Classic Eventing Nation

Monday Video from Tredstep Ireland: Games to Engage Your Horse’s Curiosity with Elisa Wallace

Cold snaps and blizzard abound; odds are that you’ve been experiencing some nutty weather over the past couple weeks which is putting a damper on your winter training.

If you’re grounded from the saddle due to frozen footing or freezing air — fear not! Elisa Wallace is here to show us some unmounted games you can do with your horses that will encourage confidence and curiosity. Using pressure and release plus positive reinforcement, Elisa and her young OTTB “Sniper” show us how to make use of some interesting items to keep your horse’s brain engaged when the temperature drops.

Where Is the Diversity in Eventing?

Every year like clockwork on Martin Luther King Jr. Day, I climb up on my EN soapbox and squeamishly point out the lack of diversity in equestrian sport. And every year I feel underqualified, overprivileged. Who am I to speak? I’m a middle-income, college-educated white woman who participates in one of the most expensive sports in the world on a pony named Princess, for God’s sake. What if I use the wrong words? And what have I done since the year before to make a real difference in the way we approach race as it pertains to our sport?

Embarrassingly, nothing. I think about it, though, year-round. I think about it when I glance around any given horse trial, and see — with the rare exception — only white people. I think about it when I look out into the stands at Kentucky and see an all-white crowd. I think about it when I thumb through horse magazines and see all-white story subjects and all-white models in ads. I think about it when I edit EN, and there is slim-to-zero representation of eventing athletes who are people of color, especially African Americans. It’s not like we’re edging persons of color out — they just, with the too-rare exception, don’t exist. Why?

While black athletes have made huge inroads into many traditionally white-dominated sports in recent decades, equestrian sport has remained woefully out of step with that trend. Just how “white” is eventing? Since we don’t have statistics to go by — there are no “describe your race” checkboxes on USEA membership forms or event entries — we have to rely on experiential data. And speaking from experience, I think we can all agree that, with a few exceptions, the vast majority of American eventers are white.

Racial homogeneity isn’t unique to our sport. Despite dramatic advances in the sports world at large to provide a more equal playing field, some sports have simply lagged behind. A Politico article published in advance of the 2016 Rio Olympics, “The Olympic Color Barrier,” called equestrian sport out for its “blindingly white” squad, along with archery, canoe/kayak, cycling, rowing, modern pentathlon, sailing, shooting and triathlon. 

The common denominator, according to Politico: “These are equipment sports. They require a bike, a horse, a weapon, a boat or — in the case of modern pentathlon — a horse and two weapons. At the elite level these things aren’t cheap. A custom-made gun costs $9,000, before you start firing the bullets at 40 cents each. An Olympic road bike can cost $25,000. A kit for an Olympic sailboard costs more than $6,000 and a boat in the Nacra class costs more than $25,000, and then you have to shell out for transport and regatta costs.

“Parents who want their child to become an equestrian champion, can start by spending $50,000 on a show pony, and must house and feed it and cart it to events. Olympic-quality horses change hands for hundreds of thousands of dollars. Michael Jung, a German who won gold medals in 2012 and 2016 for individual eventing, was lucky enough to have a father who owned a riding stable.”

Similarly, a study by University of Toronto researcher Dr. David Lawrence, “Sociodemographic Profile of an Olympic Team,” concluded that the sports of equestrian, sailing, cycling and rowing consistently favored white and privately educated athletes.

Let me be clear: I am not saying that we intended eventing to become one of the the last bastions of white sport, or that non-white athletes are greeted by our community with anything less than open arms. Moreover, this is a matter of privilege and access — who has access to the sport, and who does not.

That’s where vestigial socioeconomic barriers come in: Not everyone is in a financial position to invest in the training, equipment and competition costs required to participate, much less excel, in certain sports. This speaks to a deeper structural racism of who has access to what. Eventing, being an expensive sport to participate in on even the most basic of levels, is correspondingly one of the most exclusive and least racially diverse. If eventing wants to be considered a relevant sport in the 21st century, particularly in this moment of national crisis, we have to work harder to evolve. As the old saying goes, if you are not part of the solution, then you are part of the problem.

