What does it look like when a handful of Horse Nation and Eventing Nation writers get together (online) for a drink(s) and some Secret Santa gift swapping?
We set out to find the answer this week, which is best encapsulated by the following screenshots. Our favorite random moments in no particular order:
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">From all of us here at Nation Media, Merry Christmas!
Combing YouTube for videos of surprise Christmas horses is a much-beloved holiday tradition over on our sister site, Horse Nation, and something we always share on EN too. Grab some tissues and cry along!
From squealing to screaming to sobbing to standing frozen in a state of shock, these reactions to getting The Best Present Ever are priceless.
First up, we’ve got the happy weepers:
And the surprised squealer:
And the girl who just can’t stop jumping up and down:
And the one who is stunned speechless:
And last but not least, because you’re never too old to be a horse-crazy little girl:
Stay warm this winter with SmartPak! Photo courtesy of SmartPak.
Dreading the onset of winter? We’re feeling a little more prepared thanks to these cold weather essentials from our good friends at SmartPak. Here are six steps to staying warm this winter:
Step 1: Start with a base layer.
And no, we’re not talking about the bulky waffle-weave long johns you wore as a kid. Under Armour HeatGear Authentic Tights fit easily under your breeches to create the ultimate high-performance base layer, offering comfort and added compression to keep you dry and warm.
Step 2: Find a great pair of winter breeches.
It’s harder than it sounds, we know — many of them are either too stiff, too baggy, too slick, too thick, or too weird-fitting to be appealing. Allow us to introduce you to SmartPak Winter Full Seat Pull on Tights and SmartPak Winter Knee Patch Pull on Tights. They look great, feel great and will keep you warm in the saddle all winter long.
On the coldest of cold winter days, add one more outer layer — the SmartPak Winter Overpant — for total protection from the elements.
Step 3: Layer, layer, layer!
How to do so without looking and feeling like the Stay-Puff Marshmallow Man? Stick with layers that are lightweight and flexible yet warm, like the Under Armour ColdGear Cozy Neck.
Step 4: Give cold feet the boot.
The Solstice Winter Boots by SmartPak are designed for all-day, waterproof warmth, featuring a rugged, chunky outsole that offers great traction in winter’s worst weather and a cozy faux-fur lining. Available in five different styles:
Big things tend to happen on quadrennial cycles. I guess four just seems like a nice, well-rounded number, not too short and not too long. Every four years, like clockwork, we get a U.S. presidential election, the Olympics, Feb. 29 and, most importantly, new USEF dressage tests.
The tests, which are effective Dec. 1, 2014, through Nov. 30, 2018, were published this week on USEF.org. You can view them online here.
As you are probably well aware, horses and humans don’t always see eye to eye when it comes to the sport of dressage. For years the equine constituency has been actively campaigning for dressage test revisions they feel would be more “fair” and were disappointed to see that, once again, their suggestions were not included in the newest set of tests.
In their opinion, for instance, the progression of movements ought to closer resemble this:
All across the country, they argue, dressage scores would go through the roof. No longer would scores of 90% and up be out of reach for all but the Valegros and Totilases of the world. Dressage, once thought of as an elitist discipline, would become accessible to everyhorse, no matter how well-bred or well-trained. Through sheer will and perseverance alone, we could all strive for and achieve greatness in the upper echelons of the sport.
But new tests are just the tip of the iceberg. Nine out of 10 dressage horses agree that a complete overhaul of the sport is in order. A few of their suggestions as illustrated by Morgane Schmidt, mastermind behind The Idea of Order (go check out her Facebook page here).
First, a more sensible arrangement of dressage letters:
Or, better yet, the elimination of dressage letters altogether.
Also, the judge’s box ought to be renamed.
And last but not least, riders should be “optional.”
Lexington, Ky. — The 2015 United States Equestrian Federation Dressage Tests have been published on USEF.org. The 2015 Tests will be effective December 1, 2014 through November 30, 2018.
In addition to the 2015 USEF Dressage Test booklet, the USEF has collaborated with the United States Dressage Federation to produce the On the Levels app, which provides examples of the new Introductory through Fourth level dressage tests with commentary from top U.S. trainers and judges, with segments geared toward improving difficult movements at each level. The mobile website will feature 31 engaging videos to help riders understand the requirements for tests within each level, including 18 videos of riders performing each test and 13 supplementary test tip videos. The videos will include narration from top athletes, judges, and trainers, including Kathy Connelly, Jan Ebeling, Hilda Gurney, Steffen Peters, and Jessica Jo “JJ” Tate, each bringing his/her own unique perspective, providing the viewer with a variety of approaches. The launch of the On the Levels app will be announced next week.
In addition to the new USEF and USDF Dressage Tests, all FEI Tests have minor updates in the wording of the Collective Marks as well as changes to the FEI Children, FEI Intermediate A, and FEI Intermediate B Tests. These tests become effective January 1, 2015, and can be found here: http://fei.org/fei/your-role/organisers/dressage/tests.
Erika Adams and Katherine McDonough submitted this glowing report from a clinic with Sinead Halpin last weekend in East Tennessee. Erika is an area trainer who had several students participating, and Katherine made great strides in one of the Training-level groups with her very cool new-ish ride, Red. Thank you, Erika and Katherine, for sharing your experience! If you have a clinic report to share, send it to [email protected].
