The competition got off to a flying start today with the first horse inspection, which saw 110 horses brought before the ground jury of Jutta Koivula (FIN), Alain James (FRA), and Anne Marie Taylor (GBR) for the CCI1* and Eric Lieby (FRA), Gerd Kuest (GER), and Robert Stevenson (USA) for the CCI2*.
Rebecca Howard with Cooley Convinced and Trebor. Photo by Kelly McCarthy-Maine.
All those presented were passed, and will take to the atmospheric dressage arena over the next two days. Our pathfinder is Canada’s Rebecca Howard, who heads up the six-year-old class on Trebor (Mighty Magic X Trevilder, by Fleetwater Opposition)and closes it on season debutante Cooley Convinced (Diarado X BLM Clover Diamond, by Clover Echo), both owned by fellow Canadian and eventer Kelly McCarthy-Maine.
Rebecca Howard and Trebor, pathfinders in the CCI1*. Photo by Kelly McCarthy Maine.
Trebor, known as ‘Minty’ at home, won the Burghley Young Event Horse final as a four-year-old, and was purchased by Rebecca in late 2017 from his producer, Andrew Heffernan, who competes for the Netherlands and rides Gideon in the seven-year-old class this week.
Joining Rebecca in the six-year-old class are UK-based American Tiana Coudray and Happenstance (Quality Time X Mermus R), who produced an impressive top-ten finish in the CCIYH1* at Tattersalls earlier this year, and Liz Halliday-Sharp, who brings forward the impressive Cooley Moonshine (Cobra X Kilpatrick Duchess, by Kings Master). The latest in an enviable string of young talent sourced from Richard Sheane’s Cooley enterprise, Cooley Moonshine has already won two CIC1* classes this year, at Brightling Park and the South of England Horse Trials.
Pedro Gutierrez started his week by making a little bit of history – he and his own California Mail (Quite Easy X Varnalisa Mail, by Kalaska de Semilly) are Mexico’s first-ever representatives at this competition.
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There’s stiff competition in the seven-year-old championship, with 69 total entries and a formidable line-up. The U.S. is ably represented once again by Liz Halliday-Sharp, who will pilot Cooley Quicksilver (Womanizer X Kylemore Crystal, by Creggan Diamond), a graduate of last year’s six-year-old competition. The Irish Sport Horse, owned by the Monster Syndicate, started his season off with an impressive win in the CCI2* in Ocala.
Second in that class was the US’ other horse in this class. Doug Payne and Quantum Leap (Quite Capitol X Report to Sloopy, by Corporate Report) made their way over to France on the Holekamp/Turner Grant, awarded to the winner of the USEA Young Event Horse five-year-old championship.
Elsewhere in the class, Laura Collett and her British Young Horse Championships runner-up Calmaro add considerable strength to a formidable British campaign headed up by last year’s six-year-old championship winner, Monkeying Around, ridden by Izzy Taylor.
Izzy Taylor and Monkeying Around clinch the 2017 six-year-old World Championship at Le Lion d’Angers. Photo by Tilly Berendt.
France’s Tom Carlile enjoys the home advantage of being based at Le Lion d’Angers, and he has a remarkable record here, too — he had clocked up eight consecutive FODs at the event, a record which was broken last year when he collected a surprise 20 aboard Atos Barbotiere in the seven-year-old class. This year, he rides the talented Birmane, who finished third in the six-year-old class in 2017.
Perhaps the most accomplished entrant in the CCI2* is Choclat, ridden by Michael Jung. In his second CCI1* last year, he produced one of the lowest-ever finishing scores at an international event — an astonishing 15.2. Not too shabby, when your score is smaller than your horse’s height. Since then, he’s never quite managed to match that incredible effort, but he’s racked up plenty of experience and a plethora of good results, both with Michi and with Italian eventer Pietro Grandis. He’ll be exciting to watch this weekend.
If you’re an FEItv subscriber, you’ll be able to follow along with the action live — here are the dressage times for our North American contingent:
THURSDAY
Rebecca Howard (CAN) and Trebor: 9.00am local time/3.00am EST
Liz Halliday-Sharp (USA) and Cooley Moonshine: 11.05am local time/5.05am EST
FRIDAY
Pedro Gutierrez (MEX) and California Mail: 9.07am local time/3.07am EST
Tiana Coudray (USA) and Happenstance: 9.28am local time/3.28am EST
Rebecca Howard (CAN) and Cooley Convinced: 11.33am local time/5.33am EST
Liz Halliday-Sharp (USA) and Cooley Quicksilver: 2.13pm local time/8.13am EST
Doug Payne (USA) and Quantum Leap: 2.41pm local time/8.41pm EST
The equestrian community exemplified. Photo by Leslie Wylie.
One of the best things about working in the horse industry is the people in it. Okay, okay, hear me out here — I know we’re all absolutely bonkers, and we drive one another mad, and we all need an astonishing amount of gin to tolerate each other sometimes, but we’re all here for the same reason. We just, well, bloody love ponies. And that deep-seated love is the driving force behind the life choices that see us all merrily spending our time in the freezing cold, the pouring rain, and the odd relentless heatwave, all because our charges need us.
When it comes to those who have chosen a career in the equestrian industry, or some derivative of it, I always find it fascinating to learn why they chose the route they did, and the path they took to get there. For example, I met someone the other day whose eleven-year-old sister has decided that she wants to go into equine dentistry when she grows up. Unbelievably specific, not at all glamorous, but so necessary — I definitely was not a similarly sensible eleven-year-old. Either way, I love talking to grooms, riders, massage therapists, photographers, whatever equally, because the driving force is always the same.
My best friend, Freya, is a brilliant example of a seriously left-field show of passion, and it all started in a delightfully normal way — after university, where we met, she sacked off her plans to become a French teacher and moved in with me, spending a year indulging her lifelong love for horses by working on a couple of seriously busy producing and hunting yards. But she wasn’t sure that being a career groom was the right path for her, and so she took herself off (to a sailboat in Greece, natch) to figure out what, exactly, the right path was.
When she figured it out, she surprised everyone around her — she was going to become a zookeeper. Anyway, to cut a long and marvellous story short, she made it happen for herself, despite a wildly unsuitable degree and no previous experience wrestling lions, or whatever zookeepers do. She took everything she’d learned throughout her horsey life and transferred it over to exotic hoof stock, and now, she’s an absolutely brilliant and astute keeper of rhinos, giraffes, various exciting deer species with increasingly hilarious and spindly legs, and much more.
Pictured: the best ears we’ve ever seen. Photo by Freya Bellew.
What has this got to do with anything? Well, today, folks, you get a brief but brilliant Friday video, courtesy of Zookeeper Freya’s exceptional career choices. Say a big hello to the as-yet-unnamed brand new Grevy’s zebra foal born last night at Marwell Zoo — suggestions for names are welcomed and will be passed along, so get commenting!
Welcome to Hampshire’s Marwell Zoo, where keepers were greeted this morning by something better than a cup of coffee in the mess room – instead, they met the long-awaited foal of Grevy’s zebra Imogen for the first time.
A matchy-matchy aficionado’s dream. Photo by Freya Bellew.
Okay, so it may never event (though we’d love to see a stripey take on Badminton’s BE90 Championship), but lil’ knock-knees here is all you need to see you into a very merry weekend. Even better, its birth is the latest in a series of coups for Marwell’s team, who work tirelessly on the conservation of the endangered Grevy’s zebra in northern Kenya, and who manage the European studbook for this fascinating species, too. You can follow their work — and all their updates on this gorgeous bubba — on their Facebook page.
2018 Badminton winners Jonelle Price and Classic Moet make light work of the iconic Mitsubishi L200s at the lake. Photo by Kit Houghton/Mitsubishi Motors.
The 2019 iteration of Badminton Horse Trials will be its last in partnership with longtime title sponsors Mitsubishi Motors, who will have supported the Gloucestershire fixture for a record-breaking 28 years. This year’s competition boasted an unparalleled spectator footfall of 185,000, the summit of what has been a year-on-year climb in ticket sales.
“We have had an outstanding collaboration with the Badminton Horse Trials, and it has played an important part in raising the profile of our brand and our vehicles over the years,” says Rob Lindley, Managing Director at Mitsubishi Motors. The brand was awarded the Animal Health Trust’s Eventing Award in 2011 in recognition of its contribution not just to Badminton, but to the sport at large, too.
“It is always sad when a very successful partnership comes to an end, and especially when, over the years, event and sponsor have developed a genuine friendship,” says Badminton’s Event Director Hugh Thomas. “However, when one door closes, another one opens, and it will be exciting to see where that leads.”
Pippa Funnell takes her second consecutive Badminton title — and the Rolex Grand Slam of Eventing — in 2003. Photo by Kit Houghton/Mitsubishi Motors.
The long-time partnership has enjoyed a number of highlights, including Michael Jung‘s Rolex Grand Slam win in its 25th anniversary year, consecutive wins in 2002 and 2003 and the first ever Grand Slam for Pippa Funnell, and Mark Todd‘s 1996 victory with Bertie Blunt, a year after riding most of the iconic course with one stirrup.
The news of this dissolution comes just over a year after Kentucky’s CCI4* announced that it had lost its title sponsor, Rolex. Shortly thereafter, the competition was adopted and rechristened by current title sponsors Land Rover, who also fly their flag at Burghley Horse Trials.
Mary King and King William were the first winners of Badminton under its Mitsubishi Motors title sponsorship in 1992. Photo by Kit Houghton/Mitsubishi Motors.
2019 will also see Badminton celebrate its 70th anniversary. The feature event was first held in 1949, offering British riders the chance to train for major championships. It was inspired by the 1948 Olympics, which hosted Britain’s first-ever three-day event, held at Tweseldown Racecourse in Hampshire. Now, it not only hosts one of the world’s foremost CCI4* competitions, it’s also the home of the Mitsubishi Motors Cup, colloquially known as ‘Badminton grassroots,’ which presents the country’s toughest challenge for BE90 (Novice) and BE100 (Training level) competitors.
The conclusion of Mitsubishi’s partnership with Badminton will mean that the grassroots championship also loses its title sponsorship but, says Amanda Gibson, Mitsubishi’s PR Manager, “it has grown enormously in stature and popularity in recent years, so we hope to see it continue and flourish.”
“Badminton 2019 will be as prestigious as ever, and we wish the event the greatest success for the future,” says Lindley. The Mitsubishi Motors Badminton Horse Trials will take place from May 1–5, 2019, with the Mitsubishi Motors Cup preceding the CCI4* competition.
In memory of, um, sunnier times. Photo by Pontus Hugosson.
Guys. It’s happened. We’ve run out of opening dates and ballot dates. I’m distraught. I’ve clipped (and am now eating freshly shaved hair for every meal; delish), I’ve started mentally calculating what I’ll spend that extra tenner out of each shoeing session on, and I’ve bought some hilariously garish patent spur straps for my inevitable winter foray into actual dressage with actual dressage people. We’ve come to the bitter end.
But it’s not all bad – I’ve discovered the actual gem that is Pontus Hugosson, who has been serving up some steaming hot takes on life in the horse world. Need a laugh between all the tears? You’ll find it below. Ludwig, you’ve got some competition as EN’s top Swede. Send us some Swedish Fish and we’ll reconsider.
Friday Video: Pontus Hugosson Serves up Some Swedish Equestrian Realness
I mean, I genuinely feel targeted by most of these. You know you’ve been there (especially when it involves dumping a man in favour of your horse. #YOLO.)
What is actually happening? A couple of weeks ago I was still planning in late-evening rides to escape the heat; now, I’m suddenly wearing so many coats I can’t actually use my arms, and I’ve replaced all food with mouthfuls of horse hair. It’s officially #THATTIMEOFYEAR again, folks, and I’m not very happy about it. We’ve got four weeks left of the eventing season here in the UK, and I plan to eke out every last drop of excitement from all of them. Even if that means standing in a field for hours, watching a BE100 and weeping. No shame in my game.
Nothing. There is nothing left this season that isn’t already open for entries. This is a horrifying thought. All that looms ahead of us is…dressage. And showjumping. Dust off your diamantes, chums. It’s all about to get weird.
Events Balloting this Weekend:
28th: Norton Disney (2) – BE80-N, with BE100RF – [Enter] Lincolnshire (October 19-21)
Friday Video: Eventing Goes Mainstream
I know that this is the second consecutive Friday on which I’m delivering you a Ros Canter video, but I’m not even a little bit ready to stop celebrating our fabulous World Champion yet. Even better, this week’s video sees the tiny triumph head to BBC headquarters, where she was welcomed onto the popular BBC Breakfast programme. I know we all want to see more of our sport on mainstream media, so we owe it to ourselves to like and share these clips like mad when we do get them — with any luck, it’ll lead to more coverage of what is, as we all know, the best and most compelling sport in the world. Anyway, this time around, enjoy a dolled-up Ros being her unassuming and delightful self, and doing her bit for the sport we all love so much. You go, Ros Canter.
William Fox-Pitt and Bay My Hero. Photo by Jenni Autry.
Great Britain’s William Fox-Pitt has been elected to the FEI Athletes’ Committee, which brings together a representative from each of the sanctioned disciplines. The role of these athletes is to “provide a voice to the athlete community within the global FEI decision-making process,” as well as serve on their discipline’s technical committee, over the course of a four-year non-renewable term.
The committee was introduced in 2014, with Daisy Berkeley acting as the first eventing representative. Elections were held online from the 29th of July until the 23rd of September, and 52 athletes from 26 countries put in a bid for the spot that Fox-Pitt would ultimately claim. Promisingly, there was a 100% increase in voter participation and a 160% increase in flag representation in the second iteration of these elections.
“The athletes’ viewpoint is central to the global decision making process,” said FEI Secretary General Sabrina Ibáñez. “This is a committee made up of athletes and voted for by athletes. The calibre and experience of the newly elected Athletes’ Committee is impressive and will ensure that the global athletes’ community has its say and actively contributes to the development of equestrian sport. I also want to take this opportunity to thank the outgoing Athletes’ Committee members for their tremendous work and support these past four years.”
William Fox-Pitt and Oratorio II. Photo by Tilly Berendt.
Fox-Pitt is, perhaps, an obvious choice to represent his fellow eventers: he’s acted as rider representative innumerable times at three-day events, and has never shied away from speaking up in the face of adversity. With a degree in French — the official language of the FEI — and a continued competitive interest that’s paired with a smaller string of horses, there’s no time like the present for him to step into such a role.
In his letter of motivation for election, Fox-Pitt said, “I have been involved in the sport at a high level for many years and have seen it evolve over the decades. I understand the challenges that all equestrian sport — and especially eventing — faces in the coming years in order to develop and grow. I care passionately about eventing and want to see it continue to grow into a truly global sport that is appealing to new audiences, whilst maintaining its integrity, horsemanship and values.”
“Throughout my career I have developed a healthy relationship with those involved in the sport from a wide range of nations, both established and emerging, and in both hemispheres. […] I therefore believe I would be able to provide input that is broad in view and representative of the global rider base. I will be committed to working closely with riders of all nationalities, representing their voices over my own. Most of all, I want to see a cohesive and active relationship between riders and the FEI, and I feel that I would be well-placed to work positively with the eventing committee so that together we can serve the sport that we love.”
The complete list of elected athletes is as follows:
Jumping: Cian O’Connor (IRL)
Dressage: Beatriz Ferrer-Salat (ESP)
Eventing: William Fox-Pitt (GBR)
Para-Dressage: Angelika Trabert (GER)
Endurance: Tarek Taher (KSA)
Vaulting: Kristina Boe (GER)
Reining: Francesca Sternberg (GBR)
Further information on the Athletes’ Committee and the elections is available here.
We’ve all had nearly a week to recover from the excitement of the WEG eventing, but I know I’m not alone in periodically getting hit by the warm-and-fuzzies all over again — Ros Canter’s face when she realised she was World Champion! The Irish team’s long-awaited podium finish! The hugs, the tears, the horses who made it all happen! Dickie Waygood quietly murmuring ‘BOOM’ at his tiny protege, which isn’t a euphemism, but I appreciate that it sounds a bit like one. I’m a bit of an emotional wreck about eventing at the best of times but honestly, blub city over here.
Like the rest of the EN team, I’ve been enjoying watching some of the other disciplines this week, from cavorting-in-style (um, vaulting) to the seriously exciting showjumping. Mainly, if I’m honest, because I am OBSESSED with Danielle Goldstein‘s hair. She is an actual bird of paradise, and her feisty chestnut mare Lizziemary is game and gutsy and I. Am. Here. For. It.
Friday Video: Go Behind-the-Scenes with Ros Canter
Softly-spoken, fiercely determined, and possessing an enormous work ethic that belies her tiny stature, World Champion Ros Canter is a new name to many eventing fans. But the 32-year-old, who has been, perhaps, Great Britain’s best-kept-secret, isn’t lacking in experience or time spent logging essential riding and competing hours. Take a look into life behind the scenes with Ros, her trainer and owner of Allstar B Caroline Moore, and the team behind them, and enjoy a snippet of what goes into producing the performance of a lifetime in this video from Team GB Equestrian. We’re willing to bet you’re going to love Ros, with her endless gratitude, graceful riding, and unabashed love for her horse, as much as we do.
Bella Innes Ker and Carolyn. Photo by Katie Neat Photography.
“I said that I was speechless yesterday, but today really is a complete dream come true,” said a delighted Bella Innes Ker in the collecting ring as all around her, the frantic scurry of prizegiving prep whirled around her. A moment later, runner-up William Fox-Pitt appeared and threw an arm around her.
“Absolutely brilliant, wasn’t she — and she’s only 24!”
As quickly as he’d appeared he was gone again, swallowed up by the hubbub, but the smile on Bella’s face was even bigger than it had been before. And who can blame her? Her victory in Blenheim’s CCI3* wasn’t just the biggest of her career — her previous best was fourth in last month’s Blair Castle CIC3* — it was also an incredible victory in its own right, with a colossal field of 101 horse-and-rider combinations vying for the title at the UK’s foremost autumn event.
Young guns blazing: Bella Innes Ker and Carolyn take the Blenheim CCI3*. Photo by Katie Neat Photography.
To win is one thing, but to lead from start to finish is another beast entirely, and that’s exactly what Bella and Carolyn, owned by Bella’s mother, the Duchess of Roxburghe, did. Together, they posted a 24.4 dressage — a personal best at the three-star level, and equal to their personal best across all levels — proving that their upswing in scores this season has been no fluke.
Bella Innes Ker and Carolyn. Photo by Adam Fanthorpe.
