a couple rides just to have enough control to accomplish anything. At 22, it looked like we had years left.

Then we started having some problems. I spent the summer nursing him, lying to myself about how poor he looked. He was always a horse who lost condition easily, so I fooled myself into thinking it was just the stress of the regular trips to Cornell.

Then he fell, and it looked like he’d injured his pelvis. I realized I may never ride him again, but still refused to look at the reality of how poor my man looked. He went into shock one night, and I rushed him to Cornell, finally being forced to face the truth.

The staff at Cornell was amazing, and stabilized him, and we waited for bloodwork. The next morning, I walked into his stall and he looked comfortable and happy. I waited for the vet, but I already knew. She came and confirmed my worst fear — a fast-moving and nasty form of cancer. We made sure he was comfortable, took him home and had his regular vet come to put him down, to be buried in his favorite spot in his field.

It’s been five months, and I still struggle to write that. His blankets hang in the barn. His stall stands empty. His feed instructions are still on the board. For over 10 years, my day started and ended with Nicki, breakfast and night check. I framed my life around him, built the barn for him — with a giant corner stall he could hang his head out into the aisle, or out the window to see the house.

As I became a mother, I depended more than I knew on the time with him — the quiet moments currying and brushing, the rides into the dawn before the kids woke up, his breath on my neck, his habit of kissing my face with his lips curled back and his closed teeth touching my cheek.

I wanted to quit horses for months after I lost him. I went and taught my lessons, rode my clients horses, and hated it all. I eventually decided not to quit — it’s been my entire life — but that hasn’t made it easy. I can’t explain the hollow feeling in my life where he used to be. Horses have been the one constant in my life for over 30 years, and I’ve been trying to reconnect with that feeling.

A few weeks ago, I barn-sat for Daisy and Richard Trayford. They breed some really lovely youngsters, and for the first time since Nicki left, I felt a little of the old love. The weanlings would put their muzzles on my shoulders when I scratched their chests. The gigantic 4-year-old (who must be part Labrador for all his 17 hands) would walk in every night lipping the back of my head and tickling my head with his whiskers.

I remembered that a previous version of me had loved young horses. I always used to say that if I were to have my dream horse job, it would be as an equine kindergarten teacher, taking horses from weanling to 4 and starting their life with people.

So as soon as winter clears out, I plan on getting a young project — something to re-sell, not one to keep. I am not naive enough to believe that I will find what I had with Nicki, possibly not ever again. My relationship to horses prior to him was rewarding and I had several horses I loved, so now I will try to find my way back to that.

It’s as if my life with horses has been climbing a mountain — the view is amazing halfway up the climb, if you’ve never been to the top. So now I will put on my boots, thread the belt with his name and hair woven into it through my breeches, and walk back down the trail and look out, and I’ll try to appreciate the view from a lower elevation.

Weekend Winners: Stable View, Sporting Days, Three Lakes, Galway Downs

Move over, Super Bowl — we know where the real action was at this weekend!

An extra high-five to our lowest scoring finishers in the country this weekend, Matthew Bryner and Va Va Voom! The pair scored a 20.2 to win their division of Open Training at Three Lakes at Caudle Ranch H.T.

Here are your weekend winners:

Stable View Winter H.T. [Website] [Results]
*Ran on Wednesday, but we’re going to count this as “Weekend” anyway! Check out EN’s recap of the event here.
Open Preliminary-A: Andrew McConnon & Bossinova (30.8)
Open Preliminary-B: Waylon Roberts & Fortunate Rebel (30.0)
Preliminary Jr/Young Riders: Katherine Christopher & Frodo of the Shire (45.7)
Preliminary Rider: Morgan Batton & Toby The Coal Man (35.6)
Open Training: Lindsay Beer & El Caballero (26.4)
Training Rider: Elizabeth Welker-Ebling & Santana II (31.4)
Novice Rider: Campbell Jones & Aura CF (25.5)
Open Novice: Waylon Roberts & FE Lobo (24.5)
Beginner Novice Rider: Nancy Z. Wilson & Lagerfeld (30.0)
Open Beginner Novice: Alison Eastman-Lawler & Lexington II (26.8)