Sinead looks on as Shannon O'Hatnick and Solar Flare jump a roll top. Photo by Kaylen Moon.
From Erika and Katherine:
On what could have possibly been the last beautiful autumn weekend before winter, 24 riders gathered at River Glen Equestrian Park just outside of Knoxville, Tennessee, for a two-day clinic with Sinead Halpin.
Riders from Starter to Intermediate were challenged through gymnastic exercises on Saturday and cross-country questions on Sunday. A true test of any clinician is to be able to challenge a diverse group of riders and horses.
Sinead was able to outline five essential areas of training needed to be successful at any level, two of which were speed and direction. Whether riders were accomplished eventers on three-year olds, or new eventers on accomplished horses, every horse and rider pair found an area of weakness within the same exercise.
Day One – Gymnastics
On Saturday, riders were tested on their speed and direction through a series of gymnastic exercises that required elasticity and accuracy. In the lower levels, speed and direction were the focus. Riders needed to maintain a steady pace in order to be able to execute the direction of the forward motion.
Riders commonly found themselves with either the correct speed, or the correct direction, but not both. They would either be too fast to negotiate the turns, or be able to turn, but have weak distances. Sinead helped the riders identify these weaknesses, and gave them tools to correct the issues at hand.
Here is Val Gibbons with Dawson’s Creek successfully going through the warm-up portion of the gymnastic exercise. Notice that she accurately puts five strides between the ground rails the cross-rail oxer on the way down but four on the return.
The upper level groups worked over the exact same series of exercises. What was a question of speed and direction in the lower divisions turned into identifying the different canters you need to ride a line.
These groups started out with the same warm-up as the lower-level groups, and progressed on to riding a series of fences where they had to change their step based on requirements given by Sinead. A distance of four, five or six strides were possible on a bending line and were determined by the canter the rider had.
Here is Katherine McDonough and her horse Irish Red putting five strides in the bending line.
Day 2 – Cross-Country
On Sunday, the lower levels learned about finding their balance in the three positions while out on cross-country: Cruising, Prep (aka neutral), and Sitting C. The riders in these groups learned to find a comfortable balance in the cruising position – up and off their horses’ backs.
After they acquired their balance, the riders applied these positions over cross-country obstacles. With this new balance, riders were able to find the security they needed to jump confidently.
Sinead also put an emphasis on the building blocks of cross-county to create confidence for horse and rider. By building a solid foundation for the green rider or horse, they are able to meet new challenges with more relaxation and “not sweating the small stuff.”
Here is Celsie Abelt with Dorito confidently dropping into the water in a very relaxed way.
This theory of keeping things calm, relaxed and confident was extended to the upper level groups. For example, every upper level rider jumped the Beginner Novice ditch. They jumped it repeatedly until the horse essentially took a canter stride over it rather than “jumping” it.
Sinead did not have riders add any complexity to the exercise (bigger ditches, adding related fences) until horse and rider were confident and relaxed over the small ditch. For some riders, the culmination of this exercise was going through the training coffin.
Other riders did the Training, Prelim and finally the Intermediate coffin, but riders did not move on until the exercise at hand was soft, confident, and relaxed.
Here is Leah Snowden’s first attempt over the Intermediate coffin after applying Sinead’s cross-country building blocks of confidence and relaxation to the smaller coffins.
Sinead was an absolute professional giving constructive criticism with a warm, positive and patient teaching style. Because she provided individualized instruction, every rider was able to improve through the weekend.
Everyone came away with things to think about and a big smile on their face. A big thank you to Bill Graves for letting River Glen be the host site for the weekend — the grounds were the perfect place to hold the clinic.
Thank you also to Crossroads Dressage and Combined Training Society, thank you to the many volunteers who helped set up jumps, and especially thank you to our smiling, helpful friend Dave McAdoo. And finally, a huge thank you to Sinead for a great weekend! We’ll definitely see you next time!
Some competitors made today’s cross-country course look like a cakewalk, most notably overnight leader Ingrid Klimke. “He played with the fences,” she told FEI TV. “It was pure fun.”
Others, well…
John Kyle was on the scene for FEI TV, bringing us all the action. Here’s some live footage, plus interviews with Ingrid and get-it-done superstar of the day Joseph Murphy of Ireland, the only rider to complete on two horses.
Click here for EN’s Pau cross-country play-by-play and here for our end-of-the-day cross-country report. Best of luck to everyone tomorrow and keep it locked here for the latest updates.
Bonner Carpenter and Basco at Woodside CIC3*. Photo courtesy of Sherry Stewart.
Bonner Carpenter came to Woodside looking for her first completion at the CIC3* level after a couple of unlucky attempts, but she’ll be driving home with a big blue ribbon on the dashboard. A double-clear cross-country trip was enough to move Bonner and Basco from second into first when overnight leader Bea di Grazia withdrew before cross-country.
“I went out there, honestly, just to get around,” Bonner explained in a press release. “But when I was on the early minute markers, I began to think that it would be possible, so I just kept going.”
The 26-year-old calls Dallas, Texas, home but has been in California since August in preparation for Galway Downs at the end of the month. It was her first time competing at Woodside and her first time tackling a Derek di Grazia course.