How do we make our sport more accessible? That’s a question the eventing community loves to ask. But when we posit it, it’s in the self-serving context of, “How do we achieve more popular appeal, more airtime and more sponsors?” Not, “How do we share this experience with those who wouldn’t have access to it or interest in it otherwise?” The two questions, however, are more intertwined that you might think.

If our sport continues existing in its insular elitist bubble, someday it’s going to catch up with us. It’s worth remembering that equestrian sports aren’t a shoe-in for inclusion on the Olympic roster like, say, gymnastics or track. We have to make an effort to continue demonstrating global reach, appeal and relevancy.

Other traditionally white sports have made it through this dilemma intact, even flourishing through the transition to a more diverse participation. The emergence of sporting icons like Tiger Woods and the Williams sisters put “country club sports” like golf and tennis within the grasp, physically and conceptually, of a broader demographic. Young athletes had role models to look up to. Other traditionally white-dominated sports like gymnastics, swimming and figure skating have followed suit.

I’d love to see the USEA and USEF continue this conversation and put some meaningful programs in place that emphasize inclusion. How about a diversity scholarship rewarding talented minority riders? Or an outreach program providing riding lessons to underprivileged kids?

Sure, it’s easier (and cheaper) to hand kids a basketball than the reins to a horse, but if winter sports outreach programs have been successful in getting underserved youth onto the side of a mountain, surely we can get them to a nearby farm. What can I do to help, USEA/USEF? What can WE do to help? Because I know I’m not alone. And I don’t want to let another year go by.

In the meantime, there are things we can do as individuals. For instance, some years ago I got involved with the Big Brothers Big Sisters program. Once a week, I picked my brown-skinned “little” up from elementary school and we went to the barn. She loved grooming my horse and learning the basics of riding, and those hours in the country offered much-needed relief from a troubled home life in a low-income community. As eventers, we’ve been given a gift, and it’s our responsibility to share it.

It makes me incredibly sad to know that the experience of eventing is limited to a fortunate few. And I feel deeply troubled when I see our community fold further and further in on itself. Will we see a person of color on the Olympic podium in our lifetime? Who knows. But we can commit to growing a healthier, more diverse sport in which anything is possible.

 

William Micklem: Guinea Fowl & Gold Medals, Part 1 – Carl Hester’s Presentation to Top UK & Irish Coaches

Carl Hester and Nip Tuck. Photo courtesy of FEI/Jon Stroud.

Even senior coaches can be inspired! An elite group of senior coaches from all disciplines recently spent a unique morning with Carl Hester, at his exquisite training base near Bristol, watching nine of his horses being worked and learning from the man who has changed the dressage world for the better, not just in the UK but world-wide. As a consequence of his success more leading dressage trainers and riders are trying to keep their horses happier, trying to use less force and trying to keep things more simple. Now harmony, lightness and ease are more than just an aspiration but a requirement for high level marks.

As Carl says, “People want to do what the winners do … There are going to be people who will never change their ways, but there’s going to be a bigger majority who want to know what you do, why you do it and would it work for them … and it’s not just about turning horses out!”

“It was interesting because after the Olympics, one of the biggest questions I kept getting, mostly from Dutch and German magazines was, ‘Do you contribute your success to the fact that you turn your horses out?’ And I’d say, no. I contribute our success to the fact that we train them the best we can. You wouldn’t go to an event rider and say did you win Badminton because you turned your horse out into the field. They’d just laugh at you. But we do work our horses in the arena less than many, with a four day a week training program.”

Wider advantages

So horse-friendly, no-force dressage is now at the top of the training agenda and as a result dressage has never been more appealing. As a result more riders are attracted to dressage and there is a growing audience wanting to watch and invest in the sport of dressage. Yes, Carl’s partnership with Charlotte Dujardin and Valegro has been instrumental in this process, but having worked with Carl for 10 years, since she was 20, Charlotte would be the first to admit that Carl has made her the rider she is today.