Sporting Days Farm H.T. [Website] [Results]
Intermediate/Preliminary: Samantha Bielawski & Stick with Richie (52.9)
Open Preliminary: Ryan Wood & Chusin My Confession (31.3)
Preliminary Rider: Jackie LeMastus & Indian Mill (27.8)
Preliminary/Training: Tate Northrop & Fine With Me (36.9)
Open Training-A: Tim Bourke & Chantilly All Quality (26.1)
Open Training-B: Susan Thomas & Fleaux Easy (32.3)
Training Rider-A: Louis Rogers & Mighty Himself (35.2)
Training Rider-B: Margot C. Luria & Truly Wonderful (31.1)
Novice Rider-A: Courtney Calnan & Little Black Dress (28.3)
Novice Rider-B: Gloria Huber & Dancing Queen (24.3)
Open Novice-A: Lindsay Beer & Billy Shamrock (20.7)
Open Novice-B: Megan McGrain & Dandy Lion (32.1)
Beginner Novice Rider-A: Lisa Edinger & Woodstock Checkmate (23.0)
Beginner Novice Rider-B: Erin Buckner & Picassi (33.8)
Open Beginner Novice-A: Lillian Heard & Commanding Curve (31.8)
Open Beginner Novice-B: Mia Petersen & SkyFlex (34.5)
Starter: Tiffany Warren & Sherlock (Next In Line) (34.2)

Three Lakes at Caudle Ranch H.T. [Website] [Results]
Intermediate / Preliminary: Katherine Coleman & Colorfast (26.9)
Open Preliminary: Jennifer Brannigan & Subiaco (21.7)
Preliminary Rider: Georgia Dillard & Galileo WP (31.3)
Open Training-A: Matthew Bryner & Va Va Voom (20.2)
Open Training-B: Hannah Sue Burnett & RF Overdressed (20.8)
Training Rider: Kristin Rubash & Capone (34.7)
Novice Rider: Leanne Fitzgerald & Ardeo Michelangelo (25.2)
Open Novice-A: Joe Meyer & Chilli Bean (26.2)
Open Novice-B: Stephanie Cauffman & Lamondale Florinia (24.8)
Beginner Novice Rider: Ellis Dillard & Normandys’s Coles’ Clover (28.1)
Open Beginner Novice: Caroline Martin & Jewel (28.6)

Galway Downs H.T. [Website] [Results]
Open Intermediate: Auburn Excell-Brady & BSP Tuxedo (56.3)
Open Preliminary: Erin Kellerhouse & Woodford Reserve (23.9)
Preliminary Rider-A: Jordan Crabo & Over Easy (30.1)
Preliminary Rider-B: Sarah Lipetz & Southern Belle (29.4)
Jr. Training Rider: Savannah Carter & Ballustree Dun Believable (34.2)
Open Training: Erin Kellerhouse & Axiom DF (29.8)
Sr. Training Rider: Julia Brittain & Haiku (29.1)
Jr. Novice Rider: Tyler Leary & Made You Look (27.1)
Open Novice: Gina Economou & Swizzle (21.2)
Sr. Novice Rider: Bethany Serafin & Winslow (35.7)
Intro Rider: Nicole Petersen & Armi (36.9)
Jr. Beginner Novice Rider: Kasey Hansen & Mr. Bluesky (26.7)
Open Beginner Novice: Erin Kellerhouse & Reverie GWF (24.8)
Open Intro: Adelaide Rudkin & Francesca (35.0)
Sr. Beginner Novice Rider: Joshua Saltman & Chacco (34.3)

Behind every blue ribbon, there’s a story.

To my heroic grey horse, thank you thank thank you, for helping me get back to this level..11 years of trials and…

Posted by Juli Hutchings-Sebring on Sunday, February 3, 2019

Congrats to all. Go Eventing!

