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Ema Klugman


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A Case for the Classic Three-Day Event

Four-star eventer Ema Klugman won the Training Three-Day at Waredaca last weekend with RF Redfern, a 7-year-old Westphalian mare owned by Jeni Klugman. This is a pair to watch for the future — Waredaca marks their fifth Training level win in a row. Ema explains how the long format can be beneficial for the education of horses and riders.

Ema Klugman and Bendigo. Photo by Leslie Threlkeld.

In our modern world, in many ways we are time-poor: rushing around to fit in work, family obligations, and if we are lucky, some fun like riding horses. We are busy. There is rarely time in the day to finish it all, and we are always searching for ways to make things more efficient so we can get more done in less time (drive-throughs, Siri on our phones, and next-day Amazon shipping are some examples).

This mindset has also come to our horse world. Many professionals spend show days rushing from one horse to the next. The cross-country phase of our three-day events became truncated as a result of the switch to the short format over a decade ago. What used to be almost an hour of roads and tracks, steeplechase, and cross country is now under 10 minutes of just cross country. There were many reasons for this change to a shorter format, but those are not the focus of this article.

The long format event (now called the Classic Three-Day by those few venues which still offer it) gives you time with your horse in a way that many people do not experience these days. The event itself has you trotting and cantering through forests and around fields, but importantly, the lead-up to the event involves a lot of preparation, hacking, and fitness work which requires you to spend ample time with your horse. Preparing for the event gives you an opportunity to learn more about your horse—what is he like as he ramps up his fitness? Is he naturally easy to get in shape or is it hard work for him? With the goal of a big event in mind, you will get familiar with feeling his legs daily and taking note of any abnormalities. You will follow a schedule and learn the importance of the lead-up events.

Photo by Karrie Dash.

At the Waredaca Classic Three-Day last week, in which I was very fortunate to compete with a young horse, there were only a handful of professionals across nearly 50 competitors. There was only one junior rider in the Training division. This is a shame. Professionals should utilize the Classic Three-Day to teach their young horses to deal with the heightened requirements of cross-country day. The Training Three-Day basically felt like a mini FEI event. My mare had to learn how to trot up, how to show on consecutive days, and how to show jump on the final day after quite a big test of roads and tracks and cross country. This was hugely beneficial for her education. When she goes to FEI events next year, it should feel familiar to her.

I also think it made my horse braver. After doing about 40 minutes of trotting and over 2 minutes of galloping steeplechase jumps, she was really in front of my leg and taking me easily to the fences once I started phase “D.” She finished up more confident than she has ever been. Professionals probably have several counterarguments that they will use: the event isn’t prestigious enough, it’s not recognized by the FEI, and it might make their young horses lame because of the demands of cross-country day. All of these are true. But if more of us show up to these things, there will be better competition. If there’s better competition, there will be more sponsors. It might never be FEI sanctioned, but the USEA can offer other important incentives and awards. And finally, if your young horse cannot do a Training Level three-day event and stay sound, it probably won’t last very long at the upper levels.

Ema Klugman and Bronte Beach contesting a CCI2*-L. Photo by Shannon Brinkman.

I mentioned the lack of young riders in the Training division last week (there were several in the Novice division). Just as the Classic three-day educates horses, so too does it educate riders. I don’t know why more young riders don’t do a classic three-day, if they have the opportunity, before they start doing FEI events. The feeling and set-up are very similar. Plus, once you get to the FEI level, cross country day will feel short and easy compared to having to complete A, B, C, and D! At the Classic three-day last week, the whole event was designed to set you up for success. Sharon White was there from the moment it began, teaching every rider about the various phases and making sure we were on track to be successful. It is a competition, but it’s also a week of learning. The sense of community among riders is palpable, as everyone is on this learning curve.

Another reason to consider entering a Classic Three-Day is that it connects you to the history of our sport. In a world where we are rushing from one thing to the next, it was amazing to experience the sense of calm on roads and tracks, where it was just me with my horse trotting through the forest, competing in a great sport that has given people joy for over a century. It would be wonderful for more people to take advantage of the Classic Three-Day Events to get back to our sport’s roots and spend quality time with their horses.