The ‘dressage diva’, known at home as Princess, might have all the sparkle (and occasional sass) of royalty, but the young rider and her horse have grown up together over their seven year partnership, and Bella has learned the ins-and-outs of the fourteen-year-old Carolyn.
“Sometimes it’s her way or the highway, but I’ve learned how to do things her way. If I please her and do it by her system, then she’s great,” she said.
A dream come true: Bella Innes Ker and Carolyn hold the lead in the CCI3*. Photo by Adam Fanthorpe.
Saturday was always going to be a big test over David Evans‘ huge track, but for Bella and Carolyn, who had never yet made the time in a CCI, the pressure was on to maintain their lead. They did exactly that, romping home exactly on the optimum time to lead without a pole to spare on the final day.
Though some had lamented the fact that the cross-country phase had been perhaps less influential than in previous years, Di Boddy‘s showjumping test more than made up for it. The time was tight and the fences were up-to-height, with related distances and combinations that didn’t allow for a moment of lost focus. As the poles started to tumble, Bella suddenly found herself with a fence in hand as she entered the ring.
As it turned out, she’d need it — the pair added four penalties but, as they landed over the last, the pin-drop-quiet crowd erupted and Bella’s elation was writ large in a beaming grin and a celebratory fist-pump. They’d done it.
“I’m thrilled for the whole team,” she said, extricating herself from a mass of well-wishers. “Carolyn has done her best all week, and has outdone every expectation, and I knew I just had to keep my cool in there. She’s one in a million, she really is — she’s a wonder horse. She’s a quirky little thing, and I’ve probably fallen off her more times that not, so it’s amazing to do this together after the journey we’ve had.”
Bella Innes-Ker and Carolyn. Photo by Tilly Berendt.
Bella admitted that she’d taken a moment to dream earlier in the week, when she spotted one of the prizes on offer for the eventual winner.
“I looked at the winners’ rug on Thursday and wondered if I’d ever get my hands on it,” she said. “Now it’s mine!”
It was a fitting end to Bella’s time in the UK — she heads to Ireland to start a new job on an eventing yard this autumn. But there was one person missing when her big moment came: “The one person I’m gutted for is Gill Buckley, who’s been with me for nine years, but couldn’t be here as she had a baby last week.”
With a CCI3* victory under her belt and the blank slate of a new home and new job awaiting her, what’s next for Bella?
“We’re going to regroup and maybe think about Badminton in the spring — it’s scary to even say it!” she laughed.
William Fox-Pitt and Oratorio rise to the top. Photo by Katie Neat Photography.
“It was all very jolly, wasn’t it — it was my lucky day!” said William Fox-Pitt, who finished second on Oratorio. They added nothing to their dressage score of 28.7 to climb from an initial fifth place, and the tricky but talented young horse proved what he was made of throughout the week.
“I certainly came here hopeful of being up there, especially after he showed us at Bramham that he’s competitive, but when it’s a competitive field full of top four-star horses like Ceylor LAN and Zagreb, you sort of think the writing’s on the wall.”
Although their first-phase mark wasn’t quite what William had hoped for, the takeaways for the horse’s ongoing education were exactly what he’d hoped they would be.
“I was a bit disappointed after dressage — he can be quite flash, but it was just a bit lacking,” he said. But on the cross-country course? “He’s absolutely blood, and he doesn’t know the meaning of ‘hard’ in any phase, on any day, ever. It’s exhausting at my age — I’m quite looking forward to the day when he says, ‘right, okay, let’s go onto the bridle a bit now!’ At my age, I quite like them to purr around a bit, but he’s a double handful. Sometimes the ‘woah’ can take 25 strides!”
William Fox-Pitt and Oratorio. Photo by Katie Neat Photography.
Brimming with an enthusiasm only matched by his undeniable scope and talent, Oratorio finished Saturday’s test looking as well as he’d started, and he didn’t disappoint on the final day, either.
“He’s come out so well — dare I say, he’s a tough old chap. He doesn’t jump like [his sire, four-star winner] Oslo, but he gallops better. He’s got that go in him, and he’s a bit of a fighter, but when you go in before Pippa and Oliver, you don’t expect to climb — you just hope not to fall down the leaderboard.”
A Badminton campaign could be next on the cards for Oratorio, who will be aimed either at the spring feature or at Luhmühlen for his debut.
“We’ll work this winter on a bit of control and beauty. He’s never sorry or fragile — he’s just class, although the showjumping has always been his weaker link. I said to his owners that a clear round would come, he just won’t purr.”
Alex Bragg and Zagreb complete a successful post-Burghley campaign. Photo by Katie Neat Photography.
Alex Bragg and Zagreb posted a pleasing result in their Burghley reroute, finishing on their dressage score of 29.6 and rising from 9th to 3rd place.
“The aim was to come in the top three, but I didn’t think we’d done enough on the first day,” admitted Alex. “I think the time being tight in the showjumping made up for the cross country, though.”
The fourteen-year-old gelding is well-established at the top levels now, but after an early fall at Burghley, Alex was doubly pleased with how Zagreb, known at home as Rhett, went.
“He’s feeling so well being here — he was jumping around in the trot-up and very lively in the dressage, and for a fourteen-year-old horse to feel that well is something special.”
Alex Bragg produces the results on up-and-comer Barrichello, who he took over this spring. Photo by Katie Neat Photography.
Alex also finished ninth with new ride Barrichello, owned by Sarah Hughes. They rose from 17th after the dressage, cementing a developing partnership throughout the week and adding just two time penalties in the final phase to their 30.9 dressage score.
“I’m really pleased with him. He really showed his class, and those clear rounds are what it’s all about.”
Fourth place went to Selina Milnes, whose long-strided, plucky Iron IV had captured everyone’s attention the day before. They finished on their dressage score of 30.2.
“It’s all just gone to plan, to be honest — I’d have liked to get into the top ten, but I honestly didn’t think we’d be this high up!”
Kitty King and Vendredi Biats. Photo by Katie Neat Photography.
Kitty King‘s week might have ended early with her Olympic mount Ceylor L A N, who refused at the B element of fence four on Saturday and was retired, but redemption came in the form of a fifth-place finish with Vendredi Biats, who picked up 20 penalties here in 2017. Below them, Pippa Funnell and MGH Grafton Street relinquished their grasp on second place with a single pole that saw them finish sixth, and seventh place went to Emily Philp and Camembert, who recorded their 21st consecutive clear round over the poles in an international competition and rounded out a fantastic autumn campaign, which also saw them finish on the podium in Blair Castle’s ERM finale.
Emily Philp and Camembert prove their worth once again. Photo by Katie Neat Photography.
Franky Reid-Warrilow, a former winner of the Mark Todd Bridging the Gap scholarship, which helps talented riders transition from the young rider programme into senior competition, finished 8th with Dolley Whisper after a steady climb from 20th in the first phase. Australia’s Amanda Ross and her Koko Popping Candy rounded out the top ten and made the only non-British appearance in the upper echelons of the class — an exciting finish to the competition for the pair who travelled over as first reserves for Australia’s WEG team.
And that’s a wrap on what has been one heck of a week for eventing fans the world over — I’m off to rewatch the final five minutes of the WEG showjumping on an endless loop while quietly and happily sobbing into a bucket of gin (no tonic, in true Tryon fashion). Catch you all at the next one — in the meantime, Go Eventing!
Laura Collett and London 52 take top honours in the eight- and nine-year-old CIC3*. Photo by Katie Neat Photography.
It’s been one hell of a season for Laura Collett, and in more ways than one: second in the Event Rider Masters series standings, a win at Houghton CICO3*, third at Haras du Pin CICO3*, and second at Luhmühlen’s CCI4* with Mr Bass, and top 10 placings at ERM legs at Chatsworth, Arville, Barbury and Blair makes for an enviable list of accomplishments by anyone’s standards. But when the World Equestrian Games team was announced last month, she and Mr Bass hadn’t made the cut, and the disappointment was staggering for Laura.
It’s a funny old sport, this, with its endless peaks and troughs, emotional buoyancy tempered by occasional skids along rock bottom. Had Laura gone to WEG, she may well have produced one of the phenomenal efforts we saw from the team yesterday. She may have finished well in the hunt for a medal, sitting out Sunday in anticipation of the biggest moment of her career thus far. Or, it could have gone the other way — perhaps, despite a brilliant form line, she might have had the sort of wobble that pushed the likes of Julia Krajewski, Sandra Auffarth and Boyd Martin out of contention. The what-ifs are endless, tantalising and damning, but one thing’s for certain: if Laura Collett had gone to Tryon, she wouldn’t have won at Blenheim.
Laura Collett and London 52. Photo by Tilly Berendt.
The eight- and nine-year-old CIC3* at the SsangYong Blenheim Palace International Horse Trials is one of the most coveted CIC titles in the world. It’s bold, it’s beautifully presented, and its statistics are astonishing: since its inception in 2009, its victors have gone on to win four CCI4*s, often in the very next year. To win here is to begin to feel very safe in the knowledge that the young talent you’re sitting on is going to be something very, very special.
Laura Collett and London 52 take top honours in the Blenheim eight- and nine-year-old CIC3*. Photo by Katie Neat Photography.
London 52, owned by Laura, Karen Bartlett and Keith Scott, has certainly been special so far. He stepped up to three-star at the beginning of the 2018 after several very good results at two-star in 2017, including second place finishes at both Ballindenisk and Millstreet. In May of this year he had never even run at Advanced; in the months since he’s finished second in the Event Rider Masters CIC3* at Arville, 11th in the Jardy leg, and 8th in the series finale at Blair, despite testing conditions and a technical course that proved testing for more mature horses. Today, he added just 0.4 time penalties to his dressage score of 27.5 to take the win.
“It’s scary how easy he finds everything,” said a delighted — and slightly breathless — Laura. “He’s pure class, and he always has been. He’s been a bit tricky in his brain, but that’s just because he’s so talented — he stepped up the levels so quickly that he never really had much time to think about it.”
Laura found the nine-year-old by Landos when she went to Peter Thompson’s yard to look for a cheap resale project. Instead, she found the 16.3hh London 52, who bowled her over with his obvious talent. The then-seven-year-old had never evented, but had experience showjumping at the 1.30m level. In mid-2016, he made his eventing debut, and the quick ascent up the levels began.
“It’s yet another young horse I don’t want to get rid of — I’ve got no business brain in me, but I love to find the good ones,” she laughed. That formidable talent — and its accompanying quirks — took some time to hone, but Laura has evidently found the key to getting the best out of ‘Dan’.
“Now, when I say ‘go’, he says ‘okay’, rather than doubting me. He’s not that blood, but he really covers the ground — sometimes he scares me with how quick he’s able to gallop. I have to shorten him and set him up more, and give him that extra time to assess the situation, but he just finds it all so easy. The scary thing is how much more there is to come from him.”
The win is doubly special because Karen Bartlett has been an integral part of the Blenheim steering committee for many years, though has never had a horse run in the competition herself. All being well, Dan will now head to Boekelo for next month’s CCI3*.
Laura Collett and Dacapo finish third in the CIC3*. Photo by Katie Neat Photography.
Laura also finished third on Diana Chappell’s Dacapo, who led after yesterday’s showjumping but added 3.2 time today to slip out of the top position. The Diarado-sired nine-year-old is quite a different ride to his victorious stablemate, but he, too, proved that his debut season at the level has been a productive one.
“He’s as honest as the day is long — as long as he can see the flags then he takes no setting up,” said Laura. “He takes longer than London 52 to get to that top gear, but once he’s there, you can keep motoring.”
Dacapo will finish his season now, as, explains Laura, he requires far more fitness work than his winning stablemate, but his early season plans are yet to be confirmed.
Izzy Taylor climbs with Springpower. Photo by Katie Neat Photography.
Time proved a far more influential factor in today’s CIC3* cross country than it had in the CCI3*: where 20 pairs managed to come home clear inside the time yesterday, just one managed it today. That was Izzy Taylor, whose reputation for blazing speed and efficient riding precedes her, and today, we saw her produce the goods on a relatively new face in her string. Springpower, who moved to Izzy’s yard in the latter half of the 2017 season, is “nearly pure blood, with a bit of pony back there somewhere, too — so he’s fast, he’s cheeky, he’s fun, and he reads a fence like a pony does.”
“He’s quick and he travels across the ground very well,” said Izzy. “I’ve had him just over a year, and he’s very much become my horse now.”
The Irish-bred nine-year-old (Power Blade x April Imperator) made his CIC3* debut in this class last year with Izzy, finishing 7th and best of the eight-year-olds. Since then, he’s undergone a learning curve at three-star, with a slow early run at Belton and a CCI3* debut at Bramham in June. A dressage score of 28.7 put them well into the hunt going into the beefy cross-country phase, but it was there that an unravelling occurred: an inexplicable and uncharacteristic horse fall saw them eliminated, and left Izzy puzzling over what had gone wrong.
“It was a bit of an unfortunate fall. He just didn’t quite get his landing gear down — I watched and watched the video, but could never really figure it out.”
Izzy opted not to run the horse thereafter due to the hard ground at the height of the summer season: “but that’s not to say we didn’t do our homework, and I wasn’t worried coming here.”
Any worries would have been unwarranted: Springpower motored confidently across the ground today, cruising across the finish with thirteen seconds to spare and looking as though he’d been Izzy’s ride all along. It was enough to see them finish second on their dressage score of 29.5 — a climb of ten places from the first phase and the only FOD of the class.
Izzy, who also finished 13th with eight-year-old Direct Cassino, runner up at last year’s seven-year-old World Championships, was full of praise for David Evans‘ course, which had to both challenge and nurture a plethora of precociously talented up-and-comers.
“It’s a hard class to build for,” she said. “David always does a good job of using the ground to make us all pay a bit more attention. My eight-year-old was given confidence and finished feeling really well, while the nine-year-old was able to come out and feel more mature and competitive, so it worked for both.”
Richard Jones followed up a career high at Burghley, where he finished 7th, by adding just 0.4 time penalties to his dressage score of 31.7 and finishing 4th with Kilballyboy Bob. The nine-year-old is a half-brother to Burghley mount Alfies Clover — they’re both by the American Thoroughbred Tajraasi — and they share a few pertinent similarities.
“They’re both fast, although this one’s faster,” said Richard of the Sean Beston-bred gelding. “They’re class horses and they want to do the job.”
Richard first saw Kilballyboy Bob as a four-year-old, but turned him down as he thought he’d be too small: “He was gorgeous, though, and I ended up getting him as a just-broke five-year-old. He’s very game and just wants to do his job, so he’s been super easy to train.”
Despite this, Richard had his misgivings about fence 6AB, the Ariat Dew Pond. Contrary to the main, long water obstacle at 11, the Dew Pond featured just a small splash of water, framed by a hanging rail on the entry side and a house at the exit point.
“He used to be a bit ‘watery’, so I thought that would be a real test, more so than the lake, because horses often don’t really like or read those little puddles.”
It proved to be no issue, and, in fact, Kilballyboy Bob caught sight of the crowds bunched around the string and went up a gear.
“He got a bit lit up and little bit on my hand, so I probably lost some time there,” said Richard, ruing the lone second that precluded an FOD.
Vittoria Panizzon and Super Cillious overcome a minor mishap to finish 5th. Photo by Katie Neat Photography.
Italy’s Vittoria Panizzon and the British-bred Super Cillious came in five seconds over the optimum time and climbed from 8th to 5th place. This is a second appearance at the level for the nine-year-old (Deans San Ciro Hit x Lady Priscilla), who made his debut at Arville in June but clocked up twenty penalties on course. Today he proved that he’d learned from his experience, but Vittoria’s week wasn’t without its hurdles.
“He had a sore toe on Friday, and I was off competing my youngsters at a one-day event, so my team and the farrier on site worked incredibly hard poulticing and icing him while I was away,” she explained. “He came out yesterday and felt absolutely fine, and then show jumped brilliantly, but I didn’t really get into my rhythm until the second part of the course today because I wanted to make sure he was okay. Otherwise, we should have been inside the time — he has a very good gallop stride and is good up hills, too. But then, my whole season has been a bit like that — good results on the surface, but quite a lot of paddling to make it happen, really.”
Vittoria has produced the horse from a four-year-old, and the qualities that helped him come second in 2013’s four-year-old Championships at Osberton have, she says, been present all along.
“He’s always been very genuine, very straight, and has always looked to stay between the flags. His balance has sometimes been a bit wobbly, but if you can get his head pointed at the flags, he’ll look to go between them. He’s more of a blood type to ride than he actually is on paper, and he’s always tried hard — he can just get a bit cheeky in the dressage, but he’s got enough charm that the judges seem to like him.”
New Zealand’s James Avery adds another promising result to Vitali’s resume. Photo by Katie Neat Photography.
Dressage leaders James Avery and Vitali were looking for redemption today after a dropped rein led to a dropped rail in yesterday’s showjumping, knocking them to 7th place. They got it, but only just: a classy clear round with just 2.4 time penalties allowed them to climb a placing and finish 6th, another promising result for the eight-year-old in his first three-star. Last year, he finished in the same position in the World Championships for seven-year-olds, having led the dressage and cross-country, and the confidence with which the Holsteiner gelding tackled his first CIC3* — and, in fact, his first Advanced dimension track — bodes well for the future.
“I’m really pleased. We went out and rode it exactly how I had walked it,” said James, who rides for New Zealand. “There were a few places where he was a bit strong, and I had to take more pulls than I would have liked, but he’s very straight and bold and stays between the flags.”
Pippa Funnell and Maybach record a top ten finish. Photo by Katie Neat Photography.
Time penalties saw Pippa Funnell and Maybach slip from 3rd to 7th, while new mother Zara Tindall piloted Class Affair to 8th, from 21st after the first phase. Laura Ritchie-Bland‘s Shadow Evergreen made the most impressive leap up the leaderboard, though — they were 39th after dressage, but a clear show jumping round and just two time penalties across the country saw them finish 9th overall, just above Ben Hobday and his 2017 Le Lion mount Shadow Man II.
The CCI3* wrapped this afternoon with an incredibly tense showjumping phase — we’ll be bringing you the full report soon. In the meantime, go Laura, go London, and Go Eventing!
“There’s a first time for everything, isn’t there!” laughed a delighted Bella Innes Ker as she and her longtime partner Carolyn romped home inside the time around Blenheim’s CCI3* to retain the lead — the first time the pair has made the time in a CCI.
A dream come true: Bella Innes Ker and Carolyn hold the lead in the CCI3*. Photo by Adam Fanthorpe.