“I knew I had to be aggressive and ride forward to every jump. You have to be attacking all the way around,” she said. “But it really is a super course. Derek uses the terrain really well, and it feels like a huge galloping course.”
It’s been unseasonably toasty out there this weekend…
Screenshot from woodsideeventing.com.
… prompting the ground jury to move the CIC3* cross-country start to 10:20 a.m. instead of the scheduled 1:20 p.m. Being a Texan, Bonner is used to the heat but was appreciative of the decision. “I think it was great that they changed it. It would have taken a lot more out of our horses to have gone in the afternoon,” she said.
In addition to glory, Bonner earned $3,000 along with the Adequan USEA Gold Cup and the CTETA Founders’ Cup, established to honor Robert E. Smith, whose vision established the Horse Park at Woodside in 1981. Since the CIC3* is a member event of the 2014 PRO Series Tour, she also walked away with a seven-dose box of Adequan, $350 in Nunn Finer products, a Smart Pak Wellfleet Eventer Bridle and $200 toward a Point Two Air Jacket. Nice haul, girl!
Second-place finishers James Alliston and Tivoli must feel like the rust has officially been knocked off, this being their second run since Rolex in 2013 and their first back at the Advanced level due to an injury.
James earned $2,250 for finishing second and, even though he and Tivoli won the Woodside CIC3* in 2012, he said he wasn’t at all disappointed.
“I figured I’d just take the time as it came, but he was right there from the start, so I just let him go,” said Alliston, who finished two seconds slow. “It’s amazing how older horses like him seem to remember everything. It was like he hadn’t had any time off.”
Like Bonner, James was thrilled with the way the course rode. “Derek is my favorite course designer,” he said. “He blends everything together into a complete course. I think he’s the best course designer in America, and maybe in the world.”
Kaitlin Veltkamp and Flashpoint D laid down a double-clear trip to round out the top three. Ashlynn Meuchel and Morning Star bested the small Advanced division.
Lauren Billys and Castle Larchfield Purdyhung on to their show jumping lead for the CIC2* win.As she mentioned yesterday, Lauren had two horses competing in the division and was hoping to get a feel for how fast the course was riding on her first mount, Ballingowan Ginger. The mare picked up a run-out but Lauren capitalized on the experience for her second ride on Castle, a new horse.
Lauren Billys and Castle Larchfield Purdy. Photo courtesy of Sherry Stewart.
“I was going to be really brave today, and I got three-and-a-half strides instead of four strides to the wedge (at fence 10C), so she had no choice but to run past it. She jumped just great the rest of the way — I was bummed,” she said. “So I rode it differently on Purdy — I held for the four strides. I thought you were going to have to ride forward more to get the four strides, but you didn’t.”
Lauren trains with Derek di Grazia but he didn’t cut her any breaks on the course. “Wedges are my problem with Ginger, and his course uncovered it,” she said. “But there’s really no point on this course when you think, ‘OK, I’m home,’ until you get to the end. There are so many great questions, and he keeps you on your toes all the way around.”
She added, “I went out there with a plan, and it didn’t work out perfectly everywhere. But it still rode well, and I came off the course a little better rider because of the way he designed it.”
The 26-year-old lives in Sanger, California, but is a citizen of Puerto Rico and hopes to represent her home country in the 2016 Olympics. The next event on her calendar is CCI2* at Galway followed by a move-up to Advanced.
CIC1* winner Frankie Thieriot had said yesterday that, this being 6-year-old Chatwin’s first FEI competition, she would decide how much to put the gas pedal down when she got out on course. Her first priority, she said, was to cement their partnership and to ride the course in a good rhythm whether that meant making it under the optimum time of 5:37 or not.
Frankie Thieriot and Chatwin. Photo courtesy of Sherry Stewart.
Chatwin came out swinging and ate up the course — Frankie even had to check him a bit toward the end. “He was awesome,” she said. “His natural gallop is so big that we were up on the time at three minutes, so I slowed down to come home.”
Like Bonner and Lauren, Galway is the end-goal of Frankie’s 2014 season. “Even though he doesn’t have a lot of mileage, I thought Derek’s course was really good preparation for him to take the next step of doing the CCI1*,” Frankie said.
Continuing in Woodside’s tradition of rewarding its winners handsomely — a rarity in the event world! — Frankie received $1,000 for her first-place finish.
Top 15 finishers in the CIC1*:
Frankie and her friends created a special award in 2011, the Fric Frac Berance Award, in memory of her former advanced-level horse. The award’s intent is to honor the horse in the CIC3* whose cross-country performance best emulates Fric Frac’s love for and cleverness at meeting the challenges of cross-country courses, jumping in a way that takes care of himself and his rider.
Frankie and a panel of three to five others choose the winner each year at the Woodside, and this year they chose Kaitlin Veltkamp’s Flashpoint D, a 13-year-old warmblood gelding whose faultless round propelled him to third place in the CIC3*, with no penalties added to his dressage score. The award comes with a $1,000 prize.
VIDEO:
Here’s CIC1* winner Frankie interviewing CIC3* winner Bonner after show-jumping yesterday. Perhaps now Bonner should interview Frankie?
Screenshot from "Jumping a car" on YouTube, posted by Galindo Sport Horses.
The next time you’re out walking your course and you get to a jump that looks kinda big and scary, here’s what I want you to remind yourself: AT LEAST IT’S NOT A CAR.