As a result life is also so much easier for dressage coaches, because once again they can have total confidence that there is a route to follow that is both logical and humane and can lead to the highest levels of dressage. I write this as someone who has always loved dressage, but became disillusioned as a young man when I found numerous senior dressage trainers using strength and bullying rather than lightness and partnership. One eminent dressage trainer even tied my thumbs to the saddle so I could hold my horse’s head down!

Echoes of the past

Our own horses at home were light and easy to ride. If they were like this I was a happy man, but after I left home I found few others who trained in this way and few who did not crank the nosebands as tight as possible. The exceptions to this ‘jank and spank’ brigade were Herbert Rehbein and Robert Hall, whose horses were light and easy to ride and went with great quality.

So when Carl talked about lightening the seat in the piaffe and canter pirouette I was immediately reminded of Herbert Rehbein, who always said the same thing, and when Carl said, “A good piaffe and passage come from a good trot; and a good flying change comes from a good canter,” I was immediately reminded of Robert Hall, who in addition would often say that a good transition comes from a good pace before the transition and a good pace after the transition. However, Carl also emphasized that the transitions themselves are a gymnastic exercise that improve the balance of the horse, and especially transitions within a pace. “Use lots of forward and back transitions within the canter to spice up the hind leg.”

“I went to Holland to Bert Rutten, who is a very classical, straightforward trainer, and people ask me what did you learn from Bert?  ‘On and back.’ That’s all he used to say, ‘On and back.’ So then I would ask, why do I have to do on and back all the time? And he’d say, ‘Because you need to get the horse to balance himself on four legs.’ Right, so then I knew what balance was and then I knew what self-carriage was.

A team effort

After their gold medal success in the London Olympics Carl and Charlotte gave each other some space to reassess how their training partnership was going to work, but after a period of uncertainty they have found a way to use each other’s strengths and suit their different personalities, so it is still very much a team effort. They both ride with each other and ride each other’s horses. “Charlotte is a trotter,” says Carl, “and I am a canterer. So it works well. I do enjoy watching other people ride my horses, and I do think for my horses as it’s good that other people ride them. I also know that the best way of learning is by feel.”

There is no doubt about their bright future together as they train probably the best group of horses they have ever had. They each have two Grand Prix horses aiming for the Tokyo Olympics, and Charlotte’s record breaking nine wins at the British Championships both confirms that their training delivers the goods at all levels and suggests they have a wonderful pipeline of future Grand Prix horses.

Charlotte has a new 5-year-old gelding she bought in the USA called Gjio. There is no doubt that she is already in love with him and there is no doubt that he is really talented, with more than a hint of Valegro in his temperament and way of going. The exciting thing for me is that he is just 15.3. Charlotte says 16.00 but he is certainly not big! I believe we are breeding horses that are often too big for a long healthy life and as a result wasting the resources of those investing in the sport and failing to breed horses to suit the whole range of riders. This particularly applies to dressage. So I hope Charlotte and Gjio go on to be Grand Prix winners and continue to change people’s perception as a result. (Valegro is small by dressage standards as well.)

In elite racing, eventing and show jumping there are many more successful horses below 16.1 than there are above 16.2, yet in dressage fashions have meant a majority of bigger horses are used at elite level despite the statistics clearly showing reduced longevity. It is also nonsensical to value size of step over quality of step and put so many smaller riders at a disadvantage riding horses that are too big for them.

What Carl looks for in a dressage horse

Little Gjio obviously loves his work, rising to the challenges, and is full of joie de vivre. It is essential for Carl that both riders and horses are happy and it was noticeable that all his horses are ‘self starters,’ horses that are willing and have a work ethic.