Learn more about the USEA Classic Series here

To Young Riders: The Case for Not Going Pro

Ema Klugman, age 22, is a rising star who competes her own Bendigo at the CCI4*-L level. Their top finishes include a third place at Ocala Jockey Club CCI4*-L last fall; most recently, the pair finished seventh in the Advanced at Morven Park. Her three-star horse, Bronte Beach, has had some great results as well. We’ve been following Ema for quite a while now — EN named her as a “rising star” way back in 2012 — and she’s one of our team’s personal favorites to follow.  In addition to being a top-class horsewoman, Ema is career minded and a thoughtful writer who regularly contributes to EN’s sister site Jumper Nation (Ema moonlights as a show jumper, too!). Catch up on some of her previous JN columns here

Ema Klugman and Bendigo. Photo by Leslie Threlkeld.

Love what you do, and you’ll never work a day in your life. That’s what the inspirational speakers and books tell you.

Most young riders who spend their waking hours riding horses, taking care of horses, and thinking about horses face a choice in their early 20s: do I love this sport enough to try to make a go at it full-time? The answer to the first part is yes, most of the time — of course we love this sport. We wake up at ungodly hours just to drive long distances to be judged by other people and occasionally hit the dirt, and maybe sometimes we win a prize. But just because you love something doesn’t mean you have to monetize it and try to make your living out of it. 

Young riders (including me) who think they are better off not relying solely on horses for a source of income face two lines of criticism, sometimes overt but more often subtle and unspoken: the first is that they are not committed enough if horses are not their 24/7 lifestyle. The second is that they will never be good enough if they are distracted by another career. The last thing a hungry young rider wants to be told is that they lack commitment and will never reach the level to which they aspire.

However, there are numerous examples of amateur professionals who fund their competitive horse life with another career. Hinrich Romeike is perhaps the most famous example — the German dentist won both individual and team gold medals in eventing at the Olympic Games in Hong Kong.

I think we spend so much time idolizing the top level of the sport — whether it be the 5* competitions or the Olympic Games or World Championships, that we forget about all the other milestones one can shoot for. The truth is that a very slim fraction of very good riders will ever make it to the very top level, and even fewer will represent their country. That does not mean that one shouldn’t aspire to such a level. Having this inspiration is what helps up our game every day we sit in the saddle. However, young riders should remember that even if they make it to the Olympic games, that is only one week of thousands of weeks of their lives.

Ema Klugman and Bronte Beach in the CCI2*-L. Photo by Shannon Brinkman.

The other thousands of weeks will be spent doing things you may not really want to be doing: training rogue horses, trying to sell horses, teaching lessons, having to sell your own horses if you can’t afford to keep them… the list goes on. That’s not to say that day-to-day life can’t be satisfying: the process can be just as rewarding as the result. But the necessity to monetize this sport means that you have to create value in some form, and that creating that value may not actually be that fun for you. The problem with horses is that the running costs of keeping them are so high. To afford to keep your own horses, you have to have a high ratio of other horses in your program that are making you money. Furthermore, this professional horse life will be stressful because it will be so varied and unpredictable: you might sell three horses one month and zero horses for the next six months. It is difficult to create a steady stream of income, never mind being able to afford health insurance. 

The other part of this conversation is safety. If you are riding 10+ horses each day as a professional (and normally not all of them are perfectly behaved!), your likelihood of getting hurt is much higher than if you just ride two horses a day. In that latter scenario, when you are funding your habit with another job, you are cutting down on the risk that comes with using horses to bring in income. Injuries bring enormous uncertainty to a professional rider’s business model. If they are unable to ride and don’t have an employee who rides well, they cannot sell horses easily, they cannot compete, and they may risk losing owners who want their horses going.

I see so many kids with Instagram accounts called “[their name] Eventing” or “[their name] Show Jumping]” as if they are already building a brand for a future business. Some of these kids are nine years old! I just hope they consider all the possibilities open to them before being funneled into the very narrow horse world.

You can love this sport and spend some or even most of your time doing something else. And you shouldn’t feel guilty about that. You’ll probably be healthier, happier, and may even find a job that you really love. You will be less likely to burn out of riding. Before or after work, and on the weekends, you can still be just as serious about riding horses. But if you never look into other fields, you won’t ever know what’s out there on offer.