New Zealand Announces 2019 High Performance Squads

Jonelle Price and Faerie Dianimo on their way to winning Luhmühlen 2018. Photo by Jenni Autry.

Equestrian Sports New Zealand has announced the 2019 High Performance Squads for eventing. Sir Mark Todd and Tim Price both have four horses named to the squads. Cekatinka, Tim’s 2018 World Equestrian Games mount, and Wesko, who returned to FEI competition following a lengthy hiatus last year, are both notably absent.

Four riders with nine horses between them were named to the High Performance Squad, which “comprises horse and rider combinations committed to and capable of contributing to a podium team placing at the 2020 Olympic Games.”

2019 ESNZ High Performance Squad:

  • Clarke Johnstone and Balmoral Sensation, owned by the Johnstone Family
  • Jonelle Price with Classic Moet, owned by the rider and Trisha Rickards, and Faerie Dianimo, owned by the rider, Trisha Rickards and Jacky Green and
  • Sir Mark Todd with NZB Campino, owned by the rider and New Zealand Bloodstock; Leonidas II, owned by the rider, Diane Brunsden, Peter Cattell and Sir Mark Todd; Kiltubrid Rhapsody, owned by Dr. Elizabeth Donald and Niki Ryan; and McClaren, owned by David and Katherine Thomson
  • Tim Price and Ringwood Sky Boy, owned by the rider, Robert Taylor, Varenna Allen and selwood.com, and Bango, owned by the Numero Uno Syndicate

Tim Price also has two horses named to the High Performance Futures Squad, which “consists of those combinations that are knocking on the door to high performance,” alongside five other combinations.

2019 ESNZ High Performance Futures Squad:

  • Amanda Pottinger and Just Kidding, owned by the Pottinger Family
  • Blyth Tait and Havanna, owned by Katherine Corich, Jane Lovell-Smith and John Ormiston
  • Dan Jocelyn and Grovine de Reve, owned by the rider and Therese Miller, Jo Preston-Hunt and Philip Hunt
  • Caroline Powell and On The Brash, owned by Sarah Tobey and Sue Smiley
  • Jesse Campbell and Amsterdam 21, owned by Dr. Craig Campbell
  • Tim Price and Xavier Faer, owned by the rider, Trisha Rickards and Nigella Hall, and Ascona M, owned by Suzanne Houchin, Lucy and Ben Sangster and Sir Peter Vela

A further 10 riders were named to the High Performance Potential Squad, which “is aimed as recognizing talented eventing riders that are capable of and committed to producing high performance horses for future Olympic Games and World Equestrian Games.”

2019 ESNZ High Performance Potential Squad:

  • Abby Lawrence
  • Buddy Philpott
  • Donna Edwards-Smith
  • Ginny Thompson
  • Hayley Frielick
  • James Avery
  • Joe Meyer
  • Monica Oakley
  • Nick Brooks
  • Samantha Felton Lissington

[Tokyo Olympic Games Drives Eventing High Performance Squad Changes]

Monday News & Notes from Fleeceworks

Kulak Equestrian showing their Patriots pride on Super Bowl Sunday in Wellington. Photo by Gloria Callen.

The New England Patriots defeated the Los Angeles Rams on a score of 13-3 last night to claim their sixth Super Bowl Championship title. Regardless of your feelings about football, you have to admit that the Patriots jump at Kulak Equestrian is pretty awesome.