“It’s a dream come true, especially when you’re in that position,” she said. “I’m slightly beyond words! I was very lucky out there to be on such an awesome horse, and it was a bold, attacking sort of course, which is right up my street.”
David Evans‘ course proved to be much less influential than we’ve seen it in previous years, and 20 of the 95 starters managed to come home clear within the time. Still, it was, as Bella says, big and bold, and required a positive approach to get the job done and to maintain a workable pace on the long, slow pull up its steady inclines.
“We got into the rhythm very early on, and it all came up so nicely,” she explained. “She can be quite heady and strong, but we know each other inside out, so I knew I had to keep my hands down and, as Chris Bartle says, just trust the system. I owe a huge amount of credit to Chris — he’s worked with me to be brave and to stop interfering and checking, which helped us get the time today and will help us in the future, too.”
Pippa Funnell, who remained in second place with MGH Grafton Street, agreed with Bella’s analysis of the course.
“If you go out there and you’re not thinking about getting the time, it doesn’t put you in the right frame of mind,” she said. “You need to ride forward to make these courses ride well at three-days.”
Pippa made the executive decision to cut down on her string of horses this spring, and now campaigns a select group. The change of pace was spearheaded by the sale of Sandman 7 to young rider Yasmin Ingham, a choice that Pippa said was “one of the hardest decisions to make. But now I’ve got this really classy bunch of horses I can focus on, and I’m enjoying it a bit more, so I’m very happy.”
Two years after his Blenheim debut, the Padraig McCarthy-sourced MGH Grafton Street showed his maturity when he and Pippa had a minor blip on course.
“He felt great. He really helped me out at 11 [a wide oxer hedge followed by a timber parallel] — he jumped the hedge lovely, and I thought, ‘right — I’m not going to take a pull back here, I’ll just sit up’, and then he sort of chipped in and put down again, but he really took care of me. I had to hold my mouth and just trust him.”
Oliver Townend brings forward a new star in Ulises. Photo by Katie Neat Photography.
A double-clear saw fourth-placed Ulises move up a placing with Oliver Townend, and though the Chatsworth CIC3* has flown under the radar in Oliver’s formidable string of top-level contenders, it was easy to see why Oliver had him on the list as one of his potential Burghley mounts.
“He’s very fast and has endless gallop, like [half-brother] Armada,” said Oliver. “He made it feel very easy; he could have gone round twice. If he comes out of this well, he’ll be ready to step up to CCI4* next spring.”
Any comparison to the great Armada is one that oughtn’t be ignored: Oliver finished second at Badminton in 2014 on the horse, who amassed an incredible number of enviable results at the upper levels with both him and former rider Andrew Nicholson.
William Fox-Pitt and Oratorio. Photo by Katie Neat Photography.
William Fox-Pitt was another British rider to move up a notch on the leaderboard, as he and Oratorio made light work of the course, in a season that’s proving to be the making of the tricky horse. William, who first competed at Blenheim in 1990, joked that it was nice to have his ‘old mate’ Pippa Funnell to keep him company in a class full of young faces.
“Isn’t that romantic — Pippa and I right up there on the leaderboard! Most of the field wasn’t even born when I first rode here — I felt like the schoolmaster at the riders’ briefing, I didn’t know anyone’s names or faces! I’m missing so many of my mates here,” he laughed.
Oratorio is brimming with talent, but the nine-year-old, who is one of the four offspring of William’s Pau winner Oslo and out of a friend’s racing mare, doesn’t come without his quirks.
“He’s absolutely blood, and he doesn’t know the meaning of ‘hard’ in any phase, on any day, ever. It’s exhausting at my age — I’m quite looking forward to the day when he says, ‘right, okay, let’s go onto the bridle a bit now!’ At my age, I quite like them to purr around a bit, but he’s a double handful. Sometimes the ‘woah’ can take 25 strides!”
Oratorio went clear inside the time at Bramham’s CCI3* too, finishing eleventh there after knocking two rails on the final day.
“He’s potentially a four-star horse next year, now. In the old days, I’d have taken him to Kentucky without a doubt, but then, the funding was in place and the GB machine was a different beast. Now, there’s no way we could do it ourselves with our own funding. On a day like today, he’d eat Badminton up, so we won’t count it out.”
William had had his doubts about the firm going on arrival at the event, but he praised the ministrations of the team on site for making the going considerably more rideable. Thus, “it was easy — but today was a bit easy, wasn’t it?”
Amanda Ross and Koko Popping Candy. Photo by Katie Neat Photography.
Australia’s Amanda Ross moved up to fifth place — and finished the day as the only non-Brit in the top 10 — with a fast clear round aboard her ex-racehorse Koko Popping Candy. The pair were first reserves for the Australian team at WEG, and had planned to mount a British campaign in 2019, when their plans suddenly changed.
“Her owners and I were looking to come over next year with four or five horses for a big campaign — I didn’t want to come just for pre-WEG training if I was going to have to leave those horses behind, but then the selectors called and asked me to get on a plane,” explained Amanda. Although they didn’t get the final call-up, Amanda and the mare, known as Zazzie, were able to benefit from all the team’s training sessions with Gareth Hughes and Nelson Pessoa.
“She spent 40 hours travelling from door to door, and she got off the plane feeling like she’d been plugged into a USB port the entire time,” laughed Amanda. “So we were really able to enjoy those training sessions, and we got a lot out of them, so to aim here was a great alternative.”
Amanda first came over to the UK when she was 19, and admits that a visit to Badminton was “the straw that broke the camel’s back — I saw so much in terms of how things should be done.” In 1998 she was shortlisted for the WEG, and in 2000 she represented Australia at the Sydney Olympics, but a big European campaign is the missing piece in the puzzle. Zazzie will be aimed at a Luhmühlen entry for her first four-star, while Amanda hopes to run the gamut of UK events, including the Event Rider Masters series, in her season here next year. Used to the hard, dry ground of Australia’s eventing circuit, Amanda and her plucky Thoroughbred played to their strengths today.
“William [Fox-Pitt] said to me earlier in the week that the ground is the hardest he’d ever seen — I said, it’s great, I don’t want it any deeper than this!”
Kitty King had a day of mixed fortunes: she finished double-clear with Vendredi Biats, who had a run-out last year, and moved up to sixth place, but the experienced Ceylor L A N ran out at the influential corner at 4B, and she opted to retire.
Alex Bragg and Zagreb. Photo by Katie Neat Photography.
Her fellow countryman Alex Bragg must have found himself in similar mixed spirits: his CIC3* mount, Shannondale Percy, dropped from 2nd to 17th after knocking two rails, but both his CCI3* mounts produced double-clears. This moved Burghley re-router Zagreb from 9th to 7th place, and new ride Barrichello, formerly piloted by William Fox-Pitt and Caroline March, from 17th to 10th.
“It’s nice to be sat on a four-star horse going around a three star, but after Burghley I nevertheless had to keep my wits about me and think about rhythm, line, and balance,” said Alex. After an early tumble on Burghley’s course, Zagreb had a few days’ rest, followed by some physio treatment and plenty of stretching work — the result of which, laughed Alex, meant that the rangy gelding “felt like a seven-year-old at the first horse inspection — he was very fresh!”
Alex, who considers himself ‘a cross country rider, sitting on a cross country horse,’ rued the fact that the time wasn’t as influential as it could have been.
“Seven or eight seconds off the optimum time would have made it more influential; it’s not changed the top of the leaderboard much, which is a bit of a shame. But it’s a nice, inviting, solid track.”
Alex Bragg produces the results on up-and-comer Barrichello, who he took over this spring. Photo by Katie Neat Photography.
The nine-year-old Barrichello impressed not only the crowds, but Alex, too: “He did a fantastic job, and really flew around inside the time. I’m really proud of him; this is a step up in terms of atmosphere and the amount of people around. Coming into the long water at the lake feels like something from a film, and I think everyone enjoys that.”
But Barrichello’s cross country wasn’t without incident.
“There was a swan in the water, guarding the bridge like a Jack Russell guarding a driveway — it looked really tough until it saw Barrichello’s big feet storming at him, and then he thought better of it!”
“Everyone wants him”: Selina Milne’s Iron IV proves to be the horse of everyone’s dreams. Photo by Katie Neat Photography.
Selina Milnes jumped into the top 10, moving up from 12th to 8th after a seriously classy round with Iron IV that had everyone — commentators included — discussing how on earth they might be able to sneak a ride on the long-strided horse.
“He’s not that blood, so we’ve done loads of millwork to get him fit enough to come here,” explained Selina. Her hard work has paid off: Iron IV had barely broken into a sweat and, as he cantered home, he looked as though he was just setting off. This isn’t just down to careful fitness work; his success today comes down to tactical management throughout the season, too.
“I run him slowly at one-day events, because he has such a long stride to work with. Here, I was adamant that I wouldn’t take a pull, because he only gets stronger if I do. I rode him this morning properly so that I could just do a five minute warm-up this afternoon — he tends to half run his race before he even goes if I try to do him normally, as he gets so buzzy when the tannoys are going. It’s something we’ve worked on — I’ve put up flags in the arena at home to try to get him to stay calm, and it’s making a difference.”
Selina sourced the horse from Ireland’s Richard Sheane, head of the Cooley enterprise, but she wasn’t convinced by him on first viewing.
“I didn’t even ride him because I had a couple of broken ribs, and when I watched him go, I thought he was just a bit slow looking. But I’m quite a forward rider, and everyone insisted that I’d make him fast.”
Emily Philp and Camembert make a habit out of double clears. Photo by Katie Neat Photography.
Emily Philp and Camembert were incredibly impressive at Blair, where they made a surprise appearance on the Event Rider Masters podium, and they proved today that it was no fluke: another double-clear sees them in 9th after a seven place climb. Something to mull over? Blair’s three-star marked their 20th consecutive clear showjumping round at an international. They will be formidable tomorrow.
A Coup for Collett in the CIC3*
Laura Collett and Dacapo. Photo by Katie Neat Photography.
Saturday morning at the SsangYong Blenheim Palace International Horse Trials saw the eight- and nine-year-olds tackle a formidable showjumping course set by Di Boddy, and if anyone thought they were in for an easy ride, they were swiftly proven wrong. A treble combination, approached on a curving line, saw perhaps the most action of the morning: many, having made a big adjustment for the first fence, came to grief at the second, and with a tightly-bunched set of scores, a pole here saw claims to the leaderboard tumble. Near the end of the course, too, a long and meandering turn back to the final couple of fences led more than one horse to fall asleep at the wheel, only to scatter a pole when presented with yet another obstacle.
James Avery and Vitali: a lost lead, but an impressive impression. Photo by Tilly Berendt.
Overnight leaders James Avery and Vitali were the most high-profile pair to fault at the treble, and their four faults and two time penalties leaves them seventh on a score of 30.2 as they look towards tomorrow’s cross country.
But for all that, the young horse, who has historically become distracted in an atmospheric showjumping arena, looked focused and professional in his trip around the arena, and it was in fact a dropped rein that led to the pole: “If I’d been able to ride him at the fence as I’d planned to, he wouldn’t have had it down,” said James.
James Avery and Vitali: polished and professional despite a minor mishap. Photo by Katie Neat Photography.
Though Vitali is tackling his first competition at the level, and in fact has yet to run at Advanced, he’s an exceptional cross-country horse. In eight international runs, he’s only ever faulted once in the phase, in his first one-star last year. Since then, he’s been clear every time, never adding more than 1.6 time penalties at two-star. He’ll be an interesting horse to keep an eye on tomorrow — there’s a lot to be said for the psychological effect of being able to head into the toughest phase without the pressure of the lead.
Laura Collett and Dacapo move into the lead in the CIC3*. Photo by Tilly Berendt.
That honour goes instead to Laura Collett, who produced clear rounds on both Dacapo and London 52, who moved from 4th and 5th place to 1st and 2nd, respectively. Both horses have begun to accumulate valuable experience at this level: Dacapo finished 6th in Houghton’s CICO3* in May and 9th in his ERM debut at Barbury in July, while London 52 has three ERM results to his name. He was 2nd in the tough class at Arville, while Jardy saw him in 11th place, and he powered through the heavy rain at Blair for 8th. Today’s CCI cross country taught us one thing: the time won’t be influential unless the horses and riders don’t make it, so Laura will have to draw on that experience against the clock to maintain her position and cruise home.
Pippa Funnell and Maybach sit in third going into Sunday’s cross country. Photo by Katie Neat Photography.
Pippa Funnell and Maybach, and Katherine Coleman and Monte Classico each produced clears as well, with Pippa rising three places to sit third, and a delighted Katherine rising from eighth to fourth. Monte Classico had to step up to the big leagues in a major way this spring: his first three-star was also his first team appearance, as he helped the U.S. team to second place in the Houghton CICO3* Nations Cup competition.
Katherine Coleman and Monte Classico make a move up the leaderboard. Photo by Tilly Berendt.
Katherine has planned his entire season with this class in mind, and like Laura, she’ll need to accept nothing less than a double clear tomorrow.
Izzy Taylor and Springpower jump a double clear to sit in sixth place. Photo by Katie Neat Photography.
We’ll be bringing you all the action from the fast and furious cross country phase tomorrow, so stay tuned!
What a week to be an eventing fan! The EN team is at large on both sides of the pond, with the dream team in situ in Tryon, bringing you absolutely everything you need to know — and some things you didn’t even know you needed to know! — from the World Equestrian Games, while I’m holding down the fort at Blenheim, keeping my eyes peeled for an early look at next year’s Badminton winner. If ever there was a weekend to just shut yourself off from the world, pour the morning wine, and surround yourself with live streams, this is absolutely it.
If you’re very good at multitasking, you might also be out competing, or preparing to make your final entries of the season. If so, check out our guide to this weekend’s events and opening dates — and, as always, Go Eventing!
Always wanted to snoop through the high-security stabling at a world-class event? Now’s your chance, thanks to intrepid presenter Spencer Sturmey (no, not Stanley Tucci, although we’d consider casting him in the film). Join him as he meets #supergroom Frankie Murrell, head girl to Pippa Funnell, and find out what life is really like behind the barricades…
Sometimes dressage days feel relaxed and leisurely; just one seven-minute test after another, the faint strains of Dua Lipa less pumping, more weakly trickling out of the smattering of speakers. When dressage consists of two days, two three-stars, and just shy of 180 tests, it can feel more like a marathon sprint. The sensory overload is replete with an autumnal chill, a draping of fallen leaves, and the inexorable thrill of watching some of the world’s best horses at work. Somewhere in the distance, the ghost of Churchill prowls, looking stern and ending wars, maybe. Maybe not. Either way, there’s no better place in the United Kingdom to usher in a new chapter. Today, that’s exactly what we saw for one major four-star contender and an Olympian on the comeback trail.
King Moves in on the Kingdom of Ker
Though the top two spots on the leaderboard remained unchanged after yesterday’s dressage, with Bella Innes Ker and Carolyn heading the class, Kitty King produced the goods with her Rio Olympics mount Ceylor L A N. The 11-year-old Dutch Warmblood, known at home as Sprout, has had a quiet couple of years since his trip to Brazil, but has since re-established himself at the very top of the sport, taking fourth place at Luhmühlen CCI4* in June and ninth at Hartpury CIC3* last month. There, he posted an incredible 22.3 in this phase. Today, he earned a 27 in a class that Kitty remarked was quite harshly marked.
Kitty King and Ceylor L A N. Photo by Tilly Berendt.
“I’m really pleased with him,” said Kitty. “He’s obviously quite established at this level, but we just made a silly mistake in the second change — he just got a bit ahead of me, because sometimes he thinks he knows what he’s doing better than I do! He did some really nice, positive work, but I was pleased with my horse yesterday and ended up disappointed with his score, so you never quite know.”
Kitty King and Vendredi Biats in yesterday’s dressage. Photo by William Carey Photography.
Kitty and her first ride, Vendredi Biats, currently sit in 9th place on yesterday’s mark of 29.6. The talented grey incurred 20 penalties on course last year at the highly influential coffin, and Kitty hopes to put those demons to bed this time around. But, she acknowledges, she’ll have a big task ahead of her: “There are plenty of places to have run-outs. It’s not that different to last year’s course, but it asks plenty of questions. The corner at 4 will come up fast if horses are running a bit keen, and then there’s another corner not too far along. The coffin caused carnage last year, and it’s not been changed much this year, so that could be interesting. I thought he might have changed it a bit more — that’ll definitely be a test!”
World number one Oliver Townend and up-and-comer Ulises produced a consistent and precise test to score 28, leaving them in fourth place overnight. The Spanish-bred horse might not be in Oliver’s first string, but he’s no new face at the level: he was previously campaigned by Andrew Nicholson, who debuted him at three-star in 2015, and who sent the horse to Oliver as part of a mass exodus following the major accident at Gatcombe that left him fighting to sustain his career. Though he didn’t have any international runs last year, he’s produced the goods on three occasions this season, with top ten placings at all of his three-star runs, including a win at Chatsworth CIC3* in May.
Former Junior team bronze medallist Richard Coney made a surprise entry onto the leaderboard with Kananaskis, who delivered a 28.7 to sit in equal fifth position with William Fox-Pitt and Oratorio. Richard and Kananaskis have amassed an impressive string of international results this season, never placing below 6th and adding just 9.2 time penalties across all four competitions. The pair finished seventh at last year’s Junior European Championships and thirteenth the year before. This is a CCI3* debut for both horse and rider, so we’ll be watching them closely across tomorrow’s cross country phase to see what they’re made of. We quietly suspect it might be rather a lot.
Alex Bragg and the experienced Zagreb. Photo by Katie Neat Photography.
Despite an error of course, Will Rawlin and VIP Vinnie sit in 7th place overnight on a score of 29.3, while Alex Bragg and Zagreb round out the top ten after rerouting from an early tumble at Burghley.
“He felt great, although he always seems to get electric in that arena,” says Alex. “I think it’s because the arena itself is so far from the stands, and so sometimes they go in and seem to lose themselves in all that space, like they’re still working in the training area. Then, suddenly they realise where they are and they light up, which can be tricky to manage. There was a microphone at H, and he spotted it and spooked just as we were going into our walk transition, so that was a bit tricky too, as I then had to release the reins and trust that he would walk on nicely. We got away with that, but then some of the tension crept in when I picked him back up for the collected walk, so we dropped a few marks there. Without the mistakes, I think we’d have been around the 26 mark, but in a way, the dressage isn’t that different from the showjumping — you’re either clear, or you have errors. We didn’t manage a clear round today, but we’re still there or thereabouts.”