“Horses need bravery as they work, so they have that essential desire in the ring. Lazy horses I don’t do. If a horse is lazy because he’s weak or immature, then that’s absolutely fine and we just wait for him to mature. If the horse has that inherent laziness in him, I wouldn’t bother. I don’t ever want to be in a position where I have to make a horse do it, and the whip is an aid not something to make a horse keep going. For me the end result of dressage is that it has to be elegant, it has to be easy, it has to be a pleasure to watch and it should be in harmony. If it’s not, if I’m scrubbing away and shoving away on something, that’s not harmonious and I don’t enjoy it.” (Carl also mentioned how wrong it is that some trainers think forwardness means being strong into the hand.)

“When buying a horse I am not really interested in the breeding and I don’t look for the flashiest or biggest mover, especially in trot. The trot is the easiest pace to change and improve but you need to buy a good walk and a good canter. I am not concerned with winning young horse dressage classes as the horses that win these are not what I look for in a Grand Prix horse. I want quickness, neatness and tidiness, rather than massive movement. Beyond this I just look for a great hind leg and a nice physique, and the rest is training and temperament.”

Charlotte added that it was also about a rider’s position and ability to go with a horse, because “it is often the rider’s position that creates the problem.” She works hard at her core strength and flexibility by going to the gym four times a week, although she doesn’t do weights as she says she doesn’t need more strength. Some days she will ride up to 11 horses. Each for 20 to 30 minutes, but they are first warmed up for her and then cooled down.

Next Time: “Lighten The Rein” Part 2 of Guinea Fowl & Gold Medals
Carl’s opinion of Rollkur and Hyperflection, Mental Preparation and the underused Rising Trot.

PSA: Today Is Last Chance to Submit 2018 $100K Thoroughbred Makeover Applications!

“The Allisons” (Allison Thompson and Alison Wilaby), who finished 1st and 2nd in the Thoroughbred Makeover Eventing division in 2017; Alison Wilaby also won Dressage. Photo by Stephanie Griffiths.

If you’re thinking about throwing your hat in the ring of this year’s Retired Racehorse Project Thoroughbred Makeover, the time is now! Today marks the deadline for trainer applications, with trainer approvals to be announced on Feb. 1.

For roundabout the cost of a regular horse trial, you could not only jump-start the career of an off-track horse but also be part of the biggest OTTB lovefest of the year. The 2018 Thoroughbred Makeover and National Symposium takes place October 4-7 at the Kentucky Horse Park and will feature competition in 10 disciplines ranging from eventing to barrel racing and polo.

Horses and their trainers will compete for $100,000 in prize money and the title of America’s Most Wanted Thoroughbred. The event includes seminars, demonstrations, a sponsor fair, and a livestreamed finale featuring the top five horses in each discipline. Many of the horses are offered for sale, so it’s one-stop Thoroughbred shopping at its finest.

Detailed information is available at the RRP website’s 2018 Thoroughbred Makeover page but here’s a fast and dirty eventer’s guide:

How do I apply to be a Makeover trainer?

The Makeover is open to all members of RPP so if you aren’t already you’ll need to join. Membership is $45 a year and has several perks including a one-year subscription to Off-Track Thoroughbred Magazine, a copy of Retired Racehorse Resource Directory, a free ticket to the Thoroughbred Makeover, discounts from sponsors and other benefits. Professionals, amateurs and juniors are all welcome to apply.

The next step is filling out an online trainer application, which asks for competition highlights, references, and videos of your riding skills. The application window is Dec. 1, 2017 through Jan. 15, 2018.

There’s a $200 entry fee; if not accepted the fee will be returned minus a $25 processing fee.

Is my OTTB eligible?

The Makeover is open to Jockey Club registered horses that raced or had a published work after July 1, 2016. They must not have begun training for a second career before Dec. 1, 2017 other than a maximum of 15 allowable rides or training sessions that introduce skills specific to non-racing careers. Some trainers will already have horses identified and others will begin a search after they are approved. Trainers can contract with owners or acquire the horse themselves.

What does it cost? 

There’s a $200 entry fee; if not accepted the fee will be returned minus a $25 processing fee. Other expenses, such as stabling at the competition, are outlined here.

What if I need to withdraw my OTTB?