National Holiday: National Football Hangover Day

U.S. Weekend Action:

Stable View H.T. [Final Scores]

Sporting Days Farm H.T. [Final Scores]

Three Lakes at Caudle Ranch H.T. [Final Scores]

Galway Downs H.T. [Final Scores]

Your Monday News & Notes:

New Zealand has announced the team’s 2019 High Performance Squads, with Jonelle Price, Tim Price, Mark Todd and Clarke Johnstone all having horses named to to the High Performance squad. Tim also has two horses on the High Performance Futures squad alongside Blyth Tait, Dan Jocelyn, Caroline Powell, Jesse Campbell and Amanda Pottinger. USA-based Joe Meyer was named to the High Performance Potential Squad. [Tokyo Olympic Games Drives Squad Changes]

How are you planning your horse’s fitness schedule as you look ahead to spring competitions? U.S. team rider Lynn Symansky and U.S. team vet Dr. Susan Johns teamed up to speak about how to ensure you are conditioning your horse properly for your target events without risking injury. [The Art of Conditioning an Event Horse]

Don’t miss this super interview with 18-year-old Kanyon Walker, who is well known in the Ocala area as a high school football standout and most recently received a full scholarship to play for Tulane University. He is also an accomplished event rider, having competed to the CCI2*-L level with his Thoroughbred, Kenneth Street, and has big plans for his future as an equine professional after college. [Unbridled: Ocala Magazine]

How do you get “into the zone” when you compete? Sports psychologist Daniel Stewart believes that first you have to create a “flow-state — a sort of subconscious rhythm or harmony that changes your thinking from forced, mechanical, and over-analyzing to calm, confident, and un-rushed.” [Daniel Stewart’s Tip of the Month: Distracting Distractions]

Monday Video: In case you missed it, here’s the Budweiser Clydesdale commercial that aired during last night’s Super Bowl. [Watch 20 Years of Budweiser Clydesdale Super Bowl Commercials]

Have You Taken the #CupOfTeaChallenge?

Have you heard of the #CupOfTeaChallenge? British dressage rider Charlie Hutton started the latest internet phenomenon in an episode of Omega Equine All Star Academy on Horse & Country TV.

The concept is simple: grab a mug of tea (or any liquid) and try not to spill any when you ride. Charlie attempted it without stirrups:

Others have taken the #CupofTeaChallenge while jumping:

We’re waiting for someone to try jumping without stirrups! Horse & Hound posted a roundup of riders attempting the #CupofTeaChallenge. Click here to watch them all.

Now it’s your turn! Take the #CupofTeaChallenge and share your photos and videos on social media using the hashtag. We’ll post a roundup on EN in the next week.

Go Beating the Winter Blues. Go Eventing.

Stable View Aims to Add New FEI Event Starting March 2020

Phillip Dutton and I’m Sew Ready, winners of Stable View’s inaugural CIC4*-S in 2018. Photo by Leslie Threlkeld.

Stable View Farm hosted the inaugural FEI event last year in Aiken, South Carolina, and is hoping to add a second FEI date to the Aiken calendar starting next year. The venue has applied to host a CCI*, CIC2*-S, CIC3*-S and CIC4*-S on March 27-28, 2020.

The date has been approved at the area level and is now making its way through the remainder of the approval process. The FEI calendar is subject to the approval of the USEF Board of Directors and the FEI.

Barry Olliff, owner of Stable View, explained that the venue will no longer run National divisions at the March horse trials starting in 2020, but nearby Full Gallop Farm will instead fill that need on the calendar.

“We have been waiting for four years to get a date where we could run upper levels during what’s come to be known as the Aiken season. Aiken desperately needs a top class event in the spring to enable it to keep top class riders here, and also to provide a choice for riders from down south,” Barry told EN.

“As the Aiken calendar is very congested, we came to an agreement with Full Gallop whereby they would continue with their horse trials on the last Sunday of March, while we would pick up the Friday and Saturday of the same weekend.”

If approved, Barry said Stable View’s new spring FEI event will run in a similar manner to the venue’s popular Oktoberfest horse trials.

“We believe that there will be demand between Pine Top and Carolina International for an event of this caliber,” he added.

Changes to Stable View’s March 2019 Event

Stable View will unveil the venue’s new Modified cross country course next month at the one-day spring horse trials on Tuesday, March 19.