CIC3* Gives Alex a Reason to Brag
Nobody could usurp James Avery and Vitali‘s claim to the throne in the eight- and nine-year-old class, but Alex Bragg came closest, posting a 26.4 for second place with Shannondale Percy, with whom he’s been quietly developing a new partnership.
Alex Bragg and Shannondale Percy. Photo by Katie Neat Photography.
“It’s been a really interesting season with this horse, because we’ve still been trying to progress him through the grades while I try to develop a partnership with him at the same time,” he explains. “We ran him gently at some early three-stars, where he jumped super, and it gave him an idea of the expectations of him coming into the autumn. We reaped the benefits of that approach today. We were hoping for a sub-30 score, but if things go your way and all the pieces fall into place, you can really get the marks that reflect the level you’re working at at home. He remained rideable today, which meant that we didn’t throw any marks out; if you make sure you’re not throwing anything away and you remain consistent, you suddenly find yourself in a very competitive position, and that’s what happened today. It’s brilliant to be here at this point in the competition.”
Laura Collett and London 52. Photo by Tilly Berendt.
Laura Schroter and Willem Van Wup slipped into third place on 27.1, while Laura Collett‘s Blair ERM mount London 52 tailed yesterday’s mount Dacapo to take fifth place.
“London 52 is still green, but he tries so hard all the time,” says Laura. “Both of them are exciting horses, but this class wasn’t a definite plan for their autumn — we had it penciled in, but neither of them had done an Advanced this spring, so it was a big step up to look ahead to. It’s just so nice for Karen [Bartlett, London 52’s owner] as she’s been working at Blenheim for about 15 years, but she’s never had a horse here — so to finally have one, and for it to be one that’s so special, is very cool.”
“Just Wow”: a Sneak Peek at the Cross Country
We’d hate to be accused of being shallow, but David Evans really does build and dress a beautiful course. Blenheim is as much a feast for the eyes as it is a serious test of boldness and accuracy, and creatively nestled as it is within the grounds of Winston Churchill’s former estate, it’s a season highlight for riders, owners and spectators alike. Australia’s Amanda Ross has put together a preview of the course with some of her own notes about how to ride the combinations — click here to take a look around the tough CCI3* track. This weekend’s competition will be live-streamed; you can follow along with both days of cross country action here.
Bella Innes Ker and Carolyn. Photo by Adam Fanthorpe.
CCI3*: Good Times Never Seemed So Good for Bella Innes Ker
It was another show of consistency between the boards for Bella Innes Ker and her 14-year-old Hanoverian Carolyn today as they posted a 24.4 to lead the CCI3* at Blenheim overnight. They come to Blenheim off the back of a fourth place finish in Blair Castle’s CIC3* and, having finished 15th here last year, they’ve got their sights set on bigger things this time around.
“She’s on amazing form,” says Bella. “She’s a smart dressage diva on the best of days, so it’s nice when you can go in there and get a goodie. It can be hard when you’re on a great dressage horse, because sometimes you expect a result and don’t quite match it, but I’m delighted that it all worked out today.”
This is a longtime partnership for Bella and the mare, who is owned by Bella’s mother, the Duchess of Roxburghe.
“We call Carolyn ‘Princess’ at home — sometimes it’s her way or the highway, but I’ve learned how to do things her way. If I please her and do it by her system, then she’s great.”
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Pippa Funnell and MGH Grafton Street produced yet another impressive test, posting a 26.7 to sit second overnight. The 10-year-old gelding, who was sourced and produced by Ireland’s Padraig McCarthy, hasn’t been the most straightforward of Pippa’s rides, but he’s an undeniable talent: He finished fifth in this class last year, adding nothing in the second phase, and he’s a graduate of the eight- and nine-year-old class, too, finishing 18th in 2016. This season, he’s had two clear CIC3* runs — at Chatsworth and Hartpury — but has had problems on the cross country course at three of his international runs. This is a course that the horse has proven form over, though, and Pippa will likely push for a confident clear round to end his 2018 campaign on.
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Holding third place on 29.4 is new kid on the block Amanda Ross, who has made the journey over to the UK from her native Australia with Koko Popping Candy. Amanda, who competed at the 2000 Sydney Olympics, isn’t short of experience, and she and the ex-racehorse have clocked up an impressive resume on their home turf. In their last nine internationals, they’ve never been out of the top five, and they’ve completed each of their seventeen starts without any cross country jumping penalties bar an 11 penalty blot for activating a frangible pin last season. This is the pair’s first international outside of Australia.
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Kitty King and Vendredi Biats were reliable as ever in this phase, scoring 29.6 to slot in at fourth place on the tightly-bunched leaderboard. Last year, they faulted at the incredibly influential 18th fence on course, but they’ve posted top five finishes in Chatsworth’s CIC3* and Bramham’s CCI3* this season. They come to Blenheim off the back of a forgettable Hartpury — they picked up 20 penalties and dropped to 63rd there — but the eye-catching Selle Français has proven time and time again that on his day, he’s remarkable: he’s been in the top 10 in 15 of his 21 internationals.
Pats all around: Hamilton 24 makes Plan B a top option for Josefa Sommer. Photo by Tilly Berendt.
Josefa Sommer and Hamilton 24 made a positive early impression in what has generally been considered a harsh-marking day, posting a score of 29.7 to take fifth place overnight.
“He was good, and very relaxed, which is good for him — in Aachen, he was very nervous,” says Josefa of the 16-year-old Hanoverian. The pair were first reserves for Germany’s formidable WEG team, and though the disappointment of not making the trip to Tryon stung initially, Josefa’s outlook quickly changed on arriving at Blenheim with her homebred gelding.
“I’ve never been here before, and wow! I hacked out this morning and I just couldn’t believe it, it is so beautiful, just wow. The course is big, and it’s so beautiful — I think it will really suit him, and I can’t wait to go out there.”
Josefa and Hamilton have an impressive form line — they haven’t been seen out of the top 20 in an international since mid-2016, which was the last time they had a cross country jumping penalty, too. Since then, they’ve logged 16 of their 67 international starts, and Josefa, whose father Joachim rode Hamilton’s dam, Fiorella, will be a rider to keep an eye on this weekend.
CIC3*: From Le Lion to the Main Stage
We talk a lot about the career importance of a good result in Blenheim’s eight- and nine-year-0ld CIC3* — after all, previous winners have included 2017 victor Cooley Lands, who represents Australia this week at the WEG with Chris Burton. Further back, the winners’ list is a veritable who’s-who of top-level talent: Andrew Nicholson‘s Quimbo won in 2012 and went on to take top honours at Kentucky the following spring, William Fox-Pitt‘s Oslo took the title in 2011 and then won his four-star debut at Pau a month later, and Mark Todd‘s NZB Land Visionwas victorious in 2010, clinching Badminton the next season. Jonelle Price‘s Luhmühlen winner Faerie Dianimo was a winner here too, rising to the top of the leaderboard in 2014. Since its inception in 2009, the class has been eventing’s Magic Eight Ball, predicting with almost frightening accuracy which young horses will go on to make big waves.
But when looking at what is essentially an age class, it’s just as valuable to look back as it is to look forward. As in every other year, many of this year’s competitors are graduates of the Young Horse World Championships at Le Lion d’Angers, which hosts a CCI1* for six-year-olds and a CCI2* for seven-year-olds. Following on from British Eventing’s four- and five-year-old national classes, you can start to neatly sew a piece of string through the form of these talented horses and, insomuch as you can predict anything in eventing, you can get a pretty good idea of the cream of the crop.
James Avery and Vitali lead the way in the CIC3*. Photo courtesy of Uptown Eventing/SsangYong Blenheim Palace International Horse Trials.
Today’s leader is one such horse. New Zealand’s James Avery piloted Vitali around last year’s seven-year-old World Championships, leading the dressage on a score of 28. This was the horse’s first CCI2*, but despite Le Lion’s intense atmosphere, he jumped a stunning double-clear around Pierre Michelet’s inventive track, adding just 1.6 time penalties to hold onto his lead. On an incredibly influential Sunday, we saw him lose the title with two poles — but his show jumping form, which was chequered throughout his seven-year-0ld year, has been considerably better this season. Today, he posted an impressive 24.2 — a personal best for the horse at any international level — to lead the CIC3* bythree marks.
Blenheim is a level debut for Vitali, who was formerly piloted by Jock Paget, whose Hungerford yard, horses and major sponsors were passed over to James when Jock relocated back to New Zealand. This season, they’ve completed four clear Intermediate runs, won the CIC2* at Rockingham International, and place seventh at Tattersalls’ CCI2*, but interestingly, Vitali is yet to run at Advanced — he ran Aston’s eight- and nine-year-old Advanced as a combined test. But don’t go scrambling for your rule books — he is, in fact, qualified for CIC3*, which only requires qualifying results at Intermediate and CIC2*. Baffling? Yes, but endlessly muddling FEI rules aside, that’s no good reason to discount this pair.
“I’m really pleased with him; he was pretty focused and he enjoys his job, so I was able to go in the ring and do what we’ve been practising at home, which is always a good feeling. He’s been going really well, so I’d hoped we could produce a test that reflected that,” says James.
Despite Vitali’s inexperience at the level, James remains confident about the mammoth task ahead: “He’s a good cross country horse, so I haven’t been too worried about that bit. He went well at Tattersalls, and from that I learned that he needs to have two steady runs before a big event, because he just loves it so much. He loves his job and loves working, but he can be cheeky — he likes to make sure you’re switched on, and he can be quiet as anything one second, and the next second he makes you work for it.”
Since losing the seven-year-old title in the final phase, Vitali’s showjumping record has been on the up and up — this season, he’s recorded more clears than otherwise, though an atmospheric arena like Blenheim’s could still be a factor in his success here.
“He’s not had a lot of experience jumping in a big atmosphere, so sometimes he goes in and gets a bit distracted by things. That’s what got him at Le Lion. But you can’t protect him — you have to dare him a bit more, and ride him like a jumper. The more you dare him, the harder he tries.”
Laura Collett currently sits in second place on 27.2, despite an error of course in her test with Dacapo. The nine-year-old gelding has only had seven international starts, but he’s racked up considerable experience in those starts: he was sixth in Houghton’s CICO3* in May and came ninth in his Event Rider Masters debut at Barbury. His score today is a personal best; he’s consistently a point or two above this, but Laura has developed something of a reputation for eking out the best in her horses in this phase.
In third place, Pippa Funnell made a second appearance on a leaderboard today, posting a 27.7 with Maybach in his second appearance at the level. Pippa took over the ride last season from Sweden’s Hedvig Wik, and has since produced some promising results with him, including second in the CCI2* at Tattersalls.
“He’s everything I’ve ever wanted in a horse,” said Ben Hobday after his third-place finish at Blair CIC3* with Shadow Man, and the dream certainly didn’t die today: the pair scored 28.1 to sit fourth. Shadow Man is another Le Lion graduate — he finished 10th last year, and has since made his first team appearance, coming 16th in the Nations Cup at The Plains.
Monte Classico shows his talent with Katherine Coleman. Photo by Tilly Berendt.
Five marks behind James and Vitali there’s a three-way tie for fifth place: Millie Dumas and Fabien, Italy’s Vittoria Panizzon and Super Cillious, and sole US representative Katherine Coleman and Monte Classico all scored 29.2 to share the spot after the first day of dressage.
For Katherine and her talented nine-year-old, this class has been a season-long target. The pair was given the call-up for the second-placed US team at Houghton’s Nations Cup in May — there, they added just 1.6 time penalties across the country and 2 time penalties in the showjumping to their dressage score of 33, despite the fact that it was the horse’s first run at the level. But it’s been the first phase that has historically precluded them from earning higher placings — the German sport horse, who Katherine sourced from Bettina Hoy, tends to be a mid-30s scorer.
Katherine Coleman and Monte Classico. Photo by Tilly Berendt.
“I’m really excited about his test, because I feel like that’s actually where we’re at and really was the best we could do,” says Katherine. “He’s a little bit green in his changes, but he did them both today and got an 8 for one of them, so I’m thrilled. What’s so exciting is that there’s so much more to come – this is just barely scratching the surface. He’s such an amazing horse, and I’m so lucky to have him. I’m excited to hopefully do him a little bit of justice this weekend.”
We’ll be back with loads more dressage action from Blenheim tomorrow: stay tuned!
“Life starts all over again when it gets crisp in the fall,” said Jordan in F. Scott Fitzgerald’s The Great Gatsby, and look, we’ll be honest with you — we don’t often relate to much in Gatsby, but that’s one line that hits home this week.
There’s something extra special about the SsangYong Blenheim Palace International Horse Trials. Held each year as the aftershocks of Burghley start to ebb away, it could get lost in a funny sort of end-of-season ennui, but each year, it heralds the start of autumn with a bang. You can always rely on Blenheim for a few things: sudden, crisp mornings and evenings, where the air smells faintly of log fires and the novelty value of digging out a proper jacket is still fresh, and new, and not at all soul-destroying. A feeling of real English luxury, too — the proper kind, in which chaise longues are populated by bevies of terriers, and wellies might be accepted in the ballroom with a bit of a wink at the Duchess, and the former seat of Winston Churchill looms over everything, golden and spectral and splendid. Most importantly of all, you can rely on Blenheim to deliver two enormous, exciting three-stars.
The World Equestrian Games might be in full swing across the pond, but it would be remiss to forget about Oxfordshire’s crown jewel — after all, its prestigious CIC3* for eight- and nine-year-olds has historically been a barometer of world-beating talent. Look to Tryon, and you’ll see Cooley Lands, competing under the Australian flag with Chris Burton — look back to Blenheim and you’ll see his victory in this class here just last season. This year, 78 horses come forward to prove to the world that they, too, could be the next big thing.
Kitty King’s Ceylor LAN is one of the many major names contesting the CCI3* this year – and can we all just take a second to admire how perfect he is? Photo by Tilly Berendt.
The CCI3*, too, is colossal — both in fence dimensions and in class size. 101 combinations from twelve nations presented to the ground jury this afternoon at the first horse inspection. This year, the trot-up took place on the Palace’s south lawn — an atmospheric first.
A handful of combinations were asked to re-present. Johnny Cash II, presented by Johan Lundin, was the first of these — he was asked to trot twice before being sent to the holding box, but subsequently passed. The Swedish rider will compete two horses in the CCI class — his other ride, Mind Me, was also accepted.
Edouard Chauvet is one of a serious contingent of French competitors here this weekend, and his Vesubio was also asked to trot twice, though was accepted straight away thereafter. Great Britain’s Francis Whittington had to re-present his experienced Hasty Imp, and will also go forward to the first phase.
Sorry, Will.
…comes on, perhaps, a bit too strong…
…styles it out…
…lets Will get his shoe back on…
…and plays it cool. Nothing to see hear, folks. Photos by Tilly Berendt.
Taking ridiculous photos at a trot-up is getting to be something of a habit, and, in Harry Meade‘s absence, Will Rawlin kindly offered himself up as EN’s victim this time. We’d like to know what he’s feeding VIP Vinnie, and if we might also be able to have some.
Will Furlong and best turned-out winner Cooley Zest. Photo by Tilly Berendt.
Will Furlong‘s Cooley Zest was awarded the prize for the best turned-out horse, while HiHo Silver named David Britnell and Eilidh-Jane Costello as their best-dressed gent and lady.
Eilidh-Jane Costello and Westmur Quality. Photo by Tilly Berendt.
David Britnell and Continuity. Photo by Tilly Berendt.
Both the CCI3* and the CIC3* begin in earnest tomorrow, with some top combinations on show, including Kitty King and Vendredi Biats, Pippa Funnell and MGH Grafton Street, Carlos Parro and Summon Up The Blood, and Camilla Kruger and Biarritz II performing their tests in the CCI3*. In the CIC3*, we’ll be watching Izzy Taylor and her seven-year-old reserve World Champion Direct Cassino, James Avery‘s Vitali, who led the same class until the final phase, Katherine Coleman‘s impressive Monte Classico, and Laura Collett‘s Dacapo. Ben Hobday brings forward Shadow Man II, who narrowly missed out on a win in Blair Castle’s CIC3* last month — as Ben told us then, he’s hungry for a three-star win. We could see him pulling out the big guns this week.
As always, keep it locked on to EN for all your Blenheim (okay, okay, and WEG) news as it happens — it’s going to be a spectacular week to be an eventing fan.
Gubby Leech and Xavier. Photo by Tilly Berendt.
Andrew James and Cool Chica. Photo by Tilly Berendt.
The quarter mark game was strong at Blenheim – here, Andrew James’ Cool Chica shows off some Welsh pride. Photo by Tilly Berendt.
James Avery and Mr Sneezy. Photo by Tilly Berendt.
Douglas Edward and Oxmountain Cruz. Photo by Tilly Berendt.
Oliver Townend and Ulises. Photo by Tilly Berendt.
Simon Ashworth and Sunny III. Photo by Tilly Berendt.
Photo by Tilly Berendt.
Is Giovanni Ugolotti the world’s happiest man? He’s certainly Italy’s. He rides Cosmos Baby this week. Photo by Tilly Berendt.
Emma Hobday and Shadow Puppet. Photo by Tilly Berendt.
Danni Dunn and Grandslam. Photo by Tilly Berendt.
Cuddles in the collecting ring for Oratorio. Photo by Tilly Berendt.
William Fox-Pitt and Oratorio II. Photo by Tilly Berendt.
William Fox-Pitt and Oratorio II. Photo by Tilly Berendt.
“Is it my turn for an interview?” Jorg Kurbel’s Josera’s Entertain You brushes up on his English. Photo by Tilly Berendt.
Frankie Reid-Warrilow and Dolley Whisper. Photo by Tilly Berendt.
A statement look wins David Britnell the best-dressed prize. Photo by Tilly Berendt.
David Britnell and Continuity play peekaboo. You’re not hiding from anyone in those trousers, David. Photo by Tilly Berendt.
Alex Bragg and Barichello. Photo by Tilly Berendt.
Arthur Chabert and Goldsmiths Imber, one of our many horse crushes of the day. Photo by Tilly Berendt.
Eilidh-Jane Costello and Westmur Quality. Photo by Tilly Berendt.
Harriet Wright and Ngong Hills, previously piloted by Nicola Wilson. Photo by Tilly Berendt.
Sometimes, it’s nice just to admire a good bum with some seriously crisp quartermarks. Photo by Tilly Berendt.
Millie Kruger and Biarritz II show off a bit of patriotism at Blenheim. Photo by Tilly Berendt.
Francis Whittington and Evento. Photo by Tilly Berendt.
Izzy Taylor brings forward Direct Tullyoran Cruise. Photo by Tilly Berendt.