A year ago this weekend at Morven Park, Colleen Rutledge was getting carted off the cross-country course in an ambulance. The horse she was riding in the Preliminary Championships toppled over a table, rolling over Colleen and fracturing her hip. The damage: surgery and a premature end to her competition year.
This weekend has been a very different narrative. Colleen and “CR” grabbed hold of the top spot in the CIC3* in the dressage and never let go, clinching the win despite a show jumping rail and 9.2 time cross-country. The twisty, muddy track took its toll on the field; there were no double-clears in either the CIC3* or Advanced divisions.
In her Morven Park preview EN fortune teller/statistician Maggie Deatrick called Colleen and CR her Dark Horse pick of the weekend, as their dressage has been competitive but they’ve had a hard to adding it all up on the cross-country. It seems to have all come together for them this weekend, though, and an extra congratulations is in order: Not only was this CR’s first FEI win, it was Colleen’s as well!
Photo via the Morven Park International Equestrian Center Facebook page.
The pair has a neat story, which EN featured in 2012 in an edition of EN’s Got Talent. CR is a homebred and Colleen competed his dam, Let’s Get It Right, through Advanced. His sire is Lisa Reid’s BFF Incognito, a thoroughbred/Clydesdale cross, which is pretty fun fact as well — you don’t see too much Clydesdale blood at the three-star level!
Rounding out the top three in the CIC3* were Kate Samuels with Nyls Du Terroir in second and Sara Kozumplik Murphy with Fly Me Courageous in third.
Cross-country time penalties shuffled the Advanced division leaderboard around dramatically, with the two fastest rounds of the day moving into the top two spots. Both Holly Payne and Never Outfoxed and Caroline Martin and Pebbly Maximus had just four faults apiece to move from fifth to first and seventh to second respectively. Phillip Dutton and I’m Sew Ready won the dressage, dropped to second after a show jumping rail, and finished in third having come home with 12.8 time cross-country.
Boyd Martin and Welcome Shadow added nothing to their winning dressage score of 42.2 to win the CIC2*. This was the horse’s second CIC2*, the first being Plantation Field a couple weeks back where they dropped three rails to finish 34th in a competitive field. Boyd had the only double-clear cross-country round in the division, and Marilyn Little and RF West Indie posted the second fastest time with just two penalties. That was good enough to move them from third to second, with Kelly Prather and D. A. Duras rounding out the top three.
We thought we’d send the Morven Park competitors out of the box with a few reminders of what not to do on course. Here are some screenshots from this cool drone flyover of the course, aligned with GIFs of animals leaping similar obstacles in various states of FAIL. Take note, kids!
Like a teenager hosting a raging kegger while the parents are out of town, Chattahoochee Hills took advantage of the eventing world’s mass exodus to the American Eventing Championships in Texas last weekend to stage — wait for it — a music festival.
And not just any music festival. A three day long superparty with well over 100 artists and 150,000 guests, many of whom camped on the grounds in a trippy pop-up city called “Dreamville.”
TomorrowWorld is a spinoff of TomorrowLand, a popular EDM event held annually in Belgium. EDM (that’s cool-kid speak for electronic dance music) has blown up over the past decade, the crest of the wave being a surge of EDM festivals all over the world. The scene: a freak show of costumed young people exploring the cliff edge of sensory experience via a glow-stick illuminated fantasy world.
The whole thing is geared toward audiovisual overload, from frenetic light shows and psychedelic backdrops to neon-colored, well, everything. The centerpiece is the music, a mash-up of dance-y earworms and “doosh-doosh-d00sh” beats that some DJ named Skrillex or Diplo or whoever digitally stapled together on his laptop.
I’m not explaining it right. Just Google it or ask a college kid, OK?
The point is, this thing is held at Chattahoochee Hills, the otherwise bucolic Georgia event venue we eventers all know and love. Farm owner Carl Bouckart is from Belgium and, being a music enthusiast who has dipped his toes in the festival business on and off again over the years, had an idea after being shown around the original TomorrowLand by some festival-producer friends: What if Chatt Hills hosted an American spinoff?
It made sense. The farm is just a stone’s throw from Atlanta, which has long been a hotbed of the electronica scene. I could definitely incriminate a few now-professional eventers with a recounting of our capers as working students outside the city in the early 2000s, when the underground EDM scene was running full-throttle. We would duck out to raves in the warehouses and clubs of downtown Atlanta, returning to the farm just in time to feed the horses breakfast and get on with our day. Ah, to be young.
Carl Bouckart may not be the stereotypical rave kid you’d find bouncing around in front of a speaker in cutoff jean shorts and a headdress, but he’s young at heart — and his energy is infectious. He liked what was going on at TomorrowLand — he told Atlanta Magazine: “TomorrowLand is a place where youths from all over the world can share [music and happiness]. It’s the Olympic Games of the music world” — and wanted to see it in his backyard.
The ball started rolling and, after reviewing nearly 100 potential sites, the large-scale EDM production company ID&T announced that Chatt Hills would be the venue for TomorrowLand’s American cousin, TomorrowWorld. The inaugural festival in 2013 was a hands-down success, drawing 140,000 visitors from more than 75 countries and all 50 states. It even earned a nomination for Best Music Event at the International Dance Music Awards.