Trainers may withdraw a horse from the Makeover at any time using the online Makeover Horse Withdrawal Form. Trainers may replace a scratched horse with any eligible horse as late as August 1, 2018. Replacement horses must be registered with the online Makeover Horse Registration Form.

What does the Makeover competition for eventing entail? 

Format for dressage: All horses will perform USEF 2018 Beginner Novice Eventing Test A in a small arena (20m x 40m).

Format for Show Jumping: All horses will be judged over a course set at dimensions for United States Eventing Association (USEA) Beginner Novice (2’7” maximum), Novice (2’11” maximum), or Training (3’3” maximum). Trainers will select their level with their final entry form in August.

Format for Cross Country: All horses will be judged over a cross country course of approximately 12 obstacles. Each obstacle will have at least two options, one at Beginner Novice dimensions (2’7”) and the other at Novice (2’11”). Optional fences may be offered for riders to demonstrate a higher level of training as well. Riders should jump the obstacle choice that best demonstrates the quality and level of their horse’s training. They need not jump all fences at the same level.

Finale: The top three scoring horses will compete for additional points in the finale, demonstrating basic work on the flat and jumping a course that includes show jumps and cross country portables in the covered arena.

Attire and equipment should adhere to that described in USEF Rules for Eventing. Horses can earn a maximum of 100 points per each of the three phases. Overall scores will be the sum of the scores from each of the three phases. Ties will be broken by the cross country score, then show jumping, then dressage. Final placing for the top five finishers will be based on the sum of their three scores plus a fourth score awarded during the finale.

What happens after the Makeover is over?

Owners can choose to keep their horses at the end of the process or offer them for sale. The Makeover Horse Sale is not an auction but an opportunity for buyers and sellers to do business in a setting that allows trial rides, pre-purchase exams and observation of horses in competition.

For much more information, visit the RRP website’s 2018 Thoroughbred Makeover page.

Go OTTBs. Go Eventing.

Monday News & Notes from Fleeceworks

Baby horse cuddles! Photo by Shelby Allen.

The only thing that got me out of the house yesterday was seeing these sweet babies! These yearlings are almost like dogs, and have become very social! Their snuggles warmed my heart on such a cold day. I’m so impressed with the rest of you who were ambitious in the cold.

National Holiday: Martin Luther King Jr. Day, National Hat Day

U.S. Weekend Action: 

Stable View Aiken Opener H.T. [Website] [Results]

Monday News: 

Izzy Taylor announced this weekend the loss of top horse Trevidden last year. Owned by Dr. Patricia Turner, “Joss” suffered a seemingly minor injury at the Burghley Horse Trials last fall, and underwent surgery 8 weeks later to correct the issue. Sadly, he had to be euthanized shortly before Christmas. [‘I Loved Him the Moment I Saw Him’: Farewell to ‘Incredible’ Event Horse]

Three horses have tested positive following the Delhi CCI*, November 27-30. Black Beauty, ridden by Sarvesh Singh Pal, tested positive for  the anabolic agent boldenone and the non-steroidal anti-inflammatory drug meloxicam. The horse Cantolina, who won the event, tested positive for boldenone. Golden Boy, ridden by Raj Kumar, also tested positive for boldenone. [Alleged Anti-Doping Rule Breeches in Eventing]

Get Ready for Winter Indoor Inspiration! Courtney Cooper shares her favorite grid that she says can be adapted for both greenies and experienced horses. [Grid Pro Quo with Courtney Cooper]

Monday Video:

Weekend Instagram Roundup: Season Opener at Stable View

3, 2, 1… GO Eventing in 2018! Stable View hosted the first competitors of the year at their January 13-14 horse trial. Despite the chilly weather (for Southerners), the event had a great turn out of riders hoping to get an early jump on the season.