Bella Innes-Ker and Carolyn. Photo by Tilly Berendt.
Althea Bleekman and Dasj come forward for the Netherlands. Photo by Tilly Berendt.
Pippa Funnell and Billy Walk On. Photo by Tilly Berendt.
A seriously nice stamp of a horse: Josefa Sommer’s Hamilton 24 is one to watch this week. Photo by Tilly Berendt.
Quentin Faucher presents Tempo de Kergane. Photo by Tilly Berendt.
Every girl’s dream pony? Pippa Dixon and The Milky Bar Kid. Photo by Tilly Berendt.
Edouard Chauvet and Vesubio pass for France after being asked to trot again. Photo by Tilly Berendt.
Pippa Funnell pledges fealty to Blenheim’s title sponsors SsangYong with a custom set of quarter marks. Photo by Tilly Berendt.
Jess McKie, travelling groom for Oliver Townend, also competes at three-star herself — this week, she rides the aptly-named Ask The Boss. Photo by Tilly Berendt.
Rhian Smith and Boris VII. Photo by Tilly Berendt.
Rhian Smith and Boris VII. Photo by Tilly Berendt.
Awaiting the call-up with bated breath. Although, we would hope, not too bated – a 101 horse trot-up ain’t quick. Photo by Tilly Berendt.
France’s Mathieu Lemoine waits to present the first of his two rides, Tropic d’Heauville. Photo by Tilly Berendt.
Matthieu Lemoine and Tropic d’Heauville. Photo by Tilly Berendt.
Ireland’s Austin O’Connor and Kilpatrick Knight. Photo by Tilly Berendt.
Felicity Collins and RSH Contend Or. Photo by Tilly Berendt.
Emma Hyslop-Webb presents Waldo III. Photo by Tilly Berendt.
Emily Philp muscled her way onto the Blair ERM podium. This week, she brings forward her partner from that outing, Camembert, and Cupido III, pictured. Photo by Tilly Berendt.
It’s been a week since the exciting finale of the 2018 Land Rover Burghley Horse Trials, but it’s not been far from my mind since its conclusion — after all, reporters, riders, grooms and supporters alike immerse ourselves into what is effectively a bubble for the week at these major events, and finding ourselves back on terra firma, with all the mundanity that comes with it, can be a jarring transition.
Tim Price and Varenna Allen, owner of Ringwood Sky Boy, quietly celebrate their horse’s success before the world joins in at the prizegiving. Photo by Tilly Berendt.
I’m guilty of writing the occasional emotionally-charged event report — and I’m sure there are those who would argue that what I produce isn’t the real deal, the classic reporting of someone with the rock-solid willpower needed to turn off the superlatives and stick to cold, hard facts. But that’s fine — from where I stand, part of what makes eventing so special is the stuff that deviates from data on a page, whether that’s the raw emotions that abound at a competition, the internal and external battles fought to get there, or the performances that crest the waves of probability and send the stats into a tailspin.
And that, too.
EN’s own Jenni Autry put it best, and most succinctly, when she tweeted that you can’t quantify the will to win. Because who, really, was putting their money on Tim and Oz to lift the Burghley trophy?
Ringwood Sky Boy had 1 clear show jumping round in 9 attempts at 4* level before today. There are a slew of outcomes you can predict with numbers, but you ultimately can’t quantify heart and the will to win. Congrats to @timpricenzl on a well-deserved victory 🏆 🇳🇿 🙌 #LRBHT
I’ve been crossing my fingers for a big win for Tim Price all season, and was characteristically loud and unabashed in voicing my support for him through the week — but had I been backed into a corner and asked to put my money where my mouth was, I admit I would have faltered. We know so much more than we ever have about the statistics of the sport, largely thanks to the tireless efforts of sports statistics experts EquiRatings, who have somehow managed to make this sort of thing fun and captivating. We’re able to analyse form and probability so easily now, and when you see showjumping form like Oz’s, you begin to prepare yourself for disappointment.
“The joke’s on all of you. Every. Last. One.” Ringwood Sky Boy, or Oz, after his superb cross-country round. Photo by Peter Nixon.
But we did that at Badminton too, didn’t we — after all, Classic Moet hadn’t had a clear showjumping round in an international in four years then. It just wasn’t going to happen. Except that it did, and did again, and somehow, the numbers, the predictions, and the statistics were cast aside in favour of that irrepressible bit of magic that can’t be quantified in any way — that sparkling something that makes this sport equally special and damning.
Putting a Price on love
I wrote at length about the power of love in my final report from Burghley, so I won’t rehash it too much here — suffice it to say that Tim and Jonelle have created the sort of power couple dynamic that most Netflix original series can only dream of. Only one couple prior to them has done a four-star double in a year — that was Burghley course designer Captain Mark Phillips and his then-wife, Princess Anne, who won Badminton and the European Championships at Burghley, respectively, in 1971.
These little moments of synchronicity weave multiple narratives together and can almost make you believe in fate. Want another one? Ringwood Sky Boy’s ownership is split a few ways – though he’s primarily owned by Varenna Allen, and Tim himself retains a small share, it was by selling a leg to Robert Taylor a few years ago that Tim was able to buy an engagement ring for Jonelle. Nope, get out of my way, guys — I’m calling dibs on writing the novelisation of this one.
Lucy Miles videos as Tim Price leads the victory lap around Burghley’s main arena. Photo by Tilly Berendt.
As an aside — we rightly hail Tim and Jonelle for their incredible results this season, but it would be amiss not to mention their head girl, Lucy Miles, who is the lynchpin in a programme that’s consistently producing phenomenal results at the top level. Getting one horse to the final day of a four-star is difficult enough — to captain a ship that ferries three to a win in one season is mind-boggling. Her horses have recorded five international wins, thirteen national victories, and two flights to the World Equestrian Games so far in 2018. We need to celebrate the astonishing amount of hard work and dedication that makes these things happen (and maybe not put grooms in a tent — here’s looking at you, Tryon).
A coup for the Captain
We spend so much time — athletes, journalists, and clued-up eventing fans alike — speaking up when someone gets it wrong. Often, that someone is a fellow rider. Frequently, it’s an organiser or course designer. Should we keep quiet for the sake of keeping the peace? Not always — after all, by voicing our convictions, eventing’s inner sanctum has created a catalyst of change that has propelled safety and sports technology far further than we could ever have foreseen.
But we owe it to the sport to shout just as loudly when people get it right — and oh boy, did they ever get it right at Burghley. I’ve worn a number of hats in this industry — not least that of lifelong eventing enthusiast; the sort of, well, nerd that watched and rewatched and slowed down and analysed a single combination on course long before it was ever my job to do so — and I will happily climb aboard the well-worn soapbox to declare my uninhibited adoration for this year’s course.
So what did course designer Captain Mark Phillips and co. get so right? A lot of things — some down to forward thinking and meticulous planning, others down to a little sprinkle of jolly good luck (thanks, Eventing Jesus, your contribution to the weather and the ground’s moisture levels were much appreciated).
Andrew Nicholson, a man who has ridden more cross country rounds than most of us have had hot dinners, and who has never shied away from speaking his mind, put it best when he asked us in the mixed zone if anyone through the day had picked up 50 penalties for missing a flag.
“I bet they haven’t,” he said, without missing a beat. “Mark has got the measure of this flag rule. It was clear to the horses the whole way around where the flags were. They either jumped or they didn’t.”
He praised effusively, too, the scope for adaptability the course provided, citing examples — such as the Trout Hatchery — where you could change your mind about your route part of the way through without adding on 20 penalties. What he loved, he told us, was that there were no hidden traps to catch the riders and their horses out.
Harry Meade and Away Cruising jump the egg boxes at Clarence Court, the final combination on course. Photo by Peter Nixon.
This has never been a safe sport, and until the IOC forces a rule change that sees us strapped into harnesses and boinging around on trampolines with hobby horses between our legs, it never will be — not totally, anyway. When it comes to course design at the top levels, there are so many fine lines to negotiate that it must feel a bit like that classic diamond-heist trope — can you cross from the doorway to the gem without touching any of the criss-crossing laser wires? Can you cope with the fallout if the lace of your shoes breaks one of those laser beams, and a competitor is hurt, or worse?
What Phillips got right in his Burghley design was, as Andrew pointed out, a test that didn’t trick or trap horses. It didn’t encourage riders to take unnecessary risks to avoid clocking up 20 penalties — instead, they could see a safe path out of each question and reroute, rather than trying to stuff their horses over fences on a half-stride or an uncomfortable line.
The aftermath. Photo by Peter Nixon.
Sure, it was still a fiendishly difficult track, and it certainly separated the wheat from the chaff, but it worked in an almost miraculous harmony with this year’s dressage-sans-multiplier to create an enormous stamina test in which seconds in either direction could send you soaring or tumbling on the leaderboard. We saw a 66% completion rate, a 55% clear rate, and just a 6% double-clear rate on Saturday, with nobody faulting in the latter, single-fence heavy part of the course. Add to that the most perfect ground you could ask for — thanks to sunny days, dewy nights, and an endlessly dedicated team working tirelessly behind the scenes — and you create the sort of four-star we’ve all been sitting on our hands for for so long. You know what’s (absolutely miles) better than free wine and cupcakes at the evening press conference? Free wine and cupcakes that you can enjoy without a statement landing on your table about an injury to horse or rider. What was, perhaps, most heartening of all was that less than an hour after the conclusion of the cross-country phase, the Captain had already analysed and critiqued his own track, and was perfectly willing to declare where he had gone wrong — the Clarence Court combination at 21 didn’t see any faulters, but, he told us, it could have done, and will be changed for next year.
Oliver Townend and MHS King Joules jump the Gurkha Kuhkri fence that later dislodged Mark Todd and Kiltubrid Rhapsody. Photo by Peter Nixon.
One of the most important aspects of a successful competition is its watchability, too, and in particular, its ability to draw in casual or uninitiated spectators. On a personal level, we all felt our hearts break all over again for Mark Todd, who, for the second consecutive year, fell on cross-country while leading after dressage. But he was unhurt, Kiltubrid Rhapsody was unhurt, and, two fences earlier, he’d given us one of those heart-stopping and fist-clenching thrills-and-spills saves that ends up defining the sport in three minute video edits for years to come. If we take our own long-standing affiliations with the sport out of the equation, how does that serve the weekend’s television coverage? Spectacularly well, I should think — you might struggle to get your non-horsey partner, for example, to sit and watch a day of cross-country, but imagine how he or she might react if they turned over onto the BBC’s red button coverage, saw Toddy and Raps somehow get the job done at the Leaf Pit, discover from the commentator that they’re not just leading, but that Toddy is a veritable legend of the sport — then, two fences later, that legend comes unstuck. It’s fast, it’s furious, and the two leaders are very soon to start — suddenly, you’ve hooked another casual viewer, who might even tune in the next day.
Oh, and those eagle-eyed fans among you might have noticed something serendipitous — the optimum time was 11 minutes, 11 seconds. I know I made a wish.
All hail the Sons of Courage
The celebrations must have been rife at Ireland’s Kedrah House Stud, where the late stallion Courage II stands (in semen stock, if not in body), quietly asserting his continuing dominion over the eventing world. There are certain bloodlines we all pledge fealty to — one American trainer and former Olympian I know adores the talent and quirky nature of a Master Imp baby, while several friends swear by a bit of Jumbo to add quality to a blood horse. Me? Find me something sired by the late Holsteiner Courage II (Capitol x Cor De La Bryere), and I’ll be a very happy girl indeed.
Oliver Townend and Ballaghmor Class. Photo by Nico Morgan Media.
Courage II not only sired winner and runner-up Ringwood Sky Boy and Ballaghmor Class, he’s also responsible for Jonty Evans‘ Cooley Rorkes Drift and Yoshi Oiwa‘s WEG mount The Duke of Cavan. Elsewhere in the Burghley field, he sired Proud Courage, the mount of Nicholas Lucey. While he doesn’t stamp particularly consistently in terms of looks — would you have guessed that Oz and Thomas were half-brothers? — he does pass on an almost preternatural ability to think on the job, jump from just about anywhere, and dig endlessly deep. The 1990-vintage stallion passed away a few years ago, but there are still a few straws left of his own particular love potion no. 9, if that’s the sort of impromptu purchase you’re into.
More characters than a Jilly Cooper novel
One of the most difficult things about reporting on a major event is balancing the need to tell the main story — who conquered, who crumbled, who did something so truly remarkable as to change the course of the entire competition — with the endless desire to delve into the incredible stories of fortitude and tenacity that some of the other riders are sitting on. And believe me — you don’t get to four-star without tallying up some pretty remarkable stories along the way.
There was, of course, the irrepressible Julie Tew, whose story I was able to tell when she delivered a brilliant dressage test with Simply Sox and strode into her rightful place on the leaderboard. Unfortunately, their weekend would end early — Julie opted to withdraw before the final horse inspection after delivering a clear round on Saturday that had a mixed zone full of hardened media types surreptitiously dabbing at our eyes — but for me, and for many others, Julie’s is the stand-out story of the week, the one so purely and simply Burghley that Joules ought to think about printing her face on their commemorative scarves next year.
Julie Tew and Simply Sox defy the odds on day one. Photo by Peter Nixon/Land Rover Burghley Horse Trials.
Eighteen years ago, Julie was diagnosed with a tumour on her spine and told that the best-case scenario she could hope for was to walk with a stick, but certainly not to ride again. Despite this, she pushed through and continued to campaign a string of horses. Five years ago, following a sudden recurrence of debilitating pain and depression, she sought the help of a psychiatrist, who referred her to a neurologist.
“The neurologist took one look at me and said, ‘you’ve got 90% nerve damage in both your legs, and you really shouldn’t ride again,'” explained Julie, who, despite doctor’s orders, ‘fought immensely’ to keep doing what she loves. Now, she’s cut back on her string and manages her fitness levels carefully — the more exercise she does, the more pain she’s in, and so, she joked, she made it to Burghley on the back of months spent snacking on her sofa.
Her horse, too, has had his share of setbacks: he tore a ligament when he tripped on the horse walker, and injured himself in myriad ways in the field. Now, he has chronic arthritis in both hind fetlocks, presenting a further challenge to his already complicated management regime. But Julie and her team, through endless tenacity, and an enviable inability to take no for an answer, not only got the horse to Burghley, but got him round clear, too. They might not be our winners — hell, they’re not even on our short list of completions — but their story of grit, guts and glory is quintessential Burghley, and we’ll be following them closely (with our cheerleading pom-poms only just concealed behind our backs).
Richard Jones and Alfies Clover produce a career best. Photo by Nico Morgan Media.
Richard Jones and Alfies Clover produced the best result of Richard’s career, climbing from 33rd place after dressage to finish seventh in the competition. Last year at Bramham’s CCI3*, the pair looked set to achieve their best result yet, when a freak accident ended their week early: Richard slipped as he stepped out of his lorry’s living and, catching his wedding ring on the door as he tried to hang on, ended up losing his finger. He rode around Burghley last year with Alfies Clover, despite being in constant pain and lacking a huge amount of strength in his left arm, but this year, he’s put it all to bed, finishing seventh at both Bramham and Burghley. Also worth mentioning? There’s a serious back-catalogue of songs about him. Sort of.
“Pass me a bottle, Richard Jones.”
There were new faces, too, who made an impact — Burghley first-timer Camille Lejeune (not a girl, just French) was one of those huge characters who bowls into a room and leaves everyone grinning. At every juncture of the competition he would happily effuse, “it is a dream of a kid, no?” about his Burghley experience, and his incredibly Gallic, expressive face and smiling ease in front of a swarm of journalists was admirable. He and Tahina des Isles were the first combination to manage a clear round over Richard Jeffrey‘s seriously influential showjumping track, and once they did it — as cool and casual as you can imagine — everyone else started to see that it was possible. It’s always a fascinating domino effect to watch; over and over, in so many ways, we see the Bannister effect trickle through eventing. Anyway, more importantly, Camille and his plucky mare finished 16th and left us beaming in their wake.
The name’s Glynn. Ciaran Glynn. Photo by Tilly Berendt.
Ireland’s Ciaran Glynn took home the prize for best first-timer, riding the talented Irish mare November Night to 14th place. The mare is named for the November night on which she was bought at the Goresbridge sales — “quite a drunken one,” recalled Ciaran with a laugh. The mare has an enormous amount of jump in her, and more than one person has WhatsApped me asking me to photoshop Ciaran as James Bond, so for both reasons, keep an eye on this pair.
Esib Power and Soladoun make nothing of Burghley’s stamina test. Photo by Peter Nixon.
Esib Power‘s Soladoun was one of my stand-out horses of the weekend. The four-star first-timer was successful on the racetrack, and it absolutely showed as he produced the fastest round of the day on Saturday. He romped home eight seconds inside the optimum time, pulling up fresh as a daisy and looking rather bemused about why he’d had to stop at all. It’s been a while since we’ve seen Esib at this level, but it’s not for lack of talent — the tough-as-nails Irish rider also showjumps at the top level, contesting classes like the Hickstead Derby. Instead, it’s a lack of horsepower that’s kept her out of the spotlight — but with an impressive climb from 37th to ninth place, and the opportunity to base herself in the thick of it all at partner Oliver Townend‘s Gadlas Farm, hopefully we’ll see some more equine talent go her way. This season, we’ve seen her take over the ride on Oliver’s four-star partner Samuel Thomas II, too — and no doubt, with an extra horse or two to allow her to mount a committed campaign, she’ll be riding with Tokyo in her sights.
Pick your poison: a liberal top-up from Lucinda Green, or a healthy pour from former England player David Flatman. Photo courtesy of Pol Roger.
Party predictions
For the second year in a row, Pol Roger hosted their Bits v Balls charity shindig on Friday night, in their teepee-esque Lodge alongside the collecting ring. In aid of the My Name’5 Doddie foundation, which funds research on Motor Neurone Disease, the evening pits eventers against rugby players, ably compered by TV presenter Clare Balding and helped along by innumerable bottles of the bubbly stuff.
Interestingly, one of last year’s eventers was Oliver Townend, who won the squat challenge and went on to win Burghley. This year, Tim Price and Harry Meade went head-to-head in a plank challenge, tying for the win as they hit three minutes on the trot. Tim, for his part, went on to win the competition, while Harry produced what must be one of the best rounds of his career the next day, ultimately finishing sixth. We don’t want to say that Pol Roger picks the winners, per se, but if once is a fluke and twice is a coincidence, we’ll be keenly anticipating next year’s Bits v Balls to see if we can pin down an early winner once again. (Also because very, very good champagne tastes best when accompanied by the acting prowess of a Price, of course.)