Capt. Mark Phillips is course designer for the Intermediate and Preliminary courses, with Mogie Bearden-Muller designing the Modified to Beginner Novice courses. All courses will use a new track that includes part of the former course as well as the courses used for the Stable View Eventing Academy, both of which are drained and irrigated.

The venue’s fourth arena, which features state-of-the-art Attwood Equestrian Surfaces footing, will also be in use, along with the new Stable View Pavilion.

A total of $20,000 in prize money will be awarded across all levels from Intermediate to Beginner Novice. Click here to view the prize money breakdown. Entries are limited to 40 per division with a maximum of 200 horses.

In terms of scheduling, Stable View confirmed early ride times will be accommodated for competitors who are then traveling on to compete at the Carolina International Three-Day Event on March 20-24.

Click here to view the omnibus for Stable View’s Spring Horse Trials. Entries close Feb. 26.

Go Eventing.

Watch 20 Years of Budweiser Clydesdale Super Bowl Commercials

A commercial starring the Budweiser Clydesdales first aired during the Super Bowl in 1986. Since then, the Budweiser Clydesdales have become synonymous with Super Bowl Sunday. As we count down to kickoff tonight, join us in reliving the magic of the best marketing campaign known to equestrians.

1996 – “Football”

1999 – “Separated at Birth”

2002 – “Respect”

2003 – “Replay”

2004 – “Born A Donkey”

2005 – “Snowball Fight”

2006 – “American Dream”

2007 – “Spot Wink”

2007 – “Super Fan” (There were two this year!)

2008 – “Team”

2009 – “Stick” 

2009 – “Circus”

2009 – “Generations” (There were three this year!)

2010 – “Fence”

2011 – “Wild West”

2012 – “End Prohibition”

2013 – “Brotherhood”

2014 – “Puppy Love”

2015 – “Lost Dog”

2016 – “Not Backing Down”

2017 – “Born the Hard Way”

2018 – No commercial this year

2019 – “Wind Never Felt Better”

 

This post originally appeared on Horse Nation and has been updated with additional video links.

25 Years of Excellence: A Fond Farewell to Fitch’s Corner Horse Trials

Fernanda Kellogg and Kirk Henckels — the dynamic duo behind Fitch’s Corner Horse Trials. Photo by Amber Heintzberger.

It is the end of an era as EN can confirm that after 25 years of serving as the premier lower level event in the U.S., Fitch’s Corner Horse Trials will no longer run. Organized by Fernanda Kellogg and her husband, Kirk Henckels, at their private, 150-acre farm in Millbrook, New York, Fitch’s Corner ultimately defined an entire generation in Area I.

“I feel very proud of what we were able to accomplish, but at what point do you say it’s enough?” Fernanda told EN. “My team was getting tired, and I thought after 25 years and on a good year, that’s the time to close off this chapter.”

What began as a “summer project” for Fernanda’s then 16-year-old daughter, also named Fernanda, ultimately evolved into an event that attracted Olympic riders and amateurs alike, as well as served as a highlight of the summer social calendar in Duchess County.

“My motivation was to create the best quality event for the lower levels but with the spirit of a top national or international horse trials,” Fernanda said, noting it was her daughter who coined the event’s catch phrase: “Fitch’s Corner — Ride It If You Can.”

Fitch’s Corner boasted cross country courses built by Capt. Mark Phillips and Derek di Grazia on the rolling hills of Millbrook, New York. Photo courtesy of Fitch’s Corner.

Fernanda and Eric Bull, who was 19 years old at the time and managed the farm, recruited Brian O’Connor to help run the very first event in 1993, which attracted about 50 local competitors. Brian played a critical role in launching the event and ultimately served as the official voice of Fitch’s Corner, as well as cross country controller, for all 25 years.

Fernanda knew that “great cross country courses were key to the success of a horse trials,” and she enlisted Capt. Mark Phillips to design the courses in the early years, with Eric Bull building the first course of his career at Fitch’s Corner. Chris Barnard served as the first show jumping course designer.