According to Atlanta’s alternative newsweekly Creative Loafing, “The site was selected because it recalled the pastoral beauty of the Belgian countryside where it all began.” And weird as it might seem to us us horse people, the venue works. Chatt Hills’ “mythical grounds,” to quote the website, have been widely praised both by festival-goers and the media.
In a review of the 2014 event, Vice wrote of Chatt Hills’ “stunning setting in the hills of northern Georgia, parallel to none in terms of lushness beauty … Like TomorrowLand, TomorrowWorld makes good use of its natural environment, tucking stages into wooded areas and nestling others around ponds and other bodies of water. At night, the effect of lights and sound is enchanting as cool breezes guide ravers to roam across the sprawl of the grounds.”
Among the roaming ravers were Ashley Kehoe and her eventing crew. She kindly sent us a few photos …
Ashley writes, “VIP pool deck built over the XC course? CRAZY.”
That thing that looks like a mountain in the background is actually a stage.
Recognize this pond without the cartoon fish and lily pad fountains?
Throw your hands in the air like you just don’t care…
Magic mushroom forest, nbd.
Naturally, Carl was in attendance as well. When Atlanta Magazineasked him whether he’d be out there dancing with glowsticks, Carl’s response was classic: “You bet you will. We have a lot of friends coming, and we plan to have more fun than anybody.”
Photo via the Nadeem Noon Support Fund Facebook page.
The eventing community is rallying around Nadeem Noon, a cornerstone of Area VIII eventing who is suffering from a serious condition called Amyloidosis, which has caused serious damage to his heart and other vital organs.
Nadeem is a warm, friendly presence at events who has guided countless students toward accomplishing their riding goals from his Up-n-Over Stables in Bloomington, Ind. In addition to competing through the three-star level in eventing and Prix St. Georges in dressage, he is a USEA Level 3 Certified Instructor and coached the Indiana University Equestrian Hunt Seat Team for over 20 years.
“A group of area eventers/dressage riders are coordinating efforts to assist a well-known member of our equestrian community, Nadeem Noon. Nad is suffering from a condition called Amyloidosis. This condition causes serious changes in virtually every organ of the body, including the kidneys, heart, and lungs. Nad has experienced significant damage to his heart, but is unable to be placed on the donor list for a new heart, as his other organs have also been compromised.
“In an effort to offset the significant medical expenses and loss of income, Nadeem has become eligible to receive funds via the Equestrian Aid Foundation (EAF). For those who are not familiar with the EAF, it is a 501(c)3 organization started by prominent equine professionals in 1996. Its mission is to provide grant-based assistance to horsemen and equine-related professionals suffering from illness or catastrophic injuries.
“The EAF is dedicated to helping people of all ages and from all backgrounds and disciplines, offering funding for medical, rehabilitation and essential expenses. Financial support from EAF is provided directly to the petitioning equestrian or their representative. Funds donated to EAF are used to provide various essentials that may include medical needs, health insurance, food and housing, transportation, physical therapy and more.
“Last weekend at the Flying Cross event, trainers donated their time by holding course walks in which all proceeds went to the EAF. We hope to continue this and other EAF fund-raising efforts at events over the next several months.
“In a note read at the Flying Cross Competitor’s party, Nad wrote, ‘We are all so very fortunate to enjoy the camaraderie, fellowship, and support of the wonderful people who surround us today. Take a moment to look around and notice all that we have here: caring generous instructors, devoted hard-working students, sacrificing parents, tireless volunteers and, of course, the horses that elevate us to dizzying heights. I am thankful beyond words to be part of the community of incredible individuals.’
Please join us in our support of Nadeem Noon. We love you, Nad!”
You can help by making a donation to the Equestrian Aid Foundation. Please leave the memo line of the check blank and send to Attn: Nadeem Noon Support Fund at Bearded Dog Farms (20761 County Line Road / Sheridan, IN, 46069), Mary Lowry at Alta Vista Farms (2114 Liberty Lane / Goshen, KY, 40026) or Flying Cross Farms (9220 Hwy. 42 / Skylight, KY, 40026), or to Linda Kimbell or Chris Duke. Please mark “Attn: Nadeem Noon Support Funds” on your envelope only.
In addition to direct donations, other fundraising efforts are underway. Visit the Nadeem Noon Support Fund Facebook page for details. Our thoughts are with Nadeem, his family and friends during this difficult time. Up ‘n’ over, Nadeem!
We are very excited to announce our newest member of the EN sponsor dream team, Total Saddle Fit.
Eventing Nation “residents” live all around the world and represent every riding discipline imaginable, but there’s one common denominator that ties us all together: Our love for our horses and a shared desire to keep them happy and healthy.
That extends to making sure they feel comfortable in their tack… even if it means losing our own minds in the process.
Illustration by Morgane Schmidt/The Idea of Order — check out her comics every Wednesday on Horse Nation!
Thankfully, technology is fast evolving to meet our efforts in the middle. Enter Total Saddle Fit, a manufacturer of high-end equestrian products with an emphasis on intuitive designs that make horses happier and more comfortable.
“Whether it is improving saddle fit, protecting a horse’s back or simply a more comfortable piece of tack, everything we do just makes sense. And you can always be sure you are getting top-shelf quality. We stand behind our products’ function and quality so much that every item carries a 30-day 110% money back promise… yes you read that right, we will give you more than you spent if you aren’t satisfied!”