Getting the fashion fix
Anyone who knows me even a little bit knows that I’m not really equestrian journalism’s “fashion person.” I appreciate a bit of effort, I like to dress up for a cocktail party, and I enjoy seeing what everyone wears at the trot-up, but I can’t abide the endless stream of articles that flood social media in the lead-up to a major event, all of which focus entirely on what to wear (and all offering the exact same advice). Look, it’s a nice, horsey day out; the odds are high that the weather will fluctuate between all four established seasons and probably a couple that only currently exist at the far reaches of our solar system, and really, no one cares what you wear to spectate. As long as you don’t fall victim to #jodhpurwatch, obviously.
But for all that — and for my endless griping — I do pay attention to what goes on at the horse inspections, and something caught my eye this year at both of them. The perennial and ever-popular Fairfax and Favor boots, ordinarily adorned with tassels to match an outfit, or to nod to the wearer’s cross country colours, were overwhelmingly going pink.
Lydia Hannon goes pink for British Cancer Care at the first horse inspection. Photo by Tilly Berendt.
Now, if there’s one thing the eventing community is marvellous at, it’s making charity a fun and easy thing to fit into our busy and broke lives. We saw it earlier in the summer, when #weargreenforJonty wristbands could be spotted on every arm in the country, raising money for the David Foster Injured Riders’ Fund, and we’ve seen it sitting in the window of every single horsebox in Britain, in the form of a bescarfed Willberry Wonder Pony. This time, the beneficiary of choice was breast cancer awareness, and Fairfax and Favor, who officially launch the pink tassels in October, have been quietly making an enormous financial impact.
Since their first year supporting the charity, the British fashion house has raised a huge amount of money for British Cancer Care, which works to support breast cancer patients and their families. This makes the company one of the leading commercial donors to the charity — not too shabby, for a brand in only its fifth year of life and competing against huge corporate entities.
A new way to wear tassels, demonstrated by this errant rodent. A Chinchfluencer, if you will.
Chinch demanded that I outfit him with his own set of tassels (unfortunately the shoes didn’t quite run small enough) — you can get your own next month through the Fairfax and Favor website. 100% of proceeds go to the charity, giving us yet another reason to feel seriously warm and fuzzy about the power for positive change our eventing family demonstrates.
Team GB chef d’equipe Chris Bartle had made one “pull my finger” joke too many. Photo by Tilly Berendt.
A stiff upper lip
One of the hottest topics of conversation was the British WEG team selection, which was notable in its exclusion of World Number One Oliver Townend. Oliver, who led the first day of dressage but couldn’t attend the evening’s press conference, was ably represented by Team GB chef d’equipe Dickie Waygood. Poor Dickie. He must have known he’d walked into the snake pit. But the former Riding Master of the Household Cavalry is well-versed in the art of keeping mum, and he handled the question with aplomb. So does Dickie know why Oliver was left off the team?
Waygood for President 2020?
I could keep rambling on all night about all my wayward opinions and happy little memories of this year’s Burghley, but the world keeps turning, and the eventing world keeps moving, and it’s on to WEG and Blenheim next — thanks for indulging me in one last stroll down (recent) memory lane. Until next time, chums.
Even with the WEG looming over the horizon (a bit like the eponymous twister in the 1990s cinematic classic of the same name), it’s just impossible to shake off the mantle of a jolly good Burghley.
Diving into WEG like…
It’s not the Burghley Blues, exactly — it’s just that the Lincolnshire event, with its end-of-school vibes, its golden-era feel, and its endless top-ups of bubbly sort of wraps you in a shroud of merriment that makes it hard to step away from Stamford and re-enter the real world. Golden era to golden arches (on the motorway home at 1am), four-star horsepower to fifteen-year-old Peugeot horsepower … you get my drift. I’ll be bringing you my reporter’s notebook this weekend, full of all the best bits that didn’t make the reports, but in the meantime, I’ve got something even better (or at least, vastly more educational) to share with you. But first: the UK diary dates you need for the weekend ahead.
8th: Little Downham (3) – BE80-A, with BE90RF and BE100RF – [Enter] Cambridgeshire (September 29 – October 1)
Tim Price and Ringwood Sky Boy. Photo by Nico Morgan Media.
Friday Video: Ride Along with Burghley Winner Tim Price
Have you ever wondered what, exactly, goes into producing a foot-perfect round over an enormous CCI4* track? After all, it’s not just going fast and jumping big — there are an almost endless variety of factors to take into account, and there’s plenty of strategy involved, too.
Fortunately for us, sports technology is evolving, giving us more of a chance than ever before to break down the remarkable athletic achievements of both horses and riders at the very top of their game. Leading analytics company SAP has teamed up with Burghley winner Tim Price to bring you a video of his winning Burghley round aboard Ringwood Sky Boy that’s equal parts external footage, first-person views, up-to-the-second numerical data, and, best of all, running commentary from the man himself.
What makes this video so impressive isn’t just the ease with which Tim and Oz scale the colossal fences — although that is suitably mind-boggling, too — it’s the sheer amount of data we’re giving at any given point in time. Keep an eye on the left hand side to see the blistering speeds that the pair reached, particularly up the long and taxing Winners’ Avenue, and how changing gears for different combinations affects their speed accuracy and their ability to hit the minute markers. The future is a-comin’, folks, and it’s being carried in on the backs of companies like SAP, who marry the best of equestrian sport with quantifiable data and technology. Give them a like on Facebook to keep up to date with all of their projects.
Happy Times says goodbye to his happy hunting ground at Burghley. Photo by Tilly Berendt.
Amidst the high excitement and guts-and-glory savoir faire of Burghley’s final day, there was also a poignant moment: we said goodbye to Sam Griffiths‘ long-time partner Happy Times, who cantered into the main arena one last time, ears aloft to the cheering crowds at his favourite event.
Happy Times (Heraldik x Hauptstutbuch Mandy, by Maraschino) has clocked up a remarkable string of achievements in his long and storied career, including eleven starts at CCI4* and coveted spots on the Australian team at the London 2012 Olympics and the 2010 World Equestrian Games in Kentucky.
Happy Times bows out at Burghley, alongside Sam Griffiths and former head girl Imogen Mercer. Photo by Tilly Berendt.
Owned by Sam, Dinah Posford, and Juliet Donald, ‘Happy’ made an auspicious debut into the public’s attention in 2006 with his first major competitive appearance. This was at the Young Horse World Championships at Le Lion d’Angers, where he contested the seven-year-old CCIYH2*, finishing fourth and completing on his dressage score of 44.4 [29.6 revised]. The next year he would step up to three-star, gaining experiencing and demonstrating a remarkable upward curve in his performance, and culminating in a win at SaumurCCI3* in the midst of the 2008 season.
And from there? Well, there was no stopping him: he made the step up to four-star in 2009, finishing third at both Badminton and Burghley, making the time but rubbing a pole at the latter and adding just 0.8 time penalties across the country to his dressage score at the former.
The following year, he won early-season CIC3* classes at Belton and Chatsworth, cementing his place on the Australian team for that autumn’s Kentucky WEG where, unfortunately, their competition would come to an early end on the cross country course. Sam and Happy regrouped, came back out for the 2011 eventing season, and cruised around Badminton yet again, finishing fourth on their dressage score. If once is a fluke and twice is coincidence, three outings at four-star with barely anything — if anything at all — added to their dressage score proved that Sam’s remarkable Oldenburg was, in fact, the real deal.
Sam Griffiths and Happy Times at Burghley 2013.
They would finish 16th at Burghley in 2011 before heading to the London Olympics in 2012 — another Championship event that didn’t go quite to plan for the four-star specialist. They rerouted to the next month’s Burghley, finishing an easy ninth, and following it up with 15th and 12th at Badminton and Burghley, respectively, in 2013.
Sam Griffiths and Happy Times at Burghley’s Discovery Valley in 2014. Photo by Kate Samuels.
In 2014, they would add another third-place finish at Burghley to their impressive resume. Over the next couple of years they would complete yet another Burghley, as well as clocking up respectable finishes at Blenheim, Barbury, and Belton.
In 2017 Sam suffered a crack in his neck that was discovered after Burghley, and while he opted to take a few months’ break from riding to allow it to heal, he felt that he couldn’t let Happy, then 18-years-old, stand by and lose out on a season. Instead, he drafted in fellow Australian and close friend Shane Rose, who had based himself at Sam’s Symphony Farm in Dorset for the season. Ineligible for the competition’s Event Rider Masters leg by dint of their new partnership, they instead aimed for The Festival of British Eventing’s hotly-contested Advanced section, which they won easily. This season, Happy was lightly campaigned at ERM legs by Sam, enjoying a pressure-free final season on which to end his impressive career.
One last time for Happy Times: Sam Griffiths’ longtime partner enters the main arena at Burghley. Photo by Tilly Berendt.
“I’d always planned for this to be his last season, but it wasn’t until my showjumping trainer Ros Morgan suggested Burghley that the idea to do it there came about. She pointed out that it would be a great send off, and it’s true – he competed there seven times and was always a Burghley horse; he always came into his best in the autumn,” says Sam.
Happy, who still looks and feels much younger than his nineteen years, is looking ahead to an active retirement – he’ll be making his show-ring debut in the in-hand and veteran showing classes with Mouse Berry, who groomed for the pair at the London 2012 Olympics, and who’s based just ten minutes from Sam’s Dorset base.
Happy Times completes a final lap of Burghley’s main arena. Photo by Tilly Berendt.
For Sam, riding into the main arena at Burghley was the perfect way to tie his long partnership up with a neat bow.
“I loved him from the moment I saw him,” says Sam, who was contacted by friend and dealer Ruth Wollerton about a young horse he ‘had to see’. “He was just so athletic – you could hardly hear him as he was trotting around the arena. He was always a bit of a star, but he was notoriously hard to train for the showjumping – he was terrified of poles, and would leap over them in the beginning when I tried to do polework with him. But when he came into the ring he really relaxed into it, and he was won of the only horses to jump a double-clear on the final day at Burghley one year. He loved the crowds, and to me he was the perfect event horse: he could move, he could jump, he was always so sound, and he had a great brain.”
Sam Griffiths and Happy Times at the 2016 Land Rover Burghley Horse Trials. Photo by Nico Morgan.
Sam and Happy were joined in the main arena by former head girl Imogen Mercer, who worked for Sam from 2011, just after leaving school, until 2017, and enjoyed forays to many major events with her charge.
“It was a very special day — to be honest, I wasn’t expecting to go into the main arena,” says Imogen. “For me, it was mainly a day for Sam and Happy’s owners, Juliet and Dinah, to celebrate the journey that they’d been on with him, and it was great that they could do that and parade him around one of the events that he’s done the best at in his career.”
“I went to my first Badminton with Happy Times and Paulank Brockagh in 2013, and I was very fortunate to be there at the time when both horses were at the top of their career.” Imogen looks back on Happy and Sam’s third-place finish at Burghley in 2014, upon returning from the Normany WEG with Paulank Brockagh, as a particularly special point in her career. “The Sunday was an amazing day; he’d just gone so, so well all week, and it was amazing to be in the main arena at the prize giving, and to experience that camaraderie between the riders and the grooms. Burghley is just such an amazing event because it’s still got so much hype about it but it’s very friendly, and it’s towards the end of the year so it’s a little bit more relaxed, but it’s still a four-star.”
When you’re working alongside a horse who has made such an event his dominion, a place like Burghley becomes even more special — and it was clear, from the enthusiastic cheering of the gathered crowds that Happy had earned his place in the annals of Burghley history.
“It’s sad to retire him, but I’m just glad I could give him a fitting send-off,” says Sam. “He did so much for me; he was the first horse to really put me on the map and I still love riding him now.”
Team EN wishes Happy a long and, well, happy retirement. Thanks for the memories, old boy.
Sam and his evergreen Happy Times. Credit Griffiths Eventing Team.
Hands up if you’re feeling the post-Burghley blues, in which real life seems to pale in comparison to fence-hopping, celeb-spotting, vitamin D-topping glorious Stamford and its microcosmic eventing mecca. Yeah, us too — in fact, it’s only an endless stream of social media (okay, and the thought of WEG and Blenheim next week!) that’s keeping us from Bridget Jones-ing our lives away.
Mostly.
In an effort to keep you all away from the liquid joy — your body is a temple, after all — we’ve compiled some of our favourite social media moments from last week’s competition. Nostalgia mode: activated.
Now, you might think of four-star eventers as one-trick ponies (see what we did there?), but several of them demonstrated some remarkable hidden talents through the week. For example:
Eventing fans and riders alike did a marvellous job of demonstrating the sheer scale of the pants-wettingly gigantic fences the competitors had to tackle on Saturday. Sure, sometimes the very best make these things look small, but we beg to differ…
There was frivolous photoshopping. Your hard-working UK correspondent is easily led astray by a bottle of wine and a bad idea.
Look, guys, I’m very busy and important and I have a monster course preview to get through and – OKAY FINE I’LL BADLY PHOTOSHOP HARRY MEADE INTO THE GREATEST SHOWMAN POSTER, YOU’VE TWISTED MY ARM pic.twitter.com/tf3au7dc2i
There was the very best house porn of all in the form of Burghley House, which basked in a perpetual golden glow and kept a close eye on proceedings — as well as hosting the most exclusive party of the autumn, of course.
Many people will argue that fashion is just as important as function at an event like Burghley. We couldn’t agree more — but put your white jeans and feathered fedoras away, because there were some rather more unique options on show throughout the week…
Okay, okay, this hasn’t worked at all — we’re even desperate to go back to Stamford now. So we’ll leave you with this: Burghley’s own delightful little wrap-up video. All the best bits in under a minute. We’ll meet you at the booze cabinet.
Tim and Jonelle Price: eventing’s winningest couple. Photo by Tilly Berendt.
As it turns out, you can put a price on success. Or two of them, actually, as long as those prices are actually Prices and those successes are actually the tangible culmination of a lifetime of intensely hard work, ineffable dreams, and a partnership deeply rooted in mutual ambitions, respect, and most of all, love: love for the sport, with all its inevitable ups and downs, love for the horses around whom everything orbits, and love, at the end of the day, for one another.
Does it seem a bit emotional and frivolous to talk about something as unknowable as love when we’re looking at something as grounded in cold, hard facts as eventing? Maybe. But at the end of the day, it’s the time spent on the immeasurables — the marginal gains in training that no one ever sees, the raw will to win that pushes horses and riders through seemingly career-ending injuries, the unquenchable passion that carves a path through the worst of times — that has the most effect on the measurables. Without love, and all its many shapes and forms, you don’t have numbers. You don’t have stats. You don’t have wins.
If the love don’t look like Price love (and 90s R&B, or whatever), we don’t want it. Photo by Tilly Berendt.
When Tim Price and JonelleRichards, as she was known then,relocated to the UK from New Zealand in 2005, it was entirely on the strength of those immeasurables that they did so. Could they have, even then, anticipated that some thirteen years down the line, every sacrifice they had made would come good? Perhaps not — but then, perhaps sometimes you keep that flame of self-belief quietly flickering away, season after season.
So much has already been said about Jonelle Price’s incredible 2018 season: a first-ever — and long overdue — four-star victory at Badminton, swiftly followed up by another at Luhmühlen. But Tim has been quietly racking up some very good results indeed through the year, with a win in Blair Castle’s CCI3*, a second-place finish in Jardy’s ERM leg, and, of course, his nomination to the New Zealand World Equestrian Games team alongside Jonelle. But a major result? Well, that had narrowly eluded him.
When we talk about horses who are household names — in eventing families, at least — we’re often talking about four-star winners and Olympic medallists. But sometimes — as in the case of Classic Moet prior to Jonelle’s Badminton victory — we’re speaking of those perpetually consistent top-level horses, the triers, the ones who dig deep time, and time, and time again, with all the guts but just falling short of the glory. Some horses just deserve a four-star win. Ringwood Sky Boy is one of them.
Tim Price and Ringwood Sky Boy clear the final fence on the Burghley course. Photo by Nico Morgan Media.
Thirty-nine horses went forward to today’s showjumping test, but only eight of those produced clear rounds. Of those eight, only three were clear with no time penalties. In the morning’s session, not a single combination produced a clear round. Tim and Oz, as he’s known at home, had led after cross country, moving up from second after the dressage after coming home just a second over the optimum time on yesterday’s cross country course. He came into today’s showjumping test with a lead of just over half a penalty point, giving him no margin for error at all — but Ringwood Sky Boy, like Classic Moet before him, isn’t known for his showjumping prowess. In fact, he’d only ever jumped one clear showjumping round in a four-star, out of nine completions. Statistically, it wasn’t a matter of if they’d pull a fence — it was a matter of how many they’d send to the floor.
That moment when…you’ve absolutely nailed it, in every way, in every phase. Photo by Nico Morgan Media.
The answer? None, nada, rien, nichego, niente. At the moment when it mattered most, they stayed fluid and communicative over a course that confounded much more reliable showjumpers, and they made it happen. Just as Jonelle and Classic Moet produced their first clear showjumping round in an international in four years to win Badminton, Tim and Oz defied every crunched number, produced the goods, and became the 2018 Land Rover Burghley Horse Trials champions.
Tim Price and Ringwood Sky Boy’s owner Varenna Allen. Photo by Tilly Berendt.
“He’s the sort of horse who deserves a big day, but he’s one of those who’s usually sort of in the mix somewhere in the class with a couple of good peaks during his competition,” said Tim, the easy grin he’s known for writ large on his face. “But to pull it all together in one week has been exceptional, and I couldn’t be more proud of him. Varenna Allen, his owner, makes a big effort to be everywhere with him, and it’s just a massive team effort. It wouldn’t be the same without the people in the sport and the team — I look for somebody to have a joke with on the way into the arena, because we’re all friends here.”
Tim Price and Ringwood Sky Boy. Photo by Nico Morgan Media.
For Tim, who also finished in tenth place aboard Bango, Burghley has long been the domain of the legends of the sport — legends who, whether he’s realised it or not, he’s carved a place for himself alongside.
“It’s always been a dream to do Burghley, ever since watching Andrew, Toddy, Blyth and those guys. We got inspired as youngsters, watching it on the television. To be doing it is unbelievable — beyond my wildest dreams,” he said. “It’s everything, isn’t it — it’s Burghley! I like to think of myself as a very natural rider; a horseman who’s just going through the motions of the competition. That’s my background — I work with young horses from the bottom on up, and I just look at Burghley as a place that exemplifies all of that. So to come here and to win it is pretty cool. It’s going to take a while to sink in. It’s amazing — amazing.”