Congratulations to the first winners of 2018:

Junior Young Rider Open Preliminary: Jessie Schwartz & WHF Kitaro (25.9)
Open Preliminary: Tiffani Loudon-Metze & Hap (23.9)
Preliminary Rider: Tawn Edwards & All of Indy (39.9)
Junior/Young Rider Training: Dylan Philipps & Fernhill Fierce (30.5)
Open Training: Mike Pendelton & The Fonz Himself (20)
Training Rider: Sierra Shurtz & Zach Eyed Pea (33.6)
Junior/Young Rider Novice: Malik Hogan & Top Vision (31.1)
Novice Rider: Jane Manetta & George (31.9)
Open Novice: Courtney Cooper & Seraphina (27.6)
Beginner Novice Rider: Deirdre Stoker Vaillancourt & Eluca (30)
Junior/Young Rider Beginner Novice: Carly Blank & Take Your Time (30.3)
Open Beginner Novice: Amy Wise & Ruger (26.2)

Stable View Aiken Opener H.T. [Website] [Live Results]

Here’s what y’all ‘grammed:

Go Kimora and @haydenjeventing! #nirvanaequestrianathlete #teamcorrectconnect

A post shared by Jill Henneberg (@nirvanaequestrian) on

https://www.instagram.com/p/Bd51ZOAFOqK/?taken-at=586133479

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https://www.instagram.com/p/Bd8UW29gvEd/?taken-at=586133479

Go @haydenjeventing and KIMORA!!!

A post shared by Jill Henneberg (@nirvanaequestrian) on

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Here’s some of me and Remy’s show jump round from today!!

A post shared by Karli Wright (@wrighteventing) on

 

Go eventing.

Sport Horse Nation Spotlight: 5 Prospects Ready to Go!

In the market for a new four-legged partner? You may find your unicorn on our sister site, Sport Horse Nation. To help with the search, we’re going to feature a selection of current listings here on EN each week. We include the ad copy provided; click the links for videos, pricing and contact information.

It’s a new year and the eventing season is officially back under way! If you’re looking for a young prospect to move up the levels, here are five horses for sale with some experience at the lower levels.

Ibiza. Photo via Sport Horse Nation.

Ibiza~ 5yo Event Prospect

Ibiza is a 2013 16.2h Grey Zangersheide Mare. Registered American warmlodod but very good Zangersheide bloodlines. Ibiza has done the jumpers to 1.0m and has xc schooled. She would make a terrific jumper or eventer. Very brave, smart, mature for her age, easy on the flat, quality gaits. Excellent balance and terrific work ethic with a lot of blood to her. She would suit a Jr, AA or a Pro. Located in South Carolina.

Cor Adagio. Photo via Sport Horse Nation.

Cor Adagio: Lovely Young Eventer, Ready for More!

Cor Adagio: 2009 16.1h bay Oldenburg gelding by Corlando. This lovely young eventer has competed successfully at the Novice level, and has scope for more! He is easy on the flat and fun to jump, making him a great partner for someone looking to enjoy this competition season. Cor Adagio is suitable for a junior, young rider or adult amateur. Located in South Carolina.

Suzy. Photo via Sport Horse Nation.

Extraordinary talented flashy jumper, eventer, Fox Hunter

10-year old Thoroughbred mare Ocean Thunder aka Suzy. 16.1hh, very sweet horse with impeccable ground manners, freely loading into trailers (slant and straight load), clips, bath easily without any issues, good for farrier. Big nice hooves, which is not typical for her breed, can be bare foot, currently having front shoe due to her workload. Very sweet and quiet with other horses, can be turnout out with mares or geldings.

Schooling and competing in jumpers, eventing (Novice), dressage shows. I boarded her at the dressage barn last year for intensive dressage training, currently being used as a schooling horse at a well known eventing farm for lessons (walk, trot, canter, show jumping, cross country, fox hunt). This horse is versatile! Suzy has been regularly fox hunting with 5 different people (one of them is 14-year old girl), in the 1st field with no problems.