That’s a company that believes in its products, and we do too.
Total Saddle Fit understands that correct saddle fit involves more than the saddle proper. You’ve got to take into account the big picture — girths and saddle pads included.
Total Saddle Fit’s Shoulder Relief Girth line emphasizes shoulder freedom, utilizing an intelligent design that allows for full range of shoulder motion under saddle. It promotes elbow comfort as well, thanks to recessed ends that move the girth away from the horse’s shoulder.
Less expensive and longer lasting than a flocking adjustment, it’s the best $124 you’ll ever spend on saddle fit. The girths are available in black, brown and chestnut in both jumping and dressage styles — check out the full line here.
Shoulder Relief Girth in Limited Edition Chestnut.
Saddle pads are also a critical component of proper saddle fit. Total Saddle Fit’s Six Point Saddle Pads are anatomically designed to adjust saddle balance and weight distribution to the shape of your horse’s back. They feature 100% sheepskin and a whopping six shimming options so you can fit your saddle to your horse just like a professional saddle fitter would with a flocking adjustment.
The pads are available in half…
Six Point Saddle Pad – Sheepskin Half Pad
… and full-pad styles, in dressage and jumping shapes with and without sheepskin.
Six Point Saddle Pad – AP/Jump
Have a high withered horse? Check out the optional Wither Relief Technology, which removes pressure from the withers and trapezius muscles and allows for more pommel clearance.
Wither Freedom Sheepskin Half Pad (also available in Full Pad style)
We’re excited to welcome Total Saddle Fit on board and we know our readers are, too! We encourage you to learn more and shop on Total Saddle Fit’s website here, and be sure to “like” them on Facebook as well.
Screenshot from "Burghley Horse Trials 2014" by Centaur Biomechanics.
Watching cross-country in realtime, everything happens so fast that it’s hard to comprehend the countless turning cogs that ultimately produce a successful — or unsuccessful — jump. The more experienced and educated your eye, the better your ability to deconstruct that blur of motion into an assembly line of actions that culminate in a specific result. But even the best eye in the world can’t physically slow down time in order to get a better look. A high-speed camera, however, can.
Centaur Biomechanics made a big splash when it came onto the equestrian scene in 2006 because its purported purpose was to do exactly that: take horse and rider performance analysis to a new level using the latest video technology.
Led by British biomechanical scientist Russell Guire, the company uses high-speed cameras 20 times faster than the human eye to objectively quantify equine behavior. The footage Centaur has gathered has helped advance research and further our understanding of the equine biomechanics. For instance, did you know that the force going through a horse’s limbs on landing from an Advanced-level jump equals about two-and-a-half times its body weight?
Centaur was out in full force at Burghley — check out their footage:
Eventers name their horses after the darnedest things. Thus far in this series, we’ve singled out hundreds of USEA-registered event horses named after literary references, booze, eventing empires and monster trucks. Today we turn our gaze toward horses named after celebrities and other pop culture icons.
Let’s kick things off with a few event horses whose namesakes are Hollywood stars: George Clooney, John Wayne, Marilyn Monroe, Redford, Tom Cruise, Bridgette Bardot, Jimmy Stewart, James Dean, Clint Eastwood, Harrison Ford, Cosby and Charlie Chaplain. I bet hearing over the horse show loudspeaker that you’re “riding George Clooney” just never gets old.
Others have named their horses after characters rather than actors. While combing the USEA horse database I stumbled across a Ron Burgundy, Cosmo Kramer, Napoleon Dynamite, Jack Sparrow, Tony Stark, Forrest Gump, Vincent Vega, The Fonz and Austin Powers.
Sorry Jessica.
There’s a whole subset of horses named after bands and musicians: Lady Gaga, Mazzy Star, Mick Jagger, Ringo Star, Coldplay, Bruno Mars, will.i.am, Will Smith, Steeley Dan, Johnny Rotten, Johnny Cash, Elvis, Snoop Diggity Dog, Bob Marley, Tina Turner, Jimmy Buffet, Eminem, Cher, Springsteen, Bono, James Brown, Stevie Wonder and Frank Sinatra. I went to one horse trial where two horses named after rival jam bands, Widespread Panic and Phish, just happened to be competing against one another. And we’ve got to give an honorable mention to horses named after bad song puns (I’m Rexy and I Know It) and Katy Perry lyrics (Shake The Glitter Off).
Fashion designers are another popular source for names: There’s a CoCo Chanel, Jimmy Choo, Calvin Klein, Dior, Ralph Lauren, Giovanni Versace and Georgio Armani.
Moving right along, let’s hit up the oval office — is there anyone more famous, really, than the president? I found an Obama, Ron Reagan, Theodore Roosevelt, Eisenhower, Mister President, Jackie O and — wait for it — a Monica Lewinsky.
I’m sure I’m only scratching the surface here. Does your horse have a celebrity-inspired name? Share in the comments section below!
Sanna Siltakorpi and Lucky Accord at WEG 2014. Photo by Leslie Wylie.
World championship competition is not generally the time when riders let their fashion freak flag fly. But that didn’t stop Finnish eventer Sanna Siltakorpi from donning a hot-pink coat, blinged out helmet and purple stirrups in the show jumping phase at WEG.