Tim Price and Bango. Photo by Nico Morgan Media.
It’s easy to forget the incredible work ethic that Tim, Jonelle, and their backstage team — ably helmed by head girl Lucy Miles — possess, particularly when their ceaseless positivity and good humour make it all look, frankly, rather relaxed, but it’s hard work that’s gotten the team here, and it’s hard work that engineered today’s clear round, too. From the winters spent showjumping on Spain’s Sunshine Tour to the expertly-managed fitness regimes that allow their horses to recover so well from efforts like yesterday’s, nothing is left to chance.
“I’m super proud of my horse for jumping a clear round; he had a couple of taps, but I’m happy with those sort of taps because they weren’t big, klutzy moments – they were just him trying hard,” said Tim about his horse’s performance. “It’s tough to crack the showjumping on that particular horse — he throws his heart over first, and sometimes his head gets left behind. It’s a challenging course, and Oz had given his all the day before and we really needed to work for that. I changed how I was going to ride the middle line after my round on Bango. But they’re different horses — you’ve just got to take your experience and ride them accordingly.”
Tim Price pilots 10th-placed Bango in the prizegiving and lap of honour. Photo by Nico Morgan Media.
Oz, who came to Tim as an ‘unruly’ six-year-old with a penchant for rearing and bolting, was never intended to stay at Mere Farm — in fact, he spent four years trying to sell him on and recoup the £3,000 he’d paid for him. But now? He wouldn’t be without him.
“He’s a character around the yard, and he’s the first horse I go and say hello to every morning. He’s got his special scratches, where he does this giraffe thing with his neck. He’s just been here so long, and he’s so happy, but that’s not necessarily the sort of horse that goes and wins these things.”
Tim Price – your Burghley 2018 champion. Photo by Tilly Berendt.
Just one second over the optimum time on yesterday’s course precluded Tim and Oz from delivering the second FOD of the competition.
“That’s a disappointment, isn’t it?” he joked. “I’ll have to go home and work on it. I’m sure we’ll talk about it in the car on the way back!”
Oliver Townend and Ballaghmor Class finish second. Photo by Nico Morgan Media.
Last year’s winners Oliver Townend and Ballaghmor Class might have pulled a rail, but it didn’t drop them a single placing — in fact, it only served to give Tim the slimmest of margins to have his own rail, if needed. The eleven-year-old gelding, who has now been 1st, 2nd, and 5th in his three starts at the level, produced one of the two fastest rounds of the day yesterday, coming in eight seconds within the optimum time of 11:11.
“It’s very special to have him here again,” said a delighted Oliver. “I’ve had him since the word go, and he’s been tricky — I still gave to be careful with him when he’s fresh! — but with extreme talent come the quirks. Last year he came here and won it out of pure naivety — this time, he came and felt like he knew the job. He became a professional this year. There’s always something you can improve on, but I’m so happy — he couldn’t have given any more. To be consistent and to give better and better performances — that’s really special.”
Oliver, who admits that he’s often guilty of “keeping my head down and staying quiet”, has a special place in his heart for the tricky but talented son of Courage II. (Incidentally, this makes Ballaghmor Class a half-brother to winner Ringwood Sky Boy — they share the same sire.)
“He has the main box in the yard,” smiled Oliver. “It doesn’t matter which window I’m looking out of; I can always see Thomas, even from the bathroom! He’s the first horse I look at in the morning and the last horse I see at night. He’s as special a horse as I’ve ever ridden.”
Oliver Townend and Ballaghmor Class. Photo by Nico Morgan Media.
Oliver, who came to the competition with three rides, finished it with just two after withdrawing MHS King Joules before this morning’s final horse inspection. Cooley SRS finished 12th, adding a pole in the final phase but climbing a placing from his cross-country result. For the incomparably hard-working rider, piloting multiple horses is old hat — but it still has its effect on him.
“Honestly, at this stage, it’s a big relief — I’m quite glad it’s over!” he said. “I couldn’t be happier with my horses; they’ve been unbelievable all week and their form through the year is just unbelievable. And that doesn’t just happen overnight. Full credit to their owners — it takes time to get to this point and I just kept on saying, ‘wait, just wait, we’ll get there.’ It’s very special, and I’m very proud to be on them.”
Second place to a Price is not a new experience for Oliver, who lost out on the final leg of the Rolex Grand Slam to Jonelle at Badminton, but the pragmatic Yorkshireman, for all his blunt exterior, is quick to celebrate his fellow competitors’ successes.
“I’ve got to congratulate Tim — that family has been in my backside all year!” he laughed.
Suited, booted, and sure-footed: Andrew Nicholson and Swallow Springs clock up Burghley’s only FOD. Photo by Nico Morgan Media.
One of the most impressive performances across the week’s competition came from third-placed Swallow Springs, ridden by five-time Burghley winner Andrew Nicholson. The four-star debutante began his week in 16th place, after a test that Andrew felt was harshly marked by the ground jury, but an exceptional clear round inside the time across the country catapulted the pair into fifth place. Today, another double-clear shot them to third — and made them the only pair in the competition to finish on their dressage score.
“I’m very pleased with him; he couldn’t have done any better, and I don’t think I could have done any better,” said Nicholson of the eleven-year-old, known at home as ‘Chill’. “I’m lucky to have some very supportive owners; after my injury [in 2015] they were happy for me to downsize my string a bit and send some of the horses to Oliver. The ones that are left are the ones I think are really special.”
Chill, who finished a very impressive second in Bramham’s CCI3* in June, has always shown four-star potential to the vastly experienced Kiwi stalwart.
“I left home thinking that if he could go the way he can, and if I did my job, we were in with a pretty good chance of winning the thing,” he said. “All credit to him — he let me ride him, and he let me tell him what to do. It was a bit rough and ragged at times, but it happened.”
Andrew originally got the ride on Chill because he bucked badly, but now, he says, the horse is a ‘pussycat’ at home. When the youngster arrived on his Wiltshire yard, however, he didn’t have a name — and so Andrew chose Swallow Springs, a nod to Swallowhead springs in nearby Avebury. All starting to sound rather wonderfully sentimental? As it turns out, Chill isn’t the only pussycat in Wiltshire. But could this talented grey in fact be the next Avebury?
“Well, sure — he’s the right colour!” laughed Andrew.
Sarah Bullimore and the notoriously tricky Reve du Rouet add another top five placing to their name. Photo by Nico Morgan Media.
Sarah Bullimore‘s Reve du Rouet is one of the most topsy-turvy, back-and-forth, Jekyll and Hyde horses in upper-level eventing — but for all that, he’s phenomenally talented and, as he proved this week, when he comes good, he comes very good indeed. They managed one of the very few clear showjumping rounds inside the time today to finish fourth.
“He’s been amazing — he’s a phenomenal jumper, but sometimes things do get the better of him at an event,” said Sarah. “He’s so talented, but he often has one or two things right and the rest goes out the window.”
Piggy French and Vanir Kamira fly the girl power flag. Photo by Nico Morgan Media.
Last year’s runners-up Piggy French and Vanir Kamira were one of the primary contenders for the Burghley title, sitting in third place going into today’s final phase, but it wasn’t to be, and a heartbreaking rail shunted them down the order to finish fifth.
“To be honest, I think I was quite lucky to just have one — there were a few rubs out there, so I’ll take that,” said Piggy. “Of course we’re disappointed, but it was nice to know that we can both do it and take confidence in each other again.”
Vanir Kamira once again won the prize for the best-placed mare, which gives Piggy the opportunity to take embryo transfers from her talented partner. Le Lions of the future: watch out.
Buck Davidson and Park Trader post a top-twenty finish. Photo by Nico Morgan Media.
Buck Davidson finished the best of the Americans, pulling two rails with Park Trader to finish seventeenth in the horse’s first Burghley.
“He was a little bit fractious as I went in there, so I didn’t really get his focus back for the third fence,” explained Buck. “I had hoped to do something a bit different at the triple bar to the treble combination — everyone else had the back rail down in the middle, and I had the front, so I managed to do exactly that!”
Buck took over coaching duties for fellow American Lillian Heard this week, after her own trainer Boyd Martin withdrew and couldn’t make the journey over. She finished 37th with LCC Barnaby, adding her first Burghley completion to her resume and finishing with two rails.
“Lillian’s a super girl and she rides great, especially since her horse isn’t the easiest,” said Buck. “I don’t know that I did very much but it was great having her on the team this week.”
Lillian Heard and LCC Barnaby tick a huge box on their sophomore attempt. Photo by Nico Morgan Media.
Lillian, for her part, was delighted to tick the Burghley box and took plenty away from her experience.
“You’ve got to keep your cool in there — confidence is a huge part of that. I was in a position where I didn’t have much to lose, so I could go in there and practice — and that’s exactly what I did. It’s been a funny week — I was disappointed with our dressage, really disappointed with that 20, but the happiest that I had a sound horse this morning, and thrilled with how he came out and show jumped, so you have to be happy with that! We’ll aim for Kentucky in the spring — although I’d love to do Badminton if we could get a grant.”
Andrea Baxter and Indy 500 make Burghley happen. Photo by Nico Morgan Media.
Andrea Baxter and Indy 500 also added two rails to finish 36th: “She was actually jumping great, like she had springs in her feet, but she got a bit strong to the treble and the third element came down. I probably moved up a bit more than I should have. She just feels a bit proud of herself now — she likes having people in the crowd; it doesn’t worry her at all. Now we’re going to aim for Badminton — if we can afford it!”
So that brings us to the conclusion of our Burghley coverage — it’s been an emotional rollercoaster, but we couldn’t be more delighted with the end result for the Price clan, and for all those hard-working horses, riders, grooms, and connections who came together to make their dreams happen this week. We’ll be bringing you a reporter’s notebook in the next few days with all the bits and pieces that didn’t make the report — we’ll look forward to reliving Burghley in all its glory with you then.
Until then, raise a glass to House Price, rulers of the realm — and, as always, GO EVENTING!
Your final top ten at Burghley 2018. It’s been emosh.
Piggy French and Vanir Kamira, third-placed overnight, present to the ground jury. Photo by Tilly Berendt.
Good morning from the final fray, the hard-won front line of the 2018 Land Rover Burghley Horse Trials. The day dawned bright and beautiful as the crowds gathered en masse for a tense final horse inspection: would the long night of icing and walking be enough? Would those hardened athletes who had fought so hard and dug so deep in yesterday’s test stride into Sunday fit, and well, and happy? We focus so much on the three phases of eventing that sometimes it’s easy to forget that dreams can be dashed just as harshly in the horse inspections, too — but there will have been little but this moment on the riders’ and grooms’ minds for the past fourteen hours.
Oliver Townend and Cooley SRS. Photo by Tilly Berendt.
There was a notable spate of withdrawals before the trot-up even began this morning: Oliver Townend withdrew his pathfinder horse MHS King Joules, who has been so consistent this week and sat in tenth place after the cross country phase. Oliver’s other rides, Cooley SRS (13th overnight, now 11th)and Ballaghmor Class (2nd), were accepted.
Andrew Nicholson and Swallow Springs. Photo by Tilly Berendt.
Andrew Nicholson, too, withdrew one of this two rides — Jet Set IV was eighth overnight, but his Burghley ends there. Andrew will ride Swallow Springs (5th) in this afternoon’s final session.
Fellow Kiwi Ginny Thompson (40th) opted not to present Star Nouveau, and Burghley first-timers Hector Payne and Dynasty, who was 29th after a clear cross country round, made the same decision. Rebecca Gibbs (30th) and De Beers Dilletante and the wonderful Julie Tew and Simply Sox, whose incredible story has moved us all so much this week, also decided not to present this morning.
Never mind, we’ll find someone like Tew. (Except we won’t, because she has broken and re-healed our icy cold hearts over and over again, and we are taking this worse than a break-up.)
Tina Cook and Star Witness are held, but then offered a fortuitous shift up the ladder. Photo by Tilly Berendt.
After the initial landslide of withdrawals, though, it was plain sailing across the board, with just one horse sent to the holding box throughout the ground jury’s ministrations. That was Tina Cook‘s Star Witness, who added nothing to their dressage score yesterday to climb an incredible 50 place from 62nd to 12th. Now, in the wake of the withdrawals, she sits in 10th place going into this afternoon’s final session of showjumping. Not. Too. Shabby.
There was an almost disappointing lack of dance moves today, particularly from Harry Meade and Away Cruising, who sit in fourth place on a score of 31.1 after an scorching round across the country yesterday, and who behaved so delightfully badly at the first horse inspection.
“Fantastic! This is going jolly well indeed; perhaps Tilly will stop badly photoshopping me and leave me in peace for five bloody minutes!”
But never fear, Harry – you gave us quite enough material on Wednesday to distract us from doing any actual work for the next six months, at least.
#fillercontent, people. Filler content for days.
“Oh.”
The current leaders, Tim Price and Ringwood Sky Boy, sailed through the trot-up, and we’re delighted to report that both looked fit, well, and full of running after making such light work of the course yesterday.
Overnight leaders Tim Price and Ringwood Sky Boy are accepted in the final horse inspection. Photo by Tilly Berendt.
Our American entrants, too, saw no trouble this morning — all three will go forward to showjumping, with Lillian Heard and LCC Barnaby (now 37th) Andrea Baxter and Indy 500 (now 35th) showjumping in the morning session and Buck Davidson and Park Trader (now 12th) jumping in the final session.
Andrea Baxter and Indy 500. Photo by Tilly Berendt.
Lillian Heard and LCC Barnaby. Photo by Tilly Berendt.
Buck Davidson and Park Trader. Photo by Tilly Berendt.
One of the most important parts of the final horse inspection — in our humble opinion! — is the awarding of the grooms’ prize for the best cared-for horse over the duration of the event. This morning, it was awarded to Janet Willis, who looks after Willa Newton‘s Chance Remark (10th), and has worked for the Newton family for 33 years.
Janet Willis and Chance Remark. Photo by Tilly Berendt.
The morning’s session of showjumping commences at 11.15am BST/6.15am EST, with the final session beginning at 2.25pm BST/9.25am EST. Stay tuned!
Tim Price and Ringwood Sky Boy lead overnight after an influential cross country day. Photo by Nico Morgan Media.
Sometimes, the fates align and everything comes together to deliver an absolutely and inarguably bloody brilliant day of cross country. Today at Burghley was one of those rare, special days: the weather was glorious (and yes, the first rule of journalism is that you should never talk about the weather — but this is eventing in Britain, so cut us some slack here), the cross country course was influential in that old-school way that is so often pined for, there were no tricks, traps, or problems for the ground jury to puzzle over, and the thrills and spills, while certainly coming up thick and fast, ended up being just those: tumbles and glances without any disasters. At the end of the day, we’ve been graced with the sort of leaderboard that eventing dreams are made of — and the stories that brought us all to this point are as wonderful as the people and horses who made them happen.
Gushy? Sure, we won’t deny that — but what is this sport if not a melting pot of hopes, and dreams, and inextinguishable passion, tempered all too often by heartbreak and injury and seemingly endless disappointment? (Okay, and mud. So much mud.) When Eventing Jesus smiles upon us and gives us the glory days — well, we’re damn sure going to celebrate them.
Live footage of your devoted EN correspondent handling the excitement of the day with total professionalism.
Sixty-eight horse and rider combinations left the start box today to tackle Captain Mark Phillips‘ big, bold course, and forty-five of those made it home. Of those forty-five, seven picked up cross-country jumping penalties, and of the thirty-eight clear rounds, just four made it home inside the optimum time of eleven minutes, eleven seconds.
It’s always going to be an interesting day when the placings after dressage are so achingly close and when the first few riders out of the start box are some of the most experienced in the field, and yet still become the mistresses of the ticking clock. Today, just ten seconds separated the dressage leader from overnight tenth — and after that, it got even tighter, with a matter of seconds between the majority of the rest of the riders. Lest anyone have any lingering doubts, this was not going to be a dressage competition.
Oliver Townend and MHS King Joules, third-placed after dressage, were our pathfinders this morning, and the notoriously strong gelding gave the crowds a few gasping moments earlier on in the course, settling around the three minute mark to produce the first of the day’s clear rounds. They added 10.4 time penalties, enough to put them in 10th place overnight — but it was an early indicator that things were about to be shaken up in a major way.
“It was a tricky enough course to ride,” he said after his first trip around the track. “He was balls-out early on, but he kept jumping everything I put in front of him. He’s the strongest I’ve ever ridden, and the course is the biggest I’ve ever jumped — it walked massive, but it jumped even bigger. Then you add in the toughest terrain in the world.”
Round after round followed suit with top horses and riders coming in handfuls of seconds over the optimum time — but when last year’s runners-up Piggy French and Vanir Kamira delivered a blazing fast round, coming in with just 1.2 time penalties, it began to look achievable.
“She’s a fabulous little mare — you could strap a monkey to her and she’d go and run cross country,” said the delighted rider, who sits in third place going into tomorrow’s final phase. “She just needs balancing, as she’s quite a downhill horse, but she’s such a game little girl, and I knew she had it in her because of how well she did last year. Now I’m just kicking myself for that three seconds over the time — she’s so full of running, and if I could go straight back out and do it again, I’d shave those off. I just gave her those moments to refill her lungs, but she was buzzing, so I could have made them up.”
Piggy, who is one of a plethora of successful women who balance top-level competition with new motherhood, has overcome a long run of bad luck and come back to this level in the best form of her career.
“I just really enjoy the game, and I’ve got fabulous horses and great people around. When you’ve had a really bad time and know how bad things can be with horses, you just crack on when you can. I don’t think you ever dare to think it could go well — you just have to take each day as it comes.”
Of motherhood, she laughs: “I often wonder what I did before I had a child — he takes so much time! But my partner, Tom March, is brilliant, and we muddle through. I do want to be a proper mum, so I ride in the morning, and spend the afternoons doing that.”
Once Piggy’s fast round was in the bag, we witnessed two astonishingly quick rounds through the afternoon. The first belonged to Tina Cook and Star Witness, who were the first combination to make the time, coming two seconds under to climb from 62nd to 12th position.
“I had to trust that I was on a Thoroughbred — I needed to kick ass today!” she said. “The only way I’d get near the top ten was to go inside the time. But I still had to work — we lack runs, and with his kissing spines, I try not to do too much, but I promise his owners a four-star a year. He’s amazing at this — so honest. But I think Dickie [Waygood] and Chris [Bartle, the Team GB coaches] were holding their breath!”
The next of the fast rounds was delivered by Irish rider Esib Power, who came in eight seconds under the time with Soladoun, moving from equal 37th to 7th place.