Beautiful mover and jumper, sweet personality; you will be noticed in the show ring with this horse, guaranteed! Suitable for advanced beginners with trainers, intermediate and above. Has a big scope to go higher (Training level in eventing). You can meet Suzy any time for a test ride, will be fully available to leave the eventing barn by the end of January 2018 as there are some jumping shows already scheduled for her to attend (Albion College). Grab this rock star before next show season comes! A good loving home is a must. Located in Michigan.

PS Gandhi. Photo via Sport Horse Nation.

PS Gandhi 16.1 (2011) Dark Bay KWPN Gelding by Warrant. (Numero Uno)

Peachstone Sport Horses offers (2011) PS Gandhi AKA G-Monkey is a 16.1 Dark Bay KWPN Gelding by Warrant. (Numero Uno) Big Fancy Mover and easy to do in all ways. Shown straight 1st level dressage (schooling 2nd) and low levels eventing in Holland. Superb Canter, easy to jump, happy mouth & ready to go on. Really a joy to ride everyday! Dressage scores of 28 & 29 at last 2 Novice shows. Will be ready for Training soon or will rack up as a straight dressage horse as well! Super YR/AR mount that will win and finish on his dressage! Located in Florida.

Powerful. Photo via Sport Horse Nation.

Flashy, Athletic, Jumper or Eventer with Incredible Jump!

Powerful. 2010 16.2 Thoroughbred Gelding. Powerful is a coming 8 y/o OTTB gelding. The son of AP Indy, he sold for 1.4 million as a yearling. His last race was in April of 2015. He has beautiful conformation and an absolutely incredible jump. Honest and brave, he is confidently schooling BN/N courses with endless potential to move up. Has schooled cross country and is still green but willing. Great on trails, not spooky, and can be galloped in a group. No vices.

Powerful would excel as an eventer, jumper, or in the hunter ring. He’s quiet to and from the fences, and always jumps with great technique. He has three correct gaits with an especially lovely, rhythmic canter. He is more of a kick ride and is obedient and willing in the dressage. Would be perfect for a confident YR/AA with a trainer to bring up the levels. Full set of x-rays available from PPE done earlier this year. Only for sale due to owner’s time constraints.

Powerful recently went to a local dressage schooling show and won both his Training 2 and Training 3 classes! He was a true professional the entire time, and wasn’t phased by tinsel along fences or Santa in the judge’s booth. He has a fantastic brain for any AA or YR! Located in Alabama.

Listings included in this article are randomly selected and confirmed to be current and active before inclusion. Sport Horse Nation features user-generated content and therefore cannot verify or make any warranty as to the validity or reliability of information.

From Coast to Coast: Meet Eventing 25 Emerging Athlete Sophie Click

The Emerging Athlete Eventing 25 winter training session wrapped up this week in Ocala, Florida, January 8-11. We are excited to introduce you to some of the riders making their debut on the E25 list, which can be viewed here. Today: Sophie Click!

Sophie Click and Hot Wheels. Photo by Shelby Allen.

2017 was a year of coast-to-coast success for 18-year-old Sophie Click as she earned the title of highest placed Young Rider in both the Fair Hill International CCI2* and Galway Downs International CCI2* on opposite ends of the country. For this achievement, she was kindly rewarded with a spot in the 2018 Eventing 25 Emerging Athlete Program.

“It felt like everything I had worked for was finally paying off,” She smiled. “I really worked so hard to get where I am and it just felt really good to get that.” She’s made it here aboard her two talented horses: Hot Wheels, a 15-year-old Paint (Three Alarm Fire x High Mountain) owned by Sophie and her mother, Amy, and Fernhill Rising, a 10-year-old Irish Sport Horse (Cyrano x Tallys Eagles Wings).

“Wheels” transformed Sophie from an eager kid to an earnest competitor as they’ve made their way through the Advanced level together with three FEI North American Junior and Young Rider Championship appearances along the way.

“I got him when I was 12 and he was for my mom actually, but I ended up riding him. It was a really good match. I think everyone kind of underestimated him, but he’s just a really good horse. He loves cross country and he loves to show, and he tries so hard. I think he would do anything for me. We just have a really good partnership,” she said. Sophie and Wheels finished 4th in the CCI2* at Galway Downs in November.