The 27-year-old and her Swedish Warmblood gelding, Lucky Accord, pulled one rail to finish in 27th place individually. I stalked her a little bit online and it appears that pink is a recurring theme in the girl’s life — her cross-country helmet cover has big pink stars and a pink pompom, and a photo on the homepage of her website shows her rocking some fuchsia breeches. I guess since Finland did not field a team, she was like, “What the heck, I’m gonna do me.”
Photo by Leslie Wylie.
Photo by Leslie Wylie.
Photo by Leslie Wylie.
Photo by Leslie Wylie.
Equestrian fashion is slowly liberating itself from the conservative, George Morris-approved dress code of yesteryear. Europe is leading the charge but hints of “self-expression” are starting to show up here in the States as well. Love Sanna’s look? Here are a few items inspired by her look:
The world’s most well-traveled chinchilla added yet another stamp to his passport when he made a celebrity appearance last week at the World Equestrian Games.
Chinch has always had a keen interest in WWII…
…so he jumped at the opportunity to accompany EN on its WEG journey.
Joseph Murphy and Electric Cruise gettin' it done at the first major combination on Pierre Michelet's WEG course. Photo by Jenni Autry.
To call a four-star cross-country course designer’s job “tough” is like calling the footing on last weekend’s WEG course “damp.” These people have one of the hardest jobs in the sporting world, imagining and then bringing to life a gauntlet of obstacles that rewards the best while weeding out the under-prepared — ideally without causing bodily harm.
The stakes are even higher with a world championship course. And, to further complicate matters, there is less precedent upon which to base design decisions since WEG rolls around just once every four years. How do you know how far to push the envelope? The job requires more than experience and knowledge. It’s a test of instinct.
Challenging without punishing is a balancing act that, if executed poorly, could result in a “dressage show” at one end of the spectrum and tragedy at the other. According to the FEI’s Course Design Guidelines (updated February 2014), the ideal course is doable but not so doable so that every horse/rider combination makes it through the finish flags:
The goal of seeing as many finishers as possible is desirable for all levels, but the degree of difficulty must not be compromised in order to achieve this, for example by the overuse of alternatives.
But what does “as many finishers as possible” translate to? There is no hard and fast rule for what percentage of the field, ideally, should be expected to finish, nor of what percentage of those finishers should complete with no jumping faults. Add to that a revolving door of variables and the equation grows even murkier:
As a general philosophy, the numbers of finishers is more important than the number of clear rounds. It has to be accepted that the quality of the field and the weather conditions can impact on the statistics and that, particularly at the higher levels, many Athletes now choose to retire once they are clearly out of contention or are not going to achieve a qualifying result, and that these issues are reflected on the scoreboard with more retirements and less ‘cricket scores.’ Similarly the ‘elimination after an Athlete fall’ will create many more eliminations.
Pierre Michelet’s massive, technically challenging WEG course had the absolute respect of the world’s top riders. While acknowledging its difficulty, they also unanimously praised it for being fair and rewarding a forward, attacking ride. The game changer turned out to be the deep going, a variable that felled what seemed like competitor after competitor and wreaked havoc on the scoreboard.
In a press conference at the end of cross-country day, one journalist asked Pierre how he felt about the way his course rode. He responded that he was pleased, that it had been an “exciting” competition. He noted that while issues on course abounded in the morning, the rounds steadily improved throughout the day, despite the deteriorating footing, because of smarter riding: Riders were starting out slower to conserve energy and were taking more options.
Pierre’s cheerfulness surprised me — the course’s toll on competitors had seemed severe. Upon what was Pierre drawing his analysis? From a course designer’s perspective, what is the benchmark for a successful cross-country day versus an unsuccessful one?
Here is what the day looked like on paper:
In a nod to the FEI Course Guidelines’ emphasis that “the numbers of finishers is more important than the number of clear rounds,” 73 percent of WEG 2014 competitors who started the course completed it. That percentage surely would have been even higher had the footing been decent, as many of the competitors’ issues on course stemmed from their horses’ exhaustion due to the heavy going rather than the obstacle itself.
Despite the footing wild card, the percentage of finishers at WEG 2014 is just slightly less than that of the last WEG in Lexington, which saw a 76 percent completion rate.
To further put the WEG completion percentages in context, let’s compare them to those of regular four-star events. You might guess that there would be fewer finishers at a WEG because of the increased difficulty of the course, but you’d be wrong — the course may be stiffer at WEG, but so is the caliber of the competition, so it balances out or even falls a little short. All three of the CCI4* events that have taken place thus far this year had lower completion percentages than the past two WEGs.
First there was Rolex in April, which had a 71 percent completion rate:
Next was Badminton in May, which thanks to treacherous footing coupled with a tough track had one of the lowest completion rates of any CCI4* in recent history, 44 percent:
Luhmühlen fared slightly worse than Rolex but significantly better than Badminton with a completion percentage of 68 percent. Not reflected is the tragic rider death that also occurred here.
Looking back to 2013 for the other three CCI4* events on the calendar, Pau had 60 percent completion, Burghley had 69 percent and Adelaide had 85 percent. What that all looks like together:
So, WEG actually had the second highest completion rate of any four-star event in the last 12 months. Surprised? I was.