“It’s great to be back at this level,” said Esib, so nicknamed because as a child, her brother couldn’t say ‘Elizabeth’. She always expected her successful former racehorse to be fast, but was impressed with how he stepped up to the level: “I’ve never had him off the bridle before, so that was a new feeling — you can’t take any liberties out there. It felt like hard work, so I’m glad it looked classy. It certainly lived up to it’s reputation — it’s hard work out there! Look, it’s what you dream of — I’d love to have more horses to do this with, but for now, I’m happy to have got this one here.”
And then it was anyone’s game. Harry Meade added just 1.6 time penalties, holding fourth overnight with Away Cruising, and local rider Richard Jones and Alfies Clover added 2.8 to move from 33rd to 9th. Andrew Nicholson had come close with his first horse — Jet Set IV added 2.4 time penalties and moved from 29th to 8th place — but his second horse, the four-star debutante Swallow Springs, added nothing at all to his dressage score, moving from equal 16th to 5th place overnight.
“He might be young, but I rode him like he’s a four-star professional,” said Andrew. “When I’m positive, he’s positive — he’d happily have done three strides through the Leaf Pit. He’s a proper horse. If I ride him more delicately, he’ll dangle his legs and offer to run out — he likes you to be in charge and he’s been naughty in the past. He bucked me off in the warm-up once.”
Andrew has high hopes for the talented up-and-comer: “Nereo always felt like he hated it here, even though he did so well — I always thought that maybe he got wise to it but after riding the younger ones who love it, you realise that some of them just don’t like Burghley.”
He was also full of liberal praise for the course design, suggesting that other designers might seek to emulate Mark Phillips’ methods.
“I loved that there were no hidden traps — for example, I jumped in big to the Trout Hatchery and changed my plan, and it was great that I could do that and still be clear. Mark has got the measure of the flag rule — there were no questions about 50 penalties today, because the horses could always see the flags. Then they either jumped or they didn’t.”
Oliver Townend‘s final ride of the day — and the final horse to leave the start box — was last year’s winner Ballaghmor Class, who managed to produce something even more impressive than his effort of last year, finishing eight seconds within the time to level with Esib Power as the fastest ride of the day. They sit second overnight on their dressage score of 27.9.
“He was unbelievable,” said Oliver. “I didn’t know if he’d get the trip at the speed we needed — it’s not in his pedigree, but it’s in his mind. He felt like a different horse altogether from last year — last year, it was pure naivety, and me throwing in big questions that he answered every time. This year, the track didn’t suit many, but he dug deep and put his head down — he was workmanlike. He’s turned from a boy into a man. It’s a funny old job, though — sometimes I think I’ve done a good job and they kill me for it. Today, I thought I was a bit desperate and didn’t give him the best ride, but everyone’s praising me! The dream is very much still alive, and for now, I’m just enjoying having three clear at Burghley. I’ve had great times on some of my horses but to have them on horses I’ve produced is a different feeling. It’s a different sport for me now. I’m a bit of a mess, anyway — I try to keep my head down and keep quiet, but when I cross the finish line, I just want to burst into tears.”
But for all of the astonishing efforts across the board, it was to be Tim Price‘s day. His foot-perfect round on Ringwood Sky Boy added just 0.4 time penalties to his dressage score, giving him a well-earned lead after a ride that made Burghley look like the Pony Club.
“I’ve had some thrill rides on this horse — in the wrong way!” said Tim. “Finally, though, we’re finding what works. The course felt like an old friend, and the horse is my old friend, and it all just came together. He’s not a fast horse but I took a little bit of experience from my last horse. Oz knows how to dig deep and work under duress, and he did. You’ve got to be in it to win it — he’s not a quick horse, and I had to take tight lines to get it done. I didn’t notice my watch at all, other than a few beeps in the background. It’s a journey with horses — what I’ve learned is that you have to take each day as it comes, be grateful for a healthy horse each day, and trust in your preparation. That’s worked so far.”
Buck Davidson finished the best of the American contingent, climbing a placing from 16th to 15th after a quick clear round saw them add just eight time penalties to their dressage score of 32.1.
“It started off a little hairy; he sort of spooked at the crowd at the fifth fence and I thought we’d stop, but then he was very good and fought where he needed to out there,” said Buck. “He’s a bit tricky, so I had to be careful to get him back after that. He seemed to get better as he went though — he’s a first-class horse and I want him to be in the same league as My Boy Bobby and Ballynoe Castle. He gave me all his effort today, and now I have to do the same for him tonight.”
Two of our American representatives were on the redemption trail after falls ended their campaigns last year, and both completed today’s tough cross country test.
Andrea Baxter and Indy 500 clocked up 20 penalties at the final skinny element of the Leaf Pit, but went on to complete the rest of the course without any issues, adding a further 26 time penalties. They sit 41st going into tomorrow’s final horse inspection and showjumping.
“I was so on the fence about going straight [at the Leaf Pit] or doing the option — I thought she would probably do the bank in the straight route perfectly, but skinnies like that are as bad as right-handed corners for her,” explained Andrea. “I saw that everyone else had been opting for the long route, so I thought I would do — and actually, I think she’d have been better if I’d just gone straight. But you live and learn! I was maybe just a little bit cautious because I’d fallen last year, but after that 20, she was spot-on.”
While many of our Americans abroad are able to make the trip due to the funding and grants available through the USEF and USEA, Andrea took a slightly different route to making her way back to the UK.
“I came here all on my own, but I’m very lucky to have some really awesome friends in California who put together a lovely fundraiser, which raised about ten grand, and then I won another seven or eight at Rebecca Farms CCI3*, which helped. I’d love to aim her at Badminton next, so I guess I’ve got to go home and sell everything I’ve got to try to come back!”
“You never quite know what you’ll have until you get to these competitions — sometimes you come and you’ve got the funding and you feel all the pressure, but then sometimes you do it all by yourself and you think, ‘oh god – why have I done this to myself?’ But this year, I played it safe because of our last attempt, and it’s frustrating, but it’s an upward curve and it gives me plenty of new knowledge to bring back to my clients in America, and we can use it to build up.”
Lillian Heard made light work of the Leaf Pit, her nemesis of last year with LCC Barnaby, but caught a 20 at the influential Rolex Combination at 15b, the Vicarage Vee replica fence.
“I got through the Leaf Pit — and I finished, so that’s good!” she laughed upon completion. “We had a frustrating 20 — he tried to jump but our line was just outside the flag so we went the other way. We went long at the Dairy Mound, too — I knew he was tired, and maybe he could have used one or two more gallops. I’ve never felt him get tired in his life, but he got tired today — if you took the jumps here and put them on their own, they wouldn’t be that hard, but it’s about the terrain, the stamina, and everything. But that’s the thing — you can’t do this sport and think that every time you show up it’ll be like, ‘YEAH!’ Sometimes, it’s a bit like, ‘meh, okay…’ But I rode here today and really felt like — I belong!”
There were some notable fallers throughout the day, perhaps none more so than dressage leaders Mark Todd and Kiltubrid Rhapsody. They say that history repeats itself, but it was rather a cruel blow that Mark should have to walk home under the weight of the same fate two years in a row: last year, he led the dressage with Leonidas II, and in both of those instances, his chances of victory hit the deck with him. This time, it was a surprisingly innocuous fence that caused the problem. After pulling off the save of the day at the Leaf Pit, it was the Gurkha Kukri, a single and simple fence at 10, that tipped both he and his horse up. Both walked away — but the chance of a record-equalling sixth win at the Lincolnshire venue was dashed.
Sole German representative Andreas Dibowski was sixth after dressage with FRH Butts Avedon, and the hugely experienced combination looked set to be a formidable pair today. But they came unstuck astonishingly early — the Rolex Grand Slam angled rails at number 6 didn’t, perhaps, offer the most immediately obvious trajectory, but Dibo and his longtime partner misread them entirely, activating the jump’s frangible devices and causing the German to get rather too familiar with the ‘carpet-like’ ground.
France’s Cedric Lyard also had a fall at what had been a fence of little influence through the day. Discovery Valley appeared at fence 5abc this year and, after an uncomfortable jump over the first element, Cedric was catapulted into the open ditch in front of the next element. Qatar du Puech Rouget then stumbled, propelled forward by inertia, and followed him in. It looked, for a moment, like an incredibly unpleasant accident — one reminiscent of the battle of Waterloo, with its reams of cavalry cascading into false ditches, on top of hapless foot soldiers, and probably entirely devoid of rambling and inane historical references. How, though, can a man survive his horse crashing down on top of him, with the forces of gravity and horsepower working double-time against him? With a bit of je ne sais quois.
“That was a f***ing stupid jump to ride so badly at,” he said, emerging with a particularly Gallic shrug and nary a scratch from the ditch.
Tomorrow begins bright and early with the final horse inspection at 9.00am BST/4.00am EST — we’ll bring you a full gallery and all the updates live as it happens. We’ll also be bringing you an in-depth look at how the showjumping might play out, so buckle up, tune in, and let’s bring this Burghley home!
It is a truth universally acknowledged, that a man (or woman) in preparation for a Burghley cross country run must tell you one thing: “it’s big — [half laugh, half fear-tinged exhalation] — it’s certainly Burghley.”
Once the wave of abject horror at the thought of a big Burghley has swept over you (we know, it’s a real shock to the system), it’s time to unpack what, exactly, this year’s competitors will be facing. Let’s break down the basics, first of all.
THE 2018 BURGHLEY CROSS COUNTRY PRIMER
Course length: 6,375m
Optimum time: 11:11
Jumping efforts: 50
Fences: 30
Much of the talk about this year’s course has centred around the fact that, really, it couldn’t possibly be more different from last year’s course. For once thing, it runs in the opposite direction — this year, our intrepid competitors will run counter-clockwise around the Burghley estate. But more excitingly, for the first time this year the course features a flyover, which sits at a juncture by fence 16, the Pardubice, and fence 23, Capability’s Cutting. This multi-level effect will drastically change the feel of this section of the course and, if any photographer is lucky enough to be blessed with such marvellous synchronicity, a picture or slow-mo video of one over, one under will end up being one of the defining images of this year’s event. Here’s a map of this year’s course: you can see the flyover in the upper part of the map. You can also view the course on the interactive CrossCountry App — click here to see every fence, courtesy of Tom Crisp.
The 2018 Burghley cross country course.
For comparison’s sake, here’s the map of 2017’s course — as you can see, the entire track has been reversed, which means that competitors will have to tackle difficult combinations like the formidable leaf pit early on.
Burghley’s 2017 track.
Savvy? Brilliant. This year’s course, in a nutshell, is as such: a first half full of challenging combinations, with myriad options and plenty of places to run into problems. That said, course designer Captain Mark Phillips has done a fantastic job of creating a course that is huge and enormously difficult, without being trappy, unclear, or unfair to the horses. In the middle of the course, competitors will have to gallop up the longest stretch of Winners’ Avenue we’ve seen — then, once they get to the top, they’ll need to pop over the formidable Cottesmore Leap with its Land Rover-sized ditch. From there, the combinations are thin on the ground, in favour of big, square single fences the whole way home — but at this point, the horses will have tired, and these fences require plenty of fuel left in the tank, so riders would be remiss to consider this a lay-up.
The Captain walked the course with Alice Plunkett in a brilliant and comprehensive video preview, which has suitably terrified most of the competitors. Give it a watch here.
We spoke to many of the riders over the past two days to get their take on the challenge ahead of them — here’s what they had to say:
Mark Todd (1st and 12th): “Do you ever like something like this? I don’t know! By my second walk I started to see a more clear path, but I certainly don’t underestimate it.”
Tim Price (2nd and 16th): “The ground is almost bang-on perfect, so that’s one thing I don’t have to worry about — but there’s a lot of fences along the way to worry about! It’s certainly not a Derby course. Ringwood Sky Boy isn’t the most organised at times with his technique, but he’s proven time and time again that he’s safe and knows what’s important out there. But it still gives me a bit of anxiety — can we do it 30, 40 times?
Oliver Townend (3rd, 5th, and 7th): “It’s as big a Burghley as I’ve ever seen in terms of dimensions. There are three serious hills, so it’ll be very stamina-sapping — there are no twenty-second breathers like we’d normally find around Winners’ Avenue, because even that’s a long, uphill pull and will tire the horses. It’s going to be very, very tough.”
Sarah Bullimore (4th): “It’s big, it’s bold, it’s brave, there are combinations that will cause some trouble — you’ll have to think quickly at the Maltings [14abcd], but there are get-out-of-jail options if you get it wrong. The Rolex combination [15abcd] is serious.”
Harry Meade (8th): “I’m amazed how different it is from last year — last year’s course was brilliant, and when they get it right, course designers often keep it largely the same for a few years, with some small changes. This year, he’s built a whole new, equally brilliant course. It’s very big, very square course with tricky combinations in the first half. One of the wonderful things about eventing is that you’re not really competing against each other — you’re cumulatively competing against the course and the conditions. There’s a hugely influential pull up to the Cottesmore Leap, but there’s not much to jump in terms of technicality once you’ve got through the first half of the course. Then, it’s mostly big, square fences. They can’t necessarily keep jumping out of a gallop; they’ll jump and land more static over these types of fences, so it takes more energy to pull away again. They’ve also designed good fences and then dressed them — so often you see it the other way around, and the fences are beautiful but not very interesting to jump.”
Bill Levett (10th): “It’s going to require a hell of a lot of stamina. The more you walk it, the more you start to see your way around — and the less upset you get about the dressage!”
Polly Stockton (15th): “I watched the preview and scared myself stupid! I’m pleasantly surprised now I’ve seen it in person. He’s a bold horse, but can be a bit greedy in his distances — I won’t know if I’m sitting on a four-star horse until Saturday.”
Buck Davidson (16th): “Captain Mark Phillips rode, and he understands how horses think and react. There are no funny jumps that confuse horses — the question is clear, and then they can decide whether to jump or not. American eventing has a lot to be thankful for with Mark — not just in terms of what he did for the team, he really upped eventing on the whole with his courses.
Andrew Nicholson (16th and 29th): “This way around will be tough. There’s so many ways of going at so many of the fences, but I’m not clever enough to work them all out — so I’m just going to go direct most of the way around. It’s too confusing to try to figure them out!”
Ciaran Glynn (28th): “I didn’t realise how beefy it would be! There are big lumps of timber the whole way around. There’s a long pull up Winners’ Avenue that never ends, and then you’ve got to pop the smallest ditch in eventing at the Cottesmore Leap. I’ll get to that point and see how much horse I’ve got — then, if we’re feeling good, I’ll rip it the whole way home.”
Camille Lejeune (30th): “It’s less technical than some of the French courses, which have no terrain so need to use twists and turns to make it difficult. Here, the ground does it.”
Richard Jones (33rd): “I think it’s an incredibly brave move by Captain Mark Phillips to do what he’s done. There’s no way out of jail at the Dairy Mound — if your horse isn’t a true four-star horse, I can’t see a way home there. It’s a very, very clever horse, and you’ll have to ride with your head, not just thinking of the minute markers.”
Esib Power (37th): “It’s built for my horse — he’s never been off the bridle yet on any course. He might look like a child’s pony in the stable, but he’s a naughty little brat — though on a good day, he’s a pleasure to ride cross country. He’s a different league than anything I’ve ever sat on — he wasn’t a slow racehorse; he was a winner on the track.”
Ben Way (42nd): “It walked better than I saw on the preview. There are plenty of places where he’s given an option where he didn’t necessarily need to, which will be interesting. Then you’ve got a long gallop up the hill, and nice, plain fences cruising downhill all the way home. I’ll be trying to make use of Galley Light’s Thoroughbred-iness. I’ll give him some early long routes to give him confidence — he’s not an ignorant horse, and he needs some hand-holding.”
Polly Jackson-Griffin (45th): “The ground is a massive thing here — very undulating and hilly with a big hill at the eight minute marker, and then the jumps actually get bigger!”
Imogen Murray (54th): “It’s big, and it’s bold, and it should suit Ivar Gooden. He loves to gallop — if it was a fourteen minute cross country, that would be perfect!”
Katie Preston (55th): “This course has got my horse’s name all over it. He’s a horse who looks for the flags, and at every point, the horses can see them. There are no tricks. I’ve never gotten to the bottom of his stamina before — he’s a Thoroughbred, and the perfect Burghley horse.”
Tina Cook (62nd): “It’s very similar to last year in many ways. There are a lot of wide fences, which will be quite energy sapping. The technicality is varied in places, but has been upped in other areas, like the Maltings. If you take on the oxer and get it wrong it’s very fiddly, and you could be up there half an hour trying to find your way out! We’ve got enough combinations early on, and the Leaf Pit early on, which will catch people out. By the end of the course, though, the simple fences will still be difficult, because the horses will be tired.”
Michael Owen (65th): “The Trout Hatchery will come up thick and fast, and the Rolex combination at 15abcd with its Vicarage Vee replica, too. This place can catch you out anywhere with the terrain — you or the horse can lose focus at any time. You’re not clear once you get past the Dairy Mound, either — the horses can, and will, still tire. Some of the long routes won’t waste any more time, so you need to have done your homework and have a plan A, B, and C for each one.”
Dickie Waygood (Team GB Performance Manager): “It’s incredible — the horses will love jumping off this ground, and the fences are beautifully dressed.”
Cross country begins shortly at 11.00am BST/6.00am EST — follow our links below to follow along via the live stream and our Twitter feed. The marvellous Jenni Autry will be spearheading the live updates thread right here on EN — don’t miss a second of the action!
Happy Friday, chums, from a remote field in a jolly corner of rural Lincolnshire! (Nah, I’m kidding, I’m in a Holiday Inn Express in Peterborough, eating pizza and calculating dressage margins. Try to tell me the life of an equestrian journalist isn’t a glamorous one. Just TRY.) Today’s Friday video is, I’m afraid, sans entry information — mainly because I’ve got a course preview to wrap up for you all. You win some, you lose some, and Burghley madness is one helluva drug.
Speaking of Burghley, their official charity this year is the Gurkha Welfare Trust, which provides support to the British Army’s Nepalese soldiers and their families. To raise awareness of their mission — and to show off the enormous dimensions of this year’s course — four of these intrepid soldiers took to the track on foot for Horse&Hound. We rather think that press-ups in the Cottesmore Leap should be a mandatory condition of completion, frankly. Get stuck into the brilliant video and take your first look at the colossal course before tomorrow’s competition kicks off — it’s a big’un, but somehow this lot make it seem almost – dare we say it? – easy. Almost.