Sophie Click and Fernhill Rising at Fair Hill. Photo by Shelby Allen.

Fernhill Rising or “Stan” is a newer ride, but in their twelve months together they’ve accomplished a great deal she believes, adding that he “surprised me past anything I could’ve hoped for.” They finished 16th in the CCI2* at Fair Hill, winning the USEF Young Rider CCI2* Championship.

“It felt amazing to be the top young rider. All the young riders are competitive with each other and I think all that time leading up to Fair Hill that I spent on the East Coast really paid off. That was our goal all season to get to Fair Hill and be successful and it all worked out,” Sophie commented.

Originally from Snoqualmie, Washington, Sophie grew up riding in the Pacific Northwest, but this year she took a chance and went east with her trainer Jordan Linstedt. “I’m very thankful that she took me under her wind and brought me out there. I met so many people and it was very amazing to travel with a four-star rider.”

Sophie Click and Hot Wheels. Photo by Shelby Allen.

Through the fall she trained with Bobby Costello before accepting a working student position with Lillian Heard. “Being on the east coast was such a new experience because I didn’t know anybody and it was all different,” she said. “I think growing up eventing on the West Coast taught me so much, but I think the next level is eventing on the east cost and that’s why so many riders, like Jordan, go east to prepare you for upper level events.”

With the winter training camp behind her, Sophie has her eyes on becoming even more competitive in 2018 while maintaining that her number one priority is “keeping my horses healthy and happy.”

“I’m really excited to be a part of the Under 25 program. Just to be on that list and get the training and lessons that come with it,” she beamed. “I’m really excited to get to know everyone in the program and to be a part of that community.”

 

Sunday Links Presented by One K Helmets

Showing is baaaaack! The first show of the year kicked off yesterday and Stable View, and I for one am so excited for this year to start. Except for the warm up – I don’t think anyone truly looks forward to that experience. Nevertheless, with the World Equestrian Games on the horizon, it should be a very exciting spring season!

National Holiday: National Dress Up Your Pet Day (Please send along any photos of this celebration!)

U.S. Weekend Action:

Stable View Aiken Opener H.T. [Website] [Entry Status] [Ride Times] [Live Results]

Sunday Links:

Know Your Treats: Some Natural Ingredients Can Cause Accidental Drug Positives

‘As Soon as The Bell Rings I’m On My Way Here’: How A Charity Brightens Lives Through Horses

Grid Pro Quo with Courtney Cooper

Ride The Moment on Cross Country: Day 4 of the USEF Emerging Athlete Eventing 25 Program Training Session

Alleged Anti-Doping Rule Breeches in Eventing, Endurance Announced by FEI

Identifying Physical vs. Psychological Issues in Horses

Tricks of the Tail

5 Things To Do With Your Horse When You Don’t Want to Ride

Sunday Video:

Saturday Video: Can’t Stop Volunteering

“I got this feelin’ inside my bones”

“It goes electric, wavy when the first horse goes”

Who among us doesn’t love a good eventing-themed remix? Loyal British Eventing volunteers Elin Stenberg, Alix Copping & Helen Bowler certainly do. They’ve mixed up an epic remix to Justin Timberlake’s “Cant’ Stop the Feeling!” Listen up and remember to thank a volunteer!

It gets off to a great start:

I got that stopwatch ’round my neck now

I’ve got that clipboard in my hand

Feel that hot tea in my body and that cake… cake

It keeps picking up:

Out in the fields with our radios

Nowhere to hide when the good weather goes

When we’re here we can watch our heroes

So just imagine, just imagine… 

And they bring it home with the chorus:

Nothing I can see but you when you prance, prance, prance

Feel a good, good creeping up on you

So just prance, prance, prance, come on

All those things I could be doing 

But you prance, prance, prance

And ain’t nobody leaving soon so keep prancing

To all the volunteers who spend their weekends watching us prance, we sincerely thank you!