It was also surprising to see how close together most of the percentages were with the exceptions of Badminton, which had a fluke year, and Adelaide, which had far fewer entries than the other events and thus may provide a less representative sample. It’s not like course designers just sit down with a pen and piece of paper and say, “I’m going to design a course that approximately 70 percent of competitors will be able to complete.” So how do they do it?
I don’t know, but I’m impressed. Go course designers. Go Eventing.
The line outside one of three food vendors at Haras du Pin on Thursday. Photo by Leslie Wylie.
Can’t say we didn’t see it coming. All week the Games had been struggling to accommodate crowd numbers that were less than half of 50,000 spectators Haras du Pin was anticipating for cross-country day. Jenni and I experienced our fair share of logistical hassles…
… but the stories we’d heard coming from spectators were positively nightmarish in comparison: horror stories of overflowing bathrooms, nonexistent food, rough security guards and mob crowds.
One American woman I started talking to (while waiting in a line, of course) told me that for the opening ceremonies at D’Ornano Stadium, attended by 20,000, there was only one open entrance into the stadium. It quickly became bottle-necked and, when it became clear that no other entrance was going to be opened, some ticketholders lost their patience and began surging forward, knocking over gates and creating a dangerous situation for those at the front of the queue.
“I looked around for a security guard to help re-establish order, but there wasn’t one, and the one person who was working the entrance was on her phone,” the woman recalled. “I’m not exaggerating; I was scared for my life.”
So …
The question of the hour: What will happen when 50,000 people show up for XC day at #WEG2014? #WoodstockWEG
It’s about an hour drive from the main venues at Caen to Haras du Pin without traffic. The motorway is wide-open, but once you get off the exit, the route narrows to winding back roads through quaint villages. The organizers claimed to have “a special traffic plan” in place for handling the influx of traffic: They’d set aside some 148 acres of meadow for parking; made some roads one-way; set out police officers to direct the flow; and sectioned off certain roads for officials, organizers; national federations and “special invited guests.”
The plan didn’t work — or at least not well enough. While early birds who arrived well in advance of the cross-country start had no problem getting in — the EN team arrived at about 6:45 a.m. to beat the traffic — those who waited until mid-morning to drive in were met with brake lights as far as the eye could see.
Throughout the afternoon, we kept hearing stories of ticketholders who had been stuck in gridlock for four, five and six hours, some of whom missed or almost missed the event completely. Actual parking wasn’t an issue as the lots didn’t even fill up (on a side note they parked the earliest arrivals in the furthest lots, which makes very little sense); the problem was getting there.
And that’s just the tip of the iceberg. Just click here to see the laundry list of Facebook reviews with grisly details — the descriptions of the toilet catastrophes are barely fit to print. In addition to traffic complaints there are disturbing comments from volunteers, like this one from a cross-country jump judge …
… and a host of other grievances. WEG itself, however, seems happily oblivious, acknowledging the problems but offering no recourse. From a press release issued this morning:
“The Dressage and Cross-Country competitions in the Eventing were fully booked at Le Pin National Stud : 22,600 spectators watched the Dressage and 50,000 followed Cross-Country on Saturday 30 August. Le Pin’s arena demonstrated that it was perfect venue for hosting sporting events of this calibre. Despite the poor weather of previous days, the quality of the track was particularly appreciated by the competitors.
All the meadow car parks were open from 06:30am, accommodating a steady flow of 14,500 vehicles and 120 coaches. Significant work went into preserving and preparing them for heavy use on the day. Despite the best efforts and good will of all, traffic became significantly congested from 09:30am with the journey time to reach the site ranging from 1hr15 to 3hrs. The Organising Committee regrets the amount of time it took for some spectators to access the site.
Delusional.
Of course, as one Facebook commenter put it:
WEG can spin it however they wish, but it’s our job to make sure that WEG Organizing Committee understands that a repetition of this year’s fiasco will not be tolerated at Bromont in 2018. Email them at [email protected] and let your voices be heard on Facebook and Twitter.
Furthermore, it’s worth starting a discussion about how feasible it is to continue on with the eight disciplines, one venue format, as opposed to separately held championships for the various disciplines. The current system has been in place since 1990, and while the past two WEGs have been (arguably) well run — Aachen in 2006 and Lexington in 2010 — how many other venues in the world have the infrastructure in place to pull off such a feat? It’s a great idea in theory, but the execution, as we’re seeing in Normandy, is easily botched.
There were more top eventers in the press room than you could shake a jumping bat at following today’s competition. All three medal-winning teams were in attendance to field questions about how they felt the competition shook out.
Gold medalist Sandra Auffarth was all smiles, and while Michael Jung and William Fox-Pitt presented themselves with typical composure and grace you can bet they were silently grinding their teeth a little, William dropping to Bronze after a rail and 2010 WEG champion Michael having to relinquish his crown. World beaters almost have to have a “second place = first loser” sort of mentality, and these guys never let themselves off easy. They’ll be back at the drawing board tomorrow — OK, maybe Tuesday — plotting how to close that 0.3-point (between Sandra and Michael) or 2.3-point (between Saundra and William) gap between Gold and Not Gold.
I made a sincere attempt to transcribe the press conference but Sandra and Michael’s Denglish just didn’t sit right on the page. Instead, I present to you the full video, which is almost as unwieldy thanks to lengthy French translations and my caffeine-shaky hands. For all you diehard WEG followers, have at it!