Derek di Grazia ultimately took over designing the cross country courses in the later years of the event, with Marc Donovan putting his stamp on the show jumping courses. Fernanda said it was an immense point of pride that Fitch’s Corner was the only exclusively lower level event that Capt. Mark Phillips and Derek di Grazia designed.

Boyd Martin was one of many upper-level riders who always competed at Fitch’s Corner. Photo by Joan Davis/Flatlandsfoto.com.

“Fitch’s Corner was the lower level event that upper level riders loved,” Fernanda said. “The confirmation of some of the upper-level riders coming to us with their lower-level horses meant I knew that we were doing something special.”

As for what stands out to her the most as Fernanda reflects on the last 25 years of running Fitch’s Corner, she said hosting the USEA Area I Championships from 2011 to 2013 will always serve as a memorable highlight.

“The three years that we ran the Area I Championships were very special because it gave us the impetus to take every part of the weekend and make it special for the competitors,” Fernanda said. “We were able to raise the profile of the event even higher thanks to the championships, and it was a real way of giving back to the area.”

Fitch’s Market served as the backdrop for the event, with 50 shops divided into “Fashion & Home” under the big tent and “Horse & Hound” in tents along Fitch’s Boulevard. Photo courtesy of Fitch’s Corner.

The 2013 running of Fitch’s Corner drew a record 333 horses, as well as 665 people in attendance at the popular Blue Jean Ball with New York City’s DJ FLO. For as much as Fitch’s Corner was known as a premier destination lower level competition, the parties also put the event on the map as a key social event of the summer.

“A lot of people came for the atmosphere of the event but were driven by the social activities or the shopping, or just having a wonderful country weekend,” Fernanda said. “Kirk and I would always try to have the last dance at the Blue Jean Ball. It was the idea of having a wonderful summer party that was almost a right of passage for the kids in the area.”

Kirk also orchestrated a popular Collector Car Parade each year at the event, and in 2018 Fitch’s Corner played host to the prestigious Rolls-Royce Concours. The Millbrook Hunt Hounds also paraded the grounds every year during the event.

The Collector Car Parade served as a highlight of the event each year. Photo courtesy of Fitch’s Corner.

In addition to $25,000 in prize money awarded to the top finishers at all levels from Beginner Novice to Preliminary levels, winners at Fitch’s Corner also received trophies from Tiffany & Co., a nod to Fernanda’s 25-year career with the renowned jewelry company.

Fitch’s Corner also served as the host site for the Charles Owen Technical Merit Award in Area I; launched the Novice Masters Challenge; bestowed the Barbara Meyer Pony Club Award for members of the area pony clubs; and gave the Fitch’s Corner Award to honor a local member of the community for their support of equestrian sports.

Two key sponsors, Houlihan Lawrence Real Estate and Fresh Gourmet, with owners Donald and Barbara Tober, provided generous support for Fitch’s Corner and made it possible for the event to be so successful, Fernanda added. In turn, Fitch’s Corner raised more than $300,000 for event beneficiary, Millbrook Rescue Squad, over the years.

Familiar sights each year at Fitch’s Corner — the Millbrook Hunt Hounds and Tiffany & Co. blue boxes. Photo courtesy of Fitch’s Corner.

“We wanted Fitch’s Corner to be the very best event regardless of the level,” Fernanda said. “It was equally important for the Beginner Novice rider to have as good a time as the Preliminary rider, so we were always conscious of treating every rider as the single most important rider of the weekend.”

Videographer Marion Latta de Vogel filmed beautiful footage from Fitch’s Corner during the last few years the event ran. Watch below to relive the 25th anniversary weekend and ultimately the final running of this most treasured event.

To Fernanda, Kirk and the entire team of dedicated individuals who made Fitch’s Corner Horse Trials a reality, thank you for your incredible service to the eventing community.

Fitch’s Corner 25th Anniversary Weekend from Marion Latta de Vogel on Vimeo.